“
I've often lost myself,
in order to find the burn that keeps everything awake
”
”
Federico García Lorca
“
Clary,
Despite everything, I can't bear the thought of this ring being lost forever, any more then I can bear the thought of leaving you forever. And though I have no choice about the one, at least I can choose about the other. I'm leaving you our family ring because you have as much right to it as I do.
I'm writing this watching the sun come up. You're asleep, dreams moving behind your restless eyelids. I wish I knew what you were thinking. I wish I could slip into your head and see the world the way you do. I wish I could see myself the way you do. But maybe I dont want to see that. Maybe it would make me feel even more than I already do that I'm perpetuating some kind of Great Lie on you, and I couldn't stand that.
I belong to you. You could do anything you wanted with me and I would let you. You could ask anything of me and I'd break myself trying to make you happy. My heart tells me this is the best and greatest feeling I have ever had. But my mind knows the difference between wanting what you can't have and wanting what you shouldn't want. And I shouldn't want you.
All night I've watched you sleeping, watched the moonlight come and go, casting its shadows across your face in black and white. I've never seen anything more beautiful. I think of the life we could have had if things were different, a life where this night is not a singular event, separate from everything else that's real, but every night. But things aren't different, and I can't look at you without feeling like I've tricked you into loving me.
The truth no one is willing to say out loud is that no one has a shot against Valentine but me. I can get close to him like no one else can. I can pretend I want to join him and he'll believe me, up until that last moment where I end it all, one way or another. I have something of Sebastian's; I can track him to where my father's hiding, and that's what I'm going to do. So I lied to you last night. I said I just wanted one night with you. But I want every night with you. And that's why I have to slip out of your window now, like a coward. Because if I had to tell you this to your face, I couldn't make myself go.
I don't blame you if you hate me, I wish you would. As long as I can still dream, I will dream of you.
_Jace
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Do you ever feel that way?"
"Lonely?"
I search for the words. "Restless. As if you haven't really met yourself yet. As is you'd passed yourself once in the fog, and your heart leapt - 'Ah! There I Am! I've been missing that piece!' But it happens too fast, and then that part of you disappears into the fog again. And you spend the rest of your days looking for it."
He nods, and I think he's appeasing me. I feel stupid of having said it. It's sentimental and true, and I've revealed a part of myself I shouldn't have.
"Do you know what I think?" Kartik says at last.
"What?"
"Sometimes, I think you can glimpse it in another.
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
I know you don't want this, Katsa. But I can't help myself. The moment you came barreling into my life I was lost. I'm afraid to tell you what I wish for, for fear you'll... oh, I don't know, throw me into the fire. Or more likely, refuse me. Or worst of all, despise me," he said, his voice breaking and his eyes dropping from her face. His face dropping into his hands. "I love you," he said. "You're more dear to my heart than I ever knew anyone could be. And I've made you cry; and there I'll stop.
”
”
Kristin Cashore (Graceling (Graceling Realm, #1))
“
There are times when I worry that I've already lost myself. That is, that my self is so inseparable from being with you that if we were to separate, I would no longer be. I save this thought for when I feel the darkest discontent. I never meant to depend so much on someone else.
”
”
David Levithan (The Lover's Dictionary)
“
Isabelle snorted. 'All the boys are gay. In this truck, anyway. Well, not you, Simon.'
'You noticed' said Simon.
'I think of myself as a freewheeling bisexual,' added Magnus.
'Please never say those words in front of my parents,' said Alec. 'Especially my father.'
'I thought your parents were okay with you, you know, coming out,' Simon said, leaning around Isabelle to look at Alec, who was — as he often was — scowling, and pushing his floppy dark hair out of his eyes. Aside from the occasional exchange, Simon had never talked to Alec much. He wasn’t an easy person to get to know. But, Simon admitted to himself, his own recent estrangement from his mother made him more curious about Alec’s answer than he would have been otherwise.
'My mother seems to have accepted it,' Alec said. 'But my father — no, not really. Once he asked me what I thought had turned me gay.'
Simon felt Isabelle tense next to him. 'Turned you gay?' She sounded incredulous. 'Alec, you didn’t tell me that.'
'I hope you told him you were bitten by a gay spider,' said Simon.
Magnus snorted; Isabelle looked confused. 'I’ve read Magnus’s stash of comics,' said Alec, 'so I actually know what you’re talking about' A small smile played around his mouth. 'So would that give me the proportional gayness of a spider?'
'Only if it was a really gay spider,' said Magnus, and he yelled as Alec punched him in the arm. 'Ow, okay, never mind.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
It's okay,' he tells me. 'If you want to go. Everyone wants you to stay. I want you to stay more than I've ever wanted anything in my life.' His voice cracks with emotion. He stops, clears his throat, takes a breath, and continues. 'But that's what I want and I could see why it might not be what you want. So I just wanted to tell you that I understand if you go. It's okay if you have to leave us. It's okay if you want to stop fighting.'
For the first time since I realized that Teddy was gone, too, I feel something unclench. I feel myself breathe. I know that Gramps can't be that late-inning pinch hitter I'd hoped for. He won't unplug my breathing tube or overdoes me with morphine or anything like that. But this is the first time today that anyone has acknowledged what I have lost. I know that the social worker warned Gran and Gramps not to upset me, but Gramps's recognition, and the permission he just offered me--it feels like a gift.
Gramps doesn't leave me. He slumps back into the chair. It's quiet now. So quiet you can almost hear other people's dreams. So quiet that you can almost hear me tell Gramps, 'Thank you.
”
”
Gayle Forman (If I Stay (If I Stay, #1))
“
We have to stop, this is insane. I literally cannot handle anymore. I think I’ve lost brain function. I can actually feel myself becoming stupid”
…
“Not possible. Let’s test it. What’s two times two?”
“Orange?
”
”
Alice Clayton (The Unidentified Redhead (Redhead, #1))
“
It's only now that he's been corrupted that I can fully appreciate the real Peeta. Even more than I would've if he'd died. The kindness, the steadiness, the warmth that had an unexpected heat behind it. Outside of Prim, my mother and Gale, how many people in the world love me unconditionally? I think in my case, the answer may be none.
Sometimes, when I'm alone, I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena. To make myself put a name to the thing I've lost. But what's the use? It's gone. He's gone. Whatever existed between us is gone. All that's left is my promise to kill Snow. I tell myself this ten times a day.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
In my own worst seasons I've come back from the colorless world of despair by forcing myself to look hard, for a long time, at a single glorious thing: a flame of red geranium outside my bedroom window. And then another: my daughter in a yellow dress. And another: the perfect outline of a full, dark sphere behind the crescent moon. Until I learned to be in love with my life again. Like a stroke victim retraining new parts of the brain to grasp lost skills, I have taught myself joy, over and over again(15).
”
”
Barbara Kingsolver (High Tide in Tucson : Essays from Now or Never)
“
A lover asked his beloved,
Do you love yourself more than you love me?
Beloved replied, I have died to myself and I live for you.
I've disappeared from myself and my attributes,
I am present only for you.
I've forgotten all my learnings,
but from knowing you I've become a scholar.
I've lost all my strength, but from your power I am able.
I love myself...I love you.
I love you...I love myself.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
Do you know I've been sitting here thinking to myself: that if I didn't believe in life, if I lost faith in the woman I love, lost faith in the order of things, were convinced in fact that everything is a disorderly, damnable, and perhaps devil-ridden chaos, if I were struck by every horror of man's disillusionment -- still I should want to live. Having once tasted of the cup, I would not turn away from it till I had drained it! At thirty though, I shall be sure to leave the cup even if I've not emptied it, and turn away -- where I don't know. But till I am thirty I know that my youth will triumph over everything -- every disillusionment, every disgust with life. I've asked myself many times whether there is in the world any despair that could overcome this frantic thirst for life. And I've come to the conclusion that there isn't, that is until I am thirty.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
There was once a man who lost his shadow. I forget what happened to him, but it was dreadful. As for me, I've lost my own image. I did not look at it often; but it was there, in the background, just as Maurice had drawn it for me. A straightforward, genuine, "authentic" woman, with out mean-mindedness, uncompromising, but at the same time understanding, indulgent, sensitive, deeply feeling, intensely aware of things and of people, passionately devoted to those she loved and creating happiness for them. A fine life, serene, full, "harmonious." It is dark: I cannot see myself anymore. And what do the others see? Maybe something hideous.
”
”
Simone de Beauvoir (The Woman Destroyed)
“
So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together.
In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page:
I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me.
Tonight, this strange interior gesture of friendship—the lending of a hand from
me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page.
Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND…
I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.
”
”
Elizabeth Gilbert
“
It's the same thing that happens when I turn off a really good movie - one that I've lost myself to - which is that I'll be thrown back to my own reality and something hollow will settle in my chest. Sometimes, I'll watch a movie all over again just to recapture that feeling of being inside something real. Which, I know, doesn't make any sense.
”
”
Gayle Forman (Just One Day (Just One Day, #1))
“
Raffin appeared again, a floor above her, on the balconied passageway that ran past his workrooms. He leaned over the railing and called down to her. "Kat!"
"What is it?"
"You look lost . Have you forgotten the way to your rooms?"
"I'm stalling."
"How long will you be? I'd like to show you a couple of my new discoveries."
"I've been told to make myself pretty for dinner."
He grinned. "Well in that case, you'll be ages."
His face dissolved into laughter, and she tore a button from one of her bags an hurled it at him. He squealed and dropped to the floor, and the button hit the wall right where he'd been standing. When he peeked back over the railing, she stood in the courtyard with her hands on her hips, grinning. "I missed on purpose," she said.
"Show off! Come if you have time." He waved, and turned into his rooms.
”
”
Kristin Cashore (Graceling (Graceling Realm, #1))
“
All I’ve ever done is dream. That, and only that, has been the meaning of my existence. The only thing I’ve ever really cared about is my inner life. My greatest griefs faded to nothing the moment I opened the window onto my inner self and lost myself in watching.
I never tried to be anything other than a dreamer. I never paid any attention to people who told me to go out and live. I belonged always to whatever was far from me and to whatever I could never be. Anything that was not mine, however base, always seemed to be full of poetry. The only thing I ever loved was pure nothingness.
