“
Inside every sane person there's a madman struggling to get out," said the shopkeeper. "That's what I've always thought. No one goes mad quicker than a totally sane person.
”
”
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
“
Sometimes you just have to reach out and grab what you want, even when they tell you not to. This is something that I've struggled with my whole life long.
”
”
Rebecca Wells (Little Altars Everywhere)
“
Why not? It's true. My best hope is to not disgrace myself and..." He hesitates.
And what?" I say.
I don't know how to say it exactly. Only... I want to die as myself. Does that make any sense?" he asks. I shake my head. How could he die as anyone but himself? "I don't want them to change me in there. Turn me into some kind of monster that I'm not."
I bite my lip feeling inferior. While I've been ruminating on the availability of trees, Peeta has been struggling with how to maintain his identity. His purity of self. "Do you mean you won't kill anyone?" I ask.
No, when the time comes, I'm sure I'll kill just like everybody else. I can't go down without a fight. Only I keep wishing I could think of a way to... to show the Capitol they don't own me. That I'm more than just a piece in their Games," says Peeta.
But you're not," I say. "None of us are. That's how the Games work."
Okay, but within that frame work, there's still you, there's still me," he insists. "Don't you see?"
A little, Only... no offense, but who cares, Peeta?" I say.
I do. I mean what else am I allowed to care about at this point?" he asks angrily. He's locked those blue eyes on mine now, demanding an answer.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
All I know is that while I’m asleep, I’m never afraid, and I have no hopes, no struggles, no glories — and bless the man who invented sleep, a cloak over all human thought, food that drives away hunger, water that banishes thirst, fire that heats up cold, chill that moderates passion, and, finally, universal currency with which all things can be bought, weight and balance that brings the shepherd and the king, the fool and the wise, to the same level. There’s only one bad thing about sleep, as far as I’ve ever heard, and that is that it resembles death, since there’s very little difference between a sleeping man and a corpse.
”
”
Miguel de Cervantes Saavedra
“
Where will I sit?”
Sit? Why, on this comfortable chaise longue I’ve carried here for you in my pocket, Your Highness, so glad you asked.
I clamp my mouth shut, struggling not to say it aloud.
”
”
Amie Kaufman (These Broken Stars (Starbound, #1))
“
It’s the way he’s looking at me that suddenly
makes swallowing seem like a struggle, breathing seem like a chore. I’ve never been looked at like it’s a privilege to be in my presence, an honor to
hold my gaze, a gift to get a glimpse of me. Not until I met him.
”
”
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
“
The worst part is wondering how you’ll find the strength tomorrow to go on doing what you did today and have been doing for much too long, where you’ll find the strength for all that stupid running around, those projects that come to nothing, those attempts to escape from crushing necessity, which always founder and serve only to convince you one more time that destiny is implacable, that every night will find you down and out, crushed by the dread of more and more sordid and insecure tomorrows. And maybe it’s treacherous old age coming on, threatening the worst. Not much music left inside us for life to dance to. Our youth has gone to the ends of the earth to die in the silence of the truth. And where, I ask you, can a man escape to, when he hasn’t enough madness left inside him? The truth is an endless death agony. The truth is death. You have to choose: death or lies. I’ve never been able to kill myself.
”
”
Louis-Ferdinand Céline
“
The centripetal force on our planet is still fearfully strong, Alyosha. I have a longing for life, and I go on living in spite of logic. Though I may not believe in the order of the universe, yet I love the sticky little leaves as they open in spring. I love the blue sky, I love some people, whom one loves you know sometimes without knowing why. I love some great deeds done by men, though I’ve long ceased perhaps to have faith in them, yet from old habit one’s heart prizes them. Here they have brought the soup for you, eat it, it will do you good. It’s first-rate soup, they know how to make it here. I want to travel in Europe, Alyosha, I shall set off from here. And yet I know that I am only going to a graveyard, but it’s a most precious graveyard, that’s what it is! Precious are the dead that lie there, every stone over them speaks of such burning life in the past, of such passionate faith in their work, their truth, their struggle and their science, that I know I shall fall on the ground and kiss those stones and weep over them; though I’m convinced in my heart that it’s long been nothing but a graveyard. And I shall not weep from despair, but simply because I shall be happy in my tears, I shall steep my soul in emotion. I love the sticky leaves in spring, the blue sky — that’s all it is. It’s not a matter of intellect or logic, it’s loving with one’s inside, with one’s stomach.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
Do you believe in God, doctor?"
No - but what does that really mean? I'm fumbling in the dark, struggling to make something out. But I've long ceased finding that original.
”
”
Albert Camus (The Plague)
“
Even if the world is cruel, even if all I have is loneliness, I’ll still live with everything I’ve got. Even if this emotion is all I have, I’ll keep struggling.
”
”
Makoto Shinkai (Your name.)
“
Wherever I was, I was happy. At peace. I knew that everyone I cared about was all right. I knew it. Time didn't mean anything, nothing had form but I was still me, you know? And I was warm and I was loved and I was finished. Complete. I don't understand about theology or dimensions, or any of it, really but I think I was in heaven. And now I'm not. I was torn out of there. Pulled out by my friends. Everything here is hard, and bright, and violent. Everything I feel, everything I touch this is hell. Just getting through the next moment, and the one after that knowing what I've lost...
”
”
Joss Whedon
“
You know, and so, I've come to this belief that, if you show me a woman who can sit with a man in real vulnerability, in deep fear, and be with him in it, I will show you a woman who, A, has done her work and, B, does not derive her power from that man. And if you show me a man who can sit with a woman in deep struggle and vulnerability and not try to fix it, but just hear her and be with her and hold space for it, I'll show you a guy who's done his work and a man who doesn't derive his power from controlling and fixing everything.
”
”
Brené Brown
“
Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?"
Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?"
Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be."
Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations."
"That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story."
Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."
His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen."
"What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now."
"I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Jealousy always has been my cross, the weakness and woundedness in me that has most often caused me to feel ugly and unlovable, like the Bad Seed. I’ve had many years of recovery and therapy, years filled with intimate and devoted friendships, yet I still struggle. I know that when someone gets a big slice of pie, it doesn’t mean there’s less for me. In fact, I know that there isn’t even a pie, that there’s plenty to go around, enough food and love and air.
But I don’t believe it for a second.
I secretly believe there’s a pie. I will go to my grave brandishing my fork.
”
”
Anne Lamott (Grace (Eventually): Thoughts on Faith)
“
You can't save everyone."
Xie Lian slowly straightened up. “Whether I can, I won’t know until I’ve tried. Even if the heavens say I must die, if that sword doesn’t pierce my heart and nail me dead on the ground, then I am still alive, and ‘til my last breath I will struggle to the end!
”
”
Mò Xiāng Tóng Xiù (天官赐福 [Tiān Guān Cì Fú])
“
I simply state that I'm a product of a versatile mind in a restless generation-with every reason to throw my mind and pen in with the radicals. Even if, deep in my heart, I thought we were all blind atoms in a world as limited as a stroke of a pendulum, I and my sort would struggle against tradition; try, at least, to displace old cants with new ones. I've thought I was right about life at various times, but faith is difficult. One thing I know. If living isn't seeking for the grail it may be a damned amusing game.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
I’ve just never met someone like you," as if I were a stranger from another town or an eccentric guest accompanying a mutual friend to a dinner party. It was a strange thought to hear from the mouth of the woman who had birthed and raised me, with whom I shared a home for eighteen years, someone who was half me. My mother had struggled to understand me just as I struggled to understand her. Thrown as we were on opposite sides of a fault line—generational, cultural, linguistic—we wandered lost without a reference point, each of us unintelligible to the other’s expectations, until these past few years when we had just begun to unlock the mystery, carve the psychic space to accommodate each other, appreciate the differences between us, linger in our refracted commonalities. Then, what would have been the most fruitful years of understanding were cut violently short, and I was left alone to decipher the secrets of inheritance without its key.
”
”
Michelle Zauner (Crying in H Mart)
“
I've come to hold the human spirit in the highest regard. Like the body, it struggles to repair itself. As cells fight off infection and conquer illness, the spirit, too, has remarkable resilience. It knows when it is harmed, and it knows when the harm is too much to bare. If it deems the injury too great, the spirit cocoons the wound, in the same fashion that the body forms a cyst around infection, until the time comes that it can deal with it. For some people, that time never comes. Some stay fractured, forever broken. You see them on the street, pushing carts. You see them in the faces of the regulars at the bar.
”
”
Karen Marie Moning (Dreamfever (Fever, #4))
“
The struggle is really hard sometimes. And then I meet you. And I feel stuff that I’ve never felt before. Things that I never thought I would be lucky enough to experience. And I feel so out of control in the way I am with you. Like I’m stripped bare and for once someone sees everything inside of me… the good and the really really ugly.
”
”
A. Meredith Walters (Find You in the Dark (Find You in the Dark, #1))
“
I've figured out why they call it a trial. Because you try all you can to pull through it.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, & Grumblings for Every Day of the Year)
“
One of my biggest weaknesses, one that has always shamed me, is that I have always been lonely. I’ve struggled to make friends because I can be socially awkward, because I’m weird, because I live in my head.
”
”
Roxane Gay (Bad Feminist: Essays)
“
Maybe I write because I’ve learned to show certain parts of my heart on the page that I still struggle to capture in speech.
”
”
Common (One Day It'll All Make Sense)
“
That's what I've learned over the years. We always think someone else has it easier than us but, when you pull back the layers, you see that they are struggling too, just in their own, unique way.
”
”
Na'ima B. Robert (She Wore Red Trainers)
“
It's like being home again, when they bring in the hopelessly mangled person from the mine explosion, or the woman in her third day of labor, or the famished child struggling against pneumonia and my mother and Prim, they wear that same look on their faces. Now is the times to run away tho the woods, to hide in the trees until the patient is long gone and in another part of the Seam the hammers make the coffin. But I'm held here both by the hovercraft walls and the same force that holds the loved ones of the dying. How often I've seen them, ringed around our kitchen table and I thought, Why don't they leave? Why do they stay to watch?
And now I know. It's because you have no choice.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
It's so hard to find the place somewhere in the middle of the best and worst I've felt.
”
”
Ashly Lorenzana
“
I've proved my point. I've demonstrated there's no difference between me and everyone else! All it takes is one bad day to reduce the sanest man alive to lunacy. That's how far the world is from where I am. Just one bad day. You had a bad day once, am I right? I know I am. I can tell. You had a bad day and everything changed. Why else would you dress up as a flying rat? You had a bad day, and it drove you as crazy as everybody else... Only you won't admit it! You have to keep pretending that life makes sense, that there's some point to all this struggling! God you make me want to puke. I mean, what is it with you? What made you what you are? Girlfriend killed by the mob, maybe? Brother carved up by some mugger? Something like that, I bet. Something like that... Something like that happened to me, you know. I... I'm not exactly sure what it was. Sometimes I remember it one way, sometimes another... If I'm going to have a past, I prefer it to be multiple choice! Ha ha ha! But my point is... My point is, I went crazy. When I saw what a black, awful joke the world was, I went crazy as a coot! I admit it! Why can't you? I mean, you're not unintelligent! You must see the reality of the situation. Do you know how many times we've come close to world war three over a flock of geese on a computer screen? Do you know what triggered the last world war? An argument over how many telegraph poles Germany owed its war debt creditors! Telegraph poles! Ha ha ha ha HA! It's all a joke! Everything anybody ever valued or struggled for... it's all a monstrous, demented gag! So why can't you see the funny side? Why aren't you laughing?
”
”
Alan Moore (Batman: The Killing Joke)
“
unaccountably we are alone
forever alone
and it was meant to be
that way,
it was never meant
to be any other way–
and when the death struggle
begins
the last thing I wish to see
is
a ring of human faces
hovering over me–
better just my old friends,
the walls of my self,
let only them be there.
I have been alone but seldom
lonely.
I have satisfied my thirst
at the well
of my self
and that wine was good,
the best I ever had,
and tonight
sitting
staring into the dark
I now finally understand
the dark and the
light and everything
in between.
peace of mind and heart
arrives
when we accept what
is:
having been
born into this
strange life
we must accept
the wasted gamble of our
days
and take some satisfaction in
the pleasure of
leaving it all
behind.
cry not for me.
grieve not for me.
read
what I’ve written
then
forget it
all.
drink from the well
of your self
and begin
again.
Mind and Heart
”
”
Charles Bukowski (Come On In!: New Poems)
“
I’ve never had anorexia, but I know it well. I see it on the street, in the gaunt and sunken face, the boney chest, the spindly arms of an emaciated woman. I’ve come to recognize the flat look of despair, the hopelessness that follows, inevitably, from years of starvation. I think: That could have been [me]. It wasn’t. It’s not.
”
”
Harriet Brown (Brave Girl Eating: A Family's Struggle with Anorexia)
“
I wished for you," he whispered, so quietly that I struggled to hear.
"What did that feel like? I've never made a wish in my life." My voice was as shaky as my words were stupid.
"Everybody wishes for something, Charli."
I put just enough space between us to be able to look at him. "Not me. I've saved them all up. Birthday candles, shooting stars, stray eyelashes...ladybugs. I've saved hem all up. I figure I'm owed hundreds of wishes now.
”
”
G.J. Walker-Smith
“
They should be proud of everything you’ve endured. If my parents had any idea how low I’ve sunk . . . I don’t know what they’d say. If Maxon’s parents knew, I’m sure they’d have kicked me out by now. I’m not fit for this.” She breathed out, struggling to confess.
I leaned forward, putting my hands on hers. “I think this change of heart would prove otherwise, Celeste.
”
”
Kiera Cass (The One (The Selection, #3))
“
It was a very ordinary day, the day I realised that my becoming is my life and my home and that I don't have to do anything but trust the process, trust my story and enjoy the journey. It doesn't really matter who I've become by the finish line, the important things are the changes from this morning to when I fall asleep again, and how they happened, and who they happened with. An hour watching the stars, a coffee in the morning with someone beautiful, intelligent conversations at 5am while sharing the last cigarette. Taking trains to nowhere, walking hand in hand through foreign cities with someone you love. Oceans and poetry.
It was all very ordinary until my identity appeared, until my body and mind became one being. The day I saw the flowers and learned how to turn my daily struggles into the most extraordinary moments. Moments worth writing about. For so long I let my life slip through my fingers, like water.
I'm holding on to it now,
and I'm not letting go.
”
”
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
“
Through my own struggles I’ve learned that knowing is something that evolves. What we think we know can be quite far from the truth.
”
”
Ruta Sepetys (The Fountains of Silence)
“
At times I've struggled to feel seen, to have my history feel seen, to have where I come from feel seen because I 'turned out great.' But that doesn't meant that I Am Fine. I am working every day, tirelessly, like you wouldn't believe, on being fine, f**king finally, can we get this over with, I'm so tired and I just want to travel and eat and smile and move through the world with a semblance of peace.
”
”
Lane Moore (How to Be Alone: If You Want To, and Even If You Don't)
“
One of my biggest weaknesses, one that has always shamed me, is that I have always been lonely. I've struggled to make friends because I can be socially awkward, because I'm weird, because I live in my head.
”
”
Roxane Gay (Bad Feminist)
“
All right, then,” she snapped, “do as you please! Perhaps afterward we could manage a coherent discussion.” Twisting beneath him, she flopped onto her stomach.
Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?”
“I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.”
Another silence. Then, “Why are you facing downward?”
“Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, “Isn’t it?”
His face was blank. “Has no one ever told you?”
“No, but I’ve read about it.”
Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?”
“Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals and-”
She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement.
Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing.
“Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all—” She broke off and frowned. “Why are you laughing at me?
Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m . . . I’m not laughing at you.”
“You are!”
“No I’m not. It’s just . . .” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels . . .”
“Well, it may be humorous to you, but it’s a very serious matter to the squirrels.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
I am, and always have been - first, last, and always - a child of America.
You raised me. I grew up in the pastures and hills of Texas, but I had been to thirty-four states before I learned how to drive. When I caught the stomach flu in the fifth grade, my mother sent a note to school written on the back of a holiday memo from Vice President Biden. Sorry, sir—we were in a rush, and it was the only paper she had on hand.
I spoke to you for the first time when I was eighteen, on the stage of the Democratic National Convention in Philadelphia, when I introduced my mother as the nominee for president. You cheered for me. I was young and full of hope, and you let me embody the American dream: that a boy who grew up speaking two languages, whose family was blended and beautiful and enduring, could make a home for himself in the White House.
You pinned the flag to my lapel and said, “We’re rooting for you.” As I stand before you today, my hope is that I have not let you down.
Years ago, I met a prince. And though I didn’t realize it at the time, his country had raised him too.
The truth is, Henry and I have been together since the beginning of this year. The truth is, as many of you have read, we have both struggled every day with what this means for our families, our countries, and our futures. The truth is, we have both had to make compromises that cost us sleep at night in order to afford us enough time to share our relationship with the world on our own terms.
We were not afforded that liberty.
But the truth is, also, simply this: love is indomitable. America has always believed this. And so, I am not ashamed to stand here today where presidents have stood and say that I love him, the same as Jack loved Jackie, the same as Lyndon loved Lady Bird. Every person who bears a legacy makes the choice of a partner with whom they will share it, whom the American people will “hold beside them in hearts and memories and history books. America: He is my choice.
Like countless other Americans, I was afraid to say this out loud because of what the consequences might be. To you, specifically, I say: I see you. I am one of you. As long as I have a place in this White House, so will you. I am the First Son of the United States, and I’m bisexual. History will remember us.
If I can ask only one thing of the American people, it’s this: Please, do not let my actions influence your decision in November. The decision you will make this year is so much bigger than anything I could ever say or do, and it will determine the fate of this country for years to come. My mother, your president, is the warrior and the champion that each and every American deserves for four more years of growth, progress, and prosperity. Please, don’t let my actions send us backward. I ask the media not to focus on me or on Henry, but on the campaign, on policy, on the lives and livelihoods of millions of Americans at stake in this election.
And finally, I hope America will remember that I am still the son you raised. My blood still runs from Lometa, Texas, and San Diego, California, and Mexico City. I still remember the sound of your voices from that stage in Philadelphia. I wake up every morning thinking of your hometowns, of the families I’ve met at rallies in Idaho and Oregon and South Carolina. I have never hoped to be anything other than what I was to you then, and what I am to you now—the First Son, yours in actions and words. And I hope when Inauguration Day comes again in January, I will continue to be.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
God didn't give man wings; He gave him the brains and the spirit to give himself wings. Just as He gave us the capacity to laugh when we hurt, or to struggle on when we feel like giving up.
I've come to believe that how we choose to live with pain, or injustice, or death...is the true measure of the Divine within us.
”
”
Alan Brennert
“
It's as if I've inherited a skin I cannot quite fit, and so I walk about constantly pulling and and tugging, pinning and pruning, trying desperately to fill it out, hoping that no one will look at me struggling and say, 'That one there- she's a fraud, Look how she doesn't fit at all.
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
She knew it wasn’t Chase she mourned, but a life defined by rejections. As the sky and clouds struggled overhead, she said out loud, “I have to do life alone. But I knew this. I’ve known a long time that people don’t stay.
”
”
Delia Owens (Where the Crawdads Sing)
“
It's like I'm caught between two versions of myself. The person I used to be and the person i'm too scared to become. I feel like I'm looking in a mirror and my reflection doesn't match. I just want to be myself again. Only I'm not sure who that is anymore. Is it the girl in the mirror, the one I've struggled to be my entire life? Or is it this stranger living inside me who wants nothing to do with her? How do you decide between them? How do you know which one is really you?
”
”
Jessica Brody (My Life Undecided)
“
I darted away from Geir and jmped through the gaping hole in the wall Will's body had made. The settling dust choked me, but I made it through and ran to Will. He was struggling to his feet, leaning heavily on his sword as the point dug into the cold ground. When I reached him, I dropped my swords and wrapped my arms around his chest.
"I've got you," I said, helping him lift his torso the rest of the way up. I heard a sickening snap in his chest as he groaned, and I knew something was broken. He buried his face into my shoulder and growled in pain.
”
”
Courtney Allison Moulton (Angelfire (Angelfire, #1))
“
Love and violence-not to conquer one with the other but to live with both, that's what I've learned. Each pulling me a different way. If I relax my struggles they don't tear me in two, but lift me up.
”
”
Denis Johnson (Already Dead: A California Gothic)
“
My life's been defined by my actions. I've shaped my destiny through my battles. I would rather keep chasing after my dreams until I crumble into dust than sit around waiting for fate to show me mercy.
