I Didn't Mean To Hurt You Quotes

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Have you ever been in love? Horrible isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means that someone can get inside you and mess you up. You build up all these defenses, you build up a whole suit of armor, so that nothing can hurt you, then one stupid person, no different from any other stupid person, wanders into your stupid life...You give them a piece of you. They didn't ask for it. They did something dumb one day, like kiss you or smile at you, and then your life isn't your own anymore. Love takes hostages. It gets inside you. It eats you out and leaves you crying in the darkness, so simple a phrase like 'maybe we should be just friends' turns into a glass splinter working its way into your heart. It hurts. Not just in the imagination. Not just in the mind. It's a soul-hurt, a real gets-inside-you-and-rips-you-apart pain. I hate love.
Neil Gaiman (The Sandman, Vol. 9: The Kindly Ones)
Fat’ is usually the first insult a girl throws at another girl when she wants to hurt her. I mean, is ‘fat’ really the worst thing a human being can be? Is ‘fat’ worse than ‘vindictive’, ‘jealous’, ‘shallow’, ‘vain’, ‘boring’ or ‘cruel’? Not to me; but then, you might retort, what do I know about the pressure to be skinny? I’m not in the business of being judged on my looks, what with being a writer and earning my living by using my brain… I went to the British Book Awards that evening. After the award ceremony I bumped into a woman I hadn’t seen for nearly three years. The first thing she said to me? ‘You’ve lost a lot of weight since the last time I saw you!’ ‘Well,’ I said, slightly nonplussed, ‘the last time you saw me I’d just had a baby.’ What I felt like saying was, ‘I’ve produced my third child and my sixth novel since I last saw you. Aren’t either of those things more important, more interesting, than my size?’ But no – my waist looked smaller! Forget the kid and the book: finally, something to celebrate! I’ve got two daughters who will have to make their way in this skinny-obsessed world, and it worries me, because I don’t want them to be empty-headed, self-obsessed, emaciated clones; I’d rather they were independent, interesting, idealistic, kind, opinionated, original, funny – a thousand things, before ‘thin’. And frankly, I’d rather they didn’t give a gust of stinking chihuahua flatulence whether the woman standing next to them has fleshier knees than they do. Let my girls be Hermiones, rather than Pansy Parkinsons.
J.K. Rowling
recant, v. I want to take back at least half of the “I love you”s, because I didn’t mean them as much as the other ones. I want to take back the book of artsy photos I gave you, because you didn’t get it and said it was hipster trash. I want to take back what I said about you being an emotional zombie. I want to take back the time I called you “honey” in front of your sister and you looked like I had just shown her pictures of us having sex. I want to take back the wineglass I broke when I was mad, because it was a nice wineglass and the argument would have ended anyway. I want to take back the time we had sex in a rent-a-car, not because I feel bad about the people who got in the car after us, but because it was massively uncomfortable. I want to take back the trust I had while you were away in Austin. I want to take back the time I said you were a genius, because I was being sarcastic and I should have just said you’d hurt my feelings. I want to take back the secrets I told you so I can decide now whether to tell them to you again. I want to take back the piece of me that lies in you, to see if I truly miss it. I want to take back at least half the “I love you”s, because it feels safer that way.
David Levithan (The Lover's Dictionary)
I'll understand if you don't want me. But I will be heartbroken. You are all I ever dreamed of and hoped for. You are much, much more. Please know that I didn't think I was mean-minded. But I realize I am. I don't want you to put your arms around me and say it's all right, that you forgive me. I want you to be sure that you do, and my love for you will last as long as I live. I can see no lightness, no humour, no joke to make. I just hope that we will be able to go back to when we had laughter, and the world was coloured, not black and white and grey. I am so sorry for hurting you. I could inflict all kinds of pain on myself, but it would not take back any I gave to you. - David Power
Maeve Binchy (Echoes)
I asked you to be my parabatai because I needed you, but you’re allowed to need me, too. This”—he indicated his own parabatai rune—“means you are the better, other half of me, and I care about you more than I care about myself. Remember that. I’m sorry I didn’t realize how much you were hurting. I didn’t see it then, but I see it now.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
I just wanted to say that you don't always have to be all right. I asked you to be my parabatai because I needed you, but you're allowed to need me, too. This" - he indicated his own parabatai rune - "means you are the better, other half of me, and I care about you more than I care about myself. Remember that. I'm sorry I didn't realize how much you were hurting. I didn't see it then, but I see it now.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Van Houten, I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently. Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. (Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.) We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either. People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox. After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse. What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
John Green (The Fault in Our Stars)
You cannot have my pain.” “Dalinar—” Dalinar forced himself to his feet. “You. Cannot. Have. My. Pain.” “Be sensible.” “I killed those children,” Dalinar said. “No, it—” “I burned the people of Rathalas.” “I was there, influencing you—” “YOU CANNOT HAVE MY PAIN!” Dalinar bellowed, stepping toward Odium. The god frowned. His Fused companions shied back, and Amaram raised a hand before his eyes and squinted. Were those gloryspren spinning around Dalinar? “I did kill the people of Rathalas,” Dalinar shouted. “You might have been there, but I made the choice. I decided!” He stilled. “I killed her. It hurts so much, but I did it. I accept that. You cannot have her. You cannot take her from me again.” “Dalinar,” Odium said. “What do you hope to gain, keeping this burden?” Dalinar sneered at the god. “If I pretend … If I pretend I didn’t do those things, it means that I can’t have grown to become someone else.” “A failure.” Something stirred inside of Dalinar. A warmth that he had known once before. A warm, calming light. Unite them. “Journey before destination,” Dalinar said. “It cannot be a journey if it doesn’t have a beginning.” A thunderclap sounded in his mind. Suddenly, awareness poured back into him. The Stormfather, distant, feeling frightened—but also surprised. Dalinar? “I will take responsibility for what I have done,” Dalinar whispered. “If I must fall, I will rise each time a better man.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
Have you ever been in love? Horrible isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means that someone can get inside you and mess you up. You build up all these defenses, you build up a whole suit of armor, so that nothing can hurt you, then one stupid person, no different from any other stupid person, wanders into your stupid life...You give them a piece of you. They didn't ask for it. They did something dumb one day, like kiss you or smile at you, and then your life isn't your own anymore. Love takes hostages. It gets inside you. It eats you out and leaves you crying in the darkness, so simple a phrase like 'maybe we should be just friends' turns into a glass splinter working its way into your heart. It hurts. Not just in the imagination. Not just in the mind. It's a soul-hurt, a real gets-inside-you-and-rips-you-apart pain. I hate love.
Yun Kouga
Arms wrapped around his neck, she kissed his temple. "I'm sorry I scared you." It wasn't the done thing for an archangel to admit fear, but he was hers, and she'd hurt him without meaning to; it was up to her to fix her mistake. His wings shifted, but he didn't extricate their bodies. "I didn't know fear until you, Elena. Use the power wisely.
Nalini Singh (Archangel's Legion (Guild Hunter, #6))
I remember you was conflicted Misusing your influence Sometimes I did the same Abusing my power, full of resentment Resentment that turned into a deep depression Found myself screaming in the hotel room I didn’t wanna self destruct The evils of Lucy was all around me So I went running for answers Until I came home But that didn’t stop survivor’s guilt Going back and forth trying to convince myself the stripes I earned Or maybe how A-1 my foundation was But while my loved ones was fighting the continuous war back in the city, I was entering a new one A war that was based on apartheid and discrimination Made me wanna go back to the city and tell the homies what I learned The word was respect Just because you wore a different gang color than mine's Doesn’t mean I can’t respect you as a black man Forgetting all the pain and hurt we caused each other in these streets If I respect you, we unify and stop the enemy from killing us But I don’t know, I’m no mortal man, maybe I’m just another nigga
Kendrick Lamar, To Pimp a Butterfly
Beati bellicosi. Blessed are the warriors.” “Good organization,” said Magnus. “I knew the man who founded it, back in the 1800s. Woolsey Scott. Respectable old werewolf family.” Alec made an ugly sound in the back of his throat. “Did you sleep with him, too?” Magnus’s cat eyes widened. “Alexander!” “Well, I don’t know anything about your past, do I?” Alec demanded. “You won’t tell me anything; you just say it doesn’t matter.” Magnus’s face was expressionless, but there was a dark tinge of anger to his voice. “Does this mean every time I mention anyone I’ve ever met, you’re going to ask me if I had an affair with them?” Alec’s expression was stubborn, but Simon couldn’t help having a flash of sympathy; the hurt behind his blue eyes was clear. “Maybe.” “I met Napoleon once,” said Magnus. “We didn’t have an affair, though. He was shockingly prudish for a Frenchman.” “You met Napoleon?” Jordan, who appeared to be missing most of the conversation, looked impressed. “So it’s true what they said about warlocks, then?” Alec gave him a very unpleasant look. “What’s true?” “Alexander,” said Magnus coldly, and Clary met Simon’s eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. “You can’t be rude to everyone who talks to me.” Alec made a wide, sweeping gesture. “And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He’s pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good looks type.” “Hey, now,” said Jordan mildly. Magnus put his head in his hands. “Or there are plenty of pretty girls here, since apparently your taste goes both ways. Is there anything you aren’t into?” “Mermaids,” said Magnus into his fingers. “They always smell like seaweed.” “It’s not funny,” Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Do you think she’s crossed over? I mean, I’ve always wanted her to figure things out, but I never expected her to cross over the very instant she remembered. What if she’s gone?” “We’ll celebrate.” Still, she kept quiet. “I know it’s difficult to believe, but something is going on. Sara is not like this. She would never do anything to hurt me. I didn’t even say good-bye.
Diane L. Kowalyshyn (Crossover (Cross your Heart and Die, #1))
Just because you didn’t torture him doesn’t mean you weren’t rough, but I know why you did it.” I threaded my fingers through his hair. “Thank you for trying to protect me.” The barest smile touched his mouth. “I prefer simply killing people who hurt you. Much less complicated that way.
Jeaniene Frost (Bound by Flames (Night Prince, #3))
I fell in love with you last winter. I didn’t mean to, but it happened. And then I took stock and realised that you were only here temporarily; one day you’ll be gone for good and I’ll stay here for the rest of my life. It hurt so damn much that I decided I wasn’t going to let you in again…
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium, #1))
Here's the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That's what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, "They'll remember me now," but (a) they don't remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. ... We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants. I know it's silly and useless--epically useless in my current state--but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either. People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn't actually invent anything. He just noticed that people with cowpox didn't get smallpox. ... But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. ... What else? She is so beautiful. You don't get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don't get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
John Green (The Fault in Our Stars)
Words Are Windows (or They’re Walls) I feel so sentenced by your words, I feel so judged and sent away, Before I go I’ve got to know, Is that what you mean to say? Before I rise to my defense, Before I speak in hurt or fear, Before I build that wall of words, Tell me, did I really hear? Words are windows, or they’re walls, They sentence us, or set us free. When I speak and when I hear, Let the love light shine through me. There are things I need to say, Things that mean so much to me, If my words don’t make me clear, Will you help me to be free? If I seemed to put you down, If you felt I didn’t care, Try to listen through my words, To the feelings that we share. -–Ruth Bebermeyer
Marshall B. Rosenberg
There were probably many factors that kept the relationship going and kept your love alive. There were all his promises. "I promise this will never happen again." You believed him the first time. And the second. As the abuse continued, he became increasingly remorseful, his promises more insistent. You continued to believe him; you wanted to believe him. After all, you loved him. Then there were all the apologies. He seemed truly sorry. You forgave him. Now, however, when you think back, you realize the apologies were conditional. They blamed you! "I'm sorry, but if only you hadn't..." They always made his abuse somehow your fault. You may have begun to believe this, and you may even remember apologizing to him. You began to believe that if you were careful about what you said or did, you could prevent the abuse from happening again. As the abuse escalated over time, the blaming became more obvious. "I didn't mean to hurt you, but if you just weren't so [stupid, ugly, careless, dumb, etc.], this would never have happened." Time after time you were made to believe that every act of violence or abuse was your fault. Day after day you were made to feel that you were unworthy of him.
Meg Kennedy Dugan (It's My Life Now: Starting Over After an Abusive Relationship or Domestic Violence)
When my husband had an affair with someone else I watched his eyes glaze over when we ate dinner together and I heard him singing to himself without me, and when he tended the garden it was not for me. He was courteous and polite; he enjoyed being at home, but in the fantasy of his home I was not the one who sat opposite him and laughed at his jokes. He didn't want to change anything; he liked his life. The only thing he wanted to change was me. It would have been better if he had hated me, or if he had abused me, or if he had packed his new suitcases and left. As it was he continued to put his arm round me and talk about being a new wall to replace the rotten fence that divided our garden from his vegetable patch. I knew he would never leave our house. He had worked for it. Day by day I felt myself disappearing. For my husband I was no longer a reality, I was one of the things around him. I was the fence which needed to be replaced. I watched myself in the mirror and saw that I was mo longer vivid and exciting. I was worn and gray like an old sweater you can't throw out but won't put on. He admitted he was in love with her, but he said he loved me. Translated, that means, I want everything. Translated, that means, I don't want to hurt you yet. Translated, that means, I don't know what to do, give me time. Why, why should I give you time? What time are you giving me? I am in a cell waiting to be called for execution. I loved him and I was in love with him. I didn't use language to make a war-zone of my heart. 'You're so simple and good,' he said, brushing the hair from my face. He meant, Your emotions are not complex like mine. My dilemma is poetic. But there was no dilemma. He no longer wanted me, but he wanted our life Eventually, when he had been away with her for a few days and returned restless and conciliatory, I decided not to wait in my cell any longer. I went to where he was sleeping in another room and I asked him to leave. Very patiently he asked me to remember that the house was his home, that he couldn't be expected to make himself homeless because he was in love. 'Medea did,' I said, 'and Romeo and Juliet and Cressida, and Ruth in the Bible.' He asked me to shut up. He wasn't a hero. 'Then why should I be a heroine?' He didn't answer, he plucked at the blanket. I considered my choices. I could stay and be unhappy and humiliated. I could leave and be unhappy and dignified. I could Beg him to touch me again. I could live in hope and die of bitterness. I took some things and left. It wasn't easy, it was my home too. I hear he's replaced the back fence.
Jeanette Winterson (Sexing the Cherry)
I used to wonder why Lucy liked those songs so much. You know what I mean? She sits in the dark and listens and cries. Music does that to her...I didn't understand for a long time. But I do now. The sad songs are a safe hurt. It's a diversion. It's controlled. And maybe it helps you imagine that real pain will be like that. But it's not. Lucy knows that, of course. You can't prepare for real pain. You just have to let it rip you apart.
Harlan Coben (Hold Tight)
It wouldn't matter," he says. "If we were in the same world, the one where Kincaid was in love with you, I'd still be here. If you wanted me, I'd be here." "Why?" I ask. He hides a grin and runs his thumb over my lips. "I'm not sure the world and me are as complicated as you think, Natalie. I didn't mean to choose you or anything. I just know if I only get to build one porch in my life, I'd like it to be yours, and if there's one person I never have to hurt or disappoint, I'd want that to be you too.
Emily Henry (The Love That Split the World)
I'm really not looking to date anyone." I know people often say that when secretly looking for a romantic partner, but I mean it. I definitely felt attracted to some people, and I liked the idea of being with someone, but the actual mechanics of it didn't much suit my talents. Like, parts of typical romantic relationships that made me anxious included 1. Kissing; 2. Having to say the right things to avoid hurt feelings; 3. Saying more wrong things while trying to apologize; 4. Being at a movie theater together and feeling obligated to hold hands even after your hands become sweaty and the sweat starts mixing together; 5. The part where they say, "What are you thinking about?" And they want you to be, like, "I'm thinking about you, darling," but you're actually thinking about how cows literally could not survive if it weren't for the bacteria in their guts, and how that means that cows do not exist as independent life-forms, but that's not really something you can say out loud, so you're ultimately forced to choose between lying and seeming weird.
John Green (Turtles All the Way Down)
She smiled apologetically. "You're a good person, which makes the fact you don't trust anyone, really hard for the people who care about you. And Braden, when he cares about someone, has to know everything so he can cover all the bases and protect them. He has to be a guy people can trust. It's just who he is. If he started something with you, he'd only be hurt when you refuse to let him in." I only sort of took that in. Mostly, I just kept hearing 'you're a good person, which makes the fact that you don't trust anyone, really hard for the people who care about you." "Am I hurting you, Ellie?" I didn't want to admit how scared I was for her answer. She exhaled, heavily, seeming to weigh her words. "At first I was. But knowing that you don't mean to hurt me helps. Do I wish you'd trust me more? Yes. Am I going to push it? No." She stood up. "Just know that if you ever do decide to trust me, I'm here. And you can tell me anything.
Samantha Young (On Dublin Street (On Dublin Street, #1))
Your ribcage never meant to hurt you. Your windpipe doesn’t know how to be pretty, but she knows how to howl— and here, I’d like to take a moment to submit a formal apology to my soft parts because they kept me warm when I was trying to freeze to death, and I hated them for it. An apology for a starvation that went deeper than my skin. One for the strongest skeleton I will ever own and how I kept using the word girl against it. Or how I turned words like beautiful into shapes I could contort myself into. I didn’t mean to compare myself to faces I can’t have. Or spend years trying to carve myself, like Michelangelo’s angels, from the marble— forgetting what it is to be skin instead of stone. I let myself be afraid. I was taught to be. When you learn you are only as good as your beauty routine, you forget how to define yourself by anything else.
Ashe Vernon (Wrong Side of a Fistfight)
The problem isn't that I'm uncomfortable with it, the problem is that I want it!" I yelled. It was official; I'd lost it. Oh well, I wasn't known for having a long fuse. "Are you happy? Jesus. You say something like that and then expect me to just be whatever about it. That's like teasing someone with a giant red velvet cake and then putting it in one of those glass rotating desert thingies." I wasn't my most eloquent at the moment. "Does this mean I'm the cake?" "Shut up, it was a metaphor." "So you want me?" So much it hurt. "Yes," I whispered. "Right now?" "Yes." "Oh." Now he was the one who sounded nervous. "It's just... a surprise." "I told you I would entertain the idea." "I know. I just didn't think you'd be so enthusiastic so soon." "Hunter, I'm a virgin. Not a nun." He didn't talk for a moment. "That was the sexiest thing you've ever said. God, why do you do this to me?
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
So what now?" he said. "What do you mean?" "What do we do now? We can't just be roommates." "You said you didn't like me." "I don't like you. I don't like how your hair smells, and how I can't stop thinking about waking up and seeing your face. I hate how my bed felt empty when you left. I don't like how good you were with my family, especially Harper, and how I wanted to see you with then again, but not just as a guest. As a member. You're right. I don't like you at all." "When did you change your mind?" "My mind never changed. I've wanted you since the moment you opened the door and had that stunned look on your face. It just took me a while to admit it. Why deny it now? It is what it is and it's not going to change." "Oh." "This doesn't mean I'm going to be nice. I'm still going to be an ass. I'll just be an ass who apologizes and brings you flowers to say he's been a dick." "Chocolate," I said. "What?" "I'd rather have chocolate when you apologize." "Chocolate it is." He smiled. "So does that mean what I think it means?" "No. It just means that you get to bring me chocolate when you've been an ass. I'm going to weigh three hundred pounds." I focused my attention back on the peppers. I couldn't think about Hunter's declaration of... whatever it was. Footsteps didn't make me look up. "Taylor, look at me. Please." Damn. If only he didn't say please. "I can't promise to not make you mad. I can't promise that I won't hurt you. All I can promise is that I want you in my life, and I'll do anything to keep you there.
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
Shoglig was talking shit. That old bitch didn’t know when I was going to die at all. If I’d known that I’d surely have worn more armour.’ Whirrun made a sound somewhere between a cough and a laugh, then winced, coughed, laughed again, winced again. ‘Fuck, it hurts. I mean, you know it will, but, fuck, it really does hurt. Guess you showed me my destiny anyway, eh, Craw?
Joe Abercrombie (The Heroes)
Life bullies us son, but God don't. He had good reasons for fixin' it where if'n you git too sick or too hurt to live, why, you can die, same as a sick chicken. I've knowed a few really sick chickens to git well, and lots a-folks git well thet nobody ever thought to see out a-bed agin cept in a coffin. Still and all, common sense tells you this much: everwhat makes a wheel run over a track will make it run over a boy if'n he's in the way. If'n you'd a got kilt, it'd mean you jest didn't move fast enough, like a rabbit that gits caught by a hound dog... When it comes to prayin' we got it all over the other animals, but we ain't no different when it comes to livin' and dyin'. If'n you give God the credit when somebody don't die, you go'n blame Him when they do die? Call it His Will? Ever noticed we git well all the time and don't die but once't? Thet has to mean God always wants us to live if'n we can.
Olive Ann Burns (Leaving Cold Sassy: The Unfinished Sequel to Cold Sassy Tree)
I don't know how to fit you in my world without hurting you too." The truth in my words revealed more than he'd ever know. "Don't worry about hurting me," he replied calmly. "I like being a part of your world, and I understand that it's more complicated than you're willing to share with me. But I'll respect that, for now." He pulled into the parking lot of a drugstore and put the car in park. Evan seemed nervous as he turned to speak to ne. He released a quick breath before he spoke. My chest tightened, afraid to hear what he had to say." "I don't do this." His hands gestured between us. My eyes narrowed, trying to inerpret his meaning. He exhaled and looked out the windshield. "I don't stay, and I'm used to that. And I'm always prepared to leave-because I have to eventually. He stopped again, frustrated with himself. I sat motionless, absolutely convinced I didn't want him to continue - but I couldn't bring myself to ask him to stop. "I want to stay here," he finally decalred. "It would bother me if I left. I mean, I've already unpacked.
Rebecca Donovan (Reason to Breathe (Breathing, #1))
I liked hurting girls. Mentally, not physically, I never hit a girl in my life. Well, once. But that was a mistake. I’ll tell you about it later. The thing is, I got off on it. I really enjoyed it. It’s like when you hear serial killers say they feel no regret, no remorse for all the people they killed. I was like that. Loved it. I didn’t care how long it took either, because I was in no hurry. I’d wait until they were totally in love with me. Till the big saucer eyes were looking at me. I loved the shock on their faces. Then the glaze as they tried to hide how much I was hurting them. And it was legal. I think I killed a few of them. Their souls, I mean. It was their souls I was after.
Anonymous (Diary of an Oxygen Thief)
Peter pushed off from the roof and stalked a few feet away, his back to her. “Please tell me this is all some kind of a sick joke.” “It’s the truth. All of it. That’s why hunters are after me.” “How did they find out?” Peter asked, swiveling toward her now. “I think Beck ratted me out. I went to his house this morning and told him what had happened. He was furious, Peter. I’ve never seen anyone that angry.” “Duh! Now there’s a surprise,” her friend replied sarcastically. “I saw the way he looked at you at your dad’s funeral. Of course he’d be mad. You’re about the only one on the planet who doesn’t realize how he feels about you.” “He never said anything,” she retorted. “Hey, we guys don’t blurt out that kind of stuff,” he replied. “It’s against the man code. Beck may never have said how he felt, but everything he did for you should have been a big clue. I mean, come on, how slow are you?” She glowered at her friend. “I figured he was doing it because of my father.” “Maybe, but the guy is really into you, Riley.” “No way. If he’d liked me, he wouldn’t have blown me off and—” “Ancient history, girl!” he countered. “You were, what, fifteen? Your dad would have torn him apart if he’d touched you. Beck had no other choice.” “He didn’t have to be so mean.” “God, will you listen to yourself?” Peter retorted. “You have no idea how much he hurt me,” she shot back. “Give it up, will you? You’re my best friend, but you can be a real self-centered asshat sometimes.
Jana Oliver (Forgiven (The Demon Trappers, #3))
You had a fucking friend who needed you. What the hell was that, Jocelyn?" He shook his head slowly. "Don't," he whispered hoarsely, dipping his head so our noses were almost touching. "Don't do this. Not now. Whatever shit your spinning in that head of yours, stop. She needs you, babe." He shallowed hard, his eyes glimmering in the streetlights. "I need you." I felt that familiar choking in the bottom of my throat. "I didn't ask you to need me," I whispered back. I saw it. The hurt flickered across his face before he quickly banked it. Abruptly, he let go of me. "Fine. I don't have time for your multitude of emotional issues. I have a wee sister who may or may not have brain cancer, and she needs me, even if you don't. But I'll tell you something Jocelyn," he stepped forward, point a finger in my face, his own hardened with anger, "If you don't see her through this, you'll hate yourself for the rest of your life. You can pretend you don't give a shit about me, but you can't pretend Ellie means nothing to you. I've seen you. Do you hear me?" He hissed, his hot breath blowing across my face, his words cutting though my soul. "You love her. You can't sweep that under the rug because it's easier to pretend she means nothing to you than it is to bear the thought of losing her. She deserves better than that.
Samantha Young (On Dublin Street (On Dublin Street, #1))
Who are we to say getting incested or abused or violated or any of those things can’t have their positive aspects in the long run? … You have to be careful of taking a knee-jerk attitude. Having a knee-jerk attitude to anything is a mistake, especially in the case of women, where it adds up to this very limited and condescending thing of saying they’re fragile, breakable things that can be destroyed easily. Everybody gets hurt and violated and broken sometimes. Why are women so special? Not that anybody ought to be raped or abused, nobody’s saying that, but that’s what is going on. What about afterwards? All I’m saying is there are certain cases where it can enlarge you or make you more of a complete human being, like Viktor Frankl. Think about the Holocaust. Was the Holocaust a good thing? No way. Does anybody think it was good that it happened? No, of course not. But did you read Viktor Frankl? Viktor Frankl’s Man’s Search for Meaning? It’s a great, great book, but it comes out of his experience. It’s about his experience in the human dark side. Now think about it, if there was no Holocaust, there’d be no Man’s Search for Meaning… . Think about it. Think about being degraded and brought within an inch of your life, for example. No one’s gonna say the sick bastards who did it shouldn’t be put in jail, but let’s put two things into perspective here. One is, afterwards she knows something about herself that she never knew before. What she knows is that the most totally terrible terrifying thing that she could ever have imagined happening to her has now happened, and she survived. She’s still here, and now she knows something. I mean she really, really knows. Look, totally terrible things happen… . Existence in life breaks people in all kinds of awful fucking ways all the time, trust me I know. I’ve been there. And this is the big difference, you and me here, cause this isn’t about politics or feminism or whatever, for you this is just ideas, you’ve never been there. I’m not saying nothing bad has ever happened to you, you’re not bad looking, I’m sure there’s been some sort of degradation or whatever come your way in life, but I’m talking Viktor Frankl’s Man’s Search for Meaning type violation and terror and suffering here. The real dark side. I can tell from just looking at you, you never. You wouldn’t even wear what you’re wearing, trust me. What if I told you it was my own sister that was raped? What if I told you a little story about a sixteen-year-old girl who went to the wrong party with the wrong guy and four of his buddies that ended up doing to her just about everything four guys could do to you in terms of violation? But if you could ask her if she could go into her head and forget it or like erase the tape of it happening in her memory, what do you think she’d say? Are you so sure what she’d say? What if she said that even after that totally negative as what happened was, at least now she understood it was possible. People can. Can see you as a thing. That people can see you as a thing, do you know what that means? Because if you really can see someone as a thing you can do anything to him. What would it be like to be able to be like that? You see, you think you can imagine it but you can’t. But she can. And now she knows something. I mean she really, really knows. This is what you wanted to hear, you wanted to hear about four drunk guys who knee-jerk you in the balls and make you bend over that you didn’t even know, that you never saw before, that you never did anything to, that don’t even know your name, they don’t even know your name to find out you have to choose to have a fucking name, you have no fucking idea, and what if I said that happened to ME? Would that make a difference?
David Foster Wallace (Brief Interviews with Hideous Men)
I didn’t mean it, Pidge. If he hurts you—if he even makes you feel uncomfortable—you let me know.” The anger subsided, and my shoulders fell. “I know you didn’t. But you have got to curb this over-protective big brother-thing you’ve got going on.” Travis laughed once. “I’m not playing the big brother, Travis laughed once. “I’m not playing the big brother, Pigeon. Not even close.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Sister, why do you do that?" "Do what?" "Cage the animals at night?" "Well..." She looked up and out through the barred window before answering me."We don't want to, Jennings, but we have to. You see, the animals that are given to us we have to take care of. If we didn't cage them up in one place, we might lose them, they might get hurt or damaged. It's not the best thing, but it's the only way we have to take care of them." "But if somebody loved one them," I asked, "wouldn't it be a good idea to let them have one? To keep, I mean?" "Yes, it would be. But not everyone would love them and take care of them as you would. I wish I could give them all away tomorrow." She looked at me. There were tears in her eyes. "But I can't. My heart would break if I saw just one of those animals lying by the wayside uncared for, unloved. No, Jennings. It's better if we keep them together.
Jennings Michael Burch (They Cage the Animals at Night: The True Story of an Abandoned Child's Struggle for Emotional Survival)
I can’t quite shake this feeling that we live in a world gone wrong, that there are all these feelings you’re not supposed to have because there’s no reason to anymore. But still they’re there, stuck somewhere, a flaw that evolution hasn’t managed to eliminate yet. I want so badly to feel bad about getting pregnant. But I can’t, don’t dare to. Just like I didn’t dare tell Jack that I was falling in love with him, wanting to be a modern woman who’s supposed to be able to handle the casual nature of these kinds of relationships. I’m never supposed to say, to Jack or anyone else, ‘What makes you think I’m so rich that you can steal my heart and it won’t mean a thing?’ Sometimes I think that I was forced to withdraw into depression, because it was the only rightful protest I could throw in the face of a world that said it was all right for people to come and go as they please, that there were simply no real obligations left. Deceit and treachery in both romantic and political relationships is nothing new, but at one time, it was bad, callous, and cold to hurt somebody. Now it’s just the way things go, part of the growth process. Really nothing is surprising. After a while, meaning and implication detach themselves from everything. If one can be a father and assume no obligations, it follows that one can be a boyfriend and do nothing at all. Pretty soon you can add friend, acquaintance, co-worker, and just about anyone else to the long list of people who seem to be part of your life, though there is no code of conduct that they must adhere to. Pretty soon, it seems unreasonable to be bothered or outraged by much of anything because, well, what did you expect?
Elizabeth Wurtzel (Prozac Nation)
You think that you've moved on. That you’re happier and now that you think about it — you're quite glad that it didn’t work out because you are free and happy. You're so happy. And it’s better this way. "Here, let me tell you my reasons," you say. "Let me explain what I mean." After hours of telling your neighbour and the florist and the girl on the bus, you conclude: "So, you see? I’m happier now.” You tell the brokenhearted your tale and assure them it's for the best, “So you see? It was meant to be.” But my dear, my foolish hurting dear, your ego is the bullet left in the wound. It’s this ego that needs to explain itself and justify the battle. A true warrior would be too busy fighting to live.
Kamand Kojouri
You were right to end it with us,” I said harshly. “And I’m not willing to do it again.” He stared at me, shocked. My words were a lie, of course. Part of me wanted to try again, to endure anything to be with him. But I couldn’t stop thinking about Maddie. Couldn’t stop thinking about the hurt she would go through. It was ironic, really. Last time, he’d gone out of his way to hurt me purposely because it was for the greater good. Now I was doing the same for both of them, saving her from heartache and him from more grief with me. We were in an endless cycle. “You can’t mean that. I know you can’t.” His face was a mixture of incredulity and pain. I shook my head. “I do. You and me are a disaster. What we did during this stasis...it was wrong. It was disgraceful. Immoral. We betrayed someone who loves both of us, who wishes nothing but the best for us. How could we do that? What kind of precedent is that? How could we expect to have a solid relationship that was built on that sort of sordid foundation? One that was built on lies and deceit?” Saying those words hurt. It was tarnishing the beauty of these precious few days we had, but I needed to make my case. Seth was silent for several moments as he assessed me. “You’re serious.” “Yes.” I was a good liar, good enough that the person who loved me most couldn’t tell. “Go back to her, Seth. Go back to her and make it up to her.” “Georgina...” I could see it, see it hitting him. The full weight of betraying Maddie was sinking in. His nature couldn’t ignore the wrong he’d done. It was part of his good character, the character that had gone back to save Dante, the character that was going to make him leave me. Again. Hesitantly, he extended his hand to me. I took it, and he pulled me into an embrace. “I will always love you.” My heart was going to burst. How many times, I wondered, could I endure this kind of agony? “No, you won’t,” I said. “You’ll move on. So will I.” Seth left not long after that. Staring at the door, I replayed my own words. You’ll move on. So will I. In spite of how much he loved me, how much he was willing to risk, I truly felt he’d go back to Maddie, that he’d believe what I said. I’d driven home the guilt, made it trump his love for me. You’ll move on. So will I. The unfortunate part about being a good liar, however, was that while I could get other people to believe my words, I didn’t believe them myself.
Richelle Mead (Succubus Heat (Georgina Kincaid, #4))
It /is/ painful, she flinches involuntarily, but it is Guy who cries out. "I'm sorry! Did I hurt you?! I didn't mean to but..." Willow covers his mouth with her hand. "Only for a second," she assures him. "Only for a second." And she realizes that this is true. Pain has somehow transformed into pleasure, and that pleasure is better than any pain could ever be.
Julia Hoban
Some people live their entire life and never once feel how I felt every time he looked at me. So yes, this hurts. And yes, I feel as if I might die. But I won’t. And somehow, I find a way to let it all go...just let it go. No regrets. No grief. It will always hurt a little, down deep in that secret place, but it’s become a pain I can handle. Besides, if it didn’t always hurt, just a little, it wouldn’t mean as much.