”
”
Fernando Pessoa
“
In this new, turbulent reality, the one person I recognize is him. My memories of him - memories of us - have done something to me. I've changed somewhere deep inside. I feel different. Heavier, like my feet have been more firmly planted, liberated by certainty, free to grow roots here in my own self, free to trust unequivocally in the strength and steadiness of my own heart. It's an empowering discovery, to find that I can trust myself - even when I'm not myself - to make the right choices. To know for certain now that there was at least one mistake I never made.
Aaron Warner Anderson is the only emotional through line in my life that ever made sense. He's the only constant. The only steady, reliable heartbeat I've ever had.
Aaron, Aaron, Aaron, Aaron.
I had no idea how much we'd lost, no idea how much of him I'd longed for. I had no idea how desperately we'd been fighting. How many years we'd fought for moments - minutes - to be together.
It fills me with a painful kind of joy.
- Ella
”
”
Tahereh Mafi (Defy Me (Shatter Me, #5))
“
Gwenvael looked down at his body. Horrified, he sat up. “What is this? What’s happened to me?”
“Calm down. It’ll heal quick enough, I’m sure.”
“Heal? I’m hideous!”
“You’re alive.”
“Hideously alive!” He covered her face with his hands. “Don’t look at me! Look away!”
“Stop it!” She pulled at his hands. “Have you lost your mind?”
Gwenvael dropped back to the bed, turned his face toward the wall. “You know what this means, don’t you?”
“Gwenvael—”
“I’ll have to live alone, at the top of a castle somewhere. I’ll hide from the daylight and only come out at night.”
“Please stop this.”
“I’ll be alone but not for long because you’ll all want me more. You’ll lust for the beautiful warrior I once was and pity the hideous creature I’ve become. Most importantly, you’ll want to soothe my pain.” He looked at her again. “Don’t you want to soothe my pain? Right now? Without that dress on?”
“No. I do not.”
Dagmar tried to stand, and Gwenvael caught her hand, pulling her back down. “You can’t leave me. I’m tortured and brooding. You need to show me how much you adore me so I can learn to love myself again.”
“You’ve never stopped loving yourself.”
“Because I’m amazing.
”
”
G.A. Aiken (What a Dragon Should Know (Dragon Kin, #3))
“
A pity it was so early in the day and I couldn't treat myself to the roller coaster. we'll have to come back, you and I, and make up for it."
"Sure, when I've lost my mind and want to rush screaming through the air in a little car.
”
”
J.D. Robb (Promises in Death (In Death, #28))
“
I didn't know I was lost
Until you found me
I never knew what love was
Until you touched my hand
I lost myself long ago
In between your lips
And now here you are
You steal my breath away
Until you I never really knew heaven
Cause until you it was only ever hell
I didn't know I was so far gone
Until you brought me home
I promise you, girl
I know you're shattered
I'll pick up your pieces
And make you whole again
Cause until you girl
I've been shattered too
Since my very first kiss
It's only been you
”
”
Christine Zolendz (Saving Grace (Mad World, #2))
“
I know what you're thinking. Did he fire six shots or only five? Well, to tell you the truth, in all this excitement, I've kinda lost track myself. But being as this is a .44 magnum, the most powerful handgun in the world, and would blow your head clean off, you've got to ask yourself one question: "Do I feel lucky?" Well, do ya, punk?
”
”
Clint Eastwood
“
I am running and singing and when it’s raining I’m the only one left on the open street, smiling with my eyes fixed on the sky because it’s cleaning me. I’m the one on the other side of the party, hearing laughter and the emptying of bottles while I peacefully make my way to the river, a lonely road, following the smell of the ocean. I’m the one waking up at 4am to witness the sunrise, where the sky touches the sea, and I hold my elbows, grasping tight to whatever I’ve made of myself.
”
”
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
“
Imagine that you were on the threshold of this fairytale, sometime billions of years ago when everything was created. And you were able to choose whether you wanted to be born to a life on this planet at some point. You wouldn’t know when you were going to be born, nor how long you’d live for, but at any event it wouldn’t be more than a few years. All you’d know was that, if you chose to come into the world at some point, you’d also have to leave it again one day and go away from everything. This might cause you a good deal of grief, as lots of people think that life in the great fairytale is so wonderful that the mere thought of it ending can bring tears to their eyes. Things can be so nice here that it’s terribly painful to think that at some point the days will run out. What would you have chosen, if there had been some higher power that had gave you the choice? Perhaps we can imagine some sort of cosmic fairy in this great, strange fairytale. What you have chosen to live a life on earth at some point, whether short or long, in a hundred thousand or a hundred million years? Or would you have refused to join in the game because you didn’t like the rules? (...) I asked myself the same question maybe times during the past few weeks. Would I have elected to live a life on earth in the firm knowledge that I’d suddenly be torn away from it, and perhaps in the middle of intoxicating happiness? (...) Well, I wasn’t sure what I would have chosen. (...) If I’d chosen never to the foot inside the great fairytale, I’d never have known what I’ve lost. Do you see what I’m getting at? Sometimes it’s worse for us human beings to lose something dear to us than never to have had it at all.
”
”
Jostein Gaarder (The Orange Girl)
“
I've lost,
Myself,
You try to reach me,
But you just can't help me,
So long,
Goodbye,
You tried to save me,
It won't work this time!
”
”
falling in reverse
“
No one feels like you do, so every brush of your skin is a cruel reminder of what I’ve lost. I can barely stand the sight of you because you’re more beautiful than I’ve allowed myself to remember, and when I cut that wire off Maximus and smelled you all over him, I wanted to kill him more than I’ve wanted to kill anyone in my life, yet I couldn’t because of my promise to you.”
Slow tears continued to trickle down my cheeks, but for a different reason this time.
“You care.”
The words were whispered with a despairing sort of wonder. He wasn’t willing to rescind his loveless vow, clearly, but I was wrong about the apathy I’d thought he felt. That he admitted all the above was surprising enough; the fact he’d done it within earshot of his pilots was no less than shocking.
Vlad grunted. “Don’t worry. I intend to kill them as soon as we land.
”
”
Jeaniene Frost (Twice Tempted (Night Prince, #2))
“
He smiled sadly. "I was lost from the moment I saw you on Ovchinin Island. It took a long while for me to realize it, but it's true. I've spent my entire life scrambling to fit in and to change myself, Vika, but where I've belonged, and who I needed to be, has been right here the whole time. I love you.
”
”
Evelyn Skye (The Crown's Game (The Crown's Game, #1))
“
She's not much taller than Tess and definitely lighter than Kaede. For a second it seems like the crowd's attention has made her umcomfortable and I'm ready to dismiss her as a real contender until I study her again. No, this girl is nothing like the last one. She's hesitating not because she's afraid to fight,or because she fears losing,but because she's thinking. Calculating.She has dark hair tied back in a high ponytail and a lean, athletic build. She stands deliberately, with a hand resting on her hip, as if nothing in the world can catch her off guard. I find myself pausing to admire her face.
For a brief moment,I'm lost to my surroundings.
The girl shakes her head at Kaede. This surprises me too-I've never seen anyone refuse to fight. Everyone knows the rules: if you're chosen,you fight. This girl doesn't seem to fear the crowds wrath. Kaede laughs at her and says something I can't quite make out. Tess hears it,though, and casts me a quick, concerned glance.
This time the girl nods. The crowd lets out another cheer,and Kaede smiles. I lean a little bit out from behind the chimney. Something about this girl...I don't know what it is.But her eyes burn in the light,and although it's hot and might be my imagination, I think I see a small smile on the girl's face.
Tess shoots a questioning look at me.I hesitate for a split second,then hold up one finger again. I'm grateful to this mystery girl for helping Tess out, but with my money on the line,I decide to play it safe. Tess nods,then casts our bet in favor of Kaede.
But the instant the new girl steps into the circle and I see her stance...I know I've made a big mistake.Kaede strikes like a bull, a battering ram.
This girl strikes like a viper.
”
”
Marie Lu (Legend (Legend, #1))
“
Kate,
I'm not always the best at expressing myself to you, so I'm taking advantage of the fact that I will be completely unresponsive when you read this, and therefore incapable of messing things up.
I want to thank you for giving me a chance. When I first saw you, I knew I had found something incredible. And since then all I've wanted was to be with you as much as possible.
When I thought I had lost you, I was torn between wanting you back and wanting the best for you—wanting you to be happy. Seeing you so miserable during the weeks we were apart gave me the courage to fight for us . . . to find a way for things to work. And seeing you happy again in the days we've been back together makes me think I did the right thing.
I can't promise you an ordinary experience, Kate. I wish I could transform myself into a normal man and be there for you, always, without the trauma that defines my life as "the walking dead." Since that isn't possible, I can only reassure you that I will do everything in my power to make it up to you. To give you more than a normal boyfriend could. I have no idea what that will mean, exactly, but I'm looking forward to finding out. With you.
Thank you for being here, my beauty. Mon ange. My Kate.
Yours utterly,
Vincent
”
”
Amy Plum (Die for Me (Revenants, #1))
“
..I've been trying to argue myself into thinking these things don't matter, A. Really,I have. But I've lost the argument. And I can't keep having it, when I know what the real answer is.
”
”
David Levithan (Every Day (Every Day, #1))
“
I feel so lost.”
He took my hands in his. “Not anymore. I’m right here. I’ve got you.”
“There is this hollow place inside of me, where my faith in you used to be. I am so full of fear, and I do not know how to let myself trust you again. I don’t have the strength to do this. Not again.”
“I’ve got enough for both of us.” He moved closer, wrapping me in his arms.
”
”
R.K. Lilley (Lovely Trigger (Tristan & Danika, #3))
“
I've realised that sometimes you get no second chance and that it's best to accept the gifts the world offers you. Of course it's risky, but is the risk any greater than the chance of the bus that took forty-eight hours to bring me here having an accident? If I must be faithful to someone or something, then I have, first of all, to be faithful to myself. If I'm looking for true love, I first have to get the mediocre loves out of my system. The little experience of life I've had has taught me that no one owns anything, that everything is an illusion - and that applies to material as well as spiritual things. Anyone who has lost something they thought was theirs forever (as has happened often enough tome already) finally comes to realise that nothing really belongs to them.
And if nothing belongs to me, then there's no point wasting my time looking after things that aren't mine; it's best to live as if today were the first (or last) day of my life.
