I Ain't Pressed Quotes

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Or perhaps we should just ask Todd." I pound the glass right at his face. He doesn't even flinch. And then she says, "Todd would never tell you. Never." And the Mayor just looks at me. And he smiles My stomach sinks, my heart drops, my head feels so light I feel like I'm going to drop right to the ground. Oh, Viola- Viola, please- Forgive me. "Captain Hammar," the Mayor says and Viola's plunged into the water again, unable to not scream out in fright as down she goes. "NO!" I shout, pressing myself against the mirror. But the Mayor ain't even looking at her. He's looking right at me, as if he could see me even if I was behind a brick wall. "STOP IT!" I shout as she's thrashing again- And more- And more- "VIOLA!" And I'm pounding even tho my hands are breaking- And Mr. Hammar is grinning and holding her there- "VIOLA!" And her wrist are starting to bleed from where she's pulling- "I'LL KILL YOU!"- I'm shouting into the Mayor's face- With all my Noise- "I'LL KILL YOU!"- And still holding her there- "VIOLA! VIOLA!"- But it's Davy- Of all people- It's Davy who stops it.
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
Groaning too loud, I picked up speed, the heavy slapping sounds of our thighs driving me on. My nose tucked in her neck and her pussy tightened, fisting my dick so fuckin’ hard. Back arching, her tits pressed against my chest and a scream ripped from her throat as she came.
Tillie Cole (It Ain't Me, Babe (Hades Hangmen, #1))
That --ing zombie is going to end up on the end of a couple of --ing handy and versatile kebab skewers,' said Mr Tulip. 'An' then I'm gonna put an edge on this --ing spatula. An' then... then I'm gonna get medieval on his arse.' There were more pressing problems, but this one intrigued Mr Pin. 'How, exactly?' he said. 'I thought maybe a maypole,' said Mr Tulip reflectively. 'An' then a display of country dancing, land tillage under the three-filed system, several plagues and, if my --ing hand ain't too tired, the invention of the --ing horse collar.
Terry Pratchett (The Truth: Stage Adaptation)
Crooks stood up from his bunk and faced her. "I had enough," he said coldly. "You got no rights comin' in a colored man's room. You got no rights messing around in here at all. Now you jus' get out, an' get out quick. If you don't, I'm gonna ast the boss not to ever let you come in the barn no more." She turned on him in scorn. "Listen, Nigger," she said. "You know what I can do to you if you open your trap?" Crooks stared helplessly at her, and then he sat down on his bunk and drew into himself. She closed on him. "You know what I could do?" Crooks seemed to grow smaller, and he pressed himself against the wall. "Yes, ma'am." "Well, you keep your place then, Nigger. I could get you strung up on a tree so easy it ain't even funny." Crooks had reduced himself to nothing. There was no personality, no ego--nothing to arouse either like or dislike. He said, "Yes, ma'am," and his voice was toneless. For a moment she stood over him as though waiting for him to move so that she could whip at him again; but Crooks sat perfectly still, his eyes averted, everything that might be hurt drawn in. She turned at last to the other two.
John Steinbeck (Of Mice and Men)
Don’t go all mushy on me,” I warn him, half-kidding. “Baby,” he says, kissing my chin and pressing his weight on me. “Have you felt how hard I am? There ain’t a mushy bone in me.
Karina Halle (The Pact (The McGregor Brothers, #1))
John lifted his head and looked down at her. His eyes were worried and he was careful as he brushed at her hair. She smiled. "Nah, I'm fine. I'm more than fine." A sly grin bloomed as he mouthed, ain't that the truth. "Hold up there, big man. You think you can make me blush like I'm some girl ? Pulling that sweet talk?" As he nodded, she rolled her eyes. "I'll have you know I'm not the kind of female who goes all dizzy, popping a stiletto off the floor just because some guy kisses her deep." John was all male as he cocked a brow. And damn it if she didn't feel a tingle in her cheeks. " Listen, John Matthew." She took his chin in her hand. "You're not turning me into one of these females who goes gaga over her lover. Not happening. I'm not hard-wired for that." Her voice was stern and she meant every word, except the instant he rolled his hips and that huge arousal pushed into her, she purred. She purred. The sound was utterly foreign and she'd have sucked it back down her throat if she could have. Instead, she just left out another of those decidedly non-tough-guy moans. John bowed his head to her breast and started suckling on her as he somehow manage to keep thrusting in slow, even penetrations. Swept away, her hands found his hair again, spearing through the thick softness. " Oh, John..." And then he stopped dead, lifted his lips from her nipple, and smiled so wide it was a wonder he didn't bust off his front teeth. His expression was one of total and complete gotcha. " You are a bastard, " she said on a laugh. He nodded. And pressed into her with his full lenght again. It was perfect that he was giving her shit and showing her a little of who was boss. Just perfect. Somehow it made her respect him even more, but then, she'd always loved strength in all its forms. Even the teasing kind. "I'm not surrendering , you know." He pursed his lips and shook his head, all oh, no, of course not. And then he started to pull out of her. As she growled low in her throat, she sank her nails into his ass. "Where do you think you're going ?
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
Q: Where and when do you do your writing? A: Any small room with no natural light will do. As for when, I have no particular schedules... afternoons are best, but I'm too lethargic for any real regime. When I'm in the flow of something I can do a regular 9 to 5; when I don't know where I'm going with an idea, I'm lucky if I do two hours of productive work. There is nothing more off-putting to a would-be novelist to hear about how so-and-so wakes up at four in the a.m, walks the dog, drinks three liters of black coffee and then writes 3,000 words a day, or that some other asshole only works half an hour every two weeks, does fifty press-ups and stands on his head before and after the "creative moment." I remember reading that kind of stuff in profiles like this and becoming convinced everything I was doing was wrong. What's the American phrase? If it ain't broke...
Zadie Smith
My wife has made up Ty’s old bedroom for you,” he told him in a low voice as Ty and Mara argued over the merits of the couch cushions versus the rocks out back. “Oh Christ.” Zane laughed, falling back in his chair. “He won’t let me forget this. Losing his bed to me.” “Well,” Earl said with a sigh, “it’s either that or fight his mama over it.” He sat and watched Ty and Mara for a moment, sipping at his coffee contentedly. “Ain’t none of us ever won that fight,” he told Zane flatly. “Me and Zane’ll just bunk together,” Ty was arguing. Mara laughed at him. “You two boys won’t fit in a double bed any more than I’ll still fit in my wedding dress,” she scoffed. [...] “Good morning, Zane dear, how did you sleep?” Mara asked as she came up to him and pressed a glass of orange juice into his hands. “Ah, okay,” Zane hedged, taking the glass out of self-defense. “I don’t do too well sleeping in strange places lately, but….” “Well, Ty’s bed is about as strange a place as you can get,” Deuce offered under his breath. He followed it with a muffled grunt as Ty kicked him under the table.
