I'm Unique Different Quotes

Auras tell a lot, Rose, and I'm very good at reading them. Much better than you friends probably are. A spirit dream wraps you own aura in gold, which is how I knew. Your personal aura is unique to you, though it fluctuates with your feelings and soul. When people are in love, it shows. Their auras shine. When you were dreaming, yours was bright. The colors were bright...but not what expected from a boyfriend. Of course, not every relationship is the same. People are at different stages. I would've brushed it off, except..." "Except what?" "Except, when you're with Dimitri, your aura's like the sun. So is his.

You all laugh at me because I'm different, I laugh at you because you're all the same.

I'm not here to be small, to compare, to judge (myself or you), to fit in or to be perfect. I'm here to grow, to learn, to love, to be human.

I relaxed. “I would imagine in your world, girls are much different than here in the real world. I’m sure if you spent some time with the everyday girl, you would find I am not unique.” He grinned at me. “The everyday girl is who writes me fan mail and buys out my concerts. They are the girls who yell my name and run after me like crazed animals. You’ve not even tried to sneak into my room and squirt your perfume on my pillow.

I don't think every person is unique. If every person is unique, then unique is a completely unneccessary word." "Don't you think that every person has something specific that makes them special?" "Maybe, but if that's the case, then people are 99 percent boring." "And you, are you one of the few people who isn't boring?" "I don't think I'm any more remarkable than anyone else. THe difference is that I've discovered that I don't need to go around pretending I have a personality.

In Brazil, every road, bridge and viaduct has been given a name, usually that of some long-forgotten personage who was once famous for doing something worthy. Honestly, every one of them; deeper into the country, I’ve even found unsurfaced dirt tracks given names. I’m never likely to have even five minutes of fame, but if I did, I don’t think I’d want to be remembered by a dirt track going from Nowhere Town to Obscure Village.

All I'm saying is, you've never alone, and God made everyone unique with different gifts. Now that's not to say it doesn't sting a little when someone points yours out.

Right, so I wake up in the morgue as me, Grace, but I’m eighteen again and I’m like wow!

She took off her engagement and wedding rings and walked over to me. “I don’t want anything to happen to these while I’m there.” I clasped both of her hands in mine. “It’s not the rings I’m worried about.” A faint smile crossed her lips, and even though the face was different, there was a feel to that smile that was uniquely Sydney. “I’ll be fine . . . but I want you to hold on to these for me until I get back.” “Deal,” I said in a low voice that only she could hear, “but I get to put them back on you.” “Okay,” she said. “On my knees,” I added. “Okay.” “And we both have to be nake—” “Adrian,” she said warningly. “We’ll discuss the terms later,” I said with a wink.

Wanting to be an artist and being one are different. Perhaps I am just like everyone else and my disappointment is desiring to be special but not being special at all. Perhaps my life's purpose is to square myself with this.

I had been reading children's books all my life and saw them not as minor amusements but as part of the whole literary mainstream; not as "juveniles" or "kiddie lit," one of the most demeaning terms in the scholastic jargon. My belief was, and is, that the child's book is a unique and valid art form; a means of dealing with things which cannot be dealt with quite as well in any other way. There is, I'm convinced, no inner, qualitative difference between writing for adults and writing for children. The raw materials are the same for both: the human condition and our response to it.

I knew I was different from the rest of you plebes. Look how silly and gothic you all look with your skinny, knobbed arms. I'm unique. Neoclassical.

Have you ever been to Florence?” asked Dr. Igor. “No.” “You should go there; it’s not far, for that is where you will find my second example. In the cathedral in Florence, there’s a beautiful clock designed by Paolo Uccello in 1443. Now, the curious thing about this clock is that, although it keeps time like all other clocks, its hands go in the opposite direction to that of normal clocks.” “What’s that got to do with my illness?” “I’m just coming to that. When he made this clock, Paolo Uccello was not trying to be original: The fact is that, at the time, there were clocks like his as well as others with hands that went in the direction we’re familiar with now. For some unknown reason, perhaps because the duke had a clock with hands that went in the direction we now think of as the “right” direction, that became the only direction, and Uccello’s clock then seemed an aberration, a madness.” Dr. Igor paused, but he knew that Mari was following his reasoning. “So, let’s turn to your illness: Each human being is unique, each with their own qualities, instincts, forms of pleasure, and desire for adventure. However, society always imposes on us a collective way of behaving, and people never stop to wonder why they should behave like that. They just accept it, the way typists accepted the fact that the QWERTY keyboard was the best possible one. Have you ever met anyone in your entire life who asked why the hands of a clock should go in one particular direction and not in the other?” “No.” “If someone were to ask, the response they’d get would probably be: ‘You’re crazy.’ If they persisted, people would try to come up with a reason, but they’d soon change the subject, because there isn’t a reason apart from the one I’ve just given you. So to go back to your question. What was it again?” “Am I cured?” “No. You’re someone who is different, but who wants to be the same as everyone else. And that, in my view, is a serious illness.” “Is wanting to be different a serious illness?” “It is if you force yourself to be the same as everyone else. It causes neuroses, psychoses, and paranoia. It’s a distortion of nature, it goes against God’s laws, for in all the world’s woods and forests, he did not create a single leaf the same as another. But you think it’s insane to be different, and that’s why you chose to live in Villete, because everyone is different here, and so you appear to be the same as everyone else. Do you understand?” Mari nodded. “People go against nature because they lack the courage to be different, and then the organism starts to produce Vitriol, or bitterness, as this poison is more commonly known.

I don't mind uniqueness . . . Even things that are very unique. I like things that are different.

One of my constant preoccupations is trying to understand how it is that other people exist, how it is that there are souls other than mine and consciousnesses not my own, which, because it is a consciousness, seems to me unique. I understand perfectly that the man before me uttering words similar to mine and making the same gestures I make, or could make, is in some way my fellow creature. However, I feel just the same about the people in illustrations I dream up, about the characters I see in novels or the dramatis personae on the stage who speak through the actors representing them. I suppose no one truly admits the existence of another person. One might concede that the other person is alive and feels and thinks like oneself, but there will always be an element of difference, a perceptible discrepancy, that one cannot quite put one's finger on. There are figures from times past, fantasy-images in books that seem more real to us than these specimens of indifference-made-flesh who speak to us across the counters of bars, or catch our eye in trams, or brush past us in the empty randomness of the streets. The others are just part of the landscape for us, usually the invisible landscape of the familiar. I feel closer ties and more intimate bonds with certain characters in books, with certain images I've seen in engravings, that with many supposedly real people, with that metaphysical absurdity known as 'flesh and blood'. In fact 'flesh and blood' describes them very well: they resemble cuts of meat laid on the butcher's marble slab, dead creatures bleeding as though still alive, the sirloin steaks and cutlets of Fate. I'm not ashamed to feel this way because I know it's how everyone feels. The lack of respect between men, the indifference that allows them to kill others without compunction (as murderers do) or without thinking (as soldiers do), comes from the fact that no one pays due attention to the apparently abstruse idea that other people have souls too.

Molds are for Jell-O, not for people.

10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips: 1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy. 2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously! 3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside! 4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live! 5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom! 6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true! 7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn. 8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours! 9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative! 10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.

The most important question for every client is "W X ho are you?" I'm not as interested in an answer as I am in teaching a process that the girl can use for the rest of her life. The process involves looking within to find a true core of self, acknowledging unique gifts, accepting all feelings, not just the socially acceptable ones, and making deep and firm decisions about values and meaning. The process includes knowing the difference between thinking and feeling, between immediate gratification and long-term goals, and between her own voice and the voices of others. The process includes discovering the personal impact of our cultural rules for women. It includes discussion about breaking those rules and formulating new, healthy guidelines for the self. The process teaches girls to chart a course based on the dictates of their true selves. The process is nonlinear, arduous, and discouraging. It is also joyful, creative and full of surprises.

Great paintings—people flock to see them, they draw crowds, they’re reproduced endlessly on coffee mugs and mouse pads and anything-you-like. And, I count myself in the following, you can have a lifetime of perfectly sincere museum-going where you traipse around enjoying everything and then go out and have some lunch. But if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you. An individual heart-shock. Your dream, Welty’s dream, Vermeer’s dream. You see one painting, I see another, the art book puts it at another remove still, the lady buying the greeting card at the museum gift shop sees something else entire, and that’s not even to mention the people separated from us by time—four hundred years before us, four hundred years after we’re gone—it’ll never strike anybody the same way and the great majority of people it’ll never strike in any deep way at all but—a really great painting is fluid enough to work its way into the mind and heart through all kinds of different angles, in ways that are unique and very particular. Yours, yours. I was painted for you. And—oh, I don’t know, stop me if I’m rambling… but Welty himself used to talk about fateful objects. Every dealer and antiquaire recognizes them. The pieces that occur and recur. Maybe for someone else, not a dealer, it wouldn’t be an object. It’d be a city, a color, a time of day. The nail where your fate is liable to catch and snag.

If I can work enough, then one day I could rest.” Or, “One day my woman will understand something and then she will stop complaining.” Or, “I’m only doing this now so that one day I can do what I really want with my life.” The masculine error is to think that eventually things will be different in some fundamental way. They won’t. It never ends. As long as life continues, the creative challenge is to tussle, play, and make love with the present moment while giving your unique gift.

Worship, then, needs to be characterized by hospitality; it needs to be inviting. But at the same time, it should be inviting seekers into the church and its unique story and language. Worship should be an occasion of cross-cultural hospitality. Consider an analogy: when I travel to France, I hope to be made to feel welcome. However, I don't expect my French hosts to become Americans in order to make me feel at home. I don't expect them to start speaking English, ordering pizza, talking about the New York Yankees, and so on. Indeed, if I wanted that, I would have just stayed home! Instead, what I'm hoping for is to be welcomed into their unique French culture; that's why I've come to France in the first place. And I know that this will take some work on my part. I'm expecting things to be different; indeed, I'm looking for just this difference. So also, I think, with hospitable worship: seekers are looking for something our culture can't provide. Many don't want a religious version of what they can already get at the mall. And this is especially true of postmodern or Gen X seekers: they are looking for elements of transcendence and challenge that MTV could never give them. Rather than an MTVized version of the gospel, they are searching for the mysterious practices of the ancient gospel.

