I Am Back On Track Quotes

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You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves. After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm. That’s what I believe. The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens. These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.
Robert McCammon (Boy's Life)
And so now I'd like to say - people can change anything they want to. And that means everything in the world. People are running about following their little tracks - I am one of them. But we've all got to stop just following our own little mouse trail. People can do anything - this is something that I'm beginning to learn. People are out there doing bad things to each other. That's because they've been dehumanised. It's time to take the humanity back into the center of the ring and follow that for a time. Greed, it ain't going anywhere. They should have that in a big billboard across Times Square. Without people you're nothing. That's my spiel.
Joe Strummer
Nix to Declan: Begin transcript— Testing. Hello, hellooo, anybody out there? Check, check, one, two. Soft pee. Puh, puh. Resonance! Sooooooft pee. Alpha bravo disco tango duck. This is Nïx! I’m the Ever-Knowing One, a goddess incandescent, incomparable, and irresistible. But enough about what you think of me. It’s a beautiful day in New Orleans. The wind is out of the east at a steady five knots and clouds look like rabbits … But enough about what you think of me! Now, down to business— Squirrel! Where was I? [Long pause] Why am I in Regin’s car? Bertil, you crawl right back out of that bong this minute! Oh, I remember! I am hereby laying down this track for Magister Declan Chase. If you are a mortal of the recorder peon class, know that Dekko and I go waaaaay back, and he’ll go berserk (snicker snicker) if he doesn’t receive this transmittal. … Chase, riddle me this: what’s beautiful but monstrous, long of tooth but sharp of tooth and soft of mind, and can never ever tell a lie? That’s right. The Enemy of Old can be very useful to you. So use him already. P.S. Your middle name’s about to be spelled r-e-g-r-e-t. And with that, I must bid you adieu. Don’t worry, we’ll catch up very soon. … [Muffled] Who’s mummy’s wittle echolocator? That’s right—you are! —End transcript
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
I want to tell you something today, something that I have known for a long while, and you know it too; but perhaps you have never said it to yourself. I am going to tell you now what it is that I know about you and me and our fate. You, Harry, have been an artist and a thinker, a man full of joy and faith, always on the track of what is great and eternal, never content with the trivial and petty. But the more life has awakened you and brought you back to yourself, the greater has you need been and the deeper the sufferings and dread and despair that have overtaken you, till you were up to your neck in them. And all that you once knew and loved and revered as beautiful and sacred, all the belief you once had in mankind and our high destiny, has been of no avail and has lost its worth and gone to pieces. Your faith found no more air to breathe. And suffocation is a hard death. Is that true, Harry? Is that your fate?
Hermann Hesse (Steppenwolf)
Alec, who was watching this back-and-forth as if sitting center court in a tennis match, raised a hand. “I’m sorry, but did you two used to date?” That stopped the conversation dead in its tracks. Both Tessa and Magnus turned to him with identical looks of shock. “You seem more horrified than I do,” Magnus told Tessa, “and somehow I am deeply wounded.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Someday I will stop being young and wanting stupid tattoos. There are 7 people in my house. We each have different genders. I cut my hair over the bathroom sink and everything I own has a hole in it. There is a banner in our living room that says “Love Cats Hate Capitalism.” We sit around the kitchen table and argue about the compost pile and Karl Marx and the necessity of violence when The Rev comes. Whatever the fuck The Rev means. Every time my best friend laughs I want to grab him by the shoulders and shout “Grow old with me and never kiss me on the mouth!” I want us to spend the next 80 years together eating Doritos and riding bikes. I want to be Oscar the Grouch. I want him and his girlfriend to be Bert and Ernie. I want us to live on Sesame Street and I will park my trash can on their front stoop and we will be friends every day. If I ever seem grouchy it’s just because I am a little afraid of all that fun. There is a river running through this city I know as well as my own name. It’s the first place I’ve ever called home. I don’t think its poetry to say I’m in love with the water. I don’t think it’s poetry to say I’m in love with the train tracks. I don’t think it’s blasphemy to say I see God in the skyline. There is always cold beer asking to be slurped on back porches. There are always crushed packs of Marlboro’s in my back pockets. I have been wearing the same patched-up shorts for 10 days. Someday I will stop being young and wanting stupid tattoos.
Clementine von Radics
Ellen walks past the lobby in her high heels, stops in her tracks, and turns back around to face Zack. She points at Marvin. "Is that a goat?" Zack nods once. "Yes, ma'am." "In my lobby?" "Yes, ma'am. But he's a friendly goat." Ellen plasters on a polite smile. "I don't care if he's a tap-dancing goat. I want him out of here.
Chelsea Fine (Best Kind of Broken (Finding Fate, #1))
I liked myself this way, it was such a relief to be free of disguises an prettiness and attractiveness. Above all that horrible, false, debilitating attractiveness that women hide behind. I puled my hat down over my ears so that they stuck out beneath it. 'I must remember this whn I get back. I must not fall into that trap again.' I must let people see me as I am. Like this? Yes, why not like this. But then I realized hat the rules pertaining to one set of circumstances do not necessarily pertain to another. Back there, this would just be another disguise. Back there, there was no nakedness, no one could afford it. Everyone had their social personae well fortified...
Robyn Davidson (Tracks: A Woman's Solo Trek Across 1700 Miles of Australian Outback)
When I was a fighting-man, the kettle-drums they beat, The people scattered gold-dust before my horses feet; But now I am a great king, the people hound my track With poison in my wine-cup, and daggers at my back. —The Road of Kings.
Robert E. Howard (Conan: The Barbarian complete collection)
THOREAU KNOWS (The mass of men lead lives of quiet desperation.) Making sense of things, Trying to track Nine pebbles of sadness To their source. Sly crows Stole them a mile back, But Thoreau knows I should walk anyway Under sun-coined trees Thick with wood-thrush song Till I reach undergrowth Dense and itchy with the past Till the air cools and I am near Enough to con crow talk Mouth fulls, stories dark.
Ken Craft (Reincarnation & Other Stimulants: Life, Death, & In-Between Poems)
Is that shooting star just a happy accident or has the universe had it planned for a thousand years?” He tilted his face to the sky, his eyes tracking an imaginary star as it screamed to earth. He looked back to her. “Either way, you can’t stop it. You can beg it to slow down or you can just enjoy the show.” “Am I the star in this story or you?” Blake wrinkled his nose and chuckled. “Was that a bad analogy? I meant we’re the star, Livia. Us. This.” He shrugged his shoulders like it was the most obvious thing in the world. “Us being in the same atmosphere is either a great cosmic catastrophe or the most serendipitous rendezvous.
Debra Anastasia
The Long Hill I must have passed the crest a while ago And now I am going down-- Strange to have crossed the crest and not to know, But the brambles were always grabbing at the hem of my gown. All the morning I thought how proud I should be To stand there straight as a queen, Wrapped in the wind and the sun with the world under me-- But the air was dull, there was little I could have seen. It was nearly level along the beaten track And the brambles caught in my gown-- But it's no use now to think of turning back, The rest of the way will be only going down.
Sara Teasdale (The Collected Poems)
I came at her like a snake. "I am fully done with other people telling me what to do with my history," I said. "My past made me who I am. There is no way to wipe it clean. I am the evidence. If you look at me and see track marks and too-skinny arms and hands that know how to hold a gun and a brain that is sharper and faster than yours, then that is not my problem. Do you hear me? I have regrets, and I have made mistakes, but I am who I am. I'm done pretending that I've wholly remade myself, that I'm going to ... to hie myself away in some lecture hall for the next four years to make you all comfortable." She was backed up against the door, now, her arms wrapped around herself, and I didn't care. "If you want to stop seeing it, you'll have to stop seeing me, and I am not going to disappear.
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))
Listen to me, Trace told him. I don’t know who you are, but I am in possession of a very special set of skills. If you bring my sister back right now, unharmed, then I’ll let you go. But if you don’t, I promise you, I will track you down. I will find you. And I will make you pay.
Joe Schreiber (Red Harvest)
Standing on your own feet, naturally, is as tiresome and dangerous as standing your ground; and when the wild dogs begin to circle grinning round you with their dripping tongues hanging out and you know that with mock servility they like to go for your toes first, why, then, you should stand on someone else’s feet, or head if necessary. It is a point of faith for me never to be Hitler; he stood his ground in his own two shoes in his own little hole almost to the end, the fool. But I may disguise myself as any other animate or inanimate object in what follows. I can be eight lame women with falsies, eight cracked chamber pots, or -- let’s get right to the point -- a gladiator who is actually constructed of old clothes, brooms, and a paper plate with a face daubed on in finger-paints, not to mention two vagrants inside each shirt-sleeve and pant-leg, moving Goliath’s limbs at my say-so; but as long as you believe in the gladiator, you are whipped, and the Museum people will set out on your track, and then once they catch you, don’t think I won’t come study your exhibit until I can convince your own sweetheart that I am you come back from the dead. For I am Big George, the eternal winner.
William T. Vollmann (You Bright and Risen Angels (Contemporary American Fiction))
Can't Turn Back *** Neither I am the same Nor the time is the same It has gone, what it was I can only memorize that As a journey of my life track I cannot turn it back
Ehsan Sehgal
Whenever I am feeling downhearted, I take a long walk to get back on track
Charmaine J. Forde
There are days I long to disappear in the wild, go back to the predator life I was meant to have. Kill the prey or be killed: it’s in my genes. A chimera, that's what I am. And this is my story.
E.E. Giorgi (CHIMERAS (Track Presius #1))
Go from me, summer friends, and tarry not: I am no summer friend, but wintry cold, A silly sheep benighted from the fold, A sluggard with a thorn-choked garden plot. Take counsel, sever from my lot your lot, Dwell in your pleasant places, hoard your gold; Lest you with me should shiver on the wold, Athirst and hungering on a barren spot. For I have hedged me with a thorny hedge, I live alone, I look to die alone: Yet sometimes, when a wind sighs through the sedge, Ghosts of my buried years, and friends come back, My heart goes sighing after swallows flown On sometime summer’s unreturning track.
Christina Rossetti
His eyes following their track, maybe dangerously thinking, like I am, about the lines of our lives could have taken. But he halts the motion, releasing the thought, and settling his hands back to where they had been resting.
Diana Elliot Graham (When We Were)
A healthy attitude to eating I am concerned about the current victimisation of food. The apparent need to divide the contents of our plates into heroes and villains. The current villains are sugar and gluten, though it used to be fat, and before that it was salt (and before that it was carbs and . . . oh, I’ve lost track). It is worth remembering that today’s devil will probably be tomorrow’s angel and vice versa. We risk having the life sucked out of our eating by allowing ourselves to be shamed over our food choices. If this escalates, historians may look back on this generation as one in which society’s decision about what to eat was driven by guilt and shame rather than by good taste or pleasure. Well, not on my watch. Yes, I eat cake, and ice cream and meat. I eat biscuits and bread and drink alcohol too. What is more, I eat it all without a shred of guilt. And yet, I like to think my eating is mindful rather than mindless. I care deeply about where my food has come from, its long-term effect on me and the planet. That said, I eat what you might call ‘just enough’ rather than too much. My rule of thumb – just don’t eat too much of any one thing.
Nigel Slater (A Year of Good Eating: The Kitchen Diaries III)
When I was a fighting-man, the kettle-drums they beat, The people scattered gold-dust before my horse’s feet; But now I am a great king, the people hound my track With poison in my wine-cup, and daggers at my back. – The Road of Kings.
Robert E. Howard (The Coming of Conan the Cimmerian (Conan the Cimmerian, #1))
The answer to that question is…I won’t. You belong with me. Which leads me to the discussion I wanted to have with you.” “Where I belong is for me to decide, and though I may listen to what you have to say, that doesn’t mean I will agree with you.” “Fair enough.” Ren pushed his empty plate to the side. “We have some unfinished business to take care of.” “If you mean the other tasks we have to do, I’m already aware of that.” “I’m not talking about that. I’m talking about us.” “What about us?” I put my hands under the table and wiped my clammy palms on my napkin. “I think there are a few things we’ve left unsaid, and I think it’s time we said them.” “I’m not withholding anything from you, if that’s what you mean.” “You are.” “No. I’m not.” “Are you refusing to acknowledge what has happened between us?” “I’m not refusing anything. Don’t try to put words in my mouth.” “I’m not. I’m simply trying to convince a stubborn woman to admit that she has feelings for me.” “If I did have feelings for you, you’d be the first one to know.” “Are you saying that you don’t feel anything for me?” “That’s not what I’m saying.” “Then what are you saying?” “I’m saying…nothing!” I spluttered. Ren smiled and narrowed his eyes at me. If he kept up this line of questioning, he was bound to catch me in a lie. I’m not a very good liar. He sat back in his chair. “Fine. I’ll let you off the hook for now, but we will talk about this later. Tigers are relentless once they set their minds to something. You don’t be able to evade me forever.” Casually, I replied, “Don’t get your hopes up, Mr. Wonderful. Every hero has his Kryptonite, and you don’t intimidate me.” I twisted my napkin in my lap while he tracked my every move with his probing eyes. I felt stripped down, as if he could see into the very heart of me. When the waitress came back, Ren smiled at her as she offered a smaller menu, probably featuring desserts. She leaned over him while I tapped my strappy shoe in frustration. He listened attentively to her. Then, the two of them laughed again. He spoke quietly, gesturing to me, and she looked my way, giggled, and then cleared all the plates quickly. He pulled out a wallet and handed her a credit card. She put her hand on his arm to ask him another question, and I couldn’t help myself. I kicked him under the table. He didn’t even blink or look at me. He just reached his arm across the table, took my hand in his, and rubbed the back of it absentmindedly with his thumb as he answered her question. It was like my kick was a love tap to him. It only made him happier. When she left, I narrowed my eyes at him and asked, “How did you get that card, and what were you saying to her about me?” “Mr. Kadam gave me the card, and I told her that we would be having our dessert…later.” I laughed facetiously. “You mean you will be having dessert later by yourself this evening because I am done eating with you.” He leaned across the candlelit table and said, “Who said anything about eating, Kelsey?” He must be joking! But he looked completely serious. Great! There go the nervous butterflies again. “Stop looking at me like that.” “Like what?” “Like you’re hunting me. I’m not an antelope.” He laughed. “Ah, but the chase would be exquisite, and you would be a most succulent catch.” “Stop it.” “Am I making you nervous?” “You could say that.” I stood up abruptly as he was signing the receipt and made my way toward the door. He was next to me in an instant. He leaned over. “I’m not letting you escape, remember? Now, behave like a good date and let me walk you home. It’s the least you could do since you wouldn’t talk with me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
We are very good at desperate emails tinged with self-destruction. Hers are more active, more interactive. We have lives that look concretely, wholly separate, lives that, if one were to track back to the causes, to the feelings and the thinking, might feel largely the same. My depression is the flattest; it’s so boring; it’s all inward—in books, at least, as well as in her emails, the characters all do things. They have too much sex; they drink; they travel and their lives at least are filled with stories that they might tell later when they’re older and they’re better, when they’re the grown-up versions of these unformed, reckless things. I envy her these stories, their shape and texture, the concreteness of her self-destruction. She is looked at, and because she’s looked at, she lives her anger and her sadness out loud and people see; I disappear and so slip down and under. I, sporadically, quite violently, try to be seen and am then further knocked down by how completely that effort fails.
Lynn Steger Strong (Want)
This is why the Liberian waiter laughed at me. He thought that I thought a toilet was my right, when he knew it was a privilege. "It must be, when 2.6 billion people don't have sanitation. I don't mean that they have no toilet in their house and must use a public one with queues and fees. Or that they have an outhouse, or a ricety shack that empties into a filthy drain or pigsty. All that counts as sanitation, though not a safe variety. The people who have those are the fortunate ones. Four in ten people have no access to any latrine, toilet, bucket, or box. Nothing. Instead, they defecate by train tracks and in forests. They do it in plastic bags and fling them through the air in narrow slum alleyways. If they are women, they get up at 4 A.M. to be able to do their business under cover of darkness for reasons of modesty, risking rape and snakebites. Four in ten people live in situations where they are surrounded by human excrement because it is in the bushes outside the village or in their city yards, left by children outside the backdoor. It is tramped back in on their feet, carried on fingers onto clothes, food and drinking water. "The disease toll of this is stunning. A gram of feces can contain 10 million viruses, 1 million bacteria, 1,000 parasite cysts, and 100 worm eggs...
Rose George (The Big Necessity: The Unmentionable World of Human Waste and Why It Matters)
I can't believe he's going to make me give him the speech. I am livid that he's going to make me give him the speech. I do it, piecing it together from times I've seen it done on TV and in movies. I tell him that there are many people who love him and would be crushed if he were to kill himself, while wondering, distantly, if that is the truth. I tell him that he has so much potential, that he has so many things to do, while most of me believes that he will never put his body and brain to much use at all. I tell him that we all have dark periods, while becoming ever more angry at him, the theatrics, the self-pity, all this, when he has everything. He has a complete sort of freedom, with no parents and no dependents, with money and no immediate threats of pain or calamity. He is the 99.9th percentile, as I am. He has no real obligations, can go anywhere at any moment, sleep anywhere, move at will, and still he is wasting everyone's time with this. But I hold that back--I will save that for later--and instead say nothing but the most rapturous and positive things. And though I do not believe much of it, he does. I make myself sick saying it all, everything so obvious, the reasons to live not at all explainable in a few minutes on the edge of a psychiatric ward bed, but still he is roused, making me wonder even more about him, why a fudge-laden pep talk can convince him to live, why he insists on bringing us both down here, to this pedestrian level, how he cannot see how silly we both look, and when, exactly, it was that his head got so soft, when I lost track of him, how it is that I know and care about such a soft and pliant person, where was it again that I parked my car.