”
”
Paulo Coelho (Eleven Minutes)
“
My girl always talks about herself like she’s a graveyard, a place for other people to come and bury what they’ve lost. As much as I want to tell her that she’s wrong, I still find myself crouching in her earth with flowers I’ve brought for someone else. My
”
”
Trista Mateer (The Dogs I Have Kissed)
“
I’m still pretty sick about what I’ve lost, but I only admit it to myself late at night, which is probably why I’m not the best sleeper.
”
”
Nick Hornby (Juliet, Naked)
“
What brings you onto my property?” Rhev said, cradling his mug with both hands and trying to absorb its warmth.
“Got a problem.”
“I can’t fix your personality, sorry.”
Lassiter laughed, the sound ringing through the house like church bells. “No.. I like myself just as I am, thank you.”
“Can’t help your delusional nature, either.”
“I need to find an address.”
“Do I look like the phone book?”
“You look like shit, as a matter of fact.”
“And you with the compliments.” Rhev finished his coffee. “What makes you think I’d help you?”
“Because.”
“You want to toss in a couple of nouns and verbs there? I’m lost.”
Lassiter grew serious, his ethereal beauty losing its SOP fuck-yourself smirk. “I’m here on official business.”
Rhev frowned. “No offense, but I thought your boss pink-slipped your ass.”
“I’ve got one last shot at being a good boy.
”
”
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
“
I'm lost again, inside myself. Somewhere that's not nowhere. Disoriented. I've let everything go.
”
”
Amy McNamara (Lovely, Dark and Deep)
“
What if I don't want the monster
to stop being a monster?
What if that's the only anchor I have left?
What if my sanity depends on being able to point
at a bad thing and say, That is the bad thing.
Haven't I already lost enough time
losing track of who the enemy is?
I've spent half of my life not knowing the difference
between killing myself and fighting back.
”
”
Andrea Gibson
“
I’ve lost my wild heart once. Twice. Too many times to count.
I’ve lost her most often when I’ve forgotten myself, when I’ve denied my own truths, when I’ve pushed down the need to create for so long that my heart...she finds better things to do.
The funny thing is, that the losing and the finding are interwoven.
We must lose our wild hearts from time to time, I believe.
We must so that we know why we need them.
We must so that we remember that in order to be found we must go into the wilderness.
Sometimes, it is only in the getting lost that we can find our way back home.
”
”
Jeanette LeBlanc (Wild Heart Writing: A 30-Day Course to Rediscover Your Deepest Truths)
“
Every moment was that moment, every day was that day, every second was that second, and I've lost myself again.
”
”
Tegan Quin
“
But at the same time, I’m guilty, too. Guilty of playing this role. Letting it define me. Internalizing the role so completely that I’ve lost track of where reality starts and the performance begins. And letting that define how I see other people. I’m as guilty of it as anyone. Fetishizing Black people and their coolness. Romanticizing White women. Wishing I were a White man. Putting myself into this category.
”
”
Charles Yu (Interior Chinatown)
“
The pain is stronger than ever. I've seen bits of lost Paradises and I know I'll be hopelessly trying to return even if it hurts. The deeper I swing into the regions of nothingness the further I'm thrown back into myself, each time more and more frightening depths below me, until my very being becomes dizzy. There are brief glimpses of clear sky, like falling out of a tree, so I have some idea where I'm going, but there is still too much clarity and straight order of things, I am getting always the same number somehow. So I vomit out broken bits of words and syntaxes of the countries I've passed through, broken limbs, slaughtered houses, geographies. My heart is poisoned, my brain left in shreds of horror and sadness. I've never let you down, world, but you did lousy things to me.
(from "As I was moving ahead occasionally I saw brief glimpses of beauty", 2000)
”
”
Jonas Mekas
“
Clay, did you ever love me?"
I'm studying a billboard and say that I didn't hear what she said.
"I asked if you ever loved me?"
On the terrace the sun bursts into my eyes and for one blinding moment I see myself clearly. I remember the first time we made love, in the house in Palm Springs, her body tan and wet, lying against cool, white sheets.
"Don't do this, Blair," I tell her.
"Just tell me."
I don't say anything.
"Is it such a hard question to answer?"
I look at her straight on.
"Yes or no?"
"Why?"
"Damnit, Clay," she sighs.
"Yeah, sure, I guess."
"Don't lie to me."
"What in the fuck do you want to hear?"
"Just tell me," she says, her voice rising.
"No," I almost shout. "I never did." I almost start to laugh.
She draws in a breath and says, "Thank you. That's all I wanted to know." She sips her wine.
"Did you ever love me?" I ask her back, though by now I can't even care.
She pauses. "I thought about it and yeah, I did once. I mean I really did. Everything was all right for a while. You were kind." She looks down and then goes on. "But it was like you weren't there. Oh shit, this isn't going to make any sense." She stops.
I look at her, waiting for her to go on, looking up at the billboard. Disappear Here.
"I don't know if any other person I've been with has been really there, either ... but at least they tried."
I finger the menu; put the cigarette out.
"You never did. Other people made an effort and you just ... It was just beyond you." She takes another sip of her wine. "You were never there. I felt sorry for you for a little while, but then I found it hard to. You're a beautiful boy, Clay, but that's about it."
I watch the cars pass by on Sunset.
"It's hard to feel sorry for someone who doesn't care."
"Yeah?" I ask.
"What do you care about? What makes you happy?"
"Nothing. Nothing makes me happy. I like nothing," I tell her.
"Did you ever care about me, Clay?"
I don't say anything, look back at the menu.
"Did you ever care about me?" she asks again.
"I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care."
"I cared about you for a little while."
I don't say anything.
She takes off her sunglasses and finally says, "I'll see you later, Clay." She gets up.
"Where are you going?" I suddenly don't want to leave Blair here. I almost want to take her back with me.
"Have to meet someone for lunch."
"But what about us?"
"What about us?" She stands there for a moment, waiting. I keep staring at the billboard until it begins to blur and when my vision becomes clearer I watch as Blair's car glides out of the parking lot and becomes lost in the haze of traffic on Sunset. The waiter comes over and asks, "Is everything okay, sir?"
I look up and put my sunglasses on and try to smile. "Yeah.
”
”
Bret Easton Ellis (Less Than Zero)
“
Sweetheart, listen carefully, when I say that I don’t need anybody but you, what I mean is that I never have. I need you. I’ve never needed anyone or anything the way I need you. I need you in a way that would break me if I lost you. Being with you makes every part of my life better. Every second I get with you is the best second of my life. I’m not good at expressing myself, not like you are, but I treasure this thing between us. Don’t think I don’t.
”
”
R.K. Lilley (Bad Things (Tristan & Danika, #1))
“
Yes, I've lost him. But I don't have to lose myself.
”
”
Lenore Appelhans (Level 2 (The Memory Chronicles, #1))
“
I tend to flood and freeze up if I’m feeling overwhelmed. When this happens, it’s usually because I feel like the world is crashing down and all is lost. One trick I’ve learned is to force myself to make a list of what’s actually wrong. Usually, soon into making the list, I find I can group most of the issues into two or three larger all-encompassing problems. So it’s really not all that bad. Having a finite list of problems is much better than having an illogical feeling that everything is wrong.
”
”
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
“
Search for the answers I knew all along;
I lost myself,
We all fall down;
Never the wiser of what I've become
Alone I stand,
A broken man...
All I have is one last chance.
I won't turn my back on you.
Take my hand,
Drag me down.
If you fall,
Then I will too.
And I can't save what's left of you...
(Chorus)
Sing something new,
I have nothing left.
I can't face the dark without you.
There's nothing left to lose,
The fight never ends.
I can't face the dark without you.
Swallow me under and pull me apart.
I understand;
There's nothing left.
Pain so familiar and close to the heart;
No more no less,
I won't forget.
Come back down,
Save yourself.
I can't find my way to you.
And I can't bear to face the truth...
(chorus)
I wanted to forgive;
I'm trying to forget;
Don't leave me here again.
I am with you, forever, the end.
(chorus)
Holding the hand that holds me down.
I forgive you, forget you, the end.
Holding the hand that holds me down.
I forgive you, forget you, the end.
(classical finish)
”
”
Breaking Benjamin
“
I've never lost anything,' Red said, 'Not a penny, not a memory. Never lot anything. I've gotten rid of some crap, some people, but I don't allow myself to lose things.
”
”
Scott Wolven (Controlled Burn: Stories of Prison, Crime, and Men)
“
We both had done the math. Kelly added it all up and... knew she had to let me go. I added it up, and knew that I had... lost her. 'cos I was never gonna get off that island. I was gonna die there, totally alone. I was gonna get sick, or get injured or something. The only choice I had, the only thing I could control was when, and how, and where it was going to happen. So... I made a rope and I went up to the summit, to hang myself. I had to test it, you know? Of course. You know me. And the weight of the log, snapped the limb of the tree, so I-I - , I couldn't even kill myself the way I wanted to. I had power over *nothing*. And that's when this feeling came over me like a warm blanket. I knew, somehow, that I had to stay alive. Somehow. I had to keep breathing. Even though there was no reason to hope. And all my logic said that I would never see this place again. So that's what I did. I stayed alive. I kept breathing. And one day my logic was proven all wrong because the tide came in, and gave me a sail. And now, here I am. I'm back. In Memphis, talking to you. I have ice in my glass... And I've lost her all over again. I'm so sad that I don't have Kelly. But I'm so grateful that she was with me on that island. And I know what I have to do now. I gotta keep breathing. Because tomorrow the sun will rise. Who knows what the tide could bring?
”
”
William Broyles Jr. (Cast Away: The Shooting Script)
“
[At his parents' graves] I've brought a young man -- a boy, actually -- to stay at the house. He's … lost his parents at roughly the same age that I … That I lost you. I don't know what will happen. I don't see myself as any sort of father figure. But … I think I can make a difference in his life.
”
”
Jeph Loeb (Batman: Dark Victory)
“
As I paddle along, I slowly become aware that it's been fear keeping me out of this pool for so many years. I never came here before because I was afraid I'd make a fool of myself by not having the endurance to complete a lap. The swimming wasn't what scared me; failure was. My fear locked me in a state of arrested development for so many years. Fear kept me from tackling my weight, which I understand has simply been symptomatic of my greater fear, growing up. I glide down the lane on my back and reflect on how good I feel right now. It's not because I've lost more than thirty pounds. I feel incredible because I've stopped being afraid.