Abigail Roux (Sticks & Stones (Cut & Run, #2))
Her hands fisted his jacket as she pressed her face to his chest. He didn't touch her in return, stood unmoving, his body tense. "It's not like that," she managed. "I'm not...it's not like I'm... I'm not a whore. I'm not. That's not what... please, please..." She didn't bother to finish. She was crying to hard to finish anyway, couldn't even bring herself to complete the lie. No, she wasn't whoring herself to Lex for drugs. Technically. But the drugs were payment for her false loyalty, weren't they? For her betrayal. And she kept seeing him, kept spending the night with him, because he gave them to her. It might not have been the only reason, but it was one of them. She thought she was going to be sick. The one thing she'd sworn she would never do, the one place she'd always said she had too much self respect to go, and here she was. She'd done it. And she hadn't even noticed. More gently than she would have expected, his hands found hers and disentangled them from his jacket. He pushed her away, his gaze focused on the ground. He wouldn't even look at her. She was glad. She didn't want him to see her like this. "Naw," he said. "Naw, Chess, you ain't a whore. A whores's honest.
Stacia Kane (Unholy Magic (Downside Ghosts, #2))
I ain’t used to feeling good thing… I can’t ever face feeling much of anything… I’ve done too much bad shit, enough to down me … but with you…I feel…I feel…everything, every-fucking-thing… right here…” I pressed her hand harder against my heart.
Tillie Cole (Sweet Hope (Sweet Home, #3; Carillo Boys, #2))
Bury it with me. Time was I thought it was a blessing and a curse. But it’s only a curse, and I ain’t about to curse some other poor bastard with it. Time was I thought it was reward and punishment both. But this is the only reward for men like us.’ And Whirrun nodded down towards the bloody spear-shaft. ‘This or … just living long enough to become nothing worth talking of. Put it in the mud, Craw.’ And he winced as he heaved the grip into Craw’s limp hand and pressed his dirty fingers around it. ‘I will.’ ‘Least I won’t have to carry it no more. You see how bloody heavy it is?’ ‘Every sword’s a weight to carry. Men don’t see that when they pick ’em up. But they get heavier with time.
Joe Abercrombie (The Heroes)
I didn't have the heart to tell him everything, didn't have the courage to say, man, feeling like that's going to break you if you ain't careful. "It's my first time, y'know," he said, as if I didn't know. "I hope I didn't do anything wrong. Did I make any mistakes?" "Mistakes?" I tried hard not to laugh. "Well, let's see, your first mistake was asking that." Then I put my hands on his shoulders and pressed my forehead against his. "And your second one was you thinking you ever owed me a goddamn thing.
Joshua Whitehead (Jonny Appleseed)
Before she knew it the afternoon was done, and the trainees were taking their new mounts to the stables for grooming. Daine, Onua, Buri, and Sarge helped then too, though Daine couldn't see how she could ever be comfortable telling a twenty-year-old man he was missing spots on the pony he was grooming. She did try it: "Excuse me, trainee what did you say your name was?" Blue gray eyes twinkled at her over his cream-colored mare's back. "I didn't. It's Farant. " His blond hair curled thickly over his head, almost matching the pony's in color. "Thank you. Trainee Farant, you're missing spots. " "Not at all, sweetheart. I'm just combing too fast for you to see. " "Trainee Farant, you're missing spots!" Sarge boomed just behind Daine. She thought later she actually might have levitated at that moment certainly Farant had. Next time the assistant horsemistress tells you something, don't flirt correct it!" He moved on, and Daine pressed her hands against her burning cheeks. Farant leaned on his mare and sighed. "Yes, Assistant Horsemistress. Right away. " He winked at her and went back to work. Daine went to Sarge as the trainees were finishing up. "Sarge, I-" He shook his head. Daine thought if he leaned against the stable wall any harder, it would collapse. How did a human, without bear blood in him, get to be so large? "Not your fault. These city boys see you, you're young, sweet-lookin'",he winked at her,"they're gonna try to take advantage. If they can't keep their minds on the job after I've had them two weeks already in my patty-paws, then I ain't been doing my job right. " His grin was wolfish. "But that can be fixed. " Seeing her open mouthed stare, he asked, "Something the matter, my lamb?" She closed her jaw. "No, sir. I just never met nobody like you. " "And if you're lucky, you won't again, " muttered Buri, passing by.
Tamora Pierce (Wild Magic (Immortals, #1))
You belong to me, you’re mine, and right now, in this bed, I’m gonna do something else for the very first time. We both are.” I held my breath, too afraid if I exhaled I would ruin the moment and never know what he would reveal. “I’m gonna make love to you, Lilah. I’m gonna take you as mine, possess you. ‘Cause there ain’t no one out there… no one else who could do this to me, but you.” … Pressing his forehead against mine, he inhaled a ragged breath and murmured, “I fuckin’ love you, Lilah. This, us, baby, it’s more than just fucking. You get that, yeah?
Tillie Cole (Heart Recaptured (Hades Hangmen, #2))
Well, ma’am that’s hard to do because Vernon Harvey keeps holding these press conferences, mouthin’ off about how he can’t wait to see me fry. Personally, I think the guy is his own worst enemy. He just needs to let it go, man. The girl’s dead now, and there’s nothin’ he can do to bring her back. Even watchin’ me fry ain’t gonna bring her back, but he won’t let it go and he’s just makin’ himself miserable, in my opinion.
Helen Prejean (Dead Man Walking: The Eyewitness Account of the Death Penalty That Sparked a National Debate)
His fingers gouged into my leg harder. "My sister was in that cafeteria," he said. "She saw her friends die, thanks to you and that puke boyfriend of yours. She still has nightmares about it. He got what he deserved, but you got a free pass. That ain't right. You should've died that day, Sister Death. Everyone wishes you would have. Look around. Where is Jessica, if she wants you here so bad? Even the friends you came here with don't want to be with you." "Let go of me," I said again, pulling on his fingers. But he only pinched tighter. "Your boyfriend isn't the only one who can get his hands on a gun," he said. Slowly he eased himself up to standing again. He reached into the waistband of his jeans and pulled out something small and dark. He pointed it at me, and when the moonlight hit it, I gasped and pressed myself against the barn wall.