”
”
Kōji Suzuki (Paradise)
“
I don't believe in holding regrets or taking things for granted. What is handed to me is not always welcome, but I've learned to deal with it one day at a time. I've learned that in order to build strength, there has to be a struggle. Living is my struggle.
”
”
Amanda Maxlyn (What's Left of Me (What's Left of Me, #1))
“
It must be very tiring for the Consort," Lorelei said next to me.
[...]
"Perhaps a mount could be brought...?" Lorelei suggested.
Out of a corner I saw both Barabas and George freeze. Yes, I know I've been insulted. Settle down. "Thank you for your concern. I can manage."
"Please, it's no trouble at all. You could hurt yourself. I know that even something minor like a twisted ankle would present a big problem for a human..."
Do not punch the pack princess; do not punch the pack princess...
"We wouldn't want you to struggle to keep up."
Okay, she went too far. I gave her a nice big smile.
Curran's face snapped into a neutral expression. "We just got here, baby. It's too early for you to start killing people.
”
”
Ilona Andrews (Magic Rises (Kate Daniels, #6))
“
Don’t you even care where I’m going?” he said. “What if I were going to Hell?”
“I’ve always wanted to see Hell,” Cecily said calmly. “Doesn’t everyone?”
“Most of us spend our time struggling to stay out of it,” said Will. “I am going to an ifrit den, if you must know, to purchase drugs from violent, dissolute reprobates. They may clap eyes on you and decide to sell you.”
“Wouldn’t you stop them?”
“I suppose it would depend on how much they would give me.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
But the truth is it’s hard for me to know what I really think about any of the stuff I’ve written. It’s always tempting to sit back and make finger-steeples and invent impressive sounding theoretical justifications for what one does, but in my case most of it’d be horseshit. As time passes I get less and less nuts about anything I’ve published, and it gets harder to know for sure when its antagonistic elements are in there because they serve a useful purpose and when their just covert manifestations of this "look-at-me-please-love-me-I-hate you" syndrome I still sometimes catch myself falling into. Anyway, but what I think I meant by "antagonize" or "aggravate" has to do with the stuff in the TV essay about the younger writer trying to struggle against the cultural hegemony of TV. One thing TV does is help us deny that we’re lonely. With televised images, we can have the facsimile of a relationship without the work of a real relationship. It’s an anesthesia of "form." The interesting thing is why we’re so desperate for this anesthetic against loneliness. You don’t have to think very hard to realize that our dread of both relationships and loneliness, both of which are like sub-dreads of our dread of being trapped inside a self (a psychic self, not just a physical self), has to do with angst about death, the recognition that I’m going to die, and die very much alone, and the rest of the world is going to go merrily on without me. I’m not sure I could give you a steeple-fingered theoretical justification, but I strongly suspect a big part of real art fiction’s job is to aggravate this sense of entrapment and loneliness and death in people, to move people to countenance it, since any possible human redemption requires us first to face what’s dreadful, what we want to deny.
”
”
David Foster Wallace
“
This was hers and hers alone. Forevermore. Or at least so I thought… but shit didn’t work out that way, and then you came along… and circle be damned, I don’t want to be finished with you.” Now it was her turn to feel poleaxed, her body going numb as she struggled to comprehend what he was saying. “Autumn, I’m in love with you—that’s why I came here tonight. And we don’t have to be together, and you don’t have to get over what I said, but I wanted you to hear that from me. And I also want to tell you that I’m at peace with it, because…” He took a deep breath. “You want to know why Wellsie got pregnant? It wasn’t because I wanted a young. It’s because she knew that every night when I left the house I could get killed in the field, and as she said, she wanted something to keep on living for. If I had been the one to go? She would have carved out a life for herself, and… the strange thing is, I would have wanted her to do that. Even if it included someone else. I guess I’ve realized that… she wouldn’t have wanted me to mourn her forever. She’d have wanted me to move on… and I have.
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
Conner howled in pain, causing Shayna to quickly dismiss her own. Shayna dismissed her own discomfort.
"Sorry about that. I guess I've smelled worse-like fur-lined boots that have been worn without socks. Now, that is pretty foul and—"
"Get them off! Take them off now! It burns!" shrieked Conner. He
attempted to jerk away, but Shayna held firm.
"I can't, Conner. You heard what Rileau said. I just can't!"
"It hurts really bad, like so unbelievably bad," he whined.
"I's going to be okay," she whispered repeatedly.
Shayna began humming and cooing as if he were a small child. She tried hard to block out his moans and focused on rocking him. She held the wad of leaves firmly on the oozing blisters. She knew her friend was in pain, but she would not risk losing him, especially when she realized she could no longer hear Seneca screaming. The only sounds she heard came from Conner as he whimpered quietly next to her. Warm stinging tears cascaded down her cheeks, but she didn't dare wipe them, as she refused to lessen the pressure on the leaf compress.
”
”
C. Toni Graham (Crossroads and the Dominion of Four (Crossroads, #2))
“
I’ve fought through a bitter life since I last heard your voice; and you must forgive me, for I struggled only for you!
”
”
Emily Brontë (Wuthering Heights)
“
I'm fine," Nick snarled, and shut his eyes. "Mae, he is not fine!" Jamie almost yelled, and Mae scrambled to her feet.
"Oh God," she said. "Alan's down. Alan's down.--I can't see him. I think he could be--"
"What?" Nick rasped.
Mae looked down and saw Nick struggle up on one knee. He glared up at her and then got painfully to his feet, a knife in either hand. There was blood running down his arm, his shoulder was a mess, and his mouth was set in a grim, determined line. "Where's Alan?"
"Oh, Alan's fine," Mae said, nodding to where Alan was throwing himself at the magicians again. Sin was beside him now, and the rest of the Goblin Market was behind her. "I was lying so you'd get up. Sorry about that."
Nick laughed, spun, and stabbed something. "Don't be sorry. I've just decided that lying's kind of sexy.
”
”
Sarah Rees Brennan (The Demon's Covenant)
“
The cord that tethers ability to success is both loose and elastic. It is easy to see fine qualities in successful books or to see unpublished manuscripts, inexpensive vodkas, or people struggling in any field as somehow lacking. It is easy to believe that ideas that worked were good ideas, that plans that succeeded were well designed, and that ideas and plans that did not were ill conceived. And it is easy to make heroes out of the most successful and to glance with disdain at the least. But ability does not guarantee achievement, nor is achievement proportional to ability. And so it is important to always keep in mind the other term in the equation—the role of chance…What I’ve learned, above all, is to keep marching forward because the best news is that since chance does play a role, one important factor in success is under our control: the number of at bats, the number of chances taken, the number of opportunities seized.
”
”
Leonard Mlodinow (The Drunkard's Walk: How Randomness Rules Our Lives)
“
I've discovered that sometimes God wants us to live inside of the questions. Sometimes he wants us to linger in the waiting, hoping, praying. In fact, sometimes it's right in the middle of our darkness in the middle of our crisis, in the middle of our Plan B struggles that God speaks most clearly.
”
”
Pete Wilson (Plan B: What Do You Do When God Doesn't Show Up the Way You Thought He Would?)
“
No one wants to admit that they suffer from a mental illness, because of the stigma,” I said. “Both of us suffer from major depression. He knows that I’ve been through a lot of the same things that he’s going through now.
”
”
Patrick J. Kennedy (A Common Struggle: A Personal Journey Through the Past and Future of Mental Illness and Addiction)
“
Whether I can, I won't know until I've tried. Even if the heavens say I must die, if that sword doesn't pierce my heart and nail me dead on the ground, then I am still alive, and 'til my last breath I will struggle to the end!
”
”
Mò Xiāng Tóng Xiù
“
Listen: this story's one you ought to know,
You'll reap the consequence of what you sow.
This fleeting world is not the world where we
Are destined to abide eternally:
And for the sake of an unworthy throne
You let the devil claim you for his own.
I've few days left here, I've no heart for war,
I cannot strive and struggle any more,
But hear an old man's words: the heart that's freed
From gnawing passion and ambitious greed
Looks on kings' treasures and the dust as one;
The man who sells his brother, as you've done,
For this same worthless dust, will never be
Regarded as a child of purity.
The world has seen so many men like you,
And laid them low: there's nothing you can do
But turn to God; take thought then for the way
You travel, since it leads to Judgment Day.
”
”
ابوالقاسم تفضلی
“
The fatigue I've gathered year after year and stored inside now heaves a muted cry of helplessness. Nothing but fatigue, rounding my shoulders, heavier than ever on this late autumn day with a useless sun, a world of unforgiving disasters. So many struggles and tragedies, so much sorrow and egotism in this dark, in this rotting century of hate.
”
”
Emil Dorian (Quality of Witness: A Romanian Diary, 1937-1944)
“
I’ve always felt like Sarah was taking on the world, while I was just struggling to live in it.
”
”
Jeneva Rose (The Perfect Marriage (Perfect, #1))
“
I guess that sometimes it just takes a long walk through the darkness, a long walk through the darkest shadows and corners of your soul to realize that those are a part of you as well, that you've created through your experiences and thoughts those parts within yourself and as much as you can choose to fear them and repress them, they will require your attention one day, they will need your care and acceptance before you can clean them away and turn the lights on. For you refuse to shine the light on something that is imperfect, because you fear judgement and rejection, but you can always choose to look towards the light as the only source of true beauty and love that can help you in the cleaning process. Healing, after a long time of struggle and mess is a complex process, but a necessary one nevertheless. We are so overwhelmed by the amount of work it requires that we so often choose to run away from the light, hide in our dark corner and hope that we will never be found, hope that we will never be seen, or desperately look outwards for that love and compassion that we can no longer find within ourselves, for our soul's light no longer shines as it used to. And sometimes we just find those people that can see the light beneath all that dust and darkness that's been pilled up, those kind of light workers that understand our broken souls and manage to pick us up and see the beauty within us, when we find it so hard to see it ourselves. Sometimes I get so tired of separation, of division, of groups and different religions and belief systems. Even if you do find the truth, once you've put it into words, books and rules it already becomes distorted by the mind into something that is no longer truth. So I no longer hope for understanding, no longer hope for the opinion of a judgemental mind, but I hope to find the words that touch the soul before the mind, I hope to find the touch that warms the heart from deep inside, and hope to find that far away abandoned part of me which I've left behind.
”
”
Virgil Kalyana Mittata Iordache
“
You are the beauty I’ve been seeking all my life. My existence was dark, grim, full of struggle, until you. You are the light that pushes the darkness away. When I’m with you, I can see my way, and I can breathe again.
”
”
Jennifer Ashley (The Untamed Mackenzie (Mackenzies & McBrides, #5.5))
“
I could tell her, I have feelings for you I haven’t had before. I’ve been struggling with them since the first second I saw you, weeks ago. I don’t know what these feelings mean, but I want to find out.
”
”
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
“
In my struggle to find church, I’ve often felt that if I could just find the right denomination or the right congregation, if I could just become the right person or believe the right things, then my search would be over at last. But right’s got nothing to do with it. Waiting around for right will leave you waiting around forever. The church is God saying: “I’m throwing a banquet, and all these mismatched, messed-up people are invited. Here, have some wine.
”
”
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
“
Life comes with many surprises—I’ve learned that if we have solid support along the way, life isn’t as bad as it appears.
”
”
Charlena E. Jackson (Dying on The Inside and Suffocating on The Outside)
“
I’ve been restless all my life because I always tried to please you.
”
”
Charlena E. Jackson (Dying on The Inside and Suffocating on The Outside)
“
It’s all a complete farce you understand? We’re born into a losing struggle...I’ve investigated the road up ahead. No one comes out of this a winner. In the meantime I think one must show some contempt and some defiance and the best means of doing that that I know are irony and obscenity.
”
”
Christopher Hitchens
“
No. Grief and anger doesn’t shock me.” Catherine paused. “Rachel, do you remember that day at the convent when we saw the old biplane? Remember what I said?” Rachel laughed without amusement. “I don’t even remember what I said.” “’Who can doubt the presence of God in the sight of men whom He has given wings.’ I recall that so precisely because I’ve had time to consider my error.” She smiled. “God didn’t give man wings; He gave him the brain and the spirit to give himself wings. Just as He gave us the capacity to laugh when we hurt, or to struggle on when we feel like giving up. I’ve come to believe that how we choose to live with pain, or injustice, or death…is the true measure of the Divine within us. Some, like Crossen, choose to do harm to themselves and others. Others, like Kenji, bear up under their pain and help others to bear it. I used to wonder, why did God give children leprosy? Now I believe: God doesn’t give anyone leprosy. He gives us, if we choose to use it, the spirit to live with leprosy, and with the imminence of death. Because it is in our own mortality that we are most Divine.
”
”
Alan Brennert (Moloka'i (Moloka'i, #1))
“
When the talk about my troubles was loudest, I did the thing I've always spoken of most . I got still and listened for the answer to What is this here to teach me? The answer, first and foremost? Lay your ego down. Step out of your ego so you can recognize the truth. As soon as I did that, I was able to see the role I had played in creating "my circumstances," without blaming other people. And -- bingo! -- I realized that all the noise about my struggle was a reflection of my personal angst and fear.
”
”
Oprah Winfrey
“
Through my own struggles I’ve learned that knowing is something that evolves. What we think we know can be quite far from the truth. If we continue to seek and ask questions, we may one day find our way into the answers, but sometimes the answers only lead t more questions.
”
”
Ruta Sepetys (The Fountains of Silence)
“
Who can doubt the presence of God in the sight of men whom He has given wings?
I recall that so precisely because I've had time to consider my error. God didn't give man wings; He gave him the brain and the spirit to give himself wings. Just as He gave us the capacity to laugh when we hurt, or to struggle on when we feel like giving up.
I've come to believe that how we choose to live with pain, or injustice, or death...is the true measure of the Divine within us. Some choose to do harm to others. Others bear up under their pain and help others to bear it.
”
”
Alan Brennert (Moloka'i (Moloka'i, #1))
“
I've had many companions, girls as young as you and women who were the beauties of Europe. But you're the one I want at my side. Ruling, taking what we want when we want it. Feared and worshipped by all the weaker souls. Would that be so bad?
”
”
L.J. Smith
“
I’ve always thought that was the lamest argument—that we need some people to be poor in order to remind the rest of us to be grateful. All that really means is that someone has to suffer poverty so other people can feel better about themselves. What a selfish way to look at the world.
”
”
Josephine Angelini (Goddess (Starcrossed, #3))
“
I’M SORRY. I HAVE BEEN VERY LONELY AND STRUGGLED WITH A LOT OF THINGS. NO ONE UNDERSTANDS THE FEELINGS I’VE HAD. NO ONE IS ON MY SIDE. IT’S LIKE I’M COMPLETELY ALONE. I REALIZE THIS IS THE COWARDLY WAY OUT BUT I CAN’T STOP MYSELF FROM BEING A COWARD. MY WHOLE LIFE IS LIKE A BAD DREAM. THE KIND OF DREAM YOU DON’T WAKE UP FROM. PAIGE
”
”
Katie Alender (Famous Last Words)
“
For myself I couldn't care less, but I have a lover. Not a partner, Susannah, or a friend or a significant euphemism, but the love of my life. And he believes. And I've watched him tie himself in knots, as he struggles to find a place for himself in texts that were written thousands of years ago, with the deliberate aim of excluding him.
”
”
Michael Arditti (The Enemy of the Good)
“
Jack glanced at ken. "Lily is a brilliant woman when it comes to academics, but she;'s so blind when it comes to people." It was a small warning to keep Ken's anger from boiling over. "She's struggling to accept that Whitney needs to die, but she needs more time. The pregnancy also probably makes her more emotional when it comes to her father."
"When the hell did you get so smart?" Ken demanded.
"I've been reading all the pregnancy books." jack sounded a little smug.
”
”
Christine Feehan (Deadly Game (GhostWalkers, #5))
“
It's hard to explain. I mean... I don't know. I don't know anything anymore. When we were young, things were so much simpler... You have to understand that I'm not the girl I used to be. I'm a wide and a mother now, and like everyone else I am not perfect. I struggle with the choices I've made and I make mistakes, and half the time I wonder who I really am or what I'm doing or whether my life means anything at all. I'm not special at all, and you need to know that. You have to understand that I'm just...ordinary.
”
”
Nicholas Sparks (The Best of Me)
“
NEWT shuffles over awkwardly to the bereft THESEUS. NEWT hesitates, struggling to find words of comfort. Then for the first time in his life, he puts his arms around his brother. They hug.
NEWT: I've chosen my side.
”
”
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
“
It's the same struggle for each of us, and the same path out: the utterly simple, infinitely wise ultimately defiant act of loving one thing and then another, loving our way back to life... Maybe being perfectly happy is not really the point. Maybe that is only some modern American dream of the point, while the truer measure of humanity is the distance we must travel in our lives, time and again, "twixt two extremes of passion--joy and grief," as Shakespeare put it. However much I've lost, what remains to me is that I can still speak to name the things I love. And I can look for safety in giving myself away to the world's least losable things.
”
”
Barbara Kingsolver (Small Wonder)
“
Listen: this story's one you ought to know,
You'll reap the consequence of what you sow.
This fleeting world is not the world where we
Are destined to abide eternally:
And for the sake of an unworthy throne
You let the devil claim you for his own.
I've few days left here, I've no heart for war,
I cannot strive and struggle any more,
But hear an old man's words: the heart that's freed
From gnawing passion and ambitious greed
Looks on kings' treasures and the dust as one;
The man who sells his brother, as you've done,
For this same worthless dust, will never be
Regarded as a child of purity.
The world has seen so many men like you,
And laid them low: there's nothing you can do
But turn to God; take thought then for the way
You travel, since it leads to Judgment Day
”
”
Abolqasem Ferdowsi (Shahnameh of Firdowsi (Persian) - 10 volumes including index)
“
Love isn’t a state of perfect caring. It is an active noun, like struggle. To love someone is to strive to accept that person exactly the way he or she is, right here and now. —FRED ROGERS, MISTER ROGERS’ NEIGHBORHOOD One of the hardest things about relationships is accepting the other person for who they are. I can’t tell you how many times I’ve wanted to change one thing or another about a friend or a loved one, but then I remember that nobody is perfect, including me. Goal: If you find yourself criticizing someone, be mindful that no one is perfect—yourself included.
”
”
Demi Lovato (Staying Strong: 365 Days a Year)
“
She knew it wasn't Chase she mourned, but a life defined by rejections. As the sky and clouds struggled overhead, she said out loud, "I have to do life alone. But I knew this. I've known a long time that people don't stay.
”
”
Delia Owens (Where the Crawdads Sing)
“
Since I was a kid, I’ve never found joy in living. I’ve always struggled just to feel okay. Everything was a fight against darkness.
”
”
Amber Portwood (Never Too Late)
“
Consider how challenging it is to negotiate or compromise with a man who operates on the following tenets (whether or not he ever says them aloud):
1. “An argument should only last as long as my patience does. Once I’ve had enough, the discussion is over and it’s time for you to shut up.”
2. “If the issue we’re struggling over is important to me, I should get what I want. If you don’t back off, you’re wronging me.”
3. “I know what is best for you and for our relationship. If you continue disagreeing with me after I’ve made it clear which path is the right one, you’re acting stupid.”
4. “If my control and authority seem to be slipping, I have the right to take steps to reestablish the rule of my will, including abuse if necessary.”
The last item on this list is the one that most distinguishes the abuser from other people: Perhaps any of us can slip into having feelings like the ones in numbers one through three, but the abuser gives himself permission to take action on the basis of his beliefs. With him, the foregoing statements aren’t feelings; they are closely held convictions that he uses to guide his actions. That is why they lead to so much bullying behavior.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
God didn’t give man wings; He gave him the brain and the spirit to give himself wings. Just as He gave us the capacity to laugh when we hurt, or to struggle on when we feel like giving up. “I’ve come to believe that how we choose to live with pain, or injustice, or death . . . is the true measure of the Divine within us.
”
”
Alan Brennert (Moloka'i (Moloka'i, #1))
“
When I throw back my head and howl
People (women mostly) say
But you've always done what you want,
You always get your way
- A perfectly vile and foul
Inversion of all that's been.
What the old ratbags mean
Is I've never done what I don't.
So the shit in the shuttered chateau
Who does his five hundred words
Then parts out the rest of the day
Between bathing and booze and birds
Is far off as ever, but so
Is that spectacled schoolteaching sod
(Six kids, and the wife in pod,
And her parents coming to stay)...