The Idiot. I have read it once, and find that I don't remember the events of the book very well--or even all the principal characters. But mostly the 'portrait of a truly beautiful person' that dostoevsky supposedly set out to write in that book. And I remember how Myshkin seemed so simple when I began the book, but by the end, I realized how I didn't understand him at all. the things he did. Maybe when I read it again it will be different. But the plot of these dostoevsky books can hold such twists and turns for the first-time reader-- I guess that's b/c he was writing most of these books as serials that had to have cliffhangers and such. But I make marks in my books, mostly at parts where I see the author's philosophical points standing in the most stark relief. My copy of Moby Dick is positively full of these marks. The Idiot, I find has a few... Part 3, Section 5. The sickly Ippolit is reading from his 'Explanation' or whatever its called. He says his convictions are not tied to him being condemned to death. It's important for him to describe, of happiness: "you may be sure that Columbus was happy not when he had discovered America, but when he was discovering it." That it's the process of life--not the end or accomplished goals in it--that matter. Well. Easier said than lived! Part 3, Section 6. more of Ippolit talking--about a christian mindset. He references Jesus's parable of The Word as seeds that grow in men, couched in a description of how people are interrelated over time; its a picture of a multiplicity. Later in this section, he relates looking at a painting of Christ being taken down from the cross, at Rogozhin's house. The painting produced in him an intricate metaphor of despair over death "in the form of a huge machine of the most modern construction which, dull and insensible, has aimlessly clutched, crushed, and swallowed up a great priceless Being, a Being worth all nature and its laws, worth the whole earth, which was created perhaps solely for the sake of the advent of this Being." The way Ippolit's ideas are configured, here, reminds me of the writings of Gilles Deleuze. And the phrasing just sort of remidns me of the way everyone feels--many people feel crushed by the incomprehensible machine, in life. Many people feel martyred in their very minor ways. And it makes me think of the concept that a narrative religion like Christianity uniquely allows for a kind of socialized or externalized, shared experience of subjectivity. Like, we all know the story of this man--and it feels like our own stories at the same time. Part 4, Section 7. Myshkin's excitement (leading to a seizure) among the Epanchin's dignitary guests when he talks about what the nobility needs to become ("servants in order to be leaders"). I'm drawn to things like this because it's affirming, I guess, for me: "it really is true that we're absurd, that we're shallow, have bad habits, that we're bored, that we don't know how to look at things, that we can't understand; we're all like that." And of course he finds a way to make that into a good thing. which, it's pointed out by scholars, is very important to Dostoevsky philosophy--don't deny the earthly passions and problems in yourself, but accept them and incorporate them into your whole person. Me, I'm still working on that one.

So much of who I was then I'm not today, I've changed for the better through the years, I've grown spiritually. I look at people differently, everyone is unique in their own special way

I am not here in this life to be well balanced or admired. I'm here to be an oddball, eccentric, different, wildly imaginative, creative, daring, curious, inventive and even a tad strange at times.

Truth be told, I’m still in awe of her, but I found it easier to relate to her. She really made me see that we are all the same. We all suffer the same feelings of inadequacy because we are not like others, but that’s what makes us so special too.

I think I hate Capaldi because deep down I suspect he may be right. That what he claims is true. That science has now proved beyond doubt there’s nothing so unique about my daughter, nothing there our modern tools can’t excavate, copy, transfer. That people have been living with one another all this time, centuries, loving and hating each other, and all on a mistaken premise. A kind of superstition we kept going while we didn’t know better. That’s how Capaldi sees it, and there’s a part of me that fears he’s right. Chrissie, on the other hand, isn’t like me. She may not know it yet, but she’ll never let herself be persuaded. If the moment ever comes, never mind how well you play your part, Klara, never mind how much she wishes it to work, Chrissie just won’t be able to accept it. She’s too … old-fashioned. Even if she knows she’s going against the science and the math, she still won’t be able to do it. She just won’t stretch that far. But I’m different. I have … a kind of coldness inside me she lacks. Perhaps it’s because I’m an expert engineer, as you put it. This is why I find it so hard to be civil around people like Capaldi. When they do what they do, say what they say, it feels like they’re taking from me what I hold most precious in this life. Am I making sense?

four hundred years before us, four hundred years after we’re gone—it’ll never strike anybody the same way and the great majority of people it’ll never strike in any deep way at all but—a really great painting is fluid enough to work its way into the mind and heart through all kinds of different angles, in ways that are unique and very particular. Yours, yours. I was painted for you. And—oh, I don’t know, stop me if I’m rambling…” passing a hand over his forehead.… “but Welty himself used to talk about fateful objects. Every dealer and antiquaire recognizes them. The pieces that occur and recur. Maybe for someone else, not a dealer, it wouldn’t be an object. It’d be a city, a color, a time of day. The nail where your fate is liable to catch and snag.

The first thing anybody tells you about this business is to say what makes you unique and different, but I couldn’t and the very idea of it never sat well with me and after much deliberation, I finally realized why. Because, I’m not unique or different–I’m exactly like you and I love that. We each have a unique filter through which we interpret the world, and with this filter in place, I write stories and songs and you might find them surprising or intriguing or confronting, you may relate or you may not. They may make you laugh and sometimes, even cry. You may or may not understand what I’m trying to say and you may not understand me, however, rest assured, once we get past the filters, at our core, we are wonderfully and beautifully, exactly the same.

Followers Everywhere To start with; Facebook : 10K followers !! Instagram : 710 followers !! Twitter : 20K followers !! Followers!! Followers!! And Followers!! Well, who are these followers? Just more than being a crowd of audience, who are they? Ever thought of? And for what purpose are they following you or someone else? Is it because you are a famous personality, a best friend, or you're someone who holds a high status in the society or just because you're simply rich enough to be followed ? Everyone live their life the way they want to. No one is bound to live under certain limitations or boundaries. Every individual have their own freedom in life. Each one of them is unique too. But what holds us different from others is the work we do for ourselves and for our society. Our behaviour, personality, nature, our attitude towards life and our talents hold us apart from others. Some people are really good and some are really worse than you ever thought of. What I'm trying to say is that some are 'legally' good and they may or may not hold a high position in the society and some are 'illegally' good and they may or may not hold a high position in the society. I just want to say that follow people for who they actually are, for the good work they do for themselves and for everyone. And respect them by being their true follower in a true sense. The person whom you follow doesn't need to be a rich or poor. A person should be rich by heart and poor by wealth! Even I'm not someone to be followed, yet I do have a few followers. It's not because I'm some great personality or a renowned writer, but might be because they like my work. And I feel happy for that. And I thank God for blessing me with this wonderful skill of writing. Even I follow many people including some really great personalities for their good work and for their kind way of serving the society and the poor. And I believe that, this is the true way to show respect for them.

Human colour is the colour I'm truly interested in, the colour of your humanity. May the size of your heart and the depth of your soul be your currency. welcome aboard my Good Ship. Let us sail to the colourful island of misex identity. You can eat from the cooking pot of mixed culture and bathe in the cool shade of being mixed-race. There is no need for a passport. There are no borders. We are all citizens of the world. Whatever shade you are, bring your light, bring your colour, bring your music and your books, your stories and your histories, and climb aboad. United as a people we are a million majestic colours, together we are a glorious stained-glass window. We are building a cathedral of otherness, brick by brick and book by book. Raise your glass of rum, let's toast to the minorities who are the majority. There's no stopping time, nor the blurring of lines or the blending of shades. With a spirit of hope I leave you now. I drink to our sameness and to our unique differences. This is the twenty-first century and we share this, we live here, in the future. It is a beautiful morning, it is first light on the time of being other, so get out from that shade and feel the warmth of being outside. You tick: Other.

Do you remember the Third Insight, that humans are unique in a world of energy in that they can project their energy consciously?” “Yes.” “Do you remember how this is done?” I recalled John’s lessons. “Yes, it is done by appreciating the beauty of an object until enough energy comes into us to feel love. At that point we can send energy back.” “That’s right. And the same principle holds true with people. When we appreciate the shape and demeanor of a person, really focus on them until their shape and features begin to stand out and to have more presence, we can then send them energy, lifting them up. “Of course, the first step is to keep our own energy high, then we can start the flow of energy coming into us, through us, and into the other person. The more we appreciate their wholeness, their inner beauty, the more the energy flows into them, and naturally, the more that flows into us.” She laughed. “It’s really a rather hedonistic thing to do,” she said. “The more we can love and appreciate others, the more energy flows into us. That’s why loving and energizing others is the best possible thing we can do for ourselves.” “I’ve heard that before,” I said. “Father Sanchez says it often.” I looked at Julia closely. I had the feeling I was seeing her deeper personality for the first time. She returned my gaze for an instant, then focused again on the road. “The effect on the individual of this projection of energy is immense,” she said. “Right now, for instance, you’re filling me with energy. I can feel it. What I feel is a greater sense of lightness and clarity as I’m formulating my thoughts to speak. “Because you are giving me more energy than I would have otherwise, I can see what my truth is and more readily give it to you. When I do that, you have a sense of revelation about what I’m saying. This leads you to see my higher self even more fully and so appreciate and focus on it at an even deeper level, which gives me even more energy and greater insight into my truth and the cycle begins over again. Two or more people doing this together can reach incredible highs as they build one another up and have it immediately returned. You must understand, though, that this connection is completely different from a co-dependent relationship. A co-dependent relationship begins this way but soon becomes controlling because the addiction cuts them off from their source and the energy runs out. Real projection of energy has no attachment or intention. Both people are just waiting for the messages.

What we feel and how we feel is far more important than what we think and how we think. Feeling is the stuff of which our consciousness is made, the atmosphere in which all our thinking and all our conduct is bathed. All the motives which govern and drive our lives are emotional. Love and hate, anger and fear, curiosity and joy are the springs of all that is most noble and most detestable in the history of men and nations. The opening sentence of a sermon is an opportunity. A good introduction arrests me. It handcuffs me and drags me before the sermon, where I stand and hear a Word that makes me both tremble and rejoice. The best sermon introductions also engage the listener immediately. It’s a rare sermon, however, that suffers because of a good introduction. Mysteries beg for answers. People’s natural curiosity will entice them to stay tuned until the puzzle is solved. Any sentence that points out incongruity, contradiction, paradox, or irony will do. Talk about what people care about. Begin writing an introduction by asking, “Will my listeners care about this?” (Not, “Why should they care about this?”) Stepping into the pulpit calmly and scanning the congregation to the count of five can have a remarkable effect on preacher and congregation alike. It is as if you are saying, “I’m about to preach the Word of God. I want all of you settled. I’m not going to begin, in fact, until I have your complete attention.” No sermon is ready for preaching, not ready for writing out, until we can express its theme in a short, pregnant sentence as clear as crystal. The getting of that sentence is the hardest, most exacting, and most fruitful labor of study. We tend to use generalities for compelling reasons. Specifics often take research and extra thought, precious commodities to a pastor. Generalities are safe. We can’t help but use generalities when we can’t remember details of a story or when we want anonymity for someone. Still, the more specific their language, the better speakers communicate. I used to balk at spending a large amount of time on a story, because I wanted to get to the point. Now I realize the story gets the point across better than my declarative statements. Omit needless words. Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell. Limits—that is, form—challenge the mind, forcing creativity. Needless words weaken our offense. Listening to some speakers, you have to sift hundreds of gallons of water to get one speck of gold. If the sermon is so complicated that it needs a summary, its problems run deeper than the conclusion. The last sentence of a sermon already has authority; when the last sentence is Scripture, this is even more true. No matter what our tone or approach, we are wise to craft the conclusion carefully. In fact, given the crisis and opportunity that the conclusion presents—remember, it will likely be people’s lasting memory of the message—it’s probably a good practice to write out the conclusion, regardless of how much of the rest of the sermon is written. It is you who preaches Christ. And you will preach Christ a little differently than any other preacher. Not to do so is to deny your God-given uniqueness. Aim for clarity first. Beauty and eloquence should be added to make things even more clear, not more impressive. I’ll have not praise nor time for those who suppose that writing comes by some divine gift, some madness, some overflow of feeling. I’m especially grim on Christians who enter the field blithely unprepared and literarily innocent of any hard work—as though the substance of their message forgives the failure of its form.