Megan Hart (Tear You Apart)
You're a hard man to love, Lachlan MacRuairi, but I do belive I'm up to the challenge." "We'll probably argue." "Aye, it seems likely." "I have a bit of a temper when I get angry." "I have noticed," she said wryly. "I can be a mean bastard. I"ll probably say something to hurt you." She laughed. "Are you trying to scare me off?" He gave her a rueful smile. " Maybe." "Well, stop - it isn't going to work. I'm quite aware of your faults." He frowned. "I didn't say they were faults.
Monica McCarty (The Viper (Highland Guard, #4))
You okay?" he says, touching my cheek. His hand cradles the side of my head, his long fingers slipping through my hair. He smiles and holds my head in place as he kisses me. Heat spreads through me slowly.And fear, buzzing like an alarm in my chest. His lips still on mine,he pushes the jacket from my shoulders.I flinch when I hear it drop,and push him back,my eyes burning. I don't know why I feel this way. I didn't feel like this when he kissed me on the train.I press my palms to my face,covering my eyes. "What? What's wrong?" I shake my head. "Don't tell me it's nothing." His voice is cold.He grabs my arm. "Hey. Look at me." I take my hands from my face and lift my eyes to his.The hurt in his eyes and the anger in his clenched jaw surprise me. "Sometimes I wonder," I say,as calmly as I can, "what's in it for you. This...whatever it is." "What's in it for me," he repeats. He steps back,shaking his head. "You're an idiot,Tris." "I am not an idiot," I say. "Which is why I know that it's a little weird that,of all the girls you could have chosen,you chose me.So if you're just looking for...um,you know...that..." "What? Sex?" He scowls at me. "You know, if that was all I wanted, you probably wouldn't be the first person I would go to." I feel like he just punched me in the stomach. Of course I'm not the first person he would go to-not the first, not the prettiest,not desirable. I press my hands to my abdomen and look away, fighting off tears. I am not the crying type.Nor am I the yelling type. I blink a few times, lower my hands, and stare up at him. "I'm going to leave now," I say quietly. And I turn toward the door. "No,Tris." He grabs my wrist and wrenches me back. I push him away,hard, but he grabs my other wrist, holding our crossed arms between us. "I'm sorry I said that," he says. "What I meant was that you aren't like that. Which I knew when I met you." "You were an obstacle in my fear landscape." My lower lip wobbles. "Did you know that?" "What?" He releases my wrists, and the hurt look is back. "You're afraid of me?" "Not you," I say. I bite my lip to keep it still. "Being with you...with anyone. I've never been involved with someone before,and...you're older, and I don't know what your expectations are,and..." "Tris," he says sternly, "I don't know what delusion you're operating under,but this is all new to me, too." "Delusion?" I repeat. "You mean you haven't..." I raise my eyebrows. "Oh. Oh.I just assumed..." That because I am so absorbed by him, everyone else must be too. "Um. You know." "Well,you assumed wrong." He looks away. His cheeks are bright,like he's embarrassed. "You can tell me anything, you know," he says. He takes my face in his hands,his fingertips cold and his palms warm. "I am kinder than I seemed in training. I promise." I believe him.But this has nothing to do with his kindness. He kisses me between the eyebrows, and on the tip of my nose,and then carefully fits his mouth to mine. I am on edge.I have electricity coursing through my veins instead of blood. I want him to kiss me,I want him to; I am afraid of where it might go.
Veronica Roth (Divergent (Divergent, #1))
Thank you for coming to save me.” She laughs, but it’s soft. “I didn’t save you. I can’t save anyone.” “You can. You did.” “I just hate that we hurt like this, you know?” “What do you mean?” She grabs my hand and squeezes. “I think about the things we’ve talked about in Empower. Articles we’ve read about all the girls who were thrown away by boys like they meant nothing. All the times a girl’s voice seemed to mean less than a boy’s. All the times the courts sent out a shit ruling on a rape case. It never really hit me, you know? I mean, it did, but not like this. I never thought it’d be my story. Or yours. I never wanted to let this be our story.
Ashley Herring Blake (Girl Made of Stars)
I don't think he can hurt. Wizards and witches go hand in hand, after all. Didn't you read Harry Potter?" Eden stared at him. "Well, yeah." "I didn't read the books," he continued. "But I did get to see the movies. A previous host was a fan. He even wore dress robes and pretended he'd been sorted into a house. Hufflepuff, if you can believe it. Who liked Hufflepuff best? I mean, seriously.
Michelle Rowen (That Old Black Magic (Living In Eden, #3))
I hurried to the southern corridor, relieved when I was safe in the blackness there. Relieved and horrified. It was really over now. I'm so afraid, I whimpered. Before Mel could respond, a heavy hand dropped on my shoulder from the darkness. "Going somewhere?" I was so tightly wound that I shrieked in terror; I was so terrified that my shriek was only a breathless little squeal. "Sorry!" Jared's arm went round my shoulders, comforting. "I'm sorry. I didn't mean to scare you." "What are you doing here?" I demanded, still breathless. "Following you. I've been following you all night." "Well, stop it now." There was a hesitation in the dark, and his arm didn't move. I shrugged out from under it, but he caught my wrist. His grip was firm; I wouldn't be able to shake free easily. "You're going to see Doc?" he asked, and there was no confusion in his question. It was obvious that he wasn't talking about a social visit. "Of course I am." I hissed the words so that he wouldn't hear the panic in my voice. "What else can I do after today?It's not going to get any better. And this isn't Jeb's decision to make." "I know. I'm on your side." It made me angry that these words still had the power to hurt me, to bring tears stinging into my eyes. I tried to hold onto the thought of Ian - he was the anchor, as Kyle somehow had been for Sunny - but it was hard with Jared's hand touching me, with the smell of him in my nose. Like trying to make out the song of one violin when the entire percussion section was bashing away... "Then let me go, Jared. Go away. I want to be alone." The words came out fierce and fast and hard. It was easy to hear that they weren't lies. "I should come with you." "You'll have Melanie back soon enough," I snapped. "I'm only asking for a few minutes, Jared. Give me that much." Another pause; his hand didn't loosen. "Wanda, I would come to be with you." The tears spilled over. I was grateful for the darkness. "It wouldn't feel that way," I whispered. "So there's no point.
Stephenie Meyer (The Host (The Host, #1))
I didn’t mean to hurt you, baby girl.” Yeah, I was sure he hadn’t. “I didn’t,” he insisted like he’d read my freaking mind, watching me with those crazy eyes. Sure. Sure, he hadn’t.
Mariana Zapata (Luna and the Lie)
When we get hurt, our bodies immediately start trying to heal that hurt. This works for emotions as well. If we were scarred socially, by an incident of rejection or bullying, we immediately start trying to heal. Like pus comes out of wounds, emotions flow from psychological wounds. And what do we really need at that moment? When we are out of that dangerous situation that scarred us, and we become triggered by some little thing - what do we need? Do we need someone to look at us and say, "Wow, you're really sensitive, aren't you?" or "Hey, man, I didn't mean it like that."? Do we need someone to justify their actions or tell us to take it easy, because the situation didn't really require such a reaction? And, from ourselves, do we really need four pounds of judgment with liberal helpings of shame? Do we need to run away, to suppress, to hate our "over-sensitivity" to situations that seem innocuous to others? No. We do not need all of these versions of rejection of a natural healing process. You would not feel shame over a wound doing what it must do to heal, nor would you shame another. So why do we do this to our heart wounds? Why do we do it to ourselves? To others? Next time some harmless situation triggers you or someone around you into an intense emotion - realize it's an attempt at emotional healing. Realize the danger is no longer there, but don't suppress the healing of old dangers and old pains. Allow the pain. Don't react, but don't repress. Embrace the pain. Embrace the pain of others. Like this, we have some chance at healing the endless cycles of generational repression and suppression that are rolling around in our society. Fall open. Break open. Sit with others' openness. Let love be your medicine.
Vironika Tugaleva
-I didn't mean to hurt you. -You shouldnae have been able to. She blinked at that, but knew what he meant. -I suppose not, no. we're still strangers. More or less. -Only in the measure of time could we consider ourselved that. (Graham & Katie) Some Like It Scot
Donna Kauffman (Some Like It Scot (Hot Scot Trilogy, #1))
What would you decide?” Darrow’s question was quiet, tentative. She considered it. No one had ever asked her such a thing. “I should have very much liked to live at Caraverre,” Evangeline admitted. She knew he did not recognize it, but it didn’t matter now, did it? “Murtaugh showed me the land—the rivers and mountains right nearby, the forests and hills.” An ache throbbed in her chest. “I saw the gardens by the house, and I would have liked to have seen them in spring.” Her throat tightened. “I would have liked for that to have been my home. For this … for all of Terrasen to have been my home.” Darrow said nothing, and Evangeline set a hand on the castle stones, gazing to the west now, as if she could see all the way to Allsbrook and the small territory in its shadow. To Caraverre. “That’s what Terrasen has always meant to me, you know,” Evangeline went on, speaking more to herself. “As soon as Aelin freed Lysandra, and offered to let us join her court, Terrasen has always meant home. A place where … where the sort of people who hurt us don’t get to live. Where anyone, regardless of who they are and where they came from and what their rank is can dwell in peace. Where we can have a garden in the spring, and swim in the rivers in the summer. I’ve never had such a thing before. A home, I mean. And I would have liked for Caraverre, for Terrasen, to have been mine.” She chewed on her lip. “So I would choose to fight. Until the very end. For my home, new as it is. I choose to fight.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
She tilted her head to the right. "You didn't even tell me you had taken the case." "I had done what? Oh, I see what you mean. Well, I hadn't and haven't. My getting shot ought to prove I was an innocent bystander." "Does it hurt much?" "It itches. I forgot to have the dressing changed this afternoon." "Wasn't Nora utterly terrified?" "So was I and so was the guy that shot me. There's Halsey. I haven't spoken to him yet.
Dashiell Hammett (The Thin Man)
Are you all right?" A crease appears between his eyebrows, and he touches my cheek gently.I bat his hand away. "Well," I say, "first I got reamed out in front of everyone,and then I had to chat with the woman who's trying to destroy my old faction,and then Eric almost tossed my friends out of Dauntless,so yeah,it's shaping up to be a pretty great day,Four." He shakes his head and looks at the dilapidated building to his right, which is made of brick and barely resembles the sleek glass spire behind me. It must be ancient.No one builds with brick anymore. "Why do you care,anyway?" I say. "You can be either cruel instructor or concerned boyfriend." I tense up at the word "boyfriend." I didn't mean to use it so flippantly,but it's too late now. "You can't play both parts at the same time." "I am not cruel." He scowls at me. "I was protecting you this morning. How do you think Peter and his idiot friends would have reacted if they discovered that you and I were..." He sighs. "You would never win. They would always call your ranking a result of my favoritism rather than your skill." I open my mouth to object,but I can't. A few smart remarks come to mind, but I dismiss them. He's right. My cheeks warm, and I cool them with my hands. "You didn't have to insult me to prove something to them," I say finally. "And you didn't have to run off to your brother just because I hurt you," he says. He rubs at the back of his neck. "Besides-it worked,didn't it?" "At my expense." "I didn't think it would affect you this way." Then he looks down and shrugs. "Sometimes I forget that I can hurt you.That you are capable of being hurt." I slide my hands into my pockets and rock back on my heels.A strange feeling goes through me-a sweet,aching weakness. He did what he did because he believed in my strength. At home it was Caleb who was strong,because he could forget himself,because all the characteristics my parents valued came naturally to him. No one has ever been so convinced of my strength. I stand on my tiptoes, lift my head, and kiss him.Only our lips touch. "You're brilliant,you know that?" I shake my head. "You always know exactly what to do." "Only because I've been thinking about this for a long time," he says, kissing my briefly. "How I would handle it, if you and I..." He pulls back and smiles. "Did I hear you call me your boyfriend,Tris?" "Not exactly." I shrug. "Why? Do you want me to?" He slips his hands over my neck and presses his thumbs under my chin, tilting my head back so his forehead meets mine. For a moment he stands there, his eyes closed, breathing my air. I feel the pulse in his fingertips. I feel the quickness of his breath. He seems nervous. "Yes," he finally says. Then his smile fades. "You think we convinced him you're just a silly girl?" "I hope so," I say.
Veronica Roth (Divergent (Divergent, #1))
Did Billy’s actions really warrant the song? Probably not. I mean, no. They didn’t. But that’s the thing. Art doesn’t owe anything to anyone. Songs are about how it felt, not the facts. Self-expression is about what it feels to live, not whether you had any right to claim any emotion at any time. Did I have a right to be mad at him? Did he do anything wrong? Who cares! Who cares? I hurt. So I wrote about it.
Taylor Jenkins Reid (Daisy Jones & The Six)
He sighed and grabbed my left arm, examining the tattoo. “What were you thinking? Didn’t you know I’d come as soon as I could?” I yanked my arm from him. “I was dying! I had a fever—I was barely able to keep conscious! How was I supposed to know you’d come? That you even understood how quickly humans can die of that sort of thing? You told me you hesitated that time with the naga.” “I swore an oath to Tamlin—” “I had no other choice! You think I’m going to trust you after everything you said to me at the manor?” “I risked my neck for you during your task. Was that not enough?” His metal eye whirred softly. “You offered up your name for me—after all that I said to you, all I did, you still offered up your name. Didn’t you realize I would help you after that? Oath or no oath?” I hadn’t realized it would mean anything to him at all. “I had no other choice,” I said again, breathing hard. “Don’t you understand what Rhys is?” “I do!” I barked, then sighed. “I do,” I repeated, and glared at the eye in my palm. “It’s done with. So you needn’t hold to whatever oath you swore to Tamlin to protect me—or feel like you owe me anything for saving you from Amarantha. I would have done it just to wipe the smirk off your brothers’ faces.” Lucien clicked his tongue, but his remaining russet eye shone. “I’m glad to see you didn’t sell your lively human spirit or stubbornness to Rhys.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
You don't want to smile, because if you do, it means everything they did to you didn't matter. And it has to matter or else they're off the hook, right? And you can't have that." I shake my head, but I still can't meet his eyes. "They need to know what they did to you," Jake says, acting like he knows me. "Showing them how they hurt you will hurt them, right? They need to see how they ruined your life. You can't just let it go like it was nothing, because you're angry. You need them to know. You need someone to know.
Penelope Douglas (Credence)
I thought for once that acting decent ought to be rewarded. That's why I let you go, and that's why I didn't bring you back to the King." "If it's so horrible there,why don't you stay with us?" I asked without thinking. "No." He shook his head and lowered his eyes. "Tempting though the offer may be, your people wouldn't allow it, and my people...well,let's just say they wouldn't react well if I didn't come home. And wether I like or not, it is my home." "I know that feeling all too well." I sighed. Though Forening was starting to feel more like home, I wasn't sure that it ever would completely. "See?I told you,Princess." Loki's smile returned more easily. "You and I aren't all that different." "You say that like it means something." "Doesn't it?" "No,not really. You're leaving today, going home to my enemies." I let out a deep breath, feeling an ache inside my chest. "If I'm lucky,I'll never see you again. Because if I do,that means we're at war,and I'd have to hurt you." "Oh,Wendy,that's perhaps the saddest thing I've ever heard," Loki said, and he looked like he meant it. "But life doesn't have to be all doom and gloom. Don't you ever see the silver lining?" "Not today." I shook my head. I heard garrett summon me from down the hall, which meant that lunch was over and the meetings were about to start up. "I have to get back.I'll see you when we make the exchange with the Vittra Queen." "Good luck." Loki nodded. I turned to walk away, and I hadn't made it very far when I heard Loki calling after me. "Wendy!" Loki leaned out into the hall, so far it made him grimace with pain. "If you're right and the next time we see each other is when our kingdoms are at war, you and I never will be. I'll never fight you.That I can promise you.
Amanda Hocking (Torn (Trylle, #2))
I've been meaning to ask," said Magnus. "When Shinyun and I were fighting in the pentagram in Rome, you shot her. You told me that you could see dozens of illusions of me fighting dozens of her. How did you know which one was really her?" "I didn't," said Alec. "I knew which one was you." "Oh. Was one version of me more handsome than the others?" Magnus said, charmed. "More debonair? Possessed a certain je ne sais quoi?" "I don't know about that," said Alec. "You reached for a knife. You had it in your grasp, and then you let it go." Magnus deflated. "You knew it was me because I'm worse at fighting than she is?" Magnus asked. "Well, that's terrible news. I imagine 'pathetic in combat' is on the top ten list of Shadowhutner turnoffs." "No," said Alec. "Number eleven, just below 'doesn't actually look good in black'?" Alec shook his head again. "Before we were together," he said, "I was angry a lot, and I hurt people because I was in pain. Being kind when you're in pain - it's hard. Most people struggle to do it at the best of times. The demon who cast that spell couldn't imagine it. But among all those identical figures, there was one person who hesitated to hurt somebody, even at the moment of utmost horror. That had to be you.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
I think it might fly around and around in there like a witch on a broomstick flies round the sky, and go right on hurting invisible parts of the person you don’t even know you’re hurting, because you can’t see all the ways their insides are connected to the mean thing you did to their outside And from them on, maybe that hump of mean energy sits inside the hurt person like a coiled-up hose or a rattlesnake, just waiting in there. And someday, when that person touches somebody else, maybe even way in the future, that rattlesnake energy might come humping up out of them by accident and hurt that next person too, even though they didn’t mean to, and even though the person didn’t deserve it.
David James Duncan (The Brothers K)
This is the list you carry in your pocket, of the things you plan to say to Kay, when you find him, if you find him: 1. I’m sorry that I forgot to water your ferns while you were away that time. 2. When you said that I reminded you of your mother, was that a good thing? 3. I never really liked your friends all that much. 4. None of my friends ever really liked you. 5. Do you remember when the cat ran away, and I cried and cried and made you put up posters, and she never came back? I wasn’t crying because she didn’t come back. I was crying because I’d taken her to the woods, and I was scared she’d come back and tell you what I’d done, but I guess a wolf got her, or something. She never liked me anyway. 6. I never liked your mother. 7. After you left, I didn’t water your plants on purpose. They’re all dead. 8. Goodbye. 9. Were you ever really in love with me? 10. Was I good in bed, or just average? 11. What exactly did you mean, when you said that it was fine that I had put on a little weight, that you thought I was even more beautiful, that I should go ahead and eat as much as I wanted, but when I weighed myself on the bathroom scale, I was exactly the same weight as before, I hadn’t gained a single pound? 12. So all those times, I’m being honest here, every single time, and anyway I don’t care if you don’t believe me, I faked every orgasm you ever thought I had. Women can do that, you know. You never made me come, not even once. 13. So maybe I’m an idiot, but I used to be in love with you. 14. I slept with some guy, I didn’t mean to, it just kind of happened. Is that how it was with you? Not that I’m making any apologies, or that I’d accept yours, I just want to know. 15. My feet hurt, and it’s all your fault. 16. I mean it this time, goodbye.
Kelly Link (Stranger Things Happen)
Her arms groped forward to guide her when her tears blocked her vision in darkness. Then she couldn't run any more. She sank to her knees and began to cry in her terror. She wanted Gary. She suddenly felt strong arms around her. She bent her head to bury it in Gary's shoulder, trembling in the darkness. Whimpering like a small animal in a trap, she pushed herself closer to him and said in a choked voice, "I'm so frightened!" "I know, my love," the voice said. "I'm so sorry you were hurt." She felt herself being pulled up to him, his grip around her tight. It was a strange feeling in this pitch-black hallway, where not even the light of the moon cast any illumination. The lips she touched were cold and yet they responded to her with an unusual warmth. His hands massaged her back. Something, Melanie thought, was wrong with that. The hands were too smooth, not like a plastered wrist would feel. "Gary?" she asked, backing away. She didn't trust what she couldn't see. "My love," the voice whispered, "there is no need to fear now. I shall protect you from those who mean you harm.
Clare McNally (Ghost House)
You aren't like your mom." "I am.But I don't want to be like that anymore,I want what I want." He turns to me again,his face anxious. "I told my father's friends that I'm studying at Berkeley next year.It worked.He's really,really angry with me,but it worked.You told me to go for his pride.You were right." "So." I'm cautious,hardly daring to believe. "You're moving to California?" "I have to." "Right." I swallow hard. "Because of your mom." "Because of you. I'll only be a twenty-minute train ride from your school,and I'll make the commute to see you every night.I'd take a commute ten times that just to be with you every night." His words are too perfect.It must be a misunderstanding,surely I'm misunderstanding- "You're the most incredible girl I've ever known.You're gorgeous and smart, and you make my laugh like no one else can.And I can talk to you. And I know after all this I don't deserve you,but what I'm trying to say is that I love you,Anna.Very much." I'm holding my breath.I can't talk,but my eyes are filling with tears. He takes it the wrong way. "Oh God.And I've mucked things up again,haven't I? I didn't mean to attack you like this.I mean I did but...all right." His voice cracks. "I'll leave.Or you can go down first,and then I'll come down,and I promise I'll never bother you again-" He starts to stand,but I grab his arm. "No!" His body freezes. "I'm so sorry," he says. "I never mean to hurt you." I trail my fingers across his cheek. He stays perfectly still for me. "Please stop apologizing,Etienne." "Say my name again," he whispers. I close my eyes and lean forward. "Etienne." He takes my hands into his.Those pefect hands,that fit mine just so. "Anna?" Our foreheads touch. "Yes?" "Will you please tell me you love me? I'm dying here." And then we're laughing.And them I'm in his arms,and we're kissing,at first quickly-to make up for lost time-and then slowly,because we have all the time in the world.And his lips are soft and honey sweet,and the careful, passionate way he moves them against my own says that he savors the way I taste,too. And in between kisses,I tell him I love him. Again and again and again.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me. 'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.' Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.' She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build. I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right. I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.' Someone knocks, I ignore it. 'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth. 'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.' Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink. Never again. Those eyes will never reflect hurt I've inflicted ever again. 'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.' I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them. 'And if it's not possible?' 'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
My brother, my little brother, he's soooo perfect, but he's - he doesn't like food, like, literally doesn't like food, or, I don't know, he loves it. He loves is so much that it has to be perfect all the time, you know?" "And then one day he got se fed up with himself, he was like, he was so annoyed, he hated how much he loved food, yeah, so he thought it would be better if there wasn't any food." I start laughing so much that my eyes water. "But that's so silly! Because you've got to eat food or you'll die, won't you? So my brother, Charles, Charlie, he, he thought it would be better if he just got it over with then and there! So last year, he-" I hold up my wrist and point at it- "he hurt himself. And he wrote me this card afterwards, telling me he was really sorry and he didn't mean it to happen. But it did happen.
Alice Oseman (Solitaire)
Alec reached out and touched Marcy’s back, rubbing it gently as if this werewolf stranger was his own sister. “She’s fine,” he said. “You didn’t—I know you didn’t want to hurt her, that you didn’t want to hurt anyone. You can’t help being what you are. You’re going to figure it all out.” [....] “That was nice, what you said to her,” said Magnus, when the crowd had completely hidden Marcy and Adrienne from their sight. “Uh . . . it was nothing,” said Alec, shifting and looking embarrassed. The Shadowhunters did not see much to approve of in kindness, Magnus supposed. “I mean, that’s what we’re here for, aren’t we? Shadowhunters, I mean. We have to help anyone who needs help. We have to protect people.” The Nephilim Magnus had known had seemed to believe the Downworlders were created to help them, and to be disposed of if they didn’t help enough. Magnus looked at Alec.
Cassandra Clare (The Bane Chronicles)
If it makes you feel any better Tory, they were just as bad when Mia was born. At least you don’t have Sin, Kish, and Damien running around, trying to boil water for no other reason than that’s what someone had told Sin husbands are supposed to do and since Sin doesn’t know how to boil water, he had to micromanage the other two incompetents who’d never done it either. I’m amazed they didn’t band together to kill him during it or burn down the casino. And don’t get me started on my mother trying to murder my husband in the middle of it or her fighting with grandma over whose labors were more painful. Or, (she cast a meaningful glance to Simi,) someone setting my mother’s hair on fire and trying to barbecue her to celebrate the birth.” – Kat “That an old Charonte custom that go back forever ’cause we a really old race of demons who go back even before forever. When a new baby is born you kill off an old annoying family member who gets on everyone’s nerves which for all of us would be the heifer-goddess ’cause the only person who like her be you, Akra-Kat. I know she you mother and all, but sometimes you just gotta say no thank you. You a mean old heifer-goddess who need to go play in tragic and get run over by something big like a steamroller or bus or something else really painful that would hurt her a lot and make the rest of us laugh. Not to mention the Simi barbecue would have been fun too if someone, Akra-Kat, hadn’t stopped the Simi from it. I personally think it would have been a most magnificent gift for the baby. Barbecued heifer-goddess Artemis. Yum! No better meal. Oh then again baby got a delicate constitution and that might give the poor thing indigestion. Artemis definitely give the Simi indigestion and I ain’t even ate her yet.” – Simi
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
Is that not the perfect visual image of life and death? A fish flapping on the carpet, and a fish not flapping on the carpet. So powerful even a five-year old child with no concept of life and death knew what it meant. Not only did she know Emilio was dead, she knew she had killed him. So she comes running into my room, holding Emilio in both of her little hands - it was so cute - and she wanted me to make Emilio better. And I asked her, why did she step on Emilio? And she said, she didn't know. But I knew why. You didn't mean to hurt Emilio, you just wanted to see what would happen if you stepped on him, right?
David Carradine
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot. [The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing. I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything. I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true. What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
Woody Allen
Why do you care, anyway?" I say. "You can be either cruel instructor or concerned boyfriend." I tense up at the word "boyfriend." I didn’t mean to use it so flippantly, but it’s too late now. "You can’t play both parts at the same time." "I am not cruel." He scowls at me "I was protecting you this morning. How do you think Peter and his idiot friends would have reacted if they discovered that you and I were..." He sighs. "You would never win. They would always call you ranking a result of my favoritism rather than your skill." I open my mouth to object, but I can't. A few smart remarks come to mind, but I dismiss them. He's right. My cheeks warm, and I cool them with my hands. "You didn't have to insult me to prove something to them," I say finally. "And you didn't have to run off to your brother just because I hurt you," he says. He rubs at the back of his neck. "Besides- it worked, didn't it?" "At my expense." "I didn't think it would affect you this way." Then he looks down and shrugs. "Sometimes I forget that I can hurt you. That you are capable of being hurt." I slide my hands into my pockets and rock back on my heels. A strange feeling goes through me- a sweet, aching weakness. He did what he did because he believed in my strength. At home it was Caleb who was strong, because he could forget himself, because all the characteristics my parents valued came naturally to him. No one has ever been so convinced of my strength. I stand on my tiptoes, lift my head, and kiss him. Only our lips touch. "You're brilliant. You know that?" I shake my head. "You always know exactly what to do." "Only because I've been thinking about his for a long time," he says, kissing me briefly. "How I would handle it, if you and I..." He pulls back and smiles. "Did I hear you call me your boyfriend, Tris?" "Not exactly." I shrug. "Why? Do you want me to?" He slips his hands over my neck and presses his thumbs under my chin, tilting my head back so his forehead meets mine. For a moment he stands there, his eyes closed, breathing my air. I feel the pulse in his fingertips. I feel the quickness of his breath. He seems nervous. "Yes," he finally says.
Veronica Roth
Nelle clarified her feelings then. As far as she was concerned, Truman lied about people and belittled them as a way of life and he didn’t care whom he hurt. “Truman was a psychopath, honey.” That stopped me short. Nelle used language precisely. She wasn’t just tossing out the word like kids on a playground do, calling one another “psycho.” “You mean in the clinical sense?” I asked. “If I understand the meaning of the term,” she answered. “He thought the rules that apply to everybody else didn’t apply to him.
Marja Mills (The Mockingbird Next Door: Life with Harper Lee)
I hid inside myself all those years because I didn’t want to be rejected anymore or hurt. “But then you realize you’re the only one who fits there in that small world, and being alone feels worse than not feeling safe.” Avoiding the bad means you risk avoiding the good, too, and I’d rather be hurt than never not feel this. I inhale his skin.
Penelope Douglas (Credence)
Ponyboy, Well I guess you got into some trouble, huh? Darry and me nearly went nuts when you ran out like that. Darry is awful sorry he hit you. You know he didn’t mean it. And then you and Johnny turned up mising and what with that dead kid in the park and Dally getting hauled into the station, well it scared us something awful. The police came by to question us and we told them as much as we could. I can’t believe little old Johnny could kill somebody. I know Dally knows where you are, but you know him. He keeps his trap shut and won’t tell me nothing. Darry hasn’t got the slightest notion where you’re at and it is nearly killing him. I wish you’d come back and turn your selfves in but I guess you can’t since Johnny might get hurt. You sure are famous. You got a paragraph in the newspaper even. Take care and say hi to Johnny for us. Sodapop Curtis
S.E. Hinton (The Outsiders)
You know, sleeping outdoors isn’t all bad. You get to stare up at the stars and cool breezes ruffle your fur after a hot day. The grass smells sweet and,” he made eye contact with me, “so does your hair.” I blushed and grumbled, “Well, I’m glad someone enjoyed it.” He smiled smugly and said, “I did.” I had a quick flash of him as a man snuggled up next to me in the forest, imagined him resting his head on my lap while I stroked his hair, and decided to focus on the matter at hand. “Well, listen, Ren, you’re changing the subject. I don’t appreciate the way you manipulated me into being here. Mr. Kadam should’ve told me at the circus.” He shook his head. “We didn’t think you’d believe his story. He made up the trip to the tiger reserve to get you to India. We figured once you were here, I could change into a man and clarify everything.” I admitted, “You’re probably right. If you had changed to a man there, I don’t think I would have come” “Why did you come?” “I wanted to spend more time with…you. You know, the tiger. I would have missed him. I mean you.” I blushed. He grinned lopsidedly. “I would have missed you too.” I wrung the hem of my shirt between my hands. Misreading my thoughts, he said, “Kelsey. I’m truly sorry for the deception. If there’d been any other way-“ I looked up. He hung his head in a way that reminded me of the tiger. The frustration and awkwardness I felt about him dissipated. My instincts told me that I should believe him and help him. The strong emotional connection that drew me to the tiger tugged at my heart even more powerfully with the man. I felt pity for him and his situation. Softly, I asked, “When will you change into a tiger?” “Soon.” “Does it hurt?” “Not as much as it used to.” “Do you understand me when you are a tiger? Can I still speak to you?” “Yes, I’ll still be able to hear and understand you.” I took a deep breath. “Okay. I’ll stay here with you until the shaman comes back. I still have a lot of questions for you though.” “I know. I’ll try to answer them as best I can, but you’ll have to save them for tomorrow when I’ll be able to speak with you again. We can stay here for the night. The shaman should be back around dusk.” “Ren?” “Yes?” “The jungle frightens me, and this situation frightens me.” He let go of the apron string and looked into my eyes. “I know.” “Ren?” “Yes?” “Don’t…leave me, okay?” His face softened into a tender expression, and his mouth turned up in a sincere smile. “Asambhava. I won’t.” I felt myself responding to his smile with one of my own when a shadow fell across his face. He clenched his fists and tightened his jaw. I saw a tremor pass through his body, and the chair fell forward as he collapsed to the ground on his hands and knees. I stood to reach out to him and was amazed to see his body morph back into the tiger form I knew so well. Ren the tiger shook himself, then approached my outstretched hand and rubbed his head against it.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
What I wouldn’t stand for was a religion that tried to put itself above all others. Everybody had their gods or goddesses; we may have called them different names, but underneath, they all served the same causes. Meaning, love, redemption. And I, for one, didn’t think that one group had any leg up on another. My practice was mine and always would be, but if praying to a merman from the lost city of Atlantis gets you through the day without the need to hurt or demean or rule over someone else, then I’d say go for it.
Veronica G. Henry (The Quarter Storm (Mambo Reina, #1))
Trina and her consultants will be here by four to start setting up.” “Joy and—what? Who? Trina? Why? What have you done?” “You said no silly games, and no strippers,” Peabody reminded her. “We’re doing the full-out girl party. Champagne, decadent food, body, hair, face treatments. Chick-vids, presents, gooey desserts. Big girl slumber party, followed by champagne brunch tomorrow.” “You mean . . .” The shock was sharp and cruel, a stunner blast against the heart. “Overnight? All night into tomorrow?” “Yeah.” Peabody grinned around her carrot. “Didn’t I mention that?” “I have to kill you now.” “Uh-uh. No games, no strippers. Those were your only rules.” “I’ll find a way to hurt you for this.
J.D. Robb (Promises in Death (In Death, #28))
I know.” He said it so matter-of-fact that I took a step back. “I’ve always known you’d never hurt me.” “Then why would you ask about Jeff, or think I was going to leave?” Morgan’s smile was subtle. “Because you’re the one who doesn’t trust. Me, yourself, even your faraway island. You doubt everything. And people who can’t trust, eventually run.” He took a step forward, and even though I didn’t mean to, I took a step back. “You don’t believe in yourself. You’re scared of getting lost. Getting hurt. Being trapped.” I bumped the coffee table, stumbled, and wound up sitting on my ass. Morgan pushed his way between my knees and cupped my face. He continued to hold my gaze. Never had he looked at me with so much knowledge of who I was shining in his eyes. “Love is easy.” He traced my eyebrow with his thumb. “Trust is what’s hard. Broken hearts can be fixed. Broken trust?” His touch followed a tear down my cheek to my lips. “Trust doesn’t heal. Your parents broke your trust when you were really young, it changed you, it took something away. Then the one time you let trust grow, you thought it had been broken again. That’s where it can be tricky, because sometimes trust feels broken when it’s only a little dented up. "But it still feels like you’re losing bits and pieces of yourself.” Closer, his exhale ghosted my lips. “Now you’re scared to trust me because you might lose everything you have left.