Life is an immobile, locked,
Three-handed struggle between
Your wants, the world's for you, and (worse)
The unbeatable slow machine
That brings what you'll get. Blocked,
They strain round a hollow stasis
Of havings-to, fear, faces.
Days sift down it constantly. Years.
--The Life with the Hole in It
”
”
Philip Larkin (Philip Larkin Poetry)
“
I wake up the next morning, happy and full of life. I again stare at my ceiling that says, ‘Build a life worth living’ This is the first time in forever that I have felt that maybe I am building a life worth living, that I’m not just faking it. My career my twin, books, and Archer are all I’ve had for so long, which was always worth living for - but love. Love is something more. Love makes you feel wanted. Love makes life worth living, and it’s something I have never felt in this way. I have known this guy only for a little over a week. He walked right into my life and changed everything. I don’t know how that is possible, but it is.
”
”
Emma Thomas (Live for Me)
“
Quasimodo then lifted his eye to look upon the gypsy girl, whose body, suspended from the gibbet, he beheld quivering afar, under its white robes, in the last struggles of death; then again he dropped it upon the archdeacon, stretched a shapeless mass at the foot of the tower, and he said with a sob that heaved his deep breast to the bottom, 'Oh-all that I've ever loved!' The Hunchback of Notre Dame
”
”
Victor Hugo
“
As she dampens my shirt with sadness and snot, I realize I'm about to do another thing I've never done before. I suck in air and attempt to sing. “You're . . . sensational . . . ,” I croak, struggling for a trace of Frank's melody. “Sensational . . . that's all.”
There's a pause, and then something shifts in Julie's demeanor. I realize she's laughing.
“Oh wow,” she giggles, and looks up at me, her eyes still glistening above a grin. “That was beautiful, R, really. You and Zombie Sinatra should record Duets III.”
I cough. “Didn't get . . . warm-up.
”
”
Isaac Marion (Warm Bodies (Warm Bodies, #1))
“
I’ve never held the view that women are better than men, or that the best way to improve the world is for women to gain more power than men. I think male dominance is harmful to society because any dominance is harmful: It means society is governed by a false hierarchy where power and opportunity are awarded according to gender, age, wealth, and privilege—not according to skill, effort, talent, or accomplishments. When a culture of dominance is broken, it activates power in all of us. So the goal for me is not the rise of women and the fall of man. It is the rise of both women and men from a struggle for dominance to a state of partnership.
If the goal is partnership between women and men, why do I put so much emphasis on women’s empowerment and women’s groups? My answer is that we draw strength from each other, and we often have to convince ourselves that we deserve an equal partnership before we get one.
”
”
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
“
There were nights when I left the sessions physically and emotionally drained after hearing the anguish pour out like blood from a gaping wound. Don’t let anyone ever tell you different – psychotherapy is one of the most taxing endeavors known to mankind; I’ve done all sorts of work, from picking carrots in the scorching sun to sitting on national committees in paneled board rooms, and there’s nothing that compares to confronting human misery hour after hour and bearing the responsibility for easing that misery using only one’s mind and mouth. At its best it’s tremendously uplifting as you watch the patient open up, breathe, let go of the pain. At its worst is like surfing in a cesspool struggling for balance while being slapped with wave after putrid wave.
”
”
Jonathan Kellerman (When the Bough Breaks (Alex Delaware, #1))
“
I've also represented people who have committed terrible crimes but nonetheless struggle to recover and to find redemption. I have discovered, deep in the hearts of many condemned and incarcerated people, the scattered traces of hope and humanity - seeds of restoration that come to astonishing life when nurtured by very simple interventions.
Proximity has taught me some basic and humbling truths, including this vital lesson: Each of us is more than the worst thing we've ever done. My work with the poor and incarcerated has persuaded me that the opposite of poverty is not wealth; the opposite of poverty is justice. Finally, I've come to believe that the true measure of our commitment to justice, the character of our society, our commitment to the rule of law, fairness, and equality cannot be measured by how we treat the rich, the powerful, the privileged, and the respected among us. The true measure of our character is how we treat the poor, the disfavored, the accused, the incarcerated, and the condemned.
We are all implicated when we allow other people to be mistreated. An absence of compassion can corrupt the decency of a community, a state, a nation. Fear and anger can make us vindictive and abusive, unjust and unfair, until we all suffer from the absence of mercy and we condemn ourselves as much as we victimize others. The closer we get to mass incarceration and extreme levels of punishment, the more I believe it's never to recognize that we all need mercy, we all need justice, and - perhaps - we all need some measure of unmerited grace.
”
”
Bryan Stevenson
“
I've been sitting here now, and do you know what I was saying to myself? If I did not believe in life, if I were to lose faith in the woman I love, if I were to lose faith in the order of things, even if I were to become convinced, on the contrary, that everything is a disorderly, damned, and perhaps devilish chaos, if I were struck even by all the horrors of human disillusionment--still I would want to live, and as long as I have bent to this cup, I will not tear myself from it until I've drunk it all. However, by the age of thirty, I will probably drop the cup, even if I haven't emptied it, and walk away...I don't know where. But until my thirtieth year, I know this for certain, my youth will overcome everything--all disillusionment, all aversion to live. I've asked myself many times: is there such despair in the world as could overcome this wild and perhaps indecent thirst for life in me, and have decided that apparently there is not--that is, once again, until my thirtieth year, after which I myself shall want no more, so it seems to me. Some snotty-nosed, consumptive moralists, poets especially, often call this thirst for life base. True, it's a feature of the Karamazovs, to some extent, this thirst for life despite all; it must be sitting in you too; but why is it base? There is still an awful lot of centripetal force on our planet, Alyosha. I want to live, and I do live, even if it be against logic. Though I do not believe in the order of things, still the sticky little leaves that come out in the spring are dear to me, the blue sky is dear to me, some people are dear to me, whom one loves sometimes, would you believe it, without even knowing why; some human deeds are dear to me, which one has perhaps long ceased believing in, but still honors with one's heart, out of old habit...I want to go to Europe, Alyosha, I'll go straight from here. Of course I know that I will only be going to a graveyard, but to the most, the most previous graveyard, that's the thing! The precious dead lie there, each stone over them speaks of such ardent past life, of such passionate faith in their deeds, their truth, their struggle, and their science, that I--this I know beforehand--will fall to the ground and kiss those stones and weep over them--being wholeheartedly convinced, at the same time, that it has all long been a graveyard and nothing more. And I will not weep from despair, but simply because I will be happy in my shed tears. I will be drunk with my own tenderness. Sticky spring leaves, the blue sky--I love them, that's all! Such things you love not with your mind, not with logic, but with your insides, your guts, you love your first young strength...
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
And then I heard Nico's voice. It was a song I've never heard before. I struggled to make out the lyrics. "You were my hands," I heard him sing. "You were my eyes. There's nothing left to reach for now, nothing left to see.
”
”
April Lindner
“
So many people dragged me into the pit of hell with them. What they failed to realize was that I refused to become settled and make it my home. I’ve walked out of the pit of hell. I can smile. I am happy because I am finally free.
”
”
Charlena E. Jackson (Dying on The Inside and Suffocating on The Outside)
“
I struggle with all the lessons I’ve learned to make good choices. Like how bad is a master at wearing the mask of good and not to fall for it.
”
”
Carian Cole (Don't Kiss the Bride)
“
Generations of sacrifice; hard work and harder living. So much suffered, so much forfeited, so much -- for this opportunity. For my life. And I've tried, tried living up to it. But after years of struggling, fighting against the current, I'm ready to slow my arms. Stop kicking. Breathe the water in. I'm exhausted. Perhaps it’s time to end this story. Ah - here’s Lou.
”
”
Natasha Brown (Assembly)
“
He wasn't so bad when the two of us came to see you, though. He was just his usual self."
Because you were there," said Naoko. "He was always like that around you. He struggled to keep his weaknesses hidden. I'm sure he was very fond of you. He made a point of letting you see only his best side. He wasn't like that with me. He'd let his guard down. He could be really moody. One minute he'd be chattering away, and the next thing he'd be depressed. It happened all the time. He was like that from the time he was little. He did keep trying to change himself, to improve himself, though."
Naoko recrossed her legs atop the sofa.
He tried hard, but it didn't do any good, and that would make him really angry and sad. There was so much about him that was fine and beautiful, but he could never find the confidence he needed. "I've got to do that, I've got to change this," he was always thinking, right up to the end. Poor Kizuki!"
Still though," I said, "if it's true that he was always struggling to show me his best side, I'd say he succeeded. His best side was all that I could see."
Naoko smiled. "He'd be thrilled to hear you say that. You were his only friend.
”
”
Haruki Murakami (Norwegian Wood)
“
So if you ask me if I'm sad, I'll say yes, I'm sadder than I've ever been in my life. And if you ask me if I'm angry, I'll say definitely, because I feel like he's been stolen from me. But most importantly, I'm happy. Happy that I was lucky enough to call him my dad and my friend. So happy that it was worth all the struggle, and the fear, and the pain, because without all of that, you can never truly say you experienced the best bits.
”
”
Jessica Thompson (This is a Love Story)
“
As many times as I’ve spoken during Black History Month, I never tire of urging people to remember that it wasn’t a single individual or two who created that movement, that, as a matter of fact, it was largely women within collective contexts, Black women, poor Black women who were maids, washerwomen, and cooks. These were the people who collectively refused to ride the bus.
”
”
Angela Y. Davis (Freedom is a Constant Struggle: Ferguson, Palestine and the Foundations of a Movement)
“
Truly, I've learned more theology living in poor neighborhoods than in classrooms. At times I wonder if the questions of traditional theology have any meaning for the poor. And "the poor" here mean eighty percent of the population! (Ivone Gebara, p. 209)
”
”
Mev Puleo (The Struggle Is One: Voices and Visions of Liberation)
“
Recently, I’ve begun to think of scoliosis as a metaphor for my life. I’ve struggled to please teachers, employers, parents, boyfriends, husbands, twisting myself into someone I can’t be. I hurt when I do this, because it’s not natural. And it never works. But when I stretch my Self, instead, the results are different. When I’m reaching for my personal goals—to be a good mother, wife, friend and writer—I feel my balance return. And the sense of relief, as I become more the woman I truly am, is simply grand.
”
”
Linda C. Wisniewski (Off Kilter: A Woman's Journey to Peace with Scoliosis, Her Mother, and Her Polish Heritage)
“
Because there are other people for whom being generous comes easily, without a struggle. And it’s easy for them because in the past they made a lot of little decisions to be generous. It was hard for me because I’ve made a lot of little decisions to be selfish in the past. So I’m the reason it’s hard for me to be generous.
”
”
Ted Chiang (Anxiety Is the Dizziness of Freedom)
“
I’ve lost control, I remember thinking. Somewhere in all this, I lost control. We are not always the authors of our own stories. Some of us never are. I think that is what we struggle for: the command of our own lives. We struggle against our families, against the state, against nature, against our own weakness. All that we might choose for ourselves, if only for a moment. If only once.
”
”
Christopher Ruocchio (Howling Dark (The Sun Eater #2))
“
The harrowing struggle of managing the empire’s blood money.’ ... ‘That was actually the crux of the meeting—I’ve tried to refuse my share of the crown’s money. Dad left us each more than enough, and I’d rather cover my expenses with that than the spoils of, you know, centuries of genocide. Philip thinks I’m being ridiculous.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
Writing is difficult. You do it all alone without encouragement and without any certainty that you'll ever be published or paid or even that you'll be able to finish the particular work you've begun. It isn't easy to persist amid all that....
Sometimes when I'm interviewed, the interviewer either compliments me on my 'talent,' my 'gift,' or asks me how I discovered it.... I used to struggle to answer this politely, to explain that I didn't believe much in writing talent. People who want to write either do it or they don't. At last I began to say that my most important talent--or habit--was persistence. Without it, I would have given up writing long before I finished my first novel. It's amazing what we can do if we simply refuse to give up.
I suspect this is the most important thing I've said in all my interviews and talks as well as in this book. It's a truth that applies to more than writing. It applies to anything that is important, but difficult, important, but frightening. We're all capable of climbing so much higher than we usually permit ourselves to suppose.
The word, again, is 'persist'!
”
”
Octavia E. Butler (Bloodchild and Other Stories)
“
I've always believed if you're involved even in a very small struggle - in some sort of infinity in a grain of sand - in your local neighborhood, that every action has universal implications. I believe that if I struggle for the rights of an acequia in Taos, New Mexico that the ripple effect [will spread] from that tiny struggle.
”
”
John Nichols
“
Still, what can thoughtful people and humanists do but struggle toward suitable words? Take me, for instance. I've been writing letters helter-skelter in all directions. More words. I go after reality with language. Perhaps I’d like to change it all into language, to force Madeline and Gersbach to have a Conscience. There’s a word for you. I must be trying to keep tight the tensions without which human beings can no longer be called human. If they don’t suffer, they’ve gotten away from me. And I’ve filled the world with letters to prevent their escape. I want them in human form, and so I conjure up a whole environment and catch them in the middle. I put my whole heart into these constructions. But they are constructions.
”
”
Saul Bellow (Herzog)
“
It's hard to say what makes the mind piece things together in a sudden lightning flash. I've come to hold the human spirit in the highest regard. Like the body, it struggles to repair itself. As cells fight off infection and conquer illness, the spirit, too, has remarkable resilience. It knows when it is harmed, and it knows she the harm is too much to bear. If it deems the injury too great, the spirit cocoons the wound, in the same fashion that the body forms a cyst around infection, until the time comes that it can deal with it.
”
”
Karen Marie Moning
“
Hermione,’ said Hagrid.
‘What about her?’ said Ron.
‘She’s in a righ’ state, that’s what. She’s bin comin’ down ter visit me a lot since Chris’mas. Bin feelin’ lonely. Firs’ yeh weren’ talking to her because o’ the Firebolt, now yer not talkin’ to her because her cat—’
‘—ate Scabbers!’ Ron interjected angrily.
‘Because her cat acted like all cats do,’ Hagrid continued doggedly. ‘She’s cried a fair few times, yeh know. Goin’ through a rough time at the moment. Bitten off more’n she can chew, if yeh ask me, all the work she’s tryin’ ter do. Still found time ter help me with Buckbeak’s case, mind.… She’s found some really good stuff fer me…reckon he’ll stand a good chance now…’
‘Hagrid, we should've helped as well—sorry—’ Harry began awkwardly.
‘I’m not blamin’ yeh!’ said Hagrid, waving Harry’s apology aside. ‘Gawd knows yeh’ve had enough ter be gettin’ on with. I’ve seen yeh practicin’ Quidditch ev’ry hour o’ the day an’ night—but I gotta tell yeh, I thought you two’d value yer friend more’n broomsticks or rats. Tha’s all.’
Harry and Ron exchanged uncomfortable looks.
‘Really upset, she was, when Black nearly stabbed yeh, Ron. She’s got her heart in the right place, Hermione has, an’ you two not talkin’ to her—
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
That's my girl," he said, struggling upright. "Always up for adventure. You're not like the other girls, you know. There's not an ounce of fun in them. That's why Hank won't marry Violet, of course. He's holding out for another you. Only there isn't one. I've got the one and only.
”
”
Sara Gruen
“
Bettina knew exactly what she’d say: Trehan Daciano, I screwed up. I thought you were going to die, and I acted to save you. Clearly, I was too hasty. Sometimes I do foolish things, especially if my entire life is off kilter, and I’m struggling with emotions I’ve never felt before.
”
”
Kresley Cole (Shadow's Claim (The Dacians, #1))
“
Anxiety
I struggle with things that are as easy to others as breathing.
Like breathing. Like answering the phone. Or sending that email I have been meaning to for weeks.
I panic when I am asked out to dinner, even if it’s with someone I really want to see.
It’s hard for me to commit to anything, and when I do, I overthink it until my brain tells me I have made a mistake, like a rat caught in a maze, trying to claw its way out.
I don’t know why I am like this. People ask me why I can’t do anything without jumping through a thousand thoughts, like hoops. But sometimes I wonder if my inability to function in the real world is really such a bad thing. I wonder if that’s why I’ve spent so much time sheltered in my imagination.
And because I can’t live in the real world, I create worlds to belong to. And I wonder if the very thing I’ve always been told is my weakness, has all along, been my strength.
”
”
Lang Leav (Love Looks Pretty on You (Lang Leav))
“
There are times the lies get to me, times I weary of battering myself against the obstacles of denial, hatred, fear-induced stupidity, and greed, times I want to curl up and fall into the problem, let it sweep me away as it so obviously sweeps away so many others. I remember a spring day a few years ago, a spring day much like this one, only a little more sun, and warmer. I sat on this same couch and looked out this same window at the same ponderosa pine.
I was frightened, and lonely. Frightened of a future that looks dark, and darker with each passing species, and lonely because for every person actively trying to shut down the timber industry, stop abuse, or otherwise bring about a sustainable and sane way of living, there are thousands who are helping along this not-so-slow train to oblivion. I began to cry.
The tears stopped soon enough. I realized we are not so outnumbered. We are not outnumbered at all. I looked closely, and saw one blade of wild grass, and another. I saw the sun reflecting bright off the needles of pine trees, and I heard the hum of flies. I saw ants walking single file through the dust, and a spider crawling toward the corner of the ceiling. I knew in that moment, as I've known ever since, that it is no longer possible to be lonely, that every creature on earth is pulling in the direction of life--every grasshopper, every struggling salmon, every unhatched chick, every cell of every blue whale--and it is only our own fear that sets us apart. All humans, too, are struggling to be sane, struggling to live in harmony with our surroundings, but it's really hard to let go. And so we lie, destroy, rape, murder, experiment, and extirpate, all to control this wildly uncontrollable symphony, and failing that, to destroy it.
”
”
Derrick Jensen
“
I've learned that I have to stop equating saying yes with being a good person. I think I am being good when I say yes to everything, but saying yes to something I cannot live up to leads to bitterness and disappointment.
”
”
Karin Rahbek (Do I Have To Be A Mother?: A Childfree Woman's Struggle with Doubt and Loneliness)
“
I’ve always had trouble focusing on the right things. I’ve had a hard time trying to pay attention to things in life that most people do. I’ve struggled to make sense of the way I see the world. But…when I see you, you’re all I see.” I stare down at her lips. “I know that doesn’t sound like much but to me, it means everything. You’re starting to mean everything to me.
”
”
Karina Halle (The Wild Heir (Royal Romance, #2))
“
The houses have been condemned on Memory Lane
I’m tired of this struggle that leaves everything the same
I’ve tried so hard to make it work
that I’m dying inside
Well, you can take my past
But you can’t have my tomorrow
Promises that remain promises are useless and they’re cheap
I wish I could put a price on words so I could make them keep
I put so much faith in you
I lost all my faith in me
Well, you can take my past
But you can’t have my tomorrow
I’m giving up on giving up
I can’t leave it all to prayer
‘Cause the first step in getting better
is knowing what’s not there
You said you’d make it better
and that just makes it worse
Well, you can take my past
But you can’t have my tomorrow
Yes, I want my life to last
So you can’t have my tomorrow
No, you can’t have my tomorrow
”
”
David Levithan (Wide Awake)
“
I've learned that to be courageous is to feel fear within, every step of the way. Courage does not take over, it fights and struggles through every word you say and every step you take. It's a battle or a dance as to whether to let it pervade. It takes courage to overcome, but it takes extreme fear to be courageous.
”
”
Cecelia Ahern (Flawed (Flawed, #1))
“
You have to understand that I’m not the girl I used to be,” she said. “I’m a wife and a mother now, and like everyone else I’m not perfect. I struggle with the choices I’ve made and I make mistakes, and half the time I wonder who I really am or what I’m doing or whether my life means anything at all. I’m not special at all, Dawson, and you need to know that. You have to understand that I’m just… ordinary.” “You’re not ordinary.” Her look was pained but unflinching. “I know
”
”
Nicholas Sparks (The Best of Me)
“
But there are differences. The social studies I’ve read …” “They don’t deal with any basic difference in human nature between black and white,” I said. “They only study the effects of environment on human nature. You place the white man in the ghetto, deprive him of educational advantages, arrange it so he has to struggle hard to fulfill his instinct for self-respect, give him little physical privacy and less leisure, and he would after a time assume the same characteristics you attach to the Negro. These characteristics don’t spring from whiteness or blackness, but from a man’s conditioning.
”
”
John Howard Griffin (Black Like Me)
“
Anna?"
"Yeah?"
He pauses. "Never mind."
"What?"
"Nothing."