I found that Nancy had a very advanced formulation of equity, ethics, and morals. It was as exceptional as it was different from the ideas usually held in connection with "proper" behavior and---in my opinion--- of a much higher order. It was free of hypocrisy! Once when I needed friends very badly I found that Nancy was the most steadfast, generous, and unselfish friend that I had. I'm not ashamed to say that her conduct was touching to the point of tears. If such qualities were not unique they certainly were most unhappily rare. On Nancy Cunard

There’s a kind of self-absorption that comes with fear based on an irrational certainty. When you assume that your plane is the one that’s going to crash, or that your project idea is the stupid one everyone is going to laugh at, or that you’re the one everyone is going to choose to mock or ignore, you’re implicitly telling yourself, “I’m the exception; I’m unlike everybody else; I’m different and special.” This is narcissism, pure and simple. You feel as though your problems deserve to be treated differently, that your problems have some unique math to them

These things may sound trivial, but they are signs of adjustment in our human aspect of life. We are just your average family. I’m happy to report we’re all saved by grace and living in His power. Because of the unique culture we live in, we face different struggles in this earthly journey. It is always fun to sit back and marvel at how God will work out each of the situations that distract us from fellowship with Him. These distractions can strengthen us in our walk if we allow God to take hold. Or, they can keep us away from our source of life and strength: God, our maker.

[Lena Lees describes from trance her experience of Kuan Yin]: “I see Kuan Yin. She is like Venus, statuesque and standing in front of a beautiful pink half-shell. Quickly, she walks in front of me, pointing the way. We are entering the mouth of a cave. It’s so interesting. I see stairs carved out of rock in the cave. We walk up the stairs to a door. I know somehow this is just another entrance, a doorway to another time, place. Perhaps at another historical time monks lived there. Now, I’m seeing a huge image, a beautiful statue of Kuan Yin right at the top of the mountain. There are stairs leading up to her and it is as if I’m right on location, standing alongside a group of worshipers. I feel the potency of her energy. In these places, perhaps China or Vietnam, there is a palpable sense of being immersed in and supported by her presence. There is a need by the people to know more, to pick up and accumulate wisdom. I’m suddenly feeling a need to be in that kind of energy. Suddenly it is Kuan Yin who is speaking: “Some believe I am in servitude to Buddha. However, Buddha doesn’t see it like that. We’re more like brother and sister. I’m showing, Lena, my abode, a place on earth where humans can visit me and be in my potency. Lena is looking at my statue and then at my form. There’s a difference. I come to people in many forms, forms constructed from people’s own perceptions of how I should come to them. And it is individual spiritual needs that create these unique perceptions. In the end, it does not matter what form I take.” “Kuan Yin wants me to know that I can have the most divine life imaginable,” whispers Lena, still very deep in trance. “She’ll be here until the last soul passes off the earth. She remains in deity form to assist people in transcending their materialistic nature, to help them attain their highest spiritual level.

Consider Ricky, a teenage boy with autism who was a talented pianist. Ricky once volunteered to entertain the residents of an assisted-living center. He had never visited such a facility, but his parents told him what a lovely, caring gesture it would be. They also informed him that some of the elderly people he would see had terminal illnesses and other challenges, so surely his music would help to lift their spirits. On the day of his performance, a few dozen residents gathered in a recreation room to listen. Before he sat down to play, Ricky introduced himself, said how happy he was to be there, and added this: “I’m very sorry that some of you are going to die soon.

1. Choose to love each other even in those moments when you struggle to like each other. Love is a commitment, not a feeling. 2. Always answer the phone when your husband/wife is calling and, when possible, try to keep your phone off when you’re together with your spouse. 3. Make time together a priority. Budget for a consistent date night. Time is the currency of relationships, so consistently invest time in your marriage. 4. Surround yourself with friends who will strengthen your marriage, and remove yourself from people who may tempt you to compromise your character. 5. Make laughter the soundtrack of your marriage. Share moments of joy, and even in the hard times find reasons to laugh. 6. In every argument, remember that there won’t be a winner and a loser. You are partners in everything, so you’ll either win together or lose together. Work together to find a solution. 7. Remember that a strong marriage rarely has two strong people at the same time. It’s usually a husband and wife taking turns being strong for each other in the moments when the other feels weak. 8. Prioritize what happens in the bedroom. It takes more than sex to build a strong marriage, but it’s nearly impossible to build a strong marriage without it. 9. Remember that marriage isn’t 50–50; divorce is 50–50. Marriage has to be 100–100. It’s not splitting everything in half but both partners giving everything they’ve got. 10. Give your best to each other, not your leftovers after you’ve given your best to everyone else. 11. Learn from other people, but don’t feel the need to compare your life or your marriage to anyone else’s. God’s plan for your life is masterfully unique. 12. Don’t put your marriage on hold while you’re raising your kids, or else you’ll end up with an empty nest and an empty marriage. 13. Never keep secrets from each other. Secrecy is the enemy of intimacy. 14. Never lie to each other. Lies break trust, and trust is the foundation of a strong marriage. 15. When you’ve made a mistake, admit it and humbly seek forgiveness. You should be quick to say, “I was wrong. I’m sorry. Please forgive me.” 16. When your husband/wife breaks your trust, give them your forgiveness instantly, which will promote healing and create the opportunity for trust to be rebuilt. You should be quick to say, “I love you. I forgive you. Let’s move forward.” 17. Be patient with each other. Your spouse is always more important than your schedule. 18. Model the kind of marriage that will make your sons want to grow up to be good husbands and your daughters want to grow up to be good wives. 19. Be your spouse’s biggest encourager, not his/her biggest critic. Be the one who wipes away your spouse’s tears, not the one who causes them. 20. Never talk badly about your spouse to other people or vent about them online. Protect your spouse at all times and in all places. 21. Always wear your wedding ring. It will remind you that you’re always connected to your spouse, and it will remind the rest of the world that you’re off limits. 22. Connect with a community of faith. A good church can make a world of difference in your marriage and family. 23. Pray together. Every marriage is stronger with God in the middle of it. 24. When you have to choose between saying nothing or saying something mean to your spouse, say nothing every time. 25. Never consider divorce as an option. Remember that a perfect marriage is just two imperfect people who refuse to give up on each other. FINAL

A little drop of Native American blood was exciting and unique. But a full-blooded Native American…she was horrified.” Cecily’s opinion of the legendary Maureen dropped eighty points. She ground her teeth together. She couldn’t imagine anyone being ashamed of such a proud heritage. He looked down at her and laughed despite himself. “I can hear you boiling over. No, you wouldn’t be ashamed of me. But you’re unique. You help, however you can. You see the poverty around you, and you don’t stick your nose up at it. You roll up your sleeves and do what you can to help alleviate it. You’ve made me ashamed, Cecily.” “Ashamed? But, why?” “Because you see beauty and hope where I see hopelessness.” He rubbed his artificial arm, as if it hurt him. “I’ve got about half as much as Tate has in foreign banks. I’m going to start using some of it for something besides exotic liquor. One person can make a difference. I didn’t know that, until you came along.” She smiled and touched his arm gently. “I’m glad.” “You could marry me,” he ventured, looking down at her with a smile. “I’m no bargain, but I’d be good to you. I’d never even drink a beer again.” “You need someone to love you, Colby. I can’t.” He grimaced. “I could say the same thing to you. But I could love you, I think, given time.” “You’d never be Tate.” He drew in a long breath. “Life is never simple. It’s like a puzzle. Just when we think we’ve got it solved, pieces of it fly in all directions.” “When you get philosophical, it’s time to go in. Tomorrow, we have to talk about what’s going on around here. There’s something very shady. Leta and I need you to help us find out what it is.” “What are friends for?” he asked affectionately. “I’ll do the same for you one day.” He didn’t answer her. Cecily had no idea at all how strongly her pert remark about being intimate with Colby had affected Tate. The black-eyed, almost homicidal man who’d come to his door last night had hardly been recognizable as his friend and colleague of many years. Tate had barely been coherent, and both men were exhausted and bloody by the time the fight ended in a draw. Maybe Tate didn’t want to marry Cecily, but Colby knew stark jealousy when he saw it. That hadn’t been any outdated attempt to avenge Cecily’s chastity. It had been revenge, because he thought Colby had slept with her and he wanted to make him pay. It had been jealousy, not protectiveness, the jealousy of a man who was passionately in love; and didn’t even know it.

Then one day Chip showed up with the back of his pickup truck just loaded with old metal letters he’d found at a flea market--big, oddly shaped letters taken from various old signs. They were mismatched and rusty and dented--and I loved them. We tacked them up on the front of the shop, spelling out the name that would come to mean so much: Magnolia. The letters were uneven and looked a little handmade and ragged, but it seemed to work. I loved this sign because Chip designed it and made it with his own two hands. It came together in such an imperfectly perfect way, and I hoped people would get it. To this day that sign is one of my proudest accomplishments. I’m no Joanna Gaines, but I certainly see things differently and love design in my own unique way. That first sign really reflected that for me. I would glow when I would hear a customer come in the shop and say, “I saw the sign and just had to stop in.

Jed, it can be hard to tell the difference between an outcast and a pioneer. What if you’re meant to be the example you needed? What if God gave you your personality, your unique skill set, to equip you to walk into the wilderness and show that it can be done?” I stared at him while the question expanded in my chest. I hadn’t thought of it like that before. “And trust me,” he continued, “those examples are out there, just maybe not in your community. So look hard, read everything, pray, and move in the direction of what’s right. God will correct your steps, but you must first start walking. That’s what ‘walk in faith’ means.” My mentor didn’t say it just like that. It was years ago and I’m sure my memory has embellished it. But that conversation changed my life. Just because you don’t have a road map doesn’t mean you aren’t meant to walk in the direction of your convictions. Look at your gifts, your skills. You may be a pioneer.

I have both some good news and some bad news for you: there is little that is unique or special about your problems. That’s why letting go is so liberating. There’s a kind of self-absorption that comes with fear based on an irrational certainty. When you assume that your plane is the one that’s going to crash, or that your project idea is the stupid one everyone is going to laugh at, or that you’re the one everyone is going to choose to mock or ignore, you’re implicitly telling yourself, “I’m the exception; I’m unlike everybody else; I’m different and special.” This is narcissism, pure and simple. You feel as though your problems deserve to be treated differently, that your problems have some unique math to them that doesn’t obey the laws of the physical universe. My recommendation: don’t be special; don’t be unique. Redefine your metrics in mundane and broad ways. Choose to measure yourself not as a rising star or an undiscovered genius. Choose to measure yourself not as some horrible victim or dismal failure. Instead, measure yourself by more mundane identities: a student, a partner, a friend, a creator. The narrower and rarer the identity you choose for yourself, the more everything will seem to threaten you. For that reason, define yourself in the simplest and most ordinary ways possible. This often means giving up some grandiose ideas about yourself: that you’re uniquely intelligent, or spectacularly talented, or intimidatingly attractive, or especially victimized in ways other people could never imagine. This means giving up your sense of entitlement and your belief that you’re somehow owed something by this world. This means giving up the supply of emotional highs that you’ve been sustaining yourself on for years. Like a junkie giving up the needle, you’re going to go through withdrawal when you start giving these things up. But you’ll come out the other side so much better.