”
”
Jen Lancaster (Such a Pretty Fat: One Narcissist's Quest to Discover If Her Life Makes Her Ass Look Big, or Why Pie Is Not the Answer)
“
I poke at my skull with a finger. It didn't feel soft or anything. I didn't feel insane. But if you'd really lost it, would you have enough left to know? Crazy people never thought they were crazy.
"I've always talked to things," I said. "And to myself."
"Good point," myself agreed with me. "Unless that means you've been nuts all along."
"I don't need wiseass remarks," I told myself severely. "There's work to do. So shut up.
”
”
Jim Butcher (Dead Beat (The Dresden Files, #7))
“
Win walked over to me. He held out his palm. In the middle of it was a single black sequin from the dress Scarlet had lent me. "You lost this," he said.
I giggled, slightly embarrassed to be leaving bits of myself behind. "I'm shedding.
”
”
Gabrielle Zevin (All These Things I've Done (Birthright, #1))
“
(I correct myself because I've just been lying. Of course, it took time, a lot of time, before I admitted that everything was lost, before I decided to say goodbye forever. I kept hoping for a sign. I thought of initiating another meeting, I started letters that I never sent. Desire does not go out like a match, it extinguishes slowly as it burns into ash. In the end I gave up on all possibility of a reunion.)
”
”
Philippe Besson (Lie With Me)
“
I’ve often lost faith in myself, I’ve never lost it in my family
”
”
David Sedaris
“
It's the same struggle for each of us, and the same path out: the utterly simple, infinitely wise ultimately defiant act of loving one thing and then another, loving our way back to life... Maybe being perfectly happy is not really the point. Maybe that is only some modern American dream of the point, while the truer measure of humanity is the distance we must travel in our lives, time and again, "twixt two extremes of passion--joy and grief," as Shakespeare put it. However much I've lost, what remains to me is that I can still speak to name the things I love. And I can look for safety in giving myself away to the world's least losable things.
”
”
Barbara Kingsolver (Small Wonder)
“
To restore you and myself, I return to my state of garden and shade, cool reality, I hardly exist and if I do exist it’s with delicate care. Surrounding the shade is a teeming, sweaty heat. I’m alive. But I feel I’ve not yet reached my limits, bordering on what? Without limits, the adventure of a dangerous freedom. But I take the risk, I live taking it. I’m full of acacias swaying yellow, and I, who have barely begun my journey, begin it with a sense of tragedy, guessed what lost ocean my life steps will take me to. And crazily I latch onto the corners of myself, my hallucinations suffocate me with their beauty. I am before, I am almost, I am never. And all this I gained when I stopped loving you.
”
”
Clarice Lispector (The Stream of Life)
“
I'm convinced that people see the ghosts of themselves all the time, but most just chose to block them out. The words don't even make sense to me, and I know it's true. When I was seven years old I saw the ghost of myself at the age of eighteen. Ever since that day I've kicked myself for not asking questions. I've no idea what my eighteen-year-old self could have told me at that point - perhaps nothing at all. Still, I can't help but think of it as a lost opportunity. Somehow there was a slight fluctuation in the current, and two of me bled through the fabric at once.
Trying to figure out the meaning behind such events can drive you mad, because there is no answer. Perhaps it was some sort of hiccup. Then again, perhaps I was making some Herculean efforts to reach out to myself, and that was all I could manage.
”
”
Damien Echols
“
Even now, so many years later, all this is somehow a very evil memory. I have many evil memories now, but ... hadn't I better end my "Notes" here? I believe I made a mistake in beginning to write them, anyway I have felt ashamed all the time I've been writing this story; so it's hardly literature so much as a corrective punishment. Why, to tell long stories, showing how I have spoiled my life through morally rotting in my corner, through lack of fitting environment, through divorce from real life, and rankling spite in my underground world, would certainly not be interesting; a novel needs a hero, and all the traits for an anti-hero are expressly gathered together here, and what matters most, it all produces an unpleasant impression, for we are all divorced from life, we are all cripples, every one of us, more or less. We are so divorced from it that we feel at once a sort of loathing for real life, and so cannot bear to be reminded of it. Why, we have come almost to looking upon real life as an effort, almost as hard work, and we are all privately agreed that it is better in books. And why do we fuss and fume sometimes? Why are we perverse and ask for something else? We don't know what ourselves. It would be the worse for us if our petulant prayers were answered. Come, try, give any one of us, for instance, a little more independence, untie our hands, widen the spheres of our activity, relax the control and we ... yes, I assure you ... we should be begging to be under control again at once. I know that you will very likely be angry with me for that, and will begin shouting and stamping. Speak for yourself, you will say, and for your miseries in your underground holes, and don't dare to say all of us-- excuse me, gentlemen, I am not justifying myself with that "all of us." As for what concerns me in particular I have only in my life carried to an extreme what you have not dared to carry halfway, and what's more, you have taken your cowardice for good sense, and have found comfort in deceiving yourselves. So that perhaps, after all, there is more life in me than in you. Look into it more carefully! Why, we don't even know what living means now, what it is, and what it is called? Leave us alone without books and we shall be lost and in confusion at once. We shall not know what to join on to, what to cling to, what to love and what to hate, what to respect and what to despise. We are oppressed at being men--men with a real individual body and blood, we are ashamed of it, we think it a disgrace and try to contrive to be some sort of impossible generalised man. We are stillborn, and for generations past have been begotten, not by living fathers, and that suits us better and better. We are developing a taste for it. Soon we shall contrive to be born somehow from an idea. But enough; I don't want to write more from "Underground."
[The notes of this paradoxalist do not end here, however. He could not
refrain from going on with them, but it seems to us that we may stop
here.]
”
”
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
“
I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centered, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal.
College transported me to a new town, where I tried, one more time, to reinvent myself. Becoming someone new, I could correct the errors of my past. At first I was optimistic: I could pull it off. But in the end, no matter where I went, I could never change. Over and over I made the same mistake, hurt other people, and hurt myself in the bargain.
Just after I turned twenty, this thought hit me: Maybe I've lost the chance to ever be a decent human being. The mistakes I'd committed—maybe they were part of my very makeup, an inescapable part of my being. I'd hit rock bottom, and I knew it.
”
”
Haruki Murakami (South of the Border, West of the Sun)
“
reservation, n.
There are times when I worry that I've already lost myself. That is, that my self is so inseparable from being with you that if we were to separate, I would no longer be. I save this thought for when I feel the darkest discontent. I never meant to depend so much on someone else.
”
”
David Levithan
“
You said you have faith in us. You told me to come to you when I was ready to be fearless. The truth is, I don’t know if I can be fearless. I’ve lost myself, Reid, and I’m still so scared.
But I’m ready to try. If you still want to, I’m ready.
”
”
Tammara Webber (Here Without You (Between the Lines, #4))
“
Like a wounded soldier
Trudging the old road home,
But I ain’t the old me,
And I walk this path alone.
I’m battle-worn, I’m battle-torn
With these scars inside my chest,
Kept up that happy face for you,
To hide that I’m a mess.
But I gave you every ounce of fight in me,
And I have no regrets.
If I was going to lose you,
At least I lost you to my best.
But it felt so wrong,
So tangled up in blue,
Like that old Dylan song,
Like I don’t know who I am,
Now that you’re gone.
But I lived through the pain.
Now I see the other side.
Now I know that life’s too short
To shut myself down and hide.
I’m battle-torn, but I’m battle-born.
These scars are part of me.
I got nothing left but what I’ve learned,
And I’ll use that, and you’ll see,
I can still give every ounce of fight in me,
Till I have no regrets,
Because if I’m going to lose someone,
I’m gonna lose her to my best.
And I’ll be strong,
When a hard rain’s a-gonna fall,
Like that old Dylan song,
You’re the reason I stand tall,
And that will never be gone.
”
”
Emery Lord (Open Road Summer)
“
Children not loved for who they are do not learn how to love themselves. Their growth is an exercise in pleasing others, not in expanding through experience. As adults, they must learn to nurture their own lost child. There's personal anger, but underneath there's often universal rage; And when we are possessed, God help the man who's on the end of that. Deep rage is not about the man; Deep rage is this: Nobody ever saw me. Nobody ever heard me. As long as I can remember, I've had to perform. When I tried to be myself, I was told, That's not what you think, that's not what you ought to do. So, just like my mother and her mother, I put on a false face. My life became a lie. That's deep rage. We have lived our lives behind a mask. Sooner or later —if we are lucky— the mask will be smashed. What a relief to be human instead of the god or goddess my parents imagined me to be or I imagined them.
”
”
Marion Woodman (Coming Home to Myself: Reflections for Nurturing a Woman's Body & Soul (Daily Reflections for a Woman's Body and Soul))
“
Unhappily, things get clearer as we go along. I perceive that I have no body. What's less, I've been speaking of myself without delight or alternative as self-consciousness pure and sour; I declare now that even that isn't true. I'm not aware of myself at all, as far as I know. I don't think. . . I know what I'm talking about.
”
”
John Barth (Lost in the Funhouse)
“
Here are the sounds of Wear. It rattles stone on stone. It sucks its teeth. It sings. It hisses like the rain. It roars. It laughs. It claps its hands. Sometimes I think it prays. In winter, through the ice, I've seen it moving swift and black as Tune, without a sound.
Here are the sights of Wear. It falls in braids. It parts at rocks and tumbles round them white as down or flashes over them in silver quilts. It tosses fallen trees like bits of straw yet spins a single leaf as gentle as a maid. Sometimes it coils for rest in darkling pools and sometimes it leaps its banks and shatters in the air. In autumn, I've seen it breathe a mist so thick and grey you'd never know old Wear was there at all.
Each day, for years and years, I've gone and sat in it. Usually at dusk I clamber down and slowly sink myself to where it laps against my breast. Is it too much to say, in winter, that I die? Something of me dies at least.
First there's the fiery sting of cold that almost stops my breath, the aching torment in my limbs. I think I may go mad, my wits so outraged that they seek to flee my skull like rats a ship that's going down. I puff. I gasp. Then inch by inch a blessed numbness comes. I have no legs, no arms. My very heart grows still. These floating hands are not my hands. The ancient flesh I wear is rags for all I feel of it.