But his tone is definitely not nothing. I turn to him, and his eyes are closed. His skin is pale and tired. "What?" I ask again,sitting up. St. Clair opens his eyes, noticing I've moved. He struggles,trying to sit up, too, and I help him. When I pull away, he clutches my hand to stop me.
"I like you," he says.
My body is rigid.
"And I don't mean as a friend."
It feels like I'm swallowing my tongue. "Uh. Um. What about-?" I pull my hand away from his. The weight of her name hangs heavy and unspoken.
"It's not right.It hasn't been right, not since I met you." His eyes close again,and his body sways.
He's drunk. He's just drunk.
Calm down,Anna. He's drunk, and he's going through a crisis. There is NO WAY he knows what he's talking about right now. So what do I do? Oh my God, what am I supposed to do?
"Do you like me?" St. Clair asks. And he looks at me with those big brown eyes-which,okay,are a bit red from the drinking and maybe from some crying-and my heart breaks.
Yes,St. Clair.I like you.
But I can't say it out loud, because he's my friend. And friends don't let other friends make drunken declarations and expect them to act upon them the next day.
Then again...it's St. Clair. Beautiful, perfect,wonderful-
And great.That's just great.
He threw up on me.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I've been meaning to ask," said Magnus. "When Shinyun and I were fighting in the pentagram in Rome, you shot her. You told me that you could see dozens of illusions of me fighting dozens of her. How did you know which one was really her?"
"I didn't," said Alec. "I knew which one was you."
"Oh. Was one version of me more handsome than the others?" Magnus said, charmed. "More debonair? Possessed a certain je ne sais quoi?"
"I don't know about that," said Alec. "You reached for a knife. You had it in your grasp, and then you let it go."
Magnus deflated.
"You knew it was me because I'm worse at fighting than she is?" Magnus asked. "Well, that's terrible news. I imagine 'pathetic in combat' is on the top ten list of Shadowhutner turnoffs."
"No," said Alec.
"Number eleven, just below 'doesn't actually look good in black'?"
Alec shook his head again. "Before we were together," he said, "I was angry a lot, and I hurt people because I was in pain. Being kind when you're in pain - it's hard. Most people struggle to do it at the best of times. The demon who cast that spell couldn't imagine it. But among all those identical figures, there was one person who hesitated to hurt somebody, even at the moment of utmost horror. That had to be you.
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
“
My Sadness is Deeper than Yours
My sadness is deeper than yours. My interior life is richer than yours. I am more interesting than you. I don’t care about anybody else’s problems. They are not as serious as mine. Nobody knows the weight I carry, the trouble I’ve seen. There are worlds in my head that nobody has access to: fortunately for them, fortunately for me. I have seen things that you will never see, and I have feelings that you are incapable of feeling, that you would never allow yourself to feel, because you lack the capacity and the curiosity. Once you felt the hint of such a feeling, you would stamp it out. I am a martyr to futility and I don’t expect to be shut down by a pretender. Mothballs are an aphrodisiac to me, beauty depresses me. You could never hope to fathom the depth of my feelings, deeper than death. I look down upon you all from my lofty height of lowliness. The fullness of your satisfaction lacks the cadaverous purity of my pain. Don’t talk to me about failure. You don’t know the meaning of the word. When it comes to failure, you’re strictly an amateur. Bush league stuff. I’m ten times the failure you’ll ever be. I have more to complain about than you, and regrets: more than a few, too many to mention. I am a fully-qualified failure, I have proven it over and over again. My credentials are impeccable, my resume flawless. I have worked hard to put myself in a position of unassailable wretchedness, and I demand to be respected for it. I expect to be rewarded for a struggle that produced nothing. I want the neglect, the lack of acknowledgment. And I want the bitterness that comes with it too.
”
”
John Tottenham
“
Suddenly William loomed over him, scowling, snarling and bloody, his suit dirt-stained and ripped. “Do you know. How many strands. Of hair I lost. On my way down?”
Whatever. “Math was never my thing, but I’m gonna say you lost…a lot.”
Electric-blues glittered with menace. “You are a cruel, sadistic bastard. My hair needs TLC and you…you… Damn you! I’ve gutted men for less.”
“I know. I’ve watched you.” Paris lumbered to his feet and scanned the rocky bank they stood upon, the crimson ocean lapping and bubbling in every direction. The drawbridge was only a fifty-yard dash away. “Don’t kill the messenger, but I’m thinking you should change your dating profile to balding.”
Masculine cheeks went scarlet as the big bad warrior struggled for a comeback.
…
“One of these days you’re going to wake up,” William finally said, “and I will have shaved you. Everywhere.”
“Won’t make a difference. Women will still want me. But you know what else? What I did to you wasn’t cruel, Willy.” He offered the warrior a white-flag grin. A trick. A lie. “This, however, is.”
He grabbed William by the wrist, swung the man around and around before at last releasing him and hurling his body directly onto the bridge.
”
”
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
“
I've always felt like my calling was to inspire people. And not with famed, epic accomplishments, but with imperfection, struggles and humanity. I want people to read my stories and books and blogs, and look at my life and say, "She should have had nothing going for her. Meager means, questionable looks, no apparent safety nets and an absence of impressive letters after her name. But she followed her bliss anyway. If she can do it, I can do it. I'm not giving up.
”
”
Jennifer DeLucy
“
Isn't it nice how we actually enjoy talking to each other now?" I said to her once on a trip home from college, after the bulk of the damage done in my teenage years had been allayed. "It is," she said. "You know what I realised? I've just never met someone like you." I've just never met someone like you, as if I were a stranger from another town or an eccentric guest accompanying a mutual friend to a dinner party. It was a strange thought to hear from the mouth of the woman who had birthed and raised me, with whom I shared a home for eighteen years, someone who was half me. My mother had struggled to understand me just as I struggled to understand her. Thrown as we were on opposite sides of a fault like—generational, cultural, linguistic—we wandered lost without a reference point, each of us unintelligible to the other's expectations, until these past few years when we had just begun to unlock the mystery, carve the psychic space to accommodate each other, appreciate the differences between us, linger in our refracted commonalities.
”
”
Michelle Zauner (Crying in H Mart)
“
If I were a super hero, social awkwardness would be my power. My entire life, I’ve struggled to get out of my head, constantly overanalyzing every little word or movement or shift of a gaze. I’ve learned it’s easier to sit back and shut up. I find I don’t make as much of a fool out of myself that way. Quietude has become the law of my land, with silence being my official language.
”
”
Minka Kent (The Perfect Roommate)
“
Would you like to hear a very bald, very earthy, completely scientific truth?” He struggled up on his elbow, reaching one hand toward her face. He cupped her cheek in his hand, traced her parted lips with his thumb. “You,” he whispered hoarsely, “have the most goddamned erotic mouth I’ve ever seen. These sweet, plump lips drive me wild. It’s impossible to look at you and not . . . not wonder, how it would be.”
Her eyes went wide. “You’ve wondered.”
He nodded. “Oh yes.”
“Y-you’ve actually spent time—”
“Hours, probably, if you added it up.”
“Thinking about—”
“This.” He slid his thumb between her startled lips, pressing it deep into her hot, wet mouth. “Yes.
”
”
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
“
don’t know … maybe because I know what it’s like to hide while everyone is mind-controlled. And because I’ve never met a flamesilk and I’d love to know more about you. And because you’re …” She paused, struggling for a word. “Pathetic?” he offered. “Desperate? A tragic story?” “No!” she said. “Not that at all. You’re … ” She trailed off again. “Aha,” he said. “Devastatingly handsome.
”
”
Tui T. Sutherland (The Lost Continent (Wings of Fire, #11))
“
You’re right,” he says, his voice quiet but certain. “This anxiety will always be a part of me. It’s not going anywhere, and I’m going to have to live with it for the rest of my life. But I am not broken because of it.”
The governor opens his mouth to speak, but August goes on, his grip on me tight and solid.
“I’ve been apologizing to you for who I am for years, but I’m done believing the lie you’ve fed to me, the lie that says I’m less of a man because I’m not exactly like you. The lie that says I deserve less respect because I struggle.” He lifts his chin. “I’m far stronger than you’ll ever be. Because I’ve fought for every victory. Because those fights have taught me compassion and kindness. They’ve taught me to see the world for what it is, not for what I think it should be. So step aside, Father. I’m done minimizing my greatness so you can feel superior.
”
”
Jessica S. Olson (A Forgery of Roses)
“
You struggle to live the best you can but soon the whole lot disappears. We get up in the morning, but that morning doesn't actually exist any more than the night before, which everyone's already forgotten. We're all walking on the edge of a precipice, I've known that for a long time. One step forward, one step in the void. Over and over again. Going where? No one knows. No one gives a damn.
”
”
Véronique Olmi
“
Who can doubt the presence of God in the sight of men whom He has given wings.'...God didn't give man wings; He gave him the brain and the spirit to give himself wings. Just as He gave us the capacity to laugh when we hurt, or to struggle on when we feel like giving up...I've come to beliece that how we choose to live with painm or injustice, or death. . . . is the true measure of the Divine withing us. Some, like Crossen, choose to do harm to themselves adn others. Others, like kenji, bear up under their pain and help others to bear it. I used to wonder, why did God give children leprosy? Now I believe: God doesn't give anyone leprosy. He gives us, if we choose to use it, the spirit to live with leprosy, and with the imminence of death. Because it is in our own mortality that we are most Divine.
”
”
Alan Brennert (Moloka'i (Moloka'i, #1))
“
I just know about sweat and frustration. And that what I once thought was impossible somehow doesn't always stay that way permanently. One day it's suddenly easy and accessible, and mostly because I've stopped struggling against it. I've just accepted where I am, keep showing up, and then the change just happens.
”
”
Edward Vilga (Downward Dog)
“
He’s devastating. Everything about him is stunning and sharp and stealing my breath away. But it’s the way he’s looking at me that suddenly makes swallowing seem like a struggle, breathing seem like a chore. I’ve never been looked at like it’s a privilege to be in my presence, an honour to hold my gaze, a gift to get a glimpse of me. Not until I met him.’
“I don’t know that I ever lived before lying eyes on the likes of you.
”
”
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
“
Nothing breaks my heart more than seeing that person who’s struggling to lose weight who thinks that they need to run 20 miles a week. They have no desire to do it, their knees hurt, they hate it, and they’re not losing weight. And I’d like to say, ‘Well, I’ve got great news for you. You don’t ever need to run another step a day in your life, because there’s no value in that.’ “There is value in exercise, though, and I think that the most important type of exercise, especially in terms of bang for your buck, is going to be really high-intensity, heavy strength training. Strength training aids everything from glucose disposal and metabolic health to mitochondrial density and orthopedic stability. That last one might not mean much when you’re a 30-something young buck, but when you’re in your 70s, that’s the difference between a broken hip and a walk in the park.
”
”
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
“
Our identities as people of color should not be defined solely by our struggles. But, as we are perpetually made to feel like others in this country, that’s how we are taught to understand ourselves. There’s so much love in my race. I’ve been trying to think of my race as a site of joy. The feeling I get when I see a South Asian or Muslim person succeeding, like I’ve swallowed a handful of fireflies, lighting up my stomach. I glow into the night. When an older South Asian woman I’ve never met calls me bayti and she transforms into my auntie.
”
”
Nikesh Shukla (The Good Immigrant: 26 Writers Reflect on America)
“
I'm not some possession." I pushed at his chest once more. "No, you're not." His mouth returned to mine. "You are my wife." I continued to struggle with the mass of him. He pulled his head back. "You're the only woman I've loved since I lost my mother and sister." His eyes intent on mine. Torn by my anger and his admission, I stopped protesting. His mouth moved against my neck and his body pressed into mine. "I have loved you for so long.
”
”
Saewod Tice (Amongst the Ruins (The Chronicles of 2020, #1))
“
As women, we almost never give ourselves enough credit for what we're capable of, for what we endure and how giving we are.
Part of loving yourself is about forgiving yourself - which is something I've always struggled with. It's the messy parts that make us human, so we should embrace them too - pat ourselves on the back for getting through them rather than being angry for having gotten into them in the first place. Because loving yourself is ultimately about self-acceptance, about embracing every part of who you are. And that's never just one thing.
”
”
Jennifer Lopez (True Love)
“
I live with the hope that one day, someone, will look into my eyes and see the deepness of my soul, and all the suffering and struggles will finally make sense to the person that can see behind all the imperfections and dust that's been pilled up in all these years. I've had my turns at trying to love people, but it never turned out as planned and I've failed in keeping someone next to me, simply because you can't force someone to be by your side if it's not meant to be, and I've grown to accept that and not fight against it. I've been selfish for far too long in trying to cling on to someone, and I believe nobody is perfect.. But as long as I still breathe, I'm willing to let people come into my life, play their part in my life's plan and then let go if it's necessary. Nothing can last forever and it's something we grow to accept. Let time do its' thing and don't get too attached, that's all I can do.
”
”
Virgil Kalyana Mittata Iordache
“
I’ve never been a very lonely person. I’m very good at being on my own. But after I met him, I lost a bit of that. It was like he helped me find some whole new section of my heart, one I didn’t even know existed before. One for just him to fill. And when he wasn’t there to do it, I felt his absence so keenly. I suppose this sounds very cliché and silly.
It’s not that I didn’t want to fall in love someday. I did. I’m quite romantic, although I don’t know if it shows very much. But it seemed like such an abstract idea before. And something of an impossible one. And then I met him, and he was real, and it was all so unsettling and wonderful. But it’s still very hard business to really let yourself fall, I think. Especially when you’ve come to feel like it’s something you aren’t cut out for.
But he was very patient with me, and I just really, really did love him. Eventually it came to seem worth all of the struggle. -- Emily
”
”
Hannah Johnson (Know Not Why (Know Not Why, #1))
“
I’ve lived with guilt for all these years from walkin’ away from the girl I loved more than anything. I’ve struggled with forgiving myself. I’ve fought every damn day to prove that I’m better for you!” He moves forward, forcing me to retreat. “I’ve given you every part of me, Presley.” His chest heaves as tears form in his own eyes. “Me! Only me! I’ve kept all your secrets! I’ve stood by your side. Held you when you’ve cried over everything that Todd put you through!
”
”
Corinne Michaels (Say You'll Stay (The Hennington Brothers, #1))
“
God didn’t give man wings; He gave him the brain and the spirit to give himself wings. Just as He gave us the capacity to laugh when we hurt, or to struggle on when we feel like giving up. “I’ve come to believe that how we choose to live with pain, or injustice, or death … is the true measure of the Divine within us. Some, like Crossen, choose to do harm to themselves and others. Others, like Kenji, bear up under their pain and help others to bear it. “I used to wonder, why did God give children leprosy? Now I believe: God doesn’t give anyone leprosy. He gives us, if we choose to use it, the spirit to live with leprosy, and with the imminence of death. Because it is in our own mortality that we are most Divine.
”
”
Alan Brennert (Moloka'i (Moloka'i, #1))
“
INT. MINISTÈRE DES AFFAIRES MAGIQUES, RECORDS ROOM ATRIUM—NIGHT
MELUSINE: Puis-je vous aider?
NEWT: Er—yes, this is Leta Lestrange. And—I’m her—
TINA: Fiancé.
There is an increased awkwardness between them.
NEWT: Tina, about that fiancée business—
TINA (brittle): Sorry, yeah. I should have congratulated you—
The doors to the records office open. They enter briskly.
INT. MINISTÈRE DES AFFAIRES MAGIQUES, RECORDS ROOM—NIGHT
The doors close behind them, plunging them into darkness.
NEWT: No, that’s—
TINA: Lumos.
NEWT: Tina—about Leta—
TINA: Yes, I’ve just said, I am happy for you—
NEWT: Yeah, well, don’t.
She stops. Looks at him. What?
NEWT: Please don’t be happy.
(in trouble) Uh, no, no. I’m sorry. I don’t . . . Uh, obviously, I—Obviously I want you to be. And I hear that you are now. Uh, which is wonderful. Sorry—
(a gesture of hopelessness) What I’m trying to say is, I want you to be happy, but don’t be happy that I’m happy, because I’m not.
(off her confusion) Happy.
(off her continued confusion) Or engaged.
TINA: What?
NEWT: It was a mistake in a stupid magazine. My brother’s marrying Leta, June the sixth. I’m supposed to be best man. Which is sort of mildly hilarious.
TINA: Does he think you’re here to win her back?
(beat)
Are you here to win her back?
NEWT: No! I’m here to—
A beat. He stares at her.
NEWT: —you know, your eyes really are—
TINA: Are what?
NEWT: I’m not supposed to say.
Pickett is climbing out of NEWT’S pocket onto the nearest shelf. NEWT doesn’t notice.
A beat. In a rush
TINA: Newt, I read your book, and did you—?
NEWT: I still have a picture of you—wait, did you read—?
NEWT pulls the picture of her from his breast pocket and unfolds it. She is inordinately touched. He looks from the picture to TINA.
NEWT: I got this—I mean, it’s just a picture of you from the paper, but it’s interesting because your eyes in newsprint . . . See, in reality they have this effect in them, Tina . . . It’s like fire in water, in dark water. I’ve only ever seen that—
(struggling) I’ve only ever seen that in—
TINA (whispers): Salamanders?
”
”
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
“
What do you think you’re doing?” she asked, her post-orgasmic lassitude evaporating quickly as she struggled. Sean moved quickly and efficiently, thwarting every one of her attempts to free herself. Apparently he’d had some training, too. “I’m going to fuck you, Nicki,” he told her huskily. The pure heat in his glowing blue eyes made her squirm. No man had ever looked at her like that before – like he worshipped her. “I’ve made you come once by my hand and twice by my mouth. Guess how many times I’m going to make you come with my cock, baby?” “Three?” She tried to sound sarcastic, but her voice came out far too needy to be believable. “That’s right, baby. A fucking trifecta. And then, if you’re a good girl, I might let you rest a little before I do it all over again.
”
”
Abbie Zanders (Seeking Vengeance (Callaghan Brothers, #4))
“
Fuck for better or worse, it’s forever and for Ever for us. Richer and richer. Through wealth, questionable health, disagreements, failures, struggles, and everything that comes with life, I’ll continue to love you, continue to pour into you, continue to be the man for you, and continue to meet you where you are. “Because, wherever you are, Ever, that’s where I want to be. I’ve never felt anything like this before.
”
”
Grey Huffington (Luca Squared (The Eisenberg Effect))
“
I’m a man,” he returned with harsher resolve. “Once we get past the title, the frill of my extensive travel and education, the calling on my life that I can’t control, and my family’s socioeconomic status, we can appreciate that I am a hot-blooded man who fights with rigor not to kiss you the way that I want, who struggles against beating his meat every day when I think about your glorious and sinful body while I’m alone, and the man who wants a woman in his bed to defile in each and every way as he chooses. Pastoral image aside, I am a man with carnal need, just one who wants to follow the rules and wait until I’m married to release what I’ve been holding since the day I laid eyes on you.
”
”
Love Belvin (In Covenant with Ezra (Love Unaccounted #1))
“
Not caring about our own pain and the pain of others is not working. How much longer are we willing to keep pulling drowning people out of the river one by one, rather than walking to the headwaters of the river to find the source of the pain? What will it take for us to let go of that earned self-righteousness and travel together to the cradle of the pain that is throwing all of us in at such a rate that we couldn’t possibly save everyone? Pain is unrelenting. It will get our attention. Despite our attempts to drown it in addiction, to physically beat it out of one another, to suffocate it with success and material trappings, or to strangle it with our hate, pain will find a way to make itself known. Pain will subside only when we acknowledge it and care for it. Addressing it with love and compassion would take only a minuscule percentage of the energy it takes to fight it, but approaching pain head-on is terrifying. Most of us were not taught how to recognize pain, name it, and be with it. Our families and culture believed that the vulnerability that it takes to acknowledge pain was weakness, so we were taught anger, rage, and denial instead. But what we know now is that when we deny our emotion, it owns us. When we own our emotion, we can rebuild and find our way through the pain. Sometimes owning our pain and bearing witness to struggle means getting angry. When we deny ourselves the right to be angry, we deny our pain. There are a lot of coded shame messages in the rhetoric of “Why so hostile?” “Don’t get hysterical,” “I’m sensing so much anger!” and “Don’t take it so personally.” All of these responses are normally code for Your emotion or opinion is making me uncomfortable or Suck it up and stay quiet. One response to this is “Get angry and stay angry!” I haven’t seen that advice borne out in the research. What I’ve found is that, yes, we all have the right and need to feel and own our anger. It’s an important human experience.
”
”
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
“
Have you noticed how the boy looks at you?” Russell asked.