Adrienne Wilder (In the Absence of Light (Morgan & Grant, #1))
I know you didn't mean to, but you did do it[hurting Daisy]. That's what I get for marrying a brute of a man, a great, big, hulking physical specimen of a -
F. Scott Fitzgerald (The Great Gatsby: F. Scott Fitzgerald)
I feel him beside me, hear the even sound of his breathing, smell the delicious saltiness of his skin. I have missed him. I move to face him, and that’s when the pain reminds me that I’ve recently been stabbed. I bury my face in the pillow, but it doesn’t quite muffle my yelp. “Emma?” Galen says groggily. I feel his hand in my hair, stroking the length of it. “Don’t move, angelfish. Stay on your stomach. I’ll go tell Rachel you’re ready for more pain medicine.” Immediately I disobey and turn my face up to him. He shakes his head. “I’ve recently learned where your stubbornness comes from.” I grimace/smile. “My mom?” “Worse. King Antonis. The resemblance is uncanny.” He leans down and presses his lips to mine and all too quickly springs back up. “Now, be a good little deviant and stay put while I go get more pain meds.” “Galen,” I say. “Hmmm?” “How bad am I hurt?” He caresses the outline of my cheek. His touch could disintegrate me. “Hurt at all is bad enough for me.” “Yeah, but you’ve always been a baby about this stuff.” I grin at his faux offense. “Your mother says it’s only a flesh wound. She’s been treating it.” “Mom is here?” “She’s downstairs. Uh…You should know that Grom is here, too.” Grom left the tribunal and headed for land? Did that mean it all ended badly? Well, even worse than my getting impaled? An urgent need to know everything about everything shimmies through me. “Whoa. Sit. Talk. Now.” He laughs. “I will, I promise. But I want to make you comfortable first.” “Well, then, you need to come over here and switch places with the bed.” A blush fills my cheeks, but I don’t care. I need him. All of him. It feels like forever since we’ve talked like this, just me and him. But talking usually doesn’t last long. Lips were made for other things, too. And Galen is especially good at the other things. He walks back and squats by the bed. “You have no idea how tempting that is.” It seems like the violet of his eyes gets darker. It’s the color they get when he has to pull away from me, when we’re about to violate a bunch of Syrena laws if we don’t stop. “But you’re not well enough to…” He runs a hand through his hair. “I’ll go get Rachel. Then we can talk.” I’m a little surprised that his argument didn’t begin with “But the law…” That is what has stopped us in the past. Now the only thing that appears to be stopping us is my stabby condition. What’s changed? And why am I not excited about it? I used to get so frustrated when he would pull away. But a small part of me loved that about him, his respect for the law and for the tradition of his people. His respect for me. Respect is a hard thing to come by when picking from among human boys. Is that respect gone? And is it my fault?
Anna Banks (Of Triton (The Syrena Legacy, #2))
I didn't mean to hurt you.' He grabs my hand, possibly to keep me from hitting him again. Our fingers lace together. 'No, it's not that, not exactly. I didn't think I could hurt you. And I never thought you would be afraid of me.' 'And did you like it?' I ask. He looks away from me then, and I have my answer. Maybe he doesn't want to admit to that impulse, but he has it. 'Well, I was hurt, and yes, you scare me.' Even as I am speaking, I wish I could snatch back the words. Perhaps it is exhaustion or having been so close to death, but the truth pours out of me in a devastating rush. 'You've always scared me. You gave me every reason to fear your capriciousness and your cruelty. I was afraid of you even when you were tied to that chair in the Court of Shadows. I was afraid of you when I had a knife to your throat. And I am scared of you now.' Cardan looks more surprised than he did when I slapped him. He was always a symbol of everything about Elfhame that I couldn't have, everything that would never want me. And telling him this feels a little like throwing off a heavy weight, except that weight is supposed to be my armour, and without it, I am afraid I am going to be entirely exposed. But I keep talking anyway, as though I no longer have control over my tongue. 'You despised me. When you said you wanted me, it felt like the world had turned upside down. 'But sending me into exile, that made sense.' I meet his gaze. 'That was an entirely right-side-up Cardan move. And I hated myself for not seeing it coming. And I hate myself for not seeing what you're going to do to me next.' He closes his eyes. When he opens them, he releases my hand and turns so I can't see his face. 'I can see why you thought what you did. I suppose I am not an easy person to trust. And maybe I ought not to be trusted, but let me say this: I trust you.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Clive, did I hurt you?’ ‘No.’ ‘My darling, I didn’t mean to.’ ‘I’m all right.’ They looked at one another for a moment before beginning new lives. ‘What an ending,’ he sobbed, ‘what an ending.
E.M. Forster (Maurice)
you are making a mistake. HARRY: Albus didn’t like me before. He might not like me again. But he will be safe. With the greatest respect, Minerva —you don’t have children —GINNY: Harry! HARRY: —you don’t understand. PROFESSOR McGONAGALL (deeply hurt): I’d hope that a lifetime spent in the teaching profession would mean . . . HARRY: This map will reveal to you where my son is at all times —I expect you to use it. And if I hear you don’t —then I will come down on this school as hard as I can —using the full force of the Ministry —is that understood? PROFESSOR McGONAGALL (bewildered
John Tiffany (Harry Potter and the Cursed Child - Parts One and Two: The Official Playscript of the Original West End Production)
I forgive you, but I won’t forget what you did…not in some threatening, I don’t really forgive you kind of way… but just because what you did was shitty and really hurt me and I can’t imagine it suddenly disappearing from my memory. In a way, it’s even cooler that I’ll remember that shitty thing you did to me, and you’ll remember that shitty thing I did to you. That means we didn’t need to forget that we hurt each other in order to love each other still. We figured out a way to forgive each other, for real, and still be friends. How beautiful, yes? Let’s never forget that, either.
Scott Stabile
I remember the first time I heard your voice. I can still remember telling you how soothing I found it, how much it calmed me. It still does, even though we’re strangers. You’re silent, but your words are still very much alive in me. You are my home, even though the door is locked and the lights are off. It’s not a choice as much as it is a beautiful nagging that’s nearly impossible to ignore. But I’m locked out, left to wander, and I’ve found myself here. I know I left in a childish fit, and you locked the iron gate so tightly; you had to. So I was left out in the darkness, just me and the shadows that haunted me, the ones that led me away from you to begin with. You left me outside to face them. You wouldn’t let me lean on you to deal with them anymore. You are my home because you are the place I choose to return to over and over again. The place that, even when painful, means the most. You are my home because you have made me who I am, whether or not you realized what you were doing. You are my home because you showed me the best kind of love there is. You showed me real, genuine, love-you-so-much-it-hurts-and-changes-me-at-my-core love. It was a blissful combination of finally feeling alive mixed with the most painfully difficult challenge I never thought I’d have to deal with. I didn’t know I could ever feel so strongly that I’d end up there. And yet, I still believe, that although that love may have been all of those challenging things, it was still unconditional, undeniable, and above all, beautiful. Miraculous. And that’s what keeps me at your door.
Brianna Wiest (The Truth About Everything)
This woman controls my heartbeats. Every love lyric I sing each night is made for her. Every melody chases her heartbeat, and every chorus begs for her love. It has been brought to my attention that a few people on my management team have chosen to approach the love of my life and tell her that she wasn't good for my image. Due to her looks and the past she had no say in creating, they said she wasn't good enough. It's true, we grew up in the same town, but that didn't mean our home lives were built on the same steady foundation. I was blessed enough to never know struggle. This girl had to fight tooth and nail for everything she was given. She sacrificed her own youth, because she didn't want her little sister to go into the foster system. She gave up love, in order for me to go chase my dreams. She gives and gives in order to make others happy, because that's the person she is. She's the most beautiful human being alive, and for anyone--especially people who are supposed to be in my corner--to say differently disgusts me to my core. I am not a robot. I hurt, I ache, I love, and I cry. And it breaks me to live in a world where I have to be afraid of showing who I really am in order to gain followers. So if you don't like this fact--that I am not single and that I am hopelessly in love--then that's fine. If I lose fans over this, I'm okay with that. I will make every sacrifice in the world from this point on in order to give my love fully to the woman who has given more than she ever should've had to give. I love you, Haze. From the new moon to the fullest. From now until forever.
Brittainy C. Cherry (The Wreckage of Us)
Filth, filth, filth, from morning to night. I know they're poor but they could wash. Water is free and soap is cheap. Just look at that arm, nurse.' The nurse looked and clucked in horror. Francie stood there with the hot flamepoints of shame burning her face. The doctor was a Harvard man, interning at the neighborhood hospital. Once a week, he was obliged to put in a few hours at one of the free clinics. He was going into a smart practice in Boston when his internship was over. Adopting the phraseology of the neighborhood, he referred to his Brooklyn internship as going through Purgatory, when he wrote to his socially prominent fiancee in Boston. The nurse was as Williamsburg girl... The child of poor Polish immigrants, she had been ambitious, worked days in a sweatshop and gone to school at night. Somehow she had gotten her training... She didn't want anyone to know she had come from the slums. After the doctor's outburst, Francie stood hanging her head. She was a dirty girl. That's what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn't breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies? She looked at the nurse... She thought the nurse might say something like: Maybe this little girl's mother works and didn't have time to wash her good this morning,' or, 'You know how it is, Doctor, children will play in the dirt.' But what the nurse actuallly said was, 'I know, Isn't it terrible? I sympathize with you, Doctor. There is no excuse for these people living in filth.' A person who pulls himself up from a low environment via the bootstrap route has two choices. Having risen above his environment, he can forget it; or, he can rise above it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel upclimb. The nurse had chosen the forgetting way. Yet, as she stood there, she knew that years later she would be haunted by the sorrow in the face of that starveling child and that she would wish bitterly that she had said a comforting word then and done something towards the saving of her immortal soul. She had the knowledge that she was small but she lacked the courage to be otherwise. When the needle jabbed, Francie never felt it. The waves of hurt started by the doctor's words were racking her body and drove out all other feeling. While the nurse was expertly tying a strip of gauze around her arm and the doctor was putting his instrument in the sterilizer and taking out a fresh needle, Francie spoke up. My brother is next. His arm is just as dirty as mine so don't be suprised. And you don't have to tell him. You told me.' They stared at this bit of humanity who had become so strangely articulate. Francie's voice went ragged with a sob. 'You don't have to tell him. Besides it won't do no godd. He's a boy and he don't care if he is dirty.'... As the door closed, she heard the doctor's suprised voice. I had no idea she'd understand what I was saying.' She heard the nurse say, 'Oh, well,' on a sighing note.
Betty Smith (A Tree Grows in Brooklyn)
Sometimes it's hard because I don't like to hurt people's feelings. So there have been times when a friend will get a haircut and I will see it and my initial reaction is "Oh my God, you look like a streetwalker who got caught in a wind tunnel." But I obviously can't say that because that would be an insult to streetwalkers. So I have to say, "I love it! It looks great!" But when I say it my voice goes up about three octaves. "It looks greee-aaattt!" So I'm certain they know I'm lying. How come when we lie our voices go up so many octaves? It's a dead giveaway. It happens when we dole out compliments we don't mean and it happens when we say things like "You didn't have to get my anything!" or "What do you mean you weren't invited to my party? You're always invited!" Everyone knows what those mean. "You definitely had to get me something" and "You haven't been invited back to the house since the urn incident of '04." And it's a mathematical fact: the higher the octave, the bigger the lie. "I didn't even hear my phone ring!" is usually like a four on the scale. "You think I'm sleeping with someone else?" is off the charts. I can tell when people are lying to me when they start their sentence with "I have to be honest with you." They may as well say, "Listen, I'm about to lie straight to your face." Why do people need to clarify when they're being honest? Does that mean everything else they've ever said has been a lie? Yesterday they said they liked my sweater but they didn't say they were being honest. Does that mean they hated it? It's so strange to me. It almost feels like they're giving me the option to not hear the truth. As if when they say, "I have to be honest with you," I might say, "No, no. Please. Only lies right now.
Ellen DeGeneres (Seriously... I'm Kidding)
Time can lessen the hurt; the empty place we have can seem smaller as other things and experiences fill our life; we can forget for periods and feel as if our loved one didn't die; we can find sense in the death and understand that perhaps this death does fit into a bigger design in the world; we can learn to remember the good and hold on to that. But we cannot 'get over it,' because to get over it would mean we were not changed by the experience. It would mean we did not grow by the experience. It would mean that our loved one's death made no difference in our life. There is an interesting discussion in the Talmud, an ancient Jewish writing. Those Jews had the custom of rending their garments - literally tearing their clothes —to symbolize the ripping apart that death brings. But the question was raised, after the period of mourning, could you sew the garment up and use it again? The teachers answered yes, but when you mended it, you should not tuck the edges under so it would look as if it had never been torn. This symbolized the fact that life after grief is not the same as before. The rent will show.
Deborah Spungen (And I Don't Want to Live This Life: A Mother's Story of Her Daughter's Murder)
Words Are Windows (or They’re Walls) I feel so sentenced by your words, I feel so judged and sent away, Before I go I’ve got to know, Is that what you mean to say? Before I rise to my defense, Before I speak in hurt or fear, Before I build that wall of words, Tell me, did I really hear? Words are windows, or they’re walls, They sentence us, or set us free. When I speak and when I hear, Let the love light shine through me. There are things I need to say, Things that mean so much to me, If my words don’t make me clear, Will you help me to be free? If I seemed to put you down, If you felt I didn’t care, Try to listen through my words, To the feelings that we share. —Ruth Bebermeyer
Marshall B. Rosenberg (Nonviolent Communication: A Language of Life: Life-Changing Tools for Healthy Relationships (Nonviolent Communication Guides))
Don’t make me out to be something worth saving. We both know I’m a waste.” His voice was so quiet. “I wish I was better at telling you why you have to stay here. I wish I could put into words the part of my heart that has your name written on it. That part hurts right now. You have to be here. You love life too much. You’re so important. I wish I could make you understand this.” He tried to smile at her valiant efforts. “I would keep you if I could. You can sleep here, right on this couch. Beckett, I will let you hold this baby when it comes.” She touched her stomach. “Does that tell you how much you mean to me? It’s the only thing I can come up with.” He shrugged. “Mouse would be disappointed. He’d feel like he didn’t do his job if you died…Eve loves you. Wherever she is—in this strip club—is that what you’ve been wishing for?” Beckett shook his head. “No, right? She loves you. You can’t kill someone she loves. You just can’t.
Debra Anastasia (Return to Poughkeepsie (Poughkeepsie Brotherhood, #2))
We shouldn’t be doing this. We shouldn’t have done this. She’s my sister.” “Don’t say that,” Silas murmurs into my hair, voice genuinely pleading. “Please don’t ever say that.” “We’re hunters,” I choke. “Yes. Of course we are. We’re . . . we’re more . . . but . . .” He shakes his head and pushes me out to arm’s length, lowering his head to look me in the eyes. “I didn’t mean for us to hurt her, Rosie, but I wouldn’t take any of it back. I couldn’t take any of it back—I love you too much.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to. “Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?” “Please just go,” I begged. “I need to be alone.” He kept coming straight at me. “Please,” I shouted, “go away!” “I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?” I looked away. “Nothing I didn’t ask for.” Liam’s only response was to move back a few paces back. Giving me space. “I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.” “I don’t want you here.” He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.” I caught it with one hand and pressed it to my chest. It was still warm. He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?” I couldn’t bring myself to answer. “Ruby, you’re scaring the hell out of me.” “Good.” I balled up his sweater and threw it into the darkness as hard as I could. He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?” I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead. “I can’t do this anymore,” I cried. “Why won’t you just leave me alone?” “Because you would never leave me.” His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him. His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled. “Ruby—” I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it. Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…” I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer. I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
So, in your opinion, Walter didn’t groom Josie?” “Groom her? You mean manipulate her into a relationship with him? No. I don’t think so. I think she saw him, she wanted him, she got him. She didn’t care who she hurt. She’s never cared who she hurt.
Lisa Jewell (None of This Is True)
You like me.” “I do not,” she lied. “But I didn’t mean to hurt your feelings.” He was undaunted. “Aye, you like me, lass. I can tell. You called me by my given name and you are frowning, with dewy eyes. I forgive you for being cruel and thoughtless.
Karen Marie Moning (Kiss of the Highlander (Highlander, #4))
Don’t think they have them in New York City.” She laughed. I didn’t mind. “We get lobsters, though. They can hurt you.” “Can you keep one? I mean, you can’t keep a lobster like a pet or anything, right?” She laughed again. “No. You eat them.” “You can’t keep a crayfish either. They die. One day or maybe two, tops. I hear people eat them too, though.” “Really?” “Yeah. Some do. In Louisiana or Florida or someplace.” We looked down into the can. “I don’t know,” she said, smiling. “There’s not a whole lot to eat down there.” “Let’s get some big ones.” We lay across the Rock side by side. I took the can and slipped both arms down into the brook. The trick was to turn the stones one at a time, slowly so as not to muddy the water, then have the can there
Jack Ketchum (The Girl Next Door)
His shoulders sag in defeat, as if he’s about to hand over his soul to me. “Do you not have any idea what you mean to me, Wren?” “I thought I did. I was certain I could pull you from that dark place inside your head. But I’m not strong enough. You and I seem to be of the same thread. Infected with the same evil that damaged us.” “I knew exactly what I was doing last night. I didn’t do it for pleasure, or some morbid form of entertainment. I did it for you. Because he hurt you. And your pain is my pain.
Keri Lake (Juniper Unraveling (Juniper Unraveling #1))
He stared at Wolfe. "When you attack me you have to make it look real." Wolfe's face tightened. Kir sighed heavily, his lip curling up almost condescendingly. "I mean it, Wolfe." I wasn't surprised when Wolfe made no response. Clearly, he didn't want Kir to get hurt. Coming to the same conclusion I had drawn, Kir pulled back his shoulders, his own expression determined. There was a dark, mischievousness in his eyes, I didn't trust. "Fine." He shook his head, throwing Wolfe a warning look. "Then I guess I'll have to make you want to." When his long arm came out and caught me around the waist I squawked in undignified surprise and instinctively pushed against his hard chest as he crushed me to him, his other hand winding into my hair to bring my lips against his in a hard, punishing kiss. (...)Quite abruptly that muffled exclamation was given free reign as his body was wrenched from mine, soaring across the room and straight through the door. That's right. Straight through the door. Not the doorway. The door. I gaped in befuddlement at Kir collapsed around the wooden splinters of the door in the hall, groaning as he drew himself up into a sitting position. "Come on." I blinked down at the large familiar hand wrapped around my wrist and then up at its owner. Wolfe. A really angry Wolfe.
Samantha Young (Slumber (The Fade, #1))
That was interesting.Who was that?" Matt looks unhappy. "What?" I ask him. "You'll talk to that guy,but you won't talk to us anymore?" "Sorry," I mumble, and climb out of his car. "He's just a friend.Thanks for the ride." Matt gets out,too. Cherrie starts to follow,but he throws her a sharp look. "So what does that mean?" he calls out. "We aren't friends anymore? You're bailing on us?" I trudge toward the house. "I'm tired, Matt.I'm going to bed." He follows anyway.I dig out my house key,but he grabs my wrist to stop me from opening the door. "Listen,I know you don't want to talk about it,but I just have this one thing to say before you go in there and cry yourself to sleep-" "Matt,please-" "Toph isn't a nice guy.He's never been a nice guy. I don't know what you ever saw in him.He talks back to everyone, he's completely unreliable, he wears those stupid fake clothes-" "Why are you telling me this?" I'm crying again.I pull my wrist from his grasp. "I know you didn't like me as much as I liked you. I know you would have rather been with him,and I dealth with that a long time ago.I'm over it." The shame is overwhelming. Even though I knew Matt was aware that I liked Toph,it's awful to hear him say it aloud. "But I'm still your friend." He's exasperated. "And I'm sick of seeing you waste your energy on that jerk. You've spent all this time afraid to talk about what was going on between you two,but if you'd bothered to just ask him, you would have discovered that he wasn't worth it. But you didn't.You never asked him, did you?" The weight of hurt is unbearable. "Please leave," I whisper. "Please just leave." "Anna." His voice levels, and he waits for me to look at him. "It was still wrong of him and Bridge not to tell you. Okay? You deserve better than that. And I sincerely hope whomever you were just talking to"-Matt gestures toward the phone in my purse-"is better than that.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
My years of struggling against inequality, abusive power, poverty, oppression, and injustice had finally revealed something to me about myself. Being close to suffering, death, executions, and cruel punishments didn't just illuminate the brokenness of others; in a moment of anguish and heartbreak, it also exposed my own brokenness. You can't effectively fight abusive power, poverty, inequality, illness, oppression, or injustice and not be broken by it. We are all broken by something. We have all hurt someone and have been hurt. We all share the condition of brokenness even if our brokenness is not equivalent. The ways in which I have been hurt - and have hurt others - are different from the ways Jimmy Dill suffered and caused suffering. But our shared brokenness connected us. Thomas Merton said: We are bodies of broken bones. I guess I'd always known but never fully considered that being broken is what makes us human. We all have our reasons. Sometimes we're fractured by the choices we make; sometimes we're shattered by things we would never have chosen. But our brokenness is also the source of our common humanity, the basis for our shared search for comfort, meaning, and healing. Our shared vulnerability and imperfection nurtures and sustains our capacity for compassion. We have a choice. We can embrace our humanness, which means embracing our broken natures and the compassion that remains our best hope for healing. Or we can deny our brokenness, forswear compassion, and, as a result, deny our own humanity. I thought of the guards strapping Jimmy Dill to the gurney that very hour. I thought of the people who would cheer his death and see it as some kind of victory. I realized they were broken people, too, even if they would never admit it. So many of us have become afraid and angry. We've become so fearful and vengeful that we've thrown away children, discarded the disabled, and sanctioned the imprisonment of the sick and the weak - not because they are a threat to public safety or beyond rehabilitation but because we think it makes us seem tough, less broken. I thought of the victims of violent crime and the survivors of murdered loved ones, and how we've pressured them to recycle their pain and anguish and give it back to the offenders we prosecute. I thought of the many ways we've legalized vengeful and cruel punishments, how we've allowed our victimization to justify the victimization of others. We've submitted to the harsh instinct to crush those among us whose brokenness is most visible. But simply punishing the broken - walking away from them or hiding them from sight - only ensures that they remain broken and we do, too. There is no wholeness outside of our reciprocal humanity. I frequently had difficult conversations with clients who were struggling and despairing over their situations - over the things they'd done, or had been done to them, that had led them to painful moments. Whenever things got really bad, and they were questioning the value of their lives, I would remind them that each of us is more than the worst thing we've ever done. I told them that if someone tells a lie, that person is not just a liar. If you take something that doesn't belong to you, you are not just a thief. Even if you kill someone, you're not just a killer. I told myself that evening what I had been telling my clients for years. I am more than broken. In fact, there is a strength, a power even, in understanding brokenness, because embracing our brokenness creates a need and desire for mercy, and perhaps a corresponding need to show mercy. When you experience mercy, you learn things that are hard to learn otherwise. You see things that you can't otherwise see; you hear things you can't otherwise hear. You begin to recognize the humanity that resides in each of us.
Bryan Stevenson (Just Mercy)
RubyMars: Have you heard anything else about when you’re leaving for good? AHall80: Not yet, but everything seems to be on schedule. Should be about 8 weeks. The longest 8 weeks of my life. RubyMars: I’m sure. AHall80: I want a shitty, greasy, deep dish pizza like you can’t imagine. I can already taste it. AHall80: A hot shower… a real bed… AC everywhere… RubyMars: Clean clothes? AHall80: Clean clothes. Clean socks. No sand. RubyMars: Clean underwear. RubyMars: No sand? I thought you were planning on going to the beach? AHall80: The beach is different. There’s water. It isn’t just desert and more desert. RubyMars: I guess that makes sense. RubyMars: My brother said once that his goal is to never see sand in his life again. AHall80: For real. RubyMars: What I didn’t finish saying was that he said that, but he’s gone to Cancun twice with his boyfriend, LOL. AHall80: It’s different. I’m over this sand shit. AHall80: Never again RubyMars: Does that mean you’re dead set on not re-enlisting? AHall80: … RubyMars: Whatever you want. I’m not judging. We don’t have to talk about it. AHall80: It’s not that I don’t want to talk about it… RubyMars: But you don’t want to talk about it. AHall80: :] Basically. RubyMars: I’ll change the subject then. RubyMars: Have you gone #2 lately? AHall80: Three days ago. RubyMars: Are you joking? AHall80: I wish. RubyMars: AARON AHall80: I know. I KNOW. RubyMars: Does it hurt? AHall80: Uh, when it comes out? RubyMars: Omg RubyMars: Aaron RubyMars: I meant your stomach. RubyMars: Does your stomach hurt? RubyMars: I can’t breathe RubyMars: Or type RubyMars: I didn’t mean your… rectum. RubyMars: Aaron? RubyMars: Aaron? RubyMars: Are you there? RubyMars: AARON? AHall80: You’re not the only one who couldn’t breathe or type. RubyMars: LMAO I’m crying. AHall80: me too AHall80: me too RubyMars: I mean… you can tell me if your butt hurts too, I guess. AHall80: Ruby, stop RubyMars: Seriously. You can tell me. I won’t judge. RubyMars: It happens. RubyMars: I think. AHall80: Stop RubyMars: I can’t breathe AHall80: I don’t know when the last time I laughed so hard was. AHall80: Everyone is looking at me wondering wtf happened. RubyMars: Your rectum happened AHall80: BYE RubyMars: I can’t stop laughing AHall80: You’re never hearing from me again RubyMars: There are tears coming out of my eyes. AHall80: Bye. I’ll write you again when I find my balls. RubyMars: It was nice knowing you. AHall80: BYE
Mariana Zapata (Dear Aaron)
"It was hot at the restaurant," I said. "So I rolled up my sleeves." "What?" I pushed my left one up, showing four bruises, dark as ink spots. Simon paled. "My aunt wanted to know what happened. When I wouldn't tell her, she tricked me into admitting it was a boy. She met Derek this morning and he was rude, so she decided it had to be him. I never confirmed it. If he's in trouble, it is not my fault. I had every right to tell someone and I didn't." "Okay, okay." He rubbed his mouth, still staring at my arm. "So he grabbed your arm. That's what it looks like. Right? He just grabbed harder than he thought." "He threw me across the room." Simon's eyes widened, then he lowered his lids to hide his surprise. "But he didn't mean to. If you saw how freaked out he was last night, you'd know that." "So that makes it okay? If I lose my temper and smack you, it's all right, because I didn't mean to, didn't plan to." "You don't understand. He just—" "She's right." Derek's voice preceded him around the corner. I shrank back. I couldn't help it. As I did, a look passed through Derek's eyes. Remorse? Guilt? He blinked it away.
Kelley Armstrong (The Summoning (Darkest Powers #1))
Still, this moment belongs to the two of them, Mom and this handsome stranger. He reaches the passenger side door and stares down at her with steely violet eyes-down at my mother who never cries, down at my mother who’s now bawling like a spanked child-his face contorted in a rainbow of so many emotions, some that I can’t even name. Then Grom the Triton king sinks to his knees in front of her, and a single tear spills down his face. “Nalia,” he whispers. And then my mother slaps him. It’s not the kind of slap you get for talking back. It’s not the kind of punch she dealt Galen and Toraf in our kitchen. It’s the kind of slap a woman gives a man when he’s hurt her deeply. And Grom accepts it with grace. “I looked for you,” she shouts, even though he’s inches from her. Slowly, as if in a show of peace, he takes the hand that slapped him and sandwiches it between his own. He seems to revel in the feel of her touch. His face is pure tenderness, his voice like a massage to the nerves. “And I looked for you.” “Your pulse was gone,” she insists. By now she chokes back sobs between words. She’s fighting for control. I’ve never seen my mother fight for control. “As was yours.” I realize Grom knows what not to say, what not to do to provoke her. He is the complete opposite of her, or maybe just a completion of her. Her eyes focus on his wrist, and tears slip down her face, leaving faint trails of mascara on her cheeks. He smiles and slowly pulls his hand away. I think he’s going to show her the bracelet he’s wearing, but instead he rips it off his wrist and holds it out for her inspection. From where I’m standing it looks like a single black ball tied to some sort of string. By my mom’s expression, this black ball has meaning. So much meaning that I think she’s forgotten to breathe. “My pearl,” she whispers. “I thought I’d lost it.” He encloses it in her hand. “This isn’t your pearl, love. That one was lost in the explosion with you. For almost an entire season, I scoured the oyster beds, looking for another one that would do. I don’t know why, but I thought maybe if I found another perfect pearl, I would somehow find you, too. When I found this though, it didn’t bring me the peace I’d hoped for. But I couldn’t bring myself to discard it. I’ve worn it on my wrist ever since.” This is all it takes for my mom to throw herself into his arms, bringing Rachel partially with her. Even so, it’s probably the most moving moment I’ve ever encountered in my eighteen years. Or at least it would be, if my mom weren’t clinging to a man who is not my dad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
She wrapped her arms around his head and hugged him to her abdomen. “Why are you so nice to me?” His chuckle was muffled against her belly. “I have ulterior motives.” “Such as?” “Making you mine.” Shit. Why had he said that? He was showing his cards much too soon. She slapped his shoulder. “Don’t say it if you don’t mean it.” He wished he could say he didn’t mean it. He didn’t particularly want to be so far gone. Ah, what the fuck—he liked her. A lot. She was just going to have to learn to live with it. If he could admit it, surely she could accept it. “I mean it, Toni.” He untangled his head from her grasp so he could look up at her. “I really do like you. And it isn’t just lust.” For once in his dick-led life. “I can’t stop thinking about you. Even when you’re not in my bed, you’re in my head. It’s driving me crazy. I’m not sure how to handle it.” She smiled, and he saw her feelings displayed clearly in her eyes. “You’re going to break my heart someday.” She released a sigh and stared over his head as she spoke. “I really like you too, Logan. But maybe it’s best if we pretend the only thing between us is lust. If I fall for you . . .” She shook her head and closed her eyes. “You don’t trust me with your heart.” “Should I?” He wanted to say she should, wanted to say that he’d never hurt her, but he, more than anyone, was aware of his track record with women. “That’s something you’ll have to decide on your own.
Olivia Cunning (Insider (Exodus End, #1))
Mother, stop it!” I shout. She takes a step back as if I’d physically slapped her. “Not all guys that look a certain way or dress a certain way or act a certain way are the same. You’ve tried all my life to drive me toward the kind of guy you wanted me to be with. You made me feel as though there was something wrong with me for liking anyone who rode a motorcycle or drove a muscle car or played in a band. But there was never anything wrong with them, Mom. They just weren’t for me. I wouldn’t have wanted to end up with any of them. Not now. But you don’t see that. You don’t see that now and you didn’t see that then. You could never be like a normal mother, one who holds her daughter when she cries and tells her that one day she’ll find Mr. Right, that one day love will be worth it. That was just beyond you. You had to do your best, at every possible opportunity, to convince me that the only way I’d ever be happy would be with a guy like Lyle, one who is so focused on his job and his money that he doesn’t have time for love. But Mom, if falling in love means risking getting hurt, then I’m okay with that. Because finally, for once, I’ve found someone worth the risk. I wouldn’t have missed out on Cash for the world, Mom. Did it ever occur to you that it took all those heartbreaks, all those tears, all those failed attempts to be able to recognize something real when I found it? Can’t you just be happy for me and leave us in peace?
M. Leighton (Up to Me (The Bad Boys, #2))
I'm Sorry for Hurting You <3 I'm writing this message cause I feel really bad, thinking about the way I hurt you makes me really sad. I'm sorry for all the hurt I've caused you and I regret the things I've done. I've lost the 1 girl I've ever loved and it was cause of the things I've done. Baby I feel so bad right now, cause I tore your world apart, and now all I can think about is how I broke your heart. These tears that run down my cheek are filled with sadness and hurt, because I loved you so much and now I know that it will never work :( I messed up and now I see that you mean the absolute world to me. I know sorry is not enough because I'm such a screw up.. But for whatever its worth I wanted to say, that you cross my mind every single day... The thought of you makes me smile, and I know our love was real, so I'm writing you this letter so that you know how I truly feel. What I really want to say is that I'm sorry, I know that you didn't deserve to be hurt like that, and I know that you will find someone who will love you and treat you right, they will make you happy and that person won't hurt you like I did. So I'm sooo SORRY for everything I've done, so all i have to say is that I love you and I'm so sooo sorry hun. :( Dedicated to Natasha
Simbarashe Dungare
I’ll teach you not to look at me like that,” Charles snarled through his hair before pushing it off his face. “Do you think I didn’t notice? The way you look at me when you think I’m not watching?” Oh, God! He had to get out of there. Slip out of his grip as soon as possible, before he lost control of his body. He was already feeling it in his groin—the fire Rochester had lit was already making his balls throb. His reply was desperate, a whisper, a tiny, brazen lie: “You’re mistaken.” “Oh, that’s how it is, then? You have the nerve to tell me it’s not true?” The next moment he felt something firm pressing against his buttocks. Something hot and shameless. Charles’s rock-hard erection. Dorian’s lips parted in a surprised moan. The air escaped his lungs and treacherous arousal rose all the way to his throat, breaking his voice and his willpower. “No…” I don’t know. “I didn’t mean to. I wasn’t spying on you on purpose.” “But you did. You always do.