"Praise, Praise!" I croak. Praise God for all that's holy, cold, and dark. Praise him for all we lose, for all the river of the years bears off. Praise him for stillness in the wake of pain. Praise him for emptiness. And as you race to spill into the sea, praise him yourself, old Wear. Praise him for dying and the peace of death.
In the little church I built of wood for Mary, I hollowed out a place for him. Perkin brings him by the pail and pours him in. Now that I can hardly walk, I crawl to meet him there. He takes me in his chilly lap to wash me of my sins. Or I kneel down beside him till within his depths I see a star.
Sometimes this star is still. Sometimes she dances. She is Mary's star. Within that little pool of Wear she winks at me. I wink at her. The secret that we share I cannot tell in full. But this much I will tell. What's lost is nothing to what's found, and all the death that ever was, set next to life, would scarcely fill a cup.
”
”
Frederick Buechner (Godric)
“
Why do you think she did it?” I asked as we stepped back into the sunlight. For that’s all any of us were thinking, had been thinking, since we got the news. Mustn’t Tiffany have hoped that whatever pills she’d taken wouldn’t be strong enough and that her failed attempt would lead her back into our fold? How could anyone purposefully leave us—us, of all people? This is how I thought of it, for though I’ve often lost faith in myself, I’ve never lost faith in my family, in my certainty that we are fundamentally better than everyone else. It’s an archaic belief, one I haven’t seriously reconsidered since my late teens, but still I hold it. Ours is the only club I’d ever wanted to be a member of, so I couldn’t imagine quitting. Backing off for a year or two was understandable, but to want out so badly that you’d take your own life?
”
”
David Sedaris (Calypso)
“
I'm an alien 'cause I'm not of this world. I have a name but I've been changed and now I can't stay the same.
And I'm a loser if that means I've been lost before...
I'm a monster if that means I'm misunderstood. 'Cause it's alive and I can't hide it. The energy is rising.
And I'm a traitor if that means I've turned on myself. I can't deny it, it's like a riot. I can't keep it quiet.
”
”
Thousand Foot Krutch
“
I must have had some high object in life, for I feel unbounded strength within me. But I never discovered it and was carried away by the allurements of empty, un-rewarding passions. I was tempered in their flames and came out cold and hard as steel, but I'd lost forever that fire of noble endeavour, that finest flower of life. How many time since then have I been an axe in the hands of fate? Like an engine of execution, I've descended on the heads of the condemned, often without malice, but always without pity. My love has brought no one happiness, for I've never sacrificed a thing for those I've loved. I've loved for myself, for my own pleasure, I've only tried to satisfy a strange inner need. I've fed on their feelings, love, joys and sufferings, and always wanted more. I'm like a starving man who falls asleep exhausted and sees rich food and sparkling wines before him. He rapturously falls on these phantom gifts of the imagination and feels better, but the moment he wakes up his dream disappears and he's left more hungry and desperate than before.
”
”
Mikhail Lermontov (A Hero of Our Time)
“
It is an unchristian religion, in the first place!' the prince resumed in great agitation and with excessive sharpness. 'That's in the first place, and secondly, Roman Catholicism is even worse than atheism - that's my opinion. Yes, that's my opinion! Atheism merely preaches a negation, but Catholicism goes further: it preaches a distorted Christ, a Christ calumniated and defamed by it, the opposite of Christ! It preaches Antichrist - I swear it does, I assure you it does! This is my personal opinion, an opinion I've held for a long time, and it has worried me a lot myself. ... Roman Catholicism believes that the Church cannot exist on earth without universal temporal power, and cries: Non possumus! In my opinion, Roman Catholicism isn't even a religion, but most decidedly a continuation of the Holy Roman Empire, and everything in it is subordinated to that idea, beginning with faith. The Pope seized the earth, an earthly throne and took up the sword; and since then everything has gone on in the same way, except that they've added lies, fraud, deceit, fanaticism, superstition wickedness. They have trifled with the most sacred, truthful, innocent, ardent feelings of the people, have bartered it all for money, for base temporal power. And isn't this the teaching of Antichrist? Isn't it clear that atheism had to come from them? And it did come from them, from Roman Catholicism itself! Atheism originated first of all with them: how could they believe in themselves? It gained ground because of abhorrence of them; it is the child of their lies and their spiritual impotence! Atheism! In our country it is only the upper classes who do not believe, as Mr Radomsky so splendidly put it the other day, for they have lost their roots. But in Europe vast numbers of the common people are beginning to lose their faith - at first from darkness and lies, and now from fanaticism, hatred of the Church and Christianity!
”
”
Fyodor Dostoevsky (The Idiot)
“
We all have crap parts and good parts inside, but when you meet someone who makes you realise that it's all okay, you think, what in God's name did I do to deserve it? All of my life I've been searching for hidden treasure, fortunes outside myself. But Martha, she found them in me. I'm not perfect, by any means, but I know I want to spend the rest of my life making her smile. So I'm damned if I will let her go without a fight.
”
”
Evie Woods (The Lost Bookshop)
“
I want you all to know,” Skulduggery said, “that we are the first line of defence. In fact, we’re practically the only line of defence. If we fail, there won’t be a whole lot anyone else will be able to do. What I’m trying to say is that failure at this point isn’t really the smart move to make. We are not to fail, do I make myself absolutely clear? Failure is bad, it won’t help us in the short term and certainly won’t do us any favours in the long run, and I think I’ve lost track of this speech, and I’m not too sure where it’s headed. But I know where it started and that’s what you’ve got to keep in mind. Where’s my hat?
”
”
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
“
Kait,im not always the beat at exspressing myself to you,so im taking advantage of the fact that i will be completely unresponsive when you read this, and therefore incapable of messing things up.
I want to thank you for giving me a chance. when i first saw you, i knew i had found something incredible. And since then all i've wanted was to be with you as much as possible.
When i thought i had lost you, i was torn betewwn wanting you back and wanting the best for you-wanting you to be happy.seeing you so miserable during the weeks we were apart gave me the courage to fight for us...to find a way for things to work.And seeing you happy again in the dayswe've been back together makes me think i did the right thing.
I cant promise you an ordinary experience,kate.I wish i could transform myself into a normal man and be there for you,always,without th trama that defines my life as "the walking dead." Since that isnt possible, I can only reassure yoiu that i will do everything in my power to make it up make it up to you. To give you more that a normal boyfriend could.I have no idea what that will mean, exactly, but i'm looking forward to finding out. With you.
Thank ou for being here, my beauty. Mon ange. My Kate.
Yours utterly,
Vincent
”
”
Amy Plum (Die for Me (Revenants, #1))
“
[The Devil] And me? I suffer, and still I do not live. I am an x in an indeterminate equation. I am some sort of ghost of life who has lost all ends and beginnings, and I've finally even forgotten what to call myself...You're eternally angry, you want reason only, but I will repeat to you once more that I would give all of that life beyond the stars, all ranks and honors, only to be incarnated in the soul of a two-hundred-and-fifty-pound merchant's wife and light candles to God.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
What I'd saved: lost. Worse: I lost it. Can't even tell myself that I sort of lost it that lost I keep it still. I lost the saved.
I've lost. I'm lost.
This is pain, one dies of or kills. Kill it and one kills oneself.
Splashes of bloody skin all over my notebooks.
I haven't forgotten a dream, as it is written happens in the realm of dreams. One forgets a dream, then one forgets one has forgotten, nothing dies of this.
I've lost The Dream.
I cannot tell a soul. I will not enter alive into the beyond. I search for an explanation. To the labyrinth I descend with the chapeau. Maleficent remains but remains, therefore blessed. If I could ask my friend. No one else. He and only he knows the extraordinary value of what is lost, greater by far that the value of what one keeps. Suddenly I'm only this torch consuming itself. What to do? I had the papers, I took them from myself, I threw them in the Trash, I threw out my own being, I had the memory of the future at the window I broke me, I tore up the secret into a thousand pieces, I tweezed the sublime out of me, I had god I squashed him with a hat,
this is not the first time I take myself to the labyrinth but this is the first time I go down into the labyrinth. I went right by the very trash bin of my being, how can you do away with your own eyes, I did it, who knows how
”
”
Hélène Cixous
“
I learned long ago that loss is not only probable but inevitable. I know what it means to lose everything, to let go of one life and find another. And now I feel, with a strange, deep certainty, that it must be my lot in life to be taught that lesson over and over again.
Lying in that hospital bed I feel all of it: the terrible weight of sorrow, the crumbling of my dreams. I sob uncontrollably for all that I've lost - the love of my life, my family, a future I'd dared to envision. And in that moment I make a decision. I can't go through this again. I can't give myself to someone completely only to lose them. I don't want, ever again to experience the loss of someone I love beyond reason.
”
”
Christina Baker Kline (Orphan Train)
“
College transported me to a new town, where I tried, one more time, to reinvent myself. Becoming someone new, I could correct the errors of my past. At first I was optimistic; I could pull it off. But in the end, no matter where I went, I could never change. Over and over I made the same mistake, hurt other people, and hurt myself in the bargain.
Just after I turned twenty, this thought hit me: Maybe I've lost the chance to ever be a decent human being. The mistakes I'd committed - maybe they were very makeup, an inescapable part of my being. I'd hit rock bottom, and I knew it.
”
”
Haruki Murakami (South of the Border, West of the Sun)
“
Life is a nomadic journey. A road without trees to shelter us from the rain, without shoulders on which to rest, without lighthouses to show us the way when we are lost. I can’t waste the life I’ve been given by standing still and lamenting the past until my days run out. I must get up and fight; I must keep providing for my family. I must keep moving forward, not just for myself, but also for my daughter and for all those who are no longer with us. Because in the end, that’s why we’re here, right? The only reason we are given life is to live it.