Jennifer Brown (Hate List)
How’s the coffee?” “She hasn’t had any yet,” Cletus answered for me, then added, “but she wants you to ask her on a date tonight, no place public. Somewhere private, for discussing things.” Jethro’s eyes widened, and he glared at his brother’s reflection in the rearview mirror, snapping, “Cletus.” “Don’t clutch your pearls at me, big brother. Look at her, for hootenanny’s sake. She’s got the hots for your ugly face, Lord help her. And I know you’ve been thinking about her, judging by how long you took in the bathroom this morning.” I clamped a hand over my mouth just as shocked laughter burst from my lips. “Dammit, Cletus,” Jethro growled, turning the ignition and shooting his brother an incendiary look. “You are the worst. Just, don’t speak. Ever. Don’t speak ever again.” Jethro’s gaze darted to me then away as he sighed, looking remorseful. “I’m so sorry.” I placed my hand on Jethro’s thigh—FYI he had a really nice thigh—to ease his mind and because I wanted to touch him. “No, no. Please don’t apologize. He’s right and he’s wrong. I do have the hots for your face, but it isn’t at all ugly.” At this Cletus snorted and grumbled, “Well, it ain’t pretty.” Jethro pressed his lips together and I could see the hint of a smile there amidst his frustration. “Glad you have the hots for my face.” “Just ask her out already,” Cletus demanded. “She ain’t doing anything tonight. You two will go out tonight.
Penny Reid (Grin and Beard It (Winston Brothers, #2))
One of the most freeing lessons I ever learned as a pastor is that I cannot do spiritual things; I can only do physical things. I can only respond in flesh and blood to what I believe God is saying, and then rest in the results. God is the only One who can do soul stuff. My most pressing job as a pastor is often to get out of the way—and it ain’t easy.
John Pavlovitz (A Bigger Table: Building Messy, Authentic, and Hopeful Spiritual Community)
You need to stop,” I ordered. Her eyes flared. “I do not want to stop,” she said breathlessly. “I have thought of you and nothing else these past five days.” She had no idea what and who she was fucking with. If she did, she would back away. “Keep going and I’ll fuck you, Red. Can’t be pressing your big tits on me if you ain’t wanting me to fucking own them.” I caught the hitch of her breath and felt her pulse race under my fingers. “I’ll fuck you right here. I’ll fuck you and lick you and not stop until you’re screaming my name. You want that, bitch?
Tillie Cole (Damnable Grace (Hades Hangmen, #5))
Becky fell unusually quiet as she smoothed Macy's overalls that had scrunched under her legs. A tender gesture probably nobody else had noticed. "I don't want to say this the wrong way, Shah-loh, but we're all gonna die." "Of course we are." A drop of water fell from the end of the snapdragon stem. "But I prefer not to kill my flowers before their time." "Well, cut er not cut, we're all goin'." Becky spoke so soberly that I turned my eyes to her. "Ain't no stoppin' it. You know that." "Sure I do, but isn't it a waste? All that beautiful bloom for what-an hour?" "Mebbe in some ways, but..." She gathered a handful of roses and freesia, delicately perfumed, and pressed them in my hands. "Ya gotta remember though-this was their purpose all along. And they did it to their fullest. It's their gift." I felt strangely moved, standing there with shoppers laughing in the background. And me looking down at those beautiful doomed flowers in my hands, their glowing colors trembling with drops. "But it's such a waste, Becky!" "Or a sacrifice. Depends on how ya look at it. They lived and bloomed, jest like they were made to do. And when it was time to go, they gracefully said yes." She ran her hands over the petals, which gleamed like bits of satin. "We're seein' their last magnificent moments and enjoyin' 'em. If you was a flower, wouldn't that make ya happy to know you'd done what you was born ta do? Even if ya didn't get to do it very long?
Jennifer Rogers Spinola ('Til Grits Do Us Part (Southern Fried Sushi #3))
XII No one wants to be the person who drives slow past a flower shop on valentine’s day while their lover sleeps even if I know the flower petals will fold in on themselves and turn to rust before they expand into the sun beautiful things die every day and we still stare while they are living or set them in the middle of a wooden table passed down from a wilting grandmother who only remembers your face on tuesdays it makes sense to declare love with something that makes no promises about how long it will stay living something that we know will be dead in a week I tell myself that while gently pressing my fingers into the dark leather of another pair of sneakers while all of the other men scramble for chocolate I try on another beautiful thing that may live to see me forgiven for walking through the door holding it close to my chest nothing else in my hands I understand that I should always come bearing flowers it is good to hold a slow funeral in your palms it is good to know when something will leave
Hanif Abdurraqib (The Crown Ain't Worth Much (Button Poetry))
She is waiting for me when I step outside of school at the end of the day, her sturdy frame standing by the passenger door of my papaw's small truck, waving. Yes,waving-ildly, with both arms in the air,and catching herself on the door when she loses her balance. Mortified,I attempt a nonchalant wave to the other girls on my squad. Practice actually went well today.I like the girls and I'm on top of all the pyraminds, which is cool. What is not cool is my grandmother shouting my name and motioning at me like an escaped mental patient who has taken a day job landing planes.I sprint over to their truck, which is parked diagonally across to handicapped spots, as quickly as I can. "I'm here, gosh! Stop yelling," I say. "Comee here, baby," she says, and before I know it, she's pressing me against her massive bosom in a bear hug, slapping my back and cooing into my ear. "You're Mamaw's baby, ain't ya? Yes, Mamaw's sure happy to see you." There is no escape.Because I am too short and scrawny and no match for her brute grandchild-love strength, I wait it out.