Charles chortled. “For the love of God, how should he look at me?”
“I’m serious. I’ve been noticing it for a while now. Don’t tell me you haven’t noticed.”
Silence.
Dorian held his breath, ears divided between the sounds in the undergrowth and the words that would follow.
“What are you talking about?” Charles’s voice sounded lower and more sullen than before, as if the marquess were struggling to contain some type of uneasiness.
Russell’s reply was bone-chilling: “He looks at you the way a woman would.
”
”
Valentina C. Brin (Rise of a Nobleman (Possession, #1))
“
MYSTIC WARRIOR
I’ve fought side by side with him
through the centuries
He holds the sword that doubles rainbows
He negotiates with the moon
Racing with the wind
He annihilates all my demons
He resuscitates my fallen battle horse
Gallops next to me back to the front of the line
and reminds me that courage must be in
my every step in order to win
for just an inkling of terror in the heart
is the strategy of loss
and to stay alive is to further one’s destiny
but one has to struggle beyond simple existence
to attain the outcome of fulfillment
Excerpt: Soulmates by Sondra Faye
”
”
Sondra Faye (Soulmates)
“
Noah propped himself up on his elbow, his wicked grin in place. “Do you have any idea how long I’ve wanted to see you on this bed?”
“Nope.” The hem of my sweater rode up from our fall, exposing my belly button. Noah traced circles onto the skin of my stomach, down to the material of my low-rise jeans. His touch sent a combination of tickles and chills through my body. My heart sped up and I struggled to keep my breathing normal.
Every Noah rumor had been right. His kisses curled my toes and now his simple touch rocked my body. Fear mingled with the pleasure in my bloodstream.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
We used to hang out all the time. St. Clair and me.But after you arrived,I hardly saw him. He'd sit next to you in class,at lunch,at the movies. Everywhere. And even though I was suspicious,I knew the first time I heard you call him Etienne-I knew you loved him.And I knew by his response-the way his eyes lit up every time you said it-I knew he loved you,too. And I ignored it,because I didn't want to believe it."
The struggle rises inside me again. "I don't know if he loves me.I don't know if he does,or if he ever did.It's all so messed up."
"It's obvious he wants more than friendship." Mer takes my shaking mug. "Haven't you seen him? He suffers every time he looks at you.I've never seen anyone so miserable in my life."
"That's not true." I'm remembering he said the situation with his father is really terrible right now. "He has other things on his mind,more important things."
"Why aren't the two of you together?"
The directness of her question throws me. "I don't know.Sometimes I think there are only so many opportunies...to get together with someone.And we've both screwed up so many times"-my voice grows quiet-"that we've missed our chance."
"Anna." Mer pauses. "That is the dumbest thing I've ever heard."
"But-"
"But what? You love him,and he loves you, and you live in the most romantic city in the world."
I shake my head. "It's not that simple."
"Then let me put it another way.A gorgeous boy is in love with you, and you're not even gonna try to make it work?
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Though I may not believe in the order of the universe, yet I love the sticky little leaves as they open in spring. I love the blue sky, I love some people, whom one loves you know sometimes without knowing why. I love some great deeds done by men, though I've long ceased perhaps to have faith in them, yet from old habit one's heart prizes them... I want to travel in Europe, Alyosha; I shall set off from here. And yet I know that I am only going to a graveyard, but it's a most precious graveyard, that's what it is! Precious are the dead that lie there, every stone over them speaks of such burning life in the past, of such passionate faith in their work, their truth, their struggle and their science, that I know I shall fall on the ground and kiss those stones and weep over them; though I'm convinced in my heart that it's long been nothing but a graveyard. And I shall not weep from despair, but simply because I shall be happy in my tears, I shall steep my soul in emotion. I love the sticky leaves in spring, the blue sky--that's all it is. It's not a matter of intellect or logic, it's loving with one's inside, with one's stomach. One loves the first strength of one's youth. Do you understand anything of my tirade, Alyosha?" Ivan laughed suddenly.
"I understand too well, Ivan. One longs to love with one's inside, with one's stomach. You said that so well and I am awfully glad that you have such a longing for life," cried Alyosha. "I think everyone should love life above everything in the world."
"Love life more than the meaning of it?"
"Certainly, love it, regardless of logic as you say, it must be regardless of logic, and it's only then one will understand the meaning of it. I have thought so a long time. Half your work is done, Ivan, you love life, now you've only to try to do the second half and you are saved.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
And now I believe I shall put my head on you,” he announced. “The room has started to spin, and it’s been a very long time since I’ve laid my head in a woman’s lap.”
Leah ceased laughing as he twisted and began to lie back. “No, my lord.” His shoulders landed on her outstretched arms. “Sebastian! Let me up.”
He groaned as she struggled against him. “I was beginning to wonder if you remembered my name. Please, be quiet. Just a moment.” Reaching behind his head, he caught her hand and moved it to his mouth, where he pressed a kiss against her bare skin. “Only a moment, until the world turns itself aright again.
”
”
Ashley March (Romancing the Countess (Romancing, #1))
“
And I am proud, but mostly, I’m angry. I’m angry, because when I look around, I’m still alone. I’m still the only black woman in the room. And when I look at what I’ve fought so hard to accomplish next to those who will never know that struggle I wonder, “How many were left behind?” I think about my first-grade class and wonder how many black and brown kids weren’t identified as “talented” because their parents were too busy trying to pay bills to pester the school the way my mom did. Surely there were more than two, me and the brown boy who sat next to me in the hall each day. I think about my brother and wonder how many black boys were similarly labeled as “trouble” and were unable to claw out of the dark abyss that my brother had spent so many years in. I think about the boys and girls playing at recess who were dragged to the principal’s office because their dark skin made their play look like fight. I think about my friend who became disillusioned with a budding teaching career, when she worked at the alternative school and found that it was almost entirely populated with black and brown kids who had been sent away from the general school population for minor infractions. From there would only be expulsions or juvenile detention. I think about every black and brown person, every queer person, every disabled person, who could be in the room with me, but isn’t, and I’m not proud. I’m heartbroken. We should not have a society where the value of marginalized people is determined by how well they can scale often impossible obstacles that others will never know. I have been exceptional, and I shouldn’t have to be exceptional to be just barely getting by. But we live in a society where if you are a person of color, a disabled person, a single mother, or an LGBT person you have to be exceptional. And if you are exceptional by the standards put forth by white supremacist patriarchy, and you are lucky, you will most likely just barely get by. There’s nothing inspirational about that.
”
”
Ijeoma Oluo (So You Want to Talk About Race)
“
I know it hurts and I know there are days when you wake up in the middle of the night and can’t breathe because of this unbearable lack of something or someone. I know what it’s like to be sad for no reason at all, standing in the rain with no intention of surviving. I know things hurts, I hurt, but life can also be so beautiful… Wonderful things are waiting for you. I know it, I’ve had a taste of it, small moments of complete clarity. Magical nights under the stars and peaceful mornings with someone you love. Before you know it you will thank yourself for staying strong and holding on. I do, most of the days. I know there are days when even one single positive thought feels like too much effort, but you must develop an unconditional love for life. You must never lose your childish curiosity for the possibilities in every single day. Who you can be, what you can see, what you can feel and where it can lead you. Be in love with your life, everything about it. The sadness and the joys, the struggles and the lessons, your flaws and strengths, what you lose and what you gain.
”
”
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
“
Comparative suffering is a function of fear and scarcity. Falling down, screwing up, and facing hurt often lead to bouts of second-guessing our judgment, our self-trust, and even our worthiness. I am enough can slowly turn into Am I really enough? If there’s one thing I’ve learned over the past decade, it’s that fear and scarcity immediately trigger comparison, and even pain and hurt are not immune to being assessed and ranked. My husband died and that grief is worse than your grief over an empty nest. I’m not allowed to feel disappointed about being passed over for promotion when my friend just found out that his wife has cancer. You’re feeling shame for forgetting your son’s school play? Please—that’s a first-world problem; there are people dying of starvation every minute. The opposite of scarcity is not abundance; the opposite of scarcity is simply enough. Empathy is not finite, and compassion is not a pizza with eight slices. When you practice empathy and compassion with someone, there is not less of these qualities to go around. There’s more. Love is the last thing we need to ration in this world. The refugee in Syria doesn’t benefit more if you conserve your kindness only for her and withhold it from your neighbor who’s going through a divorce. Yes, perspective is critical. But I’m a firm believer that complaining is okay as long as we piss and moan with a little perspective. Hurt is hurt, and every time we honor our own struggle and the struggles of others by responding with empathy and compassion, the healing that results affects all of us.
”
”
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
“
My past (and sometimes my present) struggles offer plenty of feelings to mine for my songs. At the same time, I don't want to dwell in sadness or anxiety for the sake of my music. What I've come to accept is that great art doesn't come from wallowing in the negativity nor from attaining some mythical tranquility. The best art, for me anyway, arises from the PURSUIT of happiness. It's a difficult balance between the sadness and anger of my past and the struggle to live a happier life.
”
”
Ronnie Radke (I Can Explain)
“
As I head back to Blackcliff, I try to make sense of what just happened. I want to believe that I can trust Mazen, that he’ll hold to his end of the bargain. But something is off. I’ve struggled for days to eke out extra time from him. It makes no sense for him to suddenly give it away so easily. And something else sets my nerves on edge. It’s how quickly Mazen forgot about me when Sana showed up. And it’s how, when he promised to save my brother, he didn’t quite look me in the eyes.
”
”
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
“
I still can’t quite believe that this is really it. I’m really leaving. This frigid desert has been my home for a year and a half. I figured out how to survive, at least for a while, and I got used to how things worked. My terrifying struggle to stay alive became somehow routine. Get up in the morning, eat breakfast, tend my crops, fix broken stuff, eat lunch, answer e-mail, watch TV, eat dinner, go to bed. The life of a modern farmer. Then I was a trucker, doing a long haul across the world. And finally, a construction worker, rebuilding a ship in ways no one ever considered before this. I’ve done a little of everything here, because I’m the only one around to do it.
”
”
Andy Weir (The Martian)
“
I’ve been told a time or two that I spiral.
Zero to sixty in the blink of an eye.
One second, I’m perfectly fine, laughing, smiling. The next, I’ve got my hands around someone’s throat, choking the life out of them.
There’s probably a name for whatever’s wrong with me, but I’ve got no interest in a diagnosis. I don’t need treatment. Until people stop being ignorant, I’m going to keep on getting pissed. No little mood-stabilizing pill can stop that from happening.
But still, sometimes, I can feel it. I feel myself spiraling hard, and falling far, making mountains out of molehills that even I struggle to climb.
And today? I’m feeling it.
My hands shake.
I can hardly see straight.
”
”
J.M. Darhower (Menace (Scarlet Scars, #1))
“
Excerpt from "The Long Road from Perdition" for the day:
"...I've always been drawn to the ocean. It is here that I now feel peaceful and can lose my thoughts while immersed in the deafening sounds of waves crashing around me. The spray and mist of the ocean's past seem to be a living, breathing yet wounded animal. The fury of the waves never settled and the spew of the foam touched all that dared to sit near it.
There is no reason to flinch as the waves spray and crash against the shore. It is a natural progression I have learned to endure. However, it is the rescinding of the waves and fluid release of fury that I struggle to understand and coexist with peacefully. I hope one day to master it.
”
”
J.R. Stone
“
A SPOONFUL OF KINDNESS When Tommy, my son, was three years old, my wife, Lilly, and I took him for his annual checkup and the pediatrician asked us what his eating habits were like. “Well,” we confessed, “he’s going through this phase of only liking chicken fingers and carbs, so we’ve kind of given up trying to get him to eat vegetables for now. It’s become too much of a struggle every night.” The pediatrician nodded and smiled, and then said, “Well, you can’t really force him to eat the veggies, guys, but your job is to make sure they’re on his plate. He can’t eat them if they’re not even on his plate.” I’ve thought about that a lot over the years. I think about it with teaching. My students can’t learn what I don’t teach them. Kindness. Empathy. Compassion. It’s not part of the curriculum, I know, but I still have to keep dishing it out onto their plates every day. Maybe they’ll eat it; maybe they won’t. Either way, my job is to keep on serving it to them. Hopefully, a little mouthful of kindness today may make them hungry for a bigger taste of it tomorrow. —Mr. Browne
”
”
R.J. Palacio (365 Days of Wonder: Mr. Browne's Precepts)
“
My Darling,
It is late at night and though the words are coming hard to me, I can’t escape the feeling that it’s time that I finally answer your question.
Of course I forgive you. I forgive you now, and I forgave you the moment I read your letter. In my heart, I had no other choice. Leaving you once was hard enough; to have done it a second time would have been impossible. I loved you too much to have let you go again. Though I’m still grieving over what might have been, I find myself thankful that you came into my life for even a short period of time. In the beginning, I’d assumed that we were somehow brought together to help you through your time of grief. Yet now, one year later, I’ve come to believe that it was the other way around.
Ironically, I am in the same position you were, the first time we met. As I write, I am struggling with the ghost of someone I loved and lost. I now understand more fully the difficulties you were going through, and I realize how painful it must have been for you to move on. Sometimes my grief is overwhelming, and even though I understand that we will never see each other again, there is a part of me that wants to hold on to you forever. It would be easy for me to do that because loving someone else might diminish my memories of you. Yet, this is the paradox: Even though I miss you greatly, it’s because of you that I don’t dread the future. Because you were able to fall in love with me, you have given me hope, my darling. You taught me that it’s possible to move forward in life, no matter how terrible your grief. And in your own way, you’ve made me believe that true love cannot be denied.
Right now, I don’t think I’m ready, but this is my choice. Do not blame yourself. Because of you, I am hopeful that there will come a day when my sadness is replaced by something beautiful. Because of you, I have the strength to go on.
I don’t know if spirits do indeed roam the world, but even if they do, I will sense your presence everywhere. When I listen to the ocean, it will be your whispers; when I see a dazzling sunset, it will be your image in the sky. You are not gone forever, no matter who comes into my life. you are standing with God, alongside my soul, helping to guide me toward a future that I cannot predict.
This is not a good-bye, my darling, this is a thank-you. Thank you for coming into my life and giving me joy, thank you for loving me and receiving my love in return. Thank you for the memories I will cherish forever. But most of all, thank you for showing me that there will come a time when I can eventually let you go.
I love you
”
”
Nicholas Sparks (Message in a Bottle)
“
The truth is, the person I've ben hating more than anyone is myself. It is so easy. So easy to look in the mirror at all my imperfections and think of all the ways I fall short of someone like Kristen. To struggle with geometry equations and underlying meanings in novels and know I'll never been smart the way Asha is. To realize how much I've screwed up and to obsess over all of the terrible ways I've wronged so many people.
But.
But even though I know my flaws are so many (many many many), and there are always ways I could be better, and I should never stop working for that - I also need to give myself a break. I can cut myself some slack sometimes. Because I'm a work in progress. Because nobody is perfect. At least I acknowledge the mistakes I've made, and am making. At least I'm trying. That means something, doesn't it?
And just because I have room for improvement doesn't mean I'm worthless, or that i have nothing to offer to, like, the world.
”
”
Hannah Harrington (Speechless)
“
I've been sexually assaulted, physically attacked, felt unsafe in my own house, and nearly killed myself because I'm transgender. Now I'm not saying that its the same struggle as racism. But what I will say is that if people are intentionally ignorant you can't fight them with words. Sometims you have to fight back. Or scream. And you know what. That's life. Despite the lies you may have been told no one won their rights by asking for them nicely. People fought for them. So ya I'm sorry if what I said may "offend" a few white people, but I'm going to fuking say it anyways.
”
”
Adam snowflake
“
a lot of young viewers, but I also have a lot of older viewers. This chapter is for my older fans—those of you who are slightly more mature. If any kids are reading this book, turn the page now. This chapter is not appropriate for children. It’s for adults who experience adult situations, such as eating dinner before 6:00 and struggling to read menus in dim lighting conditions. Many adults, myself included, have trouble reading menus when they go out to eat at restaurants because the font is way too small. I know there are products to help with this problem, like reading and magnifying glasses, but I have a better idea. Make the font size larger. There should be a worldwide standard for menu font size. I’ve included a sample menu below with a suitable font size. You’ll notice
”
”
Ellen DeGeneres (Seriously...I'm Kidding)
“
As a parent, we often have to make difficult decisions. We have to say no to our kids, even when it disappoints them. We tell them they have to do certain things for their own good, regardless of whether they like it. I think God is like that, in a way: making certain things happen for our eternal good. Even the suffering on earth, which will somehow be redeemed in heaven.
Does He say: Yes, you have to suffer, but you’re going to be okay. I have your best interests at heart. And you have something to learn.
At my darkest times, I struggled to believe this. I tried to remember that, even when things don’t go the way I’d hoped, He’s still there. And that maybe we need great disappointment to appreciate the good, and to better appreciate the meaning of God in our lives. I’ve come to realize that part of faith is opening yourself up to free will and knowing God will bring beauty, even in the midst of evil.
It’s one thing to say all this. To believe it every day--to live it and not despair--that is a struggle.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
Lately, because computer technology has made self-publishing an easier and less expensive venture, I'm getting a lot of review copies of amateur books by writers who would be better advised to hone their craft before committing it to print. The best thing you can do as a beginning writer is to write, write, write - and read, read, read. Concentrating on publication prematurely is a mistake. You don't pick up a violin and expect to play Carnegie Hall within the year - yet somehow people forget that writing also requires technical skills that need to be learned, practiced, honed. If I had a dollar for every person I've met who thought, with no prior experience, they could sit down and write a novel and instantly win awards and make their living as a writer, I'd be a rich woman today. It's unrealistic, and it's also mildly insulting to professional writers who have worked hard to perfect their craft. Of course, then you hear stories about people like J.K. Rowling, who did sit down with no prior experience and write a worldwide best-seller...but such people are as rare as hen's teeth. Every day I work with talented, accomplished writers who have many novels in print and awards to their name and who are ‘still’ struggling to make a living. The thing I often find myself wanting to say to new writers is: Write because you love writing, learn your craft, be patient, and be realistic. Anais Nin said about writing, "It should be a necessity, as the sea needs to heave, and I call it breathing."
”
”
Terri Windling
“
You're all fucking dead.' His voice is eerily calm and all the scarier for it.
Every head in the room turns.
'Riorson!' Orsen's dagger clatters to the floor.
'You think surrendering will save you?' Xaden's lethally soft tone sends goose bumps up my arms. 'It is against our code to attack another rider in their sleep.'
'But you know he never should have bonded her!' Orsen puts his hands up, his palms facing us. 'You of all people have reason enough to want the weakling dead. We're just correcting a mistake.'
'Dragons don't make mistakes.' Xaden's shadows grab every assailant but Orsen by the throat, then constrict. They struggle, but it doesn't matter. Their faces turn people, the shadows holding tight as they sag to their knees, falling in an arc in front of me like lifeless puppets.
I can't find it in my head to pity them.
Xaden prowls forward as though he has all the time in the world and holds out his palm as yet another tendril of darkness lifts my discarded dagger from the floor.
'Let me explain.' Orsen eyes the dagger, and his hands tremble.
'I've heard everything I need to hear.' Xaden's fingers curl around the hilt. 'She should have killed you in the field, but she's merciful. That's not a flaw I possess.' He slashes forward so quickly that I barely catch the move, and Oren's throat opens in a horizontal line, blood streaming down his neck and chest in a torrent.
He grabs for his throat, but it's useless. He bleeds out in seconds, crumpling to the floor. A crimson puddle grows around him.
'Damn, Xaden,' Garrick walks in, sheathing his sword as his gazes rakes over the room. 'No time for questioning?' His glance sweeps to me as if cataloguing injuries, catching on my throat.
'No need for it,' Xaden counters...
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
St. Teresa of Avila once said: “We can only learn to know ourselves and do what we can—namely, surrender our will and fulfill God’s will in us.” For Christians not of the prosperity persuasion, surrender is a virtue; the writings of the saints are full of commands to “let go” and to submit yourself to what seems to be the will of the Almighty. All of American culture and pop psychology scream against that. Never give up on your dreams! Just keep knocking, that door is about to open! Think positively! Self-improvement guaranteed!! The entire motivational-speaking industry rests on the assumption that you can have what you want, you can be what you want. Just do it.
When prosperity believers live out their daily struggles with smiles on their faces, sometimes I want to applaud. They confront the impossible and joyfully insist that God make a way. They obediently put miracle oil on their failing bodies. They give large offerings to the church and expect great things. They stubbornly get out of their hospital beds and declare themselves healed, and every now and then, it works.