”
”
Miquel Reina (Lights on the Sea)
“
Let me sing the beauty of my Maggie. Legs:--the knees attached to the thighs, knees shiny, thighs like milk. Arms:--the levers of my content, the serpents of my joy. Back:--the sight of that in a strange street of dreams in the middle of Heaven would make me fall sitting from glad recognition. Ribs?--she had some melted and round like a well formed apple, from her thigh bones to waist I saw the earth roll. In her neck I hid myself like a lost snow goose of Australia, seeking the perfume of her breast. . . . She didn't let me, she was a good girl. The poor big alley cat, though almost a year younger, had black ideas about her legs that he hid from himself, also in his prayers didn't mention . . . the dog. Across the big world darkness I've come, in boat, in bus, in airplane, in train standing my shadow immense traversing the fields and the redness of engine boilers behind me making me omnipotent upon the earth of the night, like God--but I have never made love with a little finger that has won me since. I gnawed her face with my eyes; she loved that; and that was bastardly I didn't know she loved me--I didn't understand.
”
”
Jack Kerouac (Maggie Cassidy)
“
Problem #3: Goals restrict your happiness. The implicit assumption behind any goal is this: “Once I reach my goal, then I’ll be happy.” The problem with a goals-first mentality is that you’re continually putting happiness off until the next milestone. I’ve slipped into this trap so many times I’ve lost count. For years, happiness was always something for my future self to enjoy. I promised myself that once I gained twenty pounds of muscle or after my business was featured in the New York Times, then I could finally relax. Furthermore, goals create an “either-or” conflict: either you achieve your goal and are successful or you fail and you are a disappointment. You mentally box yourself into a narrow version of happiness. This is misguided. It is unlikely that your actual path through life will match the exact journey you had in mind when you set out. It makes no sense to restrict your satisfaction to one scenario when there are many paths to success. A systems-first mentality provides the antidote. When you fall in love with the process rather than the product, you don’t have to wait to give yourself permission to be happy. You can be satisfied anytime your system is running. And a system can be successful in many different forms, not just the one you first envision.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
Karma Police
Karma police
arrest this man,
he talks in maths,
he buzzes like a fridge,
he’s like a detuned radio.
Karma police
arrest this girl,
her Hitler hairdo
is making me feel ill
and we have crashed her party.
This is what you get,
this is what you get,
this is what you get,
when you mess with us.
Karma police
I’ve given all I can,
it’s not enough,
I’ve given all I can
but we’re still on the payroll.
This is what you get,
this is what you get,
this is what you get,
when you mess with us.
For a minute there
I lost myself, I lost myself.
Phew, for a minute there,
I lost myself, I lost myself.
For a minute there
I lost myself, I lost myself.
Phew, for a minute there,
I lost myself, I lost myself.
”
”
Radiohead
“
When I said I wasn’t with another girl
the January after we fell in love for the 3rd time,
it’s because it wasn’t actual sex.
In the February that began our radio silence,
it was actual sex. I hate the tight shirts
that go below your waistline.
Not only do they make you look too young,
but then your torso is a giraffe’s neck attached to tiny legs.
I screamed at myself in the subway
for writing poems about you still.
I made a scene. I think about you almost
each morning, and roughly every five days, I still
believe you’re there.
I still masturbate to you.
When we got really bad,
I would put another coat of mop water on the floor of the bar
to make sure you were asleep when I got to my side of the bed.
You are the only person to whom I’ve lied, knowing
I was telling the truth. I miss the way your neck
wraps around my face like a cave we are both lost in.
I remember when you said being with me
is like being alone with company.
My friend Sarah wrote a poem about pink ponies.
I’m scared you’re my pink pony.
Hers is dead. It is really sad. You’re not dead.
You live in Ohio, or Washington, or Wherever.
You are a shadow my body leaves on other girls.
I have a growing queue of things I know
will make you laugh and I don’t know where to put them.
I mourn like you’re dead. If you had asked me to stay,
I would not have said no.
It would never mean yes.
”
”
Jon Sands
“
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there.
What are you doing here?
I was taking a walk and I saw you and I followed you.
What do you want.
I want you to stop.
I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks.
It's okay.
I breathe hard, close my eyes, let myself be held.
It's okay.
Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says.
Okay.
Okay.
Okay.
Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry.
It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying.
She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything.
It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken.
THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers.
You're okay.
You're okay.
You're okay.
”
”
James Frey
“
How long are you going to wait for this guy?”
I’m thrown by his sudden shift. “Ah . . . I don’t know.”
“Give me your keys.”
“What?”
“Give me your keys. I’m going to change your tire while we’re waiting.”
I fish in my purse and come up with a handful of keys. “You’re going to—”
“Stay in the car.” He grabs the keys and practically yanks them out of my fingers. Then he slams the door in my face.
I watch him in the path of his headlights, mystified. He opens my trunk, and, moments later, emerges with the spare tire. He lays it beside the car, then pulls something else from the darkened space. I’ve never changed a tire, so I have no idea what he’s doing. His movements are quick and efficient, though.
I shouldn’t be sitting here, just watching, but I can’t help myself. There’s something compelling about him. Dozens of cars have passed, but he was the only one to stop—and he’s helping me despite the fact that I’ve been less than kind to him all night.
He gets down on the pavement—on the wet pavement, in the rain—and slides something under the car. A hand brushes wet hair off his face.
I can’t sit here and watch him do this.
He doesn’t look at me when I approach. “I told you to wait in the car.”
“So you’re one of those guys? Thinks the ‘little woman’ should wait in the car?”
“When the little woman doesn’t know her tires are bald and her battery could barely power a stopwatch?” He attaches a steel bar to . . . something . . . and starts twisting it. “Yeah. I am.”
My pride flinches. “So what are you saying?” I ask, deadpan. “You don’t want my help?”
His smile is rueful. “You’re kind of funny when you’re not so busy being judgmental.”
“You’re lucky I’m not kicking you while you’re down there.”
He loses the smile but keeps his eyes on whatever he’s doing. “Try it, sister.
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
My Darling,
It is late at night and though the words are coming hard to me, I can’t escape the feeling that it’s time that I finally answer your question.
Of course I forgive you. I forgive you now, and I forgave you the moment I read your letter. In my heart, I had no other choice. Leaving you once was hard enough; to have done it a second time would have been impossible. I loved you too much to have let you go again. Though I’m still grieving over what might have been, I find myself thankful that you came into my life for even a short period of time. In the beginning, I’d assumed that we were somehow brought together to help you through your time of grief. Yet now, one year later, I’ve come to believe that it was the other way around.
Ironically, I am in the same position you were, the first time we met. As I write, I am struggling with the ghost of someone I loved and lost. I now understand more fully the difficulties you were going through, and I realize how painful it must have been for you to move on. Sometimes my grief is overwhelming, and even though I understand that we will never see each other again, there is a part of me that wants to hold on to you forever. It would be easy for me to do that because loving someone else might diminish my memories of you. Yet, this is the paradox: Even though I miss you greatly, it’s because of you that I don’t dread the future. Because you were able to fall in love with me, you have given me hope, my darling. You taught me that it’s possible to move forward in life, no matter how terrible your grief. And in your own way, you’ve made me believe that true love cannot be denied.
Right now, I don’t think I’m ready, but this is my choice. Do not blame yourself. Because of you, I am hopeful that there will come a day when my sadness is replaced by something beautiful. Because of you, I have the strength to go on.
I don’t know if spirits do indeed roam the world, but even if they do, I will sense your presence everywhere. When I listen to the ocean, it will be your whispers; when I see a dazzling sunset, it will be your image in the sky. You are not gone forever, no matter who comes into my life. you are standing with God, alongside my soul, helping to guide me toward a future that I cannot predict.
This is not a good-bye, my darling, this is a thank-you. Thank you for coming into my life and giving me joy, thank you for loving me and receiving my love in return. Thank you for the memories I will cherish forever. But most of all, thank you for showing me that there will come a time when I can eventually let you go.
I love you
”
”
Nicholas Sparks (Message in a Bottle)
“
Just about everyone I've ever interviewed has told me that by doing something or other--recovering from cancer, climbing a mountain, playing the part of a serial killer in a movie--they have learned something about themselves. And I always nod and smile thoughtfully, when really I want to pin them down: What did you learn from the cancer, actually? That you don't like being sick? That you don't want to die? That wigs make your scalp itch? Come on, be specific. I suspect it's something they tell themselves in order to turn the experience into something that might appear valuable, rather than a complete and utter waste of time.
In the last few months, I have been to prison, lost every last molecule of self-respect, become estranged from my children, and thought very seriously about killing myself. I mean, that little lot has got to be the psychological equivalent of cancer, right? And it's certainly a bigger deal than acting in a bloody film. So how come I've learned absolutley bugger all? What was I supposed to learn? I've found out that prison and poverty aren't really me. But, you know, I could have had a wild stab in the dark about both of those things beforehand. Call me literal-minded, but I suspect people might learn more about themselves if they didn't get cancer. They'd have more time, and a lot more energy.
”
”
Nick Hornby (A Long Way Down)
“
I’ve experienced a lot in my life. I’ve been in bloody battles. I’ve been with friends who were killed. I’ve seen terrible things done to man and beast, but I’ve never felt afraid.
“I’ve been troubled. I’ve also been uneasy and tense. I’ve been in mortal danger, but I’ve never experienced that cold-sweat kind of fear, the kind that eats a man alive, brings him to his knees, and makes him beg. In fact, I always prided myself on being above that. I thought that I’d suffered through and seen so much that nothing could scare me anymore. That nothing could bring me to that point.”
He brushed a brief kiss on my neck. “I was wrong. When I found you and saw that…that thing trying to kill you, I was enraged. I destroyed it without hesitation.”
“The Kappa were terrifying.”
“I wasn’t afraid of the Kappa. I was afraid…that I’d lost you. I felt an unquenchable, gut-wrenching, corrosive fear. It was unbearable. The most agonizing part was realizing that I didn’t want to live anymore if you were gone and knowing there was nothing I could do about it. I would be stuck forever in this miserable existence without you.”
I heard every word he said. It pierced through me, and I knew I would have felt the same way if our places had been reversed. But I told myself that his heartfelt declaration was just a reflection of the tense pressure we’d been under. The little love plant in my heart was grasping at each wispy thought, absorbing his words like sweet drops of morning dew. But I chastised my heart and shoved the tender expressions of affection elsewhere, determined to be unaffected by them.
“It’s okay. I’m here. You don’t need to be afraid. I’m still around to help you break the curse,” I said, trying to keep my voice even.
He squeezed my waist and whispered softly, “Breaking the curse didn’t matter to me anymore. I thought you were dying.”