I imagine you not telling me to whisper. I imagine you not saying oh don't say this literally. You want me to evoke as opposed to mere describing. You want me to be an invisible scribe that an octoepoose was hiding. I'm not sure if my facial features are an autograph that your Picasso smile is signing. Infamous for the mirror I shook when my sock puppets were pining? I am not just a fish that you gave wings to! I don't simply flop in the air whenever you brush some mannequinn's hair. There is a reason for the bad timing. Exquisite imbalances. A child enjoying the pink sky. I won't say that is my clue! Playing The Beatles on a kazoo is beautiful oooh ooooh Your laughter is a woman with alot of eyeballs on her stomach that pretends that she doesn't see the colors of all them songs. In the pre dawn hours we dance with delusions and illusions. The eternal seamstress does not care for Frakenstein's dress(she still loves our unique caress ) She loves and laughs despite some so-called scientist. Where is that emperor and his nakedness! Darling, our atoms need never split. We compliment in so many ways that all our night's and days have become one swirling sunrise/sunset that only true lovers can scoff at(those who shhhhh) The flower is not passive or apologetic. It blooms through the fractured net. Floating magnetic(eep eeep) You are not just some seductress. You are the leader of an elite group of intergalactic seductress impersonators who reveal corruption but then choose to love. We embrace conclusions that make the puddle heart awake with ethereal drum beat gongs. You think of a heroic poodle in the dark. We both know that the trapeze artist that followed us was not a cliche. He smelled differently. He had never met a floating lady that showed him how to appreciate a symphony without taking away his love for a good rock n roll melody. I am not sure I can only whisper of such realities. I am not sure I can only whisper of such realities.-

We’ve remembered most of what happened,” I said. “But so far we haven’t been able to recall how we planned to do it differently this time. Can you remember?” Charlene shook her head. “Only parts of it. I know we have to identify our unconscious feelings toward one another before we can go on.” She looked into my eyes and paused. “This is all part of the Tenth Insight… only it hasn’t been written down anywhere yet. It’s coming in intuitively.” I nodded. “We know.” “Part of the Tenth is an extension of the Eighth. Only a group that’s operating fully in the Eighth Insight can accomplish this kind of higher clearing.” “I’m not following you,” Curtis said. “The Eighth is about knowing how to uplift others,” she continued, “knowing how to send energy by focusing on another’s beauty and higher-self wisdom. This process can raise the energy level and creativity of the group exponentially. Unfortunately, many groups have trouble uplifting each other in this manner, even though the individuals involved are able to do it at other times. This is especially true if the group is work-oriented, a group of employees, for instance, or people coming together to create a unique project of some kind, because so often these people have been together before, and old, past-life emotions come up and get in the way. “We are thrown together with someone we have to work with, and we automatically dislike them, without really knowing why. Or perhaps we experience it the other way around: the person doesn’t like us, again for reasons we don’t understand. The emotions that come up might be jealousy, irritation, envy, resentment, bitterness, blame—any of these. What I intuited very clearly was that no group could reach its highest potential unless the participants seek to understand and work through these emotions.” Maya leaned forward. “That’s exactly what we’ve been doing: working through the emotions that have come up, the resentments from when we were together before.

I confess, I have setbacks like anyone. But they don’t cause distress or coalesce in a mess for I’ve learned to step back, to reflect and assess where I’m at and enact a simple plan of attack — to press forward, progress; not digress, not give up nor express my despair but address what I can, my mistakes and my faults, with a head-on assault. For I’m blessed with my faith and belief and a chest that encases a heart that does not know the meaning of “quit" or “give up" or “there there” or “oh well”, “never-mind” or “bad luck” or “just try something else”, no. Me and myself, my reflection and I, we are not of that ilk, we aren’t ones to comply. We aren’t ones to conform or accept that the norm is a one-size-fits-all way to simply exist for we strive to be different, incredible, unique. Not irrelevant, invisible, insignificant or meek. We strive to resist and we fight to excel, so setbacks to us are a thing to be quashed, to be quelled, to be squished, to be left in our wake as we go on our way, as we sail right on by to impossible ends, to what few dare to try. This is why – this is why – as my reflection attests, there is no time to rest. The struggle is unending … but I will give it my best.

are out of balance, your life quality diminishes substantially. The hormones estrogen, progesterone, and testosterone make us men and women. Every woman and man has different hormonal requirements. That’s why there is no “one pill fits all” solution. Your hormonal requirements are unique. What you need is different from what I need. This is what hormones “do”; now you might be wondering what they are made of—what they are exactly? A hormone is a chemical substance produced in your body by your glands. They are a complex combination of chemical keys that turn important metabolic locks in our cells, tissues, and organs. All the approximately sixty to ninety trillion cells in our bodies are influenced to some degree by these amazing hormonal keys. The turning on of these “locks” stimulates activity within the cells of our brain, intestines, muscles, genital organs, and skin. As such, hormones determine the rate at which our cells burn up nutrients and other food substances, release energy, and determine whether our cells should produce milk, hair, secretions, enzymes, or some other metabolic (life) product. Hormones affect virtually every function in your body. They affect your mood, how you cope, your sexuality, your sex drive. We all have hormones and without them

Today I've prepared roasted quail spiced with sumac, coriander, and chili, atop sweet corn cachapas, which, as you see, are griddle cakes made from corn. I've also battered and fried fresh courgette blossoms stuffed with farmer's cheese." Elijah swallowed again. It was a deceptively simple dish. The cachapas were perhaps the least complicated, and possibly something royalty might find rather humble, but his uncle Jonathan had gotten the recipe on a voyage that had put in at a port in Venezuela long ago, and Elijah had perfected it over the years whenever he could get enough sweet corn. Princess Adelaide eyed the dish, as though surprised it didn't look more elaborate. She looked up at him with a quizzical expression. He kept his gaze steady. He'd always thought that food was a great equalizer, for whatever someone's creed or race or religion, every person had to eat to survive. This exhibition seemed to confirm his belief. The Royal Exhibition was showcasing the different cultures and cuisines of over thirty countries, and from what Elijah had seen, everyone was welcome, no matter where they hailed from in the world. Elijah's first instinct had been to make something from his food culture, something that would subtly---or perhaps, not so subtly---say, I'm Jewish and there shouldn't be anything wrong with that.

That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you. Fingertip gliding over the faded-out photo—the conservator’s touch, a touch-without-touching, a communion wafer’s space between the surface and his forefinger. “An individual heart-shock. Your dream, Welty’s dream, Vermeer’s dream. You see one painting, I see another, the art book puts it at another remove still, the lady buying the greeting card at the museum gift shop sees something else entire, and that’s not even to mention the people separated from us by time—four hundred years before us, four hundred years after we’re gone—it’ll never strike anybody the same way and the great majority of people it’ll never strike in any deep way at all but—a really great painting is fluid enough to work its way into the mind and heart through all kinds of different angles, in ways that are unique and very particular. Yours, yours. I was painted for you. And—oh, I don’t know, stop me if I’m rambling…” passing a hand over his forehead.… “but Welty himself used to talk about fateful objects. Every dealer and antiquaire recognizes them. The pieces that occur and recur. Maybe for someone else, not a dealer, it wouldn’t be an object. It’d be a city, a color, a time of day. The nail where your fate is liable to catch and snag.

Of all the stupid and destructive products of 1960s-style liberation politics, the effective abolition of marriage (and hence of family, properly understood) will, in the end, turn out to be the worst. And spare me your banal self-justifications: “I divorced my child’s mother, but I’m a good father!” “I was never married to my child’s father, but I’m a good mother.” I’m sure you think you are. You aren’t. Statistically speaking, your domestic situation is about as healthy for your children as would be your picking up a drug habit. (Yes, yes, I’m sure that you are the special-snowflake exception to the rule. One of these days, a three-legged horse might win the Kentucky Derby, too.) The numbers are the numbers. Strange thing: Wildly different philosophical and religious orientations all point to the same central fact of human life. In Genesis, it’s “male and female he created them.” In Plato, we spend our lives seeking the lost half of ourselves from which we were separated by the gods. In good ol’ Darwinian terms, the getting of healthy offspring is the very purpose of life itself. We parted ways with the chimps a few eons ago, and somewhere along the way we developed habits and institutions that helped us to connect our libidos with one of our most useful and uniquely human traits: the ability to engage in long-term planning, even beyond our own lives. And then, around 1964, we said: “To Hell with it, let’s just be chimps.” And here we are.

Mum: I loved watching you work on it because you were concentrating so hard and it looked like you were enjoying it. Do you like it? Grace: I like the path. It’s easy to follow and stay safe. But the trees don’t look right. I just made round tops. Trees are hard to draw. Mum: Yes … Trees can be tough … Lots of artists spend their whole lives practising trees. We can look at some next time we go to the art gallery, okay? We can see all the ways that different artists draw trees. It’s okay to draw them any way you want to. And you can try different ways. Grace: Okay. I’m going to do a new picture and practise my trees. Mum: [smiling] I love how you keep practising things you want to get good at! What has Grace learned? That her Mum values ‘concentrating so hard’ and enjoying working at something. That her mother is interested in the witches of her inner world. That her mother values the work she does, but that she is the one to evaluate it. That even skilled adults practise. That her own work has some relationship to the work hanging in an art gallery. That she can try different ways and do things the ways she wants to. That whether to practise more is her own choice but will give her the results she wants in her work. That she can take joy in sharing her inner life through the creative process. Grace is accessing her unique gifts, honing them and enjoying the process of sharing them with the world. She is well on her way to developing mastery. Mastery

November 7 THE UNDETECTED SACREDNESS OF CIRCUMSTANCES “We know that all things work together for good to those who love God . . . .” Romans 8:28     The circumstances of a saint’s life are ordained of God. In the life of a saint there is no such thing as chance. God by His providence brings you into circumstances that you can’t understand at all, but the Spirit of God understands. God brings you to places, among people, and into certain conditions to accomplish a definite purpose through the intercession of the Spirit in you. Never put yourself in front of your circumstances and say, “I’m going to be my own providence here; I will watch this closely, or protect myself from that.” All your circumstances are in the hand of God, and therefore you don’t ever have to think they are unnatural or unique. Your part in intercessory prayer is not to agonize over how to intercede, but to use the everyday circumstances and people God puts around you by His providence to bring them before His throne, and to allow the Spirit in you the opportunity to intercede for them. In this way God is going to touch the whole world with His saints.     Am I making the Holy Spirit’s work difficult by being vague and unsure, or by trying to do His work for Him? I must do the human side of intercession—utilizing the circumstances in which I find myself and the people who surround me. I must keep my conscious life as a sacred place for the Holy Spirit. Then as I lift different ones to God through prayer, the Holy Spirit intercedes for them.     Your intercessions can never be mine, and my intercessions can never be yours, “. . . but the Spirit Himself makes intercession” in each of our lives (Romans 8:26). And without that intercession, the lives of others would be left in poverty and in ruin.