Dave Eggers (A Heartbreaking Work of Staggering Genius)
I have been in the speculative game ever since I was fourteen. It is all I have ever done. I think I know what I am talking about. And the conclusion that I have reached after nearly thirty years of constant trading, both on a shoestring and with millions of dollars back of me, is this: A man may beat a stock or a group at a certain time, but no man living can beat the stock market! A man may make money out of individual deals in cotton or grain, but no man can beat the cotton market or the grain market. It's like the track. A man may beat a horse race, but he cannot beat horse racing.
Jesse Livermore
Opportunity (from Machiavelli) "But who art thou, with curious beauty graced, O woman, stamped with some bright heavenly seal Why go thy feet on wings, and in such haste?" "I am that maid whose secret few may steal, Called Opportunity. I hasten by Because my feet are treading on a wheel, Being more swift to run than birds to fly. And rightly on my feet my wings I wear, To blind the sight of those who track and spy; Rightly in front I hold my scattered hair To veil my face, and down my breast to fall, Lest men should know my name when I am there; And leave behind my back no wisp at all For eager folk to clutch, what time I glide So near, and turn, and pass beyond recall." "Tell me; who is that Figure at thy side?" "Penitence. Mark this well that by decree Who lets me go must keep her for his bride. And thou hast spent much time in talk with me Busied with thoughts and fancies vainly grand, Nor hast remarked, O fool, neither dost see How lightly I have fled beneath thy hand.
James Elroy Flecker (Forty-Two Poems)
When I was a kid, summers were the most glorious time of life. Because my parents believed in hands-off, free-range parenting, I’d usually be out the door before ten and wouldn’t return until dinner. There were no cell phones to keep track of me and whenever my mom called a neighbor to ask where I was, the neighbor was often just as clueless as to her own child’s whereabouts. In fact, there was only one rule as far as I could tell: I had to be home at half past five, since my parents liked to eat dinner as a family. I can’t remember exactly how I used to spend those days. I have recollections in snapshot form: building forts or playing king of the hill on the high part of the jungle gym or chasing after a soccer ball while attempting to score. I remember playing in the woods, too. Back then, our home was surrounded by undeveloped land, and my friends and I would have dirt-clod wars or play capture the flag; when we got BB guns, we could spend hours shooting cans and occasionally shooting at each other. I spent hours exploring on my bicycle, and whole weeks would pass where I’d wake every morning with nothing scheduled at all. Of course, there were kids in the neighborhood who didn’t lead that sort of carefree existence. They would head off to camp or participate in summer leagues for various sports, but back then, kids like that were the minority. These days, kids are scheduled from morning to night because parents have demanded it, and London has been no exception. But how did it happen? And why? What changed the outlook of parents in my generation? Peer pressure? Living vicariously through a child’s success? Résumé building for college? Or was it simply fear that if their kids were allowed to discover the world on their own, nothing good would come of it? I don’t know. I am, however, of the opinion that something has been lost in the process: the simple joy of waking in the morning and having nothing whatsoever to do.
Nicholas Sparks (Two By Two)
Will:"You know, when two people narrowly escape falling to their deaths, they usually have something to talk about, Even if they hadn't met before that moment, they usually have something to sayto each other afterward. But you haven't said anything to me. I've been tryingto give you some time. I've been trying to give you some space. All I want is-" Ivy:"Thank you. Thank you for risking your life. Thank you for saving me." "That's not what I wanted! Gratitude is the last thing I-" "Well, let me tell you what I want, Honesty." "When haven't I been honest? When?" "I found your note, Will. I know you blackmailed Gregory. I didn't tell the police yet, but I will." "So tell them, go ahead! It's old news to them, but if you've got the note, it's one more piece for the police files. I just don't get- Wait a minute. Do you think- You couldn't really think I did that to make money, could you?" "That's usually why people blackmail." "You think I'd betray you like that? Ivy I set up that blackmail--I got the Celentanos to help me out, and i videotaped it-so that i had something to take to the police." "Back in August when you were in the hospital, Gregory called me and told me you had tried to commit suicide. I couldn't believe it. I knew how much you missed Tristan, but I knew you were a fighter, too. I went to the train station that morning to look around and try to figure out what had gone through your head. As i was leaving I found the jacket and hat. I picked them up, but for weeks I didn't know how or even if they were connected to what had happened." "When school started I ran across some file photos of Tristan in the newspaper office. Suddenly I figured it out. I knew it wasn't like you to jump in front of a train, but it was just like you Eric and Gregory to con you across the track. I remembered how Eric had played chicken with us, and I blamed him at first. Later I realized that there was a lot more than a game going on." "Why didn't you tell me this before? You should have told me this before." "You weren't telling me things, either." "I was trying to protect you!" "What the heck do you think I was doing?...I had to distract him, give him another target, and try to get something on him at the same time. It almost worked. I gave the tape to Lieutenant Donnelly Tuesday afternoon, but Gregory had already laid his trap." "You thought I'd betray you." "Will I'm sorry. I was wrong. I really am sorry, I made a mistake. A big one. Try to understand. I was so mixed up and afraid. I thought I betrayed myself when I trusted you-and betrayed Tristan when I fell in love with you. Will!" "You fell in love with me?" "Love you, Will." "Love you, Ivy.
Elizabeth Chandler (Soulmates (Kissed by an Angel, #3))
Torka extended a conciliatory hand and laid it upon the old man’s shoulder. “Umak, Manaravak, Dak, and Tankh and Chuk will walk at my side. We will miss your strength, courage, and wisdom, but a man in possession of these qualities is needed here”. They left Grek standing at the edge of camp with his spear in hand and his pack frame on his back. As Torka walked on without looking back he wondered if he had ever done anything in his life as difficult as that. ”You had no choice.” Umak came to walk beside him with Dak and Companion at his side. Manaravak and the two boys trotted on ahead. Torka eyed Dak and Umak without slowing his step. “Do you two imagine that you will never be old?” Dak replied with his usual curtness. “When I am old, I will have sense enough to know when it is time to step aside and let younger men take my place on the hunt”. "It would seem the best thing to do,” Torka agreed. “But will you know when you are old? Or will your years sneak up on you like hunters tracking caribou… one after the other, each looking just the same until the stalking cloaks fall away and the spears of truth come out to wound you… until one day you are a young man trapped and rattling around in an old man’s skin, still believing that your old bones can do all the things they once did in your youth and trying to prove it even if it kills you?
William Sarabande (Walkers of the Wind (The First Americans, #4))
I'm traveling a speed unknown to man and I carry love for all in the mirror of my hand. I say love for all…don't try to run away... look at the mirrors of your heart. Face the truth today— I am what I am, thank God. Some people don't understand, Help them, God— I say find yourself first, and then your tool. I say find yourself first, don't you be no fool. Here comes a woman, sweat all down her back. For birth or for pleasure, she's on the right track… But for being free, she ain't supposed to plea. And don't rely on no man to try and understand. I say find yourself first and then your talent. Work hard in your mind for it to come alive. And then prove to the man that you're as strong as him. 'Cause in the eyes of God… you're both children to him… You are what you are, thank God. You gonna shine like a star with the help of God— But we find ourselves first and then our tool… Find yourself, don't be no fool.
Jimi Hendrix (Cherokee Mist: The Lost Writings)
At home I lose track of how many days, weeks, maybe longer I have been unable—or simply unwilling—to get out of bed. I lie on my back, staring at the insides of my eyelids, some days paralyzed by crushing despair, others trying to survive the panic that threatens to engulf me. I swear I can hear it. The panic that comes to get me breathes. It has a pulse and teeth. I am sure one day soon it will eat me alive. And then the despair returns. God’s idea of a reprieve.
Juliann Garey (Too Bright to Hear Too Loud to See)
One of my most vivid memories is of coming back West from prep school and later from college at Christmas time. Those who went farther than Chicago would gather in the old dim Union Station at six o’clock of a December evening, with a few Chicago friends, already caught up into their own holiday gayeties, to bid them a hasty good-by. I remember the fur coats of the girls returning from Miss This-or-that’s and the chatter of frozen breath and the hands waving overhead as we caught sight of old acquaintances, and the matchings of invitations: “Are you going to the Ordways’? the Herseys’? the Schultzes’?” and the long green tickets clasped tight in our gloved hands. And last the murky yellow cars of the Chicago, Milwaukee and St. Paul railroad looking cheerful as Christmas itself on the tracks beside the gate. When we pulled out into the winter night and the real snow, our snow, began to stretch out beside us and twinkle against the windows, and the dim lights of small Wisconsin stations moved by, a sharp wild brace came suddenly into the air. We drew in deep breaths of it as we walked back from dinner through the cold vestibules, unutterably aware of our identity with this country for one strange hour, before we melted indistinguishably into it again. That’s my Middle West — not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth, and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow. I am part of that, a little solemn with the feel of those long winters, a little complacent from growing up in the Carraway house in a city where dwellings are still called through decades by a family’s name. I see now that this has been a story of the West, after all — Tom and Gatsby, Daisy and Jordan and I, were all Westerners, and perhaps we possessed some deficiency in common which made us subtly unadaptable to Eastern life.
F. Scott Fitzgerald (The Great Gatsby)
The Shadow on the Stone I went by the Druid stone That stands in the garden white and lone, And I stopped and looked at the shifting shadows That at some moments there are thrown From the tree hard by with a rhythmic swing, And they shaped in my imagining To the shade that a well-known head and shoulders Threw there when she was gardening. I thought her behind my back, Yea, her I long had learned to lack, And I said: “I am sure you are standing behind me, Though how do you get into this old track?” And there was no sound but the fall of a leaf As a sad response; and to keep down grief I would not turn my head to discover That there was nothing in my belief. Yet I wanted to look and see That nobody stood at the back of me; But I thought once more: “Nay, I’ll not unvision A shape which, somehow, there may be.” So I went on softly from the glade, And left her behind me throwing her shade, As she were indeed an apparition— My head unturned lest my dream should fade.
Thomas Hardy (Moments of Vision and Miscellaneous Verses)
Morrigan moved across the room as if she were floating. “I will acknowledge your anger, Aerric, but only for a moment. The others will lead the charge against the fledglings, but I want you to track Liam and report back to me directly. How many Sluagh did you take out today?” I shook my head. “Five total, but with all due respect, Goddess, I am going to need a bit more of an explanation as to why the love of my life is lying here before me, alive and well, when she was supposed to have died two centuries ago.
Brynn Myers (Entasy (Prophecies of The Nine, #1))
Footsteps from the stairwell startle him out of the past. He turns around as Emma's mother takes the last step into the dining area, Emma right behind her. Mrs. McIntosh glides over and puts her arm around him. The smile on her face is genuine, but Emma's smile is more like a straight line. And she's blushing. "Galen, it's very nice to meet you," she says, ushering him into the kitchen. "Emma tells me you're taking her to the beach behind your house today. To swim?" "Yes, ma'am." Her transformation makes him wary. She smiles. "Well, good luck with getting her in the water. Since I'm a little pressed for time, I can't follow you over there, so I just need to see your driver's license while Emma runs outside to get your plate number." Emma rolls her eyes as she shuffles through a drawer and pulls out a pen and paper. She slams the door behind her when she leaves, which shakes the dishes on the wall. Galen nods, pulls out his wallet, and hands over the fake license. Mrs. McIntosh studies it and rummages through her purse until she produces a pen-which she uses to write on her hand. “Just need your license number in case we ever have any problems. But we’re not going to have any problems, are we, Galen? Because you’ll always have my daughter-my only daughter-home on time, isn’t that right?” He nods, then swallows. She holds out his license. When he accepts it, she grabs his wrist, pulling him close. She glances at the garage door and back to him. “Tell me right now, Galen Forza. Are you or are you not dating my daughter?” Great. She still doesn’t believe Emma. If she won’t believe them anyway, why keep trying to convince her? If she thinks they’re dating, the time he intends to spend with Emma will seem normal. But if they spend time together and tell her they’re not dating, she’ll be nothing but suspicious. Possibly even spy on them-which is less than ideal. So, dating Emma is the only way to make sure she mates with Grom. Things just get better and better. “Yes,” he says. “We’re definitely dating.” She narrows her eyes. “Why would she tell me you’re not?” He shrugs. “Maybe she’s ashamed of me.” To his surprise, she chuckles. “I seriously doubt that, Galen Forza.” Her humor is short lived. She grabs a fistful of his T-shirt. “Are you sleeping with her?” Sleeping…Didn’t Rachel say sleeping and mating are the same thing? Dating and mating are similar. But sleeping and mating are the same exact same. He shakes his head. “No, ma’am.” She raises a no-nonsense brow. “Why not? What’s wrong with my daughter?” That is unexpected. He suspects this woman can sense a lie like Toraf can track Rayna. All she’s looking for is honesty, but the real truth would just get him arrested. I’m crazy about your daughter-I’m just saving her for my brother. So he seasons his answer with the frankness she seems to crave. “There’s nothing wrong with your daughter, Mrs. McIntosh. I said we’re not sleeping together. I didn’t say I didn’t want to.” She inhales sharply and releases him. Clearing her throat, she smoothes out his wrinkled shirt with her hand, then pats his chest. “Good answer, Galen. Good answer.” Emma flings open the garage door and stops short. “Mom, what are you doing?” Mrs. McIntosh steps away and stalks to the counter. “Galen and I were just chitchatting. What took you so long?” Galen guesses her ability to sense a lie probably has something to do with her ability to tell one. Emma shoots him a quizzical look, but he returns a casual shrug. Her mother grabs a set of keys from a hook by the refrigerator and nudges her daughter out of the way, but not before snatching the paper out of her hand.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
And seriously, get over yourself. Just because you didn’t do it doesn’t mean things don’t or won’t get done. They will, give it a try, and in case they really don’t get done, you already have the expertise and super speciality skill of getting things back on track, right? I am guessing you have realised by this time that you get no medal, trip to Switzerland, gourmet dinner at doorstep, acknowledgement certificate or much less appreciation for being there for everybody every single time, so learn to be there for yourself once in a while. Say
Rujuta Diwekar (The PCOD - Thyroid Book)
I have been in the speculative game ever since I was fourteen. It is all I have ever done. I think I know what I am talking about. And the conclusion that I have reached after nearly thirty years of constant trading, both on a shoestring and with millions of dollars back of me, is this: A man may beat a stock or a group at a certain time, but no man living can beat the stock market! A man may make money out of individual deals in cotton or grain, but no man can beat the cotton market or the grain market. It's like the track. A man may beat a horse race, but he cannot beat horse racing.
Edwin Lefèvre (REMINISCENCES OF A STOCK OPERATOR)
More raiders came down the stairs prodding the Reverend Dr. Lionel J. D. Jones, the Black Fuehrer, and Father Keeley before them. Dr. Jones stopped halfway down the stairs, confronted his tormentors. 'All I've done, 'he said majestically, 'is do what you people should be doing.' 'What should we be doing?' said a G-man. He was obviously in command of the raid. 'Protecting the Republic,' said Jones. 'Why bother us? Everything we do is to make the country stronger! Join with us, and let's go after the people who are trying to make it weaker!' 'Who's that?' said the G-man. 'I have to tell you?' said Jones. 'Haven't you even found that in the course of your work? The Jews! The Catholics! The Negroes! The Orientals! The Unitarians! The foreign-born, who don't have any understanding of democracy, who play right into the hands of the socialists, the communists, the anarchists, the anti-Christs and the Jews!' 'For your information,' said the G-man in cool triumph, 'I am a Jew.' 'That proves what I've just been saying!' said Jones. 'How's that?', said the G-man. 'The Jews have infiltrated everything!' said Jones, smiling the smile of a logician who could never be topped. 'You talk about the Catholics and the Negroes-' said the G-man, 'and yet your two best friends are a Catholic and a Negro.' 'What's so mysterious about that?' said Jones. 'Don't you hate them?', said the G-man. 'Certainly not,' said Jones. 'We all believe the same basic thing.' 'What's that?' said the G-man. 'This once-proud country of ours is falling into the hands of wrong people,' said Jones. He nodded, and so did Father Keeley and the Black Fuehrer. 'And, before it gets back on the right track,' said Jones, 'some heads are going to roll.' I have never seen a more sublime demonstration of the totalitarian mind, a mind which might be linked unto a system of gears where teeth have been filed off at random.
Kurt Vonnegut Jr. (Mother Night)
Humans like to consider everything as linear, when in reality everything is cyclic. They are obsessed with straight lines. Straight roads, straight houses, straight pieces of steel, glass, and timber. Straight cut diamonds. Let’s get straight to the point. Be straight with me. I am straight, not gay. And this is how they see their lives. A linear journey, along the road of life. That is where expressions such as Highway to Hell come from. But what about other expressions, such as the life cycle, the cycle of nature, and the weather cycle? Because of this obsession with straight lines, they view history and historical events, as existing way back along an imaginary path, one they are sure they are far away from. Like watching a fading wake from a ship. So when they look at the religious wars, for example, the Christians versus the Muslims, the rise and fall of Empires, democracies and dictatorships, they seem blind when comparing present day situations with those of the past. The majority of humans see evolution as a race along a straight race track, a race they are winning by a long margin, yet they are afraid to ever slow down, in case other life catches them. If they did slow down long enough, they may observe that the track is actually cyclic.