Valentina C. Brin (Rise of a Nobleman (Possession, #1))
Galen punched his brother hard. "You bastard! You married and din't tell me?" Bathymaas moved to blast him. Aricle stopped her. "I'ts alright my lady. That's his normal reaction." "He needs to find another." Bathymaas "How could you have not told me? I'm your brother! Your twin! When did you marry?" Galen "While you were all gone." Aricles "Have you any idea the shit storm you are about to unleash?" Caleb "It's why I backed down from the fighting. I didn't want anyone hurt. Least of all Bathymaas." Aricles Malphas growled. "Now I want to punch you. . . . But I understand." He rubbed his gold necklace that never left him. "The heart wants what it wants, and nothing will deny it. But damn . . ." He turned his glare to Bathymaas. "Damn." "So what does this mean?" Monokles "The gods will attack her for this. Openly. Those who hate her will say that she can no longer perform her duties because she's been corrupted by the thouch of a mortal. And they will be after Aricles with everything they have." Caleb "I still don't trust him. He bowed out when we needed him the most." Phelix "To protect his wife." Haides reminded Phelix. "Right or wrong, I doubt there's a one of us who wouldn't do whatever he had to to keep his woman safe." Haides "he's right, there's nothing I wouldn't do to protect my wife and her honor." Monokles Galen hugged Bathymaas and then his brother. "I hate you." galen "I hate you too." Aricles Bathymaas scowled. "We don't mean it, my lady. Rather, it's our way of saying that we're still mad, but are willing to forgive." Aricles "Mortals are so strange." Bathymaas
Sherrilyn Kenyon (Dark Bites (Dark-Hunter #22.5; Hellchaser, #0.5; Dream-Hunter, #0.5; Were-Hunter, #3.5))
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly. The blond Red Sox girl looked me up and down. “Hello,” she said. Conrad said, “With who?” I pointed at Cam. “Him.” “You’re not riding with someone you don’t even know,” he said flatly. “I do so know him. He’s Sextus.” He narrowed his eyes. “Sex what?” “Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow. “I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.” I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go. “I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before. I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!” He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!” “I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.” I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said. He looked me dead in the eyes and said, “And you’re a four-year-old.” As I walked away, I heard the girl ask, “Is she your girlfriend?” I whirled around, and we both said “No!” at the same time. Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in. “No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse. Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter? I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers. “Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it. Red Sox girl frowned. “What is she talking about, Conrad?” To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?” Her pretty face twisted. “You little skank,” she hissed. I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter. Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly. That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way. “Your brother is a jerk,” I said. “That’s what’s going on.” Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?” I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.” “Wait, are you guys brother and sister too?” the girl asked. Conrad said, “Don’t even think about leaving with that guy.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
I imagine a man coming out of an alley and stabbing me a number of times until I die. Face-down, mouth-open in the snow. What would that change about me. Would I love it. Would I think that the stabbing was painful and that I didn’t like it. Does it actually hurt or is it great. I see my killer being given a wreath and a box of candy by the mayor of Chicago at some kind of ceremony (a ceremony for killing me, you see). And people are cheering for him. I see myself stab-holed and crawling out of an alley to join the periphery of the celebration. Then I hold one hand over the stab wounds and with the other hand I give the thumbs-up sign to my killer as he accepts the wreath from the mayor. I pass more people who are out walking. I’m on Ashland Avenue. A lot of times when I encounter someone else out walking or running past me, it feels like we should be more united than we end up acting. We’re both outside at the same time together. Why doesn’t that mean anything to anyone. Goddamn. No, I don’t think I actually care about that. I thought I cared about it just now.
Sam Pink (Person)
Hello..." "Hello Who are you?" "Take a moment to reflect." "And how did you get here from there, Mrs. Hall?" "I don't know. I really don't. I was such a together person. And I didn't make decisions. I mean, I never did anything in my whole life that wasn't someone else's idea. Like a girl in a mirror. Like I was watching, sitting, brushing my hair, while my life went by on the glass. When my mother deserted me. When Hector died. When Hector died again. When Daniel was killed, it was like the mirror was broken. There were only two things I could have done. And one of them would have been just to lie down and never get up again. It's like how many times can life hit you? When do the blows start to hurt? When do you just... stop?
Neil Gaiman (The Sandman, Vol. 9: The Kindly Ones)
The way they were treated should make you angry,” Richard said as he started away, “but not because you share an attribute with them.” Taken aback by his words, even looking a little hurt, Jennsen didn’t move. “What do you mean?” Richard paused and turned back to her. “That’s how the Imperial Order thinks. That’s how Owen’s people think. It’s a belief in granting disembodied prestige, or the mantle of guilt, to all those who share some specific trait or attribute. “The Imperial Order would like you to believe that your virtue, your ultimate value, or even your wickedness, arises entirely from being born a member of a given group, that free will itself is either impotent or nonexistent. They want you to believe that all people are merely interchangeable members of groups that share fixed, preordained characteristics, and they are predestined to live through a collective identity, the group will, unable to rise on individual merit because there can be no such thing as independent, individual merit, only group merit. “They believe that people can only rise above their station in life when selected to be awarded recognition because their group is due an indulgence, and so a representative, a stand-in for the group, must be selected to be awarded the badge of self-worth. Only the reflected light off this badge, they believe, can bring the radiance of self-worth to others of their group. “But those granted this badge live with the uneasy knowledge that it’s only an illusion of competence. It never brings any sincere self-respect because you can’t fool yourself. Ultimately, because it is counterfeit, the sham of esteem granted because of a connection with a group can only be propped up by force. “This belittling of mankind, the Order’s condemnation of everyone and everything human, is their transcendent judgment of man’s inadequacy. “When you direct your anger at me for having a trait borne by someone else, you pronounce me guilty for their crimes. That’s what happens when people say I’m a monster because our father was a monster. If you admire someone simply because you believe their group is deserving, then you embrace the same corrupt ethics. “The Imperial Order says that no individual should have the right to achieve something on his own, to accomplish what someone else cannot, and so magic must be stripped from mankind. They say that accomplishment is corrupt because it is rooted in the evil of self-interest, therefore the fruits of that accomplishment are tainted by its evil. This is why they preach that any gain must be sacrificed to those who have not earned it. They hold that only through such sacrifice can those fruits be purified and made good. “We believe, on the other hand, that your own individual life is the value and its own end, and what you achieve is yours. “Only you can achieve self-worth for yourself. Any group offering it to you, or demanding it of you, comes bearing chains of slavery.
Terry Goodkind (Naked Empire (Sword of Truth, #8))
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights. “Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back. “You’re safe,” he told me, in his usual soft, rumbling voice. “Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…” “I know, I believe you.” At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket. “Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger. Any hope I had felt bubbling up inside me burst into a thousand tiny pieces. “Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?” I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself. “You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—” I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!” “You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.” “No!” I shrieked. “No!” He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door. I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them. But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room. “—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
It's too late," she whispered. He whirled her around. "Don't say that! We are no better than animals if we cannot learn from our mistakes and move forward." She lifted her chin. "It isn't that. I don't want to marry you anymore." And she didn't, she realized ... He paled and whispered, "You're just saying that." "I mean what I say, Robert. I don't want to marry you." "You're angry," he reasoned. "You're angry, and you want to hurt me, and you have every right to feel that way." "I'm not angry." She paused. "Well, yes, I am, but that's not why I'm refusing you." He crossed his arms. "Why, then? Why won't you even listen to me?" "Because I'm happy now! Is that so difficult for you to understand? I like my position and I love my independence.
Julia Quinn (Everything and the Moon (The Lyndon Sisters, #1))
Tell me something,” he said in a low voice. “Anything,” I answered. “What’s it like to have every breath count?” I sat up and braced myself on my hand. “I’m not following what you mean,” I answered. Jess pulled himself up and propped his hands behind him. He looked out at the water as if he were seeing something from his past. “To live life as if it’s your last breath. To know that any minute could be the final one and that you have to make the most of what’s given to you. To know not everything is forever.” I could see the defined muscles in his arm, but what caught my attention the most was the bottom half of the symbol just under the sleeve of his shirt. Like before, I reached my finger and traced the snake resting on the stem. Sliding his sleeve higher, I followed upward toward the pedals of the black rose. “It bothers you, doesn’t it? The fact that you’re constantly reminded of...” I couldn’t finish what I wanted to say. I didn’t want to hurt him. He looked over his shoulder, and I stopped what I was doing to look up at him. “Yeah, it bothers me. But you know what bothers me even more? You’re not like me. You can take a final breath.
Laura Burks (Altered)
Stop being cruel." "The world is cruel. This world is, anyway. Tell me, Your Ladyship, what's it like in your fairy-tale land?" She snatched the shilling from his hand. As he looked on in irritation, she stood, cocked her arm, and winged the coin with all her strength. He pushed to his feet. "You just tossed away a perfectly good shilling. I can't imagine a better example of your pampered existence. That's a day's wages for a workingman." "You have millions of shillings, as you're so fond of telling everyone." "Yes, but I never forget that I came from far less. I couldn't forget that, even if I tried." "I have tried to forget. To forget where I came from, to deny the past. You don't know how I've tried." Her voice crumbled at the edges. "I may not have known poverty, but that doesn't mean I haven't known pain." Gabe pushed a hand through his hair. He recognized the ring of truth in her voice. She was being honest, and he was being an ass. Her character was finally coming into focus. He didn't know who or what had hurt her, but the blade had sunk deep. The world didn't hold enough kittens to fill that wound- but that hadn't stopped her from trying.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
It still shocks me sometimes that other people don’t feel the way I do about the dogs,” he said, “When I first started doing this, I was surprised that other people didn’t hear the dogs talking to them, you know? They tell you when they’re hungry, when they’re sad, when they’re happy. I mean, they’re just like us; they’re living, breathing beings who search for happiness just like we do. They want comfort. They want a nice place to sleep, good food, and treats. They want to be loved and wanted.” But you know, I’ve realized that people choose not to hear them. People are selfish and don’t want to see suffering. I mean, it’s easier just to get rid of them, not to feed them, to kick them when they get in the way. Then it doesn’t hurt to look at them, to hear them beg for help.
Melinda Roth (The Man Who Talks to Dogs: The Story of Randy Grim and His Fight to Save America's Abandoned Dogs)
Then it was horn time. Time for the big solo. Sonny lifted the trumpet - One! Two! - He got it into sight - Three! We all stopped dead. I mean we stopped. That wasn't Sonny's horn. This one was dented-in and beat-up and the tip-end was nicked. It didn't shine, not a bit. Lux leaned over-you could have fit a coffee cup into his mouth. "Jesus God," he said. "Am I seeing right?" I looked close and said: "Man, I hope not." But why kid? We'd seen that trumpet a million times. It was Spoof's. Rose-Ann was trembling. Just like me, she remembered how we'd buried the horn with Spoof. And she remembered how quiet it had been in Sonny's room last night... I started to think real hophead thoughts, like - where did Sonny get hold of a shovel that late? and how could he expect a horn to play that's been under the ground for two years? and - That blast got into our ears like long knives. Spoof's own trademark! Sonny looked caught, like he didn't know what to do at first, like he was hypnotized, scared, almighty scared. But as the sound came out, rolling out, sharp and clean and clear - new-trumpet sound - his expression changed. His eyes changed: they danced a little and opened wide. Then he closed them, and blew that horn. Lord God of the Fishes, how he blew it! How he loved it and caressed it and pushed it up, higher and higher and higher. High C? Bottom of the barrel. He took off, and he walked all over the rules and stamped them flat. The melody got lost, first off. Everything got lost, then, while that horn flew. It wasn't only jazz; it was the heart of jazz, and the insides, pulled out with the roots and held up for everybody to see; it was blues that told the story of all the lonely cats and all the ugly whores who ever lived, blues that spoke up for the loser lamping sunshine out of iron-gray bars and every hop head hooked and gone, for the bindlestiffs and the city slicers, for the country boys in Georgia shacks and the High Yellow hipsters in Chicago slums and the bootblacks on the corners and the fruits in New Orleans, a blues that spoke for all the lonely, sad and anxious downers who could never speak themselves... And then, when it had said all this, it stopped and there was a quiet so quiet that Sonny could have shouted: 'It's okay, Spoof. It's all right now. You get it said, all of it - I'll help you. God, Spoof, you showed me how, you planned it - I'll do my best!' And he laid back his head and fastened the horn and pulled in air and blew some more. Not sad, now, not blues - but not anything else you could call by a name. Except... jazz. It was Jazz. Hate blew out of that horn, then. Hate and fury and mad and fight, like screams and snarls, like little razors shooting at you, millions of them, cutting, cutting deep... And Sonny only stopping to wipe his lip and whisper in the silent room full of people: 'You're saying it, Spoof! You are!' God Almighty Himself must have heard that trumpet, then; slapping and hitting and hurting with notes that don't exist and never existed. Man! Life took a real beating! Life got groined and sliced and belly-punched and the horn, it didn't stop until everything had all spilled out, every bit of the hate and mad that's built up in a man's heart. ("Black Country")
Charles Beaumont (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
When they reached the table, Hannah started to introduce them. “Layla, this is Joe. Joe, this is—” “We’ve already met,” said Joseph, extending his hand and smiling. “Have we?” asked Layla, baffled. “Have you?” said Hannah. This was news to her. “Yeah, we have,” continued Joseph. “A couple of hours ago. On the road into the village. You tried to kill me, remember?” “Kill you?” gasped Layla. “You’re the biker? The one I knocked over?” “You knocked him over?” repeated Hannah in horror. “I didn’t mean to,” explained Layla quickly. “It was an accident. I was going to tell you about it. I just haven’t had the chance yet.” Turning to Joseph, Hannah asked, “Are you okay? Are you hurt at all?” “Well,” he replied somberly, “apart from my right arm, which I’m not sure is going to be of much use to me ever again, I’m fine.” As Layla’s jaw dropped open, he added quickly, “I’m joking. Really, it’s just a joke. I’m fine.” “Right, well, in that case,” Hannah continued, “as I was saying, Layla, this is Joseph Scott. Joe, this is Layla Lewis, your would-be killer, next door neighbor, and my best friend. She’s house-sitting whilst Lenny’s in Scotland.” “Next door neighbor, huh?” replied Joseph, taking a swig from his pint glass. “That could prove interesting.
Shani Struthers (The Runaway Year (The Runaway Series, #1))
Her face went blank as she realized what she’d interrupted. “I’ll, uh, go upstairs and watch a show,” she said, not sounding like herself at all. I scooted out from under Adam. “And Jesse saves the day,” I said lightly. “Thank you, that was getting out of hand.” She paused, looking—surprised. I wondered uncharitably how many times she’d walked in on her mother in similar situations and what her mother’s response had been. I never had liked Jesse’s mother and was happy to believe all sorts of evil about her. I let anger at the games her mother might have played surround me. When you’ve lived with werewolves, you learn tricks to hide what you’re feeling from them—anger, for instance, covers up panic pretty well—and, out from under Adam’s sensuous hands, I was panicking plenty. Adam snorted. “That’s one way to put it.” To my relief, he’d stayed where we’d been, sinking facedown onto the mat. “Even with my willpower, his lure was too great,” I said melodramatically, complete with wrist to forehead. If I made a joke of it, he’d never realize how truthful I was being. A slow smile spread across her face and she quit looking like she was ready to bolt back into the house. “Dad’s kind of a stud, all right.” “Jesse,” warned Adam, his voice muffled only a little by the mat. She giggled. “I have to agree,” I said in overly serious tones. “Maybe as high as a seven or eight, even.” “Mercedes,” Adam thundered, surging to his feet. I winked at Jesse, held my gi top over my left shoulder with one finger, and strolled casually out the back door of the garage. I didn’t mean to, but when I turned to shut the door, I looked back and saw Adam’s face. His expression gave me cold chills. He wasn’t angry or hurt. He looked thoughtful, as if someone had just given him the answer to a question that had been bothering him. He knew.
Patricia Briggs (Blood Bound (Mercy Thompson, #2))
I wiped the blade against my jeans and walked into the bar. It was mid-afternoon, very hot and still. The bar was deserted. I ordered a whisky. The barman looked at the blood and asked: ‘God?’ ‘Yeah.’ ‘S’pose it’s time someone finished that hypocritical little punk, always bragging about his old man’s power…’ He smiled crookedly, insinuatingly, a slight nausea shuddered through me. I replied weakly: ‘It was kind of sick, he didn’t fight back or anything, just kept trying to touch me and shit, like one of those dogs that try to fuck your leg. Something in me snapped, the whingeing had ground me down too low. I really hated that sanctimonious little creep.’ ‘So you snuffed him?’ ‘Yeah, I’ve killed him, knifed the life out of him, once I started I got frenzied, it was an ecstasy, I never knew I could hate so much.’ I felt very calm, slightly light-headed. The whisky tasted good, vaporizing in my throat. We were silent for a few moments. The barman looked at me levelly, the edge of his eyes twitching slightly with anxiety: There’ll be trouble though, don’tcha think?’ ‘I don’t give a shit, the threats are all used up, I just don’t give a shit.’ ‘You know what they say about his old man? Ruthless bastard they say. Cruel…’ ‘I just hope I’ve hurt him, if he even exists.’ ‘Woulden wanna cross him merself,’ he muttered. I wanted to say ‘yeah, well that’s where we differ’, but the energy for it wasn’t there. The fan rotated languidly, casting spidery shadows across the room. We sat in silence a little longer. The barman broke first: ‘So God’s dead?’ ‘If that’s who he was. That fucking kid lied all the time. I just hope it’s true this time.’ The barman worked at one of his teeth with his tongue, uneasily: ‘It’s kindova big crime though, isn’t it? You know how it is, when one of the cops goes down and everything’s dropped ’til they find the guy who did it. I mean, you’re not just breaking a law, your breaking LAW.’ I scraped my finger along my jeans, and suspended it over the bar, so that a thick clot of blood fell down into my whisky, and dissolved. I smiled: ‘Maybe it’s a big crime,’ I mused vaguely ‘but maybe it’s nothing at all…’ ‘…and we have killed him’ writes Nietzsche, but—destituted of community—I crave a little time with him on my own. In perfect communion I lick the dagger foamed with God’s blood.
Nick Land (The Thirst for Annihilation: Georges Bataille and Virulent Nihilism (An Essay in Atheistic Religion))
I definitely felt attracted to some people, and I liked the idea of being with someone, but the actual mechanics of it didn't much suit my talents. Like, parts of typical romantic relationships that made me anxious included 1. Kissing; 2. Having to say the right things to avoid hurt feelings; 3. Saying more wrong things while trying to apologize; 4. Being at a movie theater and feeling obligated to hold hands even after your hands become sweaty and the sweat starts mixing together; and 5. The part where they say, "What are you thinking about?" And they want you to be, like, "I'm thinking about you, darling," but you're actually thinking about how cows literally could not survive if it weren't for the bacteria in their guts, and how that sort of means that cows do not exist as independent life-forms, but that's not really something you can say out loud, so you're ultimately forced to choose between lying and seeming weird.
John Green (Turtles All the Way Down)
Do you have any memories at all that are making you think this? Did anything weird happen to you?” I ask through stiff breaths. Like, I don’t know, an uncle sneaking into your room? “No,” she says pointedly. “But that’s what I mean—just because I can’t remember anything doesn’t mean nothing ever happened. When I was younger, I was very attractive and very naive. I didn’t even know there were mean people in the world. Someone could have taken advantage of that.” WHAT I WANT TO SAY: “Nobody took advantage of you, nobody molested you, and you don’t have any repressed memories of your childhood. I’m the child who was hurt, not you. You didn’t believe me, but now I’m supposed to believe that you’re worried something ‘might’ have happened to you, even though you don’t have any reason to think that whatsoever? Why are you trying to diminish the horrible thing that happened to me and make it about you?” WHAT I ACTUALLY SAY: Exactly that.
Akemi Dawn Bowman (Starfish)
At once I understood that I had been looking at things with the right intention but from the wrong angle. My marriage was imperfect and my job lacked meaning, but I had been searching for complicated solutions instead of addressing the common denominator in both equations - me. Moreover, I'd been approaching my life as a zero-sum game. As Alex had just pointed out, meeting my own needs for a change didn't mean my family would collapse or sink into bankruptcy-level debt. There were certain parts of my marriage that might never be fixed - wasn't that what "for better or for worse" was all about? - but that wouldn't necessarily put Sanjay and me on a one-way dinghy to divorce island. And even if we did split, that wouldn't be the end of everything. It would hurt like hell, but it wouldn't erase the good times we'd had My children would still have two parents who loved them and who would not opt out of their lives just because things were hard.
Camille Pagán (I'm Fine and Neither Are You)
Would I ever let this knife hurt you?" His boots touch the tips of mine, and he leans into my space. "Of course not." The shadows slowly take the blade closer to Xaden's throat, and I grab for the hilt, yanking it away and tossing it to the desk before he can accidentally nick himself. His smile flashes, then fades. "Hey, Violence?" "What?" I snap. "There's a knife in the armoire." His hands slides to the nape of my neck, and he leans in, narrowing the world to just the two of us. "All you had to do was ask, even if you weren't aware it was coming, you know I'd never let it hurt you. I'm not the one you don't trust." I scoff. "What is that supposed to mean?" "Love, you're the smartest person I know. If you actually wanted the answers, you'd ask the right questions." His voice softens as his thumb sweeps along my jawline. "You knew about the deal. Maybe the question you need to be asking is why you didn't confront me about it." "Because I love you!
Rebecca Yarros (Iron Flame (The Empyrean, #2))
And then, so quickly that no one (unless they knew, as Peter did) could quite see how it happened, Edmund flashed his sword round with a peculiar twist, the Dwarf’s sword flew out of his grip, and Trumpkin was wringing his empty hand as you do after a “sting” from a cricket-bat. “Not hurt, I hope, my dear little friend?” said Edmund, panting a little and returning his own sword to its sheath. “I see the point,” said Trumpkin drily. “You know a trick I never learned.” “That’s quite true,” put in Peter. “The best swordsman in the world may be disarmed by a trick that’s new to him. I think it’s only fair to give Trumpkin a chance at something else. Will you have a shooting match with my sister? There are no tricks in archery, you know.” “Ah, you’re jokers, you are,” said the Dwarf. “I begin to see. As if I didn’t know how she can shoot, after what happened this morning. All the same, I’ll have a try.” He spoke gruffly, but his eyes brightened, for he was a famous bowman among his own people. All five of them came out into the courtyard. “What’s to be the target?” asked Peter. “I think that apple hanging over the wall on the branch there would do,” said Susan. “That’ll do nicely, lass,” said Trumpkin. “You mean the yellow one near the middle of the arch?” “No, not that,” said Susan. “The red one up above--over the battlement.” The Dwarf’s face fell. “Looks more like a cherry than an apple,” he muttered, but he said nothing out loud.
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
Will sat down and looked at Lyra. “What am I doing wrong?” he said. He was bloodstained, trembling, wild-eyed. He was living on the edge of his nerves: clenching his jaw, tapping his foot, breathing fast. “It’s your wound,” she said. “You en’t wrong at all. You’re doing it right, but your hand won’t let you concentrate on it. I don’t know an easy way of getting around that, except maybe if you didn’t try to shut it out.” “What d’you mean?” “Well, you’re trying to do two things with your mind, both at once. You’re trying to ignore the pain and close that window. I remember when I was reading the alethiometer once when I was frightened, and maybe I was used to it by that time, I don’t know, but I was still frightened all the time I was reading it. Just sort of relax your mind and say yes, it does hurt, I know. Don’t try and shut it out.” His eyes closed briefly. His breathing slowed a little. “All right,” he said. “I’ll try that.” And this time it was much easier.
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
I'm sorry," Gansey said, not looking at her as she leaned on the car beside him. "That was very rude." Blue thought of a few things to reply, but couldn't say any of them out loud. She felt like one of the night birds had gotten inside her. It tumbled and fumbled every time she breathed. He's going to die; this is going to hurt-- But she touched his neck, right where his hair was cut evenly above the collar of his shirt. He was very still. His skin was hot, and she could very, very faintly feel his pulse beneath her thumb. It wasn't like when she was with Adam. She didn't have to guess what to do with her hands. They knew. This was what it should have felt like with Adam. Less like playacting and more like a foregone conclusion. He closed his eyes and leaned, just a little, so that her palm was flat on his neck, fingers sprawled from his ear to his shoulder. Everything in Blue was charged. Say something. Say something. Gansey lifted her hand gently from his skin, holding it as formally as a dance. He put it against his mouth. Blue froze. Absolutely still. Her heart didn't beat. She didn't blink. She couldn't say don't kiss me. She couldn't even form don't. He just leaned his cheek and the edge of his mouth against her knuckles, and then set her hand back. "I know," he said. "I wouldn't." Her skin burned with the memory of his mouth. The thrashing bird of her heart shivered and shivered again. "Thank's for remembering." He looked back over the valley. "Oh, Jane." "Oh, Jane, what?" "He didn't want me to, did you know? He told me not to try to get you to come to the table that night at Nino's. I had to talk him into it. And then I made such an idiot of myself--" He turned back to her. "What are you thinking?" She just looked at him. That I went out with the wrong boy. That I destroyed Adam tonight for no reason at all. That I'm not sensible at all--"I thought you were an asshole." Gallantly, he said, "Thank God for past tense." Then: "I can't--we can't do this to him." It was jagged inside her. "I'm not a thing. To have." "No. Jesus. Of course you're not. But you know what I mean." She did. And he was right. They couldn't do this to him. She shouldn't do it to herself, anyway. But how it made a disaster of her chest and her mouth and her head. "I wish you could be kissed, Jane," he said. "Because I would beg one off you. Under all this." He flailed an arm toward the stars. "And then we'd never say anything about it again.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
FOR MOST OF us, failure comes with baggage—a lot of baggage—that I believe is traced directly back to our days in school. From a very early age, the message is drilled into our heads: Failure is bad; failure means you didn’t study or prepare; failure means you slacked off or—worse!—aren’t smart enough to begin with. Thus, failure is something to be ashamed of. This perception lives on long into adulthood, even in people who have learned to parrot the oft-repeated arguments about the upside of failure. How many articles have you read on that topic alone? And yet, even as they nod their heads in agreement, many readers of those articles still have the emotional reaction that they had as children. They just can’t help it: That early experience of shame is too deep-seated to erase. All the time in my work, I see people resist and reject failure and try mightily to avoid it, because regardless of what we say, mistakes feel embarrassing. There is a visceral reaction to failure: It hurts.
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
By the way,” Arabella said, “you might get a call from school. I forgot to mention it before.” Mother paused. “Why?” “Well, we were playing basketball and I guess I pulled on Diego’s jersey. I don’t even remember doing it. And Valerie decided it would be a good idea to snitch on me. I mean, I saw her walk over to the coach and pull on his sleeve like she was five or something. I even asked Diego if he cared, and he said he didn’t even notice. It’s a sport! I was into it.” “Aha,” Mother said. “Get to the call-from-school part.” “I told her that snitches get stitches. And Coach said that I made a terrorist threat.” “That’s stupid,” Lina said, pushing back her dark hair. “It’s not a threat, it’s just a thing people say.” “Snitches do get stitches.” Bern shrugged. “Your school is stupid,” Grandma Frida said. “So he said I had to apologize and I refused, since she snitched on me, so I got sent to the office. I’m not in trouble, but they want to move me to third-period PE now.” Well, it could’ve been worse. At least she didn’t hurt anybody.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
I turn on my heel, which is no easy feat in a gravel parking lot. Not losing eye contact with Galen, I stare him down until I get to the door he's opened for me. He seems unconcerned. In fact, he seems downright emotionless. "This better be good," I tell him as I plop down. "You should have returned my calls. Or my texts," he says, his voice tight. As he backs out of the parking space, I yank my cell out of my purse, perusing the texts. "Well, doesn't look like anyone died, so why the hell did you ruin my date?" It's the first time I've ever cursed at royalty and it's liberating. "Or is this a kidnapping? Is Grom in the trunk? Are you taking us on our honeymoon?" You're supposed to be hurting him, not yourself, moron. My lip trembles like the traitor it is. Even though I'm looking away, I can tell Galen's impassive expression has softened because of the way he says, "Emma." "Leave me alone, Galen." He pulls my chin to face him. I knock his hand away. "You can't go forty miles an hour on the interstate, Galen. You need to speed up.” He sighs and presses the gas. By the time we reach a less-embarrassing speed, I’ve abandoned my hurt for rage-o-plenty, struck by the realization that I’ve turned into “that girl.” Not the one who exchanges her doctorate for some kids and a three-bedroom two-bath, but the other kind. That girl who exchanges her dignity and chances for happiness for some possessive loser who beats her when she makes eye contact with some random guy working the hot dog stand. Not that Galen beats me, but after his little show, what will people think? He acted like a lunatic tonight, stalking me to Atlantic City, blowing up my phone, and threatening my date with physical violence. He made serial-killer eyes, for crying out loud. That might be acceptable in the watery grave, but by dry-land standards, it’s the ingredients for a restraining order. And why are we getting off the interstate? “Where are you taking me? I told you I want to go home.” “We need to talk,” he says quietly, taking a dark road just off the exit. “I’ll take you home after I feel you understand.” “I don’t want to talk. You might have realized that when I didn’t answer your calls.” He pulls over on the shoulder of Where-Freaking-Are-We Street. Shutting off the engine, he turns to me, putting his arm around the back of my seat. “I don’t want to break up.” One Mississippi…two Mississippi…”You followed me like a crazy person to tell me that? You ruined my date for that? Mark is a nice guy. I deserve a nice guy, don’t I, Galen?” “Absolutely. But I happen to be a nice guy, too.” Three Mississippi…four Mississippi…”Don’t you mean Grom? And you’re not a nice guy. You threatened Mark with physical pain.” “You threw Rayna through a window. Call it even?” “When are you going to get over that? Besides, she provoked me!” “Mark provoked me, too. He put his hand on your leg. We won’t even talk about the kiss on your cheek. Don’t think I didn’t hear you give him permission either.” “Oh, now that’s rich,” I snort, getting out of the car. Slamming the door, I scream at him. “Now you’re acting jealous on behalf of your brother,” I say, spinning in place. “Can Grom do anything without the almighty Galen helping him?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
To have a goddess like you in his arms and not appreciate it…” He kissed her, unable to resist the lush, succulent mouth so close to his. He put everything he felt into it, so he could wipe out any hurt the Neds of the world had given her. When he broke away, realizing he was treading dangerous ground, she said hoarsely, “You weren’t always so…appreciative. When I said that men enjoyed my company, you said you found that hard to believe.” “What?” he retorted with a scowl. “I never said any such thing.” “Yes, you did, the day that I asked you to investigate my suitors. I remember it clearly.” “There’s no way in hell I ever…” The conversation came back to him suddenly, and he shook his head. “You’re remembering only part, sweeting. You said that men enjoyed your company and considered you easy to talk to. It was the last part I found hard to believe.” “Oh.” She eyed him askance. “Why? You never seem to have trouble talking to me. Or rather, lecturing me.” “It’s either lecture you or stop up your mouth with kisses,” he said dryly. “Talking to you isn’t easy, because every time I’m near you I burn to carry you off to some secluded spot and do any number of wicked things with you.” She blinked, then gazed at him with such softness that at made his chest hurt. “Then why don’t you?” “Because you’re a marquess’s daughter and my employer’s sister.” “What does that signify? You’re an assistant magistrate and a famous Bow Street Runner-“ “And the bastard of nobody knows whom.” “Which merely makes you a fitting companion for a hellion with a reputation for recklessness.” The word companion resonated in his brain. What did she mean by it? Then she pressed a kiss to his jaw, eroding his resistance and his reason, and he knew precisely what she meant. He tried to set her off of him before he lost his mind entirely, but she looped her arms about his neck and wouldn’t let go. “Show me.” “Show you what?” “All the wicked things you want to do with me.” Desire bolted in a fever through his vein. “My God, Celia-“ “I won’t believe a word you’ve said if you don’t.” Her gaze grew troubled. “I don’t think you know what you want. Yesterday you gave me such lovely kisses and caresses and then at the ball you acted like you’d never met me.” “You were with your suitors,” he said hoarsely. “You could have danced with me. You didn’t even ask me for one dance.” Having her on his lap was rousing him to a painful hardness. “Because I knew if I did, I would want…I would need…” She kissed a path down his throat, turning his blood to fire. “Show me,” she whispered, “Show me now what you want. What you need.” “I refuse to ruin you,” he said, half as a caution to himself. “You already have.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
He fixed her in his gaze and set his jaw, his hands twitching at his sides. "You feel something for me," he said, daring her to try and deny it. There was no point trying to hide it now. She looked away, numb. "You can't feel that way about me." He lowered his voice. "It'll only get you hurt." "Oh, come on! That's so cliche! What's that even supposed to mean?" "It means my life is one that prevents me from the luxury of silly romantic notions. I can't have you look at me the way you just did. I don't care what Agatha's told you, or what she thinks she knows. This isn't going to happen, okay?" Silly romantic notions? Farley's embarrassment quickly moved aside to make room for her anger. "Agatha hasn't told me anything. None of you ever do. You're right, I do feel something for you, but don't worry. From your reaction, it's pretty clear that the feeling's not mutual. I'm not some crazy stalker. I'd appreciate it if you wouldn't flatter yourself into thinking that I'm completely head over heels in love with you. So just go!" she screamed, destroyed by his words and the feelings of rejection that coursed through her. "You don't understand." "I think I do." "No! You don't!" The hard look in his eyes morphed into something more pained and desperate. He stepped forward and grabbed her roughly by the arms, the same way he had done in the silo. "I sat there and watched you for months. Months! I watched you everywhere you went; I watched you when you didn't go anywhere at all! When you were so low you couldn't even leave the house. I watched the most beautiful person I'd ever seen get screwed over by the cops and have her life threatened on a daily basis without her even knowing it." Farley stared up at him-frozen and unblinking-his words barraging her. "How do you think I felt when I found you bleeding and broken on the floor of Aldan's room? I thought you were dead!" He stood, his eyes on fire, with something terrible strewn across his face. His voice dropped to barely more than a whisper. "We've got a war about to be unleashed here-one that I'm going to die for. One where you and I are an impossibility. So I don't get to tell you that I love you. And you don't get to look at me like that.