_qt ~~ L,4_-k,,d_e, V q99- You formed my inward parts; You wove me in my mother's womb ...I am fearfully and wonderfully made. -PSALM 139:13-14 IfI could only have a straight nose, a tummy tuck, blonde hair, larger (or smaller) breasts, or be more like so-and-so, I would be okay as a person. Never have I heard women satisfied with how God made them. "God must have made a mistake when He made me." "I'm certainly the exception to His model creation." "There's so much wrong with me, I'm just paralyzed over who I am." These negative thoughts poison our system. We can't be lifted up when we spend so much time tearing ourselves down. When we are in a negative mode, we can always find verification for what we're looking for. If we concentrate on the negative, we lose sight of all the positive aspects of our lives. We can always justify our damaging assumptions when we overlook the good God has for us. These critical vibes create more negative vibes. Soon we are in a downward spiral. When you concentrate on your imperfections you have a tendency to look at what's wrong and not what's right. Putting yourself down can have some severe personal consequences. Have you ever realized that God made you uniquely different from everyone else? (Even ifyou're a twin you are different.) Yes, it is important to work on improving your imperfections-but don't dwell on them so much that you forget who you are in the sight of God. The more positive you are toward yourself the more you will grow into the person God had in mind for you when you were created. Go easy on yourself. None of us will ever be perfect. The only way we will improve our self-image is by being positive and acknowledging that we are God's creation. Negativity tears down; positivity builds up. PRAYER Father God, You knew me while I was in my mother's womb. I hunger to be the woman You created me to be. Help me become all that You had in mind when You

Mr. Hazlit!” She kept her voice down with effort, but when a man sneaked up behind a lady and slid his arms around her waist, some exclamation was in order. “Hush.” He turned her in his arms, though part of Maggie was strongly admonishing herself to wrestle free. He’d let her go. She trusted him that far, when a servant was likely to appear any moment with a tea tray. “Something has you in a dither. Tell me.” His embrace was the most beguiling, irresistible mockery of a kindness. Gayle had offered her a hug a few days ago, a brusque, brotherly gesture as careful as it was brief. This was different. This was… Benjamin Hazlit’s warm, strong male body, available for her comfort. No conditions, no awkwardness, no dissembling for the benefit of an audience. She sighed and tucked her face against his throat, unwilling—or unable—to deny herself what he offered. For a few moments, she was going to pretend she wasn’t alone in a sea of trouble. She was going to pretend they were friends—cousins, maybe—and stealing this from him was permitted. She was going to hold on to the fiction that she was as entitled to dream of children and a husband to dote upon as the next woman. “You are wound as tight as a fiddle string, Maggie Windham.” Hazlit’s hand settled on her neck, kneading gently. “Are the domestics feuding, or has Her Grace been hounding you?” “She never hounds or scolds.” Maggie rested her forehead on his shoulder, her bones turning to butter at his touch. “She looks at us, disappointment in the prettiest green eyes you’ve ever seen, and you want to disappear into the ground, never to emerge until you can make her smile again. His Grace says it’s the same for him.” When she was held like this, Maggie could detect a unique scent about Hazlit’s person: honeysuckle and spice, like an exotic incense. It clung to his clothing, and when she turned her head to rest her cheek on the wool of his coat, she caught the same fragrance rising from the exposed flesh of his neck. That hand of his went wandering, over her shoulder blades, down her spine. “You are tired,” he said, his voice resonating through her physically. “What is disturbing your sleep, Maggie? And don’t think I’ll be distracted by more hissing and arching your back.” “I’m not a cat.” “You’ve cat eyes.” He turned her so his arm was around her waist. “Let’s sit by the fire, and you can tell me your troubles.” Such

This rich pork flavor, which lands on the tongue with a thump... It's Chinese Dongpo Pork! He seasoned pork belly with a blend of spices and let it marinate thoroughly... ... before finely dicing it and mixing it into the fried rice!" "What? Dongpo Pork prepared this fast?! No way! He didn't have nearly enough time to simmer the pork belly!" "Heh heh. Actually, there's a little trick to that. I simmered it in sparkling water instead of tap water. The carbon dioxide that gives sparkling water its carbonation helps break down the fibers in meat. Using this, you can tenderize a piece of meat in less than half the normal time!" "That isn't the only protein in this dish. I can taste the seafood from an Acqua Pazza too!" "And these green beans... it's the Indian dish Poriyal! Diced green beans and shredded coconut fried in oil with chilies and mustard seeds... it has a wonderfully spicy kick!" "He also used the distinctly French Mirepoix to gently accentuate the sweetness of the vegetables. So many different delicious flavors... ... all clashing and sparking in my mouth! But the biggest key to this dish, and the core of its amazing deliciousness... ... is the rice!" "Hmph. Well, of course it is. The dish is fried rice. If the rice isn't the centerpiece, it isn't a..." "I see. His dish is fried rice while simultaneously being something other than fried rice. A rice lightly fried in butter before being steamed in some variety of soup stock... In other words, it's actually closer to that famous staple from Turkish cuisine- a Pilaf! In fact, it's believed the word "pilaf" actually comes from the Turkish word pilav. To think he built the foundation of his dish on pilaf of all things!" "Heh heh heh! Yep, that's right! Man, I've learned so much since I started going to Totsuki." "Mm, I see! When you finished the dish, you didn't fry it in oil! That's why it still tastes so light, despite the large volume and variety of additional ingredients. I could easily tuck away this entire plate! Still... I'm surprised at how distinct each grain of rice is. If it was in fact steamed in stock, you'd think it'd be mushier." "Ooh, you've got a discerning tongue, sir! See, when I steamed the rice... ... I did it in a Donabe ceramic pot instead of a rice cooker!" Ah! No wonder! A Donabe warms slowly, but once it's hot, it can hold high temperatures for a long time! It heats the rice evenly, holding a steady temperature throughout the steaming process to steam off all excess water. To think he'd apply a technique for sticky rice to a pilaf instead! With Turkish pilaf as his cornerstone... ... he added super-savory Dongpo pork, a Chinese dish... ... whitefish and clams from an Italian Acqua Pazza... ... spicy Indian green bean and red chili Poriyal... ... and for the French component, Mirepoix and Oeuf Mayonnaise as a topping! *Ouef is the French word for "egg."* By combining those five dishes into one, he has created an extremely unique take on fried rice! " "Hold it! Wait one dang minute! After listening to your entire spiel... ... it sounds to me like all he did was mix a bunch of dishes together and call it a day! There's no way that mishmash of a dish could meet the lofty standards of the BLUE! It can't nearly be gourmet enough!" "Oh, but it is. For one, he steamed the pilaf in the broth from the Acqua Pazza... ... creating a solid foundation that ties together the savory elements of all the disparate ingredients! The spiciness of the Poriyal could have destabilized the entire flavor structure... ... but by balancing it out with the mellow body of butter and soy sauce, he turned the Poriyal's sharp bite into a pleasing tingle!

I’m convinced God calls each of us to use whatever talents, skills, and gifts he endows us with to draw others toward him. To me, the differentiation of spiritual gifts implies that each Christian will “evangelize” (convey the good news to others) in a different but nonetheless productive way. In this context, every Christian is gifted for evangelism, but each Christian’s manner of expressing that gift will be unique.

Kill Yourself Buddhism argues that your idea of who “you” are is an arbitrary mental construction and that you should let go of the idea that “you” exist at all; that the arbitrary metrics by which you define yourself actually trap you, and thus you’re better off letting go of everything. In a sense, you could say that Buddhism encourages you to not give a fuck. It sounds wonky, but there are some psychological benefits to this approach to life. When we let go of the stories we tell about ourselves, to ourselves, we free ourselves up to actually act (and fail) and grow. When someone admits to herself, “You know, maybe I’m not good at relationships,” then she is suddenly free to act and end her bad marriage. She has no identity to protect by staying in a miserable, crappy marriage just to prove something to herself. When the student admits to himself, “You know, maybe I’m not a rebel; maybe I’m just scared,” then he’s free to be ambitious again. He has no reason to feel threatened by pursuing his academic dreams and maybe failing. When the insurance adjuster admits to himself, “You know, maybe there’s nothing unique or special about my dreams or my job,” then he’s free to give that screenplay an honest go and see what happens. I have both some good news and some bad news for you: there is little that is unique or special about your problems. That’s why letting go is so liberating. There’s a kind of self-absorption that comes with fear based on an irrational certainty. When you assume that your plane is the one that’s going to crash, or that your project idea is the stupid one everyone is going to laugh at, or that you’re the one everyone is going to choose to mock or ignore, you’re implicitly telling yourself, “I’m the exception; I’m unlike everybody else; I’m different and special.” This is narcissism, pure and simple. You feel as though your problems deserve to be treated differently, that your problems have some unique math to them that doesn’t obey the laws of the physical universe. My recommendation: don’t be special; don’t be unique. Redefine your metrics in mundane and broad ways. Choose to measure yourself not as a rising star or an undiscovered genius. Choose to measure yourself not as some horrible victim or dismal failure. Instead, measure yourself by more mundane identities: a student, a partner, a friend, a creator. The narrower and rarer the identity you choose for yourself, the more everything will seem to threaten you. For that reason, define yourself in the simplest and most ordinary ways possible. This often means giving up some grandiose ideas about yourself: that you’re uniquely intelligent, or spectacularly talented, or intimidatingly attractive, or especially victimized in ways other people could never imagine.

these creatures grow up with a peculiar knowledge. They know that they have been born in an infinite variety. They know, for instance, that in their genetic material they are born with hundreds of different chromosome formations at the point in each cell that we would say determines their "sex". These creatures don't just come in XX or XY; they also come in XXY and XYY and XXX plus a long list of "mosaic" variations in which some cells in a creature's body have one combination and other cells have another. Some of these creatures are born with chromosomes that aren't even quite X or Y because a little bit of one chromosome goes and gets joined to another. There are hundreds of different combinations, and though all are not fertile, quite a number of them are. The creatures in this world enjoy their individuality; they delight in the fact that they are not divisible into distinct categories. So when another newborn arrives with an esoterically rare chromosomal formation, there is a little celebration: "Aha," they say, "another sign that we are each unique." These creatures also live with the knowledge that they are born with a vast range of genital formations. Between their legs are tissue structures that vary along a continuum, from clitorises with a vulva through all possible combinations and gradations to penises with scrotal sac. These creatures live with an understanding that their genitals all developed prenatally from exactly the same little nub of embryonic tissue called a genital tubercle, which grew and developed under the influence of varying amounts of the hormone androgen. These creatures honor and respect everyone's natural-born genitalia –including what we would describe as a microphallus or a clitoris several inches long. What these creatures find amazing and precious is that because everyone's genitals stem from th same embryonic tissue, the nerves inside all their genitals got wired very much alike, so these nerves of touch just go crazy upon contact in a way that resonates completely between them. "My gosh," they think, "you must feel something in your genital tubercle that intensely resembles what I'm feeling in my genital tubercle." Well, they don't think that in so many words; they're actually quite heavy into their feelings at that point; but they do feel very connected –throughout all their wondrous variety. I could go on. I could tell you about the variety of hormones that course through their bodies in countless different patterns and proportions, both before birth and throughout their lives –the hormones that we call "sex hormones" but that they call "individuality inducers." I could tell you how these creatures think about reproduction: For part of their lives, some of these creatures are quite capable of gestation, delivery, and lactation; and for part of their lives, some of them are quite capable of insemination; and for part or all of their lives, some of them are not capable of any of those things – so these creatures conclude that it would be silly to lock anyone into a lifelong category based on a capability variable that may or may not be utilized and that in any case changes over each lifetime in a fairly uncertain and idiosyncratic way. These creatures are not oblivious to reproduction; but nor do they spend their lives constructing a self-definition around their variable reproductive capacities. They don't have to, because what is truly unique about those creatures is that they are capable of having a sense of personal identity without struggling to fit into a group identity based on how they were born. These creatures are quite happy, actually. They don't worry about sorting /other/ creatures into categories, so they don't have to worry about whether they are measuring up to some category they themselves are supposed to belong to.