Robert Black
Running is only healthy if it leads you to a place of strength. Let your running take you back to the beginning. In the beginning was the Word, and I am the Living Word. Don’t run away from life. Running away from life is the same as running away from Me. Instead of running, slow down and walk toward an understanding of who you are in Me. You are a child of the Most High. Your future is clothed in My promises. My foundation of love and truth are the track on which you can explore the plans I have for you. Make a move towards unwrapping your life from the confines of your control. Take one step out on hope, and another step out on grace.
Saundra Dalton-Smith (Come Empty - Pour Out Life's Hurts and Receive God's Healing Love)
Calf-deep in the soothing water I indulge myself in the wishful vision. I am not unaware of what such daydreams signify, dreams of becoming an unthinking savage, of taking the cold road back to the capital, of groping my way out to the ruins in the desert, of returning to the confinement of my cell, of seeking out the barbarians and offering myself to them to use as they wish. Without exception they are dreams of ends: dreams not of how to live but of how to die. And everyone, I know, in that walled town sinking now into darkness (I hear the two thin trumpet calls that announce the closing of the gates) is similarly preoccupied. What has made it impossible for us to live in time like fish in the water, like birds in air, like children? It is the fault of Empire! Empire has created the time of history. Empire has located its existence not in the smooth recurrent spinning time of the cycle of the seasons but in the jagged time of rise and fall, of beginning and end, of catastrophe. Empire dooms itself to live in history and plot against history. One thought alone preoccupies the submerged mind of Empire: how not to end, how not to die, how to prolong its era. By day it pursues its enemies. It is cunning and ruthless, it sends its bloodhounds everywhere. By night it feeds on images of disaster: the sack of cities, the rape of populations, pyramids of bones, acres of desolation. A mad vision yet a virulent one: I, wading in the ooze, am no less infected with it than the faithful Colonel Joll as he tracks the enemies of Empire through the boundless desert, sword unsheathed to cut down barbarian after barbarian until at last he finds and slays the one whose destiny it should be (or if not his then his son's or unborn grandson's) to climb the bronze gateway to the Summer Palace and topple the globe surmounted by the tiger rampant that symbolizes eternal domination, while his comrades below cheer and fire their muskets in the air.
J.M. Coetzee (Waiting for the Barbarians)
Mayakovsky" 1 My heart’s aflutter! I am standing in the bath tub crying. Mother, mother who am I? If he will just come back once and kiss me on the face his coarse hair brush my temple, it’s throbbing! then I can put on my clothes I guess, and walk the streets. 2 I love you. I love you, but I’m turning to my verses and my heart is closing like a fist. Words! be sick as I am sick, swoon, roll back your eyes, a pool, and I’ll stare down at my wounded beauty which at best is only a talent for poetry. Cannot please, cannot charm or win what a poet! and the clear water is thick with bloody blows on its head. I embrace a cloud, but when I soared it rained. 3 That’s funny! there’s blood on my chest oh yes, I’ve been carrying bricks what a funny place to rupture! and now it is raining on the ailanthus as I step out onto the window ledge the tracks below me are smoky and glistening with a passion for running I leap into the leaves, green like the sea 4 Now I am quietly waiting for the catastrophe of my personality to seem beautiful again, and interesting, and modern. The country is grey and brown and white in trees, snows and skies of laughter always diminishing, less funny not just darker, not just grey. It may be the coldest day of the year, what does he think of that? I mean, what do I? And if I do, perhaps I am myself again.
Frank O'Hara (Meditations in an Emergency)
But I am a paladin,” Cordelia cried. “It’s awful, I loathe it— don’t imagine that I feel anything other than hated for this thing that binds me to Lilith. But they fear me because of it. They dare not touch me—” “Oh?” snarled James. “They dare not touch you? That’s not what it bloody looked like.” “The demon at Chiswick House—it was about to tell me something about Belial, before you shot it.” “Listen to yourself, Cordelia!” James shouted. “You are without Cortana! You cannot even lift a weapon! Do you know what it means to me, that you cannot protect yourself? Do you understand that I am terrified, every moment of every day and night, for your safety?” Cordelia stood speechless. She had no idea what to say. She blinked, and felt something hot against her cheek. She put her hand up quickly—surely she was not crying?— and it came away scarlet. “You’re bleeding,” James said. He closed the distance between them in two strides. He caught her chin and lifted it, his thumb stroking across her cheekbone. “Just a scratch,” he breathed. “Are you hurt anywhere else? Daisy, tell me—” “No. I’m fine. I promise you,” she said, her voice wavering as his intent golden eyes spilled over her, searching for signs of injury. “It’s nothing.” “It’s the furthest thing from nothing,” James rasped. “By the Angel, when I realized you’d gone out, at night, weaponless—” “What were you even doing at the house? I thought you were staying at the Institute.” “I came to get something for Jesse,” James said. “I took him shopping, with Anna—he needed clothes, but we forgot cuff links—” “He did need clothes,” Cordelia agreed. “Nothing he had fit.” “Oh, no,” said James. “We are not chatting. When I came in, I saw your dress in the hall, and Effie told me she’d caught a glimpse of you leaving. Not getting in a carriage, just wandering off toward Shepherd Market—” “So you Tracked me?” “I had no choice. And then I saw you—you had gone to where your father died,” he said after a moment. “I thought—I was afraid—” “That I wanted to die too?” Cordelia whispered. It had not occurred to her that he might think that. “James. I may be foolish, but I am not self-destructive.” “And I thought, had I made you as miserable as that? I have made so many mistakes, but none were calculated to hurt you. And then I saw what you were doing, and I thought, yes, she does want to die. She wants to die and this is how she’s chosen to do it.” He was breathing hard, almost gasping, and she realized how much of his fury was despair. “James,” she said. “It was a foolish thing to do, but at no moment did I want to die—” He caught at her shoulders. “You cannot hurt yourself, Daisy. You must not. Hate me, hit me, do anything you want to me. Cut up my suits and set fire to my books. Tear my heart into pieces, scatter them across England. But do not harm yourself—” He pulled her toward him, suddenly, pressing his lips to her hair, her cheek. She caught him by the arms, her fingers digging into his sleeves, holding him to her. “I swear to the Angel,” he said, in a muffled voice, “if you die, I will die, and I will haunt you. I will give you no peace—” He kissed her mouth. Perhaps it had been meant to be a quick kiss, but she could not help herself: she kissed back. And it was like breathing air after being trapped underground for weeks, like coming into sunlight after darkness.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
I just mean that she’s different, you know? Not like us. She’s not so good with, hm, how do you say, human interaction and any trappings of decorum or rules. I suppose that’s why she prefers animals to people. Most animals don’t exchange hellos and ask how the other is. They just exist next to one another.” Yetu’s ears and skin perked at the sound of that. Oori preferred animals, did she? “Perfect, then. I’m not human,” said Yetu. Though her foremothers were two-legs, she felt she had very little in common with these strange land walkers, whose teeth were weak and flat. “I am animal.” Suka played with their breath in the back of their throat then pushed it through their mouth—a strange habit of the two-legs. It was too thoughtful to be a sigh. Too calm and content to be a groan. Just a sound, meaningless, as they considered what to say. “Yes, but only animal-ish?” they said, hedging. Yetu didn’t understand what that could mean. She groaned, unable to keep track of it all. Without the vivid images of the rememberings, she was left only with outlines of memories, and even those were waning. Two-legs had specific ways of classifying the world that Yetu didn’t like. She remembered that, at least. They organized the world as two sides of a war, the two-legs in conflict with everything else. The way Suka talked about farming, it was as if they ruled the land and what it produced, as opposed to—they’d just said it themselves—existing alongside it.
Rivers Solomon (The Deep)
Every time you sit down to work, remind yourself: I am delaying gratification by doing this. I am passing the marshmallow test. I am earning what my ambition burns for. I am making an investment in myself instead of in my ego. Give yourself a little credit for this choice, but not so much, because you’ve got to get back to the task at hand: practicing, working, improving. Work is finding yourself alone at the track when the weather kept everyone else indoors. Work is pushing through the pain and crappy first drafts and prototypes. It is ignoring whatever plaudits others are getting, and more importantly, ignoring whatever plaudits you may be getting. Because there is work to be done. Work doesn’t want to be good. It is made so, despite the headwind.
Ryan Holiday (Ego Is the Enemy)
Fritz.” The butler rushed over from the crudité arrangement he was working on. “Yes, master! I am eager to be of aid.” “Take this.” iAm peeled the cat off himself, prying both of its front claws out of his fleece. “And do whatever it is you do with it.” As he turned away, he felt like glancing back and making sure G*dd*mn was okay. But why the fuck would he do that? He had to get to Sal’s and check on his staff. Usually he hit the restaurant in the early afternoon, but shit had not been “usual,” what with that migraine: Every time his brother had one, they both got a headache. Now, though, with Trez rebounding and no doubt soon to be on the grind with that Chosen, it was time to get back on his own track. If only to keep himself from going psychotic. Jesus Christ, Trez was now going to fuck that female. And God only knew where that was going to land them all. Just as he hit the exit, he called out over his shoulder, “Fritz.” Through the din of First Meal prep, the doggen answered back, “Yes, master?” “I never find any seafood in this place. Why is that?” “The King does not favor any manner of fin.” “Would he allow it in here?” “Oh, yes, master. Just not upon his table, and certainly never upon his plate.” iAm stared at the panels of the door in front of him. “I want you to get some fresh salmon and poach it. Tonight.” “But of course. I will not have it ready afore First Meal for you—” “Not for me. I hate fish. It’s for G*dd*mn Cat. I want him served that regularly.” He pushed the door open. “And get him some fresh veggies. What kind of cat food does he eat?” “Only the best. Hill’s Science Diet.” “Find out what is in his food—and then I want everything hand-prepared. Nothing out of the bag for him from now on.” Approval bloomed in the old doggen’s voice: “I’m sure Master Boo will appreciate your special interest.” “I’m not interested in that bag of fur.” -iAm, Fritz, & Boo
J.R. Ward (The King (Black Dagger Brotherhood, #12))
When I was sixteen, we were at the UK championships in the Winter Gardens back in Blackpool. My partner and I were traveling clockwise around the floor doing a paso doble. I was really into it, envisioning myself as the fierce matador. I was intense. I paid no mind to what was going on around me--not the forty other dancers swirling around us, not the flow of the traffic. I thought to myself, “Man! I am on fire!” Then I heard a voice over the microphone: “Derek, you’re going the wrong way.” I froze in my tracks. It was Bill Irvine, the world champion and ballroom legend who was a commentator that day. Out of the corner of my eye I saw Corky waving his arms in the air like a madman, signaling me to turn around. I was mortified, but I didn’t want to show it. So I smiled, pretended I wasn’t the least bit embarrassed, and did a 360, pulling my partner with me. I went right back into the routine, unfazed. Corky always taught me both to be quick on my feet and to think quickly. And if I screwed up, to cover my tracks.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
The next night was New Year’s Eve, and I made a secret plan with Shara to meet her outside the back door on the stroke of midnight. “Let’s take a walk,” I suggested. “Sure. It’s midnight, minus five degrees, and pitch black, but hey, let’s walk.” She paused. “But not up Loyal,” she added, smiling. And so we walked together along a moonlit track. Twenty yards and then I will make the move to kiss her, I told myself. But plucking up the courage with a girl this special was harder than I had thought. Twenty yards became two hundred yards. Then two thousand. Forty-five minutes later, she suggested that maybe we should turn around and head back to the house. “Yes. Good idea.” I replied. Do it, Bear, you old woman. Do it now! And so I did. A quick kiss on the lips, then a longer lingering one, and then I had to stop. It was sensory overload. Wow. That was worth the walk, I thought, smiling from ear to ear. “Let’s head back,” I confirmed, still smiling. I am not sure Shara was quite as impressed by the effort-to-reward ratio--long cold walk to short, hot kiss--but as far as I was concerned the sky and clouds had parted, and nothing would ever be the same again.
Bear Grylls (Mud, Sweat and Tears)
The Calf Path One day, through the primeval wood, A calf walked home, as good calves should; But made a trail all bent askew, A crooked trail as all calves do. Since then three hundred years have fled, And, I infer, the calf is dead. But still he left behind his trail, And thereby hangs my moral tale. The trail was taken up next day By a lone dog that passed that way; And then a wise bell-wether sheep Pursued the trail o’er vale and steep, And drew the flock behind him, too, As good bell-wethers always do. And from that day, o’er hill and glade, Through those old woods a path was made. And many men wound in and out, And dodged, and turned, and bent about And uttered words of righteous wrath Because ’twas such a crooked path.15 But still they followed—do not laugh— The first migrations of that calf, And through this winding wood-way stalked, Because he wobbled when he walked. This forest path became a lane, That bent, and turned, and turned again; This crooked lane became a road, Where many a poor horse with his load Toiled on beneath the burning sun, And traveled some three miles in one. And thus a century and a half They trod the footsteps of that calf. The years passed on in swiftness fleet, The road became a village street; And this, before men were aware, A city’s crowded thoroughfare; And soon the central street was this Of a renowned metropolis; And men two centuries and a half Trod in the footsteps of that calf. Each day a hundred thousand rout Followed the zigzag calf about; And o’er his crooked journey went The traffic of a continent. A hundred thousand men were led By one calf near three centuries dead. They followed still his crooked way, And lost one hundred years a day; For thus such reverence is lent To well-established precedent. A moral lesson this might teach, Were I ordained and called to preach; For men are prone to go it blind Along the calf-paths of the mind, And work away from sun to sun To do what other men have done. They follow in the beaten track, And out and in, and forth and back, And still their devious course pursue, To keep the path that others do. They keep the path a sacred groove, Along which all their lives they move. But how the wise old wood-gods laugh, Who saw the first primeval calf! Ah! Many things this tale might teach— But I am not ordained to preach. —Sam Walter Foss
Frank Viola (Pagan Christianity?: Exploring the Roots of Our Church Practices)
saying this to Patrick, “that he misses me. He was clearly discombobulated when he saw me, and he did see me. I am quite certain he knew it was me. But there was also delight. Before he had a chance to check his emotions, I saw delight.” As she speaks, Grace recognizes she still has loyalty; she still cares. This is her husband of over twenty years. Whatever betrayal has happened, whatever infidelities there have been, he is still her husband. She does not want to see him destroyed. They talk for a long time. About everything. And nothing. Hitting traffic in Stamford, Grace reluctantly says good-bye, turning off the highway and taking the back roads. Through Darien, the pretty water town of Rowayton, through Norwalk, Grace delighting in the gorgeous old homes. When she couldn’t get ahold of her by phone days ago, Grace went back to Anne, who arranged this meeting. Emily didn’t want to talk on the phone, she said, but they could meet; she would tell her everything. Past the churches, under the railway tracks, she turns into the pretty village of Southport and pulls up outside the Driftwood Diner. She knows who Emily must be as soon as she walks in, a pretty woman sitting at a table by herself, her face drawn and tired. “Emily?” She nods as Grace sits, orders a coffee, makes small talk,
Jane Green (Saving Grace)
She could move in with an affable, very old LeafWing named Maple, who spoke the old language, or she could find her own tree hollow to live in, or she could explore the new continent first, then come back here to build a home. And there would be dragonets, if she wanted them. Clearsight felt a sudden, dizzying rush of love for dragons who weren’t even eggs yet: little Jewel, and whip-smart Tortoiseshell, and cuddly Orange (who names their dragonet Orange? Sunstreak, apparently. They might have to have some conversations about that plan), and Commodore, the king of giggles. She would always miss the dragonets she should have had with Darkstalker, but she would love the ones that were coming with all her heart. And nothing bad would ever ever happen to them. They would all live the longest, happiest lives, because she would be here, tracking their paths, keeping them safe. She would get it right this time. “Your rootplace,” Sunstreak said, gently interrupting her thoughts. “Where?” She pointed back out to sea. “Pyrrhia.” She waved her claws at the continent around them. “This? Where?” she asked. He smiled again. “Pantala,” he said slowly and clearly, and with evident pride. “Pantala,” she echoed back. The lost continent is real, and it has a name. And it’s my home now. Pantala, here I am. TUI T.
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
THERE WERE BANKS of candles flickering in the distance and clouds of incense thickening the air with holiness and stinging his eyes, and high above him, as if it had always been there but was only now seen for what it was (like a face in the leaves of a tree or a bear among the stars), there was the Mystery Itself whose gown was the incense and the candles a dusting of gold at the hem. There were winged creatures shouting back and forth the way excited children shout to each other when dusk calls them home, and the whole vast, reeking place started to shake beneath his feet like a wagon going over cobbles, and he cried out, “O God, I am done for! I am foul of mouth and the member of a foul-mouthed race. With my own two eyes I have seen him. I’m a goner and sunk.” Then one of the winged things touched his mouth with fire and said, “There, it will be all right now,” and the Mystery Itself said, “Who will it be?” and with charred lips he said, “Me,” and Mystery said “GO.” Mystery said, “Go give the deaf Hell till you’re blue in the face and go show the blind Heaven till you drop in your tracks because they’d sooner eat ground glass than swallow the bitter pill that puts roses in the cheeks and a gleam in the eye. Go do it.” Isaiah said, “Do it till when?” Mystery said, “Till Hell freezes over.” Mystery said, “Do it till the cows come home.” And that is what a prophet does for a living, and, starting from the year that King Uzziah died when he saw and heard all these things, Isaiah went and did it.