Frankie Rose
Do you know why I remembered you?” he asked me suddenly. It was a question so out of nowhere that it took me a little while to figure out what he was talking about. “You mean from Latin Convention?” “Yeah.” “Was it my Coliseum model?” I was only half-joking. Steven had helped me build it; it had been pretty impressive. “No.” Cam ran his hand through his hair. He wouldn’t look at me. “It’s because I thought you were really pretty. Like, maybe the prettiest girl I’d ever seen.” I laughed. In the car, it sounded really loud. “Yeah, right. Nice try, Sextus.” “I mean it,” he insisted, his voice rising. “You’re making that up.” I didn’t believe it could be true. I didn’t want to let myself believe it. With the boys any compliment like this would always be the first part of a joke. He shook his head, lips tight. He was offended that I didn’t believe him. I hadn’t meant to hurt his feelings. I just didn’t see how it could be true. It was almost mean of him to lie about it. I knew what I looked like back then, and I wasn’t the prettiest girl anybody had ever seen, not with my thick glasses and chubby cheeks and little-girl body. Cam looked me in the eyes then. “The first day, you wore a blue dress. It was, like, corduroy or something. It made your eyes look really blue.” “My eyes are gray,” I said. “Yes, but that dress made them look blue.” He looked so sweet, the way he watched me, waiting for my reaction. His cheeks were flushed peach. I swallowed hard and said, “Why didn’t you come up to me?” He shrugged. “You were always with your friends. I watched you that whole week, trying to get up the nerve. I couldn’t believe it when I saw you at the bonfire that night. Pretty bizarre, huh?” Cam laughed, but he sounded embarrassed. “Pretty bizarre,” I echoed. I couldn’t believe he’d noticed me. With Taylor by my side, who would have even bothered to look at me? “I almost messed up my Catullus speech on purpose, so you’d win,” he said, remembering. He inched a little closer to me. “I’m glad you didn’t,” I said. I reached out and touched his arm. My hand shook. “I wish you had come up to me.” That’s when he dipped his head low and kissed me. I didn’t let go of the door handle. All I could think was, I wish this had been my first kiss.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
Others may not notice it, because an angry Toraf is truly a rare thing to behold, but Galen can practically feel the animosity emanating from his friend. Which is why he casually bumps into him, taking care to be overly apologetic. “Oh, sorry about that, minnow. I didn’t even see you there.” Galen mimics Toraf’s demeanor, crossing his arms and staring ahead of them. What they’re supposed to be staring at, he’s not sure. His effort is rewarded with a slight upward curve of his friend’s mouth. “Oh, don’t think twice about it, tadpole. I know it must be difficult to swim straight with a whale’s tail.” Galen scowls, taking care not to glance down at his fin. Ever since they went to retrieve Grom, he’s been sore all below the waist, but he’d just attributed it to tension from finding Nalia, and then the whole tribunal mess-not to mention, hovering in place for hours at a time. Still, he did examine his fin the evening before, hoping to massage out any knots he found, but was a bit shocked to see that his fin span seemed to have widened. He decided that he was letting his imagination get the better of him. Now he’s not so sure. “What do you mean?” he says lightly. Toraf nods down toward the sand. “You know what I mean. Looks like you have the red fever.” “The red fever bloats you all over, idiot. Right before it kills you. It doesn’t make your fin grow wider. Besides, the red tide hasn’t been bad for years now.” But Toraf already knows what the red fever looks like. Not long after he first became a Tracker, Toraf was commissioned to find an older Syrena who had gone off on his own to die after he’d been caught in what the humans call the red tide. Toraf was forced to tie seaweed around the old one’s fin and pull his body to the Cave of Memories. No, he doesn’t think I have the red fever. Toraf allows himself a long look at Galen’s fin. If it were anyone else, Galen would consider it rude. “Does it hurt?” “It’s sore.” “Have you asked anyone about it?” “I’ve had other things on my mind.” Which is the truth. Galen really hadn’t given it much thought until right now. Now that it has been noticed by someone else. Toraf pulls his own fin around and after a few seconds of twisting and bending, he’s able to measure it against his torso. It spans from his neck to where his waist turns into velvety tail. He nods to Galen to do the same. Galen is horrified to find that his fin now spans from the top of his head to well below his waist. It really does look like a whale tail. “I don’t know how I feel about that,” Toraf says, thoughtful. “I’ve gotten used to having the most impressive fin out of the two of us.” Galen grins, letting his tail fall. “For a minute there I thought you really cared.” Toraf shrugs. “Being self-conscious doesn’t suit you.” Galen follows his gaze back out into the sea ahead of them. “So what do you think about yesterday’s tribunal?” “I think I know where Nalia and Emma get their temper.” Galen laughs. “I thought Jagen was going to pass out when Antonis grabbed him.” “He’s not very good at interacting with others anymore, is he?” “I wonder if he ever was. I told you how crazy Nalia always acted. Could be a family trait.” It looks like Toraf might actually smile but instead his gaze jerks back out to sea, a new scowl on his face. “Oh, no,” Galen groans. “What is it?” Please don’t say Emma. Please don’t say Emma. “Rayna,” Toraf says through clenched teeth. “She’s heading straight for us.” That’s almost as bad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Stop staring at Kevin so much. You're making me fear for your life over here." "What do you mean?" "Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats." "Can you take the creepy down a level?" Aaron asked. "What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push." "I don't need a push," Neil said. "I'm fine on my own." "Seriously, how are you not bored of your hand by now?" "I'm done with this conversation," Neil said. "This and every future variation of it. [...]" The stadium door slammed open as Andrew showed up at last. He swept them with a wide-eyed look as if surprised to see them all there. "Kevin wants to know what's taking you so long. Did you get lost?" "Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later." [...] "Wow, Nicky," Andrew said. "You start early." "Can you really blame me?" Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall. [...] "Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?" "You know I'd never hurt him. If he says yes-" "I said no." "Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-" He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey. [...] Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it. If Nicky so much as breathed wrong right now, Andrew would cut his lungs to ribbons, any and all consequences be damned. Neil wondered if Andrew's medicine would let him grieve, or if he'd laugh at Nicky's funeral too. Then he wondered if a sober Andrew would act any different. Was this Andrew psychosis or his medicine? Was he flying too high to understand what he was doing, or did his medicine only add a smile to Andrew's ingrained violence? [...] Andrew let go of Nicky and spun away. [...] Aaron squized Nicky's shoulder on his way out. Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all. "On second thought, you're not my type after all,” Nicky said [...]. "Don't let him get away with things like that." Nicky considered him for a moment, his smile fading into something small and tired. "Oh, Neil. You're going to make this so hard on yourself. Look, [...] Andrew is a little crazy. Your lines are not his lines, so you can get all huff and puff when he tramps across yours but you'll never make him understand what he did wrong. Moreover, you'll never make him care. So just stay out of his way." "He's like this because you let him get away with it," Neil said. [...] "That was my fault. [...] I said something I shouldn't have, and got what I deserved.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
What do you say to a girl who becomes familiar with heartache before she’s legal enough to drink? What are words to a girl who is used to getting hurt by everyone claiming to care? All these young souls drowning in sadness before knowing how to swim. Trying to navigate this rugged terrain called life. Sadly, heartbreak arrives earlier than it should, but if there’s anything that I know for sure it is that the heartache transforms the broken girl into a powerful woman. I just wish the pain didn’t start so young. I just wish you had more time to comprehend what it means to be happy and maybe one day you will.
R.H. Sin (Empty Bottles Full of Stories)
I can’t marry you,” I finally said. He nodded slowly. “I figured that out.” His mouth opened, then shut quickly, and he went back to waiting. But I couldn’t figure out where to begin, because I couldn’t understand Declan. There was a sadness deep in his eyes, but he didn’t look as if I’d just rejected his proposal. He didn’t look like the girl he’d thought was his fiancée had just told him she couldn’t marry him. He looked as if he had been waiting for this conversation. “Why, Rorie?” he said pleadingly. “Why won’t you?” “I’m sorry, Dec. I’m so sorry. I never wanted to hurt you, but I—” I sucked in a sharp breath, as if my body was rebelling against voicing the truth to him again, then forced out: “I fell in love with Jentry.” He winced in pain. “It was before I ever met you. I just didn’t know who he was. I didn’t know who he was to you, and didn’t think that I would see him again! I’m sorry! I didn’t mean for this to happen, but I couldn’t continue a relationship with you when my heart belonged to someone else. It wasn’t fair to you. You have to understand than I never wanted to hurt you; he never wanted to hurt you.” Declan’s lips formed a sad smile after a few moments. “God, that hurts just as much hearing it the second time.
Molly McAdams (I See You)
You know it’s true.” “Even if it is,” I cried, “what does it matter? You could sleep with anybody, Wesley. So what if I walk away? So what if I have feelings for you? I was just a screw to you! You would never actually commit to me. You could never commit to anyone, but especially not to Duffy. You don’t even find me attractive.” “Bullshit,” he growled, his eyes on my face as he moved closer to me again. He was so close. My back was pressed to the wall, and Wesley stood only inches away. It had only been a week, but it felt like ages since we’d been in this kind of proximity. A shiver ran up my spine as I remembered the way his hands felt on me. The way he’d always made me feel wanted, even if he had called me the Duff. Did he? Did he find me attractive despite the nickname? How? Why? “Then why would you call me that?” I whispered. “Do you know how much it hurts? Every time you call me Duffy, do you know how shitty it makes me feel?” Wesley looked surprised. “What?” “Every time you call me that,” I said, “you’re telling me how little you think of me. How ugly I am. God, how can you possibly find me attractive when you put me down all the time.” I hissed the last words through gritted teeth. “I didn’t-” His eyes fell, staring at his shoes for a moment. I could tell he felt guilty. “Bianca, I’m sorry.” He looked into my eyes again. “I didn’t mean-” His hand reached out to touch me. “Don’t,” I snapped, shrugging away from him. I slid to the side and stepped away from the wall. I wasn’t going to be cornered. I wasn’t going to let him have the power here. “Just stop, Wesley.” It didn’t matter if some part of him found me attractive. That didn’t change things. I was just another girl he’d slept with. One among many. “I didn’t mean anything to you,” I told him. “Then why am I here?” he demanded, turning to face me again. “Why the hell am I here, Bianca?
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
Guilt and shame and anger: Shame at saying yes, anger at not knowing you didn’t have to say yes, shame at not standing your ground and saying no, anger at partners for not telling you to say no, guilt at being angry because no one knew better. And in so many cases, the same conclusion, one that ace blogger StarchyThoughts summed up beautifully: I blamed my ex for a while—why did he push it when I said no so many times before? why did he enjoy it when I was clearly disinterested?—but that didn’t feel quite right. I said yes multiple times, and people can’t read minds. So then I was back to blaming myself. Perhaps if I truly felt so strongly that I didn’t want to have sex, I would have said no every time. But that doesn’t encapsulate the pressure and feeling of brokenness that I felt—the unspoken social norm that because I didn’t have a “good” reason to “deny” him, saying yes was a given. The problem is that I was left with no way to explain my hurt. On the surface, it shouldn’t have been a big deal: he said yes, I said yes, therefore everything was consensual. The problem is, had I known about asexuality, I would have said no. It felt like a wrong had occurred, even though there was no one to blame. And that is hermeneutical injustice.
Angela Chen (Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex)
We can't leave the past in the past because, the past is who we are. It's like saying I wish I could forget English. So, there is no leaving the past in the past. It doesn't mean the past has to define and dominate everything in the future. The fact that I had a temper in my teens doesn't mean I have to be an angry person for the rest of my life. It just means that I had allot to be angry about but, didn't have the language and the understanding to know what it was and how big it was. I thought my anger was disproportionate to the environment which is what is called having a bad temper but, it just means that I underestimated the environment and my anger was telling me how wide and deep child abuse is in society but, I didn't understand that consciously so I thought my anger was disproportionate to the environment but, it wasn't. There is almost no amount of anger that's proportionate to the degree of child abuse in the world. The fantasy that you can not be somebody that lived through what you lived through is damaging to yourself and to your capacity to relate to others. People who care about you, people who are going to grow to love you need to know who you are and that you were shaped by what you've experienced for better and for worse. There is a great deal of challenge in talking about these issues. Lots of people in this world have been hurt as children. Most people have been hurt in this world as children and when you talk honestly and openly it's very difficult for people. This is why it continues and continues.If you can get to the truth of what happened if you can understand why people made the decisions they've made even if you dont agree with the reason for those decisions knowing the reasons for those decisions is enormously important in my opinion. The more we know the truth of history the more confidently we can face the future without self blame.
Stefan Molyneux
Poetry Is Not Therapy but that doesn’t mean i didn’t try it. god knows in those moments when it felt like my gut was being wrung like a wet rag, i wrote bad poem after bad poem. who cares? healing wasn’t the point. (healing is a capitalist pursuit) after my grandma died, i measured everything in distance: eight hundred miles from my parents. two thousand five hundred miles from where she was buried. do you understand what i’m saying? i’ll never close the distance. i wanted the hurting to stop. to write a poem i could hand all my friends asking me how i was doing. how am i doing? the distance between me & everyone i’ve lost grows by miles & years.
José Olivarez (Promises of Gold (Spanish Edition))
Enraged I throw myself to the ground and I scream, my best friend is gone, this world is so mean. I cry as I pound my fists on his grass, I’m very upset that our time went so fast. My heart beats faster than ever before, my tears unstoppable, I'm hurt to the core. There are no words people can say, that will ease my excruciating pain. I don’t understand why you had to go. You leaving me, we just didn’t know. I’ll make it somehow, I’ll start anew. But, there is no way I can replace you. I struggle to make it through each day, and retain my sanity in this foggy haze. The sadness and pain that I display, is because God decided to take you away.
Michele Lena Lucy (Messages From The Heart: Love & Loss)
I could come down for a couple of days, Daniel,but I'd like to bring someone." "Someone?" Daniel's senses sharpened. He leaned forward with the cigar smoldering in his hand. "Who might this someone be?" Recognizing the tone, Grant crunched o a corn chip. "An artist I know who's doing some painting in New England, in Winty Point at the moment. I think she'd be interested in your house." She, Daniel thought with an irrepressible grin.Just because he'd managed to comfortably establish his children didn't mean he had to give up the satisfying hobby of matchmaking. Young people needed to be guided in such matters-or shoved along.And Grant-though he was a Campbell-was by way of being family... "An artist...aye,that's interesting. Always room for one more,son. Bring her along. An artist," he repeated, tapping out his cigar. "Young and pretty, too, I'm sure." "She's nearly seventy," Grant countered easily,crossing his ankles as he leaned against the wall. "A little dumpy, has a face like a frog.Her paintings are timeless, tremendous emotional content and physicality.I'm crazy about her." He paused, imagining Daniel's wide face turning a deep puce. "Genuine emotion transcends age and physical beauty, don't you agree?" Daniel choked, then found his voice. The boy needed help,a great deal of help. "You come early Friday,son. We'll need some time to talk." He stared hard the bookshelf across the room. "Seventy, you say?" "Close.But then true sensuality is ageless. Why just last night she and I-" "No,don't tell me," Daniel interrupted hastily. "We'll have a long talk when you get here. A long talk," he added after a deep breath. "Has Shelby-No, never mind," he decided. "Friday," Daniel said in a firmer tone. "We'll see about all this on Friday." "We'll be there." Grant hung up, then leaning against the doorjamb, laughed until he hurt. That should keep the old boy on his toes until Friday, Grant thought. Still grinning, he headed for the stairs. He'd work until dark-until Gennie.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
He smiled, and some of the knots in my stomach loosened. He would keep my secret. Devon hesitated, then reached over and put his hand on top of mine. His skin was warm, as though the sun had soaked into his body. I breathed in, and the crisp, clean scent of him filled my nose, the one that made me want to bury my face in his neck and inhale the essence of him over and over again. But I forced myself to exhale and step back, putting some distance between us, even though our hands were still touching. “Look,” I said, my voice carefully neutral. “You’re a nice guy, a great guy. But I’m going to . . . be here for a while. You’re an important member of the Family, and I’m your bodyguard, so it’s my job to protect you, and we’re going to have to work together. But I don’t think there should be anything . . . else.” “Because of your mom, right?” he asked in a low voice. “Because you blame me for her death?” I sucked in a breath, so rattled that I couldn’t even pretend I didn’t know what he was talking about. First, my magic, and now this. Somehow, Devon knew all my secrets. “How do you know about my mom?” I croaked out. “I remember everything about that day in the park,” he said. “Including the girl with the blue eyes who helped save me.” I didn’t say anything. I could barely even hear him over the roar of my own heartbeat in my ears. “It took me a while to figure out why you seemed so familiar. When I realized you reminded me of the girl in the park, I knew it had to be you. Mom would never have brought you here otherwise. Plus, there are several photos of your mother in the library. You look just like her. I know what happened to her. I’m sorry that she died because of me—so sorry.” His green gaze locked with mine, that old, familiar guilt flaring to life in his eyes and punching me in the gut. And once again, I found myself wanting to comfort him. “I don’t blame you for her death,” I said. “It wasn’t your fault. None of it was your fault. It was all the Draconis.” “Do you really mean that?” he whispered. “I do.” Devon closed the distance between us and stared down at me. I let myself look into his eyes for another heartbeat. Then I pulled my hand out from under his and stepped away. Hurt flashed in his gaze before he could hide it. I wanted to stop. I wanted to tell him that I felt this thing, this attraction, this heat between us just as much as he did. I wanted to wrap my arms around his neck, pull his lips down to mine, and lose myself in him. But I couldn’t. Not when I was planning on leaving the mansion, the Family, and him, the second I thought it was safe. I already cared about Devon way too much. And Felix and Oscar and even Claudia. I didn’t need to fall any farther down that rabbit hole, especially where Devon was concerned, because I knew exactly where I would end up—with my heart broken.
Jennifer Estep (Cold Burn of Magic (Black Blade, #1))
Not now, Em." I hopped over a paver, my pace just shy of making me pant. "If not now, when?" "How about never?" "Yeah, that's not going to work." He snorted with feeling. "You're operating under the misconception that I owe you anything. I don't." Definitely touchy. "And I didn't owe you anything when you asked about Dark Castle. But I told you how I felt anyway." "That's on you." We rounded a corner, heading toward the tennis court. I had no idea where he was going; maybe he simply thought he could wear me out and pull away. "You're right." I stopped on the trail, my arms falling to my sides as I caught my breath. To hell with it. I didn't need to be chasing a man who didn't want to be bothered. Weirdly, as if compelled, Lucian came to a halt and half turned my way to glare at me from over his wide shoulder. His body remained tense and poised to take flight once more. "We owe each other nothing," I said, raising my voice enough to be clear over the ten feet that separated us. "But no one lives in a complete void. Your grandmother and Sal walk on eggshells around you." Oh, but that got him. Red suffused his neck, and he stalked back my way, coming within touching distance. "You know nothing about them. Or me." Yeah, that hurt. It shouldn't have, but it did. "I know enough. They worry about you. They love you." Lucian's nostrils flared. "I mean it, Emma. I do not do well with guilt trips." "If you feel guilty, that's on you.
Kristen Callihan (Make It Sweet)
The mated males are biased. They want more females here for their own females. Many of the single males will likely have an issue, since it is tradition.” “Well if the single males want more females here, that’s the only way to do it. They’re only hurting themselves.” His fingers flexed slightly against hers. “Why do you think females would come here, anyway?” “Why wouldn’t they? I knew nothing about this sector and even after my tour I still don’t know much about it. Maybe if there was an attraction here— other than the males— it would bring more females.” He straightened and pushed up so that his hands caged her against the headboard. “This facility puts out the best warriors and we do some of the most intense and covert off-world missions. We will not have attractions here like a… carnival.” She blinked, realizing he’d misunderstood her. Unable to stop herself, a giggle escaped. She cupped the side of his face. Midnight black stubble already covered his jaw. She shivered, remembering the feel of it against her inner thighs not too long ago. “I didn’t mean that kind of attraction. I mean, give the females an incentive, like luxury housing or the chance to run a business here. There are so many business opportunities here for women. So far I’ve only seen one clothing shop and one bakery run by females.” He was silent a long moment as he watched her. “I think I might be biased too.” “How so?” “Because I want to change the law simply to please you.” The way he said it was almost grudging.
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))
Messiah thought back, his mind floating back in time to the day he’d taken Mo to Stepping Stone Falls to let her high come down. That morning. He’d found out that morning. He had been diagnosed with cancer. It was the biggest reason he had warned Morgan that he would never be able to stay. That he would hurt her. That they would never be. There was no future with him. No wedding. No growing old together. He knew that it would hurt her to only have him for a little while, but that small moment of time that they had carved out was the best days of his life. Those days outweighed every ounce of pain he had ever felt. He looked at his illness as a blessing, because he would have never crossed the line with Morgan if he hadn’t been diagnosed that day. Hearing that he was sick made him want to risk what little time he had left on her. Messiah couldn’t allow himself to die without indulging in an angel. Morgan had been his biggest blessing and he had been her biggest curse. She would never know how sorry he was. He would never be able to tell her. “It’s been awhile. About a year or so,” he said. “You’re 180 pounds. According to your records from your doctors in Michigan, you were 225 at your last visit. You know what that means, right? They should have told you what to look for. The signs. You should have…” “I know,” he said. “I was busy living. I didn’t want to take the time out to die. I found a girl to love me for a little while. It was worth it.” Messiah stepped down and the woman looked at him in stun.
Ashley Antoinette (Ethic 5)
After two weeks came the first letter from Alexander. Tatiasha, Can there be anything harder than this? Missing you is a physical aching that grips me early in the morning and does not leave me, not even as I draw my last waking breath. My solace in these waning empty summer days is the knowledge that you’re safe, and alive, and healthy, and that the worst that you have to go through is serfdom for four well-meaning old women. The wood piles I’ve left are the lightest in the front. The heaviest ones are for the winter. Use them last, and if you need help carrying them, God help me, ask Vova. Don’t hurt yourself. And don’t fill the water pails all the way to the top. They’re too heavy. Getting back was rough, and as soon as I came back, I was sent right out to the Neva, where for six days we planned our attack and then made a move in boats across the river and were completely crushed in two hours. We didn’t stand a chance. The Germans bombed the boats with the Vanyushas, their version of my rocket launcher, the boats all sank. We were left with a thousand fewer men and were no closer to crossing the river. We’re now looking at other places we can cross. I’m fine, except for the fact that it’s rained here for ten days straight and I’ve been hip deep in mud for all that time. There is nowhere to sleep, except in the mud. We put our trench coats down and hope it stops raining soon. All black and wet, I almost felt sorry for myself until I thought of you during the blockade. I’ve decided to do that from now on. Every time I think I have it so tough, I’m going to think of you burying your sister in Lake Ladoga. I wish you had been given a lighter cross than Leningrad to carry through your life. Things are going to be relatively quiet here for the next few weeks, until we regroup. Yesterday a bomb fell in the commandant’s bunker. The commandant wasn’t there at the time. Yet the anxiety doesn’t go away. When is it going to come again? I play cards and soccer. And I smoke. And I think of you. I sent you money. Go to Molotov at the end of August. Don’t forget to eat well, my warm bun, my midnight sun, and kiss your hand for me, right in the palm and then press it against your heart. Alexander Tatiana read Alexander’s letter a hundred times, memorizing every word. She slept with her face on the letter, which renewed her strength.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Mom?” Then again, louder. “Mom?” She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared. “I don’t feel good. Can I stay home today?” No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?” “I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again. “I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?” Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her. Funny things, though. Not scary things. “Can you tell me your name?” she repeated. “Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?” She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?” Something tightened in my chest to the point of snapping. “Mom, Mommy, why—” “Stop it,” she hissed, “stop calling me that!” “What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it. “We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—” “I live here!” I told her. “I live here! I’m Ruby!” When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby. “Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!” She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.” The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage. She hadn’t even turned on the light for me. I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Nothing had changed in that moment when Violet and Jay had finally decided to have sex. Nothing-and everything. Violet was amazed by what they’d done. Amazed that they’d shared themselves with each other, like that. It was wonderful, and beautiful, and not anything that Violet had expected it to be. The pain had been more intense than she could have imagined, and she’d done her best not to cry out. But, of course, Jay had noticed as her body tensed, and then she shuddered. Tears dampened her lashes, yet she’d refused to let them fall. Jay had insisted that they stop, but Violet wouldn’t let him. Instead they’d waited, with Jay holding her, stroking her hair, her shoulders, her face, until the pain subsided, becoming something…less. Later, when she was lying in his arms, she shuddered again. Jay hugged her tight. “What’s wrong? You’re not sorry, are you?” The tenderness of his words made her heart twist. “Of course not. How could I be sorry for that?” He kissed her eyes, gently. “Then why are you shivering? I didn’t mean to hurt you, Vi.” She shook her head, clumsily bumping his chin. “I don’t know why.” She ran her fingertips over his arm, memorizing the feel of his coarse hairs, his skin, the muscles beneath it all. “It’s just…it’s a lot. You know?” Jay smiled. It was a satisfied smile. “Yeah.” He leaned back and pulled her to him, tucking her against his shoulder. “It was a lot. A really good lot.” She wanted to shove him, to banter, to play, but she was too exhausted. When Jay finally got up to leave, Violet leaned up on her elbow and watched as he buttoned his jeans. She wished they could stay like that-together-for longer. Forever. She already missed the feel of him beside her, and the scent of him around her. She sat up to give him back the T-shirt she was wearing. His lazy smile was far too beautiful to be real. “Keep it,” he insisted. “I like it better on you anyway.” The way he stared at her made her stomach flip. It was a look brimming with tenderness. They were a part of something more now; they belonged to each other. He tugged his hoodie over his bare chest, and then he leaned down to kiss her one last time, his lips lingering. His thumb traced the line of her cheek. “I love you, Violet Marie. I’ll always love you.” And then he left. And, once again, Violet slept deeply, soundly, wrapped in Jay’s shirt. He was the perfect remedy to all her worries.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Once I’m at the bottom, I knock on the exit door. Zeke opens it, a stupid grin on his face. “No trouble with the guard?” “No.” “I figured Drea would be easy to get by. She doesn’t care about anything.” “It sounded like she had looked the other way before.” “That doesn’t surprise me. Is this Prior?” “In the flesh.” “Why’s he bleeding?” “Because he’s an idiot.” Zeke offers me a black jacket with a factionless symbol stitched into the collar. “I didn’t know that idiocy caused people to just start spontaneously bleeding from the nose.” I wrap the jacket around Caleb’s shoulders and fasten one of the buttons over his chest. He avoids my eyes. “I think it’s a new phenomenon,” I say. “The alley’s clear?” “Made sure of it.” Zeke holds out his gun, handle first. “Careful, it’s loaded. Now it would be great if you would hit me so I’m more convincing when I tell the factionless you stole it from me.” “You want me to hit you?” “Oh, like you’ve never wanted to. Just do it, Four.” I do like to hit people--I like the explosion of power and energy, and the feeling that I am untouchable because I can hurt people. But I hate that part of myself, because it is the part of me that is the most broken. Zeke braces himself and I curl my hand into a fist. “Do it fast, you pansycake,” he says. I decide to aim for the jaw, which is too strong to break but will still show a good bruise. I swing, hitting him right where I mean to. Zeke groans, clutching his face with both hands. Pain shoots up my arm, and I shake my hand out. “Great.” Zeke spits at the side of the building. “Well, I guess that’s it.” “Guess so.
Veronica Roth (Allegiant (Divergent, #3))
She turned to go back inside the livery stable. The excitement with which she’d entered it less than an hour earlier had been replaced by heavy-hearted dread. She didn’t want to see Jim right now, or even think of him and the ramifications of their impossible relationship. He waited for her only a few yards from the door, leaning against Lady’s stall and scratching her forelock. When Catherine approached, he raised his eyebrows. “Nathan won’t tell.” She pressed a finger to her lips. “We’re safe.” Jim stood there a moment, his expression unreadable. He took a tentative step toward her, pointed to her and himself and twined his fingers together with another questioning tilt of his brows. “I don’t know.” She shook her head. “I don’t know if we’re together or not. I simply don’t know. Please don’t ask me this tonight. I need some time to think.” His gaze was riveted on her lips, then her eyes. He seemed calm, but she noticed tension in his jaw and neck, signs she’d learned to read to tell her when he was upset or angry. She wished she could give him a better answer, could tell him what he wanted to hear, but to say “I love you and want to be with you” would be a lie right now. Her conflicting emotions were tearing her apart. Walking over to him, she tilted her face up and kissed him on the cheek. “I’m sorry,” she whispered near his ear so he couldn’t see her words. “I don’t mean to keep hurting you. I want to love you, but I’m afraid. You don’t understand what a huge thing you’re asking of me.” She stepped back, gave him a small smile, and gestured toward the door. “I have to go now. It’s late. But I’ll try to see you soon.” He nodded, but the hopeful light had gone out of his eyes.
Bonnie Dee (A Hearing Heart)
There was a beat of silence in which I digested what he’d said. He wasn’t mean or menacing this time. There was no edge to his voice. “What?” I gasped. “I’m trying really hard not to hurt you, but I’m struggling. You need to take a step back before I do something I’ll regret,” he explained. “Who said I can leave you alone?” I asked breathlessly, not really deciphering my own words. “You think I haven’t tried?” “Try harder, Luna. I know you can, because for about eight years, you did. Three unreciprocated kisses. You sleeping with someone else. You did a pretty darn good job, so just keep doing it, okay?” I remembered what he’d said about my presence feeling like a metal chain. A heavy burden he wanted to shake off. Guess it had always been easy for me to choose Knight, because I didn’t have any options. Because Knight always chose me. But his choice came with a bigger sacrifice. He was the one getting me out of trouble, shooing off the bullies, making sure I had someone to sit with at recess. He was the one who constantly gave up the opportunity to actually date the hottest girls. “Moonshine,” he pushed through the fog in my head, pulling me back to reality. “Give it a rest. You’re poking the bear.” “You didn’t even say anything about my talking,” I sulked, feeling the anger clogging my throat. I didn’t know why it was so important to address it right this second. I could hear the smile in his voice. “I always knew you’d talk, and not just to me. To everyone. I watched you crawl out of your shell, and it was slow, but by fucking God, it was beautiful. Have you spoken to anyone else?” He sounded warm, conversational now—the Knight I was used to, who looked at me with admiration and delight.
L.J. Shen (Broken Knight (All Saints High, #2))
Oscar’s breath warmed the back of her head, his lips brushing against her hair, loosened from a braid. He drew a lock away from her neck and kissed the skin just beneath her earlobe, against the throb of her quickening pulse. Like the blackness outside the dome of lamplight, there seemed to be nothing more in the world than his lips, his touch, and the flood of heat consuming her. With a gentle nudge, Oscar turned her toward him. He looked at her the way he had in the Grampains meadow-as if she was the most fascinating woman he’d ever seen. Under his gaze she felt fascinating, too. Capivating…wanted. He traced her jaw with his lips, kissing the angle of her neck ever so tenderly, as though he weren’t certain she wanted him, too. Camille closed the inch of space left between them, her body pressing against his. The muscles in his chest and arms tightened. He was wanted, and she needed to show him how much. No one was there to watch, no one to judge, or tell her the lips caressing her were unworthy of tasting her skin. With those very thoughts, Oscar’s grip loosened. His lips retreated. “This isn’t right,” he whispered, catching his breath. Camille stared at him, her hurt and disappointment plain on her face. “You’re engaged, Camille.” He looked around the room. His eyes rested on the bed. “I shouldn’t be here.” All of a sudden, Camille completely and fully detested Randall. Good, sweet, well-meaning Randall infuriated her with his mere existence, with his big sapphire ring and his marriage proposal and his bright, wealthy future as the savior of Rowen & Company. She didn’t want any of it if it meant she couldn’t have Oscar’s kisses, the return of his hands, and his body pressed close to her own. “I want you here,” she said, the words unable to express the desires stampeding her mind. Oscar licked his lips but stepped toward the doorway. “I can’t. If you’re going to marry Randall-“ Camille hushed him. “No, don’t. Please, don’t.” She didn’t want to hear Randall’s name coming from Oscar’s lips, not when she so desperately wanted to kiss them. “He’s not here. And you are, and…what if you stayed?” she asked, unable to believe the words had come from her mouth. He lost the tense hold of his shoulders and stared at her with disbelief. “Nothing improper, of course,” she added quickly. “What if you just stayed until…until I fell asleep?” Citrus and cloves charged through her sense with their dizzying effect as Oscar stepped back inside the room. He tilted his head and looked sideways at her. “Just until you fall asleep?” She nodded, her throat too tight with nerves to speak.
Angie Frazier (Everlasting (Everlasting, #1))
He doesn't realise how much it hurts me when he's so curt," his mother said sorrowfully. "He doesn't mean it," I said. "It's just calving. I expect every dairy farmer in the country is being rude to his mother just now." "It's Rose, too," she told me. "He's such a dear boy Josie; it's tearing him apart to see her so unwell. Perhaps-" she paused and looked at me with a Madonna-like expression of patient and loving reproach - "perhaps it might help if you didn't expect him to dance attendance very spare minute, hmmm ?" My hand clenched on the handle of my fork as I considered throwing it at her like a spear. I've got pretty good aim - I'd probably be able to get her in the side of the head from here. But the consequences wouldn't be worth the fleeting satisfaction. I dropped my eyes to my plate and nodded. "You're a sweet girl. I know you don't mean to be selfish.
