I'm Not Accessible Quotes

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Best-selling horror fiction is indeed necessarily conservative because it must entertain a large number of readers. It’s like network television. I’m your local cable access station.
Thomas Ligotti
If you are disgusted by what you see, and if you feel the fire coursing through your veins, then it's up to you. You don't have to be the leader of a global movement or a household name. It can be as small scale as chipping away at the warped power relations in your workplace. It can be passing on knowledge and skills to those who wouldn't access them otherwise. It can be creative. It can be informal. It can be your job. It doesn't matter what it is, as long as you're doing something.
Reni Eddo-Lodge (Why I'm No Longer Talking to White People About Race)
I think what I want is for someone to know me. Really know me. Know me better than anyone else and maybe even me. Isn’t that why we commit to another? It’s not for sex. If it were for sex, we wouldn’t marry one person. We’d just keep finding new partners. We commit for many reasons, I know, but the more I think about it, the more I think long-term relationships are for getting to know someone. I want someone to know me, really know me, almost like that person could get into my head. What would that feel like? To have access, to know what it’s like in someone else’s head. To rely on someone else, have him rely on you. That’s not a biological connection like the one between parents and children. This kind of relationship would be chosen. It would be something cooler, harder to achieve than one built on biology and shared genetics. I think that’s it. Maybe that’s how we know when a relationship is real. When someone else previously unconnected to us knows us in a way we never thought or believed possible.
Iain Reid (I'm Thinking of Ending Things)
People who’ve never read fairy tales, the professor said, have a harder time coping in life than the people who have. They don’t have access to all the lessons that can be learned from the journeys through the dark woods and the kindness of strangers treated decently, the knowledge that can be gained from the company and example of Donkeyskins and cats wearing boots and steadfast tin soldiers. I’m not talking about in-your-face lessons, but more subtle ones. The kind that seep up from your sub¬conscious and give you moral and humane structures for your life. That teach you how to prevail, and trust. And maybe even love.
Charles de Lint (The Onion Girl (Newford, #8))
All my life I've wanted to be the kid who gets to cross over into the magical kingdom. I devoured those books by C.S. Lewis and William Dunthorn, Ellen Wentworth, Susan Cooper, and Alan Garner. When I could get them from the library, I read them out of order as I found them, and then in order, and then reread them all again, many times over. Because even when I was a child I knew it wasn't simply escape that lay on the far side of the borders of fairyland. Instinctively I knew crossing over would mean more than fleeing the constant terror and shame that was mine at that time of my life. There was a knowledge – an understanding hidden in the marrow of my bones that only I can access ― telling me that by crossing over, I'd be coming home. That's the reason I’ve yearned so desperately to experience the wonder, the mystery, the beauty of that world beyond the World As It Is. It's because I know that somewhere across the border there's a place for me. A place of safety and strength and learning, where I can become who I'm supposed to be. I've tried forever to be that person here, but whatever I manage to accomplish in the World As It Is only seems to be an echo of what I could be in that other place that lies hidden somewhere beyond the borders.
Charles de Lint
Suddenly self-conscious, she shifted from one booted foot to the other. "I asked the cloud for battle-ready clothing, and this is what I got. There are slits all over the pants, for easy access to the weapons, I'm guessing. But the bustier has me stumped. Unless, of course, the cloud thinks my cleavage will stun my opponents into stupidity." -Annabelle
Gena Showalter (Wicked Nights (Angels of the Dark, #1))
This is the truth: We are a nation accustomed to being afraid. If I’m being honest, not just with you but with myself, it’s not just the nation, and it’s not just something we’ve grown used to. It’s the world, and it’s an addiction. People crave fear. Fear justifies everything. Fear makes it okay to have surrendered freedom after freedom, until our every move is tracked and recorded in a dozen databases the average man will never have access to. Fear creates, defines, and shapes our world, and without it, most of us would have no idea what to do with ourselves. Our ancestors dreamed of a world without boundaries, while we dream new boundaries to put around our homes, our children, and ourselves. We limit our potential day after day in the name of a safety that we refuse to ever achieve. We took a world that was huge with possibility, and we made it as small as we could.
Mira Grant (Feed (Newsflesh, #1))
They've been married for a little over a year, and they've withstood a lot together, with no signs of parting. They channel power from the universe that only nerd stars can access. I'm sure of it. The galaxy is on their side.
Krista Ritchie (Thrive (Addicted #4))
It [feminism] needs to recognise that disabled people aren’t inherently defective, but rather that non-disabled people have failed at creating a physical world that serves all.
Reni Eddo-Lodge (Why I'm No Longer Talking to White People About Race)
I'm interested. It's like you've got all these weird barriers set up, like you only want me to have access to this tiny part of you…
Rainbow Rowell (Eleanor & Park)
When there’s a gap between what I’m thinking and what I’m saying, it’s because the words coming out of my mouth are the only ones I can access at that time.
Naoki Higashida
Matt laughed. "Close. That was last year. This year it's Obsessive Deovtion to Fourier Analysis Theory and Applications. And my personal favorite, Quantum Physics II: Romantic Entanglements of Energy and Matter." Julie turned her head to Matt. "You're a double major? Physics and math? Jesus..." "I know. Nerdy." He shrugged. "No, I'm impressed. I'm just surprised your brains fit in your head." "I was fitted with a specially desinged compression filter that allows excessive information to lie dormant until I need to access it. It's only the Beta version, so excuse any kinks that may appear. I really can't be held responsible.
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
Had I been blessed with even limited access to my own mind there would have been no reason to write. I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means. What I want and what I fear.
Joan Didion (Let Me Tell You What I Mean)
My least favorite form of street harassment is when a guy asks why I’m not smiling. It’s related to that: Women aren’t allowed to be quiet or stoic or shy—or, hell, just in a bad mood—without being criticized. Women are bitchy and frigid if we don’t seem accessible at all times, for the most part to men. We’re supposed to be perpetually friendly. Who wants to live up to that? And seriously, when was the last time you heard a quiet woman described as “deep”? Men who are serious are just that—serious. Think laconic cowboys and Clint Eastwood-style movie heroes. Strong and silent is a desirable personality trait for men—women, not so much. Because where silence in men is seen as strength, silence in women (if not seen as bitchy) is seen as weakness—she’s shy, a wallflower.
Jessica Valenti (He's a Stud, She's a Slut, and 49 Other Double Standards Every Woman Should Know)
So whenever that brittle voice of dissatisfaction emerges within me, I can say "Ah, my ego! There you are, old friend!" It's the same thing when I'm being criticized and I notice myself reaching with outrage, heartache, or defensiveness. It's just my ego, flaring up and testing its power. In such circumstances, I have learned to watch my heated emotions carefully, but I try not to take them too seriously, because I know that it's merely my ego that has been wounded--never my soul It is merely my ego that wants revenge, or to win the biggest prize. It is merely my ego that wants to start a Twitter war against a hater, or to sulk at an insult or to quit in righteous indignation because I didn't get the outcome I wanted. "At such times, I can always steady my life one more by returning to my soul. I ask it, "And what is it that you want, dear one?" "The answer is always the same: "More wonder, please." "As long as I'm still moving in that direction---toward wonder--then I know I will always be fine in my soul, which is where it counts. And since creativity is still the most effective way for me to access wonder, I choose it.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
I’m probably the only sixteen-year-old girl in a three hundred mile radius who knows how to distinguish between a poltergeist from an actual ghost (hint: If you can disrupt it with nitric acid, or if it throws new crap at you every time, it’s a poltergeist), or how to tell if a medium’s real or faking it (poke ‘em with a true iron needle). I know the six signs of a good occult store (Number One is the proprietor bolts the door before talking about Real Business) and the four things you never do when you’re in a bar with other people who know about the darker side of the world (don’t look weak). I know how to access public information and talk my way around clerks in courthouses (a smile and the right clothing will work wonders). I also know how to hack into newspaper files, police reports, and some kinds of government databases (primary rule: Don’t get caught. Duh).