I swallowed and tried to be flippant. “Well, I didn’t. See? I lived to argue with you another day. Now don’t you wish it had gone the other way?”
His arms stiffened and he threatened, “Don’t ever say that, Kells.”
After a second of hesitation, I said, “Well, thank you. Thank you for saving me.”
He pulled me close, and I allowed myself a minute, just a minute, to lie back against him and enjoy it.
I had almost died after all. I deserved some kind of reward for surviving, didn’t I?
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
You have a visitors," Maximus stated. His face was impassive, but I still cringed, trying to discreetly tug my hand out of Vlad's. He let me go and folded his arms, smiling in that scary, pleasant way at Maximus.
“And they are so important that you had to find me at once and enter without knocking?”
I heard the threat behind those words and blanched. He wasn’t about to throw down on Maximus over this, was he? Don’t, I sent him, not adding the please only because I knew the word didn’t work on him.
“Forgive me, but it’s Mencheres and his co-ruler,” Maximus stated, not sounding apologetic even though he bowed. “Their wives as well.” I started to slink away, sanity returning now that I wasn’t caught up by Vlad’s mesmerizing nearness. What had I been doing? Nothing smart, that was for sure.
“Leila Stop,” Vlad said I kept heading for the door. “You have company, so I’ll just make myself scarce-“
“Stop”
I did at his commanding tone, and then cursed. I wasn’t one of his employees-he had no right to order me around. “NO,” I said defiantly. “I’m sweaty, and bloody and I want to take a shower, so whatever you have to say, it can wait.”
Maximus lost his impassive expression and looked at me as if I’d suddenly sprouted a second head. Vlad’s brow drew together and he opened his mouth, but before he could speak, laughter rang out from the hallway.
“I simply must meet whoever has put you in your place so thoroughly, Tepesh,” an unfamiliar British voice stated. “Did I mention they were on their way down?” Maximus muttered before the gym door swung open and four people entered.
The first was a short-haired brunet whose grin made me assume he was the one who’d greeted Vlad with the taunt. He was also handsome in a too-pretty way that made me think with less muscles, a wig, and some makeup he’d look great in a dress.
Vlad’s scowl vanished into a smile as the brunet’s gaze swung in my direction as though he’d somehow heard that. “Looks as though she’s put you in your place as well, Bones,” Vlad drawled. “So it seems.” Bones replied, winking at me.” “But while I’ve worn many disguises, I draw the line at a dress.”
My mouth dropped another mind reader?
”
”
Jeaniene Frost (Once Burned (Night Prince, #1))
“
There is a phenomenon that occurs in the minds of many manic depressives when entering into either a manic or a depressive state that nobody claims to understand, but that bipolars from the far corners of the world can attest to: the consistent waking up at four o’clock in the morning. And when I say four o’clock, I mean four o’clock on the fucking dot. How many times have I given myself chills, waking up yet again after only two hours of sleep and looking over at the blinking red of a digital alarm clock only to see that number staring back at me? I’ve lost count. And the thing is, you don’t just wake up. You wake up with your mind racing, music churning over and over inside your head, the internal noise, words, pictures, absolutely unbearable, and it is absolutely impossible to go back to sleep.
”
”
Emilie Autumn (The Asylum for Wayward Victorian Girls)
“
You think I married you because I lost when we drew straws?” He chuckled softly. “Oh, Meri. Sweetheart. I won the straw draw. I didn’t lose it.” She stared at him, not comprehending the difference. “What are you saying?” Travis grinned. “When we sat around the table that night, we didn’t decide to draw straws because none of us wanted to marry you. We drew straws because all of us wanted to marry you.” Meredith blinked up at her husband. Could it be true? Had she been a prize, not a chore? “And I’ll tell you something else.” He dipped his head and lowered his voice, his grin turning downright mischievous. “But you gotta swear not to tell the others.” She nodded. “I rigged the contest.” “What?” “I made sure that I was the one who ended up with the short straw.” Meredith’s pulse quickened. “Why?” Travis shrugged a bit, and if she didn’t know better, she could have sworn his skin pinkened a bit under his tan. “At the time I told myself that you were my responsibility. That because of our previous encounter, I should be the one to marry you.” A responsibility. Of course. Meredith forced her chin to stay raised and her back straight despite her yearning to curl up into a protective ball. “But I was fooling myself.” Travis’s gaze met hers, and she caught her breath. The way he looked at her, it was . . . was . . . “Even then I was falling in love with you.” It was love. “I couldn’t stand the idea of one of my brothers marrying you. You belonged with me. I knew it. I couldn’t explain it, but I knew it. And over the last several weeks, I’ve only grown more sure. I love you, Meredith. I thank God every day for bringing you back into my life.
”
”
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
“
My Dearest, Can you forgive me? In a world that I seldom understand, there are winds of destiny that blow when we least expect them. Sometimes they gust with the fury of a hurricane, sometimes they barely fan one’s cheek. But the winds cannot be denied, bringing as they often do a future that is impossible to ignore. You, my darling, are the wind that I did not anticipate, the wind that has gusted more strongly than I ever imagined possible. You are my destiny. I was wrong, so wrong, to ignore what was obvious, and I beg your forgiveness. Like a cautious traveler, I tried to protect myself from the wind and lost my soul instead. I was a fool to ignore my destiny, but even fools have feelings, and I’ve come to realize that you are the most important thing that I have in this world. I know I am not perfect. I’ve made more mistakes in the past few months than some make in a lifetime. I was wrong to deny what was obvious in my heart: that I can’t go on without you. You were right about everything. I tried to deny the things you were saying, even though I knew they were true. Like one who gazes only backward on a trip across the country, I ignored what lay ahead. I missed the beauty of a coming sunrise, the wonder of anticipation that makes life worthwhile. It was wrong of me to do that, a product of my confusion, and I wish I had come to understand that sooner. Now, though, with my gaze fixed toward the future, I see your face and hear your voice, certain that this is the path I must follow. It is my deepest wish that you give me one more chance. For the first few days after you left, I wanted to believe that I could go on as I always had. But I couldn’t. I knew in my heart that my life would never be the same again. I wanted you back, more than I imagined possible, yet whenever I conjured you up, I kept hearing your words in our last conversation. No matter how much I loved you, I knew it wasn’t going to be possible unless we—both of us—were sure I would devote myself fully to the path that lay ahead. I continued to be troubled by these thoughts until late last night when the answer finally came to me. Oh, I am sorry, so very sorry, that I ever hurt you. Maybe I’m too late now. I don’t know. I love you and always will. I am tired of being alone. I see children crying and laughing as they play in the sand, and I realize I want to have children with you. I am sick and sad without you. As I sit here in the kitchen, I am praying that you will let me come back to you, this time forever.
”
”
Nicholas Sparks (Message in a Bottle)
“
Your wife,” said Arthur, looking around, “mentioned some toothpicks.” He said it with a hunted look, as if he was worried that she might suddenly leap out from behind a door and mention them again.
Wonko the Sane laughed. It was a light easy laugh, and sounded like one he had used a lot before and was happy with.
“Ah yes,” he said, “that’s to do with the day I finally realized that the world had gone totally mad and built the Asylum to put it in, poor thing, and hoped it would get better.”
This was the point at which Arthur began to feel a little nervous again.
“Here,” said Wonko the Sane, “we are outside the Asylum.” He pointed again at the rough brickwork, the pointing, and the gutters. “Go through that door” — he pointed at the first door through which they had originally entered — “and you go into the Asylum. I’ve tried to decorate it nicely to keep the inmates happy, but there’s very little one can do. I never go in there myself. If I ever am tempted, which these days I rarely am, I simply look at the sign written over the door and I shy away.”
“That one?” said Fenchurch, pointing, rather puzzled, at a blue plaque with some instructions written on it.
“Yes. They are the words that finally turned me into the hermit I have now become. It was quite sudden. I saw them, and I knew what I had to do.”
The sign read:
“Hold stick near center of its length. Moisten pointed end in mouth. Insert in tooth space, blunt end next to gum. Use gentle in-out motion.”
“It seemed to me,” said Wonko the Sane, “that any civilization that had so far lost its head as to need to include a set of detailed instructions for use in a package of toothpicks, was no longer a civilization in which I could live and stay sane.”
He gazed out at the Pacific again, as if daring it to rave and gibber at him, but it lay there calmly and played with the sandpipers.
“And in case it crossed your mind to wonder, as I can see how it possibly might, I am completely sane. Which is why I call myself Wonko the Sane, just to reassure people on this point. Wonko is what my mother called me when I was a kid and clumsy and knocked things over, and sane is what I am, and how,” he added, with one of his smiles that made you feel, Oh. Well that’s all right then. “I intend to remain.
”
”
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
“
I love you, Catherine. You claimed my heart soon after we met, a beautiful Highland selkie who kept me safe within her cave. No one ever came to my rescue before. I laughed and I teased you, but I'd never been so deeply moved. While I was waiting at The Hague, I promised myself I'd tell you as soon as I saw you again." He wet a taut nipple with his tongue and blew on it gently. "It made me very happy to admit it. You're the only one I've ever truly loved." He turned his attention to the other tip, one hand plumping her as the other tickled its peak. She whimpered and he soothed her with a wet kiss. She moaned, gripping his shoulders as her heels dug in the ground. He lifted his
head and looked straight into her eyes. "I feared I'd lost you when I saw you in that river. You're the only thing that gives my life meaning, Catherine. I love you." His lips brushed the corner of her mouth. "I love you," he breathed against her lips. "I love you!" He enfolded her in his arms and
thrust his tongue deep in her mouth, claiming her in a voluptuous kiss.
”
”
Judith James (Highland Rebel)
“
I can't believe he's going to make me give him the speech. I am livid that he's going to make me give him the speech. I do it, piecing it together from times I've seen it done on TV and in movies. I tell him that there are many people who love him and would be crushed if he were to kill himself, while wondering, distantly, if that is the truth. I tell him that he has so much potential, that he has so many things to do, while most of me believes that he will never put his body and brain to much use at all. I tell him that we all have dark periods, while becoming ever more angry at him, the theatrics, the self-pity, all this, when he has everything. He has a complete sort of freedom, with no parents and no dependents, with money and no immediate threats of pain or calamity. He is the 99.9th percentile, as I am. He has no real obligations, can go anywhere at any moment, sleep anywhere, move at will, and still he is wasting everyone's time with this. But I hold that back--I will save that for later--and instead say nothing but the most rapturous and positive things. And though I do not believe much of it, he does. I make myself sick saying it all, everything so obvious, the reasons to live not at all explainable in a few minutes on the edge of a psychiatric ward bed, but still he is roused, making me wonder even more about him, why a fudge-laden pep talk can convince him to live, why he insists on bringing us both down here, to this pedestrian level, how he cannot see how silly we both look, and when, exactly, it was that his head got so soft, when I lost track of him, how it is that I know and care about such a soft and pliant person, where was it again that I parked my car.