Alecia Whitaker (The Queen of Kentucky)
What a wallop of rich, full-bodied flavor! Tangy spiciness is flooding in my mouth! This ain't no sweet tea cake! Ankimo?! It's filled with ankimo monkfish liver!" "Yep! You've got it in one. This here is a special little dish I made... I dub it THE ANKIMONAKA GUTS SANDWICH!" "Wait a minute. There were no rice wafer shells or batter in the ingredient trucks! How could you make a monaka sandwich?!" "Easy enough to make your own with a little cornstarch and shiratama rice flour. Squeeze some batter between two muffin molds- like these- bake them, and voilà! You have your own instant rice wafers. It's a pretty delicate operation, though, so you've gotta be patient and careful. As for the filling, I started out by trimming and deveining some monkfish liver, then I salted it to remove its fishiness. Next, I whipped up a broth of bonito stock seasoned with soy sauce, sake and sugar and then simmered the liver. I pressed it through a strainer until it was a nice, smooth paste and mixed in my handmade Shichimi red pepper blend. After that, all that was left was to stuff the rice wafer shells with it and serve!" Light, crispy wafers and thick, sticky monkfish-liver paste! Those two and the mountain yam he mixed in with them make for marvelously contrasting textures! And their flavors! The sharp spiciness spreads its addicting tingle through my entire mouth! He struck the perfect balance between the savory umami of the bonito stock and the salty soy sauce too... Which makes the tangy spiciness of his red pepper blend stand out all the more!
Yūto Tsukuda (食戟のソーマ 33 [Shokugeki no Souma 33] (Food Wars: Shokugeki no Soma, #33))
Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist. Mindy giggles as she replies, ”I guess so.” After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles. Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?” “We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.” Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering. I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy. Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.” I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.” Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle? Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers. “Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear. I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.” Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says. Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.” Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.” “Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs. “Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.” Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.
Mary Crawford (Until the Stars Fall from the Sky (Hidden Beauty #1))
This myth often plays a big part in our theology. If we are bad we will be punished. But for that to make any sense we have to be rewarded if we are good. Our law is to a large extent premised on just such notions of rewards and punishment. We define our goodness by another's lack of it. And that is one fallacy in letting te law become a repository for our moral aspirations. Any system that requires that we define our goodness by another's lack of it inevitably leaves us in the position of drawing lines. And as long as we draw lines, we will carefully and with great skill place ourselves on the right side. As long as we draw lines we will be hard-pressed to remember that in the context of salvation we are exactly like our neighbors, lost and in need. But this sort of thinking holds an even greater danger. Not only does it lead us to think that everyone who is different is potentially an outcast, but it leads us to believe that we can control God. It leads to blasphemy. If we are bad God will punish us. And if that is true, it must mean that if we are good God will have to reward us. So I can control God by my own behavior. And without a view of the world beyond difference it is inevitable that we will put ourselves or our institutions - like the law - where God ought to be. To dissolve difference, to conceive the inconceivable, to imagine the unimaginable - this is what allows us to see beyond ourselves and finally what sets us free. We are freed in two senses when we are liberated from the illusion of thinking that we are just a little bit better than our neighbors. We are freed to see our neighbors as neighbors and to love them. We are also freed to know that God is God - and we ain't.
Andrew W. McThenia, Jr. (Radical Christian and Exemplary Lawyer: Honoring William Stringfellow)
It’s all right, I got off the ship okay. I’m alive,” he said again. But his voice sounded different now. “I said I’m alive, Camille. Open your eyes and look at me.” Camille’s heart shriveled as her eyelids fluttered open and she saw the ceiling of Monty’s shack. “Camille?” Oscar leaned over her, his calloused hand on her cheek. “Thank God. You’ve been delirious for nearly an hour.” Tears slipped down her cheeks as the truth stung her with renewed vigor. Her father wasn’t alive. He was truly gone. It had been nothing but a hallucination. “Why are you crying? Does something hurt?” Oscar asked, lightly prodding her arms and then checking her head. She was lying on a cot in front of the blazing stove, blankets covering her. They were scratchy and too heavy. She tried to push them away. “No.” Oscar blocked her arms. “Don’t do that.” “Why?” she asked, her throat dry and sore. Oscar looked apprehensive as he tucked the blankets tightly around her arms and neck. “Your clothes were soaked. You were shivering and flush with fever.” “Had to take ‘em off, love,” Ira said, coming to the foot of the cot. “You gave us quite a scare. That lump on the back of your head worked you over something nasty.” Camille stared at Ira, then Oscar. The crushed hope of her father being alive withered under the heat of embarrassment. “You…you removed my dress?” she whispered. Oscar backed away from her, as if he’d just slid his hand over an open flame. “No, no, I didn’t.” She looked to Ira. “Much as I’d been honored, the Irish bastard wouldn’t hear of it. Quite the prude.” Frustrated and head still piercing with pain, Camille felt the blood rush to her cheeks. “Well, then, who?” “Nothin’ I ain’t seen before, woman,” Monty grumbled from his seat at the table as he sprinkled tobacco into a pipe. Camille gasped and pressed her lips together. She caught sight of her dress hanging on a rack by the fire.
Angie Frazier (Everlasting (Everlasting, #1))
The man at the desk in the library had seen Martin there so often that he had become quite cordial, always greeting him with a smile and a nod when he entered. It was because of this that Martin did a daring thing. Drawing out some books at the desk, and while the man was stamping the cards, Martin blurted out: "Say, there's something I'd like to ask you." The man smiled and paid attention. "When you meet a young lady an' she asks you to call, how soon can you call?" Martin felt his shirt press and cling to his shoulders, what of the sweat of the effort. "Why I'd say any time," the man answered. "Yes, but this is different," Martin objected. "She - I - well, you see, it's this way: maybe she won't be there. She goes to the university." "Then call again." "What I said ain't what I meant," Martin confessed falteringly, while he made up his mind to throw himself wholly upon the other's mercy. "I'm just a rough sort of a fellow, an' I ain't never seen anything of society. This girl is all that I ain't, an' I ain't anything that she is. You don't think I'm playin' the fool, do you?" he demanded abruptly. "No, no; not at all, I assure you," the other protested. "Your request is not exactly in the scope of the reference department, but I shall be only too pleased to assist you." Martin looked at him admiringly. "If I could tear it off that way, I'd be all right," he said. "I beg pardon?" "I mean if I could talk easy that way, an' polite, an' all the rest." "Oh," said the other, with comprehension. "What is the best time to call? The afternoon? - not too close to meal-time? Or the evening? Or Sunday?" "I'll tell you," the librarian said with a brightening face. "You call her up on the telephone and find out." "I'll do it," he said, picking up his books and starting away. He turned back and asked: "When you're speakin' to a young lady - say, for instance, Miss Lizzie Smith - do you say 'Miss Lizzie'? or 'Miss Smith'?" "Say 'Miss Smith,'" the librarian stated authoritatively. "Say 'Miss Smith' always until you come to know her better." So it was that Martin Eden solved the problem. "Come down any time; I'll be at home all afternoon," was Ruth's reply over the telephone to his stammered request as to when he could return the borrowed books.