Lilith Saintcrow (Strange Angels (Strange Angels, #1))
There are billions of us -- humans everywhere, with access to our own minds and no one else's, tossing one another songs and sentences to bridge the gap.
Annie Kotowicz (What I Mean When I Say I'm Autistic: Unpuzzling a Life on the Autism Spectrum)
Actually, no. I may be inexperienced compared to your other women, but I'm not naive, nor am I stupid. It occurred to me this morning. You've known me for two years and never so much as asked me to coffee and then all of a sudden, you want access to my panties.' I like your panties,' he said with a feral grin. Ethan! Be serious.
Lucy Monroe (Satisfaction Guaranteed (Mercenary/Goddard Project, #6; Goddard Project, #1))
A feminist who only fights for the lives of women like herself isn't fighting for everyone, so I'm going to keep going at this feminist thing until all women have the same access to human rights.
Scarlett Curtis (Feminists Don't Wear Pink (And Other Lies): Amazing Women on What the F-Word Means to Them)
All I knew was what I wasn’t, and it took me some years to discover what I was. Which was a writer. By which I mean not a "good" writer or a "bad" writer but simply a writer, a person whose most absorbed and passionate hourse are spent arranging words on pieces of paper. Had my credentials been in order I would never have become a writer. Had I been blessed with even limited access to my own mind there would have been no reason to write. I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means. What I want and what I fear. Why did the oil refineries around Carquinez Straits seem sinister to me in the summer of 1956? Why have the night lights in the bevatron burned in my mind for twenty years? What is going on in these pictures in my mind?
Joan Didion
Who was I kidding? I'm a farmer, and farmers are natural segregationists. We separate the wheat from the chaff. I'm not Rudolf Hess, P. W. Botha, Capitol Records, or present-day U.S. of A. Those motherfuckers segregate because they want to hold on to power. I'm a farmer: we segregate in an effort to give every tree, every plant, every poor Mexican, every poor nigger, a chance for equal access to sunlight and water; we make sure every living organism has room to breathe.
Paul Beatty (The Sellout)
I'm sorry. For all of us. Sorry for all the little ways the people who were supposed to love us most could hurt us so deeply, despite their shared heritage and blood, as thought their knowledge of our pasts gave them unlimited access to all the most tender places, the old wounds that could be so easily reopened with no more than a glance, a comment, a passing reminder of all the ways in which we failed to live up to their expectations.
Sarah Ockler (The Summer of Chasing Mermaids)
I have known you for an entire year now, Lord Waxillium,” Steris said. “I can accept you for who you are, but I am under no illusions. Something will happen at our wedding. A villain will burst in, guns firing. Or we’ll discover explosives in the altar. Or Father Bin will inexplicably turn out to be an old enemy and attempt to murder you instead of performing the ceremony. It will happen. I’m merely trying to prepare for it.” “You’re serious, aren’t you?” Wax asked, smiling. “You’re actually thinking of inviting one of my enemies so you can plan for a disruption.” “I’ve sorted them by threat level and ease of access,” Steris said, shuffling through her papers.
Brandon Sanderson (Shadows of Self (Mistborn, #5))
[I’M NOT YOUR LEGACY-BOY] Sencen NOTE: Despite numerous attempts—and lots of enhancements to registry security—the information in this file remains hopelessly altered, presumably by Keefe Sencen, who was likely given access by Dex Dizznee. Until we can figure out how they did it, we can’t seem to fix it.
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
Responding to a moderator at the Sydney Writers Festival in 2008 (video), about the Spanish words in his book: When all of us are communicating and talking when we’re out in the world, we’ll be lucky if we can understand 20 percent of what people say to us. A whole range of clues, of words, of languages escape us. I mean we’re not perfect, we’re not gods. But on top of that people mis-speak, sometimes you mis-hear, sometimes you don’t have attention, sometimes people use words you don’t know. Sometimes people use languages you don’t know. On a daily basis, human beings are very comfortable with a large component of communication, which is incomprehensibility, incomprehension. We tend to be comfortable with it. But for an immigrant, it becomes very different. What most of us consider normative comprehension an immigrant fears that they’re not getting it because of their lack of mastery in the language. And what’s a normal component in communication, incomprehension, in some ways for an immigrant becomes a source of deep anxiety because you’re not sure if it’s just incomprehension or your own failures. My sense of writing a book where there is an enormous amount of language that perhaps everyone doesn’t have access to was less to communicate the experience of the immigrant than to communicate the experience that for an immigrant causes much discomfort but that is normative for people. which is that we tend to not understand, not grasp a large part of the language around us. What’s funny is, will Ramona accept incomprehension in our everyday lives and will greet that in a book with enormous fury. In other words what we’re comfortable with out in the outside world, we do not want to encounter in our books. So I’m constantly, people have come to me and asked me… is this, are you trying to lock out your non-Dominican reader, you know? And I’m like, no? I assume any gaps in a story and words people don’t understand, whether it’s the nerdish stuff, whether it’s the Elvish, whether it’s the character going on about Dungeons and Dragons, whether it’s the Dominican Spanish, whether it’s the sort of high level graduate language, I assume if people don’t get it that this is not an attempt for the writer to be aggressive. This is an attempt for the writer to encourage the reader to build community, to go out and ask somebody else. For me, words that you can’t understand in a book aren’t there to torture or remind people that they don’t know. I always felt they were to remind people that part of the experience of reading has always been collective. You learn to read with someone else. Yeah you may currently practice it in a solitary fashion, but reading is a collective enterprise. And what the unintelligible in a book does is to remind you how our whole, lives we’ve always needed someone else to help us with reading.
Junot Díaz
...I'm here on an island in the Caribbean, being told I need to talk to the dolphins in the middle of a labor action about some whales that might have torpedoes, armed by a secret society of villains who want access to a storeroom full of objects probably looted from the victims of the friggin' Nazis and who are maybe willing to blow up -my volcano lair- to get it.
John Scalzi (Starter Villain)
Juliette,” I whisper. “What are you doing here?” I’m half-dressed, getting ready for my day, and it’s too early for visitors. These hours just before the sun rises are my only moments of peace, and no one should be in here. It seems impossible she gained access to my private quarters. Someone should’ve stopped her. Instead, she’s standing in my doorway, staring at me. I’ve seen her so many times, but this is different—it’s causing me physical pain to look at her. But somehow I still find myself drawn to her, wanting to be near her.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
She has no idea how empty I feel, how most days I feel like I’m bleeding out. How I feel like a shell of who I used to be. How I can’t access the simplest things like a good dream or even a smile.
J.C. Cervantes (Always Isn't Forever)
Nothing special about me, we've all got our own sacred place, but to access it, your mission must be pure and your aim true. Just a little thought of trying to use it for a power tool, a career move, and the process becomes corrupted. You gotta go for the joy, the pain, the adventure, the search, the journey to love. I learned that from Kurt Vonnegut. You have to be willing to dedicate your life to that journey, not as a means to an end, but just as an opportunity to trip the fuck out. Ya gotta suspend all self-judgement, and embrace all. The reward is the journey itself. And that's how I became the bass player I'm still trying to be. Just exploring for a sense of purpose.
Flea (Acid for the Children)
Oh Beck, I love reading your e-mail. Learning your life. And I am careful; I always mark new messages unread so that you won't get alarmed. My good fortune doesn't stop there; You prefer e-mail. You don't like texting. So this means that I am not missing out on all that much communication. You wrote an "essay" for some blog in which you stated that "e-mails last forever. You can search for any word at any time and see everything you ever said to anyone about that one word. Texts go away." I love you for wanting a record. I love your records for being so accessible and I'm so full of you, your calendar of caloric intake and hookups and menstrual moments, your self-portraits you don't publish, your recipes and exercises. You will know me soon too, I promise.