They are addicted to self-rule, and so am I.
”
”
Kate Bowler (Everything Happens for a Reason: And Other Lies I've Loved)
“
You're eighteen years old, Sayuri," she went on. "Neither you nor I can know your destiny. You may
never know it! Destiny isn't always like a party at the end of the evening. Sometimes it's nothing more
than struggling through life from day to day."
"But, Mameha-san, how cruel!"
"Yes, it is cruel," she said. "But none of us can escape destiny."
"Please, it isn't a matter of escaping my destiny, or anything of that sort. Nobu-san is a good man, just as
you say. I know I should feel nothing but gratitude for his interest, but . . . there are so many things I've
dreamed about."
"And you're afraid that once Nobu has touched you, after that they can never be? Really, Sayuri, what
did you think life as a geisha would be like? We don't become geisha so our lives will be satisfying. We
become geisha because we have no other choice."
"Oh, Mameha-san . . . please . . . have I really been so foolish to keep my hopes alive that perhaps one
day-"
"Young girls hope all sorts of foolish things, Sayuri. Hopes are like hair ornaments. Girls want to wear
too many of them. When they become old women they look silly wearing even one.
”
”
Arthur Golden (Memoirs of a Geisha)
“
God does most of his works nowadays thru people. So does Satan.
For a good part of my life I was an agent of darkness- committing a multitude of sins listed in the Bible... and perhaps a few that aren't even listed.
Fortunately, at any given moment we are able to make a choice- and choose who we are going to be from this moment forward.
We can leave the darkness behind and try to shed light on th
ose who are lost in the darkness. I am the same person I have always been. At times I struggle to keep both my composure and my integrity. It can be hard, as we live in a world that is rich in hate, greed and selfishness. I am that same sinner, but every morning I get to choose to leave my old ways behind.
I thank God that this morning, once again, I am strong enough to choose kindness. Its not an easy choice. But I've tried everything else. Kindness is the only choice I have left. And for that, I am grateful.
”
”
José N. Harris
“
With the best of intentions, the generation before mine worked diligently to prepare their children to make an intelligent case for Christianity. We were constantly reminded of the superiority of our own worldview and the shortcomings of all others. We learned that as Christians, we alone had access to absolute truth and could win any argument. The appropriate Bible verses were picked out for us, the opposing positions summarized for us, and the best responses articulated for us, so that we wouldn’t have to struggle through two thousand years of theological deliberations and debates but could get right to the bottom line on the important stuff: the deity of Christ, the nature of the Trinity, the role and interpretation of Scripture, and the fundamentals of Christianity. As a result, many of us entered the world with both an unparalleled level of conviction and a crippling lack of curiosity. So ready with the answers, we didn’t know what the questions were anymore. So prepared to defend the faith, we missed the thrill of discovering it for ourselves. So convinced we had God right, it never occurred to us that we might be wrong. In short, we never learned to doubt. Doubt is a difficult animal to master because it requires that we learn the difference between doubting God and doubting what we believe about God. The former has the potential to destroy faith; the latter has the power to enrich and refine it. The former is a vice; the latter a virtue. Where would we be if the apostle Peter had not doubted the necessity of food laws, or if Martin Luther had not doubted the notion that salvation can be purchased? What if Galileo had simply accepted church-instituted cosmology paradigms, or William Wilberforce the condition of slavery? We do an injustice to the intricacies and shadings of Christian history when we gloss over the struggles, when we read Paul’s epistles or Saint Augustine’s Confessions without acknowledging the difficult questions that these believers asked and the agony with which they often asked them. If I’ve learned anything over the past five years, it’s that doubt is the mechanism by which faith evolves. It helps us cast off false fundamentals so that we can recover what has been lost or embrace what is new. It is a refining fire, a hot flame that keeps our faith alive and moving and bubbling about, where certainty would only freeze it on the spot. I would argue that healthy doubt (questioning one’s beliefs) is perhaps the best defense against unhealthy doubt (questioning God). When we know how to make a distinction between our ideas about God and God himself, our faith remains safe when one of those ideas is seriously challenged. When we recognize that our theology is not the moon but rather a finger pointing at the moon, we enjoy the freedom of questioning it from time to time. We can say, as Tennyson said, Our little systems have their day; They have their day and cease to be; They are but broken lights of thee, And thou, O Lord, art more than they.15 I sometimes wonder if I might have spent fewer nights in angry, resentful prayer if only I’d known that my little systems — my theology, my presuppositions, my beliefs, even my fundamentals — were but broken lights of a holy, transcendent God. I wish I had known to question them, not him. What my generation is learning the hard way is that faith is not about defending conquered ground but about discovering new territory. Faith isn’t about being right, or settling down, or refusing to change. Faith is a journey, and every generation contributes its own sketches to the map. I’ve got miles and miles to go on this journey, but I think I can see Jesus up ahead.
”
”
Rachel Held Evans (Faith Unraveled: How a Girl Who Knew All the Answers Learned to Ask Questions)
“
I should be getting back to the bonfire. They’re going to think I’ve been kidnapped.” He pulled me toward him in one quick motion.
“Kidnapped insinuates some sort of struggle.” He said in a low voice with a sexy grin. “You’d enjoy being captured by me.” My heart jumped in my throat, but I tried to remain cool.
“I’d like to see you try,” I threw back at him, “but first you’ll have to escape your own sandy death trap” I wiggled my feet out of the sand, stood up and washed my hands off in the water. He followed my every move with curious eyes.
“Sweet dreams, Anastasia.” I wasn’t sure if there was an underlying meaning to his words. “Sweet dreams, Finn,” I responded, breathlessly.
”
”
Kristen Day (Forsaken (Daughters of the Sea, #1))
“
Marius made a movement.
'Oh, don't go!' she said. 'It won't be long.'
She was sitting almost upright, but her voice was very low and broken by hiccoughs. At moments she struggled for breath. Raising her face as near as she could to Marius', she said, with a strange expression:
'Look, I can't cheat you. I have a letter for you in my pocket. I've had it since yesterday. I was asked to post it, but I didn't. I didn't want you to get it. But you might be angry with me when we meet again. Because we shall all meet again, shan't we? Take your letter.'
With a convulsive movement she seized Marius' hand with her own injured one, but without seeming to feel the pain, and guided it to her pocket.
'Take it,' she said.
Marius took out the letter, and she made a little gesture of satisfaction and acceptance.
'Now you must promise me something for my trouble...' She paused.
'What?' asked Marius.
'Do you promise?'
'Yes, I promise.'
'You must kiss me on the forehead after I'm dead...I shall know.'
She let her head fall back on his knees; her lids fluttered, and then she was motionless. He thought that the sad soul had left her. But then, when he thought it was all over, she slowly opened her eyes that were now deep with the shadow of death, and said in a voice so sweet that it seemed already to come from another world:
'You know, Monsieur Marius, I think I was a little bit in love with you.'
She tried to smile, and died.
”
”
Victor Hugo (Les Misérables)
“
Everyone was so worried about me when I broke my ankle and it confused me. I have a huge, loving family and a solid circle of friends, but these things were something of an abstraction, something to take for granted, and then all of a sudden, they weren't... There were lots of concerned texts and e-mails, and I had to face something I've long pretended wasn't true, for reasons I don't fully understand. If i died, I would leave people behind who would struggle with my loss. I finally recognized that I matter to the people in my life and that I have a responsibility to matter to myself and take care of myself so they don't have to lose me before my time, so I can have more time. When I broke my ankle, love was no longer an abstraction. It became this real, frustrating, messy, necessary thing, and I had a lot of it in my life. It was an overwhelming thing to realize. I am still trying to make sense of it all even though it has always been there.
”
”
Roxane Gay (Hunger: A Memoir of (My) Body)
“
All conversation had stopped. Following the guests’ collective gazes, Cam saw something—a lizard?—wriggling and slithering its way past sauceboats and salt cellars. Without hesitation he reached out and captured the small creature, cupping it in closed hands. The lizard squirmed furiously in the space between his closed palms.
“I’ve got it,” he said mildly.
The vicar’s wife half fainted, slumping back in her chair with a low moan.
“Don’t hurt him!” Beatrix Hathaway called out anxiously. “He’s a family pet!”
The assembled guests glanced from Cam’s closed hands to the Hathaway girl’s apologetic face.
“A pet?… What a relief,” Lady Westcliff said calmly, staring down the length of the table at her husband’s blank countenance. “I thought it was some new English delicacy we were serving.”
A swift wash of color darkened Westcliff’s face, and he looked away from her with fierce concentration. To anyone who knew him well, it was obvious he was struggling not to laugh.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
So what," the Chelgrian asked, "is the point of me or anybody else writing a symphony, or anything else?"
The avatar raised its brows in surprise. "Well, for one thing, you do it, it's you who gets the feeling of achievement."
"Ignoring the subjective. What would be the point for those listening to it?"
"They'd know it was one of their own species, not a Mind, who created it."
"Ignoring that, too; suppose they weren't told it was by an AI, or didn't care."
"If they hadn't been told then the comparison isn't complete; information is being concealed. If they don't care, then they're unlike any group of humans I've ever encountered."
"But if you can—"
"Ziller, are concerned that Minds—AIs, if you like—can create, or even just appear to create, original works of art?"
"Frankly, when they're the sort of original works of art that I create, yes."
"Ziller, it doesn't matter. You have to think like a mountain climber."
"Oh, do I?"
"Yes. Some people take days, sweat buckets, endure pain and cold and risk injury and—in some cases—permanent death to achieve the summit of a mountain only to discover there a party of their peers freshly arrived by aircraft and enjoying a light picnic."
"If I was one of those climbers I'd be pretty damned annoyed."
"Well, it is considered rather impolite to land an aircraft on a summit which people are at that moment struggling up to the hard way, but it can and does happen. Good manners indicate that the picnic ought to be shared and that those who arrived by aircraft express awe and respect for the accomplishment of the climbers.
"The point, of course, is that the people who spent days and sweated buckets could also have taken an aircraft to the summit if all they'd wanted was to absorb the view. It is the struggle that they crave. The sense of achievement is produced by the route to and from the peak, not by the peak itself. It is just the fold between the pages." The avatar hesitated. It put its head a little to one side and narrowed its eyes. "How far do I have to take this analogy, Cr. Ziller?
”
”
Iain M. Banks (Look to Windward (Culture, #7))
“
On the eleventh day, it finally stopped raining. Musashi chafed to be out in the open, but it was another week before they were able to return to work under a bright sun. The field they had so arduously carved out of the wilderness had disappeared without a trace; in its place were rocks, and a river where none had been before. The water seemed to mock them just as the villagers had. Iori, seeing no way to reclaim their loss, looked up and said, “This place is beyond hope. Let’s look for better land somewhere else.” “No,” Musashi said firmly. “With the water drained off, this would make excellent farmland. I examined the location from every angle before I chose it.” “What if we have another heavy rain?” “We’ll fix it so the water doesn’t come this way. We’ll lay a dam from here all the way to that hill over there.” ‘That’s an awful lot of work.” “You seem to forget that this is our dōjō. I’m not giving up a foot of this land until I see barley growing on it.” Musashi carried on his stubborn struggle throughout the winter, into the second month of the new year. It took several weeks of strenuous labor to dig ditches, drain the water off, pile dirt for a dike and then cover it with heavy rocks. Three weeks later everything was again washed away. “Look,” Iori said, “we’re wasting our energy on something impossible. Is that the Way of the Sword?” The question struck close to the bone, but Musashi would not give in. Only a month passed before the next disaster, a heavy snowfall followed by a quick thaw. Iori, on his return from trips to the temple for food, inevitably wore a long face, for the people there rode him mercilessly about Musashi’s failure. And finally Musashi himself began to lose heart. For two full days and on into a third, he sat silently brooding and staring at his field. Then it dawned on him suddenly. Unconsciously, he had been trying to create a neat, square field like those common in other parts of the Kanto Plain, but this was not what the terrain called for. Here, despite the general flatness, there were slight variations in the lay of the land and the quality of the soil that argued for an irregular shape. “What a fool I’ve been,” he exclaimed aloud. “I tried to make the water flow where I thought it should and force the dirt to stay where I thought it ought to be. But it didn’t work. How could it? Water’s water, dirt’s dirt. I can’t change their nature. What I’ve got to do is learn to be a servant to the water and a protector of the land.” In his own way, he had submitted to the attitude of the peasants. On that day he became nature’s manservant. He ceased trying to impose his will on nature and let nature lead the way, while at the same time seeking out possibilities beyond the grasp of other inhabitants of the plain. The snow came again, and another thaw; the muddy water oozed slowly over the plain. But Musashi had had time to work out his new approach, and his field remained intact. “The same rules must apply to governing people,” he said to himself. In his notebook, he wrote: “Do not attempt to oppose the way of the universe. But first make sure you know the way of the universe.
”
”
Eiji Yoshikawa (Musashi: An Epic Novel of the Samurai Era)
“
I do not know who I am anymore. I though I was animal. I am no longer so sure. It's hard to say what makes the mind piece things together in a sudden lightning flash. I've come to hold the human spirit in the highest regard. Like the body, it struggles to repair itself. As cells fight off infection and conquer illness, the spirit too has remarkable resilience. It knows when it is harmed, and it knows when the harm is too much to bear. If it deems the injury too great the spirit cocoons the wound, in the same fashion that the body forms a cyst around infection, until the time comes that it can deal with it. For some people that time never comes. Some stay fractured, forever broken. You see them on the street pushing carts, you see them in the faces of regulars at a bar. My cocoon was that room.
”
”
Karen Marie Moning (Dreamfever (Fever, #4))
“
So what do I do? What do we do? How do we move forward when we are tired and afraid? What do we do when the voice in our head is yelling that WE ARE NEVER GONNA MAKE IT? How do we drag ourselves through the muck when our brain is telling us youaredumbandyouwillneverfinishandnoonecaresanditistimeyoustop?
Well, the first thing we do is take our brain out and put it in a drawer. Stick it somewhere and let it tantrum until it wears itself out. You may still hear the brain and all the shitty things it is saying to you, but it will be muffled, and just the fact that it is not in your head anymore will make things seem clearer. And then you just do it. You just dig in and write it. You use your body. you lean over the computer and stretch and pace. You write and then cook something and write some more. you put your hand on your heart and feel it beating and decide if what you wrote feels true. You do it because the doing of it is the thing. The doing is the thing. The talking and worrying and thinking is not the thing. That is what I know. Writing the book is about writing the book.
So here we go, you and me. Because what else are we going to do? Say no? Say no to an opportunity that may be slightly out of our comfort zone? Quiet our voice because we are worried it is not perfect? I believe great people do things before they are ready. This is America and I am allowed to have healthy self-esteem. This book comes straight from my feisty and freckled fingers. Know it was a battle. Blood was shed. A war raged between my jokey and protective brain and my squishy and tender heart. I have realized that mystery is what keeps people away, and I've grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let's peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.
”
”
Amy Poehler (Yes Please)
“
Myself
I have to live with myself and so
I want to be fit for myself to know.
I want to be able as days go by,
always to look myself straight in the eye;
I don't want to stand with the setting sun
and hate myself for the things I've done.
I don't want to keep on a closet shelf
a lot of secrets about myself
and fool myself as I come and go
into thinking no one will ever know
the kind of person I really am,
I don't want to dress myself up in sham.
I want to go out with my head erect
I want to deserve all men's respect;
but here in the struggle for fame and pelf
I want to be able to like myself.
I don't want to look at myself and know
I'm bluster and bluff and empty show.
I never can hide myself from me;
I see what others may never see;
I know what others may never know,
I never can fool myself and so,
whatever happens I want to be
self respecting and conscience free.
”
”
Edgar A. Guest
“
Across from me at the kitchen table, my mother smiles over red wine that she drinks out of a measuring glass.
She says she doesn’t deprive herself,
but I’ve learned to find nuance in every movement of her fork.
In every crinkle in her brow as she offers me the uneaten pieces on her plate.
I’ve realized she only eats dinner when I suggest it.
I wonder what she does when I’m not there to do so.
Maybe this is why my house feels bigger each time I return; it’s proportional.
As she shrinks the space around her seems increasingly vast.
She wanes while my father waxes. His stomach has grown round with wine, late nights, oysters, poetry. A new girlfriend who was overweight as a teenager, but my dad reports that now she’s “crazy about fruit."
It was the same with his parents;
as my grandmother became frail and angular her husband swelled to red round cheeks, rotund stomach
and I wonder if my lineage is one of women shrinking
making space for the entrance of men into their lives
not knowing how to fill it back up once they leave.
I have been taught accommodation.
My brother never thinks before he speaks.
I have been taught to filter.
“How can anyone have a relationship to food?" He asks, laughing, as I eat the black bean soup I chose for its lack of carbs.
I want to tell say: we come from difference, Jonas,
you have been taught to grow out
I have been taught to grow in
you learned from our father how to emit, how to produce, to roll each thought off your tongue with confidence, you used to lose your voice every other week from shouting so much
I learned to absorb
I took lessons from our mother in creating space around myself
I learned to read the knots in her forehead while the guys went out for oysters
and I never meant to replicate her, but
spend enough time sitting across from someone and you pick up their habits
that’s why women in my family have been shrinking for decades.
We all learned it from each other, the way each generation taught the next how to knit
weaving silence in between the threads
which I can still feel as I walk through this ever-growing house,
skin itching,
picking up all the habits my mother has unwittingly dropped like bits of crumpled paper from her pocket on her countless trips from bedroom to kitchen to bedroom again,
Nights I hear her creep down to eat plain yogurt in the dark, a fugitive stealing calories to which she does not feel entitled.
Deciding how many bites is too many
How much space she deserves to occupy.
Watching the struggle I either mimic or hate her,
And I don’t want to do either anymore
but the burden of this house has followed me across the country
I asked five questions in genetics class today and all of them started with the word “sorry".
I don’t know the requirements for the sociology major because I spent the entire meeting deciding whether or not I could have another piece of pizza
a circular obsession I never wanted but
inheritance is accidental
still staring at me with wine-stained lips from across the kitchen table.
”
”
Lily Myers
“
Things I've Learned in 18 Years of Life 1) True love is not something found, rather [sic] something encountered. You can’t go out and look for it. The person you marry and the person you love could easily be two different people. So have a beautiful life while waiting for God to bring along your once-in-a-lifetime love. Don't allow yourself to settle for anything less than them. Stop worrying about who you're going to marry because God's already on the front porch watching your grandchildren play. 2) God WILL give you more than you can handle, so you can learn to lean on him in times of need. He won't tempt you more than you can handle, though. So don't lose hope. Hope anchors the soul. 3) Remember who you are and where you came from. Remember that you are not from this earth. You are a child of heaven, you're invaluable, you are beautiful. Carry yourself that way. 4) Don't put your faith in humanity, humanity is inherently flawed. We are all imperfect people created and loved by a perfect God. Perfect. So put your faith in Him. 5) I fail daily, and that is why I succeed. 6) Time passes, and nothing and everything changes. Don't live life half asleep. Don't drag your soul through the days. Feel everything you do. Be there physically and mentally. Do things that make you feel this way as well. 7) Live for beauty. We all need beauty, get it where you can find it. Clothing, paintings, sculptures, music, tattoos, nature, literature, makeup. It's all art and it's what makes us human. Same as feeling the things we do. Stay human. 8) If someone makes you think, keep them. If someone makes you feel, keep them. 9) There is nothing the human brain cannot do. You can change anything about yourself that you want to. Fight for it. It's all a mental game. 10) God didn’t break our chains for us to be bound again. Alcohol, drugs, depression, addiction, toxic relationships, monotony and repetition, they bind us. Break those chains. Destroy your past and give yourself new life like God has given you. 11) This is your life. Your struggle, your happiness, your sorrow, and your success. You do not need to justify yourself to anyone. You owe no one an explanation for the choices that you make and the position you are in. In the same vein, respect yourself by not comparing your journey to anyone else's. 12) There is no wrong way to feel. 13) Knowledge is everywhere, keep your eyes open. Look at how diverse and wonderful this world is. Are you going to miss out on beautiful people, places, experiences, and ideas because you are close-minded? I sure hope not. 14) Selfless actions always benefit you more than the recipient. 15) There is really no room for regret in this life. Everything happens for a reason. If you can't find that reason, accept there is one and move on. 16) There is room, however, for guilt. Resolve everything when it first comes up. That's not only having integrity, but also taking care of your emotional well-being. 17) If the question is ‘Am I strong enough for this?’ The answer is always, ‘Yes, but not on your own.’ 18) Mental health and sanity above all. 19) We love because He first loved us. The capacity to love is the ultimate gift, the ultimate passion, euphoria, and satisfaction. We have all of that because He first loved us. If you think about it in those terms, it is easy to love Him. Just by thinking of how much He loves us. 20) From destruction comes creation. Beauty will rise from the ashes. 21) Many things can cause depression. Such as knowing you aren't becoming the person you have the potential to become. Choose happiness and change. The sooner the better, and the easier. 22) Half of happiness is as simple as eating right and exercising. You are one big chemical reaction. So are your emotions. Give your body the right reactants to work with and you'll be satisfied with the products.