Danielle Hawkins (Dinner at Rose's)
Tina woke to a thin beam of afternoon sun. She lay still for a moment, revisiting, reliving, trying to get comfortable with the events of the night before. The sound of rustling paper got her up and the smell assaulted her again. Lockie was eating a burger, trying for slow, but failing.He had his back to her as he perched in a corner, secretively stuffing his mouth. ‘Hey, Lockie,’ said Tina. Lockie turned, wild-eyed and fearful. He stopped mid-chew and pushed his tongue through his teeth to spit the gooey mess out. ‘Gross, kid, just swallow for fuck’s sake.’ ‘Sorry,’ he mumbled. ‘Sorry for touching, sorry for eating, sorry for being a bad boy.’ ‘You’re not being a bad boy,’ Tina said. She hated how pathetic the kid sounded. ‘The food is for you, do you understand? It’s all for you.’ Lockie stared. He was still and silent, as if waiting for what would happen next. Tina hated the idea that he was afraid of her, that he would have to be afraid of everyone he ever met from now on. ‘Say it, kid. Say, “It’s all for me.” Go on, say it.’ Lockie stared. ‘Say it, Lockie.’ ‘It’s all . . .’ He faltered. “It’s all for me.” 'Say it, I mean it.’ ‘It’s all for me.’ ‘Say it again, Lockie.’ ‘It’s all for me. All for me, all for me.’ ‘Okay, kid, you can shut up now. Get back to your breakfast. I might have a cigarette.’ ‘The food is all for me,’ said Lockie. His voice was determined. He was telling her, but mostly he was telling himself. ‘That’s right, kid, it’s all for you.’ ‘But you can share it with me,’ he said, and he gave Tina a small smile.Someone had taught Lockie all the right rules. Someone who didn’t even know if he was alive right now. ‘I bet you’ve got the best mum and dad somewhere.' Lockie nodded and chewed. ‘I bet I do.’ He didn’t talk anymore after that. The memory of his parents had obviously been put somewhere far away so thoughts of them wouldn’t hurt. He wasn’t ready to take them out again.
Nicole Trope (The Boy Under the Table)
Rach-Uh, my mom says they'll help me blend in better. She says the color would just draw attention to me." Emma snorts. "Oh, she's definitely right. Blue eyes make you look so much more average. In fact, I almost didn't notice you standing there." "That hurts my feelings, Emma." He grins. She giggles. He says, "I'd consider forgiving you-if you come with me to the beach." She sighs. "I can't go with you, Galen." He runs a hand through his hair. "Honestly, Emma, I don't know how much more rejection I can take," he blurts out. In fact, he doesn't remember ever being rejected, except by Emma. Of course, that could be due to the fact that he's a Royal. Or maybe it's because he doesn't spend a lot of time with his kind anyway, let alone the females. Actually, he doesn't spend a lot of time with anyone except Rachel. And Rachel would give him her beating heart if he asked for it. "I'm sorry. It's not about you this time. Well, actually, it kind of is. My mom...well, she thinks we're dating." Her cheeks-and those lips-deepen to red. "Dating?" What is dating again? He tries to remember what Rachel told him...She said it's easy to remember because it's almost the same as...what is the rhyme for it? And then he remembers. "It's easy to remember, because dating rhymes with mating, and they're almost the same," she'd said. He blinks at Emma. "You're mom thinks we're ma-Uh, dating?" She nods biting her lip. For reasons he can't explain, this pleases him. He leans against the passenger door of her car. "Oh. Well. What does it matter if she thinks that?" "I told her we weren't dating, though. Just this morning. Going to the beach with you makes me look like a liar." He scratches the back of his neck. "I don't understand. If you told her we weren't dating, then why does she think we are?" She relaxes against his driver-side door. "Well, this is all actually your fault, not mine." "I'm obviously not asking the right questions-" "The way you acted toward me when I hit my head, Galen. Some people saw that. And they told my mom. She thinks I've been hiding you from her, keeping you a secret. Because she thinks we've been...we've been..." "Dating?" he offers. He can't understand why she'd have a difficult time discussing dating, if it means what he thinks it does-spending time with one human more than others to see if he or she would be a good mate. The Syrena do the same, only they call it sifting-and sifting doesn't take nearly as long as dating. A Syrena can sift out a mate within a few days. He'd laughed when Rachel said some humans date for years. So indecisive. Then an echo of Toraf's voice whispers to him, calling him a hypocrite. You're twenty years old. Why haven't you sifted for a mate? But that doesn't make him indecisive. He just hasn't had time to sift and keep his responsibility watching the humans. If it weren't for that, he'd already be settled down. How can Toraf think Emma's the reason he hasn't sifted yet? Up until three weeks ago, he didn't even know she existed.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
She stiffened and gasped, and the touch was immediately withdrawn. "Did I hurt you?" Her lashes lifted. "No," she said in wonder. "In fact, I didn't feel any pain." She strained to look between them. "Is there blood? Perhaps I should-" "No. Win..." There was a near-comical expression of dismay on his face. "What I just did isn't going to cause pain or blood." A brief pause. "When I do it with my cock, however, it's probably going to hurt like hell." "Oh." She pondered that for a moment. "Is that the word men use for their private parts?" "One of the words gadjos use." "What do Romas say?" "They call it a kori." "What does that mean?" "'Thorn.'" Win slid a bashful glance at the heavy protrusion straining behind his trousers. "Rather too substantial for a thorn. I should have thought they would use a more fitting word. But I suppose-" She inhaled sharply as his hand moved downward. "I suppose if one wants roses, one must-" his finger had slipped inside her again- "bear the occasional thorn." "Very philosophical.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
She’s trying to coax me away from him, speaking in a gentle voice, the way you’d speak to a child or to a frightened animal, not condescending, just gently, respectfully coaxing me to rise and come away and leave my brother here, and I know what this coaxing means, somewhere inside I do in the small, small place where I’m still sane, the small, small place where I’m not casting ancient spells of prophylaxis and reversal according to the ur-control scenario, where is where I am right now, in the magic kingdom that I’m the king and only god of, where nothing ever happens except as I command it, and nothing can ever hurt me so long as I stay inside the magic circle, and maybe that’s why something inside me larger than I am bids me to go back now to that awful scene upon that awful highway to suffer now what I didn’t suffer then because I wasn’t really there the first time. And though I’m not really there, I know what her expression means, this stranger’s, and I’m not having it, not from her or anyone, I don’t want to be awakened
David Payne (Barefoot to Avalon: A Brother's Story)
Ma Chere Mamma, We are all well I do my lessons always and never corroberate the girls -- Meg says I mean contradick so I put in both words and you can take the properest. Meg is a great comfort to me and lets me have jelly every night at tea its so good for me Jo says because it keeps me sweet tempered. Laurie is not as respeckful as he ought to be now I am almost in my teens, he calls me Chick and hurts my feelings by talking French to me very fast when I say Merci or Bon jour as Hattie King does. The sleeves of my blue dress were all worn out, and Meg put in new ones, but the full front came wrong and they are more blue than the dress. I felt bad but did not fret I bear my troubles well but I do wish Hannah would put more starch in my aprons and have buckwheats every day. Can't she? Didn't I make that interrogation point nice? Meg says my punchtuation and spelling are disgraceful and I am mortyfied but dear me I have so many things to do, I can't stop. Adieu, I send heaps of love to Papa. Your affectionate daughter . .. AMY CURTIS MARCH
Louisa May Alcott (Little Women)
No one called him Fai except his grandmother. What sort of name is Frank? she would scold. That is not a Chinese name. I’m not Chinese, Frank thought, but he didn’t dare say that. His mother had told him years ago: There is no arguing with Grandmother. It’ll only make you suffer worse. She’d been right. And now Frank had no one except his grandmother. Thud. A fourth arrow hit the fence post and stuck there, quivering. “Fai,” said his grandmother. Frank turned. She was clutching a shoebox-sized mahogany chest that Frank had never seen before. With her high-collared black dress and severe bun of gray hair, she looked like a school teacher from the 1800s. She surveyed the carnage: her porcelain in the wagon, the shards of her favorite tea sets scattered over the lawn, Frank’s arrows sticking out of the ground, the trees, the fence posts, and one in the head of a smiling garden gnome. Frank thought she would yell, or hit him with the box. He’d never done anything this bad before. He’d never felt so angry. Grandmother’s face was full of bitterness and disapproval. She looked nothing like Frank’s mom. He wondered how his mother had turned out to be so nice—always laughing, always gentle. Frank couldn’t imagine his mom growing up with Grandmother any more than he could imagine her on the battlefield—though the two situations probably weren’t that different. He waited for Grandmother to explode. Maybe he’d be grounded and wouldn’t have to go to the funeral. He wanted to hurt her for being so mean all the time, for letting his mother go off to war, for scolding him to get over it. All she cared about was her stupid collection. “Stop this ridiculous behavior,” Grandmother said. She didn’t sound very irritated. “It is beneath you.” To Frank’s astonishment, she kicked aside one of her favorite teacups. “The car will be here soon,” she said. “We must talk.” Frank was dumbfounded. He looked more closely at the mahogany box. For a horrible moment, he wondered if it contained his mother’s ashes, but that was impossible. Grandmother had told him there would be a military burial. Then why did Grandmother hold the box
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
I’m really not looking to date anyone.” I know people often say that when secretly looking for ‎a romantic partner, but I meant it. I definitely felt attracted to some people, and I liked the ‎idea of being with someone, but the actual mechanics of it didn’t much suit my talents. Like, ‎parts of typical romantic relationships that made me anxious included 1. Kissing; 2. Having to ‎say the right things to avoid hurt feelings; 3. Saying more wrong things while trying to ‎apologize; 4. Being at a movie theater together and feeling obligated to hold hands even after ‎your hands become sweaty and the sweat starts mixing together; and 5. The part where they ‎say, “What are you thinking about?” And they want you to be, like, “I’m thinking about you, ‎darling,” but you’re actually thinking about how cows literally could not survive if it weren’t for ‎the bacteria in their guts, and how that sort of means that cows do not exist as independent ‎life-forms, but that’s not really something you can say out loud, so you’re ultimately forced to ‎choose between lying and seeming weird
John Green (Turtles All the Way Down)
We have snacks, everybody!” “Where’d you get them from, Delaware?” Ben asked. He was glaring behind me, where Sage leaned casually against the wall. “Practically,” I said. “My fault-I was dying for Red Hots. Pretty much impossible to find. So what movie are we watching?” Back in the cave, Sage had told me I wasn’t much of an actress, and apparently he was right. I thought I put on a brilliant show, but Ben’s eyes were filled with suspicion, Rayna looked like she was ready to pounce, and Sage seemed to be working very hard to stifle his laughter. Rayna yawned. “Can’t do it. I’m so tired. I’m sorry, but I have to kick you guys out and get some sleep.” She wasn’t much better at acting than I was. I knew she wanted to talk, but the idea of being away from Sage killed me. “No worries,” I said. “I can bring he snacks to the guys’ room. We can watch there and let you sleep.” “Great!” Ben said. Rayna gaped, and in the space of ten seconds, she and I had a full conversation with only our eyes. Rayna: “What the hell?” Me: “I know! But I want to hang out with Sage.” Rayna: “Are you insane?! You’ll be with him for the rest of your life. I’m only with you until morning!” I couldn’t fight that one. She was right. “Actually, I’m pretty tired too,” I said. I even forced a yawn, though judging from Sage’s smirk, it wasn’t terribly convincing. “You sure?” Ben asked. He was staring at me in a way that made me feel X-rayed. “Positive. Take some snacks, though. I got dark chocolate M&Ms and Fritos.” “Sounds like a slumber party!” Rayna said. “Absolutely,” Sage deadpanned. “Look out, Ben-I do a mean French braid.” Ben paid no attention. He had moved closer and was looking at me suspiciously, like a dog whose owner comes from after playing with someone else’s pet. I almost thought he was going to smell me. “G’night,” he said. He had to brush past Sage to get to the door, but he didn’t say a word to him. Sage raised an amused eyebrow to me. “Good night, ladies,” he said, then turned and followed Ben out. It hurt to see him go, like someone had run an ice cream scoop through my core, but I knew that was melodramatic. I’d see him in the morning. We had our whole lives to be together. Tonight he could spend with Ben. I laughed out loud, imagining the two of them actually cheating, snacking, and French braiding each other’s hair as they sat cross-legged on the bed. Then a pillow smacked me in the side of the head. “’We can watch there and let you sleep’?” Rayna wailed. “Are you crazy?” “I know! I’m sorry. I took it back, though, right?” “You have two seconds to start talking, or I reload.” Before now, if anyone had told me that I could have a night like tonight and not want to tell Rayna everything, I’d have thought they were crazy. But being with Sage was different. It felt perfectly round and complete. If I said anything about it, I felt like I’d be giving away a giant scoop of it that I couldn’t ever get back. “It was really nice,” I said. “Thanks.” Rayna picked up another pillow, then let it drop. She wasn’t happy, but she understood. She also knew I wasn’t thanking her just for asking, but for everything. “Ready for bed?” she asked. “We have to eat the guys to breakfast so they don’t steal all the cinnamon rolls.” I loved her like crazy.
Hilary Duff (Elixir (Elixir, #1))
Your mother told you," he states flatly. "Yeah," I snap. "She told me." "She doesn't know everything. She doesn't know me...or how I feel. I would never force you to do anything against your will, and I would never, ever let anyone harm you." His words enrage me. Lies, I'm convinced. My hand shoots out, ready to slap that earnest look off his face. The same earnest look he'd given me the first time he lid to my face. He catches my hand, squeezes the wrist tight. "Jacinda-" "I don't believe you. You gave me your word. Five weeks-" "Five weeks was too long. I couldn't leave you for that long without checking on you." "Because you're a liar," I assert. His expression cracks. Emotion bleeds through. He knows I'm not talking about just the five weeks. With a shake of his head, he sounds almost sorry as he admits, "Maybe I didn't tell you everything, but it doesn't change anything I said. I will never hurt you. I want to try to protect you." "Try," I repeat. His jaw clenches. "I can. I can stop them." After several moments, I twist my hand free. He lets me go. Rubbing my wrist, I glare at him. "I have a life here now." My fingers stretch, curl into talons at my sides, still hungry to fight him. "Make me go, and I'll never forgive you." He inhales deeply, his broad chest lifting high. "Well. I can't have that." "Then you'll go? Leave me alone?" Hope stirs. He shakes his head. "I didn't say that." "Of course not," I sneer. "What do you mean then?" Panic washes over me at the thought of him staying here and learning about Will and his family. "There's no reason for you to stay." His dark eyes glint. "There's you. I can give you more time. You can't seriously fit in here. You'll come around." "I won't!" His voice cracks like thunder on the air. "I won't leave you! Do you know how unbearable it's been without you? You're not like the rest of them." His hand swipes through air almost savagely. I stare at him, eyes wide and aching. "You're not some well-trained puppy content to go alone with what you're told. You have fire." He laughs brokenly. "I don't mean literally, although there is that. There's something in you, Jacinda. You're the only thing real for me there, the only thing remotely interesting." He stares at me starkly and I don't breathe. He looks ready to reach out and fold me into his arms. I jump hastily back. Unbelievably, he looks hurt. Dropping his immense hands, he speaks again, evenly, calmly. "I'll give you more space. Time for you to realize that this"-he motions to the living room-"isn't for you. You need mists and mountains and sky. Flight. How can you stay here where you have none of that? How can you hope to survive? If you haven't figured that out yet, you will." In my mind, I see Will. Think how he has become the mist, the sky, everything, to me. I do more than survive here. I love. But Cassian can never know that. “What I have here beats what waits for me back home. The wing clipping you so conveniently failed to mention-" "Is not going to happen, Jacinda." He steps closer. His head dips to look into my eyes. "You have my word. If you return with me, you won't be harmed. I'd die first." His words flow through me like a chill wind. "But your father-" "My father won't be our alpha forever. Someday, I'll lead. Everyone knows it. The pride will listen to me. I promise you'll be safe.
Sophie Jordan (Firelight (Firelight, #1))
Part 3 Anna: St. Clair… Etienne: And that. Why don’t you call me Etienne any more? Anna: But … no one else calls you that. It was weird. Right? Etienne: No. It wasn’t And every time you say St. Clair, it’s like you’re rejecting me again. Anna: I have never rejected you. Etienne: But you have. And for Dave. Anna: And you rejected me for Ellie on my birhtday. I don’t understand. If you liked me so much, why didn’t you break up with her? Etienne: I’ve been confused. I’ve been so stupid. Anna: Yes. You have. Etienne: I deserve that. Anna: Yes. You do. But I’ve been stupid, too. You were right. About … the alone thing. Etienne: I’ve been thinking lately. About my mum and dad. How she gives in to him. How she won’t leave him. And as much as I love her, I hate her for it. I don’t understand why she won’t stand up for herself, why she won’t go for what she wants. But I’ve been doing t he same thing. I’m just like her. Anna: You aren’t like your mom. Etienne: I am. But I don’t want to be like that any more, I want what I want. I told my father’s friends that I’m studying at Berkeley next year. It worked. He’s really, really angry with me, but it worked. You told me to go for his pride. You were right. Anna: So.You’re moving to California? Etienne: I have to. Anna: Right. Because of your mom. Etienne: Because of you. I’ll only be a twenty-minute train ride from your school, and I’ll make the commute to see you every night. I’d take a commute ten times that just tob e with you every night. You’re the most incredible girl I’ve ever known. You’re gorgeous and smart, and you make me laugh lilke no one else can. And I can talk to you. And I know after all this I don’t deserve you, but what I’m trying to say ist hat I love you, Anna. Very much.Oh God, And I’ve mucked things up again, haven’t I? I didn’t mean to attack you like this. I mean I did but … all right. I’ll leave. Or you can go down first, and then I’l come down, and I promise I’ll never bother you again… Anna: No. Etienne: I’m so sorry. I never meant to hurt you. Anna: Please stopl apologizing, Etienne. Etienne: Say my name again Anna: Etienne. Etienne: Anna? Anna: Yes? Etienne: Will you please tell me you love me? I’m dying here.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
You’re the only person who doesn’t see the advantage in such a match.” “That’s because I don’t believe in marriages of convenience. Given your family’s history, I’d think that you wouldn’t either.” She colored. “And why do assume it would be such a thing? Is it so hard to believe that a man might genuinely care for me? That he might actually want to marry me for myself?” “Why would anyone wish to marry the reckless Lady Celia, after all,” she went on in a choked voice, “if not for her fortune or to shore up his reputation?” “I didn’t mean any such thing,” he said sharply. But she’d worked herself up into a fine temper. “Of course you did. You kissed me last night only to make a point, and you couldn’t even bear to kiss me properly again today-“ “Now see here,” he said, grabbing her shoulders. “I didn’t kiss you ‘properly’ today because I was afraid if I did I might not stop.” That seemed to draw her up short. “Wh-What?” Sweet God, he shouldn’t have said that, but he couldn’t let her go on thinking she was some sort of pariah around men. “I knew that if I got his close, and I put my mouth on yours…” But now he was this close. And she was staring up at him with that mix of bewilderment and hurt pride, and he couldn’t help himself. Not anymore. He kissed her, to show her what she seemed blind to. That he wanted her. That even knowing it was wrong and could never work, he wanted to have her. She tore her lips from his. “Mr. Pinter-“ she began in a whisper. “Jackson,” he growled. “Let me hear you say my name.” Backing away from him, she cast him a wounded expression. “Y-you don’t have to pretend-“ “I’m not pretending anything, damn it!” Grabbing her by the sleeves, he dragged her close and kissed her again, with even more heat. How could she not see that he ached to take her? How could she not know what a temptation she was? Her lips intoxicated him, made him light-headed. Made him reckless enough to kiss her so impudently that any other woman of her rank would be insulted. When she pulled away a second time, he expected her to slap him. But all she did was utter a feeble protest. “Please, Mr. Pinter-“ “Jackson,” he ordered in a low, unsteady voice, emboldened by the melting look in her eyes. “Say my Christian name.” Her lush dark lashes lowered as a blush stained her cheeks. “Jackson…” His breath caught in his throat at the intimacy of it, and fire exploded in his brain. She wasn’t pushing him away, so to hell with trying to be a gentleman. He took her mouth savagely this time, plundering every part of its silky warmth as his blood pulsed high in his veins. She tasted of red wine and lemon cake, both tart and sweet at once. He wanted to eat her up. He wanted to take her, right here in this room. So when she pulled out of his arms to back away, he walked after her. She didn’t stop backing away, but neither did she turn tail and run. “Last night you claimed this wouldn’t happen again.” “I know. And yet it has.” Like someone in an opium den, he’d been craving her for months. And how that he’d suddenly had a taste of the very thing he craved, he had to have more. When she came up against the writing table, he caught her about the waist. She turned her head away before he could kiss her, so he settled for burying his face in her neck to nuzzle the tender throat he’d been coveting. With a shiver, she slid her hands up his chest. “Why are you doing this?” “Because I want you,” he admitted, damning himself. “Because I’ve always wanted you.” Then he covered her mouth with his once more.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Would you be embarrassed if they found out? he said. In some ways, yeah. He turned over then, so he wasn’t looking up at the ceiling anymore but facing her. Why? he said. Because it was humiliating. You mean like, the way I treated you. Well, yeah, she said. And just the fact that I put up with it. Carefully he felt for her hand under the quilt and she let him hold it. A shiver ran along her jaw and she tried to make her voice sound light and humorous. Did you ever think about asking me to the Debs? she said. It’s such a stupid thing but I’m curious whether you thought about it. To be honest, no. I wish I did. She nodded. She continued looking up at the black ceiling, swallowing, worried that he could make out her expression. Would you have said yes? he asked. She nodded again. She tried to roll her eyes at herself but it felt ugly and self-pitying rather than funny. I’m really sorry, he said. I did the wrong thing there. And you know, apparently people in school kind of knew about us anyway. I don’t know if you heard that. She sat up on her elbow and stared down at him in the darkness. Knew what? she said. That we were seeing each other and all that. I didn’t tell anyone, Connell, I swear to god. She could see him wince even in the dark. No, I know, he said. My point is more that it wouldn’t have mattered even if you did tell people. But I know you didn’t. Were they horrible about it? No, no. Eric just mentioned it at the Debs, that people knew. No one cared, really. There was another short silence between them. I feel guilty for all the stuff I said to you, Connell added. About how bad it would be if anyone found out. Obviously that was more in my head than anything. I mean, there was no reason why people would care. But I kind of suffer from anxiety with these things. Not that I’m making excuses, but I think I projected some anxiety onto you, if that makes sense. I don’t know. I’m still thinking about it a lot, why I acted in such a fucked-up way. She squeezed his hand and he squeezed back, so tightly it almost hurt her, and this small gesture of desperation on his part made her smile. I forgive you, she said. Thank you. I think I did learn from it. And hopefully I have changed, you know, as a person. But honestly, if I have, it’s because of you. They kept holding hands underneath the quilt, even after they went to sleep.
Sally Rooney (Normal People)
There’s this girl…this woman I can’t get out of my mind.” He spilled the story of his seduction of sweet, innocent Amanda McCormick for Rufus’s examination. When he finished talking, there was another silence. “You did that?” Rufus’s voice was as deep and gravelly as a quarry. “Fucked some poor virgin while posing as her fiancé?” “Yeah.” “You got some balls. How’d you know you’d be a close enough match to this Baxter?” “Brown hair, blue eyes, that’s all she seemed to know about him.” Spence couldn’t explain his need for the rush of tempting fate. “I took a chance. It was a gamble.” “Jesus, you’re a mean son of a bitch.” “I didn’t want to hurt her. I was just having fun.” He sounded like a spoiled child even to himself. “And now you want to go see this woman and try to make it right?” Rufus said. “Just how the hell did you think you were going to fix it? By showing up and wrecking her marriage, if you haven’t done that already?” It was Spence’s turn to pause. “Haven’t you done enough to this lady? Where’s your head, boy? Leave her alone.” “I can’t. I have to see her again.” He didn’t want to share his dreams of the little girl. He’d sound crazy. Rufus laughed harshly. “So you can try and get another piece of tail?” “No. It’s not like that.” “What? You think you’re in love. Son, you don’t know the first thing about it. If you did, you’d be putting this woman’s needs above your own.” He thought of the little girl telling him to go to Amanda. “Maybe what she needs is me.” Rufus made a scoffing noise. “A woman needs a man who’ll stand by her, be there through hard times and good. From what you’ve told me these past months, this is the longest you’ve stayed put in one place in your life and that’s only ‘cause they won’t let you out.” “I just want to do the right thing.” “Then do like I say. Leave her be. You think she’s going to be happy to see you again?” Spence pulled his blanket tighter around his shoulders and watched a gray cloud puff from his mouth. “You still there, boy?” “Where else?” “Don’t take it too hard. Everybody does things they’re sorry for. Sometimes there’s just no way to make it right.” He leaned back against the wall and reviewed the stupid chain of events that had landed him in jail. Maybe Rufus was right and there was no way he could ever apologize for what he’d done to Amanda. He should let the whole thing slide and leave the woman in peace.
Bonnie Dee (Perfecting Amanda)
Della & I are drunk at the top of Mont-Royal. We have an open blue plastic thermos of red wine at our feet. It's the first day of spring & it's midnight & we've been peeling off layers of winter all day. We stand facing each other, as if to exchange vows, chests heaving from racing up & down the mountain to the sky. My face is hurting from smiling so much, aching at the edges of my words. She reaches out to hold my face in her hands, dirty palms form a bowl to rest my chin. I’m standing on a tree stump so we’re eye to eye. It’s hard to stay steady. I worry I may start to drool or laugh, I feel so unhinged from my body. It’s been one of those days I don’t want to end. Our goal was to shirk all responsibility merely to enjoy the lack of everyday obligations, to create fullness & purpose out of each other. Our knees are the colour of the ground-in grass. Our boots are caked in mud caskets. Under our nails is a mixture of minerals & organic matter, knuckles scraped by tree bark. We are the thaw embodied. She says, You have changed me, Eve, you are the single most important person in my life. If you were to leave me, I would die. At that moment, our breath circling from my lungs & into hers, I am changed. Perhaps before this I could describe our relationship as an experiment, a happy accident, but this was irrefutable. I was completely consumed & consuming. It was as though we created some sort of object between us that we could see & almost hold. I would risk everything I’ve ever known to know only this. I wanted to honour her in a way that was understandable to every part of me. It was as though I could distill the meaning of us into something I could pour into a porcelain cup. Our bodies on top of this city, rulers of love. Originally, we were celebrating the fact that I got into Concordia’s visual arts program. But the congratulatory brunch she took me to at Café Santropol had turned into wine, which had turned into a day for declarations. I had a sense of spring in my body, that this season would meld into summer like a running-jump movie kiss. There would be days & days like this. XXXX gone away on a sojurn I didn’t care to note the details of, she simply ceased to be. Summer in Montreal in love is almost too much emotion to hold in an open mouth, it spills over, it causes me to not need any sleep. I don’t think I will ever feel as awake as I did in the summer of 1995.
Zoe Whittall (Bottle Rocket Hearts)
Last Thoughts On Woody Guthrie When yer head gets twisted and yer mind grows numb When you think you're too old, too young, too smart or too dumb When yer laggin' behind an' losin' yer pace In a slow-motion crawl of life's busy race No matter what yer doing if you start givin' up If the wine don't come to the top of yer cup If the wind's got you sideways with with one hand holdin' on And the other starts slipping and the feeling is gone And yer train engine fire needs a new spark to catch it And the wood's easy findin' but yer lazy to fetch it And yer sidewalk starts curlin' and the street gets too long And you start walkin' backwards though you know its wrong And lonesome comes up as down goes the day And tomorrow's mornin' seems so far away And you feel the reins from yer pony are slippin' And yer rope is a-slidin' 'cause yer hands are a-drippin' And yer sun-decked desert and evergreen valleys Turn to broken down slums and trash-can alleys And yer sky cries water and yer drain pipe's a-pourin' And the lightnin's a-flashing and the thunder's a-crashin' And the windows are rattlin' and breakin' and the roof tops a-shakin' And yer whole world's a-slammin' and bangin' And yer minutes of sun turn to hours of storm And to yourself you sometimes say "I never knew it was gonna be this way Why didn't they tell me the day I was born" And you start gettin' chills and yer jumping from sweat And you're lookin' for somethin' you ain't quite found yet And yer knee-deep in the dark water with yer hands in the air And the whole world's a-watchin' with a window peek stare And yer good gal leaves and she's long gone a-flying And yer heart feels sick like fish when they're fryin' And yer jackhammer falls from yer hand to yer feet And you need it badly but it lays on the street And yer bell's bangin' loudly but you can't hear its beat And you think yer ears might a been hurt Or yer eyes've turned filthy from the sight-blindin' dirt And you figured you failed in yesterdays rush When you were faked out an' fooled white facing a four flush And all the time you were holdin' three queens And it's makin you mad, it's makin' you mean Like in the middle of Life magazine Bouncin' around a pinball machine And there's something on yer mind you wanna be saying That somebody someplace oughta be hearin' But it's trapped on yer tongue and sealed in yer head And it bothers you badly when your layin' in bed And no matter how you try you just can't say it And yer scared to yer soul you just might forget it And yer eyes get swimmy from the tears in yer head And yer pillows of feathers turn to blankets of lead And the lion's mouth opens and yer staring at his teeth And his jaws start closin with you underneath And yer flat on your belly with yer hands tied behind And you wish you'd never taken that last detour sign And you say to yourself just what am I doin' On this road I'm walkin', on this trail I'm turnin' On this curve I'm hanging On this pathway I'm strolling, in the space I'm taking In this air I'm inhaling Am I mixed up too much, am I mixed up too hard Why am I walking, where am I running What am I saying, what am I knowing On this guitar I'm playing, on this banjo I'm frailin' On this mandolin I'm strummin', in the song I'm singin' In the tune I'm hummin', in the words I'm writin' In the words that I'm thinkin' In this ocean of hours I'm all the time drinkin' Who am I helping, what am I breaking What am I giving, what am I taking But you try with your whole soul best Never to think these thoughts and never to let Them kind of thoughts gain ground Or make yer heart pound ...
Bob Dylan
They looked at my stomach and between my legs. They never said nothing to me. Only one looked at me. Looked at my face, I mean. I looked right back at him. He dropped his eyes and turned red. He knowed, I reckon, that maybe I weren't no horse foaling. But them others. They didn't know. They went on. I seed them talking to them white women: 'How you feel? Gonna have twins?' Just shucking them, of course, but nice talk. Nice friendly talk. I got edgy, and when them pains got harder, I was glad. Glad to have something else to think about. I moaned something awful. The pains wasn't as bad as I let on, but I had to let them people know having a baby was more than a bowel movement. I hurt just like them white women. Just 'cause I wasn't hooping and hollering before didn't mean I wasn't feeling pain. What'd they think? That just 'cause I knowed how to have a baby with no fuss that my behind wasn't pulling and aching like theirs? Besides, that doctor don't know what he talking about. He must never seed no mare foal. Who say they don't have no pain? Just 'cause she don't cry? 'Cause she can't say it, they think it ain't there? If they looks in her eyes and see them eyeballs lolling back, see the sorrowful look, they'd know.
Toni Morrison (The Bluest Eye)
I know the tutoring is not permanent. I know I cannot do it long-term. But I like it and am not bad at it. Maybe I can be a full-time teacher somewhere. At a school. Or a small college. When I can ensure them some sort of stability, I will tell them everything, the quitting of the PhD, my next steps. I need more time to figure this out, and once I do, I will tell them everything. Half of me says, By not telling the truth, you only hurt yourself. And the other half says, But by telling the truth now, without a plan of how to proceed, you will hurt them more. What would telling them accomplish? It will only cause strife. Peace of mind? Encouragement? Support? Don't say catharsis. Catharsis. I don't want to get married until I have done more for myself. But also I owe it to them to do more for myself, which is what Eric didn't' understand; he said, You shouldn't owe them anything. We argue over this. The American brings up the individual. The Chinese brings up xiao shun. When I ask Eric if he thinks a child can ever feel entirely independent of her parents, he says, What kind of question is that? But now I don't really know. There is too much already shared. Mother, Father, I think I know what it means to hurt for you.