Caroline Kepnes (You (You, #1))
Some years ago I had a conversation with a man who thought that writing and editing fantasy books was a rather frivolous job for a grown woman like me. He wasn’t trying to be contentious, but he himself was a probation officer, working with troubled kids from the Indian reservation where he’d been raised. Day in, day out, he dealt in a concrete way with very concrete problems, well aware that his words and deeds could change young lives for good or ill. I argued that certain stories are also capable of changing lives, addressing some of the same problems and issues he confronted in his daily work: problems of poverty, violence, and alienation, issues of culture, race, gender, and class... “Stories aren’t real,” he told me shortly. “They don’t feed a kid left home in an empty house. Or keep an abusive relative at bay. Or prevent an unloved child from finding ‘family’ in the nearest gang.” Sometimes they do, I tried to argue. The right stories, read at the right time, can be as important as shelter or food. They can help us to escape calamity, and heal us in its aftermath. He frowned, dismissing this foolishness, but his wife was more conciliatory. “Write down the names of some books,” she said. “Maybe we’ll read them.” I wrote some titles on a scrap of paper, and the top three were by Charles de lint – for these are precisely the kind of tales that Charles tells better than anyone. The vital, necessary stories. The ones that can change and heal young lives. Stories that use the power of myth to speak truth to the human heart. Charles de Lint creates a magical world that’s not off in a distant Neverland but here and now and accessible, formed by the “magic” of friendship, art, community, and social activism. Although most of his books have not been published specifically for adolescents and young adults, nonetheless young readers find them and embrace them with particular passion. I’ve long lost count of the number of times I’ve heard people from troubled backgrounds say that books by Charles saved them in their youth, and kept them going. Recently I saw that parole officer again, and I asked after his work. “Gets harder every year,” he said. “Or maybe I’m just getting old.” He stopped me as I turned to go. “That writer? That Charles de Lint? My wife got me to read them books…. Sometimes I pass them to the kids.” “Do they like them?” I asked him curiously. “If I can get them to read, they do. I tell them: Stories are important.” And then he looked at me and smiled.
Terri Windling
Thurman asked, “Are you born again?” Reacher said, “Once was enough for me.” “I’m serious.” “So am I.” “You should think about it.” “My father used to say, ‘Why be born again when you can just grow up?’” “Is he no longer with us?” “He died a long time ago.” “He’s in the other place then, with an attitude like that.” “He’s in a hole in the ground in Arlington Cemetery.” “Another veteran?” “Marine.” “Thank you for his service.” “Don’t thank me, I had nothing to do with it.” Thurman said, “You should think about getting your life in order, you know, before it’s too late. Something might happen. The Book of Revelations says ‘The time is at hand.’” “As it has every day since it was written nearly 2000 years ago. Why would it be true now, when it wasn’t before?” “There are signs,” Thurman said, “And the possibility of precipitating events.” He said it primly and smugly, and with a degree of certainty, as if he had regular access to privilieged, insider information. Reacher said nothing in reply. They drove on past a small group of tired men, wrestling with a mountain of tangled steel. Their backs were bent and their shoulders were slumped. Not yet 8 o’clock in the morning, Reacher thought. More than 10 hours still to go. “God watches over them.” “You sure?” “He tells me so.” “Does he watch over you, too?” “He knows what I do.” “Does he approve?” “He tells me so.” “Then why is there a lightning rod on your church?
Lee Child (Nothing to Lose (Jack Reacher, #12))
I'm not, like, a book guy, but isn't the point of all this book stuff like what Ms. Croft was teaching us -- that unrestricted access to books allows us to be challenged and changed? To learn new things and to critically think about those things and not be afraid of them? To be better than we were before we read them?
David Connis (Suggested Reading)
You’d rather be here than in Africa. The trump card all narrow-minded nativists play. If you put a cupcake to my head, of course, I’d rather be here than any place in Africa, though I hear Johannesburg ain’t that bad and the surf on the Cape Verdean beaches is incredible. However, I’m not so selfish as to believe that my relative happiness, including, but not limited to, twenty-four-hour access to chili burgers, Blu-ray, and Aeron office chairs is worth generations of suffering. I seriously doubt that some slave ship ancestor, in those idle moments between being raped and beaten, was standing knee-deep in their own feces rationalizing that, in the end, the generations of murder, unbearable pain and suffering, mental anguish, and rampant disease will all be worth it because someday my great-great-great-great-grandson will have Wi-Fi, no matter how slow and intermittent the signal is.
Paul Beatty (The Sellout)
Motherhood seems to be a no-win battle: however you decide to do (or not do) it, someone’s going to be criticizing you. You went to too great lengths trying to conceive. You didn’t go to great enough lengths. You had the baby too young. You should have kept the baby even though you were young. You shouldn’t have waited so long to try and have a baby. You’re a too involved mother. You’re not involved enough because you let your child play on the playground alone. It never ends. It strikes me that while all this judgment goes on, the options available to women become fewer and fewer. I’m not even (just) talking about the right to choose—across the U.S., women have less access to birth control, health care, reproductive education, and post-partum support. So we give women less information about their bodies and reproduction, less control over their bodies, and less support during and after pregnancy—and then we criticize them fiercely for whatever they end up doing. This
Celeste Ng (Little Fires Everywhere)
I’m drawn to the Jewish notion of the soul, nephesh, which is not something preexistent but emergent—forming in and through physicality and relational experience. This suggests that we need our bodies to claim our souls. The body is where every virtue lives or dies, but more: our bodies are access points to mystery. And in some way that barely makes sense to me, I’m sure that we have to have feet planted on the ground, literally and metaphysically, to reach towards what is beyond and above us.
Krista Tippett
Hope you didn't bring any spiders into the van with you,' Simon put in. 'Hey, I'm thinking we could take you back outside and hose you down, just to make sure. You'd definitely smell better if we did, which, I mean, bonus.' Jeremy scraped both hands through his hair again, then beat them clean against his thighs. 'Believe me, Simon, if we had access to a garden hose, I'd be the first to turn it on myself. I feel foul.' 'Hate to break it to you, Archer, but that feeling is not lying to you,' Simon said with mild relish.
M. Chandler (High Fidelity (Shadow of the Templar, #4))
Hecate arched her eyebrows. “I don’t limit access to books, Percy Jackson. I’m not a monster.
Rick Riordan (Wrath of the Triple Goddess)
My Sadness is Deeper than Yours My sadness is deeper than yours. My interior life is richer than yours. I am more interesting than you. I don’t care about anybody else’s problems. They are not as serious as mine. Nobody knows the weight I carry, the trouble I’ve seen. There are worlds in my head that nobody has access to: fortunately for them, fortunately for me. I have seen things that you will never see, and I have feelings that you are incapable of feeling, that you would never allow yourself to feel, because you lack the capacity and the curiosity. Once you felt the hint of such a feeling, you would stamp it out. I am a martyr to futility and I don’t expect to be shut down by a pretender. Mothballs are an aphrodisiac to me, beauty depresses me. You could never hope to fathom the depth of my feelings, deeper than death. I look down upon you all from my lofty height of lowliness. The fullness of your satisfaction lacks the cadaverous purity of my pain. Don’t talk to me about failure. You don’t know the meaning of the word. When it comes to failure, you’re strictly an amateur. Bush league stuff. I’m ten times the failure you’ll ever be. I have more to complain about than you, and regrets: more than a few, too many to mention. I am a fully-qualified failure, I have proven it over and over again. My credentials are impeccable, my resume flawless. I have worked hard to put myself in a position of unassailable wretchedness, and I demand to be respected for it. I expect to be rewarded for a struggle that produced nothing. I want the neglect, the lack of acknowledgment. And I want the bitterness that comes with it too.