”
”
Dave Eggers (A Heartbreaking Work of Staggering Genius)
“
Still, this moment belongs to the two of them, Mom and this handsome stranger. He reaches the passenger side door and stares down at her with steely violet eyes-down at my mother who never cries, down at my mother who’s now bawling like a spanked child-his face contorted in a rainbow of so many emotions, some that I can’t even name.
Then Grom the Triton king sinks to his knees in front of her, and a single tear spills down his face. “Nalia,” he whispers.
And then my mother slaps him. It’s not the kind of slap you get for talking back. It’s not the kind of punch she dealt Galen and Toraf in our kitchen. It’s the kind of slap a woman gives a man when he’s hurt her deeply.
And Grom accepts it with grace.
“I looked for you,” she shouts, even though he’s inches from her.
Slowly, as if in a show of peace, he takes the hand that slapped him and sandwiches it between his own. He seems to revel in the feel of her touch. His face is pure tenderness, his voice like a massage to the nerves. “And I looked for you.”
“Your pulse was gone,” she insists. By now she chokes back sobs between words. She’s fighting for control. I’ve never seen my mother fight for control.
“As was yours.” I realize Grom knows what not to say, what not to do to provoke her. He is the complete opposite of her, or maybe just a completion of her.
Her eyes focus on his wrist, and tears slip down her face, leaving faint trails of mascara on her cheeks. He smiles and slowly pulls his hand away. I think he’s going to show her the bracelet he’s wearing, but instead he rips it off his wrist and holds it out for her inspection. From where I’m standing it looks like a single black ball tied to some sort of string. By my mom’s expression, this black ball has meaning. So much meaning that I think she’s forgotten to breathe. “My pearl,” she whispers. “I thought I’d lost it.”
He encloses it in her hand. “This isn’t your pearl, love. That one was lost in the explosion with you. For almost an entire season, I scoured the oyster beds, looking for another one that would do. I don’t know why, but I thought maybe if I found another perfect pearl, I would somehow find you, too. When I found this though, it didn’t bring me the peace I’d hoped for. But I couldn’t bring myself to discard it. I’ve worn it on my wrist ever since.”
This is all it takes for my mom to throw herself into his arms, bringing Rachel partially with her. Even so, it’s probably the most moving moment I’ve ever encountered in my eighteen years.
Or at least it would be, if my mom weren’t clinging to a man who is not my dad.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
As I speak, his fingers trail down my arm. I’m just so relieved he’s willing to touch me after I’ve told him this. He turns my hand over and traces the fine lines on my palm. “And?” He looks up beneath heavy lids. “What else should I know about you?”
“My skin—” I stop, swallow.
He leans down, presses his lips to my wrist in a feathery kiss. “What about your skin?”
“You know. You’ve seen it,” I rasp. “It changes. The color becomes—”
“Like fire.” His gaze lifts from my wrist and he says that word he said so long ago surrounded in cold mists, tucked on a ledge above a whispering pool of water. “Beautiful.”
“You said that before. In the mountains.”
“I meant it. Still do.”
I laugh weakly. “I guess this means you’re not mad at me.”
“I would be mad, if I could.” He frowns. “I should be.” He inches closer to me on the couch. We sink deeper into the tired cushions. “This is impossible.”
“This what?” I clutch the collar of his shirt in my fingers. His face is so close I study the varying color of his eyes.
For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, “A hunter in love with his prey.”
My chest squeezes. I suck in a breath. Pretty wonderful, I think, but am too embarrassed to say it. Even after what he just admitted.
He loves me?
Studying him, I let myself consider this and whether he can possibly mean it. But what else could it be? What else could drive him to this moment with me? To turn his back on his family’s way of life?
As he looks at me in that desperate, devouring way, I’m reminded of those moments in his car when he tended the cut on my palm and ran his hand over my leg. My belly twists.
I glance around, see how seriously, dangerously alone we are. More alone than in the stairwell. Or even the first time together, on that ledge. I lick my lips. Now we’re alone with no school bell ready to rip us apart. Even more alarming, no more secrets stand between us. No barriers. Nothing to stop us at all.
I hold my breath until I feel the first press of his lips, certain I’ve never been this close to another soul, this vulnerable. We kiss until we’re both breathless, warm and flushed, twisting against each other on the couch. His hands brush my bare back beneath my shirt, trace every bump of my spine. My back tingles, wings vibrating just beneath the surface. I drink the cooler air from his lips, drawing it into my fiery lungs.
I don’t even mind when he stops and watches my skin change colors, or touches my face as it blurs in and out. He kisses my changing face. Cheeks, nose, the corners of my eyes, sighing my name it like a benediction between each caress. His lips slide to my neck and I moan, arch, lost to everything but him. In this, with him . . . I’m as close to the sky as I’ve ever been.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
It's a lost and lonely kind of feeling,
To wake up wearing a disguise.
I lie in bed staring at the ceiling,
I don't know who I am
There's little that I can
Fully recognize....
But I'm taking small steps,
'Cause I don't know where I'm going.
I'm taking small steps
And I don't know what to say.
Small steps,
Trying to pull myself together,
And maybe I'll discover
A clue along the way....
Just to make it through the day and not to get hurt,
Seems about the best that I can hope.
Like coffee stains splattered on your sweatshirt
There isn't any pattern.
Everything's uncertain.
It's difficult to cope....
But I'm taking small steps,
'Cause I don't know where I'm going.
I'm taking small steps,
And I've forgotten how to play.
Small steps,
Trying to pull myself together,
And maybe I'll discover,
A clue along the way....
And if someday my small steps bring me near you,
Please don't rush to tell me all you feel.
You don't have to speak for me to hear you.
If I softly sigh,
Look me in the eye
And let me know I'm real....
Then we'll take small steps,
'Cause we won't know where we're going.
We'll take small steps,
And we'll have too much to say.
Small steps,
Hand in hand we'll walk together,
And maybe we'll discover
A clue along the way....
Small steps,
'Cause I don't know where I'm goin'.
Small steps,
I just take it day to day.
Small steps,
Somehow get myself together,
Then maybe I'll discover
Who I am on the way....
”
”
Louis Sachar (Small Steps (Holes, #2))
“
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond.
But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen.
Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now.
Now, not then.
I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it.
There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together.
There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.'
I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now.
He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on.
Even when broken it still works.
”
”
Cecelia Ahern (Thanks for the Memories)
“
The more conscious I was of all the good and of all this "beautiful and lofty," the deeper I kept sinking into my mire, and the more capable I was of getting completely stuck in it. But the main feature was that this was all in me not as if by chance, but as if it had to be so. As if it were my most normal condition and in no way a sickness or a blight, so that finally I lost any wish to struggle against this blight. I ended up almost believing (and maybe indeed believing) that this perhaps was my normal condition. But at first, in the beginning, how much torment I endured in this struggle! I did not believe that such things happened to others, and therefore kept it to myself all my life as a secret. I was ashamed (maybe I am ashamed even now); it reached the point with me where I would feel some secret, abnormal, mean little pleasure in returning to my corner on some nasty Petersburg night and being highly conscious of having once again done a nasty thing that day, and again that what had been done could in no way be undone, and I would gnaw, gnaw at myself with my teeth, inwardly, secretly, tear and suck at myself until the bitterness finally turned into some shameful, accursed sweetness, and finally-into a decided, serious pleasure! Yes, a pleasure, a pleasure! I stand upon it. The reason I've begun to speak is that I keep wanting to find out for certain: do other people have such pleasures? I'll explain it to you: the pleasure here lay precisely in the too vivid consciousness of one's own humiliation; in feeling that one had reached the ultimate wall; that, bad as it is, it cannot be otherwise; that there is no way out for you, that you will never change into a different person; that even if you had enough time and enough faith left to change yourself into something different, you probably would not wish to change; and even if you did wish it, you would still not do anything, because in fact there is perhaps nothing to change into.
”
”
Fyodor Dostoevsky
“
Woman lost (skin deep) like a damn fine thread in the fire
Woman of the world caught up in your black machinations
I was a woman who cried alone at night, who gave it all
away when she saw the good heart of the man inside
Woman caught standing up; her open parts are broken -
Someone's armour broke right through, it was you, you
For some reason I've been thinking about you, your light
Today, you poured out all the tension, the ego underground
Hibernating inside my heart. I was so close to it, to the flicker
Of love in a lonely street and I turned my head and walked
Away from the flame in your arms. As I put away the fun in
A house of fight I came across you and a mechanism in
My brain shifted chemically, walls caved in like the cadence
In your words and I was lost in the darkness. Even now in
Middle age I remember when desire was a popular drug
And everyone was selling it but I don't live to explore to be
Able to illuminate the proof of my existence, live to burn
Vicariously though the diamond mouth of sleeping stars.
From so much love, pictures of death arrived in black and
White photographs and you're perfect, you always were -
Illusions have no flaws; they're dangerous beings, smoke.
Could I take the moon back and still live with my great
Expectations of nostalgia, laughter, tears and suffering -
But they are all a part of me not the people of the stars,
Long dead videotape, the past has stained the symphony
Of my soul (like the wind through the trees) throughout
Me finding myself, my two left feet as a female poet
The warning was there of the noise of eternity, signs
That said, don't anger the sea, you have an ally in her.
When men grow cold listen to their stories and bask in
The glory of their genuine deaths, their winters, put
Them away so you can read them like the newspaper.
Once in a while you can go back to where you stood
In youth with your afternoon tea, the sun of God in our
Eyes - I am that kind of woman who lives in the past
”
”
Abigail George (Feeding The Beasts)
“
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones
as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
”
”
Mariam Petrosyan (Дом, в котором...)