Frederick Buechner (Listening to Your Life: Daily Meditations with Frederick Buechne)
When it begins it is like a light in a tunnel, a rush of steel and steam across a torn up life. It is a low rumble, an earthquake in the back of the mind. My spine is a track with cold black steel racing on it, a trail of steam and dust following behind, ghost like. It feels like my whole life is holding its breath. By the time she leaves the room I am surprised that she can’t see the train. It has jumped the track of my spine and landed in my mothers’ living room. A cold dark thing, black steel and redwood paneling. It is the old type, from the western movies I loved as a kid. He throws open the doors to the outside world, to the dark ocean. I feel a breeze tugging at me, a slender finger of wind that catches at my shirt. Pulling. Grabbing. I can feel the panic build in me, the need to scream or cry rising in my throat. And then I am out the door, running, tumbling down the steps falling out into the darkened world, falling out into the lifeless ocean. Out into the blackness. Out among the stars and shadows. And underneath my skin, in the back of my head and down the back of my spine I can feel the desperation and I can feel the noise. I can feel the deep and ancient ache of loudness that litters across my bones. It’s like an old lover, comfortable and well known, but unwelcome and inappropriate with her stories of our frolicking. And then she’s gone and the Conductor is closing the door. The darkness swells around us, enveloping us in a cocoon, pressing flat against the train like a storm. I wonder, what is this place? Those had been heady days, full and intense. It’s funny. I remember the problems, the confusions and the fears of life we all dealt with. But, that all seems to fade. It all seems to be replaced by images of the days when it was all just okay. We all had plans back then, patterns in which we expected the world to fit, how it was to be deciphered. Eventually you just can’t carry yourself any longer, can’t keep your eyelids open, and can’t focus on anything but the flickering light of the stars. Hours pass, at first slowly like a river and then all in a rush, a climax and I am home in the dorm, waking up to the ringing of the telephone. When she is gone the apartment is silent, empty, almost like a person sleeping, waiting to wake up. When she is gone, and I am alone, I curl up on the bed, wait for the house to eject me from its dying corpse. Crazy thoughts cross through my head, like slants of light in an attic. The Boston 395 rocks a bit, a creaking noise spilling in from the undercarriage. I have decided that whatever this place is, all these noises, sensations - all the train-ness of this place - is a fabrication. It lulls you into a sense of security, allows you to feel as if it’s a familiar place. But whatever it is, it’s not a train, or at least not just a train. The air, heightened, tense against the glass. I can hear the squeak of shoes on linoleum, I can hear the soft rattle of a dying man’s breathing. Men in white uniforms, sharp pressed lines, run past, rolling gurneys down florescent hallways.
Jason Derr (The Boston 395)
There are so many things to remember, and I guess what ultimately stresses me out is the idea that other moms—at school or out there in the wild world—are somehow way better at keeping track of this than I am. I am one of the most organized people I have ever met, and even with all of my planning, I still am constantly forgetting things—or remembering them at midnight the night before they’re due. And no matter what I do or create or volunteer for, some mythical “other mom” at school has done it better. “Yes, Mommy, you can buy the T-shirt we need for make-your-own-T-shirt day, but Liam’s mom grew organic cotton plants. Then she hand-separated the seed from the fiber before spinning it into thread and fabric for the shirt she sewed him herself.” I can’t even begin to keep up, and the stress of trying to do so can make me crazy. So this year I made a big decision. I’m over it. I am utterly over the idea of crushing back-to-school time—or any other part of school for that matter! I do some parts of it well. Our morning routine might be choreographed chaos, but we are never late to school. My kids (with the exception of the four-year-old) are well groomed and well mannered, and they get good grades. Beyond that, they are good people—the kind of kids who befriend the outcasts and the loners. Sure, they attack each other at home and are dramatic enough about their lack of access to technology to earn themselves Oscars, but whatever. We are doing pretty good—and pretty good is way better than trying to fake perfection any day of the week.
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
I have run in the sun and felt the power of it. I have run for the tape, run against the clock, I have run with thousands and run with only myself for company. I have run around and around the track over and over again and run with no idea where I was going. I have run for no particular reason to any particular place. I have run to help my heart’s efficiency; I have run because my heart ached. I have run fast and felt more alive than ever and I have run to bury or fight something deep within. I have run when I knew I needed to and I have run when I knew I shouldn’t have. I have loathed running and I have praised running. I have run for a personal record and made it and I have run giving everything I had and come up just a bit short. I have run and let laughter and storytelling roll the miles away. I have felt the pounding of every single step in silent solitude. I have run enough to know that we sometimes feel like an old pair of shoes and sometimes we feel like new ones. I have run enough to know the difference between a hard, cold head wind and a brisk steady wind at our back. I have run enough to know that once you get out a certain distance you had better be able to get back. I have had runner friends who have poured out their guts to me about my place in their life, some who just said thanks or said nothing at all. I am simply a runner who has failed and succeeded, faded and surged, hoped, dreamed! Running has given me my greatest ideas, thoughts and moments of joy. To feel the “flow”, that feeling of peace, joy, timelessness, focus and clarity is an integral part of the human experience.
Anonymous
I raised my chin and stared back at him. I had no reason to feel embarrassed. After all, he was the one who said Akaran was just as much mine as it was his. The door had been open. And yet, a flush still crept up the back of my neck. “I was taking a walk,” I said weakly. “Where’s Gupta?” “The dining room,” I said before adding defensively, “I only walked a little down the halls.” His jaw tightened. “I told you that the kingdom’s location makes it dangerous.” “Gupta told me that anyplace that might hold danger would be locked up,” I retorted. “The door to this room was not locked.” “Even so,” said Amar. “They might sing through their bindings. It’s better to have an escort.” “As you can see, I am unscathed from my walk from one hall to the next.” “Today,” cut in Amar tightly. “Today you are unscathed. Tomorrow is unknown. As is the next day and the day after that. Never make light of your life.” “I never do.” The vial of mandrake poison flashed in my mind. Life led me here. Life and the desire to live it. Gupta burst into the room. “Oh, good!” he breathed, hands pushing against his knees. He looked like he’d just run from one side of a country to the next. Guilt heated my face. He turned to Amar. “I apologize. I lost track with the riddles.” “You can leave, my friend,” said Amar. “She is safe with me.” Gupta looked between us, started to say something and thought better of it. There was a touch of pity in his expression as he looked at the winking lights around us. With one last glance at the garden, Gupta left. Amar loosed a breath. “I understand, you know.” I looked up. “The forced silence…the voices of this palace.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
When I first started to run the Jingu Gaien course, Toshihiko Seko was still an active runner and he used this course too. The S&B team used this course every day for training, and over time we naturally grew to know each other by sight. Back then I used to jog there before seven a.m. — when the traffic wasn’t bad, there weren’t as many pedestrians, and the air was relatively clean—and the S&B team members and I would often pass each other and nod a greeting. On rainy days we’d exchange a smile, a guess-we’re-both-havingit-tough kind of smile. I remember two young runners in particular, Taniguchi and Kanei. They were both in their late twenties, both former members of the Waseda University track team, where they’d been standouts in the Hakone relay race. After Seko was named manager of the S&B team, they were expected to be the two young stars of the team. They were the caliber of runner expected to win medals at the Olympics someday, and hard training didn’t faze them. Sadly, though, they were killed in a car accident when the team was training together in Hokkaido in the summer. I’d seen with my own eyes the tough regimen they’d put themselves through, and it was a real shock when I heard the news of their deaths. It hurt me to hear this, and I felt it was a terrible waste. Even now, when I run along Jingu Gaien or Asakasa Gosho, sometimes I remember these other runners. I’ll round a corner and feel like I should see them coming toward me, silently running, their breath white in the morning air. And I always think this: They put up with such strenuous training, and where did their thoughts, their hopes and dreams, disappear to? When people pass away, do their thoughts just vanish?
Haruki Murakami (What I Talk About When I Talk About Running)
This is from Elizabeth,” it said. “She has sold Havenhurst.” A pang of guilt and shock sent Ian to his feet as he read the rest of the note: “I am to tell you that this is payment in full, plus appropriate interest, for the emeralds she sold, which, she feels, rightfully belonged to you.” Swallowing audibly, Ian picked up the bank draft and the small scrap of paper with it. On it Elizabeth herself had shown her calculation of the interest due him for the exact number of days since she’d sold the gems, until the date of her bank draft a week ago. His eyes ached with unshed tears while his shoulders began to rock with silent laughter-Elizabeth had paid him half a percent less than the usual interest rate. Thirty minutes later Ian presented himself to Jordan’s butler and asked to see Alexandra. She walked into the room with accusation and ire shooting from her blue eyes as she said scornfully, “I wondered if that note would bring you here. Do you have any notion how much Havenhurst means-meant-to her?” “I’ll get it back for her,” he promised with a somber smile. “Where is she?” Alexandra’s mouth fell open at the tenderness in his eyes and voice. “Where is she?” he repeated with calm determination. “I cannot tell you,” Alex said with a twinge of regret. “You know I cannot. I gave my word.” “Would it have the slightest effect,” Ian countered smoothly, “if I were to ask Jordan to exert his husbandly influence to persuade you to tell me anyway?” “I’m afraid not,” Alexandra assured him. She expected him to challenge that; instead a reluctant smile drifted across his handsome face. When he spoke, his voice was gentle. “You’re very like Elizabeth. You remind me of her.” Still slightly mistrustful of his apparent change of heart, Alex said primly, “I deem that a great compliment, my lord.” To her utter disbelief, Ian Thornton reached out and chucked her under the chin. “I meant it as one,” he informed her with a grin. Turning, Ian started for the door, then stopped at the sight of Jordan, who was lounging in the doorway, an amused, knowing smile on his face. “If you’d keep track of your own wife, Ian, you would not have to search for similarities in mine.” When their unexpected guest had left, Jordan asked Alex, “Are you going to send Elizabeth a message to let her know he’s coming for her?” Alex started to nod, then she hesitated. “I-I don’t think so. I’ll tell her that he asked where she is, which is all he really did.” “He’ll go to her as soon as he figures it out.” “Perhaps.” “You still don’t trust him, do you?” Jordan said with a surprised smile. “I do after this last visit-to a certain extent-but not with Elizabeth’s heart. He’s hurt her terribly, and I won’t give her false hopes and, in doing so, help him hurt her again.” Reaching out, Jordan chucked her under the chin as his cousin had done, then he pulled her into his arms. “She’s hurt him, too, you know.” “Perhaps,” Alex admitted reluctantly. Jordan smiled against her hair. “You were more forgiving when I trampled your heart, my love,” he teased. “That’s because I loved you,” she replied as she laid her cheek against his chest, her arms stealing around his waist. “And will you love my cousin just a little if he makes amends to Elizabeth?” “I might find it in my heart,” she admitted, “if he gets Havenhurst back for her.” “It’ll cost him a fortune if he tries,” Jordan chuckled. “Do you know who bought it?” “No, do you?” He nodded. “Philip Demarcus.” She giggled against his chest. “Isn’t he that dreadful man who told the prince he’d have to pay to ride in his new yacht up the Thames?” “The very same.” “Do you suppose Mr. Demarcus cheated Elizabeth?” “Not our Elizabeth,” Jordan laughed. “But I wouldn’t like to be in Ian’s place if Demarcus realizes the place has sentimental value to Ian. The price will soar.
Judith McNaught (Almost Heaven (Sequels, #3))
He had no desire to eke out a living from the land as his family had during his childhood. He and Saphira were a Rider and dragon; their doom and their destiny was to fly at the forefront of history, not to sit before a fire and grow fat and lazy. And then there was Arya. If he and Saphira lived in Palancar Valley, he would see her rarely, if at all. “No,” said Eragon, and the word was like a hammerblow in the silence. “I don’t want to go back.” A cold tingle crawled down his spine. He had known he had changed since he, Brom, and Saphira had set out to track down the Ra’zac, but he had clung to the belief that, at his core, he was still the same person. Now he understood that this was no longer true. The boy he had been when he first set foot outside of Palancar Valley had ceased to exist; Eragon did not look like him, he did not act like him, and he no longer wanted the same things from life. He took a deep breath and then released it in a long, shuddering sigh as the truth sank into him. “I am not who I was.” Saying it aloud seemed to give the thought weight. Then, as the first rays of dawn brightened the eastern sky over the ancient island of Vroengard, where the Riders and dragons had once lived, he thought of a name--a name such as he had not thought of before--and as he did, a sense of certainty came over him. He said the name, whispered it to himself in the deepest recesses of his mind, and all his body seemed to vibrate at once, as if Saphira had struck the pillar beneath him. And then he gasped, and he found himself both laughing and crying--laughing that he had succeeded and for the sheer joy of comprehension; crying because all his failings, all the mistakes he had made, were now obvious to him, and he no longer had any delusions to comfort himself with. “I am not who I was,” he whispered, gripping the edges of the column, “but I know who I am.” The name, his true name, was weaker and more flawed than he would have liked, and he hated himself for that, but there was also much to admire within it, and the more he thought about it, the more he was able to accept the true nature of his self. He was not the best person in the world, but neither was he the worst.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
About four months into it, we were shooting hoops in my dad’s driveway when Chip stopped in his tracks, held me in his arms, looked into my eyes under the starry sky, and said, “I love you.” And I looked at him and said, “Thank you.” “Thank you?” Chip said. I know I should have said, “I love you too,” but this whole thing had been such a whirlwind, and I was just trying to process it all. No guy had ever told me he loved me before, and here Chip was saying it after what seemed like such a short period of time. Chip got angry. He grabbed his basketball from under my arm and went storming off with it like a four-year-old. I really thought, What in the world is with this girl? I just told her I loved her, and that’s all she can say? It’s not like I just went around saying that to people all the time. So saying it was a big deal for me too. But now I was stomping down the driveway going, Okay, that’s it. Am I dating an emotionless cyborg or something? I’m going home. Chip took off in his big, white Chevy truck with the Z71 stickers on the side, even squealing his tires a bit as he drove off, and it really sank in what a big deal that must have been for him. I felt bad--so bad that I actually got up the courage to call him later that night. I explained myself, and he said he understood, and by the end of the phone call we were right back to being ourselves. Two weeks later, when Chip said, “I love you” again, I responded, “I love you too.” There was no hesitation. I knew I loved him, and I knew it was okay to say so. I’m not sure why I ever gave him a second chance when he showed up ninety minutes late for our first date or why I gave him another second chance when he didn’t call me for two months after that. And I’m not sure why he gave me a second chance after I blew that romantic moment in the driveway. But I’m very glad I did, and I’m very glad he did too--because sometimes second chances lead to great things. All of my doubts, all of the things I thought I wanted out of a relationship, and many of the things I thought I wanted out of life itself turned out to be just plain wrong. Instead? That voice from our first date turned out to be the thing that was absolutely right.
Joanna Gaines (The Magnolia Story)
I want to move my hands, but they’re fused to his rib cage. I feel his lung span, his heartbeat, his very life force wrapped in these flimsy bars of bone. So fragile yet so solid. Like a brick wall with wet mortar. A juxtaposition of hard and soft. He inhales again. “Jayme,” he says my name with a mix of sigh and inquiry. I open my eyes and peer into his flushed face. Roses have bloomed on his ruddy cheeks and he looks as though he’s raced the wind. “Mm?” I reply. My mind is full of babble, I’m so high. “Jayme,” he’s insistent, almost pleading. “What are you?” Instantaneous is the cold alarm that douses the flames still dancing in my heart. I feel the nervousness that whispers through me like a cool breeze in the leaves. “What do you mean?” I ask, the disquiet wringing the strength from my voice. “It doesn’t hurt anymore,” he explains, inhaling deeply. I feel the line of a frown between my brows. Gingerly, I lift the hem of his shirt. And as sure as I am that the world is round and that the sky is, indeed, blue the bruises and welts on his torso have faded to nothingness, the golden tan of his skin is sun-kissed perfection. Panic has me frozen as I stare. “I don’t understand,” I whisper. He looks down at his exposed abdomen. “I think you healed me.” He says it so simply, but my mind takes his words and scatters them like ashes. I feel like I’m waking from a coma and I have amnesia and everyone speaks Chinese. I can’t speak. If I had the strength to, I wouldn’t have the words. I feel the panic flood into me and fear spiked adrenaline courses through me, I shove him. Hard. Eyes wide with shock, he stumbles back a few steps. A few steps is all I need. Fight or flight instinct taking root, I fight to flee. The space between us gives me enough room to slide out from between him and the car. He shouts my name. It’s too late. I’m running a fast as my lithe legs will carry me. My Converse pound the sidewalk and I hear the roar of his engine. It’s still too late. I grew up here and I’m ten blocks from home. No newbie could track me in my own neighborhood. In my town. Not with my determination to put as much distance as I can between me and the boy who scares the shit out of me. Not when I’ve scared the shit out of myself. I run. I run and I don’t stop.