John Tottenham
Remember,” she repeated, “magic is Chaos, Art and Science. It is a curse, a blessing and progress. It all depends on who uses magic, how they use it, and to what purpose. And magic is everywhere. All around us. Easily accessible. It is enough to stretch out one’s hand. See? I’m stretching out my hand.
Andrzej Sapkowski (Blood of Elves (The Witcher #1))
With my eyes closed, I heard him say, I don't love you anymore...I could hear the words but I couldn't quite access them, couldn't quite accept that it was me living my life at that moment. Surely he was telling this to someone else, surely we would be together forever, the way we'd talked about. This was before I needed passion and wildness and to be on the verge of every emotion at once—I wanted safety and beauty, and he looked like Bob Dylan in the middle of the desert, and I thought that was what the love of my life could be.
Chelsea Hodson (Tonight I'm Someone Else: Essays)
What about Chinese?" [...] "Olive?" "Um...I like Chinese." "Perfect. So does Adam, so -" "I'm not having dinner out," Adam said. Holden frowned. "Why?" "I have better things to do." "Like what? Olive's coming, too." "Leave Olive alone. She's tired, and we're busy." "I have access to your Google Calendar, asshole. You're not busy. [...]
Ali Hazelwood (The Love Hypothesis)
I can’t do small talk really, and that’s fine. I've got old friends and family that love me, thank God. I’m grateful for what a city gives you access to, but I do feel that I’m only here until I figure out how to get out again.
Laura Marling
Eleanor pushed Park's hands forward. 'Why do you want to talk about this?' He pushed back. 'Because. It's your life. Because I'm interested. It's like you've got all these weird barriers set up, like you only want me to have access to this tiny part of you . . . ' 'Yes,' she said, crossing her arms. 'Barriers. Caution tape. I'm doing you a favor.
Rainbow Rowell (Eleanor & Park)
Sometimes disabled people overcome specific moments of ableism— we exceed low expectations, problem-solve lack of access, avoid nursing homes or long-term psych facilities, narrowly escape police brutality and prison. However, I’m not sure that overcoming disability itself is an actual possibility for most of us. Yet in a world that places extraordinary value in cure, the belief that we can defeat or transcend body-mind conditions through individual hard work is convenient. Overcoming is cure’s backup plan.
Eli Clare (Brilliant Imperfection: Grappling with Cure)
When does the mastery end? How many things do I need to be good at to feel good about myself? Could Dan Brown really teach me how to write a thriller as well as he does? Do I even want to try? Or has the access to geniuses of various types simply made us feel bad that we aren't enough just being interested in what we're interested in and accomplishing the less-than-genius-level things we already accomplish? Do I need to be good at more things or simply find more enjoyment in what I'm already pretty good at?
Lauren Graham (Have I Told You This Already?: Stories I Don’t Want to Forget to Remember)
On Friday night, you stole the life of an exceptional being, the love of my life, the mother of my son, but you will not have my hate. I don’t know who you are and I don’t want to know. You are dead souls. If that God for whom you blindly kill made us in his image, every bullet in my wife’s body will have been a wound in his heart. So, no, I will not give you the satisfaction of hating you. That is what you want, but to respond to your hate with anger would be to yield to the same ignorance that made you what you are. You want me to be scared, to see my fellow citizens through suspicious eyes, to sacrifice my freedom for security. You have failed. I will not change. I saw her this morning. At last, after days and nights of waiting. She was as beautiful as when she went out on Friday evening, as beautiful as when I fell madly in love with her more than twelve years ago. Of course I’m devastated by grief, I grant you that small victory, but it will be short-lived. I know that she will be with us every day and that we will see each other in the paradise of free souls to which you will never have access. There are only two of us – my son and myself – but we are stronger than all the armies of the world. Anyway, I don’t have any more time to waste on you, as I must go to see Melvil, who is waking up from his nap. He is only seventeen months old. He will eat his snack as he does every day, then we will play as we do every day, and all his life this little boy will defy you by being happy and free. Because you will not have his hate either.
Antoine Leiris (Vous n'aurez pas ma haine)
I love nature, I have an interest in letters and numbers, and I’m fascinated by some things that other people have no interest in whatsoever. If these fascinations are rooted in my autistically wired brain and if neurotypical people are unable to access these wonders, then I have to say that the immutable beauties of autism are such that I count myself lucky to be born with the condition.
Naoki Higashida (Fall Down 7 Times Get Up 8: A Young Man's Voice from the Silence of Autism)
If I'm going to be working out here in a place that at least feels like the middle of nowhere, I'm going to need access to the outside world. It's important to have access. Solitude is one thing, but you could turn into the Unabomber if you don't have some connection to people.
Jeanne Marie Laskas
Reasercher 101, I do not long for the old, unreachable days. When I'm plugged in I can go anywhere, do and learn anything. Today, for instance, I visited a tiny library in Portugal. I learned how the Shakers weave baskets and I discovered my best friend in middle school loves blood-orange sorbet. Okay, I also learned that a certain pop star actually believes she's a fairy, an honest-to-goodness fairy from the fey people, but my point is access. Access to information. I don't even have to look out my window to see what the eather is like. I can have the weather delivered every morning to my phone. What could be better? Sincerely, Wife 22 Wife 22, Getting caught in the rain? All the best, Researcher 101
Melanie Gideon (Wife 22)
I think you need to get to know me better," he said, nuzzling the slim column of her throat. "Then you'll know my perfect match when you see her." "Mmmm." She tipped her head to the side, giving him better access. "Good idea. I really shouldn't have jumped into this without doing the proper research. Usually I know the people I'm matching, but you are still a bit of a mystery." A smile spread across his face. "I am open to being unraveled.
Sara Desai (The Singles Table (Marriage Game, #3))
If I were queer, wouldn’t I at least sort of know? It’s my own brain. I have open access to it. No one’s redacting parts of the story. Especially not something as fundamental as who I’m attracted to. And I know denial exists. But this isn’t denial. Denial’s a curtain with a clear truth behind it.
Becky Albertalli (Imogen, Obviously)
That’s what art does. Speaks to deep parts of us, usually ones we can’t access any other way.” He gripped his sandwich tighter as he ground the sticky gears of his manners. “I’m…glad you were able to see yourself in mine.” He ignored the part about the total stranger allegedly wanting to buy his art, assuming it was nothing more than a line. Skylar smiled, not his ting but the gentler one that made something behind Xander’s balls tingle. “Me too.” The smile turned regretful as he rose.
Heidi Cullinan (Antisocial)
It strikes me that while all this judgment goes on, the options available to women become fewer and fewer. I’m not even (just) talking about the right to choose—across the U.S., women have less access to birth control, health care, reproductive education, and post-partum support. So we give women less information about their bodies and reproduction, less control over their bodies, and less support during and after pregnancy—and then we criticize them fiercely for whatever they end up doing.
Celeste Ng (Little Fires Everywhere)
Okay . . . let’s see. I don’t think we should take away a citizen’s right to own a gun. But I do think it should be one hell of a difficult process to get your hands on one. I think women should decide what to do with their own bodies, as long as it’s within the first trimester or it’s a medical emergency. I think government programs are absolutely necessary but I also think a more systematic process needs to be put in place that would encourage people to get off of welfare, rather than to stay on it. I think we should open up our borders to immigrants, as long as they register and pay taxes. I’m certain that life-saving medical care should be a basic human right, not a luxury only the wealthy can afford. I think college tuition should automatically be deferred and then repaid over a twenty-year period on a sliding scale. I think athletes are paid way too much, teachers are paid way too little, NASA is underfunded, weed should be legal, people should love who they want to love, and Wi-Fi should be universally accessible and free.” When he’s finished, he calmly reaches for his mug of hot chocolate and brings it back to his mouth. “Do you still love me?