Weike Wang (Chemistry)
Look, I’m sorry, Jemma. It took me forever to get there, what with all the flooding and everything. And then I was trying to clean stuff up and…well, I guess the time just got away from me.” I try to pull away, but he tightens his grip. “I didn’t mean to scare you,” he says. “Well, you did scare me.” I manage to pull one hand loose, and I use it to whack him in the chest. “Idiot!” “I’m fine, okay? I’m here.” “I wish you weren’t!” I yell, fired up now. “I wish you were lying in a ditch somewhere!” I stumble backward, my heel catching on the porch’s floorboards. “You don’t mean that,” Ryder says, sounding hurt. He’s right; I don’t. But I don’t care if I hurt his feelings. I’m too angry to care. Angry and relieved and pissed off and…and, God, I’m so glad he’s okay. I thump his chest one more time in frustration, and then somehow my lips are on his--hungry and demanding and punishing all at once. I hear him gasp in surprise. His mouth is hot, feverish even, as he kisses me back. The ground seems to tilt beneath my feet. I stagger back toward the door, dragging him with me without breaking the kiss. Ryder’s tongue slips between my lips, skimming over my teeth before plunging inside. And… Oh. My. God. No one’s ever kissed me like this. No one. His hands and his tongue and his scent and his body are pressed against mine…It’s making me light-headed, dizzy. Electricity seems to skitter across my skin, raising gooseflesh in its wake. I cling to him, grabbing fistfuls of his T-shirt as he kisses me harder, deeper. I was meant to do this, I realize. I was made to kiss Ryder Marsden. Everything about it is right, like the last piece of a puzzle falling into place. Somehow, we manage to open the front door and stumble blindly inside, past the mudroom, where we shed our boots and jackets. We pause right there in the front hall, our hands seemingly everywhere at once. I tug at his T-shirt, wanting it off, wanting to feel his skin against my fingertips. His hands skim up my sides beneath my tank top, to the edges of my bra. Shivers rack my entire body, making my knees go weak. Thank God for the wall behind me, because that’s pretty much all that’s holding me up right now. With a groan, he abandons my mouth to trail his lips down my neck, to my shoulders, across my collarbone to the hollow between my breasts. I tangle my fingers in the hair at the nape of his neck, clutching him to me--thinking that I should make him stop, terrified that he will. This is insane. I’m insane. But you know what? That’s just fine with me. Because right now, “sane” seems way overrated.
Kristi Cook (Magnolia (Magnolia Branch, #1))
I hurt my hip, too.” “Let me see.” She made a face and yelped when her cheek protested even that slight movement. “You don’t need to see my hip. It’s fine.” “If the skin’s broken, it’ll need cleaning, too,” he said, unbuckling her belt. “Stop that.” “Think of me as your doctor,” he said, as he unsnapped and then unzipped her jeans. “My doctor doesn’t usually undress me,” she snapped. “And my patients already come undressed.” He laughed. “Life your hips,” he said. “Up!” he ordered, when she hesitated. She put her one good hand on his shoulder to brace herself and lifted her hips as he pulled her torn jeans down. To her surprise, her bikini underwear was shredded, and the skin underneath was bloody. “Uh-oh.” She was still staring at the injury on her hip when she felt him pulling off her boots. She started to protest, saw the warning look in his eyes, and shut her mouth. He pulled her jeans off, leaving her legs bare above her white boot socks. “Was that really necessary?” “You’re decent,” he said, straightening the tails of her Western shirt over her shredded bikini underwear. “I can put your boots back on if you like.” Bay shook her head and laughed. “Just get the first-aid kit, and let me take care of myself.” He grimaced. “If I’m not mistaken, you packed the first-aid kit in your saddlebags.” Bay winced. “You’re right.” She stared down the canyon as far as she could see. There was no sign of her horse. “How long do you think it’ll take him to stop running?” “He won’t have gone far. But I need to set up camp before it gets dark. And I’m not hunting for your horse in the dark, for the same reason I’m not hunting for your brother in the dark.” “Where am I supposed to sleep? My bedroll and tent are with my horse.” “You should have thought of that before you started that little striptease of yours.” “You’re the one who shouted and scared me half to death. I was only trying to cool off.” “And heating me up in the process!” “I can’t help it if you have a vivid imagination.” “It didn’t take much to imagine to see your breasts,” he shot back. “You opened your blouse right up and bent over and flapped your shirt like you were waving a red flag at a bull” “I was getting some air!” “You slid your butt around that saddle like you were sitting right on my lap.” “That’s ridiculous!” “Then you lifted your arms to hold your hair up and those perfect little breasts of yours—” “That’s enough,” she interrupted. “You’re crazy if you think—” “You mean you weren’t inviting me to kiss my way around those wispy curls at your nape?” “I most certainly was not!” “Could’ve fooled me.” She searched for the worst insult she could think of to sling at him. “You—you—Bullying Blackthorne!” “Damned contentious Creed!
Joan Johnston (The Texan (Bitter Creek, #2))
Echad is first mentioned in the garden. It says a man and a woman, when they join together, become echad, or “one.” But that word echad is more explosive with meaning than just one flesh. It can literally mean to fuse together at the deepest part of our beings. Two becoming one, completely glued together, completely meshing. I still remember one of the hardest conversations I have had with Alyssa. We were just starting to date again, and were sitting in the car after a wonderful date night. We knew marriage was a possibility on the horizon, and I felt like I finally had to share things in my past that would affect her if we got married. I was incredibly nervous, as well as terrified of rejection or hurt, but I realized that if intimacy were to grow, I had to get vulnerable. For marriage to be what it truly is—two people becoming one in mind, body, soul, and spirit—I had to be honest. I remember sharing with her many things, but specifically some details of my sexual past. My teenage years were littered with me almost worshiping sexual fulfillment in pornography, partying, and girls. And I say worship, because that was where I got my worth, value, and purpose as well as what I most lived for (which is what the definition of worship is). I had to apologize and ask forgiveness from Alyssa for things I had done before I even knew her because of echad—one form of complete and utter intimacy. Because of that beauty, mystery, and power, God created it to function best in a man and a woman coming together for life and constantly echading or fusing together. I needed forgiveness because I had betrayed echad. I had betrayed oneness. I had betrayed intimacy. And if I wasn’t honest about it, it’d be a little part of my life or heart that Alyssa didn’t know—thus blocking echad. But something really peculiar happened in that moment. With the grace and forgiveness of Jesus, Alyssa forgave me. She heard all that I was and am, and still wanted to walk this journey with me. I still remember the tenderness in her voice as she spoke truth and forgiveness over me. In that moment I was exposed and known, and yet because of Alyssa’s grace, I was at the same time loved. And that is where intimacy is found—to be fully loved and to be fully known. To be fully loved, but not fully known will always allow us to buy the lie that “if they only knew the real me, they wouldn’t want me anymore.” And to be fully known but not fully loved feels sharp, painful, at a level of rejection that hurts so bad. But to be fully known and at the same time fully loved, now that is intimacy. I don’t want to give the wrong impression. Intimacy is certainly romantic in some aspects, but at its deepest level, it’s much more than that. It can be experienced with friends and family, not just spouses and loved ones.
Jefferson Bethke (It's Not What You Think: Why Christianity Is About So Much More Than Going to Heaven When You Die)
I came across the writings of the Buddhist teacher Chögyam Trungpa. As a man, he was problematic. He drank too much, slept around, and didn’t live as we’d expect a great, wise teacher to live. But every teacher is human. Likewise, parents are not wise oracles—they’re just people trying to shepherd other people through the world. We may know the right path to take, but knowing the way and consistently walking it are two different things. Everything we learn, we learn from someone who is imperfect. Trungpa writes about torma and don. “Possession” is the closest translation for the Tibetan word don—a ghost that causes misfortune, anger, fear, sickness. When you have a don, you are the possession. The anger possesses—owns—you. Torma means “offering cake.” You offer the torma to your don. You feed the ghost that does you harm, “that which possesses you.” Giving it a little something sweet is a way of saying, Thank you for the pain you caused me, because that pain woke me up. It hurt enough to make me change. “Wish for more pain,” a friend’s therapist once told her, “because that’s how you’ll change.” It has to hurt so much that you have to do something differently. The pain forces your hand. When I read Trungpa, I thought about my own ghosts differently. Fear isn’t inside me, I’m inside it. Anger isn’t something I’m holding; it’s something that’s held me, possessed me. And being possessed is the opposite of being free.
Maggie Smith (You Could Make This Place Beautiful)
Music doesn’t give answers to questions I don’t know how to ask. It doesn’t tell me what I want. It reminds me that I may still be in love, though I’m no longer sure I know what that means, being in love. I think about people all the time, yet I’ve hurt many more than I’ve cared for. I can’t even tell what I feel, though feel something I still do, even if it’s more like a sense of absence and loss, maybe even failure, numbness, or total unknowing. I was sure of myself once, I thought I knew things, knew myself, and people loved that I reached out to touch them when I blustered into their lives and didn’t even ask or doubt that I mightn’t be welcome. Music reminds me of what my life should have been. But it doesn’t change me. Perhaps, says the genius, music doesn’t change us that much, nor does great art change us. Instead, it reminds us of who, despite all our claims or denials, we’ve always known we were and are destined to remain. It reminds us of the mileposts we’ve buried and hidden and then lost, of the people and things that mattered despite our lies, despite the years. Music is no more than the sound of our regrets put to a cadence that stirs the illusion of pleasure and hope. It’s the surest reminder that we’re here for a very short while and that we’ve neglected or cheated or, worse yet, failed to live our lives. Music is the unlived life. You’ve lived the wrong life, my friend, and almost defaced the one you were given to live. What
André Aciman (Find Me)
emmersmacks: Hold on emmersmacks: Wait emmersmacks: So you stood up for him? MirkerLurker: Yeah. emmersmacks: . . . Im failing to see the issue here E emmersmacks: Did they hurt you?? MirkerLurker: No . . . not really. Just took my sketchbook and threw it around a little. MirkerLurker: Okay look I know it doesn’t sound that bad MirkerLurker: But, like, you don’t understand the way this guy looks at me. He’s one of those where it’s like, “Why are you even standing in front of me, you’re uglier than the stuff I crap out after eating too muchChipotle.” 3:19 p.m. (Apocalypse_Cow has joined the message) Apocalypse_Cow: i feel like i came in at a bad time. i’ll go. emmersmacks: E is having a crisis Apocalypse_Cow: crisis over what? MirkerLurker: Just this stupid new kid at school who may or may not be a fanficwriter for Monstrous Sea and who definitely thinks I am the scum of the earth. emmersmacks: Why would he think that?? You stood up for him MirkerLurker: I don’t know! Because I emasculated him, probably. Or something. Max, I need advice from someone who’s felt emasculated. Apocalypse_Cow: why would you immediately assume i’ve felt emasculated before? MirkerLurker: Because you’re the only male here. Apocalypse_Cow: if you want to know if some guys feel emasculated when a girl stands up to a bully for them, then unfortunately i must say that yes, that does happen. Apocalypse_Cow: BUT NOT ME. Apocalypse_Cow: LET IT BE KNOWN THAT MAX CHOPRA HAS NEVER FELT EMASCULATED. Apocalypse_Cow: but really, did this guy say something to you? why feel so bad about it? MirkerLurker: He didn’t say ANYTHING. That’s the problem! MirkerLurker: He just stood there and wouldn’t even look at me. emmersmacks: Did you say anything MirkerLurker: . . . No. emmersmacks: Well emmersmacks: E emmersmacks: There you might have a problem Apocalypse_Cow: you’re getting schooled in social skills by a twelve-year-old in college. how does that feel emmersmacks: Im fourteen not twelve emmersmacks: Asshole Apocalypse_Cow: wait, he left a note in your sketchbook? what did it say? MirkerLurker: It said thanks, and that the pictures were good. emmersmacks: OH MY GOD emmersmacks: THATS WHY HE DIDNT TALK MirkerLurker: What? emmersmacks: HE WAS TOO NERVOUS emmersmacks: AW HE LIKES YOU E MirkerLurker: I really really doubt that. MirkerLurker: Like, I mean, REALLY doubt it. MirkerLurker: He’s not exactly the kind of guy that’s usually interested in me. Apocalypse_Cow: what kind of guy is usually interested in you? MirkerLurker: The kind I make up in my head. Apocalypse_Cow: wooooooooooooooooooooooow Apocalypse_Cow: woooooooooooooooooooooooooooooooooooooooooooooooow Apocalypse_Cow: woooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooow Apocalypse_Cow: do you want me to go ahead and fill your house with cats right now, or do you want to put that off for a few years? MirkerLurker: Har har
Francesca Zappia (Eliza and Her Monsters)
I couldn’t wait to follow through. I couldn’t wait to end this. “Your revenge?” Matthias laughed. “You’re revenge? What could you possibly do that would make any difference to me?” I looked up at Kane and he looked down at me. I smiled at him sweetly and he smiled back. I leaned in and he mirrored me. I tilted my face up to kiss him and he gladly reciprocated. Then I pulled back and swiveled my gaze to Matthias. “I will take your family away. Just like you took mine. I will pluck them from you one by one and make them suffer until they beg for death. Or, I will simply rescue them and give them a better life than you ever could.” Matthias barked out a louder laugh. “That’s sweet. It sounds like you’ve put thought into all that, but you can’t. It’s just not possible. “Sure it is,” I told him. “I’ve already gotten two of your children. Tyler isn’t here.” I gestured at Tyler. “Tyler will never be here. Unless you count that. Which being a self-respecting person, I wouldn’t. But who knows about you. And Miller isn’t here either. Miller is worse than Tyler. Look! You got Tyler to come to breakfast, but I seem to have forgotten Miller’s excuse. Could you remind me?” He stayed quiet. Which was a miracle in itself. So I continued, “I’m waiting for the right opportunity for Linley. I’ve been waiting for it for a while now. I’ve been watching her and watching her and just waiting. I cannot wait until I get her alone. I cannot wait until it’s just the two of us. It will be so fun. It’s what helps get me through these long days. Just thoughts of Linley. Just thoughts of what I will do to her and how slowly I will make those last painful moments last. And Kane? I could take him in a second. I could rip him out of your hands so fast you would blink and he would be gone. He might deny that if you ask him. But I know better. I hear everything else he says. I feel everything else he means. Kane is mine. You’re a smart man, Matthias, so don’t think for a second he isn’t. Right?” I turned to Kane. He leaned down again and kissed me. Point proved. I relaxed into Kane and let my threats soothe my soul and settle over the man I wanted to watch burn in hell. His reply was an arrogant smirk and hard eyes. “Little girl, you just asked for trouble, I’m-” “Do it,” I hissed. “Do whatever it is you want to do and see if I’m bluffing. Try me! Hurt someone I love. Hurt me. Take something away from me and see how painfully and how permanently I take something away from you.” I stood up and pushed aggressively away from the table. I stared him down the entire time. Kane let me go without even an attempt to restrain me. I was beyond that. I was beyond all of this. I was leaving. Today. Because without a doubt I would follow through with every single one of my threats. I stomped from the warehouse. I could feel Kane behind me, but he still didn’t try to slow me down. And I knew he wouldn’t. He really was mine. Matthias, Hendrix, nobody could take him from me. And he would do whatever I wanted as long as he thought we could survive. I hoped both of us could survive what I was about to ask him to do.
Rachel Higginson (Love and Decay Omnibus: Season Two (Episodes 1-12) (Love and Decay, A Novella Series Book 2))
To my knowledge, none of them has ever taken advantage of a respectable female. Even my brothers had their...dalliances as bachelors." "So did your father." He would point that out. "That's different. Papa broke his marriage vows. That doesn't mean my suitors would do so." She swallowed. "Unless you think it impossible for a woman like me to keep men like them satisfied and happy?" He started. "No! I wasn't trying to say...That is-" "It's all right, Mr. Pinter," she said, fighting to keep the hurt out of her voice. "I know what you think of me." His gaze locked with hers, confusing her with its sudden fierceness. "You have no idea what I think of you." She twisted her bracelet nervously, and the motion drew his eyes down to her hands. But as his gaze came back up, it slowed, lingering on her bosom. Could Mr. Pinter...Was it possible that he... Certainly not! Proper Pinter would never be interested in a reckless female of her stamp. Why, he didn't even like her. She'd dressed carefully today, hoping to sway him into doing her bidding by showing that she could look and act like a lady, hoping to gain a measure of his respect. But the intimate way his gaze continued up past her bosom to her throat, and then paused again at her mouth, was more how her brothers looked at their wives. It wasn't so much disrespectful as it was...interested. No, she must be imagining that. He was merely trying to make her uncomfortable; she was misinterpreting the seeming heat in his glance. She refused to let herself be taken in by imagining what wasn't there.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
We all changed into our pajamas, and Taylor and Anika presented me with a wedding gift--a lacy white babydoll nightie with matching panties. “For the wedding night,” Taylor said meaningfully. “Uh, yeah, I got that,” I said, holding up the underwear. I hoped I wasn’t blushing too red. “Thanks, guys.” “Do you have any questions for us?” Taylor asked, perching on my bed. “Taylor! I, like, live in the world. I’m not an idiot.” “I’m just saying…” She paused. “You probably won’t like it that much the first couple of times. I mean, I’m super tiny, which means I’m really little down there, so it hurt a lot. It might not hurt as bad for you. Tell her, Anika.” Anika rolled her eyes. “It didn’t hurt me at all, Iz.” “Well, you probably have a large vagina,” Taylor said. Anika thumped Taylor on the head with a pillow, and we all started giggling and couldn’t stop. Then I said, “Wait, exactly how bad did it hurt, Tay? Did it hurt the way a punch in the stomach hurts?” “Who’s ever punched you in the stomach?” Anika asked me. “I have an older brother,” I reminded her. “It’s a different kind of pain,” Taylor said. “Did it hurt worse than period cramps?” “Yes. But I would say it’s more comparable to getting a shot of Novocain in your gums.” “Great, now she’s comparing losing your virginity to getting a cavity filled,” Anika said, getting up. “Iz, quit listening to her. I promise you it’s more fun than going to the dentist. It would be one thing if you were both virgins, but Jeremiah knows what’s up. He’ll take care of you.” Taylor collapsed into another fit of giggles. “He’ll take care of her!
Jenny Han (We'll Always Have Summer (Summer, #3))
Christina walks out, bumping me with her shoulder as she leaves. Tris lifts her eyes to mine. “We should talk,” I say. “Fine,” she says, and I follow her into the hallway. We stand next to the door until everyone else leaves. Her shoulders are drawn in like she’s trying to make herself even smaller, trying to evaporate on the spot, and we stand too far apart, the entire width of the hallway between us. I try to remember the last time I kissed her and I can’t. Finally we’re alone, and the hallway is quiet. My hands start to tingle and go numb, the way they always do when I panic. “Do you think you’ll ever forgive me?” I say. She shakes her head, but says, “I don’t know. I think that’s what I need to figure out.” “You know…you know I never wanted Uriah to get hurt, right?” I look at the stitches crossing her forehead and I add, “Or you. I never wanted you to get hurt either.” She’s tapping her foot, her body shifting with the movement. She nods. “I know that.” “I had to do something,” I say. “I had to.” “A lot of people got hurt,” she says. “All because you dismissed what I said, because--and this is the worst part, Tobias--because you thought I was being petty and jealous. Just some silly sixteen-year-old girl, right?” She shakes her head. “I would never call you silly or petty,” I say sternly. “I thought your judgment was clouded, yes. But that’s all.” “That’s enough.” Her fingers slide through her hair and wrap around it. “It’s just the same thing all over again, isn’t it? You don’t respect me as much as you say you do. When it comes down to it, you still believe I can’t think rationally--” “That is not what’s happening!” I say hotly. “I respect you more than anyone. But right now I’m wondering what bothers you more, that I made a stupid decision or that I didn’t make your decision.” “What’s that supposed to mean?” “It means,” I say, “that you may have said you just wanted us to be honest with each other, but I think you really wanted me to always agree with you.” “I can’t believe you would say that! You were wrong--” “Yeah, I was wrong!” I’m shouting now, and I don’t know where the anger came from, except that I can feel it swirling around inside me, violent and vicious and the strongest I have felt in days. “I was wrong, I made a huge mistake! My best friend’s brother is as good as dead! And now you’re acting like a parent, punishing me for it because I didn’t do as I was told. Well, you are not my parent, Tris, and you don’t get to tell me what to do, what to choose--!” “Stop yelling at me,” she says quietly, and she finally looks at me. I used to see all kinds of things in her eyes, love and longing and curiosity, but now all I see is anger. “Just stop.” Her quiet voice stalls the anger inside me, and I relax into the wall behind me, shoving my hands into my pockets. I didn’t mean to yell at her. I didn’t mean to get angry at all. I stare, shocked, as tears touch her cheeks. I haven’t seen her cry in a long time. She sniffs, and gulps, and tries to sound normal, but she doesn’t. “I just need some time,” she says, choking on each word. “Okay?” “Okay,” I say. She wipes her cheeks with her palms and walks down the hallway. I watch her blond head until it disappears around the bend, and I feel bare, like there’s nothing left to protect me against pain. Her absence stings worst of all.
Veronica Roth (Allegiant (Divergent, #3))
Insanity is an inability to come to terms with reality. Don Quixote was definitely insane, because he couldn't come to terms. But there was a reason: the reality in which Don Quixote lived was a sordid and ugly reality … Don Quixote didn't want that. He wanted to live in a world where there was truth, and human dignity, and, yes, love.… Instead of giving up on it, he imposed his reality onto the real world. Where other people saw a filthy country hostel, he saw a castle! Where other people saw a flock of sheep, he saw a mighty army! Where other people saw a windmill, he saw a dragon. Yes, Don Quixote was a crazy old fool. But, you know, he was more honest about his dream than most people, and for that, I honor him. [...] I have committed myself, I have dedicated myself, to the pursuit of the dragon. And having made that commitment … all of a sudden, I can see him! There he is, right in front of me, clear as day.… You're so much bigger than I ever imagined, and I'm, I'm not so sure I like this. I mean, yes, you're glorious and beautiful, but you're ugly, too. Your breath reeks of death!… Am I so pitiful that you can sneer in my face like that? Yes, yes, you frighten me! You hurt me! I've felt your claws ripping through my soul! But I'm going to die someday, and before I can do that, I've got to face you, eyeball to eyeball. I've got to look you right in the eye, and see what's inside, but I'm not good enough to do that yet. I'm not experienced enough, so I'm going to have to start learning. Today. Here. Now. Come, dragon, I will fight you. Sancho Panza, my sword! (He picks up a sword from the desk behind him, which he unsheaths from its scabbard.) For truth! For beauty! For art! Charge!
Chris Crawford
When everyone is seated, Galen uses a pot holder to remove the lid from the huge speckled pan in the center of the table. And I almost upchuck. Fish. Crabs. And...is that squid hair? Before I can think of a polite version of the truth-I'd rather eat my own pinky finger than seafood-Galen plops the biggest piece of fish on my plate, then scoops a mixture of crabmeat and scallops on top of it. As the steam wafts its way to my nose, my chances of staying polite dwindle. The only think I can think of is to make it look like I'm hiccupping instead of gagging. What did I smell earlier that almost had me salivating? It couldn't have been this. I fork the fillet and twist, but it feels like twisting my own gut. Mush it, dice it, mix it all up. No matter what I do, how it looks, I can't bring it near my mouth. A promise is a promise, dream or no dream. Even if real fish didn't save me in Granny's pond, the fake ones my imagination conjured up sure comforted me until help arrived. And now I'm expected to eat their cousins? No can do. I set the fork down and sip some water. I sense Galen is watching. Out of my peripheral, I see the others shoveling the chum into their faces. But not Galen. He sits still, head tilted, waiting for me to take a bite first. Of all the times to be a gentleman! What happened to the guy who sprawled me over his lap like a three-year-old just a few minutes ago? Still, I can't do it. And they don't even have a dog for me to feed under the table, which used to be my go-to plan at Chloe's grandmother's house. One time Chloe even started a food fight to get me out of it. I glance around the table, but Rayna's the only person I'd aim this slop at. Plus, I'd risk getting the stuff on me, which is almost as bad as in me. Galen nudges me with his elbow. "Aren't you hungry? You're not feeling bad again, are you?" This gets the others' attention. The commotion of eating stops. Everyone stares. Rayna, irritated that her gluttony has been interrupted. Toraf smirking like I've done something funny. Galen's mom wearing the same concerned look he is. Can I lie? Should I lie? What if I'm invited over again, and they fix seafood because I lied about it just this once? Telling Galen my head hurts doesn't get me out of future seafood buffets. And telling him I'm not hungry would be pointless since my stomach keeps gurgling like an emptying drain. No, I can't lie. Not if I ever want to come back here. Which I do. I sigh and set the fork down. "I hate seafood," I tell him. Toraf's sudden cough startles me. The sound of him choking reminds me of a cat struggling with a hair ball. I train my eyes on Galen, who has stiffened to a near statue. Jeez, is this all his mom knows how to make? Or have I just shunned the Forza family's prize-winning recipe for grouper? "You...you mean you don't like this kind of fish, Emma?" Galen says diplomatically. I desperately want to nod, to say, "Yes, that's it, not this kind of fish"-but that doesn't get me out of eating the crabmeat-and-scallop mountain on my plate. I shake my head. "No. Not just this kind of fish. I hate it all. I can't eat any of it. Can hardly stand to smell it." Way to go for the jugular there, stupid! Couldn't I just say I don't care for it? Did I have to say I hate it? Hate even the smell of it? And why am I blushing? It's not a crime to gag on seafood. And for God's sakes, I won't eat anything that still has its eyeballs.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
So what you've actually got is traumatized children. When children are traumatized that affects how they feel about themselves, which is deeply ashamed because a child always believe that it is about himself. So if I am being hurt like this, I got to be a terrible person. Or.. if I was sexually abused, why didn't I fight back, I must be a very weak person. So there's a deep sense of shame. Then there's tremendous emotional pain that accrues from abuse and neglect. Tremendous emotional pain that is hardly possible for people to bear. Now they have to soothe their pain with substances or other compulsive behaviors. Then the trauma itself, given that the human brain develops in interaction with the environment, shapes the brain circuitry in such a way that the person will be more likely to find relief from the drugs. So the very phisiology of the brain is affected by early trauma. So then you take these traumatized people and you make their habit illegal... It is not illegal to drink yourself to death. It is not illegal to make yourself sick with emphyzema or lung cancer by means of cigarettes. But it is illegal to use other substances. So now you take these abused, traumatized people you place them outside the law, you put them in jails and you hound them all their lives, treating them like criminals and bad people and failures and rejects and less-than-human. And then we wonder how come they don't get better. So.. it is a self-perpetuating cycle of taking traumatized people and then re-traumatizing them. And then hoping at the same time: "why don't they listen? Why don't they get better? Why don't they give it up?". Well, they don't give it up because the more hurt they are, the more they need to escape.
Gabor Maté
Secondly," he went on, "a Chief Magistrate is about as far beneath a marquess's daughter as a tree is beneath the moon." A mutinous look crossed his aunt's face. "Sir Richard started out as a saddler's apprentice. He got himself a knighthood partly because he married a wife with good connections." "A wealthy baker's daughter. That's a far cry from a lady of rank." "That doesn't mean it can't happen. You're a fine man, a handsome man, if I do say so myself. You're young and strong, with a good education and gentlemanly manners-better manners than Sir Richard, anyway. And now that you own this house-" "She lives in a mansion!" Snatching his arm free, he rose. "Do you really think she'd be happy here in Cheapside, with the butchers and merchants and tradesmen?" Her aunt looked wounded. "I thought you liked this neighborhood." Damn. "I do, but..." There was nothing for it but to tell her the truth. "She can't stand me, all right? I'd be the last person on earth she'd want to marry." Snatching up the report, he headed for the door. "I have to go." "Jackson?" "What?" he barked. "If that's true, she's a fool." Lady Celia was no fool. She simply knew better than to take up with a man who didn't know the identity of his own father. He managed a curt nod. "I'll see you tonight, Aunt." As he left the house, an age-old anger weighed him down. He wouldn't hurt Aunt Ada for the world, but she didn't understand. Ever since he'd started working for the Sharpes, she'd hoped that his association with them would raise him up in the world, and nothing he said dampened that hope. No doubt she believed that his father's supposedly noble blood made him somehow superior to every other bastard. But one day she would learn. An unclaimed bastard was an unclaimed bastard, no matter who his father was.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
[...] Kevin had grown up playing left-handed. Seeing him take on Andrew right-handed was ballsy enough, seeing him actually score was surreal. Kevin kicked them off the court [...], but instead of following [...] he stayed behind with Andrew to keep practicing. Neil watched them over his shoulder. "I saw him first," Nicky said. "I thought you had Erik," Neil said. "I do, but Kevin's on the List," Nicky said. When Neil frowned, Nicky explained. "It's a list of celebrities we're allowed to have affairs with. Kevin is number three." Neil pretended to understand and changed the topic. "How does anyone lose against the Foxes with Andrew in your goal?" "He's good, right? [...] Coach bribed Andrew into saving our collective asses with some really nice booze." "Bribed?" Neil echoed. "Andrew's good," Nicky said again, "but it doesn't really matter to him if we win or lose. You want him to care, you gotta give him incentive." "He can't play like that and not care." "Now you sound like Kevin. You'll find out the hard way, same as Kevin did. Kevin gave Andrew a lot of grief this spring [...]. Up until then they were fighting like cats and dogs. Now look at them. They're practically trading friendship bracelets and I couldn't fit a crowbar between them if it'd save my life." "But why?" Neil asked. "Andrew hates Kevin's obsession with Exy." "The day they start making sense to you, let me know," Nicky said [...]. "I gave up trying to sort it all out weeks ago. [...] But as long as I'm doling out advice? Stop staring at Kevin so much. You're making me fear for your life over here." "What do you mean?" "Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats." "Can you take the creepy down a level?" Aaron asked. "What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push." "I don't need a push," Neil said. "I'm fine on my own." "Seriously, how are you not bored of your hand by now?" "I'm done with this conversation," Neil said. "This and every future variation of it [...]." The stadium door slammed open as Andrew showed up at last. [...] "Kevin wants to know what's taking you so long. Did you get lost?" "Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later." [...] "Wow, Nicky," Andrew said. "You start early." "Can you really blame me?" Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall. [...] "Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?" "You know I'd never hurt him. If he says yes-" "I said no." "Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-" He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey. [...] Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it. [...] "Hey, are we playing or what?" Neil asked. "Kevin's waiting." [...] Andrew let go of Nicky and spun away. [...] Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all. "On second thought, you're not my type after all [...].
Nora Sakavic (The Foxhole Court (All for the Game, #1))
Suddenly he felt like everything was all wrong. He’d made wrong choices every day of his life. In his mind’s eye floated everyone who’d died because of him. Everyone who’d been hurt. From Mindor to Endor, back to Yavin—back to the corpses that had lain, still smoking, in the ruined doorway of the Lars moisture farm. I guess I sort of thought everything was over. I got my happy ending. I thought I did. I mean, didn’t I do everything you asked me to? Master Yoda, you wanted to break the rule of the Sith. And they’re gone. Ben, you asked me to destroy Darth Vader. I did that, too. Father—even you, Father. You told me that together we would throw down the Emperor. And we did. Now it’s over. But it’s not the end. It’s never the end. The cave boomed and shivered as the rock storm arrived like an artillery barrage. Luke just sat, head down, letting dust and grit trickle inside the back of his collar as meteorites pounded the hills. I guess I was still kind of hoping there might be a Happily Ever After in there somewhere. Not even for me. I was ready to die. I still am. It’s everybody else. It’s like everything we went through, it was for nothing. We’re still fighting. We’ll always be fighting. It’s like I didn’t actually save anybody. Gone is the past, he remembered Master Yoda saying once. Imaginary is the future. Always now, even eternity will be. Which Luke had always interpreted as Don’t worry about what’s already done, and don’t worry about what you’ll do later. Do something now. Which would be fine advice, if he had the faintest clue what that something should be. Maybe if he’d had more experience as a general, he’d know if he should search for his missing men, or return to the crash site and wait for pickup, or try to find some way to signal the task force spaceside. I never should have taken this job. I just don’t know what a general would be doing right now. All I know is what a Jedi … Then his head came up. I do know what a Jedi would be doing—and it isn’t sitting around feeling sorry for himself, for starters.
Matthew Woodring Stover (Luke Skywalker and the Shadows of Mindor (Star Wars))
I run out onto the front porch, trying to slow my racing heart as I peer out into the night. The light gets closer and closer, causing hope to blossom in my chest. “Hey!” a familiar voice calls out, and I nearly weep with relief. He’s back. Thank God. But the relief is immediately replaced with anger. “Where the hell have you been?” I ask, my voice shaking. He clicks off the flashlight and makes his way up the porch steps. “Didn’t you see my note?” “Are you kidding me?” I sputter. “Do you have any idea how many hours you’ve been gone?” “Yeah, sorry about that. The house was fine, but the pool was a mess. A tree fell through the screen, and the roof was ripped off the pool house.” “You’re sorry? That’s all you have to say?” I take two steps toward him, fury thrumming through my veins. “Do you have any idea how worried I was? God, Ryder! I thought you were lying in a ditch somewhere. I thought you were hurt, or…or…” I trail off, shaking my head. “I was about to go looking for you, out in the pitch-dark!” He reaches for my hand, but I slap him away. “Don’t touch me! I swear, I can’t even look at you right now.” I turn and reach for the door. But before I can fling it open, Ryder pulls me toward him, his hands circling my wrists. “Look, I’m sorry, Jemma. It took me forever to get there, what with all the flooding and everything. And then I was trying to clean stuff up and…well, I guess the time just got away from me.” I try to pull away, but he tightens his grip. “I didn’t mean to scare you,” he says. “Well, you did scare me.” I manage to pull one hand loose, and I use it to whack him in the chest. “Idiot!” “I’m fine, okay? I’m here.” “I wish you weren’t!” I yell, fired up now. “I wish you were lying in a ditch somewhere!” I stumble backward, my heel catching on the porch’s floorboards. “You don’t mean that,” Ryder says, sounding hurt. He’s right; I don’t. But I don’t care if I hurt his feelings. I’m too angry to care. Angry and relieved and pissed off and…and, God, I’m so glad he’s okay. I thump his chest one more time in frustration, and then somehow my lips are on his--hungry and demanding and punishing all at once.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Cansrel could sit with Fire and do something no one else could: give her lessons to improve the skill of her mind. They could communicate without saying a word, they could touch each other from opposite ends of the house. Fire’s true father was like her—was, in fact, the only person in the world like her. He always asked the same question when he first arrived: “My darling monster girl! Was anyone mean to you while I was gone?” Mean? Children threw stones at her in the road. She was tripped sometimes, slapped, taunted. People who liked her hugged her, but they hugged her too hard and were too free with their hands. And still, Fire learned very young to answer no to his question—to lie, and to guard her mind from him so he wouldn’t know she was lying. This was the beginning of another of her confusions, that she would want his visits so much but fall immediately to lying once he came. When she was four she had a dog she’d chosen from a litter born in Brocker’s stables. She chose him, and Brocker let her have him, because the dog had three functional legs and one that dragged, and would never be any use as a worker. He was inky gray and had bright eyes. Fire called him Twy, which was short for Twilight. Twy was a happy, slightly brainless fellow with no idea he was missing something other dogs had. He was excitable, he jumped around a lot, and had a tendency on occasion to nip his favorite people. And nothing worked him into a greater frenzy of excitement, anxiety, joy, and terror than the presence of Cansrel. One day in the garden Cansrel burst upon Fire and Twy unexpectedly. In confusion, Twy leapt against Fire and bit her more than nipped her, so hard that she cried out. Cansrel ran to her, dropped to his knees, and took her into his arms, letting her fingers bleed all over his shirt. “Fire! Are you all right?” She clung to him, because for just a moment Twy had scared her. But then, as her own mind cleared, she saw and felt Twy throwing himself against a pitch of sharp stone, over and over. “Stop, Father! Stop it!” Cansrel pulled a knife from his belt and advanced on the dog. Fire shrieked and grabbed at him. “Don’t hurt him, Father, please! Can’t you feel that he didn’t mean it?