Jack London (Martin Eden)
The man at the desk in the library had seen Martin there so often that he had be- come quite cordial, always greeting him with a smile and a nod when he entered. It was because of this that Martin did a daring thing. Drawing out some books at the desk, and while the man was stamping the cards, Martin blurted out:- "Say, there's something I'd like to ask you." The man smiled and paid attention. "When you meet a young lady an' she asks you to call, how soon can you call?" Martin felt his shirt press and cling to his shoulders, what of the sweat of the ef- fort. "Why I'd say any time," the man answered. "Yes, but this is different," Martin objected. "She - I - well, you see, it's this way: maybe she won't be there. She goes to the university." "Then call again." "What I said ain't what I meant," Martin confessed falteringly, while he made up his mind to throw himself wholly upon the other's mercy. "I'm just a rough sort of a fellow, an' I ain't never seen anything of society. This girl is all that I ain't, an' I ain't anything that she is. You don't think I'm playin' the fool, do you?" he de- manded abruptly. "No, no; not at all, I assure you," the other protested. "Your request is not ex- actly in the scope of the reference department, but I shall be only too pleased to as- sist you." Martin looked at him admiringly. "If I could tear it off that way, I'd be all right," he said. "I beg pardon?" "I mean if I could talk easy that way, an' polite, an' all the rest." "Oh," said the other, with comprehension. "What is the best time to call? The afternoon? - not too close to meal-time? Or the evening? Or Sunday?" "I'll tell you," the librarian said with a brightening face. "You call her up on the telephone and find out." "I'll do it," he said, picking up his books and starting away. He turned back and asked:- "When you're speakin' to a young lady - say, for instance, Miss Lizzie Smith - do you say 'Miss Lizzie'? or 'Miss Smith'?" "Say 'Miss Smith,'" the librarian stated authoritatively. "Say 'Miss Smith' always - until you come to know her better." So it was that Martin Eden solved the problem. "Come down any time; I'll be at home all afternoon," was Ruth's reply over the telephone to his stammered request as to when he could return the borrowed books.
Jack London (Martin Eden)
Sky's The Limit" [Intro] Good evening ladies and gentlemen How's everybody doing tonight I'd like to welcome to the stage, the lyrically acclaimed I like this young man because when he came out He came out with the phrase, he went from ashy to classy I like that So everybody in the house, give a warm round of applause For the Notorious B.I.G The Notorious B.I.G., ladies and gentlemen give it up for him y'all [Verse 1] A nigga never been as broke as me - I like that When I was young I had two pair of Lees, besides that The pin stripes and the gray The one I wore on Mondays and Wednesdays While niggas flirt I'm sewing tigers on my shirts, and alligators You want to see the inside, I see you later Here comes the drama, oh, that's that nigga with the fake, blaow Why you punch me in my face, stay in your place Play your position, here come my intuition Go in this nigga pocket, rob him while his friends watching And hoes clocking, here comes respect His crew's your crew or they might be next Look at they man eye, big man, they never try So we rolled with them, stole with them I mean loyalty, niggas bought me milks at lunch The milks was chocolate, the cookies, butter crunch 88 Oshkosh and blue and white dunks, pass the blunts [Hook: 112] Sky is the limit and you know that you keep on Just keep on pressing on Sky is the limit and you know that you can have What you want, be what you want Sky is the limit and you know that you keep on Just keep on pressing on Sky is the limit and you know that you can have What you want, be what you want, have what you want, be what you want [Verse 2] I was a shame, my crew was lame I had enough heart for most of them Long as I got stuff from most of them It's on, even when I was wrong I got my point across They depicted me the boss, of course My orange box-cutter make the world go round Plus I'm fucking bitches ain't my homegirls now Start stacking, dabbled in crack, gun packing Nickname Medina make the seniors tote my Niñas From gym class, to English pass off a global The only nigga with a mobile can't you see like Total Getting larger in waists and tastes Ain't no telling where this felon is heading, just in case Keep a shell at the tip of your melon, clear the space Your brain was a terrible thing to waste 88 on gates, snatch initial name plates Smoking spliffs with niggas, real-life beginner killers Praying God forgive us for being sinners, help us out [Hook] [Verse 3] After realizing, to master enterprising I ain't have to be in school by ten, I then Began to encounter with my counterparts On how to burn the block apart, break it down into sections Drugs by the selections Some use pipes, others use injections Syringe sold separately Frank the Deputy Quick to grab my Smith & Wesson like my dick was missing To protect my position, my corner, my lair While we out here, say the Hustlers Prayer If the game shakes me or breaks me I hope it makes me a better man Take a better stand Put money in my mom's hand Get my daughter this college grant so she don't need no man Stay far from timid Only make moves when your heart's in it And live the phrase sky's the limit Motherfuckers See you chumps on top [Hook]
The Notorious B.I.G
Well, well, if it isn’t the little spitfire herself.” Lily glanced up with a start and found Jimmy Neil standing two steps above her. A slow grin spread across his face, and the black gaps where he was missing parts of his top teeth seemed to stare at her. He’d leered at her several times that past week during the meals he’d taken in the dining room. But she’d made a point of ignoring him. And that’s exactly what she planned to do this time too. He moved one step closer, and the stench of the alcohol on his breath filled the space between them. He’d likely already been out at the taverns long enough to drink too much but would continue with the drinking as long as he was conscious. So why was he back at the hotel? “Ran out of money,” he said too softly, as if he’d seen the direction of her thoughts. “The night’s still young, and I aim to get my fill of women.” His eyes glistened with brittle lust. A man like Jimmy Neil didn’t deserve a response, not even the briefest acknowledgment that she’d heard his lurid words. She turned her head and pushed past him in the narrow stairwell. But before she could get by, his arm shot out and blocked her path. “Where you goin’ so fast?” “Get out of my way.” She shoved his arm, but it didn’t budge. She tried to duck under it, but he stuck out his knee. He leaned into her. The sickly heat and sourness of his breath fanned her neck. “Maybe I don’t need to go back out, not when I can have a little spitfire right here, right now.” She stifled a shudder and the shiver of fear that accompanied it. She might have broken free of him last time, but he was drunk now, and there was no telling what he was capable of doing. Better for her to play it safe. She spun and tried to retreat the way she’d come, but his other hand slapped against the wall, trapping her into an awkward prison within the confines of his arms. “You ain’t goin’ nowhere except up to my room with me.” He pushed himself against her in such a carnal way that she couldn’t keep from crying out in alarm. His hand cut off her cry, covering her mouth and smothering any chance she had at calling for help. A rush of fear turned her blood to ice. For an instant Daisy’s sweet face flitted into her mind. Was this the way men treated her sister? How could she possibly withstand such abuse day after day? As if seeing the fright in Lily’s eyes, his gap-toothed smile widened. “It’s always more fun when there’s some scratchin’ and clawin’.” His hand against her mouth and nose was beginning to suffocate her. She swung her head, struggling to break free and jerked up her knee, trying to connect it with his tender spot. But he was pressed too close, and he only strengthened his grip. She tried to scream and then bite him. But she was quickly losing strength in the dizzying wave that rushed over her. Suddenly his smile froze and fear flitted across his face. “Let go of her. Now. Or I’ll shove this knife in all the way.” Connell’s voice was low and menacing. Slowly Jimmy’s grip loosened. She caught a glimpse of Connell, one step down, his face a mask of calm fury.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
Yo, in this lost fight, he say, like daring me to fail, like mockery, You love me, Sengle? And I feel, this ain't no love, we be like ghosts in hell - like after death you lose your thoughts, but keep your body in a bliss of nightmares - and I say furiose, Ain't going to lie, I do. He press me down beneath him, say my name, and say he love me also. Then every terrify hate be gold. Darkness better than no light, and I creep out to solitary night and think of killing him, or how he kill me in some madness. Feel it ending so, is like a war must end with burning death.