Elden Dare (Born Wicked (The Wicked Sorcer Series #1))
The thing I really like about Jase is that he’s as obsessed with ducks as I am. I rarely took my boys hunting with me when they were very young. In fact, I never took them when I was still an outlaw. “Not this time, boys, we might be running from the game warden,” I’d tell them. But after I repented and came to Jesus Christ, I started taking my sons hunting with me, beginning with Alan. Before we moved to where we live now, it was a pretty long haul from town to the Ouachita River bottoms. Alan got carsick nearly every time I took him hunting, but he didn’t think I knew. We stopped at the same gas station every time, and he’d walk around back and lose his breakfast before he climbed back into the truck. I was proud of him for never complaining. I took Jase hunting for the first time when he was five. He was shooting Pa’s heavy Belgium-made Browning twelve-gauge shotgun, which he could barely even hold up. It kicked like a mule! The first time Jase shot the gun, it kicked him to the back of the blind and flipped him over a bench. “Did I get him?” Jase asked. I knew right then that I had another hunter in the family, and Jase is still the most skilled hunter of all my boys. I trained Jase to take over the company by teaching him the nuances of duck calls and fowl hunting, and he is still the person in charge of making sure every duck call sounds like a duck. Not only did Jase design the first gadwall drake call to hit the market, he also invented the first triple-reed duck caller. Jase and I live to hunt ducks. We track ducks during the season through a nationwide network of hunters, asking how many ducks are in their areas and what movements are expected. Then we check conditions of wind and weather fronts that might influence duck movement. We talk it all over during the day and again each morning, before the day’s hunt, as we prepare to leave for the blind. When Kay and I began to ponder becoming less active in the Duck Commander business, we offered its management to Jase, who had been most deeply involved in the company. But he had no desire to get into management. Jase likes building duck calls and doesn’t really enjoy the business aspects of the company, like making sales calls or dealing with clients and sponsors. Like me, Jase is most comfortable when he’s in a duck blind and doesn’t care for the details that come with running a company. Jase only wants to build duck calls, shoot ducks, and spend time with his family (he and his wife, Missy, have three kids).
Phil Robertson (Happy, Happy, Happy: My Life and Legacy as the Duck Commander)
You want to kiss her, right?” “What?” I have lost track of our conversation. I was thinking about how if Kit called me her friend, then I would have multiplied my number of them by a factor of two. And then I considered the word flirting, how it sounds like fluttering, which is what butterflies do. Which of course looped me back to chaos theory and my realization that I’d like to have more information to provide Kit on the topic. “Do. You. Want. To. Kiss. Her?” Miney asks again. “Yes, of course I do. Who wouldn’t want to kiss Kit?” “I don’t want to kiss Kit,” Miney says, doing that thing where she imitates me and how I answer rhetorical questions. Though her intention is to mock rather than to educate, it’s actually been a rather informative technique to demonstrate my tendency toward taking people too literally. “Mom doesn’t want to kiss Kit. I don’t know about Dad, but I doubt it.” My father doesn’t look up. His face is buried in a book about the mating patterns of migratory birds. It’s too bad our scholarly interests have never overlapped. Breakfast would be so much more interesting if we could discuss our work. “So if you want to kiss Kit, that means you want her to see you like a real guy,” Miney says, and points at me with her cup of coffee. She’s drinking it black. Maybe there’s nothing wrong with Miney. Maybe she’s just tired. “I am a real guy.” How come even my own sister sees me as something not quite human? Something other. “I have a penis.” “And just when I think we’ve made progress you go and mention your penis.” “What? Fact: I have a penis. That makes me a guy. Though technically there are some trans people who have penises but self-identify as girls.” “Please stop saying that word.” “What word? Penis?” “Yes.” “Do you prefer member? Shlong? Wang? Johnson?” I ask. “Dongle, perhaps?” “I would prefer we not discuss your man parts at all.” “Wait, should I text Kit immediately and clarify that I do in fact have man parts?” I pick up my phone and start typing. “Dear Kit. Just to be clear. I have a penis.” “Oh my God. Do not text her. Seriously, stop.” Miney puts her coffee down hard. She’ll climb over the table and tackle me if she has to. “Ha! Totally got you!” I smile, as proud as I was the other day for my that’s what she said joke. “Who are you?” Miney asks, but she’s grinning too. I’ll admit it takes a second—something about the disconnect between her confused tone and her happy face—and I almost, almost say out loud: Duh, I’m Little D. Instead I let her rhetorical question hang, just like I’m supposed to
Julie Buxbaum (What to Say Next)
Mystery is the sugar in the cup,' said the Doctor. She picked up the container of white crystals the delicatessen had included in the picnic basket and poured a large dollop into her cognac. 'I don’t think I’d do that, Gunilla,' said Darcourt. 'Nobody wants you to do it, Simon. I am doing it, and that’s enough. That is the curse of life—when people want everybody to do the same wise, stupid thing. Listen: Do you want to know what life is? I’ll tell you. Life is a drama.' 'Shakespeare was ahead of you, Gunilla,' said Darcourt. '"All the world’s a stage,"' he declaimed. 'Shakespeare had the mind of a grocer,' said Gunilla. 'A poet, yes, but the soul of a grocer. He wanted to please people.' 'That was his trade,' said Darcourt. 'And it’s yours, too. Don’t you want this opera to please people?' 'Yes, I do. But that is not philosophy. Hoffmann was no philosopher. Now be quiet, everybody, and listen, because this is very important. Life is a drama. I know. I am a student of the divine Goethe, not that grocer Shakespeare. Life is a drama. But it is a drama we have never understood and most of us are very poor actors. That is why our lives seem to lack meaning and we look for meaning in toys—money, love, fame. Our lives seem to lack meaning but'—the Doctor raised a finger to emphasize her great revelation—'they don’t, you know.' She seemed to be having some difficulty in sitting upright, and her natural pallor had become ashen. 'You’re off the track, Nilla,' said Darcourt. 'I think we all have a personal myth. Maybe not much of a myth, but anyhow a myth that has its shape and its pattern somewhere outside our daily world.' 'This is all too deep for me,' said Yerko. 'I am glad I am a Gypsy and do not have to have a philosophy and an explanation for everything. Madame, are you not well?' Too plainly the Doctor was not well. Yerko, an old hand at this kind of illness, lifted her to her feet and gently, but quickly, took her to the door—the door to the outside parking lot. There were terrible sounds of whooping, retching, gagging, and pitiful cries in a language which must have been Swedish. When at last he brought a greatly diminished Gunilla back to the feast, he thought it best to prop her, in a seated position, against the wall. At once she sank sideways to the floor. 'That sugar was really salt,' said Darcourt. 'I knew it, but she wouldn’t listen. Her part in the great drama now seems to call for a long silence.' 'When she comes back to life I shall give her a shot of my personal plum brandy,' said Yerko. 'Will you have one now, Priest Simon?
Robertson Davies (The Lyre of Orpheus (Cornish Trilogy, #3))
St. Louis Blues (1929) I hate to see de evenin' sun go down, Hate to see de evenin' sun go down 'Cause ma baby, he done lef' dis town. Feelin' tomorrow like I feel today, Feel tomorrow like I feel today, I'll pack my trunk, make ma git away. Saint Louis woman wid her diamon' rings Pulls dat man 'roun' by her apron strings. 'Twant for powder an' for store-bought hair, De man ah love would not gone nowhere, nowhere. Got de Saint Louis Blues jes as blue as ah can be. That man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Col'nel loves his mint an' rye. I'll love ma baby till the day ah die. Been to de gypsy to get ma fortune tole, To de gypsy, done got ma fortune tole, Cause I'm most wile 'bout ma Jelly Roll. Gypsy done tole me, "Don't you wear no black." Yes, she done told me, "Don't you wear no black. Go to Saint Louis, you can win him back." Help me to Cairo, make Saint Louis by maself, Git to Cairo, find ma old friend Jeff, Gwine to pin maself close to his side; If ah flag his train, I sho' can ride. Got de Saint Louis Blues jes as blue as ah can be. That man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Colonel loves his mint an' rye. I'll love ma baby till the day I die. You ought to see dat stovepipe brown of mine, Lak he owns de Dimon' Joseph line, He'd make a cross-eyed o'man go stone blin'. Blacker than midnight, teeth lak flags of truce, Blackest man in de whole of Saint Louis, Blacker de berry, sweeter am de juice. About a crap game, he knows a pow'ful lot, But when worktime comes, he's on de dot. Gwine to ask him for a cold ten-spot, What it takes to git it, he's cert'nly got. Got de Saint Louis Blues jes as blue as ah can be. Dat man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Col'nel loves his mint an' rye. I'll love ma baby till the day ah die. A black-headed gal makes a freight train jump the track, said a black-headed Gal makes a freight train jump the track, But a long tall gal makes a preacher ball the jack. Lawd, a blonde-headed woman makes a good man leave the town, I said Blonde-headed woman makes a good man leave the town, But a red-headed woman makes a boy slap his papa down. Oh, ashes to ashes and dust to dust, I said ashes to ashes and dust to dust, If my blues don't get you, my jazzing must.
Bessie Smith
This once-proud country of ours is falling into the hands of the wrong people,” said Jones. He nodded, and so did Father Keeley and the Black Fuehrer. “And, before it gets back on the right track,” said Jones, “some heads are going to roll.” I have never seen a more sublime demonstration of the totalitarian mind, a mind which might be likened unto a system of gears whose teeth have been filed off at random. Such a snaggle-toothed thought machine, driven by a standard or even a substandard libido, whirls with the jerky, noisy, gaudy pointlessness of a cuckoo clock in Hell. The boss G-man concluded wrongly that there were no teeth on the gears in the mind of Jones. “You’re completely crazy,” he said. Jones wasn’t completely crazy. The dismaying thing about the classic totalitarian mind is that any given gear, though mutilated, will have at its circumference unbroken sequences of teeth that are immaculately maintained, that are exquisitely machined. Hence the cuckoo clock in Hell—keeping perfect time for eight minutes and thirty-three seconds, jumping ahead fourteen minutes, keeping perfect time for six seconds, jumping ahead two seconds, keeping perfect time for two hours and one second, then jumping ahead a year. The missing teeth, of course, are simple, obvious truths, truths available and comprehensible even to ten-year-olds, in most cases. The willful filing off of gear teeth, the willful doing without certain obvious pieces of information— That was how a household as contradictory as one composed of Jones, Father Keeley, Vice-Bundesfuehrer Krapptauer, and the Black Fuehrer could exist in relative harmony— That was how my father-in-law could contain in one mind an indifference toward slave women and love for a blue vase— That was how Rudolf Hoess, Commandant of Auschwitz, could alternate over the loudspeakers of Auschwitz great music and calls for corpse-carriers— That was how Nazi Germany could sense no important differences between civilization and hydrophobia— That is the closest I can come to explaining the legions, the nations of lunatics I’ve seen in my time. And for me to attempt such a mechanical explanation is perhaps a reflection of the father whose son I was. Am. When I pause to think about it, which is rarely, I am, after all, the son of an engineer. Since there is no one else to praise me, I will praise myself—will say that I have never tampered with a single tooth in my thought machine, such as it is. There are teeth missing, God knows—some I was born without, teeth that will never grow. And other teeth have been stripped by the clutchless shifts of history— But never have I willfully destroyed a tooth on a gear of my thinking machine. Never have I said to myself, “This fact I can do without.” Howard W. Campbell, Jr., praises himself. There’s life in the old boy yet! And, where there’s life— There is life.
Kurt Vonnegut Jr. (Mother Night)
She didn't realize she was weeping until the brother's pained whisper broke the choking silence. "Are they for me?" Her nose was running now. She sniffed, sniffed again, flashed a smile that was too quick, too false. "Are what for you?" "Why, your tears, of course." Oh, Lord. She shook her head, not trusting herself to speak for fear she'd give in to the great, wracking pain that threatened to burst from her. This man, suffering so quietly, so bravely, did not deserve to see tears; he needed hope, comfort, encouragement from her, not an appalling display of weakness. She suddenly felt selfish and ashamed — and guilty, too. After all, the tears were not even for him, poor man. They were for Charles. "I'm not crying," she managed, dabbing at her eyes with the back of her sleeve and staring out the window to hide the evidence. "No?"  He gave a weak smile. "Perhaps I should see for myself." And then she felt them; his fingers, brushing her damp cheek with infinite softness and concern, tracing the slippery track of her sorrow. It was a caress — achingly kind, gentle, sweet. She stiffened and caught his hand, holding it away from her face and shutting her eyes on a deep, bracing breath lest that dam of her self-control break for good. She managed to get herself under control, and when she finally dared meet his gaze, she saw that he was looking quietly up at her, at her distressed face and the tears she was trying so valiantly to hold back. "Is there anything I can do to help?" he asked, gently. She shook her head. "Are you quite certain?" "Lord Gareth, you're the one who's hurt, not me." "No. That is not true."  His eyes searching her face, he touched her other cheek, the one the highwayman had cuffed, his whole manner one of such gentle, selfless concern that she wanted to lash out at someone, something, for this injustice that had been done to him. "I saw that … that scoundrel strike you. If I could kill him all over again for that, I would. Why, your poor cheek still bears the mark of his hand...." "I am fine." "But —" "Dear heavens, Lord Gareth, must you keep at it so?" The words had come out angrier than she intended. She saw the sudden shadow of confusion that moved across his eyes, and a sharp pang of remorse lanced her heart for having put it there. Her anger was not for him, but at the fates that had taken first one of these dashing brothers and would now, most likely, take another. It wasn't fair. It just wasn't fair. And here he was worried about her cheek, her silly, stupid cheek, when his life's blood was oozing all over her skirts and onto the seat, and his flesh was feeling colder and clammier by the moment. She wanted to cry. Wanted to put her head in her hands and bawl until all the grief and pain and rage and loneliness still locked inside her was purged. But she did not. Instead, she took a deep breath and met his questioning gaze. Same romantic eyes. Same kindness in their depths, same concern for other people. Oh, God ... help me. "I'm sorry," she murmured, shaking her head. "That was unfair. I didn't mean to snap at you. I'm so sorry...." "Please, don't be."  He smiled, weakly. "Besides, if those tears are for me, I can assure you there is no need to waste them so. I shall not die.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
(The very next day) 'I am enduring will standing alone bare and yes, I am completely naked to the world outside. So, unprotected by the atmosphere above and around me, so unlike- the day, I was born into this hellish world.' 'My life was not always like this! Still as of now, I stand trembling on top of this cruel land, which I call my hereditary land or my home-town.' 'Some still call me by my name, and that is 'Nevaeh May Natalie.' 'Some of the others, like the kids I go to school within this land, have other titles for me.' 'However, you can identify me by the name of 'Nevaeh.' That is if you want to.' 'I do not think that even matters to you, my name is… it has been replaced and it is not significant anymore. Nor does my name matter to anyone out there for miles around. At least that is the way it seems to me, standing here now as I see the bus come to take me there.' 'Names or not said to me, 'I feel alone!' I whispered to myself.' 'It is like I am living a dream. I didn't think my nightmare of orgasmic, tragic, and drizzling emotions pouring in my mind would last this long.' ('Class, faces, names, done.') 'It like a thunderstorm pounding in my brain, as it is today outside. I have come home from yet another day of hell that would be called- school to you.' 'I don't even go into the house until I have this restricting schoolgirl uniform torn off my body. I feel like my skin is crawling with bugs when it is on my figure.' (Outside in the fields, next to the tracks) 'It's the middle- September and I am standing in the rain. It is so cold, so lonely, and so loveless! Additionally, this is not usual for me, I am always bare around my house, I have my reason you'll see.' 'The rain has been falling on me like knives ever since the moment, I got off the yellow bus.' 'A thunderbolt clattered, more resonant than anything ever heard previously.' 'All the rain is matting my long brown hair on me as it lies on my backside longer than most girls. Yet I am okay with that at last, I am free.' (I have freedom) 'To a point! I still feel so trapped by all of them.' 'Ten or twenty minutes have now passed; I am still in the same very spot. Just letting water follow me down. I'm drenched!' 'I can feel the wetness as it lingers in my hair for a while, so unforgivably soaking my body even more as if sinking within me washing me clean.' 'Counting my sanctions, I feel satisfied in a way when I do feel it dropping offends my hair, as if 'God' is still in control of my life, even if I was sent to and damned to hell.' 'Like it is wiping away everything that happened to me today, away from the day of the past too.' 'The wetness is still running down the small of my back thirty minutes must have passed, and it is like my mind is off.' 'Currently, it follows the center point on my back. Then down in-between my petite butt cheeks. Water and bloodstream off my butt to the ground near the heels of my feet. I can feel as if that part of me is washed clean from the day that I had to go through.' 'Some of this shower is cascading off my little face, and it slowly collects on my little boobs, where it beads up and separates into two different watercourses down to my belly button.' 'I eyeball this, as it goes all the way down the front of me. It trickles down on me, to where it turns the color of light pink off my 'Girly Parts.' As they would never be the same.