A new partner doesn’t compare. You will love another person differently. They won’t overshadow or erase what you had with your husband because you’ll like and dislike unique qualities within this new partner. You’ll form new memories and new traditions if you wish to. And none of that means you need to forget whatever you shared and created with your husband. He was an important part of your life for a long time, I’m sure. Take things slow, take pressure off yourself, and try to enjoy finding a second wave of love, knowing it’s normal to feel unsure and hesitant.

Vasana is determinism that feels like free will. I’m reminded of my friend Jean, whom I’ve known for almost twenty years. Jean considers himself very spiritual and went so far in the early nineties as to walk way from his job with a newspaper in Denver to live in an ashram in western Massachusetts. But he found the atmosphere choking. “They’re all crypto Hindus,” he complained. “They don’t do anything but pray and chant and meditate.” So Jean decided to move on with his life. He’s fallen in love with a couple of women but has never married. He doesn’t like the notion of settling down and tends to move to a new state every four years or so. (He once told me that he counted up and discovered that he’s lived in forty different houses since he was born.) One day Jean called me with a story. He was on a date with a woman who had taken a sudden interest in Sufism, and while they were driving home, she told Jean that according to her Sufi teacher, everyone has a prevailing characteristic. “You mean the thing that is most prominent about them, like being extroverted or introverted?” he asked. “No, not prominent,” she said. “Your prevailing characteristic is hidden. You act on it without seeing that you’re acting on it.” The minute he heard this, Jean became excited. “I looked out the car window, and it hit me,” he said. “I sit on the fence. I am only comfortable if I can have both sides of a situation without committing to either.” All at once a great many pieces fell into place. Jean could see why he went into an ashram but didn’t feel like he was one of the group. He saw why he fell in love with women but always saw their faults. Much more came to light. Jean complains about his family yet never misses a Christmas with them. He considers himself an expert on every subject he’s studied—there have been many—but he doesn’t earn his living pursuing any of them. He is indeed an inveterate fence-sitter. And as his date suggested, Jean had no idea that his Vasana, for that’s what we’re talking about, made him enter into one situation after another without ever falling off the fence. “Just think,” he said with obvious surprise, “the thing that’s the most me is the thing I never saw.” If unconscious tendencies kept working in the dark, they wouldn’t be a problem. The genetic software in a penguin or wildebeest guides it to act without any knowledge that it is behaving much like every other penguin or wildebeest. But human beings, unique among all living creatures, want to break down Vasana. It’s not good enough to be a pawn who thinks he’s a king. We crave the assurance of absolute freedom and its result—a totally open future. Is this reasonable? Is it even possible? In his classic text, the Yoga Sutras, the sage Patanjali informs us that there are three types of Vasana. The kind that drives pleasant behavior he calls white Vasana; the kind that drives unpleasant behavior he calls dark Vasana; the kind that mixes the two he calls mixed Vasana. I would say Jean had mixed Vasana—he liked fence-sitting but he missed the reward of lasting love for another person, a driving aspiration, or a shared vision that would bond him with a community. He displayed the positives and negatives of someone who must keep every option open. The goal of the spiritual aspirant is to wear down Vasana so that clarity can be achieved. In clarity you know that you are not a puppet—you have released yourself from the unconscious drives that once fooled you into thinking that you were acting spontaneously.

My soul came in to this world alone N heart ♡ in it is connected To the another soul with a unknown Feel filled inside in it..... I don't knw what exactly it mean But, I addicted to it as a drug & It makes me feel comfortable When I am near to that soul & I can rely on that soul When I need support & I can't explain about that feel When any 1 ask me ....... These feel has its own defination It differs from the person to person N it's better to say Heart♡ to heart♡ it differs Some one says these feel never dies... Once it starts in our heart♡... But no 1 can say how it starts & when it starts... I just feel to say , U r my everything..... & U r my drug.... & Never lev me alone When I'm near to that soul My soul feels like flying in air, When it is along with that soul & N every 1 used to call this feel with a Special n unique name as , ...**LOVE**... Even it has different names in different places But I feel it's not just love This feel is some thing else Which is more than love If I say just love it make no sense This feel is more valuable When u take consideration of Two souls which r connected These feeling fulfill all d hopes n happiness Between these two soul's As, It gives strength It cares It makes brave It refresh d heart with a cool breeze It will guide U till d end & These feel makes a bonding between the souls & I name this bonding as , ●●●●●●●●.....LIFE.....●●●●●●●●● & This is d perfect word which I say to that feeling Between the hearts in the two souls & Atlast these feel makes a LIFE between d two souls & I BELIEVE IN IT

Through these experiences, I have realized the true power of this program. All I did was follow my Strategy. I have made tremendous strides in living this “new” life in such a short period of time. My self-esteem has blossomed! I’m more confident; I’m a better communicator; I’m more empathetic and compassionate toward others. I’m able to articulate ideas to people and manage to provide them with inspiration to start thinking about things differently where they may not have done that before. This

Imago Dei? The image of God?” “Right.” I look at her and smile. “You know that you’re created in the image of God, right?” She nods. “Sure, Genesis, chapter 1, but what’s your point?” “Just that we’re each created in the image of God, but we’re all different. You have red hair, mine is brown. You’re tall, I’m not. But not only that, we all have different wiring on the inside too—things that make us unique. But all of us, in some way, reflect an image of God—of who He is. So who’s to say what’s right or what’s wrong about how we look?

Any person created through cloning would be a new person-a body, mind and soul with experiences unique to themselves. Biologically, a clone is no different to an identical twin-albeit an identical twin born into another time and place. However, we should look not only at the biology but at the question of intention. What is intended when a child is created in this way? He or she is intended to be a copy of a person who has already lived. Therefore, I'm concerned about how such a child would be able to establish his or her own identity and whether those responsible for creating this child would recognise and respect that identity. My worry about cloning is to do with how such people will be treated. The cloned child would, after all, still be God's creature, deserving of compassion, of course he would, but if he were to be treated as a commodity or as a freak, a sub-human...

When speaking to groups, I explain that being dyslexic is like running a 100-meter track race. In my lane I have hurdles, but no one else does. I have this feeling that it's unfair that I’m the only one with hurdles but don’t know how to explain it. Soon the feeling leaves me as the starting gun shoots and I take off running. I try running like the other classmates, because we have all had the same education on how to run. But then I hit the first hurdle and fall flat on my face. My parents and teachers are yelling at me from the sidelines “ try harder, the other kids are making it down the track ok, you must be lazy or slow”. Pulling myself up I try running faster and fall even harder after hitting the next hurdle. Then someone takes the time to show me how to run hurdles and like an Olympic hurdler, I outrun the other classmates. The key, though, is that I have to do it differently, the way that works best for me. Learning is like a tailored suit; it takes a while and is unique to everyone.

Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. The conversation moved swiftly to the latest edition of “Have I Got News for You.” “Oh, Mummy, it was hilarious,” laughed William. “They had a photo of Mrs. Parker Bowles and a horse’s head and asked what the difference was. The answer was that there isn’t any!” Diana absolutely exploded with laughter. We talked about which was the hottest photo to get. “Charles and Camilla is still the really big one,” I said, “followed by you and a new man, and now, of course, William with his first girlfriend.” He groaned. So did Diana. Our “big ones” are the most intimate parts of their personal lives. It was a weird moment. I am the enemy, really, but we were getting on well and sort of developing a better understanding of each other as we went along. Lunch was turning out to be basically a series of front-page exclusive stories--none of which I was allowed to publish, although I did joke that “I would save it for my book”--a statement that caused Diana to fix me with a stare, and demand to know if I was carrying a tape recorder. “No,” I replied, truthfully. “Are you?” We both laughed, neither quite knowing what the answer really was. The lunch was one of the most exhilarating, fascinating, and exasperating two hours of my life. I was allowed to ask Diana literally anything I liked, which surprised me, given William’s presence. But he was clearly in the loop on most of her bizarre world and, in particular, the various men who came into it from time to time. The News of the World had, during my editorship, broken the Will Carling, Oliver Hoare, and James Hewitt scoops, so I had a special interest in those. So, unsurprisingly, did Diana. She was still raging about Julia Carling: “She’s milking it for all she’s worth, that woman. Honestly. I haven’t seen Will since June ’95. He’s not the man in black you lot keep going on about. I’m not saying who that is, and you will never guess, but it’s not Will.” William interjected: “I keep a photo of Julia Carling on my dartboard at Eton.” That was torture. That was three fantastic scoops in thirty seconds. Diana urged me to tell William the story of what we did to Hewitt in the Mirror after he spilled the beans in the ghastly Anna Pasternak book. I dutifully recounted how we hired a white horse, dressed a Mirror reporter in full armor, and charged Hewitt’s home to confront him on allegations of treason with regard to his sleeping with the wife of a future king--an offense still punishable by death. Diana exploded again. “It was hysterical. I have never laughed so much.” She clearly had no time for Hewitt, despite her “I adored him” TV confessional.