Sandra Newman (The Country of Ice Cream Star)
I've been on the warpath for forty years. I've probably put a thousand men in the ground. Women too. Hell, probably some kids mixed in along the way, although I can't say for sure. And I know some good guys got caught in the crossfire, too; cops, security guards, watchmen, even your run of the mill innocent bystanders. Wrong place at the wrong time and all that.” I stared off into space. “Why are you telling me this?” “Because you need to remember I'm not a nice guy. I'm not far removed from that thing in your dream. Call me a war criminal and you'd probably be more right than wrong. I always thought at the time I was working for the good guys, fighting for the right reasons. But the Cold War was still a bloody business and I was always there at its bloodiest. Afghanistan, Burma, Egypt, Iran, India, Brazil, Russia...I've been all over, always where the fighting was the dirtiest. Tore up some places here in the States as well. Things the press was threatened to keep quiet about, or bribed into silence, or worse.” “Just keeps getting better and better,” I said. “And just remember, I'm one of the good guys. Some of the animals I worked with, they make your run of the mill concentration camp guard look like he's gentle enough to run a daycare center. Some of those older guys, they probably were concentration camp guards back in the day. Plenty of the grey-hairs I went into the field with, those were the war addicts, the guys who couldn't go back home. Saw it after 'Nam, too; men who lived for death, lived for the blood and the thrill of the kill. They weren't much better than the dummies we were gunning after. Matter of fact, most of them were probably worse. At least the guys at the end of my gun usually died for a cause: communism, Islam, even plain old fashioned world domination. Some of the savages I fought with, they killed simply for the fun of it. The money? That was just gravy.” I turned to look at Richard, slouched in his rocker, hat pulled down low over his blue eyes. “So what about you? Killing for a cause, or was it the fun?” Richard finally turned and looked me square in the eye. “You ain't figured that out yet? I killed for profit, kid. And back in the day, business was good. Business was really good.
Jack Badelaire (Killer Instincts)
I’m sure you can bench press more than me, carry a football a whole lot farther, you can probably even beat me up in a fair fight, I don’t doubt it. But this ain’t a football field, a basketball court, or a schoolyard. And it’s sure as fuck not a fair fight, if such a thing exists. This is the real shit we’re talking about and nobody, nobody fights fair in the real shit. You want to be in my business, maybe you should ask yourself, are you willing to do any of the things I mentioned, are you willing to get neck deep in the real shit? Or, even more, ask yourself if you’re willing to risk having any of those specific actions directed at you? You got a pretty good life here. Ready to flush that shit right down the toilet? Because you might have to, you know. That’s the price of playing this game. You sure want to take that kind of chance? Because if you’re not, we know right here and now who the real bitch is, don’t we?
Todd Travis (Sex, Marry, Kill)
During the pandemic, I couldn’t bring myself to leave the house, terrified I would find myself standing in the doorway of an ICU room, watching the doctors press their whole weight on the chest of my mother, my sisters, my children, terrified of the lurch of their feet, the lurch that accompanies each press that restarts the heart, the jerk of their pale, tender soles, terrified of the frantic prayer without intention that keens through the mind, the prayer for life that one says in the doorway, the prayer I never want to say again, the prayer that dissolves midair when the hush-click-hush-click of the ventilator drowns it, terrified of the terrible commitment at the heart of me that reasons that if the person I love has to endure this, then the least I can do is stand there, the least I can do is witness, the least I can do is tell them over and over again, aloud, I love you. We love you. We ain’t going nowhere.
Jesmyn Ward
But… the world needs to know about this! The world needs to know the truth!” I shook my head. “No, Myron, it doesn’t. In fact, that would be the worst thing for mankind right now.” “Don’t give me that. Humanity couldn’t handle it bullshit—” “I’m not. It’s not about that at all.” “So what, then?” I turned in my seat so I was facing him. “Myron, you’ve spent who knows how long obsessed with UFOs and Roswell, Area 51, conspiracy theories, abductions, that sort of stuff. And yes, you now know that a lot of it is true, although not in the ways you think it is.” I leaned forward. “The truth, and the threat, isn’t down there,” I said, pointing at the Arabian peninsula, which was now sliding beneath us. I turned my finger and pointed up. “It’s out there. The Men in Black aren’t your enemy, if they even exist at all, that is. The biggest threat to mankind are vicious, amoral alien assholes who would exploit the shit out of Earth if it ever lost the ignorance that’s protecting it.” “Ignorance? A protection?” I nodded. “There’s a community of peoples out there that put a lot of effort into protecting places like Earth, until they’re ready to take their first real steps into space. And I don’t mean sending a few guys to go futz around on the Moon. I mean serious, deep space travel. The organization I’m part of, the Peacemaker Guild, is part of that protection. But mankind’s ignorance of the truth is the far more important one. Once that’s gone, all bets are off.” I leaned forward even more, pressing my gaze into Myron’s. “Imagine the worst thing you can. Now, try and imagine something worse than that. That still doesn’t even come close to the true horror out there. Now, it’s not just horror, of course. There are lots of good things, wonderful things. But it’s the horror that keeps me awake at night.” “What Van is saying is that, if you managed to convince humanity of the truth, it would pretty much be the end of the line for Earth,” Perry put in. Myron sank back and shook his head. “So you mean that we now really do know the truth, and we can’t share it with anyone?” I leaned back and smiled at him. “Congratulations, Myron. You thought there was a conspiracy, and you were right—and now you’re part of it. Ain’t life a funny thing?