Marcel Ray Duriez
It’s not always so easy, it turns out, to identify your core personal projects. And it can be especially tough for introverts, who have spent so much of their lives conforming to extroverted norms that by the time they choose a career, or a calling, it feels perfectly normal to ignore their own preferences. They may be uncomfortable in law school or nursing school or in the marketing department, but no more so than they were back in middle school or summer camp. I, too, was once in this position. I enjoyed practicing corporate law, and for a while I convinced myself that I was an attorney at heart. I badly wanted to believe it, since I had already invested years in law school and on-the-job training, and much about Wall Street law was alluring. My colleagues were intellectual, kind, and considerate (mostly). I made a good living. I had an office on the forty-second floor of a skyscraper with views of the Statue of Liberty. I enjoyed the idea that I could flourish in such a high-powered environment. And I was pretty good at asking the “but” and “what if” questions that are central to the thought processes of most lawyers. It took me almost a decade to understand that the law was never my personal project, not even close. Today I can tell you unhesitatingly what is: my husband and sons; writing; promoting the values of this book. Once I realized this, I had to make a change. I look back on my years as a Wall Street lawyer as time spent in a foreign country. It was absorbing, it was exciting, and I got to meet a lot of interesting people whom I never would have known otherwise. But I was always an expatriate. Having spent so much time navigating my own career transition and counseling others through theirs, I have found that there are three key steps to identifying your own core personal projects. First, think back to what you loved to do when you were a child. How did you answer the question of what you wanted to be when you grew up? The specific answer you gave may have been off the mark, but the underlying impulse was not. If you wanted to be a fireman, what did a fireman mean to you? A good man who rescued people in distress? A daredevil? Or the simple pleasure of operating a truck? If you wanted to be a dancer, was it because you got to wear a costume, or because you craved applause, or was it the pure joy of twirling around at lightning speed? You may have known more about who you were then than you do now. Second, pay attention to the work you gravitate to. At my law firm I never once volunteered to take on an extra corporate legal assignment, but I did spend a lot of time doing pro bono work for a nonprofit women’s leadership organization. I also sat on several law firm committees dedicated to mentoring, training, and personal development for young lawyers in the firm. Now, as you can probably tell from this book, I am not the committee type. But the goals of those committees lit me up, so that’s what I did. Finally, pay attention to what you envy. Jealousy is an ugly emotion, but it tells the truth. You mostly envy those who have what you desire. I met my own envy after some of my former law school classmates got together and compared notes on alumni career tracks. They spoke with admiration and, yes, jealousy, of a classmate who argued regularly before the Supreme Court. At first I felt critical. More power to that classmate! I thought, congratulating myself on my magnanimity. Then I realized that my largesse came cheap, because I didn’t aspire to argue a case before the Supreme Court, or to any of the other accolades of lawyering. When I asked myself whom I did envy, the answer came back instantly. My college classmates who’d grown up to be writers or psychologists. Today I’m pursuing my own version of both those roles.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
I, Prayer (A Poem of Magnitudes and Vectors) I, Prayer, know no hour. No season, no day, no month nor year. No boundary, no barrier or limitation–no blockade hinders Me. There is no border or wall I cannot breach. I move inexorably forward; distance holds Me not. I span the cosmos in the twinkling of an eye. I knowest it all. I am the most powerful force in the Universe. Who then is My equal? Canst thou draw out leviathan with a hook? None is so fierce that dare stir him up. Surely, I may’st with but a Word. Who then is able to stand before Me? I am the wind, the earth, the metal. I am the very empyrean vault of Heaven Herself. I span the known and the unknown beyond Eternity’s farthest of edges. And whatsoever under Her wings is Mine. I am a gentle stream, a fiery wrath penetrating; wearing down mountains –the hardest and softest of substances. I am a trickling brook to fools of want lost in the deserts of their own desires. I am a Niagara to those who drink in well. I seep through cracks. I inundate. I level forests kindleth unto a single burning bush. My hand moves the Universe by the mind of a child. I withhold treasures solid from the secret stores to they who would wrench at nothing. I do not sleep or eat, feel not fatigue, nor hunger. I do not feel the cold, nor rain or wind. I transcend the heat of the summer’s day. I commune. I petition. I intercede. My time is impeccable, by it worlds and destinies turn. I direct the fates of nations and humankind. My Words are Iron eternaled—rust not they away. No castle keep, nor towers of beaten brass, Nor the dankest of dungeon helks, Nor adamantine links of hand-wrought steel Can contain My Spirit–I shan’t turn back. The race is ne’er to the swift, nor battle to the strong, nor wisdom to the wise or wealth to the rich. For skills and wisdom, I give to the sons of man. I take wisdom and skills from the sons of man for they are ever Mine. Blessed is the one who finds it so, for in humility comes honor, For those who have fallen on the battlefield for My Name’s sake, I reach down to lift them up from On High. I am a rose with the thorn. I am the clawing Lion that pads her children. My kisses wound those whom I Love. My kisses are faithful. No occasion, moment in time, instances, epochs, ages or eras hold Me back. Time–past, present and future is to Me irrelevant. I span the millennia. I am the ever-present Now. My foolishness is wiser than man’s My weakness stronger than man’s. I am subtle to the point of formlessness yet formed. I have no discernible shape, no place into which the enemy may sink their claws. I AM wisdom and in length of days knowledge. Strength is Mine and counsel, and understanding. I break. I build. By Me, kings rise and fall. The weak are given strength; wisdom to those who seek and foolishness to both fooler and fool alike. I lead the crafty through their deceit. I set straight paths for those who will walk them. I am He who gives speech and sight - and confounds and removes them. When I cut, straight and true is my cut. I strike without fault. I am the razored edge of high destiny. I have no enemy, nor friend. My Zeal and Love and Mercy will not relent to track you down until you are spent– even unto the uttermost parts of the earth. I cull the proud and the weak out of the common herd. I hunt them in battles royale until their cries unto Heaven are heard. I break hearts–those whose are harder than granite. Beyond their atomic cores, I strike their atomic clock. Elect motions; not one more or less electron beyond electron’s orbit that has been ordained for you do I give–for His grace is sufficient for thee until He desires enough. Then I, Prayer, move on as a comet, Striking out of the black. I, His sword, kills to give Life. I am Living and Active, the Divider asunder of thoughts and intents. I Am the Light of Eternal Mind. And I, Prayer, AM Prayer Almighty.
Douglas M. Laurent
armour in battle. I am also thankful for Captain Peter Stocking and Dr Justin Pepperell for ensuring I was factually correct in medical and surgical aspects. Finally, Mr Norman Franks was kind enough to lend his deep expertise on air power and help me comprehend the air contribution to the campaign. I have hugely appreciated the large number of veterans who have ensured that my historical understanding of the Army of 1944 has stayed on track. A full list of those who have helped is enclosed at the back of this book, but I would particularly like to single out Sydney Jary, Joe Lawler, Jon Majendie, Ian Hammerton, Ken Tout and Jack Swaab. Most of all I am indebted to Field Marshal the Lord Bramall
Ben Kite (Stout Hearts: The British and Canadians in Normandy 1944)
There has to be a more loving dream, a dream that appeals to the hearts of humans. There is I know, a more refined dream, which appeals to the human soul,’ offered Wonder encouragingly. ‘I am not so sure,’ rejoined Double Doubt, responding to the tone of hope in Wonder’s voice. ‘Why choose war over peace? Humankind has trod that path so diligently that they have forgotten that there are other ways of ease.’ ‘True. Tis true! But is it not the dominant actions of the few, who lead the many? Does not the fear of being a voice of reason in the wilderness overwhelm the gentle of heart?’ ‘The gentle of heart are weak! Too weak in energy to perform, to take action, and are drained by the fear of action, a fear which inhibits action. I doubt they will break through the fog of fear.’ ‘The fog of fear you say? Or is it their sense of impotence that overwhelms them from speaking out? Knowing that any attempt to change the consensus reality of their space-time is an enormous task, an overwhelming task, and that just to hold the thought of a breakthrough is about the only choice they have.’ ‘Enormous it may be, in terms of consciousness,’ replied Double Doubt. ‘But consciousness grounded in impeccability, will far outweigh the fog of fear, so why the problem? Humans do not seem to understand that the universal energy supports life-furthering consciousness. Such a waste of human resources! No Doubt. No Doubt.’ ‘I understand what you are propounding Gnome Double Doubt, however, it seems to me that most human beings are still not fully aware of the power of thought, and are still not aware of how energy exists; transforming itself through the power of thought. It is only a matter of space-time before humans come to understand the difficult concept of Universal space-time and energy.’ ‘Your optimism is based on a need for perfection Wonder. Humans also seek perfection, but as yet have not come within a whale’s breath of it, and a whale’s breath is vast! I cannot see why you hold out such great hope for these vulnerable humans. It seems to me that your wonderings about their futures will take you away from the higher pursuits of the experiment. Let us deal with one human at a time. Remember, one action, one thought can change the ways of all,’ encouraged Gnome Double Doubt, now taking on the role of the advocate of hope. ‘It is now urgent that we pull ourselves together and act in a more gnome-like manner and have done with all this wallowing concern for the human race.’ ‘You are always so wise Double Doubt. I know you are on the right path,’ conceded Wonder, knowing that Double Doubt was now out of the foggy mire of confusion and back on the track of practicality. ‘I wish I could let go of seeking something of a higher dreaming for the humans. But alas I know myself,’ sighed Wonder. ‘I am as I am, a wondering wanderlust or a Wonder-last, and the last being to wonder or to lust over a dream of such beauty, that it would vanquish the fear of insecurity in the human realm forever. So near and yet so far! I wonder. I wonder? Is it a possibility, or just a dream, as ephemeral in substance as the gossamer rainbow wings of our dear friends the fairies?' ‘My goodness! You do go on Wonder. It seems to me, but who am I to doubt, that you waste so much energy on a dream without substance, a dream which is based on fear, a dream which is embedded like granite in human thought, a dream that would take earth shattering energy to shift such rigidity of thought. Take my advice Wonder. Begin with the smallest crack in the edifice of human thought, and that lies in the direction of Petunia. Leave the human race to experiencing life as they choose to. Until they validate, that ‘All is connected. All is divine’, then they will not be and cannot be, aware of the realm of All That Is. T.L. Franklin (Excerpt from ‘Wonder and Double Doubt’ - Chapter 9, Page 294)
T.L. Franklin (Wonder and Double Doubt in the Realm of All That Is)
I am not super-attached to my career,' Audrey Tautou says in that sultry, Gallic voice of hers, a glint of recklessness in her big brown eyes. 'I have several plan Bs: I want to become a sailor; I like to draw; I would love to learn many things, but I don’t have time…' She trails off, leaving an uncertain silence hanging over the Kensington hotel room where we’ve met to discuss her latest film, a delightful comic confection called Beautiful Lies. 'That is the problem, you know,' she continues, more carefully. 'That is the reason why I will quit acting very soon.' She lets out a strange little laugh, a creaky exhalation, as if her own admission has taken her by surprise... 'I didn’t want to have this power,' she says, with a shrug. 'I would rather have freedom; and to find that you have to stop being in big, exposed movies. I don’t surf on the big waves. When I see them coming, I take my board and go straight back to the beach.'... 'I am always surprised to be chosen by a director for a role because I never understand why they like me,' she says. Surely, I suggest, that is false modesty, coming from one of Europe’s most bankable stars. 'Oh no, really, I am serious,' she says, leaning forward and planting her feet back on the carpet. 'I am always surprised to be cast.' Does her track record – in Jeunet’s hits; or in Stephen Frears’s acclaimed Dirty Pretty Things, or as a compellingly self-possessed Coco Chanel in Anne Fontaine’s 2009 biopic – not give her at least a little confidence? 'No,' she says with a scowl, 'pas du tout.' 'A few months ago, I watched one of my old movies and I thought to myself, 'Oh, Jesus!’ Thank God that at the point I made that film I didn’t realise the extent to which I was terrible. Oh, mon dieu! Mon dieu!' But surely, I say, she can take from that the reassurance that she has only improved as an actress. 'Or,' she says, jabbing a finger in the air, 'I say to myself, does it simply mean that if in another 10 years I rewatch the films I am making today I will say, 'Oh mon dieu, how terrible I was then.’ She laughs that odd, breathy laugh again and then looks me dead in the eye. 'You have to be very careful in this life.
Benjamin Secher
I was just wondering, of these two horses, why did you choose that one as your good friend? Is he superior to this one in some way?” “Sup-ear-ee-or?” “Better.” “Not better. He has a crooked front hoof, like my good friend who is dead.” He paused and seemed to search for the right words. “He is his face on the water, no? How is it you say this?” Loretta leaned sideways to see the stallion’s tracks. His right front hoof left a notched-crescent print in the dust. “Reflection?” “Yes, he is his reflection.” “The spittin’ image of--What was your dead friend’s name?” “It is not to be spoken. He is dead, no? To say his name would not show respect. What is this to do with spit?” “It’s just a saying. When someone or something looks just like something else, it’s called a spittin’ image. I don’t know why.” “You do not know, but you say the words? The words from your mouth say who you are, Blue Eyes. I make a lie; I am an easop, storyteller. I speak hate; my heart burns with hate. The People do not make talk if they do not know the words. If it is spoken, it must be. A man is what he speaks. This is not so with the tosi tivo?” Loretta shrugged and bit back a smile. “I seriously doubt I’ll become spit. It’s just something everyone says.” “You will learn the meaning of this spit image, no? And say it to me. When we meet again?
Catherine Anderson (Comanche Moon (Comanche, #1))
Barack and I took Malia’s and Sasha’s hands and made our way across the still-dewy grass of the South Lawn. The animals were larger than I expected, languid and sinewy, their tails flicking as they monitored our approach. I’d never seen anything like it, four cats in a companionable line. The lion stirred slightly as we drew close. I saw the panther’s eyes tracking us, the tiger’s ears flattening just a little. Then, without warning, the cheetah shot out from the shade with blinding speed, rocketing right at us. I panicked, grabbing Sasha by the arm, sprinting with her back up the lawn toward the house, trusting that Barack and Malia were doing the same. Judging from the noise, I could tell that all the animals had leaped to their feet and were now coming after us. Lloyd stood in the doorway, looking unfazed. “I thought you said they were sedated!” I yelled. “Don’t worry, ma’am,” he called back. “We’ve got a contingency plan for exactly this scenario!” He stepped to one side as Secret Service agents swarmed past him through the door, carrying what looked to be guns loaded with tranquilizer darts. Just then, I felt Sasha slip out of my grasp. I turned back toward the lawn, horrified to see my family being chased by wild animals and the wild animals being chased by agents, who were firing their guns. “This is your plan?” I screamed. “Are you kidding me?” Just then, the cheetah let out a snarl and launched itself at Sasha, its claws extended, its body seeming to fly. An agent took a shot, missing the animal though scaring it enough that it veered off course and retreated back down the hill. I was relieved for a split second, but then I saw it—a white-and-orange tranquilizer dart lodged in Sasha’s right arm. I lurched upward in bed, heart hammering, my body soaked in sweat, only to find my husband curled in comfortable sleep beside me. I’d had a very bad dream.
Michelle Obama (Becoming)
Ocean, the future center of global trade. Why should it not prosper? Nobody can predict the future with 100 percent certainty. I’m not convinced it will happen. But I am a possibilist and these facts convince me: it is possible. The destiny instinct makes it difficult for us to accept that Africa can catch up with the West. Africa’s progress, if it is noticed at all, is seen as an improbable stroke of good fortune, a temporary break from its impoverished and war-torn destiny. The same destiny instinct also seems to make us take continuing Western progress for granted, with the West’s current economic stagnation portrayed as a temporary accident from which it will soon recover. For years after the global crash of 2008, the International Monetary Fund continued to forecast 3 percent annual economic growth for countries on Level 4. Each year, for five years, countries on Level 4 failed to meet this forecast. Each year, for five years, the IMF said, “Next year it will get back on track.” Finally, the IMF realized that there was no “normal” to go back to, and it downgraded its future growth expectations to 2 percent. At the same time the IMF acknowledged that the fast growth (above 5 percent) during those years had instead happened in countries on Level 2, like Ghana, Nigeria, Ethiopia, and Kenya in Africa, and Bangladesh in Asia. Why does this matter? One reason is this: the IMF forecasters’ worldview had a strong influence on where your retirement funds were invested. Countries in Europe and North America were expected to experience fast and reliable growth, which made them attractive to investors. When these forecasts turned out to be wrong, and when these countries did not in fact grow fast, the retirement funds did not grow either. Supposedly low-risk/high-return countries turned out to be high-risk/low-return countries. And at the same time African countries with great growth potential were being starved of investment. Another reason it matters, if you work for a company based in the old “West,” is that you are probably missing opportunities in the largest expansion of the middle-income consumer market in history, which is taking place right now in Africa and Asia. Other, local brands are already establishing a foothold, gaining brand recognition, and spreading throughout these continents, while you are still waking up to what is going on. The Western consumer market was just a teaser for what is coming next.
Hans Rosling (Factfulness: Ten Reasons We're Wrong About the World—and Why Things Are Better Than You Think)
Listening back to ‘Arnold Layne’ now, and other songs from the same phase, I notice that I do not find myself cringing. I am definitely not embarrassed by our juvenilia. It all sounds pretty professional, even though it would have been recorded relatively quickly. With a limited number of tracks, you had to make decisions early on about which instrument would go on which track and then you mixed down. But the music genuinely doesn’t seem to have suffered.