”
”
Scott Hildreth (Broken People)
“
Bring Cecily home,” he said curtly. “I won’t have her at risk, even in the slightest way.”
“I’ll take care of Cecily,” came the terse reply. “She’s better off without you in her life.”
Tate’s eyes widened. “I beg your pardon?” he asked, affronted.
“You know what I mean,” Holden said. “Let her heal. She’s too young to consign herself to spinsterhood over a man who doesn’t even see her.”
“Infatuation dies,” Tate said.
Holden nodded. “Yes, it does. Goodbye.”
“So does hero worship,” he continued, laboring the point.
“And that’s why after eight years, Cecily has had one raging affair after the other,” he said facetiously.
The words had power. They wounded.
“You fool,” Holden said in a soft tone. “Do you really think she’d let any man touch her except you?” He went to his office door and gestured toward the desk. “Don’t forget your gadget,” he added quietly.
“Wait!”
Holden paused with his hand on the doorknob and turned. “What?”
Tate held the device in his hands, watching the lights flicker on it. “Mixing two cultures when one of them is all but extinct is a selfish thing,” he said after a minute. “It has nothing to do with personal feelings. It’s a matter of necessity.”
Holden let go of the doorknob and moved to stand directly in front of Tate. “If I had a son,” he said, almost choking on the word, “I’d tell him that there are things even more important than lofty principles. I’d tell him…that love is a rare and precious thing, and that substitutes are notoriously unfulfilling.”
Tate searched the older man’s eyes. “You’re a fine one to talk.”
Holden’s face fell. “Yes, that’s true.” He turned away.
Why should he feel guilty? But he did. “I didn’t mean to say that,” Tate said, irritated by his remorse and the other man’s defeated posture. “I can’t help the way I feel about my culture.”
“If it weren’t for the cultural difference, how would you feel about Cecily?”
Tate hesitated. “It wouldn’t change anything. She’s been my responsibility. I’ve taken care of her. It would be gratitude on her part, even a little hero worship, nothing more. I couldn’t take advantage of that. Besides, she’s involved with Colby.”
“And you couldn’t live with being the second man.”
Tate’s face hardened. His eyes flashed.
Holden shook his head. “You’re just brimming over with excuses, aren’t you? It isn’t the race thing, it isn’t the culture thing, it isn’t even the guardian-ward thing. You’re afraid.”
Tate’s mouth made a thin line. He didn’t reply.
“When you love someone, you give up control of yourself,” he continued quietly. “You have to consider the other person’s needs, wants, fears. What you do affects the other person. There’s a certain loss of freedom as well.” He moved a step closer. “The point I’m making is that Cecily already fills that place in your life. You’re still protecting her, and it doesn’t matter that there’s another man. Because you can’t stop looking out for her. Everything you said in this office proves that.” He searched Tate’s turbulent eyes. “You don’t like Colby Lane, and it isn’t because you think Cecily’s involved with him. It’s because he’s been tied to one woman so tight that he can’t struggle free of his love for her, even after years of divorce. That’s how you feel, isn’t it, Tate? You can’t get free of Cecily, either. But Colby’s always around and she indulges him. She might marry him in an act of desperation. And then what will you do? Will your noble excuses matter a damn then?
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
I called the Keep, introduced myself to the disembodied female voice on the phone, and asked for the Beast Lord. In less than fifteen seconds Curran came on the line.
“I’m going into hiding with Jim.”
The silence on the other side of the phone had a distinctly sinister undertone. Perhaps he thought that his kissing superpowers had derailed me. Fat chance. I would keep him from having to kill Derek. That was a burden he didn’t need.
“I thought about this morning,” I said, doing my best to sound calm and reasonable. “I’ve instructed the super to change the locks. If I ever catch you in my apartment again, I will file a formal complaint. I’ve taken your food, under duress, but I did take it. You rescued me once or twice, and you’ve seen me near naked. I realize that you’re judging this situation by shapeshifter standards, and you expect me to fall on my back with my legs spread.”
“Not necessarily.” His voice matched mine in calmness. “You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.”
I didn’t grind my teeth—he would’ve heard it. I had to be calm and reasonable. “My point is this: no.”
“No?”
“There will be no falling, no sex, no you and me.”
“I wanted to kiss you when you were in your house. In Savannah.”
Why the hell was my heart pounding? “And?”
“You looked afraid. That wasn’t the reaction I was hoping for.”
Be calm and reasonable. “You flatter yourself. You’re not that scary.”
“After I kissed you this morning, you were afraid again. Right after you looked like you were about to melt.”
Melt?
“You’re scared there might be something there, between you and me.”
Wow. I struggled to swallow that little tidbit. “Every time I think you’ve reached the limits of arrogance, you show me new heights. Truly, your egotism is like the Universe—ever expanding.”
“You thought about dragging me into your bed this morning.”
“I thought about stabbing you and running away screaming. You broke into my house without permission and slobbered all over me. You’re a damn lunatic! And don’t give me that line about smelling my desire; I know it’s bullshit.”
“I didn’t need to smell you. I could tell by the dreamy look in your eyes and the way your tongue licked the inside of my mouth.”
“Enjoy the memory,” I ground out. “That’s the last time it will ever happen.”
“Go play your games with Jim. I’ll find you both when I need you.”
Arrogant asshole. “I tell you what, if you find us before those three days run out, I’ll cook you a damn dinner and serve it to you naked.”
“Is that a promise?”
“Yes. Go fuck yourself.”
I slammed the phone down. Well, then. That was perfectly reasonable.
On the other side of the counter an older, heavyset man stared at me like I had sprouted horns.
Glenda handed me the money I’d given her. “That was some conversation. It was worth ten bucks.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
Stop or I’ll kill him!” Sophia shouted at the angels as she tore out a fistful of arrows and leaped on Cam. Straddling him, she raised the silver shafts above his head.
His dark hair was matted and greasy. His hands were pale and trembling. Miss Sophia studied these details with a smirk.
“I do so love to see an angel die.” She cackled, holding the starshots high. “And such an arrogant one to kill.” She looked back down at Cam. “His death will be a beautiful thing to behold.”
“Go ahead.” Cam’s voice came for the first time, low and even. Luce nearly cried out when she heard him mutter: “I never asked for a happy ending.”
Luce had watched Sophia kill Penn with her bare hands and no remorse. It would not happen again. “No!” Luce shouted, struggling to break free from Daniel’s grip and dragging him with her into the chapel.
Slowly Miss Sophia craned her body around toward Luce and Daniel, clutching her fistful of starshots. Her eyes gleamed silver and her thin lips curled in a ghastly smile as Luce tugged Daniel forward, pulling against his relentless grip.
“We have to stop her, Daniel!”
“No, Luce, it’s too dangerous.”
“Oh, there you are, dear.” Miss Sophia beamed. “And Daniel Grigori! How nice. I’ve been waiting for you.” Then she winked and whipped the starshots over her head in a dense cluster aimed straight at Daniel and Luce.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
He was the one, however, with whom no one wanted his or her picture taken, the one to whom no one wanted to introduce his son or daughter. Louis and Gage knew him; they had met him and faced him down in New England, some time ago. He was waiting to choke you on a marble, to smother you with a dry-cleaning bag, to sizzle you into eternity with a fast and lethal boggie of electricity—Available at Your Nearest Switchplate or Vacant Light Socket Right Now. There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nurdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too—Shower with a Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who’s out there? you howled into the dark when you were frightened and all alone, and it was his answer that came back: Don’t be afraid, it’s just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let’s go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar blue cast of the fingernails following asphyxiation—in its final grim struggle to survive the brain takes all the oxygen that is left, even that in those living cells under the nails. Hi, folks, my name’s Oz the Gweat and Tewwible, but you can call me Oz if you want—hell, we’re old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can’t stay, got to see a woman about a breach birth, then I’ve got a little smoke-inhalation job to do in Omaha. And that thin voice is crying, “I love you, Tigger! I love you! I believe in you, Tigger! I will always love you and believe in you, and I will stay young, and the only Oz to ever live in my heart will be that gentle faker from Nebraska! I love you . . .” We cruise . . . my son and I . . . because the essence of it isn’t war or sex but only that sickening, noble, hopeless battle against Oz the Gweat and Tewwible. He and I, in our white van under this bright Florida sky, we cruise. And the red flasher is hooded, but it is there if we need it . . . and none need know but us because the soil of a man’s heart is stonier; a man grows what he can . . . and tends it.
”
”
Stephen King (Pet Sematary)
“
The Pretender"
I'm going to rent myself a house
In the shade of the freeway
I'm going to pack my lunch in the morning
And go to work each day
And when the evening rolls around
I'll go on home and lay my body down
And when the morning light comes streaming in
I'll get up and do it again
Amen
Say it again
Amen
I want to know what became of the changes
We waited for love to bring
Were they only the fitful dreams
Of some greater awakening
I've been aware of the time going by
They say in the end it's the wink of an eye
And when the morning light comes streaming in
You'll get up and do it again
Amen
Caught between the longing for love
And the struggle for the legal tender
Where the sirens sing and the church bells ring
And the junk man pounds his fender
Where the veterans dream of the fight
Fast asleep at the traffic light
And the children solemnly wait
For the ice cream vendor
Out into the cool of the evening
Strolls the Pretender
He knows that all his hopes and dreams
Begin and end there
Ah the laughter of the lovers
As they run through the night
Leaving nothing for the others
But to choose off and fight
And tear at the world with all their might
While the ships bearing their dreams
Sail out of sight
I'm going to find myself a girl
Who can show me what laughter means
And we'll fill in the missing colors
In each other's paint-by-number dreams
And then we'll put our dark glasses on
And we'll make love until our strength is gone
And when the morning light comes streaming in
We'll get up and do it again
Get it up again
I'm going to be a happy idiot
And struggle for the legal tender
Where the ads take aim and lay their claim
To the heart and the soul of the spender
And believe in whatever may lie
In those things that money can buy
Though true love could have been a contender
Are you there?
Say a prayer for the Pretender
Who started out so young and strong
Only to surrender
Jackson Browne, The Pretender (1976)
”
”
Jackson Browne (Jackson Browne -- The Pretender: Piano/Vocal/Chords)
“
The more conscious I was of all the good and of all this "beautiful and lofty," the deeper I kept sinking into my mire, and the more capable I was of getting completely stuck in it. But the main feature was that this was all in me not as if by chance, but as if it had to be so. As if it were my most normal condition and in no way a sickness or a blight, so that finally I lost any wish to struggle against this blight. I ended up almost believing (and maybe indeed believing) that this perhaps was my normal condition. But at first, in the beginning, how much torment I endured in this struggle! I did not believe that such things happened to others, and therefore kept it to myself all my life as a secret. I was ashamed (maybe I am ashamed even now); it reached the point with me where I would feel some secret, abnormal, mean little pleasure in returning to my corner on some nasty Petersburg night and being highly conscious of having once again done a nasty thing that day, and again that what had been done could in no way be undone, and I would gnaw, gnaw at myself with my teeth, inwardly, secretly, tear and suck at myself until the bitterness finally turned into some shameful, accursed sweetness, and finally-into a decided, serious pleasure! Yes, a pleasure, a pleasure! I stand upon it. The reason I've begun to speak is that I keep wanting to find out for certain: do other people have such pleasures? I'll explain it to you: the pleasure here lay precisely in the too vivid consciousness of one's own humiliation; in feeling that one had reached the ultimate wall; that, bad as it is, it cannot be otherwise; that there is no way out for you, that you will never change into a different person; that even if you had enough time and enough faith left to change yourself into something different, you probably would not wish to change; and even if you did wish it, you would still not do anything, because in fact there is perhaps nothing to change into.
”
”
Fyodor Dostoevsky
“
Look you," Pandora told him in a businesslike tone, "marriage is not on the table."
Look you? Look you? Gabriel was simultaneously amused and outraged. Was she really speaking to him as if he were an errand boy?
"I've never wanted to marry," Pandora continued. "Anyone who knows me will tell you that. When I was little, I never liked the stories about princesses waiting to be rescued. I never wished on falling stars, or pulled the petals off daisies while reciting 'he loves me, he loves me not.' At my brother's wedding, they handed out slivers of wedding cake to all the unmarried girls and said if we put it under our pillows, we would dream of our future husbands. I ate my cake instead. Every crumb. I've made plans for my life that don't involve becoming anyone's wife."
"What plans?" Gabriel asked. How could a girl of her position, with her looks, make plans that didn't include the possibility of marriage?
"That's none of your business," she told him smartly.
"Understood," Gabriel assured her. "There's just one thing I'd like to ask: What the bloody hell were you doing at the ball in the first place, if you don't want to marry?"
"Because I thought it would be only slightly less boring than staying at home."
"Anyone as opposed to marriage as you claim to be has no business taking part in the Season."
"Not every girl who attends a ball wants to be Cinderella."
"If it's grouse season," Gabriel pointed out acidly, "and you're keeping company with a flock of grouse on a grouse-moor, it's a bit disingenuous to ask a sportsman to pretend you're not a grouse."
"Is that how men think of it? No wonder I hate balls." Pandora looked scornful. "I'm so sorry for intruding on your happy hunting grounds."
"I wasn't wife-hunting," he snapped. "I'm no more interested in marrying than you are."
"Then why were you at the ball?"
"To see a fireworks display!"
After a brief, electric silence, Pandora dropped her head swiftly. He saw her shoulders tremble, and for an alarming moment, he thought she had begun to cry. But then he heard a delicate snorting, snickering sound, and he realized she was... laughing?
"Well," she muttered, "it seems you succeeded."
Before Gabriel even realized what he was doing, he reached out to lift her chin with his fingers. She struggled to hold back her amusement, but it slipped out nonetheless. Droll, sneaky laughter, punctuated with vole-like squeaks, while sparks danced in her blue eyes like shy emerging stars. Her grin made him lightheaded.
Damn it.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
His breath fell in a warm, even rhythm on the curve of her cheek. “Some people think of the bee as a sacred insect,” he said. “It’s a symbol of reincarnation.”
“I don’t believe in reincarnation,” she muttered.
There was a smile in his voice. “What a surprise. At the very least, the bees’ presence in your home is a sign of good things to come.”
Her voice was buried in the fine wool of his coat. “Wh-what does it mean if there are thousands of bees in one’s home?”
He shifted her higher in his arms, his lips curving gently against the cold rim of her ear. “Probably that we’ll have plenty of honey for teatime. We’re going through the doorway now. In a moment I’m going to set you on your feet.”
Amelia kept her face against him, her fingertips digging into the layers of his clothes. “Are they following?”
“No. They want to stay near the hive. Their main concern is to protect the queen from predators.”
“She has nothing to fear from me!”
Laughter rustled in his throat. With extreme care, he lowered Amelia’s feet to the floor. Keeping one arm around her, he reached with the other to close the door. “There. We’re out of the room. You’re safe.” His hand passed over her hair. “You can open your eyes now.”
Clutching the lapels of his coat, Amelia stood and waited for a feeling of relief that didn’t come. Her heart was racing too hard, too fast. Her chest ached from the strain of her breathing. Her lashes lifted, but all she could see was a shower of sparks.
“Amelia … easy. You’re all right.” His hands chased the shivers that ran up and down her back. “Slow down, sweetheart.”
She couldn’t. Her lungs were about to burst. No matter how hard she worked, she couldn’t get enough air. Bees … the sound of buzzing was still in her ears. She heard his voice as if from a great distance, and she felt his arms go around her again as she sank into layers of gray softness.
After what could have been a minute or an hour, pleasant sensations filtered through the haze. A tender pressure moved over her forehead. The gentle brushes touched her eyelids, slid to her cheeks. Strong arms held her against a comfortingly hard surface, while a clean, salt-edged scent filled her nostrils. Her lashes fluttered, and she turned into the warmth with confused pleasure.
“There you are,” came a low murmur.
Opening her eyes, Amelia saw Cam Rohan’s face above her. They were on the hallway floor—he was holding her in his lap. As if the situation weren’t mortifying enough, the front of her bodice was gaping, and her corset was unhooked. Only her crumpled chemise was left to cover her chest.
Amelia stiffened. Until that moment she had never known there was a feeling beyond embarrassment, that made one wish one could crumble into a pile of ashes. “My … my dress…”
“You weren’t breathing well. I thought it best to loosen your corset.”
“I’ve never fainted before,” she said groggily, struggling to sit up.
“You were frightened.” His hand came to the center of her chest, gently pressing her back down. “Rest another minute.” His gaze moved over her wan features. “I think we can conclude you’re not fond of bees.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
I can't help feeling," says Howard, sticking his head forward ruefully, "now I know who you are, that I've been a bit outspoken in some of my remarks about the system."
"Not at all!" says Freddie.
"Not a bit!" says Caroline.
"But I must in all honesty say," says Howard very quickly, jutting his chin out and smilingly blinking his eyes, "that I still think there are a number of things in the universe which really need seriously looking into."
"Oh, the whole thing!" says Freddie with feeling.
"Ghastly mess," says Caroline.
"Absolute disaster area," says Freddie.
"Frightful," says Caroline.
"So far as one can understand it," says Freddie.
"Freddie feels frightfully strongly about it, you see," says Caroline.
Howard looks from one to the other in astonishment.
"Good heavens!" he says. "I should never have guessed...."
"Oh, Freddie's a terrific radical," says Caroline.
"Really?" says Howard.
"A terrible firebrand, really," says Caroline.
Freddie knots himself up.
"A bit firebrandish," he admits.
"A bit of a Maoist, to tell you the truth," says Caroline.
She looks sideways at Howard to see how he is taking this. So does Freddie.
"A Maoist?" says Howard, astonished.
"Permanent revolution," says Caroline.
"That style of thing," agrees Freddie.
"What he feels, you see," says Caroline, "is that people ought to struggle pretty well all the time against the limitations of the world and their own nature. Not stop."
Howard gazes at Freddie, deeply impressed.
"Don't worry," says Freddie. "I don't think my views have much effect.
”
”
Michael Frayn (Sweet Dreams)
“
There was death in a
quarter bag of peanuts, an
aspirated piece of steak, the
next pack of cigarettes. He was
around all the time, he
monitored all the checkpoints
between the mortal and the
eternal. Dirty needles, poison
beetles, downed live wires,
forest fires. Whirling roller
skates that shot nurdy little
kids into busy intersections.
When you got into the
bathtub to take a shower, Oz
got right in there too—Shower
with a Friend. When you got
on an airplane, Oz took your
boarding pass. He was in the
water you drank, the food you
ate. Who’s out there? you
howled into the dark when
you were frightened and all
alone, and it was his answer
that came back: Don’t be
afraid, it’s just me. Hi,
howaya? You got cancer of the
bowel, what a bummer, so
solly, Cholly! Septicemia!
Leukemia! Atherosclerosis!
Coronary thrombosis!
Encephalitis! Osteomyelitis!
Hey-ho, let’
s go! Junkie in a
doorway with a knife. Phone
call in the middle of the night.
Blood cooking in battery acid
on some exit ramp in North
Carolina. Big handfuls of pills,
munch em up. That peculiar
blue cast of the fingernails
following asphyxiation—in its
final grim struggle to survive
the brain takes all the oxygen
that is left, even that in those
living cells under the nails. Hi,
folks, my name’s Oz the
Gweat and Tewwible, but you
can call me Oz if you want—
hell, we’re old friends by now.
Just stopped by to whop you
with a little congestive heart
failure or a cranial blood clot
or something; can’t stay, got to
see a woman about a breach
birth, then I’ve got a little
smoke-inhalation job to do in
Omaha.
”
”
Stephen King (Pet sematary)
“
An irregular birthmark stood out on the crest of her hip, like a splash of wine on snow.
He touched a finger to it, and she stirred.
“Don’t look at that,” she mumbled, rubbing sleep from her eyes. “I know it’s horrid.”
“Horrid?” Despite the pained expression on her face, he had to laugh. “Sweetheart, I can honestly say that there is nothing about you that’s horrid in the least.”