Kristin Cashore (Fire)
As the year went on, I felt I was handling my grief and depression better, but the pressures kept piling up. You don’t really ever feel “comfortable” being a widow. You endure, maybe get through it, but you don’t ever truly own it. And still, a part of me didn’t want to get beyond it. My pain was proof of my love. One night I went over to a friend’s house and just started bawling. I had been going through photos of Chris when he was in his twenties and thirties. I’m going to be an old woman somewhere, and he’s going to be young. So many other emotions ran through me every day. People suggested that I might find someone else. “No,” I’d tell them. “No one will ever take his place.” School forms would ask about the kids’ family situation. Were their parents married, divorced? I’m not a single mother. I’m raising the kids with my husband! Even if he’s not here. I always think about what he would want to do. One night, alone in my bedroom, I picked up the laundry basket off the treadmill. I suddenly felt as if Chris was there with me, somehow hovering two feet off the ground. He grinned. “I’m working on something for you,” he said. And I knew he meant he was trying to hook me up with a man. I jerked back. Had I really heard that? Was he really there? The room was empty, but I had the strongest feeling that he was there. I could feel his grin. I became furious. “How dare you!” I screamed in my head. “I don’t want anyone else. I want you! What’s wrong with you?” I walked out of the room. I blocked him out for a while, partly because of that incident, partly because of how overwhelming the emotions were. Finally I realized I didn’t want to do that. And one night toward the end of the year, I said aloud, “I’m sorry. I didn’t mean to block you out.” The room was empty, but I sensed he might be with me. “I am so sorry!” I repeated. Then I started bawling. I felt as if he came over and put his arm around my waist. I’m sorry. I didn’t mean to hurt you. His voice, in a whisper, but one I felt rather than heard: I didn’t want to hurt you. I cried and cried. I felt a million things--sorry, crazy, insane. I finally glanced up and looked in the mirror. I was alone. “I’m not losing it,” I told myself. “What little I have left, I’m not losing it.” I slumped off to bed, exhausted.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Cassie,” I growl at the young brunette. “How’s the sobriety?” Alex brought the submissive to us. She’s an addict that he councils at Transcend. I don’t want to be mean to her right now, especially since my best friend brought her here, but I’m furious and she’s an outlet. She can’t strike back. “Ninety days sober,” she says with pride. “That’s awesome,” I say enthusiastically and smile at her. “I love how we have to give fuck ups a medal when they behave. I would think it should go to those who never fuck up. What’s the incentive to behave if all you have to do is get shit-faced and steal shit for years and then ninety days on the straight-and-narrow we have to pat you on the back for being a good girl,” I say in a saccharine voice. She gazes at me with huge, glassy brown eyes. I can see the tears forming. Cassie worries her full bottom lip between her teeth and tries not to blink. “But hey, what do I know. It just seems like the system is flawed. The good little boys and girls just don’t get the recognition that a crack-whore thief gets,” I shrug. Cassie blinks and the surface of her tears breaks and they finally slide down her cheeks in shame. “But go you!” I shout sarcastically. I give her a thumbs up and walk down the hall. “Cold… that was just cold, dude,” Alex chuckles at me. That was so bad that I have to laugh or I’d puke. I shake my head as my belly contracts from laughter. “Score on my newest asshattery?” I ask my partner in crime. If I didn’t have him I’d scream. I’ll owe Master Marcus forever. He stripped me bare until Font was naked in the impact room at Brownstone I trained in. Alex walked in and shook my hand- instant best friend. “Ah…” He taps his chin in thought and the bastard tucks his black hair behind his ear. I growl at him because he did it on purpose. He knows how much I miss the feel of my hair swinging at my jawline. Alex arches a perfect brow above his aqua eye and smirks. He runs his hands through his hair and groans in pleasure. “8.5. It was a decent attempt, but you pulled your hit. You’re too soft. I bet you were scared you’d make her relapse.” “Yeah,” I say bashfully. “Not happening, bud. I’m just that fucking good. I better go do some damage control. Don’t hurt any more subs. Pick on the big bastards. They may bite back, but their egos are delicate.
Erica Chilson (Dalton (Mistress & Master of Restraint, #4))
During the war, I was constantly afraid Chris would die. What made it worse was that he told me many times that he wanted to die on the battlefield. Let me refine that. He didn’t want to die, but if he had to die, then he couldn’t imagine anything better than dying on the battlefield. It was part of his sense of duty: dying on the battlefield would mean that he had been doing his utmost to protect others. There was no higher calling, and no higher proof of dedication, for Chris. So there was no sense fearing death in combat. It would be an honor. That idea hurt me. I knew my husband wasn’t reckless--far from it--but in war there is a very thin line between being brave and being foolish, and when Chris talked like that I worried the line might be crossed. I started going to church more during his first deployment, and eventually went to women’s Bible studies to learn more about the Bible. But fitting the idea of God and faith and service together was never easy. What should I pray for? My husband to live, certainly. But wasn’t that selfish? What if that wasn’t God’s will? I prayed Chris would make the right decision when it came time to reenlist or leave the Navy. I wanted him to leave, yet that wasn’t exactly what I prayed for. Yet I was disappointed when he reenlisted. Was I disappointed with God, or Chris? Had my prayers even been heard? If it was God’s plan that he reenlist, I should have been at peace with it. Yet I can’t say that I was. Right after he made his decision, I took a walk with a friend whose faith ran very deep. She knew the Bible much better than I did, and was far more active in the church. I cried to her. “I have to believe this is the best thing for our family,” I told her. “But I don’t know how it can be. I’m really struggling to accept it.” “It’s okay to be angry with God,” she told me. That caught me short. “I--I don’t think we’re supposed to be.” “Why not?” “Well…Jesus was never mad at God, and--“ “That’s wrong,” she said. “Don’t you remember in the temple with the money changers? Or in the garden before he was crucified, his doubts? Or on the cross? It’s okay to have those feelings.” We talked some more. “I do believe that if Chris dies,” I said finally, “God must be saying it’s still okay for our family, even if I don’t know how.” She teared up. “I’m in awe,” she confessed. “I don’t know if I could say that.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Excerpt from Storm’s Eye by Dean Gray With a final drag and drop, Jordan Rayne sent his latest creation winging its way toward the publisher. He looked up, squinted at that little clock in the right hand corner of his monitor, and removed his glasses to rub the bridge of his nose. His cover art was finished and shipped, just in time for lunch. He sighed and stood, rolling his shoulders and bending side to side, his back cracking in protest as the muscles loosened after having been hunched over the screen for so long. Sam raised his head, tilting it enquiringly at him, and Jordan laughed. “Yeah, I know what you want, some lunch and a nice long walk along the beach, hmm?” Jordan smiled fondly at the furry ball of energy he’d saved from certain death. With his mom’s recent death it was just Sam and him in the house. Sometimes he wondered what kept him here, now that the last thread tethering him to the island was severed. Sam limped over and nuzzled at his hand. When Jordan had first found him out on the main road, hurt and bleeding, he hadn’t been sure the pooch would make it. Taylor, his best friend and the local vet, had done what she could. At the time, Jordan simply didn’t have the deep pockets for the fancy surgery needed to mend Sam’s leg perfectly, he could barely afford the drugs to keep his mom in treatment. So they’d patched him up as well as they could, Taylor extending herself further than he could ever repay, and hoped for the best. The dog had made a startling recovery, urged on by plenty of rest and good food and lots of love, and had flourished, the slight limp now barely noticeable. Jordan’s conscience still twinged as he watched Sam limp over to his dish, but he had barely been keeping things together at the time. He had done the best he could. He’d done his best to find Sam’s real owners as well, papering downtown Bar Harbor with a hand-drawn sketch of the dog, but to no avail. The only thing it had prompted was one kind soul wanting to buy the illustration. But no one had ever come forward to claim the “goldendoodle,” which Taylor had told him was a golden retriever/standard poodle cross. Who had a dog breed like that anyway? Summer people! Jordan shook his head, grinning at the dog’s foolish antics, weaving in and around his legs like he was still a little pup instead of the fifty-pound fuzzball he actually was now. So without meaning to at all, Sam had drifted into Jordan’s life and stayed, a loyal, faithful companion.
Dean Gray
She said, “Why can’t you see that people care for you?” She said, “I care for you.” “I know that you care. But…” He searched her face. “Anyone would, for a friend.” “You’re more than a friend.” “On the battlefield, you stayed--” “Of course I did.” “You have a strong sense of honor. You always have. I think you think you owe me something.” “I stayed because I love you.” He flinched and looked away. “You don’t mean that.” “Yes, I do.” The night outside seemed to swell against the tent. The lamp smelled like a hot stone. His face slowly opened. He touched her hand as it pressed against his heart. His caress was light, secret, almost unsure of her knuckles, the thin tendons as strong as bone. She felt him become sure. There was no sound when he kissed her. None when she unthreaded the ties of his shirt and found his skin. He grasped her dagger belt, flexed his fingers once around the leather, then simply held on. He whispered something into her mouth that was almost a word. It lost its shape, became something else. He let go. She heard the brush of linen as he drew the shirt over his head, his fingertips grazing the tent’s sloped ceiling as if for balance. His ribs were bound with gauze, his body marked by scars. Old ones, badly healed and raised. Others, pink and fresh. His shoulders bore pale gouges; they looked like sets of claws, almost deliberate, like tattoos. Curious, she touched them. He bit his lip. “That hurts?” “No.” “What is this? What happened?” “I’ll tell you,” he said. “Later.” His hand strayed over her shirt, which was eastern, as Arin’s was, with no collar. Threadbare in places. Frayed at the neck. He worried the cloth there, rubbing it between fingers and thumb. Then he drew her shirt open, and she felt as if reality had grown larger and tremulous: a drop of water on the point of a pin. “Kestrel…I’ve never--” She whispered that this was new for her, too. There was a long pause. “Are you certain you want--” “Yes.” “Because…” “Arin.” “Maybe you--” “Arin.” She laughed, and then so did he, aware that they’d already found the bed. Words had fallen away. Maybe the words lay on the earth, nestled among clothes, curled into the undone dagger belt. Maybe later, language would be recovered and pieced together. Made to make sense. But not now. Now there was touch and taste and sound. When he eased into her, she was glad for the burning lamp, the fuzzy glow of it on his skin. The way it showed the black fall of his wet hair, the flesh and scars that made him. She didn’t look away.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
It's funny, you know. We're free. We make choices. We weigh things in our minds, consider everything carefully, use all the tools of logic and education. And in the end, what we mostly do is what we have no choice but to do. Makes you think, why bother? But you bother because you do, that's why. Because you're a DNA-brand computer running Childhood 1.0 software. They update the software but the changes are always just around the edges. You have the brain you have, the intelligence, the talents, the strengths and weaknesses you have, from the moment they take you out of the box and throw away the Styrofoam padding. But you have the fears you picked up along the way. The terrors of age four or six or eight are never suspended, just layered over. The dread I'd felt so recently, a dread that should be so much greater because the facts had been so much more horrible, still could not diminish the impact of memories that had been laid down long years before. It's that way all through life, I guess. I have a relative who says she still gets depressed every September because in the back of her mind it's time for school to start again. She's my great-aunt. The woman is sixty-seven and still bumming over the first day of school five-plus decades ago. It's sad in a way because the pleasures of life get old and dated fast. The teenage me doesn't get the jolt the six-year-old me got from a package of Pop Rocks. The me I've become doesn't rush at the memories of the day I skated down a parking ramp however many years ago. Pleasure fades, gets old, gets thrown out with last year's fad. Fear, guilt, all that stuff stays fresh. Maybe that's why people get so enraged when someone does something to a kid. Hurt a kid and he hurts forever. Maybe an adult can shake it off. Maybe. But with a kid, you hurt them and it turns them, shapes them, becomes part of the deep, underlying software of their lives. No delete. I don't know. I don't know much. I feel like I know less all the time. Rate I'm going, by the time I'm twenty-one I won't know a damned thing. But still I was me. Had no choice, I guess. I don't know, maybe that's bull and I was just feeling sorry for myself. But, bottom line, I dried my eyes, and I pushed my dirty, greasy hair back off my face, and I started off down the road again because whatever I was, whoever I was, however messed up I might be, I wasn't leaving April behind. Maybe it was all an act programmed into me from the get-go, or maybe it grew up out of some deep-buried fear, I mean maybe at some level I was really just as pathetic as Senna thought I was. Maybe I was a fake. Whatever. Didn't matter. I was going back to the damned dragon, and then I was getting April out, and everything and everyone else could go screw themselves. One good thing: For now at least, I was done being scared.
K.A. Applegate
Christopher entered the room, having to bend his head to pass through the small medieval doorway. Straightening, he surveyed their surroundings briefly before his piercing gaze found Beatrix. He stared at her with the barely suppressed wrath of a man to whom entirely too much had happened. Beatrix wished she were a swooning sort of female. It seemed the only appropriate response to the situation. Unfortunately, no matter how she tried to summon a swoon, her mind remained intractably conscious. “I’m so sorry,” she croaked. No reply. Christopher approached her slowly, as if he thought she might try to bolt again. Reaching her, he took her upper arms in a hard grip that allowed no chance of escape. “Tell me why you did it,” he said, his voice low and vibrant with…hatred? Fury? “No, damn you, don’t cry. Was it a game? Was it only to help Prudence?” Beatrix looked away with a wretched sob. “No, it wasn’t a game…Pru showed me your letter, and she said she wasn’t going to answer it. And I had to. I felt as if it had been written for me. It was only supposed to be once. But then you wrote back, and I let myself answer just once more…and then one more time, and another…” “How much of it was the truth?” “All of it,” Beatrix burst out. “Except for signing Pru’s name. The rest of it was real. If you believe nothing else, please believe that.” Christopher was quiet for a long moment. He had begun to breathe heavily. “Why did you stop?” She sensed how difficult it was for him to ask. But God help her, it was infinitely worse to have to answer. “Because it hurt too much. The words meant too much.” She forced herself to go on, even though she was crying. “I fell in love with you, and I knew I could never have you. I couldn’t pretend to be Pru any longer. I loved you so much, and I couldn’t--” Her words were abruptly smothered. He was kissing her, she realized dazedly. What did it mean? What did he want? What…but her thoughts dissolved, and she stopped trying to make sense of anything. His arms had closed around her, one hand gripping the back of her neck. Shaken to her soul, she molded against him. Taking her sobs into his mouth, he licked deep, his kiss strong and savage. It had to be a dream, and yet her senses insisted it was real, the scent and warmth and toughness of him engulfing her. He pulled her even more tightly against him, making it difficult to breathe. She didn’t care. The pleasure of the kiss suffused her, drugged her, and when he pulled his head back, she protested with a bewildered moan. Christopher forced her to look back at him. “Loved?” he asked hoarsely. “Past tense?” “Present tense,” she managed to say. “You told me to find you.” “I didn’t mean to send you that note.” “But you did. You wanted me.” “Yes.” More tears escaped her stinging eyes. He bent and pressed his mouth to them, tasting the salt of grief. Those gray eyes looked into hers, no longer bright as hellfrost, but soft as smoke. “I love you, Beatrix.” Maybe she was capable of swooning after all.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Archer arrived early the next morning. Grey was still asleep on the sofa in his study when he heard tapping on the window. He opened his eyes and immediately regretted it as the sharp light of day pierced his brain. Squinting, he tried to focus on his brother, since he already knew who his visitor was. Only one person ever announced himself so annoyingly. “Open the bloody window, Grey!” Grumbling, Grey slowly rose into a full sitting position. His back and neck were stiff and his head felt as though someone had kicked it repeatedly from all sides. And his mouth! Christ, he didn’t want to even think about what might have died inside it. He staggered to the window, unlatched it and swung it open. “What the hell do you want?” Wide-eyed, Archer made a tsking noise. “Is that any way to greet your favorite brother?” “You’re not my favorite,” Grey scowled. Unaffected, Archer easily adapted. “Is that any way to greet your second-favorite brother?” Grey grinned, he couldn’t help it. Archer had always had a knack for making him smile, just as he had a knack for pissing him off as well. “I’m hung over and feel like shite. What do you want?” “You look like shite. What’s this I hear about you making an appearance at Saint’s Row last night?” “Rose tell you that?” “She did. I’m surprised you took such a risk just to see her.” Grey thought of her in that teal gown, the lights illuminating the luster of her skin. “It was worth it.” “Worth it, eh? So worth it you immediately came home and got sloshed.” “Something like that. And then Rose came home and I got even more sloshed.” Archer’s expression turned to concern as he leaned against the window frame. “What happened?” Grey shrugged. He’d already revealed more than he’d wanted. “Suffice it to say she now knows what kind of man I am.” His brother snorted. “That girl has always known exactly what kind of man you are.” The words were plain enough, but there was a cryptic edge to them that had Grey puzzled. “What the hell does that mean?” Arch shook his head. “Come to the stables with me. I want to show you something.” He looked down at himself. He was wearing the same clothes he’d worn last night and he was wrinkled beyond hope. Not to mention that he smelled like a distillery-an unwashed one at that. And his mask was up in his room. What if someone happened by and saw him… He wasn’t a coward. He just didn’t wish to be seen looking less than his best. An oath punctuated the early morning air. Grey was grabbed by the front of the shirt and yanked-hard. His only course of action was to brace one booted foot on the bottom sill to keep from falling. Of course, that action only succeeded in making it easier for Archer to haul him completely out onto the lawn. He landed hard on both feet, the impact going straight to his ready-to-implode skull. “What the hell?” Fist cocked, Grey punched his brother in the shoulder. “Jesus, man! What are you about?” Archer punched him back. It hurt, and oddly enough it seemed to wake him up-clear the fog and some of the pressure surrounding his brain. “I’m trying to help you, you bugger.” “To do what?” Grey demanded. “Die?
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
With great care, Amy opened the cellar door. With ladylike demeanor, she descended the stairs. And as her reward, she had the satisfaction of catching His Mighty Lordship sitting on the cot, his knee crooked sideways and his ankle pulled toward him, cursing at the manacle. “I got it out of your own castle,” she said. Northcliff jumped like a lad caught at a mischief. “My . . . castle?” At once he realized what she meant. “Here on the island, you mean. The old ancestral pile.” “Yes.” She strolled farther into the room. “I went down into the dungeons, crawled around in among the spider webs and the skeleton of your family’s enemies—” “Oh, come on.” He straightened his leg. “There aren’t any skeletons.” “No,” she admitted. “We had them removed years ago.” For one instant, she was shocked. So his family had been ruthless murderers! Then she realized he was smirking. The big, pompous jackass was making a jest of her labors. “If I could have found manacles that were in good shape I’d have locked both your legs to the wall.” “Why stop there? Why not my hands, too?” He moved his leg to make the chain clink loudly. “Think of your satisfaction at the image of my starving, naked body chained to the cold stone—” “Starving?” She cast a knowledgeable eye at the empty breakfast tray, then allowed her lips to curve into a sarcastic smile. “You’d love a look at my naked body, though, wouldn’t you?” He fixed his gaze on her, and for one second she thought she saw a lick of golden flame in his light brown eyes. “Isn’t that what this is all about?” “I beg your pardon.” She took a few steps closer to him—although she remained well out of range of his long arms. What are you talking about?” “I spurned you, didn’t I?” What? What What was he going on about? “You’re a girl from my past, an insignificant debutante I ignored at some cotillion or another. I didn’t dance with you.” He stretched out on the cot, the epitome of idle relaxation. “Or I did, but I didn’t talk to you. Or I forgot to offer you a lemonade, or—” “I don’t believe you.” She tottered to the rocking chair and sank down. “Are you saying you think this whole kidnapping was done because you, the almighty marquees of Northcliff, treated me like a wallflower?” “It seems unlikely I treated you as a wallflower. I have better taste than that.” He cast a critical glance up and down her workaday gown, then focused on her face. “You’re not in the common way, you must know that. With the proper gown and your hair swirled up in that style you women favor—” He twirled his fingers about his head—“you would be handsome. Perhaps even lovely.” She gripped the arms of the chair. Even his compliments sounded like insults! “We’ve never before met, my lord.” As if she had not spoken, he continued, “but I don’t remember you, so I must have ignored you and hurt your feelings—” “Damn!” Exploding out of the chair, she paced behind it, gripping the back hard enough to break the wood. His arrogance was amazing. Invulnerable! “Haven’t you heard a single word I’ve said to you? Are you so conceited you can’t conceive of a woman who isn’t interested in you as a suitor?” “It’s not conceit when it’s the truth.” He sounded quite convinced.
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
We went to dinner that night and ordered steak and talked our usual dreamy talk, intentionally avoiding the larger, looming subject. When he brought me home, it was late, and the air was so perfect that I was unaware of the temperature. We stood outside my parents’ house, the same place we’d stood two weeks earlier, before the Linguine with Clam Sauce and J’s surprise visit; before the overcooked flank steak and my realization that I was hopelessly in love. The same place I’d almost wiped out on the sidewalk; the same place he’d kissed me for the first time and set my heart afire. Marlboro Man moved in for the kill. We stood there and kissed as if it was our last chance ever. Then we hugged tightly, burying our faces in each other’s necks. “What are you trying to do to me?” I asked rhetorically. He chuckled and touched his forehead to mine. “What do you mean?” Of course, I wasn’t able to answer. Marlboro Man took my hand. Then he took the reins. “So, what about Chicago?” I hugged him tighter. “Ugh,” I groaned. “I don’t know.” “Well…when are you going?” He hugged me tighter. “Are you going?” I hugged him even tighter, wondering how long we could keep this up and continue breathing. “I…I…ugh, I don’t know,” I said. Ms. Eloquence again. “I just don’t know.” He reached behind my head, cradling it in his hands. “Don’t…,” he whispered in my ear. He wasn’t beating around the bush. Don’t. What did that mean? How did this work? It was too early for plans, too early for promises. Way too early for a lasting commitment from either of us. Too early for anything but a plaintive, emotional appeal: Don’t. Don’t go. Don’t leave. Don’t let it end. Don’t move to Chicago. I didn’t know what to say. We’d been together every single day for the past two weeks. I’d fallen completely and unexpectedly in love with a cowboy. I’d ended a long-term relationship. I’d eaten beef. And I’d begun rethinking my months-long plans to move to Chicago. I was a little speechless. We kissed one more time, and when our lips finally parted, he said, softly, “Good night.” “Good night,” I answered as I opened the door and went inside. I walked into my bedroom, eyeing the mound of boxes and suitcases that sat by the door, and plopped down on my bed. Sleep eluded me that night. What if I just postponed my move to Chicago by, say, a month or so? Postponed, not canceled. A month surely wouldn’t hurt, would it? By then, I reasoned, I’d surely have him out of my system; I’d surely have gotten my fill. A month would give me all the time I needed to wrap up this whole silly business. I laughed out loud. Getting my fill of Marlboro Man? I couldn’t go five minutes after he dropped me off at night before smelling my shirt, searching for more of his scent. How much worse would my affliction be a month from now? Shaking my head in frustration, I stood up, walked to my closet, and began removing more clothes from their hangers. I folded sweaters and jackets and pajamas with one thing pulsating through my mind: no man--least of all some country bumpkin--was going to derail my move to the big city. And as I folded and placed each item in the open cardboard boxes by my door, I tried with all my might to beat back destiny with both hands. I had no idea how futile my efforts would be.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
That black horse we used for packin’ up here is the most cantankerous beast alive,” Jake grumbled, rubbing his arm. Ian lifted his gaze from the initials on the tabletop and turned to Jake, making no attempt to hide his amusement. “Bit you, did he?” “Damn right he bit me!” the older man said bitterly. “He’s been after a chuck of me since we left the coach at Hayborn and loaded those sacks on his back to bring up here.” “I warned you he bites anything he can reach. Keep your arm out of his way when you’re saddling him.” “It weren’t my arm he was after, it was my arse! Opened his mouth and went for it, only I saw him outter the corner of my eye and swung around, so he missed.” Jakes’s frown darkened when he saw the amusement in Ian’s expression. “Can’t see why you’ve bothered to feed him all these years. He doesn’t deserve to share a stable with your other horses-beauties they are, every one but him.” “Try slinging packs over the backs of one of those and you’ll see why I took him. He was suitable for using as a pack mule; none of my other cattle would have been,” ian said, frowning as he lifted his head and looked about at the months of accumulated dirt covering everything. “He’s slower’n a pack mule,” Jake replied. “Mean and stubborn and slow,” he concluded, but he, too, was frowning a little as he looked around at the thick layers of dust coating every surface. “Thought you said you’d arranged for some village wenches to come up here and clean and cook fer us. This place is a mess.” “I did. I dictated a message to Peters for the caretaker, asking him to stock the place with food and to have two women come up here to clean and cook. The food is here, and there are chickens out in the barn. He must be having difficulty finding two women to stay up here.” “Comely women, I hope,” Jake said. “Did you tell him to make the wenches comely?” Ian paused in his study of the spiderwebs strewn across the ceiling and cast him an amused look. “You wanted me to tell a seventy-year-old caretaker who’s half-blind to make certain the wenches were comely?” “Couldn’ta hurt ‘t mention it,” Jake grumbled, but he looked chastened. “The village is only twelve miles away. You can always stroll down there if you’ve urgent need of a woman while we’re here. Of course, the trip back up here may kill you,” he joked referring to the winding path up the cliff that seemed to be almost vertical. “Never mind women,” Jake said in an abrupt change of heart, his tanned, weathered face breaking into a broad grin. “I’m here for a fortnight of fishin’ and relaxin’, and that’s enough for any man. It’ll be like the old days, Ian-peace and quiet and naught else. No hoity-toity servants hearin’ every word what’s spoke, no carriages and barouches and matchmaking mamas arrivin’ at your house. I tell you, my boy, though I’ve not wanted to complain about the way you’ve been livin’ the past year, I don’t like these servents o’ yours above half. That’s why I didn’t come t’visit you very often. Yer butler at Montmayne holds his nose so far in t’air, it’s amazin’ he gets any oxhegen, and that French chef o’ yers practically threw me out of his kitchens. That what he called ‘em-his kitchens, and-“ The old seaman abruptly broke off, his expression going from irate to crestfallen, “Ian,” he said anxiously, “did you ever learn t’ cook while we was apart?” “No, did you?” “Hell and damnation, no!” Jake said, appalled at the prospect of having to eat anything he fixed himself.
Judith McNaught (Almost Heaven (Sequels, #3))
Clary held her hands up. 'I do get it. I know you don’t like me, Isabelle. Because I’m a mundane to you.' 'You think that’s why—' Isabelle broke off, her eyes bright; not just with anger, Clary saw with surprise, but with tears. “God, you don’t understand anything, do you? You’ve known Jace what, a month? I’ve known him for seven years. And all the time I’ve known him, I’ve never seen him fall in love, never seen him even like anyone. He’d hook up with girls, sure. Girls always fell in love with him, but he never cared. I think that’s why Alec thought—” Isabelle stopped for a moment, holding herself very still. She’s trying not to cry, Clary thought in wonder—Isabelle, who seemed like she never cried. “It always worried me, and my mom, too—I mean, what kind of teenage boy never even gets a crush on anyone? It was like he was always half-awake where other people were concerned. I thought maybe what had happened with his father had done some sort of permanent damage to him, like maybe he never really could love anyone. If I’d only known what had really happened with his father—but then I probably would have thought the same thing, wouldn’t I? I mean, who wouldn’t have been damaged by that?' 'And then we met you, and it was like he woke up. You couldn’t see it, because you’d never known him any different. But I saw it. Hodge saw it. Alec saw it—why do you think he hated you so much? It was like that from the second we met you. You thought it was amazing that you could see us, and it was, but what was amazing to me was that Jace could see you, too. He kept talking about you all the way back to the Institute; he made Hodge send him out to get you; and once he brought you back, he didn’t want you to leave again. Wherever you were in the room, he watched you…. He was even jealous of Simon. I’m not sure he realized it himself, but he was. I could tell. Jealous of a mundane. And then after what happened to Simon at the party, he was willing to go with you to the Dumort, to break Clave Law, just to save a mundane he didn’t even like. He did it for you. Because if anything had happened to Simon, you would have been hurt. You were the first person outside our family whose happiness I’d ever seen him take into consideration. Because he loved you.' Clary made a noise in the back of her throat. 'But that was before—' 'Before he found out you were his sister. I know. And I don’t blame you for that. You couldn’t have known. And I guess you couldn’t have helped that you just went right on ahead and dated Simon afterward like you didn’t even care. I thought once Jace knew you were his sister, he’d give up and get over it, but he didn’t, and he couldn’t. I don’t know what Valentine did to him when he was a child. I don’t know if that’s why he is the way he is, or if it’s just the way he’s made, but he won’t get over you, Clary. He can’t. I started to hate seeing you. I hated for Jace to see you. It’s like an injury you get from demon poison—you have to leave it alone and let it heal. Every time you rip the bandages off, you just open the wound up again. Every time he sees you, it’s like tearing off the bandages.' 'I know,' Clary whispered. “How do you think it is for me?” 'I don’t know. I can’t tell what you’re feeling. You’re not my sister. I don’t hate you, Clary. I even like you. If it were possible, there isn’t anyone I’d rather Jace be with. But I hope you can understand when I say that if by some miracle we all get through this, I hope my family moves itself somewhere so far away that we never see you again.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
When I hung up the phone that night I had a wet face and a broken heart. The lack of compassion I witnessed every day had finally exhausted me. I looked around my crowded office, at the stacks of records and papers, each pile filled with tragic stories, and I suddenly didn’t want to be surrounded by all this anguish and misery. As I sat there, I thought myself a fool for having tried to fix situations that were so fatally broken. It’s time to stop. I can’t do this anymore. For the first time I realized my life was just full of brokenness. I worked in a broken system of justice. My clients were broken by mental illness, poverty, and racism. They were torn apart by disease, drugs and alcohol, pride, fear, and anger. I thought of Joe Sullivan and of Trina, Antonio, Ian, and dozens of other broken children we worked with, struggling to survive in prison. I thought of people broken by war, like Herbert Richardson; people broken by poverty, like Marsha Colbey; people broken by disability, like Avery Jenkins. In their broken state, they were judged and condemned by people whose commitment to fairness had been broken by cynicism, hopelessness, and prejudice. I looked at my computer and at the calendar on the wall. I looked again around my office at the stacks of files. I saw the list of our staff, which had grown to nearly forty people. And before I knew it, I was talking to myself aloud: “I can just leave. Why am I doing this?” It took me a while to sort it out, but I realized something sitting there while Jimmy Dill was being killed at Holman prison. After working for more than twenty-five years, I understood that I don’t do what I do because it’s required or necessary or important. I don’t do it because I have no choice. I do what I do because I’m broken, too. My years of struggling against inequality, abusive power, poverty, oppression, and injustice had finally revealed something to me about myself. Being close to suffering, death, executions, and cruel punishments didn’t just illuminate the brokenness of others; in a moment of anguish and heartbreak, it also exposed my own brokenness. You can’t effectively fight abusive power, poverty, inequality, illness, oppression, or injustice and not be broken by it. We are all broken by something. We have all hurt someone and have been hurt. We all share the condition of brokenness even if our brokenness is not equivalent. I desperately wanted mercy for Jimmy Dill and would have done anything to create justice for him, but I couldn’t pretend that his struggle was disconnected from my own. The ways in which I have been hurt––and have hurt others––are different from the ways Jimmy Dill suffered and caused suffering. But our shared brokenness connected us. Paul Farmer, the renowned physician who has spent his life trying to cure the world’s sickest and poorest people, once quoted me something that the writer Thomas Merton said: We are bodies of broken bones. I guess I’d always known but never fully considered that being broken is what makes us human. We all have our reasons. Sometimes we’re fractured by the choices we make; sometimes we’re shattered by things we would never have chosen. But our brokenness is also the source of our common humanity, the basis for our shared search for comfort, meaning, and healing. Our shared vulnerability and imperfection nurtures and sustains our capacity for compassion. We have a choice. We can embrace our humanness, which means embracing our broken natures and the compassion that remains our best hope for healing. Or we can deny our brokenness, forswear compassion, and, as a result, deny our own humanity.
Bryan Stevenson (Just Mercy)