Nick Mason (Inside Out: A Personal History of Pink Floyd (Reading Edition): (Rock and Roll Book, Biography of Pink Floyd, Music Book))
In today’s world it’s easy to lose track of time & otherwise get caught up in what’s going on. So many families split up, so many loved ones Lose track of who they are. Why they came together. Divorcing a memory they can never truly run away from. In today’s world it’s a blessing to know you. To get facial recognition & assurance with your every smile. Not every moment can be as perfect as we expect it, Yet we are appreciative and try not to take the moment For granted. Just as the saying goes, “Not everyone knows what They have.” It’s those refreshing moments that remind us Of God’s praise. Not at all excusing us for the times we become Absentees when we’re needed most, or simply lose track Of time, there are so many things that factor into who we are,Our upbringing, things we experience, The shapeless void Of a missing father. While that effect is monumental, we respond without responding. Silence sometimes the most powerful form of toxicity In response to communication. In today’s world it’s not that uncommon, placing something else Instead as priority, forgetting the bigger if not biggest issue. For better or worse, the most memorable part of any union. We take it at face value forgetting that we’re all kids at some point Or another. It’s not impossible to revert back as we’re all human At the end of the day. That doesn’t at all excuse us for the times we aren’t present, not just for ourselves. But for our partners, our friends, our families the priority of accepting love as a walking and breathing testimony. Our hands the door of faith, as we journey to the alter our lips Have formed.In today’s world it’s a blessing to know you & to get facial recognition As well as reassurance every time I look at you. No matter how much we mumble or grumble. I am forever grateful to have met the love of my life. Everything I’ll ever need no matter how much time passes. You’re all I’ll ever need
Kewayne Wadley (Late Nights On Venus)
REMEMBER THIS •​External triggers often lead to distraction. Cues in our environment like the pings, dings, and rings from devices, as well as interruptions from other people, frequently take us off track. •​External triggers aren’t always harmful. If an external trigger leads us to traction, it serves us. •​We must ask ourselves: Is this trigger serving me, or am I serving it? Then we can hack back the external triggers that don’t serve us.
Nir Eyal (Indistractable: How to Control Your Attention and Choose Your Life)
This is the place where I want to be young To breathe the beginning breath Through newborn lungs To run barefoot chasing butterflies To sleep beneath wondrous skies To stand on stony mountains Far above the birch and pine Looking down at all about me I’ll call this world mine ….. When the wild wind sings I will hear its song That beckons to my heart, Tells me that I belong And all these hills and every tree Become a part of my story ….. Yet, as the pages of a story grow Characters learn, develop, go May it be granted, if I leave If I change in any way That this place will always remain The same as I saw it today ….. If my feet wander If life’s paths take me far Time may alter youthful face But let not it change a tree or star Let not it touch a leaf Nor a river, nor a stream Or raise a cloak of shadow Over even one sunbeam The years may not lift their hand To crumble any stone Or free their feet to trample Fields where flowers have grown ….. If I tarry long The song will bring me back If in the journey I am lost The wind will steer my track I will be changed when I come Grey hair and marred face But the hills will recall That I am one with this place Standing, just the way I used to Upon the mountain height Breathing, just the way I once did The crisp, star filled night And praying, just the way I always have That I might be young here.” — ‘Where I Want to Be Young
Kya Rayne (One Bird Singing)
You will testify against me? You, Sedric Meldar, a lowly servant? Then do so now, before all of us. Tell us then, give us one instance of my unfaithfulness to my wife. Just one will do.” His gaze was sharper than a knife. Alise saw victory dancing in his dark eyes. Sedric drew a breath. The trembling she had felt as she gripped his arm stilled. He spoke clearly, his voice pitched to carry to everyone there. “I shared your bed for years, before you took Alise as your wife, and for years afterward. You spent your wedding night with me. And in the years that followed, you made her a laughingstock among our fellows. In that circle, all knew that you disdained the company of women for that of men. I was your lover, Hest Finbok. I helped you deceive her, and I did not speak up when you mocked her. And if need be, I will stand before all of Trehaug and all of Bingtown and attest to that. You were an unfaithful husband to her, and I, I was a treacherous friend.” Alise stared at Sedric as he committed social suicide. But he turned and met her gaze and said, “And again, Alise, I am so sorry. Would that I could take back those years of your life and give them to you unscathed.” Her eyes brimmed with tears. Sedric had just destroyed all chance that he could ever return to Bingtown and resume his life. Even if he remained in Kelsingra forever, if even one Trader returned to Bingtown, all would know not only what he had done to her, but what he was. “I forgave you, Sedric. I told you that a long time ago.” “I know that,” he said very quietly. His hand covered hers as he added, “But I did not deserve your forgiveness then. Perhaps I can say I have earned it now?” “You have,” she said quietly. “And more. But Sedric, what have you done? All will know that you…” “That I am what I am,” he said calmly. “I do not apologize for that. Ever.” She sensed someone behind them and turned slightly, thinking it might be Leftrin. It was not. Carson was grinning, but as he stepped forward, a single tear tracked down his sunburned cheek. He folded Sedric into an embrace from behind that lifted the smaller man off his feet. “Proud of you, Bingtown boy,” he said huskily. He set him down on his feet and leaned down to kiss him. The kiss did not end quickly, and Sedric’s hands came up to cradle Carson’s bearded face to his own. Several of the keepers favored the couple with knowing whoops that drowned out the incredulous muttering from the watching prisoners. Alise found herself smiling, as much for joy for them as the stunned expression on Hest’s face. She felt a nudge, and turned to see Leftrin. He stuck out the crook of his elbow, and she took his arm in his ragged coat sleeve. “I think we were going to get some tea?” he asked her conversationally. She nodded, and instantly forgave him the triumphant look he shot over her head at Hest. She walked a dozen steps with Leftrin before she glanced back. Hest was standing alone, staring after them.
Robin Hobb (Blood of Dragons (Rain Wild Chronicles, #4))
This discovery flashed a new light back on my whole life. I saw that all my waitings and watchings for Joy, all my vain hopes to find some mental content on which I could, so to speak, lay my finger and say "This is it," had been a futile attempt to contemplate the enjoyed. All that such watching and waiting ever could find would be either an image (Asgard, the Western Garden, or what not) or a quiver in the diaphragm. I should never have to bother again about these images or sensations. I knew now that they were merely the mental track left by the passage of Joy — not the wave but the wave's imprint on the sand. The inherent dialectic of desire itself had in a way already shown me this; for all images and sensations, if idolatrously mistaken for Joy itself, soon honestly confessed themselves inadequate. All said, in the last resort, "It is not I. I am only a reminder. Look! Look! What do I remind you of?
C.S. Lewis (C. S. Lewis on Joy)
It does nothing for me to see people 'talking' to other people, while meanwhile turning all possibles into impossibles for me. Back in '20 I was able to do college level math no problem, and now I need to use my fingers to subtract 5 from 10 and I still lose track. You literally made me into a retard. All my work and articulations are mocked and ridiculed as a result. What can a retard do? Is it even possible for a retard to connect with others? I am going to school when I struggle to do simple arithmetic? Now that essential human need for connection is completely screwed. You know as well as I do they would have to know _what happened_ before I'd have any hope with that in my state. I know the scoop. It doesn't matter. If you needed or wanted anything from me, you wouldn't have retarded me. At the start of '21, I found someone who went from 2k to 20k a month and a mil in 2 years, starting from $10k saved. I paid them $1k to help me not shoot myself in the foot. You did a wonderful job tearing me and possibilities down, and with perfect timing too! I'm tired of being in pain all the time. Tired of not being capable of doing anything meaningful. Tired of not being able to enjoy anything because it's too foggy and hurts too much to be awake. I guess I'll do like Elon and have my own big local giveaway, at least I'll get to make some difference in someone's life before the end of me. I could never move on a griefer who makes me continuously feel like I am not worth existing.
Anonymous
My Commitment Contract I, ______________________________ (your name), commit to follow the steps and timeline I have laid out in order to achieve my realistic weight loss goals. Just as in life, this diet is not going to be a success-only journey. Therefore, if I deviate along the way, I promise not to beat myself up or use it as an excuse to fail. Instead, I will get right back on track. I promise not to make excuses or to sabotage myself or allow others to sabotage my efforts. I recognize that I am in control of my decisions. I believe in my ability to use 20/20 foresight to achieve my goals, and I believe I deserve better for myself. Signed,
Phillip C. McGraw (The 20/20 Diet: Turn Your Weight Loss Vision Into Reality)
I am sitting here, you are sitting there. Say even that you are sitting across the kitchen table from me right now. Our eyes meet; a consciousness snaps back and forth. What we know, at least for starters, is: here we- so incontrovertibly- are. This is our life, these are our lighted seasons, and then we die. In the meantime, in between time, we can see. The scales are fallen from our eyes, the cataracts are cut away, and we can work at making sense of the color-patches we see in an effort to discover where we so incontrovertibly are. I am as passionately interested in where I am as is a lone sailor sans sextant in a ketch on an open ocean. I have at the moment a situation which allows me to devote considerable hunks of time to seeing what I can see, and trying to piece it together. I’ve learned the name of some color-patches, but not the meanings. I’ve read books; I’ve gathered statistics feverishly: the average temperature of our planet is 57 degrees F…The average size of all living animals, including man, is almost that of a housefly. The earth is mostly granite, which is mostly oxygen…In these Appalachians we have found a coal bed with 120 seams, meaning 120 forests that just happened to fall into water…I would like to see it all, to understand it, but I must start somewhere, so I try to deal with the giant water bug in Tinker Creek and the flight of three hundred redwings from an Osage orange and let those who dare worry about the birthrate and population explosion among solar systems. So I think about the valley. And it occurs to me more and more that everything I have seen is wholly gratuitous. The giant water bug’s predations, the frog’s croak, the tree with the lights in it are not in any real sense necessary per se to the world or its creator. Nor am I. The creation in the first place, being itself, is the only necessity for which I would die, and I shall. The point about that being, as I know it here and see it, is that as I think about it, it accumulates in my mind as an extravagance of minutiae. The sheer fringe and network of detail assumes primary importance. That there are so many details seems to be the most important and visible fact about creation. If you can’t see the forest for the trees, then look at the trees; when you’ve looked at enough trees, you’ve seen a forest, you’ve got it. If the world is gratuitous, then the fringe of a goldfish’s fin is a million times more so. The first question- the one crucial one- of the creation of the universe and the existence of something as a sign and an affront to nothing is a blank one… The old Kabbalistic phrase is “the Mystery of the Splintering of the Vessels.” The words refer to the shrinking or imprisonment of essences within the various husk-covered forms of emanation or time. The Vessels splintered and solar systems spun; ciliated rotifers whirled in still water, and newts laid tracks in the silt-bottomed creek. Not only did the Vessels splinter; they splintered exceeding fine. Intricacy then is the subject, the intricacy of the created world.
Annie Dillard (Pilgrim at Tinker Creek)
Gasping Stars Look Down Upon My Tired Soul When I need to again find my own way late midnight walks are my mainstay There is this place I walk and roam comfort away from worries of my home The sidewalk ends and fields begin I imagine they stretch and never end Cool night air soothes my tired brain far away, whistle of an old night train My pace slows to soak so much more in I am not alone, night is my friend Gasping stars look down upon my soul Seeking calm, I then reach my goal Dog barks sadly as I slowly trod by moans so blue, almost seems to cry Past the farmhouse my favorite tree massive black oak, does so comfort me Gazing at its massive majestic form I see damage from a terrible storm Ahh yes, none are immune from harm not even this great titan on the farm Very slowly I turn to find my way back retracing this walk along this track A calm has now found my lonely spirit happiness approaches I can even hear it My pace increases as I seek to return to the place where my love does burn Family , the gift of my very long life my children, my love , my sweet wife When I need to again find my own way late midnight walks are my mainstay
Robert Lindley
Austen, I think I got it this time. Let me try to see if this fits. Here are some words for what you are describing. First, you are motivated to clean your bathroom because it does need it. You can even understand your mother’s demand that you clean it, because it is a pit! And it is your responsibility, right?” Austen nods approval. “And you feel a sense of urgency to get your laptop back, too. Right?” Austen nods in the affirmative again. “In fact, you would do almost anything to get your laptop back. Right?” One more time Austen is tracking my logic. “It’s just that you can’t connect cleaning your bathroom and getting the laptop back, because they aren’t related. Right?” “Sure,” Austen says. “It is so obvious that these things aren’t related, and Mother is always trying this stuff. It never works, so why does she bother?” I smile with Austen’s realization. “Actually, this type of approach is used by lots of parents, and it seldom works with teenagers. We parents think that if we withhold a privilege or a favorite item, we’ll get our kids to mind and do things like clean a bathroom. It doesn’t work, and all that happens is a power struggle. But let’s give Mom some slack here and work out your dilemma.” Austen is ready. I explain, “I think the problem is that we need to connect up your motivation to clean your bathroom to your responsibility to clean your bathroom with a call to action to actually clean your bathroom. That will satisfy the urgency you feel to get back your laptop. You’ll get a clean bathroom. You can please your mother. She will be motivated to give you back your laptop even though the laptop has nothing to do with a clean bathroom. This is a win-win solution Austen. You already have motivation, a sense of responsibility, and a feeling of urgency. The only thing that is missing for you is a call to action. That’s the missing piece you keep calling the “not doing it” part. Are you ready to connect the dots?” Austen’s eyes widen, and he smiles. “Yes that’s it!” he says. “I am missing the call to action part.
Kathy J. Marshack (Out of Mind - Out of Sight : Parenting with a Partner with Asperger Syndrome (ASD) ("ASPERGER SYNDROME" & Relationships: (Five books to help you reclaim, refresh, and perhaps save your life) Book 3))
How do you do? I’m Henry.” So he was Henry Jenkins. “I’m still Jane,” she said. Or, squeaked, rather. He was trying to fasten his seat belt and his look of confusion was so adorable, she wanted to reach over and help, but that wouldn’t be in keeping with the…wait, they were on a plane. There were no more Rules. There was no more game. She felt her hopes rise so that she thought she’d float away before the plane took off, so she pushed her feet flat against the floor. She reminded herself that she was the predator now. Tallyho. “This is a bit far to go, even for Mrs. Wattlesbrook.” “She didn’t send me,” said Nobley-Henry. “Not before, not now. I sent myself, or rather I came because I…I had to try it. Look, I know this is crazy, but the ticket was nonrefundable. Could I at least accompany you home?” “This is hardly a stroll through the park.” “I’m tired of parks.” She noticed that his tone was more casual now. He lost the stilted Regency air, his words relaxed enough to allow contractions--but besides that, so far Henry didn’t seem much different from Mr. Nobley. He leaned back, as if trying to calm down. “It was a good gig, but the pay wasn’t astronomical, so you can imagine my relief to find you weren’t flying first class. Though I’d prefer a cargo ship, frankly. I hate planes.” “Mr. Nob--uh, Henry, it’s not too late to get off the plane. I’m not writing an article for the magazine.” “What magazine?” “Oh. And I’m not rich.” “I know. Mrs. Wattlesbrook outlines every guest’s financials along with their profiles.” “Why would you come after me if you knew I wasn’t…” “That’s what I’m trying to tell you. You’re irresistible.” “I am not.” “I’m not happy about it. You really are the most irritating person I’ve ever met. I’d managed to avoid any women of any temptation whatsoever for four years--a very easy task in Pembrook Park. Things were going splendidly, I was right on track to die alone and unnoticed. And then…” “You don’t know me! You know Miss Erstwhile, but--” “Come now, ever since I witnessed your abominable performance in the theatrical, it’s been clear that you can’t act to save your life. All three weeks, that was you.” He smiled. “And I wanted to keep knowing you. Well, I didn’t at first. I wanted you to go away and leave me in peace. I’ve made a career out of avoiding any possibility of a real relationship. And then to find you in that circus…it didn’t make sense. But what ever does?” “Nothing,” said Jane with conviction. “Nothing makes sense.
Shannon Hale (Austenland (Austenland, #1))
Well yes.  I was going to ask if you have a boyfriend.  I find you very attractive.  I have to admit that I hadn't noticed until today.  I am so wrapped up in my world most of the time and barely know anyone at work.  And now my mind is whirring with the thought you have come all this way just to see me and you are so attractive...and well I haven't been with anyone for a while.  So...are you interested in me in that way?” There was a long silence in which time Mike had a chance to replay in his head what he had just said.  Panic started to rise in him and he was trying to work out how to back-track or laugh off the stupid comments.  The silence just made the words even louder in his head and he began to blush at his foolishness; only young boys would have acted in such an inappropriate manner. 
Mel Straw (The Reality of One Man)
The fire covered the field, the flames worked fast. I glanced over at Preston who was watching the destruction with a dark grin. The fire reflected in his eyes; shadows moved across his face illuminating the deep creases as he gazed ahead with great conviction. He looked evil. Was he evil? Lord knows he’s done evil. Or was he a man who thought he was doing the right thing, just reacting to situations and conditions that were thrust upon him? Each man is the protagonist of his own life. Always right in their own mind, altruistic and correct no matter what society deems acceptable. Nobody thinks they're evil. Nobody thinks they’re a bad person. All deeds, no matter how harmful or offensive to others can be rationalized in the perpetrators mind; perhaps that is the definition of evil? I looked away, who am I to judge? I thought. I don’t have the theological qualifications or the clean track record to deem anyone evil, he’s just a man. I focused back on the inferno. Watching the fire spark and dance forming grinning malevolent shapes, I thought of the ancient Celtics when they’d set their world on fire with their Samhain bonfires; their unholy pagan ritual for summer’s end. That sacred night when the veil between the living and the dead was at its thinnest. The night of the great sacrifice. Blue-red flames licked the sky crackling and hissing their macabre cleansing cacophony that drew our unblinking stares and didn’t let go, it had us, it made us watch. Corynne clutched me close, her breathing was soft and warm; the air was beginning to cool. October was coming.