While I realize that there are a lot of different angles on this, I’m going to set all of these speculations aside for now and try focusing entirely on trends in fantasy from the perspective of tabletop gaming alone. The first thing you need to know is that the men who laid the groundwork for the role-playing hobby had an incredible appetite for books. You may have been in a comic book shop on a Wednesday when the new shipment came in and the most dedicated fans in your town are right there to get the latest installment of everything they’re into. Well, Gary Gygax and James M. Ward were like that with books: One fateful Tuesday, I was poring through the racks, picking up the newest Conan and Arthur C. Clarke novels. When I reached the end of the racks, I had seven books in my hand. There was a gentleman doing the very same thing beside me. When he got done, he and I had the exact same books in our hands. We laughed at the coincidence and he started talking about a game he had just invented where a person could play Conan fighting Set. I was instantly hooked on the idea. A few weeks later I was regularly going over to Gary Gygax’s house to learn the game of Dungeons & Dragons.1 Note that the main selling point of the game at its inception was that it was not merely an adaption of their favorite stories to game form. No, the “lightning in the bottle” that Gary Gygax had gotten hold of was, in fact, the apex of genre fiction.2 He was opening up an entirely new method for creating worlds and allowing people to enter them. We take it for granted today, but J. Eric Holmes was not exaggerating when he declared that it was a “truly unique invention, probably as remarkable as the die, or the deck of cards, or the chessboard.”3

Instantly, I noticed that our conversation was easy, flirtatious and exciting. It didn’t take very long for us to get to know each other. To start with, I was a little taken aback with both of them being so friendly and talkative. As we talked, I really didn’t know what to call Rita and I stammered some as I attempted to navigate around the social aspects of my dilemma. I didn’t know her last name and “Mrs. Whatjamacallit” didn’t seem appropriate, so I continued using her first name. What seemed awkward to me at first, soon became and sounded acceptable. I also noticed that Connie alternated between calling her mother “Mom” and “Rita.” At first this was strange, but soon I kind of understood the unique relationship between them. For me it seemed different, however I tend to adapt easily and now I was becoming acquainted with a girl who called her mother by her first name. The house was without central heating, but it did have a big cast iron Franklin stove in the living room. Rita looked over to me and asked if I would light the fire. “Guess so,” I replied. I soon found out that lighting the fire encompassed getting and splitting the firewood, and then tending to it. Connie showed me to the front porch where there was a big pile of cordwood, just dumped in one heap. I also noticed that the wind was picking up and was blowing the white stuff onto the porch and covering the woodpile. “Might be a good idea to bring in enough wood to last the night,” I thought aloud. This was going to become a full time job! With Connie’s able help I got a roaring fire going. Rita made sandwiches and poured us all some Coca-Cola, which she topped off with some Canadian Whiskey. Turning the damper down on the fire, I thought to myself that the Franklin stove would never heat this size house, besides the wind was coming in through the cracks around the windows and doors. I knew that the house didn’t have much insulation by how cold the walls were. The windows were single pane, which also didn’t help much, but at least it was shelter. When I mentioned this, Rita said, “Never mind, we’ll all be able to stay warm in bed.” By this time, Connie and I were clowning around and Rita reminded us that she was also there. “I may be momma but I’m not about to freeze, while you kids have all the fun! Besides we only have one bed.” Suddenly the whole scene came into focus. The sandwiches on the kitchen table wouldn’t be our only food. The sandwiches we would have that night would just be the beginning of a feast.

He stroked a hand slowly down her back, reveling in the contour of her muscles and bones beneath his fingers. “The other night…” She didn’t step back, but he felt the tension infuse her spine. “At dinner?” “I’m sorry. I’ve wanted to say that, but I haven’t found the moment. I have no conversation, Louisa, and what few manners…” What was he trying to say? He knew arguing with a lady wasn’t done, but it was more than that. “Prinny’s Pavilion is an extravagance, regardless of how pretty or different, and you are entitled to your very sensible opinions.” He allowed himself to rest his cheek against her hair, trying to memorize each pleasure the moment afforded him: The pleasure of making reparation for a conversation he had not managed well at all. The pleasure of her body next to his, warm from their exertions, and yet quiet in his arms. The pleasure of her scent, clean and sweet and unique to her. The pleasure of her simple willingness to remain close to him. She obliterated all those pleasures with one more delight, one he could not have foreseen, could not have envisioned in his wildest imaginings, when she went up on her toes and kissed him. ***

So, if you take a look at, say, the work of Rousseau that I quoted, which is the 'Second Discourse on Inequality,' that's his most libertarian writing. He begins with a pretty strictly Cartesian view of animals as being machines, just reflexive machines, compelled to do what they do by internal and external circumstances, without the creative character of human thought and behavior. He then says, again in roughly Cartesian terms, that what is unique and distinctive about humans is this internal creative capacity. That's what makes humans different from the rest of the natural world. Then comes a thesis which is not proved, but it, I think, is plausible. Namely, any social arrangements that inhibit or constrain that free creative capacity are fundamentally illegitimate unless they can justify themselves. That means any structure of authority, domination, hierarchy - whether it's in a patriarchal family, or in international affairs, or anything in between - should be subject to challenge. It's not self-justifying. And I mean, you could see the chain of thinking. Notice, it's not a proof, but beginning with the observation that inherent to human nature, what's special about us, is this creative character. The free need to inquire, to create, to act, to choose what you do, how you speak, how you interact and so on. There's kind of a chain of thinking from that to the conclusion that the social structures which inhibit that are illegitimate unless proved otherwise. Like, sometimes you can give an argument in favor of authority. So, if I'm walking down the street with, say, my three-year-old granddaughter, and she runs into the street, and I grab her arm and pull her back, I think I can give a justification for that. But the point is that any form of authority and domination requires justification. And usually, you can't justify it, in which case you have to dismantle it and replace it by something more free and just.

But I will reiterate that I think queer people are magic, and I do want to have it both ways. I’m very like, Love is love, let’s have all the rights. Let’s have all of the options and opportunities and flexibility that are afforded straight people. Let’s be protected and let’s be like everyone else. And there’s this kind of radical and contrarian part of me that’s like, No. Fuck that, we’re not like them. We are different, and arguably better. I don’t want what makes us different and special to be eroded in our continued quest for equality. Fiercely protecting and celebrating what is special and distinct and unique about queer people as a whole is super-important. And they’re not mutually exclusive. I think we can have both.

That’s what you say That I’m different And unique Right? Am I right? Because that is me I always fight I fight and fight and fight all day Long after everyone has left And gone away Long after there is no play

There’s a kind of self-absorption that comes with fear based on an irrational certainty. When you assume that your plane is the one that’s going to crash, or that your project idea is the stupid one everyone is going to laugh at, or that you’re the one everyone is going to choose to mock or ignore, you’re implicitly telling yourself, “I’m the exception; I’m unlike everybody else; I’m different and special.” This is narcissism, pure and simple. You feel as though your problems deserve to be treated differently, that your problems have some unique math to them that doesn’t obey the laws of the physical universe.

For starters, I'm thankful and honored to have so many friends and family to share this table with. From my older sister Dee to little Merriam and everyone in between, I'm thankful for you all. We don't look alike and some of us have accents different from others. I'm thankful for those differences because it makes each one unique with a perspective to add. Sorrow, joy, and everything in between – we've experienced it all at one time or another and leaned on someone at this table for support. Let’s all be thankful for our shared humanity and thank God for the bounty we

Who were these people who were Nico's friends at that club? It seemed like an Italian-Spanish coffeeshop. I'm not sure, it was quite far from downtown in a pretty hidden location. I don't remember the name of the club or the street, but if I drive from Urgell I can find it. I took a few pictures outside the reception area while we were waiting outside with Adam to be allowed to enter after being registered as club members. They took our entry into the almost empty private club very seriously, unlike my girlfriend selling weed in their dispensary at age 20, when I just gave her a job elsewhere. The pictures I took were of two skateboards hanging on the wall next to each other. They were spray-painted with smiling devilish faces, the comedy and tragedy masks. („Sock and buskin: The sock and buskin are two ancient symbols of comedy and tragedy. In ancient Greek theatre, actors in tragic roles wore a boot called a buskin (Latin cothurnus). The actors with comedic roles wore only a thin-soled shoe called a sock (Latin soccus).” – Source: Wikipedia) There was another skateboard hanging on the wall, showing the devil smiling with his eyes and teeth and horns only visible in the darkness of the artwork. I doubt they were Italians – they were rather Spaniards – but I never really met anyone else from there besides Nico and Carulo. But I trusted Carulo; he was different. Carulo was a known person in Catalonia. He was known to be the person who was sitting in the Catalan Parliament and rolled a joint and lit it up, smoking during a session as a protest against the law prohibiting marijuana growing and smoking in Spain. Nico told me when he introduced me to Carulo in the summer of 2013, almost a year earlier: “This is the guy you can thank for being able to smoke freely in Catalonia without the police bothering you. Tomas, meet Carulo.” He never really ordered from me if I had met him before. He had no traffic; his growshop was always closed. He was only smoking inside with his younger brother, who was always walking his bull terrier. Their white Bull Terrier was female, half the size of Chico, but she was kind of crazy; you could see in her eyes that she was not normal; she had mental issues. At least, looking into Carulo's eyes and his brother's eyes, I recognized the similar illness in their dog's eyes. In 2014, it had been over four years since I had been working with dogs in my secondary job interpreting Italian and travelling every fifth weekend. Additionally, Huns came to Europe with their animals, including their dogs. There are at least nine unique Hungarian dog breeds.

Today I embrace that I do care what some people think. But I refuse to present myself in any other way than honestly. I had to box myself in my whole life to stay safe. I'm not doing that anymore. It doesn't mean I don't need to work on things or change a few things. Ofcourse I do we all do. But I accept that it's ok to be where I am and the responsibility of loving myself right where I am. I'm not perfect. I don't want to be. I am sarcastic as fuck and clingy to some. Sorry about that clingees. I cry for no reason, I hate crowds. The sun blinds me and my inner monolog drowns the outer world to utter silence. But I'm also loyal as fuck, honest when it even if it hurts. Repsectful...mostly. I swear like every other word. I hate being boxed in any way. I like dissecting people. I need to know the driving forces behind everything. I would have made a great detective. I have a way of reading people .... that's unique...I do not simply assess the tonal quality the structure of the way you arranged the words but the inflection as well as how the body language matches up to the words. Thats not it. Everyone does that and interprets it to their own ways of processing. I also feel the person. I can sort of ..adapt? To The environment and there's an energy about everyone and I use that to Guage everything. I know what isn't said because I'm fluent in all forms of communication. The sad reason is I had to read a room from a young age. Sometimes I don't always understand what I need to change about myself in order to be the most honorable version of myself spiritually but I know enough to know enough about myself to know that I Guage what's right to me and it doesn't matter if that means the crowd will crucify me. I simply will not squish into that box and that is why my life's been hard. Because as far back as I can remember it didn't matter what they said was right, I knew. And sometimes I knew different and tried to help them see the way but I was met with harsh crowd control measures and forced to conformity. I rebelled myself all the way to ....that's a different story. I shall continue another day.

You’re the new generation. The new stock. The wave of the future. Before, we told you to do things the way we’ve always done them. However, I’m starting to appreciate that there’s value in people doing things in new ways. Different ways. I’m starting to appreciate that when we celebrate people’s unique abilities, we bring them to light and they bring merit to the world. So try doing that as you take on your new roles. Be you…and let’s see where that gets us. Let’s see what greatness that creates.