J.N. Chaney (Distant Horizon (Backyard Starship, #6))
In 1936 Romulus’s grandson asked him how he felt about how the world had changed for “colored people,” and how he thought it was likely to change in the future. Romulus’s answer sounded typical of the time, and did not surprise me. But then the grandson asked him—a man saved from drowning by a Union soldier bearing a coffin—how he felt about white people in general. Romulus’s answer haunts me to this day. “Oh, there’s good white folks out there,” he said. “And when you deal with ’em by themselves, they’ll treat you just like a brother. In fact, I wouldn’t be alive today without one or two. But when you deal with ’em in groups . . . things change. I don’t know why that is, but they do.” “But you have no ill feelings against white people in general?” his grandson pressed. “How can I answer that, boy? I’m more than half-white myself! Yet all my life I been nothing but Black. One drop, right? The truth is, all people are good and bad. There ain’t many saints in this world, regardless of color. I’ve known white people good as anybody. Generous, kind, compassionate. There just ain’t quite enough of ’em.” There just ain’t quite enough of ’em.
Greg Iles (Southern Man (Penn Cage #7))
Why did you keep it?” I whispered. I ran my fingers over the letters again and pressed my cheek to his chest. His arms came up and about me and I was engulfed in him. It was the best spot on earth. “You have to ask?” His deep voice rumbled in his chest and against my ear. His lips moved against my hair, “It should be pretty obvious.” I smiled. “The whole angel would have been painful to remove, but you could have camouflaged my name. He chuckled and flexed his arms. “So why?” I wrapped my arms around him and peeked up at his face. The magic eyes were soft and happy on me now. “That tattoo is a permanent part of me, Hadley,” he murmured. “You are, too. Ain’t no way in hell I’m giving up either.” My heart slammed hard. “You get me?” He grinned. I nodded stupidly. He
Sarah Brocious (What Remains (Love Abounds, #1))
This myth often plays a big part in our theology. If we are bad we will be punished. But for that to make any sense we have to be rewarded if we are good. Our law is to a large extent premised on just such notions of rewards and punishment. We define our goodness by another's lack of it. And that is one fallacy in letting the law become a repository for our moral aspirations. Any system that requires that we define our goodness by another's lack of it inevitably leaves us in the position of drawing lines. And as long as we draw lines, we will carefully and with great skill place ourselves on the right side. As long as we draw lines we will be hard-pressed to remember that in the context of salvation we are exactly like our neighbors, lost and in need. But this sort of thinking holds an even greater danger. Not only does it lead us to think that everyone who is different is potentially an outcast, but it leads us to believe that we can control God. It leads to blasphemy. If we are bad God will punish us. And if that is true, it must mean that if we are good God will have to reward us. So I can control God by my own behavior. And without a view of the world beyond difference it is inevitable that we will put ourselves or our institutions - like the law - where God ought to be. To dissolve difference, to conceive the inconceivable, to imagine the unimaginable - this is what allows us to see beyond ourselves and finally what sets us free. We are freed in two senses when we are liberated from the illusion of thinking that we are just a little bit better than our neighbors. We are freed to see our neighbors as neighbors and to love them. We are also freed to know that God is God - and we ain't.
Andrew W. McThenia, Jr. (Radical Christian and Exemplary Lawyer: Honoring William Stringfellow)
The joy of Loretta’s homecoming was overshadowed by Henry’s rage. Friends with a murderin’ savage, was she? A Comanche slut, that’s what, kissin’ on him in broad daylight, comin’ home to shame them all with her Injun horse and heathen necklace. His land looked like a bloomin’ pincushion with all them heathen lances pokin’ up. He was gonna get shut of ’em, just like he had those horses. Half of ’em stole from white folks! Some trade that was! Loretta listened to his tirade in stony silence. When he wound down she said, “Are you quite finished?” “No, I ain’t!” He leveled a finger at her. “Just you understand this, young lady. If that bastard planted his seed in that belly of yours, it’ll be hell to pay. The second you throw an Injun brat, I’ll bash its head on a rock!” Loretta flinched. “And we call them animals?” Henry backhanded her, catching her on the cheek with stunning force. Loretta reeled and grabbed the table to keep from falling. Rachel screamed and threw herself between them. Amy’s muffled sobs could be heard coming up through the floor. “For the love of God, Henry, please…” Rachel wrung her hands in her apron. “Get a hold on your temper.” Henry swept Rachel aside. Leveling a finger at Loretta again, he snarled, “Don’t you sass me, girl, or I’ll tan your hide till next Sunday. You’ll show respect, by gawd.” Loretta pressed her fingers to her jaw, staring at him. Respect? Suddenly it struck her as hysterically funny. She had been captured by savages and dragged halfway across Texas. Never once, not even when he had just cause, had Hunter hit her with enough force to hurt her, and never in the face. She’d had to come home to receive that kind of abuse. She sank onto the planked bench and started to laugh, a high-pitched, half-mad laughter. Aunt Rachel crossed herself, and that only made her laugh harder. Henry stormed outside to get “those dad-blamed Indian lances” pulled up before a passing neighbor spied them and started calling them Injun lovers. Loretta laughed harder yet. Maybe she had gone mad. Stark, raving mad.
Catherine Anderson (Comanche Moon (Comanche, #1))
. . . then I’m gonna get medieval on his arse.’ There were more pressing problems, but this one intrigued Mr Pin. ‘How, exactly?’ he said. ‘I thought maybe a maypole,’ said Mr Tulip reflectively. ‘An’ then a display of country dancing, land tillage under the three-field system, several plagues and, if my —ing hand ain’t too tired, the invention of the —ing horse collar.