Colleen Hoover (All Your Perfects)
Today the sight that discourages book people most is to walk into a public library and see computers where books used to be. In many cases not even the librarians want books to be there. What consumers want now is information, and information increasingly comes from computers. That is a preference I can’t grasp, much less share, though I’m well aware that computers have many valid uses. They save lives, and they make research in most cases a thing that’s almost instantaneous. They do many good things. But they don’t really do what books do, and why should they usurp the chief function of a public library, which is to provide readers access to books? Books can accommodate the proximity of computers but it doesn’t seem to work the other way around. Computers now literally drive out books from the place that should, by definition, be books’ own home: the library.
Larry McMurtry (Books)
He lowers his lips back to my ear while his free hand slides between our bodies and finds my pussy. “You don’t know what belonging to me means yet. But I’m about to teach you, little one.” He trails his lips down the side of my neck, and I tilt my head to the side to allow him access. “No one will hear me fuck you, and no one will ever watch me fuck you.
Shantel Tessier (The Ritual (L.O.R.D.S., #1))
I stalked toward him, grinning. “Say something awesome, quick,” Frank said. “Preferably about me.” I dropped my pistols into my inventory, accessed the streamer menu and started recording. Then I slipped Frank out of his loop, activated Repel, and held him out in front of me. “This is what you’re after, right?” “What are you doing?” Frank said. “I’m introducing you,” I said. “Tyrann, meet Frank, aka the Axe of Unbridled Knowledge.” I cocked back and slapped Tyrann across the face with Frank as hard as I could. “Yes!” Frank said. The attack didn’t do any damage, but it launched Tyrann backward toward the boat and sent him skimming over the waves like a stone across a pond. “Yes yes yes!” Frank said at the top of his nonexistent lungs, and it felt like he was shadowboxing at my side. “You just got Franked, fool!” Tyrann bounced off a cresting wave and belly-flopped into the ocean.
Kyle Kirrin (Black Sand Baron (The Ripple System #2))
[WHAT THE HELL ARE YOU DOING? NO, YOU MAY NOT HAVE ACCESS TO MY AMYGDALA. I'M IN CHARGE HERE. NOW TAKE ME BACK TO DR. GODWIN] Damn
R.N. Wright (Orlo Suggs, Space Dick: The Complete Episodes)
Slapping his shoulder was probably a mistake; he flinched. And for the briefest of moments I appreciated what little access we ever had to what really went on in Kevin's head, since for a second the mask fell, and his face curdled with - well, with revulsion, I'm afraid. To allow even so brief a glimpse of its workings, he must have had other things on his mind.
Lionel Shriver (We Need to Talk About Kevin)
I can't tell you how I felt when my father died. But I was able to write Song of Solomon and imagine, not him, and not his specific interior life, but the world that he inhabited and the private or interior life of the people in it. And I can't tell you how I felt reading to my grandmother while she was turning over and over in her bed (because she was dying, and she was not comfortable), but I could try to reconstruct the world that she lived in. And I have suspected, more often than not, that I know more than she did, that I know more than my grandfather and my great-grandmother did, but I also know that I'm no wiser than they were. And whenever I have tried earnestly to diminish their vision and prove to myself that I know more, and when I have tried to speculate on their interior life and match it up with my own, I have been overwhelmed every time by the richness of theirs compared to my own. Like Frederick Douglass talking about his grandmother, and James Baldwin talking about his father, and Simone de Beauvoir talking about her mother, these people are my access to me; they are my entrance into my own interior life. Which is why the images that float around them--the remains, so to speak, at hte archeological site--surface first, and they surface so vividly and so compellingly that I acknowledge them as my route to a reconstruction of a world, to an exploration of an interior life that was not written and to the revelation of a kind of truth.
Toni Morrison
If she captured Tamlin’s power once, who’s to say she can’t do it again?” It was the question I hadn’t yet dared voice. “He won’t be tricked again so easily,” he said, staring up at the ceiling. “Her biggest weapon is that she keeps our powers contained. But she can’t access them, not wholly—though she can control us through them. It’s why I’ve never been able to shatter her mind—why she’s not dead already. The moment you break Amarantha’s curse, Tamlin’s wrath will be so great that no force in the world will keep him from splattering her on the walls.” A chill went through me. “Why do you think I’m doing this?” He waved a hand to me. “Because you’re a monster.” He laughed. “True, but I’m also a pragmatist. Working Tamlin into a senseless fury is the best weapon we have against her. Seeing you enter into a fool’s bargain with Amarantha was one thing, but when Tamlin saw my tattoo on your arm … Oh, you should have been born with my abilities, if only to have felt the rage that seeped from him.” I didn’t want to think much about his abilities. “Who’s to say he won’t splatter you as well?” “Perhaps he’ll try—but I have a feeling he’ll kill Amarantha first. That’s what it all boils down to, anyway: even your servitude to me can be blamed on her. So he’ll kill her tomorrow, and I’ll be free before he can start a fight with me that will reduce our once-sacred mountain to rubble.” He picked at his nails. “And I have a few other cards to play.” I lifted my brows in silent question. “Feyre, for Cauldron’s sake. I drug you, but you don’t wonder why I never touch you beyond your waist or arms?” Until tonight—until that damned kiss. I gritted my teeth, but even as my anger rose, a picture cleared. “It’s the only claim I have to innocence,” he said, “the only thing that will make Tamlin think twice before entering into a battle with me that would cause a catastrophic loss of innocent life. It’s the only way I can convince him I was on your side. Believe me, I would have liked nothing more than to enjoy you—but there are bigger things at stake than taking a human woman to my bed.” I knew, but I still asked, “Like what?” “Like my territory,” he said, and his eyes held a far-off look that I hadn’t yet seen. “Like my remaining people, enslaved to a tyrant queen who can end their lives with a single word. Surely Tamlin expressed similar sentiments to you.” He hadn’t—not entirely. He hadn’t been able to, thanks to the curse. “Why did Amarantha target you?” I dared ask. “Why make you her whore?” “Beyond the obvious?” He gestured to his perfect face. When I didn’t smile, he loosed a breath. “My father killed Tamlin’s father—and his brothers.” I started. Tamlin had never said—never told me the Night Court was responsible for that. “It’s a long story, and I don’t feel like getting into it, but let’s just say that when she stole our lands out from under us, Amarantha decided that she especially wanted to punish the son of her friend’s murderer—decided that she hated me enough for my father’s deeds that I was to suffer.” I might have reached a hand toward him, might have offered my apologies—but every thought had dried up in my head. What Amarantha had done to him … “So,” he said wearily, “here we are, with the fate of our immortal world in the hands of an illiterate human.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
The approach to digital culture I abhor would indeed turn all the world's books into one book, just as Kevin (Kelly) suggested. It might start to happen in the next decade or so. Google and other companies are scanning library books into the cloud in a massive Manhattan Project of cultural digitization. What happens next is what's important. If the books in the cloud are accessed via user interfaces that encourage mashups of fragments that obscure the context and authorship of each fragment, there will be only one book. This is what happens today with a lot of content; often you don't know where a quoted fragment from a news story came from, who wrote a comment, or who shot a video. A continuation of the present trend will make us like various medieval religious empires, or like North Korea, a society with a single book. The Bible can serve as a prototypical example. Like Wikipedia, the Bible's authorship was shared, largely anonymous, and cumulative, and the obscurity of the individual authors served to create an oracle-like ambience for the document as "the literal word of God." If we take a non-metaphysical view of the Bible, it serves as a link to our ancestors, a window. The ethereal, digital replacement technology for the printing press happens to have come of age in a time when the unfortunate ideology I'm criticizing dominates technological culture. Authorship - the very idea of the individual point of view - is not a priority of the new ideology. The digital flattening of expression into a global mush is not presently enforced from the top down, as it is in the case of a North Korean printing press. Instead, the design of software builds the ideology into those actions that are the easiest to perform on the software designs that are becoming ubiquitous. It is true that by using these tools, individuals can author books or blogs or whatever, but people are encouraged by the economics of free content, crowd dynamics, and lord aggregators to serve up fragments instead of considered whole expressions or arguments. The efforts of authors are appreciated in a manner that erases the boundaries between them. The one collective book will absolutely not be the same thing as the library of books by individuals it is bankrupting. Some believe it will be better; others, including me, believe it will be disastrously worse. As the famous line goes from Inherit the Wind: 'The Bible is a book... but it is not the only book' Any singular, exclusive book, even the collective one accumulating in the cloud, will become a cruel book if it is the only one available.