“My painting master would not agree.”
The bitter taste of envy filled his mouth. “Do you know, that Frenchman of yours had better hope I never meet with him.
“Oh, no,” she said quickly. “Not Gervais. Never Gervais. My painting master was an old, balding prig called Mr. Turklethwaite.”
Gray’s bafflement must have been obvious.
She went on, “There was never any Gervais. I mean, you know that I’d never taken a man to my bed, but you must understand…I’ve never allowed another man into my heart, either.” She kissed his brow, then his lips. “I love you, only you.”
God. How brave she was. Tossing those words about as though they were feathers. Could she possibly suspect how they landed in his chest like cannonballs, detonating deep in his heart?
Struggling for equanimity, he asked casually, “So when did this other painting master have occasion to see your birthmark?”
She laughed. “He didn’t. But I painted something like it once, on a portrait of Venus. I told him I thought it lent her an air of reality. Oh, how he scolded me. A lady who paints, he said-“ She gave Gray a teasing look. “He would not apply the term “artist” to a female, you see.”
“I see.”
“A lady who paints, he said, should approach the art as she would any other genteel accomplishment. Her purpose is to please; her goal is to create an example of refinement. A true lady would not paint an imperfection, he said, any more than she would strike a false note in a sonata. Beauty is not real, and reality is not beautiful.”
Gray shook his head. “Remarkable. I believe I despise your real painting master even more than I hated the fictional one. I wouldn’t have thought it possible.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
I struggle with words. Never could express myself the way I wanted. My mind fights my mouth, and thoughts get stuck in my throat. Sometimes they stay stuck for seconds or even minutes. Some thoughts stay for years; some have stayed hidden all my life. As a child, I stuttered. What was inside couldn't get out. I'm still not real fluent. I don't know a lot of good words. If I were wrongfully accused of a crime, I'd have a tough time explaining my innocence. I'd stammer and stumble and choke up until the judge would throw me in jail. Words aren't my friends. Music is. Sounds, notes, rhythms. I talk through music. Maybe that's why I became a loner, someone who loves privacy and doesn't reveal himself too easily.
My friendliness might fool you. Come into my dressing room and I'll shake your hand, pose for a picture, make polite small talk. I'll be as nice as I can, hoping you'll be nice to me. I'm genuinely happy to meet you and exchange a little warmth. I have pleasant acquaintances with thousands of people the world over. But few, if any, really know me. And that includes my own family. It's not that they don't want to; it's because I keep my feelings to myself. If you hurt me, chances are I won't tell you. I'll just move on. Moving on is my method of healing my hurt and, man, I've been moving on all my life.
Now it's time to stop. This book is a place for me to pause and look back at who I was and what I became. As I write, I'm seventy hears old, and all the joy and hurts, small and large, that I've stored up inside me...well, I want to pull 'em out and put 'em on the page. When I've been described on other people's pages, I don't recognize myself. In my mind, no one has painted the real me. Writers have done their best, but writers have missed the nitty-gritty. Maybe because I've hidden myself, maybe because I'm not an easy guy to understand. Either way, I want to open up and leave a true account of who I am.
When it comes to my own life, others may know the cold facts better than me. Scholars have told me to my face that I'm mixed up. I smile but don't argue. Truth is, cold facts don't tell the whole story. Reading this, some may accuse me of remembering wrong. That's okay, because I'm not writing a cold-blooded history. I'm writing a memory of my heart. That's the truth I'm after - following my feelings, no matter where they lead. I want to try to understand myself, hoping that you - my family, my friends, my fans - will understand me as well.
This is a blues story. The blues are a simple music, and I'm a simple man. But the blues aren't a science; the blues can't be broken down like mathematics. The blues are a mystery, and mysteries are never as simple as they look.
”
”
B.B. King (Blues All Around Me: The Autobiography of B.B. King)
“
Fireheart sprang forward and burst through the curtain of lichen. Tigerclaw and Bluestar were writhing on the floor of the den. Bluestar’s claws scored again and again across Tigerclaw’s shoulder, but the deputy’s greater weight kept her pinned down in the soft sand. Tigerclaw’s fangs were buried in her throat, and his powerful claws raked her back. “Traitor!” Fireheart yowled. He flung himself at Tigerclaw, slashing at his eyes. The deputy reared back, forced to release his grip on Bluestar’s throat. Fireheart felt his claws rip through the deputy’s ear, spraying blood into the air. Bluestar scrambled to the side of the den, looking half stunned. Fireheart could not tell how badly hurt she was. Pain lanced through him as Tigerclaw gashed his side with a blow from his powerful hindpaws. Fireheart’s paws skidded in the sand and he lost his balance, hitting the ground with Tigerclaw on top of him. The deputy’s amber eyes blazed into his. “Mousedung!” he hissed. “I’ll flay you, Fireheart. I’ve waited a long time for this.” Fireheart summoned every scrap of skill and strength he possessed. He knew Tigerclaw could kill him, but in spite of that he felt strangely free. The lies and the need for deceit were over. The secrets—Bluestar’s and Tigerclaw’s—were all out in the open. There was only the clean danger of battle. He aimed a blow at Tigerclaw’s throat, but the deputy swung his head to one side and Fireheart’s claws scraped harmlessly through thick tabby fur. But the blow had loosened Tigerclaw’s grip on him. Fireheart rolled away, narrowly avoiding a killing bite to his neck. “Kittypet!” Tigerclaw taunted, flexing his haunches to pounce again. “Come and find out how a real warrior fights.” He threw himself at Fireheart, but at the last moment Fireheart darted aside. As Tigerclaw tried to turn in the narrow den, his paws slipped on a splash of blood and he crashed awkwardly onto one side. At once Fireheart saw his chance. His claws sliced down to open a gash in Tigerclaw’s belly. Blood welled up, soaking into the deputy’s fur. He let out a high-pitched caterwaul. Fireheart pounced on him, raking claws across his belly again, and fastening his teeth into Tigerclaw’s neck. The deputy struggled vainly to free himself, his thrashing growing weaker as the blood flowed. Fireheart let go of his neck, planting one paw on Tigerclaw’s outstretched foreleg, and the other on his chest. “Bluestar!” he called. “Help me hold him down!” Bluestar was crouching behind him in her moss-lined nest. Blood trickled down her forehead, but that did not alarm Fireheart as much as the look in her eyes. They were a vague, cloudy blue, and she stared horror-struck in front of her as if she was witnessing the destruction
”
”
Erin Hunter (Warriors Boxed Set (Books 1-3))
“
We're in her bedroom,and she's helping me write an essay about my guniea pig for French class. She's wearing soccer shorts with a cashmere sweater, and even though it's silly-looking, it's endearingly Meredith-appropriate. She's also doing crunches. For fun.
"Good,but that's present tense," she says. "You aren't feeding Captain Jack carrot sticks right now."
"Oh. Right." I jot something down, but I'm not thinking about verbs. I'm trying to figure out how to casually bring up Etienne.
"Read it to me again. Ooo,and do your funny voice! That faux-French one your ordered cafe creme in the other day, at that new place with St. Clair."
My bad French accent wasn't on purpose, but I jump on the opening. "You know, there's something,um,I've been wondering." I'm conscious of the illuminated sign above my head, flashing the obvious-I! LOVE! ETIENNE!-but push ahead anyway. "Why are he and Ellie still together? I mean they hardly see each other anymore. Right?"
Mer pauses, mid-crunch,and...I'm caught. She knows I'm in love with him, too.
But then I see her struggling to reply, and I realize she's as trapped in the drama as I am. She didn't even notice my odd tone of voice. "Yeah." She lowers herself slwoly back to the floor. "But it's not that simple. They've been together forever. They're practically an old married couple. And besides,they're both really...cautious."
"Cautious?"
"Yeah.You know.St. Clair doesn't rock the boat. And Ellie's the same way. It took her ages to choose a university, and then she still picked one that's only a few neighborhoods away. I mean, Parsons is a prestigious school and everything,but she chose it because it was familiar.And now with St. Clair's mom,I think he's afraid to lose anyone else.Meanwhile,she's not gonna break up with him,not while his mom has cancer. Even if it isn't a healthy relationship anymore."
I click the clicky-button on top of my pen. Clickclickclickclick. "So you think they're unhappy?"
She sighs. "Not unhappy,but...not happy either. Happy enough,I guess. Does that make sense?"
And it does.Which I hate. Clickclickclickclick.
It means I can't say anything to him, because I'd be risking our friendship. I have to keep acting like nothing has changed,that I don't feel anything ore for him than I feel for Josh.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Because,' he said, 'I sometimes have a queer feeling with regard to you, especially when you are near me, as now; it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situation in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land, come broad between us, I am afraid that cord of communion will be snapped; and the nI've a nervous notion I should take to bleeding inwardly. As for you, you'd forget me.'
'That I never would, sir; you know -,' impossible to proceed.
[...]
The vehemence of emotion, stirred by grief and love within me, was claiming mastery, and struggling for full sway and asserting a right to predominate - to overcome, to live, rise, and reign at last; yes, and to speak.
'I grieve to leave Thornfield; I love Thornfield; I love it, because I have lived in it a full and delightful life, momentarily at least. I have not been trampled on. I have not been petrified. I have not been buried with inferior minds, and excluded from every glimpse of communion with what is bright, and energetic, and high. I have talked, face to face, with what I reverence; with what I delight in, with an origin, a vigorous, and expanded mind. I have known you, Mr. Rochester; and it strikes me with terror and anguish to feel I absolutely must be torn from you forever. I see the necessity of departure; and it is like looking on the necessity of death.'
'Where do you see the necessity?' he asked, suddenly.
'Where? You, sir, have placed it before me.'
'In what shape?'
'In the shape of Miss Ingram; a noble and beautiful woman, your bride.'
'My bride! What bride? I have no bride!'
'But you will have.'
'Yes; I will! I will!' He set his teeth.
'Then I must go; you have said it yourself.'
'No; you must stay! I swear it, and the oath shall be kept.'
'I tell you I must go!' I retorted, roused to something like passion. 'Do you think I can stay to become nothing to you? Do you think I am an automation? a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! I have as much soul as you, and full as much heart! And if God had gifted me with some beauty, and much wealth, I should have made it hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh; it is my spirit that addresses your spirits; just as if both had passed through the grace, and we stood at God's feel, equal - as we are!'
'As we are!' repeated Mr. Rochester - 'so,' he added, including me in his arms, gathering me to his breast, pressing his lips on my lips; 'so, Jane!'
'Yes, so, sir,' I rejoined; 'and yet not so; for you are a married man, or as good as a married man, and we'd to one inferior to you - to one with whom you have no sympathy - whom I do not believe you truly love; for I have seen and heard you sneer at her. I would scorn such a union; therefore I am better than you - let me go!'
'Where, Jane? to Ireland?'
'Yes - to Ireland. I have spoke my mind, and can go anywhere now.'
'Jane, be still; don't struggle so, like a wild, frantic bird that is tending its own plumage in its desperation.'
'I am no bird; and no net ensnares me; I am a free human being, with an independent will; which I now exert to leave you.'
Another effort set me at liberty, and I stood erect before him.
'And your will shall decide your destiny,' he said; 'I offer you my hand, my heart, and a share of all my possessions.'
'You play a farce, which I merely taught at.'
'I ask you to pass through life at my side - to be my second self, and best earthly companion.'
[...]
'Do you doubt me, Jane?'
'Entirely.'
'You have no faith in me?'
'Not a whit.
”
”
Charlotte Brontë (Jane Eyre)
“
She gives just enough hints about him to make you wonder why he became so villainous. And if he dies, I’ll never learnt the answer.”
Oliver eyes her closely. “Perhaps he was born villainous.”
“No one is born villainous.”
“Oh?” he said with raised eyebrow. “So we’re all born good?”
“Neither. We start as animals, with an animal’s needs and desires. It takes parents and teachers and other good examples to show us how to restrain those needs and desires, when necessary, for the greater good. But it’s still our choice whether to heed that education or to do as we please.”
“For a woman who loves murder and mayhem, you’re quite the philosopher.”
“I like to understand how things work. Why people behave as they do.”
He digested that for a moment. “I happen to think that some of us, like Rockton, are born with a wicked bent.”
She chose her words carefully. “That certainly provides Rockton with a convenient excuse for his behavior.”
His features turned stony. “What do you mean?”
“Being moral and disciplined is hard work. Being wicked requires no effort at all-one merely indulges every desire and impulse, no matter how hurtful or immoral. By claiming to be born wicked, Rockton ensures that he doesn’t have to struggle to be god. He can just protest that he can’t help himself.”
“Perhaps he can’t,” he clipped out.
“Or maybe he’s simply unwilling to fight his impulses. And I want to know the reason for that. That’s why I keep reading Minerva’s books.”
Did Oliver actually believe he’d been born irredeemably wicked? How tragic! It lent a hopelessness to his life that helped to explain his mindless pursuit of pleasure.
“I can tell you the reason for Rockton’s villainy.” Oliver rose to round the desk. Propping his hip on the edge near her, he reached out to tuck a tendril of hair behind her ear.
A sweet shudder swept over her. Why must he have this effect on her? It simply wasn’t fair. “Oh?” she managed.
“Rockton knows he can’t have everything he wants,” he said hoarsely, his hand drifting to her cheek. “He can’t have the heroine, for example. She would never tolerate his…wicked impulses. Yet he still wants her. And his wanting consumes him.”
Her breath lodged in her throat. It had been days since he’d touched her, and she hadn’t forgotten what it was like for one minute. To have him this near, saying such things…
She fought for control over her volatile emotions. “His wanting consumes him precisely because he can’t have her. If he thought he could, he wouldn’t want her after all.”
“Not true.” His voice deepening, he stroked the line of her jaw with a tenderness that roused an ache in her chest. “Even Rockton recognizes when a woman is unlike any other. Her very goodness in the face of his villainy bewitches him. He thinks if he can just possess that goodness, then the dark cloud lying on his soul will lift, and he’ll have something other than villainy to sustain him.”
“Then he’s mistaken.” Her pulse trebled as his finger swept the hollow of her throat. “The only person who can lift the dark cloud on his soul is himself.”
He paused in his caress. “So he’s doomed, then?”
“No!” Her gaze flew to his. “No one is doomed, and certainly not Rockton. There’s still hope for him. There is always hope.”
His eyes burned with a feverish light, and before she could look away, he bent to kiss her. It was soft, tender…delicious. Someone moaned, she wasn’t sure who. All she knew was that his mouth was on hers again, molding it, tasting it, making her hungry in the way that only he seemed able to do.
“Maria…” he breathed. Seizing her by the arms, he drew her up into his embrace. “My God, I’ve thought of nothing but you since that day in the carriage.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
How did you find me?"
"I've followed you for a long time." He must have mistaken the look on my face for alarm or fear, and said, "Not literally. I just mean I never lost track."
But it wasn't fear, or anything like that. It was an instant of realization I'd have a lot in the coming days: I'd been thinking of him as coming back from the dead, but the fact was he'd been there all along. He'd been alive when I cried in my room over him being gone. He'd been alive when I started a new school without him, the day I made my first friend a Jones Hall, the time I ran into Ethan at the library. Cameron Quick and I had existed simultaneously on the planet during all of those moments. It didn't seem possible that we could have been leading separate lives, not after everything we'd been through together.
"...then I looked you up online," he was saying, "and found your mom's wedding announcement from before you changed your name. I didn't even need to do that. It's easy to find someone you never lost."
I struggled to understand what he was saying. "You mean...you could have written to me, or seen me, sooner?"
"I wanted to. Almost did, a bunch of times."
"Why didn't you? I wish you had." And I did, I wished it so much, imagined how it would have been to know all those years that he was there, thinking of me.
"Things seemed different for you," he said, matter-of-fact. "Better. I could tell that from the bits of information I found...like an interview with the parents who were putting their kids in your school when it first started. Or an article about that essay contest you won a couple years ago."
"You knew about that?"
He nodded. "That one had a picture. I could see just from looking at you that you had a good thing going. Didn't need me coming along and messing it up."
"Don't say that," I said quickly. Then: "You were never part of what I wanted to forget."
"Nice of you to say, but I know it's not true."
I knew what he was thinking, could see that he'd been carrying around the same burden all those years as me.
"You didn't do anything wrong." It was getting cold on the porch, and late, and the looming topic scared me. I got up. "Let's go in. I can make coffee or hot chocolate or something?"
"I have to go."
"No! Already?" I didn't want to let him out of my sight.
"Don't worry," he said. "Just have to go to work. I'll be around."
"Give me your number. I'll call you."
"I don't have a phone right now."
"Find me at school," I said, "or anytime. Eat lunch with us tomorrow." He didn't answer. "Really," I continued, "you should meet my friends and stuff."
"You have a boyfriend," he finally said. "I saw you guys holding hands."
I nodded. "Ethan."
"For how long?"
"Three months, almost." I couldn't picture Cameron Quick dating anyone, though he must have at some point. If I'd found Ethan, I was sure Cameron had some Ashley or Becca or Caitlin along the way. I didn't ask. "He's nice," I added. "He's..." I don't know what I'd planned to say, but whatever it was it seemed insignificant so I finished that sentence with a shrug.
"You lost your lisp."
And about twenty-five pounds, I thought. "I guess speech therapy worked for both of us."
He smiled. "I always liked that, you know. Your lisp. It was...you." He started down the porch steps. "See you tomorrow, okay?"
"Yeah," I said, unable to take my eyes off of him. "Tomorrow.
”
”
Sara Zarr (Sweethearts)
“
—and I say you still haven't answered my question, Father Bleu."
"Haven't I, dear lady? I thought I stated that death is merely the beginning of—"
"No, no, no!" Her voice was as high as a harpy's. "Don't go all gooey and metaphysical. I mean to ask, what is death the act, the situation, the moment?"
She watched him foxily. The priest in turn struggled to remain polite. "Madame, I'm not positive I follow."
"Let me say it another way. Most people are afraid of dying, yes?"
"I disagree. Not those who find mystical union with the body of Christ in—"
"Oh, come off it!" Madame Kagle shrilled. "People are frightened of it, Father Bleu. Frightened and screaming their fear silently every hour of every day they live. Now I put it to you. Of what are they afraid? Are they afraid of the end of consciousness? The ultimate blackout, so to speak? Or are they afraid of another aspect of death? The one which they can't begin to foresee or understand?"
"What aspect is that, Madame Kagle?"
"The pain." She glared. "The pain, Father. Possibly sudden. Possibly horrible. Waiting, always waiting somewhere ahead, at an unguessable junction of time and place. Like that bootboy tonight. How it must have hurt. One blinding instant when his head hit, eh? I suggest, Father Bleu, that is what we're afraid of, that is the wholly unknowable part of dying—the screaming, hurting how, of which the when is only a lesser part. The how is the part we never know. Unless we experience it."
She slurped champagne in the silence. She eyed him defiantly.
"Well, Father? What have you got to say?"
Discreetly Father Bleu coughed into his closed fist. "Theologically, Madame, I find the attempt to separate the mystical act of dying into neat little compartments rather a matter of hairsplitting. And furthermore—"
"If that's how you feel," she interrupted, "you're just not thinking it out."
"My good woman!" said Father Bleu gently.
"Pay attention to me!" Madame Wanda Kagle glared furiously. "I say you pay attention! Because you have never stopped to think about it, have you? If death resembles going to sleep, why, that's an idea your mind can get hold of, isn't it? You may be afraid of it, yes. Afraid of the end of everything. But at least you can get hold of some notion of something of what it's like. Sleep. But can you get hold of anything of what it must feel like to experience the most agonizing of deaths? Your head popping open like that bootboy's tonight, say? A thousand worms of pain inside every part of you for a second long as eternity? Can you grasp that? No, you can't, Father Bleu. And that's what death is at it's worst—the unknown, the possibly harrowing pain ahead."
She clamped her lips together smugly. She held out her champagne glass for a refill. A woman in furs clapped a hand over her fashionably green lips and rushed from the group. Though puzzled, Joy was still all eyes and ears.
"Even your blessed St. Paul bears me out, Father."
The priest glanced up, startled. "What?"
"The first letter to the Corinthians, if I remember. The grave has a victory, all right. But it's death that has the sting."
In the pause the furnace door behind her eyes opened wide, and hell shone out.
"I know what I'm talking about, Father. I've been there."
Slowly she closed her fingers, crushing the champagne glass in her hand. Weeping, blood drooling from her palm down her frail veined arms, she had to be carried out.
The party broke up at once.
”
”
John Jakes (Orbit 3)