Chris Fraser (The Bookmaker)
By Lawrence Van Alstyne December 24, 1863 As tomorrow is Christmas we went out and made such purchases of good things as our purses would allow, and these we turned over to George and Henry for safe keeping and for cooking on the morrow. After that we went across the street to see what was in a tent that had lately been put up there. We found it a sort of show. There was a big snake in a showcase filled with cheap looking jewelry, each piece having a number attached to it. Also, a dice cup and dice. For $1.00 one could throw once, and any number of spots that came up would entitle the thrower to the piece of jewelry with a corresponding number on it. Just as it had all been explained to us, a greenhorn-looking chap came in and, after the thing had been explained to him, said he was always unlucky with dice, but if one of us would throw for him he would risk a dollar just to see how the game worked. Gorton is such an accommodating fellow I expected he would offer to make the throw for him, but as he said nothing, I took the cup and threw seventeen. The proprietor said it was a very lucky number, and he would give the winner $12 in cash or the fine pin that had the seventeen on it. The fellow took the cash, like a sensible man. I thought there was a chance to make my fortune and was going right in to break the bank, when Gorton, who was wiser than I, took me to one side and told me not to be a fool; that the greenhorn was one of the gang, and that the money I won for him was already his own. Others had come by this time and I soon saw he was right, and I kept out. We watched the game a while, and then went back to Camp Dudley and to bed. Christmas, and I forgot to hang up my stocking. After getting something to eat, we took stock of our eatables and of our pocket books, and found we could afford a few things we lacked. Gorton said he would invite his horse jockey friend, James Buchanan, not the ex-President, but a little bit of a man who rode the races for a living. So taking Tony with me I went up to a nearby market and bought some oysters and some steak. This with what we had on hand made us a feast such as we had often wished for in vain. Buchanan came, with his saddle in his coat pocket, for he was due at the track in the afternoon. George and Henry outdid themselves in cooking, and we certainly had a feast. There was not much style about it, but it was satisfying. We had overestimated our capacity, and had enough left for the cooks and drummer boys. Buchanan went to the races, Gorton and I went to sleep, and so passed my second Christmas in Dixie. At night the regiment came back, hungry as wolves. The officers mostly went out for a supper, but Gorton and I had little use for supper. We had just begun to feel comfortable. The regiment had no adventures and saw no enemy. They stopped at Baton Rouge and gave the 128th a surprise. Found them well and hearty, and had a real good visit. I was dreadfully sorry I had missed that treat. I would rather have missed my Christmas dinner. They report that Colonel Smith and Adjutant Wilkinson have resigned to go into the cotton and sugar speculation. The 128th is having a free and easy time, and according to what I am told, discipline is rather slack. But the stuff is in them, and if called on every man will be found ready for duty. The loose discipline comes of having nothing to do. I don’t blame them for having their fun while they can, for there is no telling when they will have the other thing. From Diary of an Enlisted Man by Lawrence Van Alstyne. New Haven, Conn., 1910.
Philip van Doren Stern (The Civil War Christmas Album)
People tell me that watching us was like watching a bunny get devoured by a wolf. But wolves only belong one place – in the wild. You will never again have the chance to destroy me with that smile. I will leave every bridge burned, and every stone turned, and you will never find your way back to me. I will crack every compass, and cover my tracks, and you will never be able to find me. You are a lost boy and I am a true north, and you will never be able to find me.
B.A. Perry (Dear Ex)
Every evening I sat on the music-stool and wrote down my day, and it was as if I, Anna, were nailing Anna to the page. Every day I shaped Anna, said: Today I got up at seven, cooked breakfast for Janet, sent her to school, etc. etc., and felt as if I had saved that day from chaos. Yet now I read those entries and feel nothing. I am increasingly afflicted by vertigo where words mean nothing. Words mean nothing. They have become, when I think, not the form into which experience is shaped, but a series of meaningless sounds, like nursery talk, and away to one side of experience. Or like the sound track of a film that has slipped its connection with the film. When I am thinking I have only to write a phrase like ‘I walked down the street’, or take a phrase from a newspaper, ‘economic measures which lead to the full use of …’ and immediately the words dissolve, and my minds starts spawning images which have nothing to do with the words, so that every word I see or hear seems like a small raft bobbing about on an enormous sea of images. So I can’t write any longer. Or only when I write fast, without looking back at what I have written. For if I look back, then the words swim and have no sense and I am conscious only of me, Anna, as a pulse in a great darkness, and the words that I, Anna, write down are nothing, or like the secretions of a caterpillar that are forced out in ribbons to harden in the air.
Doris Lessing (The Golden Notebook)
After parking in the west lot, far from a certain gang member with a reputation that could scare off even the toughest Fairfield football players, Sierra and I walk up the front steps of Fairfield High. Unfortunately, Alex Fuentes and the rest of his gang friends are hanging by the front doors. “Walk right past them,” Sierra mutters. “Whatever you do, don’t look in their eyes.” It’s pretty hard not to when Alex Fuentes steps right in front of me and blocks my path. What’s that prayer you’re supposed to say right before you know you’re going to die? “You’re a lousy driver,” Alex says with his slight Latino accent and full-blown-I-AM-THE-MAN stance. The guy might look like an Abercrombie mode with his ripped bod and flawless face, but his picture is more likely to be taken for a mug shot. The kids from the north side don’t really mix with kids from the south side. It’s not that we think we’re better than them, we’re just different. We’ve grown up in the same town, but on totally opposite sides. We live in big houses on Lake Michigan and they live next to the train tracks. We look, talk, act, and dress different. I’m not saying it’s good or bad; it’s just the way it is in Fairfield. And, to be honest, most of the south side girls treat me like Carmen Sanchez does…they hate me because of who I am. Or, rather, who they think I am. Alex’s gaze slowly moves down my body, traveling the length of me before moving back up. It’s not the first time a guy has checked me out, it’s just that I never had a guy like Alex do it so blatantly…and so up-close. I can feel my face getting hot. “Next time, watch where you’re goin’,” he says, his voice cool and controlled. He’s trying to bully me. He’s a pro at this. I won’t let him get to me and win his little game of intimidation, even if my stomach feels like I’m doing one hundred cartwheels in a row. I square my shoulders and sneer at him, the same sneer I use to push people away. “Thanks for the tip.” “If you ever need a real man to teach you how to drive, I can give you lessons.” Catcalls and whistles from his buddies set my blood boiling. “If you were a real man, you’d open the door for me instead of blocking my way,” I say, admiring my own comeback even as my knees threaten to buckle. Alex steps back, pulls the door open, and bows like he’s my butler. He’s totally mocking me, he knows it and I know it. Everyone knows it. I catch a glimpse of Sierra, still desperately searching for nothing in her purse. She’s clueless. “Get a life,” I tell him. “Like yours? Cabróna, let me tell you somethin’,” Alex says harshly. “Your life isn’t reality, it’s fake. Just like you.” “It’s better than living my life as a loser,” I lash out, hoping my words sting as much as his words did. “Just like you.” Grabbing Sierra’s arm, I pull her toward the open door. Catcalls and comments follow us as we walk into the school. I finally let out the breath I must have been holding, then turn to Sierra. My best friend is staring at me, all bug-eyed. “Holy shit, Brit! You got a death wish or something?” “What gives Alex Fuentes the right to bully everyone in his path?” “Uh, maybe the gun he has hidden in his pants or the gang colors he wears,” Sierra says, sarcasm dripping from every word. “He’s not stupid enough to carry a gun to school,” I reason. “And I refuse to be bullied, by him or anyone else.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
What’s up, Sam?” “What birthday?” he panted. “What?” “What birthday, Anna?” It took a while for her to absorb his fear. It took a while for the reason for his fear to dawn on her. “Fifteen,” Anna said in a whisper. “What’s the matter?” Emma asked, sensing her twin’s mood. “It doesn’t mean anything.” “It doesn’t,” Anna whispered. “You’re probably right,” Sam said. “Oh, my God,” Anna said. “Are we going to disappear?” “When were you born?” Sam asked. “What time of day?” The twins exchanged scared looks. “We don’t know.” “You know what, no one has blinked out since that first day, so it’s probably—” Emma disappeared. Anna screamed. The other older kids took notice, the littles, too. “Oh, my God!” Anna cried. “Emma. Emma. Oh, God!” She grabbed Sam’s hands and he held her tight. The prees, some of them, caught the fear. Mother Mary came over. “What’s going on? You’re scaring the kids. Where’s Emma?” Anna just kept saying, “Oh, my God,” and calling her sister’s name. “Where’s Emma?” Mary demanded again. “What’s going on?” Sam didn’t want to explain. Anna was hurting him with the pressure of her fingers digging into the backs of his hands. Anna’s eyes were huge, staring holes in him. “How far apart were you born?” Sam asked. Anna just stared in blank horror. Sam lowered his voice to an urgent whisper. “How far apart were you born, Anna?” “Six minutes,” she whispered. “Hold my hands, Sam,” she said. “Don’t let me go, Sam,” she said. “I won’t, Anna, I won’t let you go,” Sam said. “What’s going to happen, Sam?” “I don’t know, Anna.” “Will we go to where our mom and dad are?” “I don’t know, Anna." “Am I going to die?” “No, Anna. You’re not going to die.” “Don’t let go of me, Sam.” Mary was there now, a baby on her hip. John was there. The prees, some of them, watched with serious, worried looks on their faces. “I don’t want to die,” Anna repeated. “I…I don’t know what it’s like.” “It’s okay, Anna.” Anna smiled. “That was a nice date. When we went out.” “It was.” For a split second it was like Anna blurred. Too fast to be real. She blurred, and Sam could almost swear that she had smiled at him. And his fingers squeezed on nothing. For a terribly long time no one moved or said anything. The littles didn’t cry out. The older kids just stared. Sam’s fingertips still remembered the feel of Anna’s hands. He stared at the place where her face had been. He could still see her pleading eyes. Unable to stop himself, he reached a hand into the space she had occupied. Reaching for a face that was no longer there. Someone sobbed. Someone cried out, other voices then, the prees started crying. Sam felt sick. When his teacher had disappeared he hadn’t been expecting it. This time he had seen it coming, like a monster in a slow-motion nightmare. This time he had seen it coming, like standing rooted on the railroad tracks, unable to jump aside.
Michael Grant
I just run faster and hit the slowest of the lead boys. I wink and race by him. He smells like onions and he has big, wet circles in the pits of his shirt. He speeds up, but can only stay with me for a tenth of a mile before he drops back. Then it’s Nick. I cruise next to him. He’s some sort of running god, because he isn’t close to being winded. His stride is long, powerful, and quick. “Hi.” Why I said this, I do not know. He’s cute. Okay. I am a sucker for cute boys and he was nice to Issie. Plus, he has good hair and he isn’t as pale as most Maine males. He looks like he works in the sun, or at least has seen the sun once, maybe many weeks ago. Plus, life is all supposed to be about making love, not war. My dad listened to John Lennon; I know this stuff. “You’re fast,” he says, easy. No huffing. No puffing. No blowing the house down. “So are you.” We run together, keeping pace. The only one ahead of us is Ian, who is loping around the track as if it’s nothing. Nick shrugs at me while he runs, which is really something, because when I’m running full tilt it’s hard for me to speak, let alone break form to shrug. “You can go faster, can’t you?” I huff out. He just gives a little smile again and then his eyes shift into something cold, like gravestones with just the barest information about a life etched onto them. “Zara,” he whisper-says. I lean in closer to hear him. “What?” My voice is not a whisper. It matches the thudding beat of my heart, the bass of the music that blares out of the speakers. “Awesome job, new girl!” Devyn yells, clapping.
Carrie Jones (Need (Need, #1))
Just tell me. What is odd about the Callans? Something that is carried in the blood?” Jankyn nodded. “Cats. The original source of the, er, taint is a wee bit obscure. Twas either brought back by a Crusader or from some ancient Celtic bride, a priestess in the old religion, a shape-shifter.” He shrugged. “Despite what I am, I find that a wee bit difficult to imagine. But, there it is. The Callans appear to have done what ye plan to do—bred it out. There are tales from the old, misty past that hint at some difficulties because of this trait, but the Callans began to be verra particular in their mates. Their family lines are kept meticulously complete right to the most distant of cousins. Intermarriage, no matter how rich the prize, is strictly forbidden for fear that this trait will blossom in its full glory again and pull them all back into danger.” “So, they have bred it out then?” Cathal could understand why Bridget might hide this fact about her clan, but still felt hurt and angry that she would hide it from him. “Most of it. There lingers a hint, though. In the coloring, for example. Twas the medallion that set me on the right path. It reminded me of a tale I had once been told. I found that and soon tracked down the rest. It also explains a lot of things such as how your wife hisses and scratches, how she can run as she does.” “How she purrs,” Cathal whispered. “Does she? How intriguing.” Jankyn met Cathal’s scowl with a sweet smile. “The way she seems to sense danger, her keen eyesight, especially in the dark, and that certain grace she has. All Callan women are rumored to be small, lovely, graceful, passionate, and fertile. Verra, verra fertile. Your wee wife comes from a verra big family.” “Do ye recall the first night she was here? The way she acted when she first awoke?” Jankyn nodded. “Verra like a cat.” “Aye, but for one fleeting moment there was something in her face, something verra catlike.” “Why didnae ye say so?” “I thought it a trick of the light. Now I think not. It also means it might be impossible to breed out all our MacNachton traits. The Callans havenae fully succeeded, have they?” “Would that be such a bad thing? I can think of a few that would only serve us weel and would only raise envy, nay fear.” “True. I suspicion some of the things in the Callan bloodline do the same. The more I think on it, the more I curse myself as a blind fool. Aye, some of what Bridget does could just be considered, weel, a female’s ways. But nay all of them. Certainly nay the way she fought Edmee. I was but stunned when Edmee tossed me aside. Couldnae move, but I could see how Bridget leapt at Edmee. She used those cursed long nails of hers on Edmee and it took Edmee a few moments to get a firm grasp on Bridget. I can now see that the way Bridget moved to try to stay out of Edmee’s grasp was verra like a cat. Then Edmee threw Bridget and, somehow, e’en as she was flying through the air, she curled that wee body of hers into a ball. That and the heather saved her.” “Aye. Raibeart and I were close enough to see that. Raibeart still mutters about it. That and the fact that your wee wife made sure to take a few large hanks of Edmee’s hair with her when she was thrown. Of course, a cat is said to land on its feet. For one wee minute, I truly thought she was about to perform that wondrous feat, but then she curled up into the ball. I wonder why.” “Mayhap when I have finished bellowing at her, I will ask her that question.” He smiled faintly when Jankyn laughed. “So, ye will keep her?” “Aye. E’en when I feared ye were about to tell me she had MacNachton blood, something that would near ruin all my grand plans, I meant to keep her.” He sighed, finished off his wine, then rose to refill his goblet. “I had best send for her, confront her with this, and hear what she has to say for herself.” “No need. I believe I hear the patter of wee paws approaching.” Cathal
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
The second he caught her scent, he stopped. “Leelan! Are you sure you should be up?” Turned out the smell of the food was one hell of a distraction: the spike of hunger she got in response enough to halt her in her tracks. “Ah . . . yeah, I feel okay. I’m hungry, actually.” As well as scared to death. While the staff continued on into the billiards room, filing in past some sheets of heavy plastic, Wrath came over to the base of the stairs. “Let’s get you into the kitchen.” Heading all the way down to join him, she let him take her arm, and leaned into his strength, taking a deep, easing breath. She’d probably just imagined everything up there. Really. Probably. Crap. “You know, I slept well,” she murmured as if to reassure herself. Which didn’t work. “Yeah?” “Mm-hm.” Together, they walked past the long dining table, and went through the flap door in the far corner. On the other side, iAm was once again at the stove, stirring a great pot. The Shadow turned—and immediately frowned as he looked at her. “What?” She put her hands to her stomach. “What are you—” “Nothing,” he said, banging his wooden spoon on the steel vat. “You two like chicken soup?” “Oh, yes, that sounds perfect.” Beth hopped up onto a stool. “And some bread maybe—” Fritz materialized at her elbow with a baguette and a plate with butter. “For you, madam.” She had to laugh. “How did you know?” As Wrath sat on the stool next to her, George parked it between them. “I had him on standby.” A steaming bowl of soup was slid in front of her by the Shadow. “Enjoy.” “Him, too?” she asked of iAm. “Yeah, the Shadow mighta been on it as well.” Picking up the spoon Fritz offered her, she dug in, aware the three males were staring at her—Wrath with such intensity, it was almost as if he’d gotten his sight back— “Mmmmm,” she said—and meant it. The soup was perfect, simple, not too heavy, and warm, warm, warm. Maybe it was just that she’d been through the needing and not eaten for how long? “So what’s going on in the billiards room,” she asked, to try to distract the males. “They’re cleaning up after me.” She winced. “Ah.” Wrath patted around for the baguette and broke off the hard end, putting it aside. The piece he then tore for her was soft in the middle, crunchy on the outside—and the butter he put on it was the unsalted, sweet kind. The combo was great with the soup. “Would you like something to drink?” Fritz asked. “Wine?” iAm said—before catching himself. “No, not wine. Milk. You need the calcium.” “Good idea, Shadow,” Wrath chimed in as he nodded at Fritz. “Make it whole—” “No, no, that will make me gag.” Annnnd didn’t that stop all of them in their tracks. “Which was true before all the, well, you know. But the skim does sound good.” And so it went, the three of them waiting on her: More soup? iAm hit her bowl again right away. More bread with butter? Husband was on it. More milk? The butler raced for the fridge.
J.R. Ward (The King (Black Dagger Brotherhood, #12))