I stare at the mirror, running my fingers around my round face and my wide nose and wondering if Mom really does think she could have done better than Dad—better than Asian—and if she does, does she think she could have done better than me? It hurts. It hurts hearing her vocalize my fear—that people might not look at me the way they look at her. And it hurts to think she looks down on Dad, and maybe down on me, and Taro, and Shoji. Closing my eyes, I think of all the faces in my sketchbook. The ones I’ve drawn since Hiroshi told me beauty isn’t just one thing. They’re all different and special and unique. I don’t look at them the way Mom looks at the faces in a yearbook. Because it wouldn’t be fair. It feels cruel, like I’m saying one type of face is better than another. Like I’m saying one kind of heritage is better than another. It’s an ugly thing to do. I’d rather have an ugly face than an ugly heart. I let my hands drop to my sides and shake my head at the mirror. And I decide, right there and then, that I don’t care if I’m not someone’s idea of pretty. I don’t care if my name might disappoint someone, or if my face might disappoint someone’s parents. Because that says so much more about them than it does about me. Who cares what anyone else thinks? Who cares what Mom thinks, when she’s immature enough to keep a last name she hates just to maintain an imaginary war with Serena? I love my last name. And maybe I’m even learning to love my face. That can be enough. It has to be. It will be.

Why do you find it so hard to believe that guys might find you attractive?" she asks seriously. "You are, Kiko. You're exotic-looking. People love that." The word makes me wince. Exotic. Like Princess Jasmine. It's how Adam sees me. It's probably how everyone sees me. Like I don't belong. "I don't want someone to like me because I'm 'exotic'" I say. "It makes it sound like I'm an acquired taste, or something someone tries once in a while." "It doesn't mean anything bad. It just means you're different," she says. "Exactly," I say. She narrows her hazel eyes. "Are you trying to tell me you'd rather be mashed potatoes than crème brûlée?" "I'm saying I don't want to be the thing that people like once in a while, or because they think it's unique or exotic." I don't want to be kissed by someone who is ashamed about it later because I don't have blue eyes and blond hair and I might disappoint their parents.

Why do you find it so hard to believe that guys might find you attractive?" she asks seriously. "You are, Kiko. You're exotic-looking. People love that." The word makes me wince. Exotic. Like Princess Jasmine. It's how Adam sees me. It's probably how everyone sees me. Like I don't belong. "I don't want someone to like me because I'm 'exotic'" I say. "It makes it sound like I'm an acquired taste, or something someone tries once in a while." "It doesn't mean anything bad. It just means you're different," she says. "Exactly," I say. She narrows her hazel eyes. "Are you trying to tell me you'd rather be mashed potatoes than crème brûlée?" "I'm saying I don't want to be the thing that people like once in a while, or because they think it's unique or exotic." I don't want to be kissed by someone who is ashamed about it later because I don't have blue eyes and blond hair and I might disappoint their parents.

Just how did you know where this guy grew up?!" "Was it mere coincidence?! No way! This has to be deliberate! But how?! What kind of magic trick is this, Miss Yamato Nadeshiko?!" "Um, it's kind of hard to explain but... sometimes there's a certain lilt to how you pronounce your words. It sounded an awful lot like the lyrical accent unique to that area." "Huh?" "Eheh heh... when I'm not paying attention, sometimes my hometown accent slips outdo. Given your outfits and brand choices, I figured you were American... so I wondered if you were born in the South near the Gulf of Mexico... which made me think you probably had gumbo a lot growing up." "Well, I'll be! You managed to deduce all that?" "Was I right? Oh, I'm so glad!" "No way! I don't believe it! Just who are you?! How can you even figure something like that out?!" "Eheheh heh... it wasn't much. I've just been doing some studying, is all." "Voila. C'est votre monnaie. Au revoir, bonne journée." "Merci!" In the few months since earning my Seat on the Council of Ten... I took advantage of some of the perks it gave me... to visit a whole bunch of different countries. I went to all kinds of regions and met all kinds of people... learning firsthand what it feels like to live and thrive there. I experienced the "taste of home" special to each place... and incorporated it into my own cooking... so that I could improve a little as a chef! "And that's how you knew about gumbo? But still! All you did was make a dish from my hometown. That's it! There's no way it should've overwhelmed me this much! Why?! How could you manage something like that?!" "I think it's because, deep down, this is what you've truly been searching for. Um, to go back to what I mentioned to you earlier... I think you might have the wrong idea. I'm pretty sure that isn't what real hospitality is. In your heart, the kind of hospitality you're truly looking for... isn't to be pampered and treated like a king for a day. If that kind of royal luxury was all you were looking for... you wouldn't need to come all the way to Japan. You could have just reserved a suite at any international five-star hotel to get that experience. But you said you specifically liked Japan's rural hot springs resort towns. The kind of places so comfortable and familiar they tug at your heart... places that somehow quietly remind you of home. "I think... no, I know... ... that what you really want... ... is simply a warm, gentle hug.

[People] always want to know – am I gay, bi, trans or what? I say, forget all that. There's got to be a completely different terminology and I'm not aware if it's been invented yet. I'm just Pete.

We must be willing, too, to seek common ground and shared interests. Perhaps you and the other person have very different views on some things but both share a concern for the emotional health of gay people who feel hurt by the church. If so, that’s a starting point. You can find ways to build on that without having to compromise on your most deeply held values. This kind of gracious dialogue is hard for a lot of people. It feels wishy-washy to them, as if it requires that they stop thinking the other side is wrong. However, it’s not as if there are only two ways of relating to a person—either agree on everything, or preach at them about the things you disagree on. We already know this. Every day, we all interact with many people in our lives, and we probably disagree with the vast majority of them on a lot of things: politics, religion, sex, relationships, morality, you name it. Very few of my friends share my theological beliefs, and yet I don’t feel compelled to bring those differences up time and time again, making them feel self-conscious about them. If I did, I’d probably lose those people as friends. Most of the time, I’m not even thinking about our differences; I’m just thinking about who they are as people and the many reasons I like them. Grace sees people for what makes them uniquely beautiful to God, not for all the ways they’re flawed or all the ways I disagree with them. That kind of grace is what enables loving bridges to be built over the strongest disagreements. Gracious dialogue is hard work. It requires effort and patience, and it’s tempting to put it off. All of us have busy lives and a lot of other issues to address. But for anyone who cares about the future of the church, this can’t be put off. The next generation is watching how we handle these questions, and they’re using that to determine how they should treat people and whether this Christianity business is something they want to be involved in. Moms like Cindy are waiting to know that their churches are willing to stand with them in working through a difficult issue. And gay Christians everywhere, in every church and denomination, are trying to find their place in the world. Will we rise to the challenge? Will we represent Jesus well? Or will we be more like modern-day Pharisees?

Fiction is a blessing to those of us who suffer from mental illness; I'm sure many would agree. To be able to escape into the minds and hearts of other people, is such a uniquely thrilling experience, that everyone should indulge in this freedom as often as possible. It will not only expand your mind in what is possible, but your heart as well, growing empathy for those who live lives so different from your own.

You may have the same faith calling as others in your chosen vocation. (I’m not the only Christian in broadcast journalism, for instance.) You might even have the same general vocational aims (just as Peter, Andrew, Paul, and Ananias had the vocational aims of sharing the Christian faith). But because you have different skills and gifts, different curiosities, and because different people have spoken into your life (which is to say nothing of the differences in your life experiences), your vocational calling is unique to you.

Five ingredients for curiosity 1. Trust in the child Dr. Montessori encourages us to trust that the child wants to learn and grow—and that the child intrinsically knows what they need to be working on to develop as they should. This means that if we provide them with a rich environment to explore, we don’t need to force them to learn or be worried if they are developing “differently” from their peers. We can trust that they are developing along their unique path, in their unique way, on their unique timeline. We can also trust them to learn the limits of their bodies for themselves. Toddlers are curious learners who want to explore the world around them. There may be accidents along the way that we cannot prevent (and maybe that we should allow to happen). After all, that is how they learn. And we will be there if they want to be held. “Ow. Was that a shock? It’s hard to see you hurt yourself. I’m so glad your body is made to heal itself. Isn’t it amazing?” Are we constantly worrying about how our child is developing or whether they will hurt themselves? Can we practice setting aside those worries about the future and enjoy where they are today, on their unique journey? 2.

Is she mental? Just the opposite. They call her unique condition super sanity. Super sanity? I'm sorry but I have trouble accepting that. That's precisely the difference between her and the rest of us. She doesn't suffer cognitive dissonance.

Already she felt the loss of him, of their unique closeness. Somehow she knew there would never be another man, another time in her life when she laughed and talked the way they had and was totally accepted and comfortable. “You don’t need to say anything else, Mikhail. I ‘saw’ your ‘little scratch’ firsthand. You were right; you weren’t alone out there--I was watching. Honesty in my language means truth.” Raven took a deep breath, tugged off the ring, and laid it carefully, regretfully, on the small table beside the bed. “I’m sorry, Mikhail, I really am. I know I’m letting you down, but I don’t fit into this world of yours. I don’t understand it, or the rules. Please do me the courtesy of staying away, of not trying to contact me. We both know I’m no real match for you. I’m leaving on the first available train.” She turned and started toward the door. It flew shut with a loud crash. She stared at it, not turning around. The air was thick with tension, with some dark feeling, one she couldn’t put a name to. “I don’t think it’s going to do any good to prolong this. You need help right now. Obviously however they intend to help you is some secret thing not to be shown to outsiders. I am just that--an outsider. Let me go home where I belong, Mikhail, and let them help you now.” “Leave us,” Mikhail ordered the others. “You need…,” Eric began, but broke off under Mikhail’s black scowl. With a sigh he followed the others out and closed the door. “Raven, come here to me, please. I am weak and it would take most of my strength to come to you.” There was gentleness in his voice, an honesty she found heartbreaking. She closed her eyes against the power in his voice, the soft caressing tone that rubbed sensuously like black velvet over her skin and crawled into her body, wrapping itself around her heart. “Not this time, Mikhail. We not only live in two different worlds, we have two separate value systems. We tried--I know you wanted to--but I can’t do this. Maybe I never could have. It happened too fast and we don’t really know one another.” “Raven.” Heat curled in her very name. “Come here to me.” She pressed her fingers to her forehead. “I can’t, Mikhail. If I let you get around me again, I’ll lose respect for myself.” “Then I have no choice but to come to you.” He shifted his weight, using his hands to move his injured leg. “No!” Alarmed, she whirled around. “Stop it, Mikhail. I’m calling the others back inside.” She pressed him back among the pillows. His hand caught the nape of her neck with unexpected strength. “You are the only reason I am living right now. I told you I would make mistakes. You cannot give up on me, on us. You do know me, everything important. You can look into my mind and know I need you. I would never hurt you.

You could belong here,” he says, his tone surprisingly serious. I turn from him and look back at the cluster of buildings, one on top of the other. A beautiful and unique place to visit, but to live long term? “I don’t know about that,” I say. “This could be your life.” He spreads his arms out as if to encompass the whole of Cinque Terre. And him. I let out an uncomfortable laugh, unsure if he’s joking. “I’m not just going to move to a foreign country. I haven’t even finished high school yet.” “Si.” He slumps a little, but he’s still observing me closely, intently. “I would like things to be different.” “What do you mean?” “I like when you are here. Things feel, ah, bene. Good. Better.” I open my mouth to speak, but I’m at a complete loss how to react. Bruno stows the camera away again and moves to sit next to me, straddling the bench. The inside of his thigh brushes against my knee, his other leg dangerously close behind me, and I shift away so we’re not touching. He reaches for a section of my hair and twists it in his fingers. “I like you,” he says quietly.