Jaron Lanier (You Are Not a Gadget)
Addy,” said Mrs. Kaur. “I’ll still have to log it, and account for it later.” “Blame me,” said Robin at once. One thick black eyebrow arched. Miss Morrissey leaned forward and smiled at her sister. “Would you say Sir Robert is a threatening figure?” “Er,” said Mrs. Kaur. It was the most diplomatic single syllable Robin had ever heard. “Are you afraid for your maidenly virtue?” “I’m married, Addy,” said Kitty Kaur dryly. “I have none.” She eyed Robin. “He does seem the kind of well-built, pugnacious fellow who would follow through on a threat of bodily harm.” “I beg your pardon,” Robin began to protest, and then the penny dropped. “Oh. Would it help if I raised my voice?” “Yes, that would do nicely. Sir Robert strong-armed my sister into bringing him here to seek my help, and threatened us with harm unless I abused my access to the lockroom in order to locate Mr. Courcey. Overcome by concern for his friend, of course, but still. Most brutish behavior.” “And we are but feeble women,” said Miss Morrissey. “Woe.” “Your sister is a magician,” Robin said, pointing out what seemed the largest hole in this story. “Woe,” said Mrs. Kaur firmly, and Robin recalled what Miss Morrissey had said about the assumptions made by men.
Freya Marske (A Marvellous Light (The Last Binding, #1))
wasn’t sure that my classmates had earned the right to know, to understand, to be given access to such a vulnerable place in my experience. For me, this was more than an educational exercise. This is how we survive.
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
To the significant other, the confusion can become enormous. They “hear” the AVP say, I want it, but I don’t. I want it all, not just some. I’m too overwhelmed; I can’t get what I really want. Poor me. I can’t deal with this, and you, too. I’m tired. I’m bored. I don’t care about your situation. Calm down. We don’t need emotions here. Only controlled access is allowed. These statements may or may not be said, but they are acted out.
Dr. Sandra Smith-Hanen
You haven't seen my resume," Gary objected. "I'm not looking to charity." The silver eyes glinted, a brief, hard humor. "I had your formula inside my body, Gary. That was all the proof of your genius I needed. The society had access to that blood for some time before you did, but none of them were able to come up with anything that worked on us." "Great,I get that dubious pleasure. Someday you're going to introduce me to one of your friends and you can say, 'By the way,this is the one who invented the poision that is killing our people.'" Gregori did laugh then,a low, husky sound so pure, it was beautiful to hear. It brought a lightness into gary's heart, dispelling the gloom that had been gathering. "I never thought of that. We might get a few interesting reactions." Gary found himself grinning sheepishly. "Yeah,like a lynching party with me as the guest of honor.
Christine Feehan (Dark Magic (Dark, #4))
By which I mean not a "good" writer or a "bad" writer but simply a writer, a person whose most absorbed and passionate hours are spent arrang- ing words on pieces of paper. Had my credentials been in order I would never have become a writer. Had I been blessed with even limited access to my own mind there would have been no reason to write. I write entirely to find out what I'm think- ing, what I'm looking at, what I see and what it means. What I want and what I fear.
Joan Didion (Let Me Tell You What I Mean)
The pharmaceutical companies that fund med schools don’t want this fact realized, and therefore the information is suppressed. Many pharmaceutical companies and doctors make money by treating symptoms rather than causations. When causations are understood, cures are oftentimes a given. Cures don’t make money. Why was Aspartame released into the population despite evidence of the damage it causes while Donald Rumsfeld was CEO of Searle? Why do you think George Bush was on the board of directors for Eli Lilly9 drug manufacturing? To counteract the mass genocide he perpetuates? Why do you think politicians are so healthy and live so long? What do they know that they aren’t telling us? I’m not saying this is all a conspiracy to thin the population, but pertinent health information should be public knowledge rather than deliberately suppressed. If this information were taught in schools, unethical drug companies would loose their control on the world.
Cathy O'Brien (ACCESS DENIED For Reasons Of National Security: Documented Journey From CIA Mind Control Slave To U.S. Government Whistleblower)
New Rule: Now that liberals have taken back the word "liberal," they also have to take back the word "elite." By now you've heard the constant right-wing attacks on the "elite media," and the "liberal elite." Who may or may not be part of the "Washington elite." A subset of the "East Coast elite." Which is overly influenced by the "Hollywood elite." So basically, unless you're a shit-kicker from Kansas, you're with the terrorists. If you played a drinking game where you did a shot every time Rush Limbaugh attacked someone for being "elite," you'd be almost as wasted as Rush Limbaugh. I don't get it: In other fields--outside of government--elite is a good thing, like an elite fighting force. Tiger Woods is an elite golfer. If I need brain surgery, I'd like an elite doctor. But in politics, elite is bad--the elite aren't down-to-earth and accessible like you and me and President Shit-for-Brains. Which is fine, except that whenever there's a Bush administration scandal, it always traces back to some incompetent political hack appointment, and you think to yourself, "Where are they getting these screwups from?" Well, now we know: from Pat Robertson. I'm not kidding. Take Monica Goodling, who before she resigned last week because she's smack in the middle of the U.S. attorneys scandal, was the third-ranking official in the Justice Department of the United States. She's thirty-three, and though she never even worked as a prosecutor, was tasked with overseeing the job performance of all ninety-three U.S. attorneys. How do you get to the top that fast? Harvard? Princeton? No, Goodling did her undergraduate work at Messiah College--you know, home of the "Fighting Christies"--and then went on to attend Pat Robertson's law school. Yes, Pat Robertson, the man who said the presence of gay people at Disney World would cause "earthquakes, tornadoes, and possibly a meteor," has a law school. And what kid wouldn't want to attend? It's three years, and you have to read only one book. U.S. News & World Report, which does the definitive ranking of colleges, lists Regent as a tier-four school, which is the lowest score it gives. It's not a hard school to get into. You have to renounce Satan and draw a pirate on a matchbook. This is for the people who couldn't get into the University of Phoenix. Now, would you care to guess how many graduates of this televangelist diploma mill work in the Bush administration? On hundred fifty. And you wonder why things are so messed up? We're talking about a top Justice Department official who went to a college founded by a TV host. Would you send your daughter to Maury Povich U? And if you did, would you expect her to get a job at the White House? In two hundred years, we've gone from "we the people" to "up with people." From the best and brightest to dumb and dumber. And where better to find people dumb enough to believe in George Bush than Pat Robertson's law school? The problem here in America isn't that the country is being run by elites. It's that it's being run by a bunch of hayseeds. And by the way, the lawyer Monica Goodling hired to keep her ass out of jail went to a real law school.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
This is apparently a little promotional ¶ where we’re supposed to explain “how and why we came to” the subject of our GD series book (the stuff in quotations is the editor’s words). The overall idea is to humanize the series and make the books and their subjects seem warmer and more accessible. So that people will be more apt to buy the books. I’m pretty sure this is how it works. The obvious objection to such promotional ¶s is that, if the books are any good at all, then the writers’ interest and investment in their subjects will be so resoundingly obvious in the texts themselves that these little pseudo-intimate Why I Cared Enough About Transfinite Math and Where It Came From to Spend a Year Writing a Book About It blurblets are unnecessary; whereas, if the books aren’t any good, it’s hard to see how my telling somebody that as a child I used to cook up what amounted to simplistic versions of Zeno’s Dichotomy and ruminate on them until I literally made myself sick, or that I once almost flunked a basic calc course and have seethed with dislike for conventional higher-math education ever since, or that the ontology and grammar of abstractions have always struck me as one of the most breathtaking problems in human consciousness—how any such stuff will help. The logic of this objection seems airtight to me. In fact, the only way the objection doesn’t apply is if these ¶s are really nothing more than disguised ad copy, in which case I don’t see why anyone reading them should even necessarily believe that the books’ authors actually wrote them—I mean, maybe somebody in the ad-copy department wrote them and all we did was sort of sign off on them. There’d be a kind of twisted integrity about that, though—at least no one would be pretending to pretend.