Terry Pratchett (The Truth (Discworld, #25))
Don’t shoot,” Tom cautioned again. “That brave in the lead has a crooked lance with a white flag. Whatever it is they’re wantin’, it ain’t a fight. You speak any Comanch’?” “Not a word,” Henry replied. “I don’t know much. If they do a lot of tradin’, they can probably talk English, but if they don’t--all we can do is hope my Injun will get us by.” Tom spat a glob of chew onto Rachel’s bleached floor. Then he bellowed, “What do you want?” Loretta’s nerves were strung so taut, she leaped. Nausea surged into her throat as the brown tobacco juice soaked into the floor. Was she losing her mind? Who cared if the puncheon got stained? Before this was over, the house might be burned to the ground. She heard Rachel crying, a soft, irregular whimpering. Terror. The metallic taste of it shriveled her tongue. “What brings you here?” Tom cried again. “Hites!” a deep voice called back. “We come as friends, White-Eyes.” The lead warrior moved some twenty feet in front of his comrades, holding the crooked lance high so the dusty white rag was clearly visible. He sat proudly on his black stallion, gleaming brown shoulders straight, leather-sheathed legs pressed snugly to his mount. A rush of wind lifted his mahogany hair, wisping it across his bronzed, sharply chiseled face. Loretta’s first thought when she saw him was that he seemed different from the others. A closer look told her why. He was unquestionably a half-breed, taller on horseback than the rest, lighter-skinned. If not for his sun-darkened complexion and long hair, he might have passed for a white man. Everything else about him was savage, though, from the cruel sneer on his mouth to the expert way he balanced on his horse, as if he and the animal were one entity. Tom Weaver stiffened. “Son of a--Henry, you know who that is?” “I was hopin’ I was wrong.” Loretta inched closer to get a better look. Then it hit her. Hunter. She had heard his name whispered with dread, heard tales. But until this moment she hadn’t believed he existed. A blue-eyed half-breed, one of the most cunning and treacherous adversaries the U.S. Army had run across. Now that the war had pitted North against South, the homesteaders had no cavalry to keep Hunter and his marauders at bay, and his raiders struck ever deeper into settled country, advancing east. Some claimed he was far more dangerous than a full-blooded Comanche because he had a white man’s intelligence. As vicious as he was, there were stories that he spared women and children. Whether that was coincidence, design, or a lie some Indian lover had dreamed up, no one knew. Loretta opted for the latter.
Catherine Anderson (Comanche Moon (Comanche, #1))
The Indian reached to his belt and pulled something loose. Lifting it high, he stared straight at the window where Loretta stood. She had the uncanny feeling he could see her. Something golden streamed from his fingers, shimmering in the slanting sunlight. “Pe-nan-de,” he yelled. “Honey, you call it. Send me the woman whose hair I hold.” “Oh, sweet Jesus,” Tom whispered. Unable to drag her eyes from the strands of gold trailing from the half-breed’s brown fingers, Loretta pressed a trembling hand to her throat. This isn’t really happening, she thought fuzzily. In a minute I’ll wake up. It’s just a bad dream. “We’re outnumbered fifty to one,” Henry said. “What in hell we gonna do?” Tom shifted at the window. “Ain’t no matter if it’s a hundred to one, you can’t send him the girl.” “Better just her than all of us.” A trickle of moisture dripped off Henry’s nose, and he made a quick swipe with his white sleeve. “I got Amy and Rachel to think of. You know what those savages would do to Amy, Tom.” “And what about Loretta?” Loretta reached to the wall for support. He wanted her?
Catherine Anderson (Comanche Moon (Comanche, #1))
Carlson felt his head doing a double spin. How the hell …? “Anything else?” “That’s it,” Stone said. “Say, where are you?” “I’ll talk to you later, Tom.” Carlson hung up the phone and pressed in another number. A voice answered, “National Tracing Center.” “Working late, Donna?” “And I’m trying to get out of here, Nick. What do you want?” “A really big favor.” “No,” she said. Then with a big sigh, “What?” “You still have that thirty-eight we found in the Sarah Goodhart safety-deposit box?” “What about it?” He told her what he wanted. When he finished, she said, “You’re kidding, right?” “You know me, Donna. No sense of humor.” “Ain’t that truth.” She sighed. “I’ll put in a request, but there’s no way it’ll get done tonight.” “Thanks, Donna. You’re the best.” When
Harlan Coben (Tell No One)
And wear out too,’ said Bella soothingly, ‘this weakness, Lizzie, in favour of one who is not worthy of it.’ ‘No. I don’t want to wear that out,’ was the flushed reply, ‘nor do I want to believe, nor do I believe, that he is not worthy of it. What should I gain by that, and how much should I lose!’ Bella’s expressive little eyebrows remonstrated with the fire for some short time before she rejoined: ‘Don’t think that I press you, Lizzie; but wouldn’t you gain in peace, and hope, and even in freedom? Wouldn’t it be better not to live a secret life in hiding, and not to be shut out from your natural and wholesome prospects? Forgive my asking you, would that be no gain?’ ‘Does a woman’s heart that—that has that weakness in it which you have spoken of,’ returned Lizzie, ‘seek to gain anything?’ The question was so directly at variance with Bella’s views in life, as set forth to her father, that she said internally, ‘There, you little mercenary wretch! Do you hear that? Ain’t you ashamed of your self?’ and unclasped the girdle of her arms, expressly to give herself a penitential poke in the side. ‘But you said, Lizzie,’ observed Bella, returning to her subject when she had administered this chastisement, ‘that you would lose, besides. Would you mind telling me what you would lose, Lizzie?’ ‘I should lose some of the best recollections, best encouragements, and best objects, that I carry through my daily life. I should lose my belief that if I had been his equal, and he had loved me, I should have tried with all my might to make him better and happier, as he would have made me. I should lose almost all the value that I put upon the little learning I have, which is all owing to him, and which I conquered the difficulties of, that he might not think it thrown away upon me. I should lose a kind of picture of him—or of what he might have been, if I had been a lady, and he had loved me—which is always with me, and which I somehow feel that I could not do a mean or a wrong thing before. I should leave off prizing the remembrance that he has done me nothing but good since I have known him, and that he has made a change within me, like—like the change in the grain of these hands, which were coarse, and cracked, and hard, and brown when I rowed on the river with father, and are softened and made supple by this new work as you see them now.’ They trembled, but with no weakness, as she showed them. ‘Understand me, my dear;’ thus she went on. ‘I have never dreamed of the possibility of his being anything to me on this earth but the kind picture that I know I could not make you understand, if the understanding was not in your own breast already. I have no more dreamed of the possibility of my being his wife, than he ever has—and words could not be stronger than that. And yet I love him. I love him so much, and so dearly, that when I sometimes think my life may be but a weary one, I am proud of it and glad of it. I am proud and glad to suffer something for him, even though it is of no service to him, and he will never know of it or care for it.
Charles Dickens