David Foster Wallace
Our guy has a property office, John. And I don't mean the Property Office here in One PP. I mean the huge fucking storage facility. A guy in there, with access to thousands of fucking handguns. Even the ones that other people would be keeping an eye on, like Son of Sam's piece, for fuck's sake - a guy in there who'll just boost them and give them to our guy to kill people with. And if the guns are too famous, he'll cut his own slugs out of the bodies and walk away. This guy, our guy, he's actually starting to scare me a bit right now." "A couple of hundred kills to his name didn't do that?" "Meh. I dream about killing two hundred people every fucking night." "You know," said Tallow, "whenever I'm in danger of forgetting you're CSU, you always find a way to remind me.
Warren Ellis (Gun Machine)
She sometimes talked about how liking girls is political and revolutionary and counter-cultural, all these names and terms that I didn’t even know that I was supposed to know, and a bunch of other things I didn’t really understand and I’m not sure that she did then, either—though she’d never have let on. I hadn’t ever really thought about any of that stuff. I just liked girls because I couldn’t help not to. I’d certainly never considered that someday my feelings might grant me access to a community of like-minded women.
Emily M. Danforth
I think what I want is for someone to know me. Really know me. Know me better than anyone else and maybe even me. Isn't that why we commit to another? It's not for sex. if it were for sex, we wouldn't marry one person. We'd just keep finding new partners. We commit for many reasons, I know, but the more I think about it, the more I think long-term relationships are for getting to know someone. I want someone to know me, really know me, almost like that person could get into my head. What would that feel like? To have access, to know what it's like in someone else's head. To rely on someone else, have him rely on you. That's not a biological connection like the one between parents and children. This kind of relationship would be chosen. It would be something cooler, harder to achieve than one built on biology and shared genetics.
Iain Reid (I'm Thinking of Ending Things)
Washington's all abstraction. It's about access to power and nothing else. I mean, I'm sure it's fun if you're living next door to Seinfeld, or To Wolfe, or Mike Bloomberg, but living next door to them isn't what New York is about, In Washington people literally talk about how many feet away from John Kerry's house their own house is. The neighborhoods are all so blah, the only thing that turns people on is proximity to power. It's a total fetish culture. People get this kind of orgasmic shiver when they tell you they sat next to Paul Wolfowitz at a conference or got invited to Grover Norquist's breakfast.
Jonathan Franzen (Freedom)
We believed we were supposed to "cope" as best we could. As we talked, we realized the disability itself was not that big a deal for us. We had all learned to accept our physical limitations. What made life difficult was not the disability, but the lack of services and support, the lack of accessibility, the unfair and stereotypical ways in which we were treated, the pity doled out for us all our lives. Often, after a meeting, I wrote my thoughts down in a notebook. "It's not my fault that I'm disabled, yet I've been made to feel that it is," I wrote. "My polio never made me unhappy; people made me unhappy. Ever since I was a little girl, people have always made me feel I was no good because I was disabled. From Sicilian women and the nuns to the doctors who couldn't fix me, to my fellow students and prospective employers... and even my own parents." As I wrote, my tears fell and stained the pages - tears of anger, of relief and of new hope.
Nadina LaSpina (Such a Pretty Girl: A Story of Struggle, Empowerment, and Disability Pride)
It’s not about living in a sleek loft with three pieces of designer furniture. It’s not daring, nor dramatic, nor even all that difficult. What is minimalism then? It’s eliminating the excess. It’s asking “why” before you buy. It’s embracing the concept of enough. It’s living lightly and gracefully on the Earth. It’s uncovering who you are when all of the logos, brand names, and clutter are stripped away. It’s simple, it’s ordinary, and it’s accessible to everyone—from singles to families, teenagers to retirees. I’m reminded of the saying, “Zen is chopping wood and carrying water.” In other words, the world of enlightenment is none other than our everyday world.
Francine Jay (Miss Minimalist: Inspiration to Downsize, Declutter, and Simplify)
Studs Terkel was waiting for a number 146 bus alongside two well-groomed business types. "This was before the term yuppie was used," he explains. "But that was what they were. He was in Brooks Brothers and Gucci shoes and carrying the Wall Street Journal under his arm. She was a looker. I mean stunning - Bloomingdales and Neiman Marcus and carrying Vanity Fair." Terkel, who is 95, has long been a Chicago icon, every bit as accessible and integral to the cultural life of the Windy City as Susan Sontag was to New York. He had shared the bus stop with this couple for several mornings but they had always failed to acknowledge him. "It hurts my ego," he quips. "But this morning the bus was late and I thought, this is my chance." The rest of the story is his. "I say, 'Labour Day is coming up.' Well, it was the wrong thing to say. He looks toward me with a look of such contempt it's like Noel Coward has just spotted a bug on his collar. He says, 'We despise unions.' I thought, oooooh. The bus is still late. I've got a winner here. Suddenly I'm the ancient mariner and I fix him with my glittering eye. 'How many hours a day do you work?' I ask. He says, 'Eight.' 'How comes you don't work 18 hours a day like your great-great-grandfather did? You know why? Because four guys got hanged in Chicago in 1886 fighting for the eight-hour day ... For you.
Gary Younge
The door handle turned. Someone knocked, and a man's voice called, "Uh, hello?" Valkyrie looked at Skulduggery, looked back at the others, looked at Skulduggery again. "Hello," Skulduggery said, speaking loudly to be heard over the alarm. "Hi," said the man. "The door's locked." "Is it?" "Yes." "That's funny" said Skulduggery. "Hold on a moment." He reached out, jiggled the handle a few times, then stepped back. "Yes, it's locked. You wouldn't happen to have the key, would you?" There was a delay in response from the other side. "I'm sorry," the man called, "Who am I speaking with?" Skulduggery tilted his head. "Who am I speaking with?" "This is Oscar Nightfall." "Are you sure?" "What?" "Are you sure you are who you say you are? This is the Great Chamber, after all. It's a very important place for very important people. It is not beyond the realms of possibility that someone, and I'm not saying that this applies to you in particular, but someone could conceivably lie about who they are in order to gain access to this room. I have to be vigilant, especially now. There's a war on, you know." Oscar Nightfall sounded puzzled. Who are you?" "Me? I'm nobody. I'm a cleaner. I'm one of the cleaners. I was cleaning the thrones and the door shut behind me. Now I can't get out. Could you try and find a key?" "What's your name? Give me you name." "No. It's mine." "Tell me your name!" "My name is Oscar Nightfall." "What? No it isn't. That's my name." "Is it? Since when?" "Since I took it!" "You didn't ask me if you could take it. I was using it first." "Open this door immediately." "I don't have the key." "I'll fetch the Cleavers." "I found the key. It was in the keyhole. It's always the last place you look isn't it? I'm unlocking the door now. Here we go." Skulduggery relaxed the air pressure, opened the door, and pulled Oscar Nightfall inside. Valkyrie stuck out her foot, and Oscar stumbled over it and Vex shoved him to Ghastly and Ghastly punched him. Oscar fell down and didn't get up again. Skulduggery closed the door once more.
Derek Landy (Last Stand of Dead Men (Skulduggery Pleasant, #8))
Helen’s secretary’s phone was ringing off the hook as Clavier and I passed through the antechamber and into the hallway. Once we were outside, I rounded on him. “I’m not going to apologize. What you did to me was unconscionable, and now that Alexa is sick—” The urge to strike out at him welled up in me like a flash fire, and I braced my hand against the wall so as not to give in to the impulse. “I want access to everything. And your full cooperation. I am going to make this right, damn it, whatever it takes.” He stared at me coldly. “Save your self-righteous invectives for someone who will be moved by them.” I took a menacing step forward, despite my determination to remain poised. “Hoping for a repeat performance? You must get off on asphyxiation.” At the spark of anger in his eyes, I laughed. “The first thing that’s going to happen is that I am going to talk to Sebastian. And you are going to call whoever you need to call to make that happen. Right now.” Without waiting for a response, I turned sharply and headed for the stairwell.
Nell Stark (nevermore (everafter, #2))
She was only twenty-three, not even a quarter of a century old.She had spent the last five years living exclusively in the human world. Now her wild nature was calling to her. Gregori was touching something untamed in her, something to which she had forbidden herself access. Something wild and unhibited and incredibly sensuous. Savannah looked up at his dark, handsome face. It was so male. So carnal. So powerful. Gregori. The Dark One. Just looking at him made her go weak with need. One glance from his slashing silver eyes could bring a rush of liquid heat, fire racing through her.She became soft and pliant. She became his. Gregori's palm cupped her face. "Whatever you are thinking is making you fear me,Savannah," he said softly. "Stop it." "You're making me into something I'm not," she whispered. "You are Carpathian, my lifemate. You are Savannah Dubrinsky. I cannot take any of those things from you. I do not want a puppet, or a different woman. I want you as you are." His voice was soft and compelling. He lifted her in his arms,carried her to his bed and tucked the covers around her. The storm lashed at the windows and whistled against the walls. Gregori wove the safeguards in preparation for their sleep. Savannah as exhausted, her eyes already trying to close. Then he slipped into the bed and gathered her into his arms. "I would never change anything about you,ma patite, not even your nasty little temper." She settled against his body as if she was made for it.He felt the brush of her lips against his chest and the last sigh of air as it escaped from her lungs. Gregori lay awake for a long time, watching as the dawn crept forward, pushing away the night. One wave of his hand closed and locked the heavy shutters over the windows. Still he lay awake, holding Savannah close. Because he had always known he was dangerous, he had feared for mortals and immortals alike at his hand. But somehow,perhaps naively, he had thought that once he was bound to his lifemate, he would become tamer, more domesticated. His fingers bunched in her hair. But Savannah made him wild. She made him far more dangerous than he had ever been. Before Savannah, he had had no emotions. He had killed when it necessary because it was necessary. He had feared nothing because he loved nothing and had nothing to lose. Now he had everything to lose.And so he was more dangerous.For no one, nothing, would ever threaten Savannah and live.
Christine Feehan (Dark Magic (Dark, #4))
White women had a fundamental role in building this new, more combative Christian right. Their attitudes and political viewpoints came as a reaction to social change. It would seem that white evangelical women would’ve been deeply offended by Trump’s multiple marriages, documented and highly public infidelities, and, most famously, the Access Hollywood tape released in 2016 of a dialogue between television host Billy Bush and Donald Trump: Trump: You know I’m automatically attracted to be beautiful women—I just start kissing them. It’s like a magnet. Just kiss. I don’t even wait. And when you’re a star, they let you do it. You can do anything Bush: Whatever you want. Trump: Grab ‘em by the pussy. You can do anything. Yet data show that a majority of white evangelical women voted for Trump. Moreover, the higher their church attendance, the more likely they were to vote for Trump…
Gerardo Martí (American Blindspot: Race, Class, Religion, and the Trump Presidency)
What password were you given?" "Éloa." He sucked in a breath. Chase had given her carte blanche at the club. Access to any room, any event, any adventure she wanted, without chaperone. Without him. "What does it mean?" she asked, registering his surprise. "It means I'm going to have words with Chase." "I mean, what does Éloa mean?" He narrowed his gaze, answered her literally. "It's the name of an angel." Penelope tilted her head, thinking. "I've never heard of him." "You wouldn't have." "Was he a fallen angel?" "She was, yes." He hesitated, not wanting to tell her the story, but unable to stop himself. "Lucifer tricked her into falling from heaven." "Tricked her how?" He met her gaze. "She fell in love with him." Penelope's eyes widened. "Did he love her?" Like an addict loves his addiction. "The only way he knew how." She shook her head. "How could he trick her?" "He never told her his name.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
Writing is the way I process the world. When I was given the opportunity to write this book, whatever God was up there said, You got your dream. I said, Actually I was hoping for a lighter topic, and God was like, Ha! Ha! You thought you got to choose. This was the topic I was given. If something else had happened to me, I would have written about that, too. When I get worked up over what happened, I tell myself, you are a pair of eyes. I'm a civilian who's been randomly selected to receive an all-access pass to the court system. Feelings will include invasion, shame, isolation, cruelty. My job is to observe , feel, document, report. What am I learning and seeing that other people can't see? What doorways does my suffering lead to? People sometimes day, I can't imagine. How do I make them imagine? I write to show how victims are treated at this moment in time, to record the temperature of our culture. This is a marker...
Chanel Miller (Know My Name)
Yeye shifted in her seat as Roma stared down at her angrily. “There are inter-realm laws I must abide by, that the soul must abide by as well when it comes to an appointed manifestation. Whoever was in the world before can not go into the new world. That identity must be forsaken. It must—” “Forsaken or forgotten?” Roma barked. “Forsaken,” Yeye answered. “Unless you’re putting this soul into a blank state like that of a child, it can not be forgotten. It has to be forsaken. That’s the rule or you get no soul.” “So you’re telling me that this soul will remember but will never be able to be that person it was?” Roma asked. “I’m telling you a new memory must be formed with absolutely no reference to the previous.” “What the freak is that?” Roma asked, visibly agitated. “You can form new memories while holding on to preexisting ones.” Yeye stood. “Yes Roma, you’re right. But you can also form new memories while you are unable to access the previous ones.” “Such it would have a drive that belongs to it but would never be able to access or be forbidden to access it?” Roma asked. Yeye’s voice was low. “I’m afraid that’s the way it is going to have to be.” Roma shook his head vehemently. “Exactly which way is that Yeye. Exactly which way is that in common terms?” Yeye spoke in her most resolute tone yet. “You will never be able to know whether or not this soul is Mara.” Roma gained silence, breathing in and out rapidly. “We’re getting out of this damned Zharfar,” he said as he stormed out.
Dew Platt (Roma&retina)
There were no such stipulations made when we discussed the agreement." "Nor were they expressly not made. I am making them now. You received what you requested. Or, have you forgotten?" The words sent a shiver down her spine. He was standing behind her, and she could feel the warm kiss of his breath on her bare neck, sending a river of heat through her. "I have not forgotten." The words came unbidden, and she closed her eyes. He laid a hand on her arm and, with virtually no pressure, turned her face to him. When he met her eyes, the anger that had been there was gone, replaced by something much more complex. "Neither have I. And not for lack of trying." Before she could begin to consider the meaning behind his words, he settled his mouth upon hers, robbing her of thought. "I've tried to forget that kiss... and the carriage ride... and the fencing club... but you seem to have taken up residence... in my memory." As he spoke between long, drugging kisses that consumed her senses, he guided Callie across the study and into a large chair near the fireplace. Kneeling in front of her, he cupped one cheek in a strong, warm hand, and met her gaze with a searing look. Shaking his head as though he couldn't quite understand what had come over him, he kissed her again, growling low in the back of his throat. Her hands found their way into his thick, dark hair as he caught her bottom lip in his teeth, nibbling and licking at it until she thought she might perish from the intensity of the feeling. She whimpered at the sensation, and he rewarded the sound by deepening the kiss, giving her everything she desired. He broke off the kiss as one of his hands found its way under her skirts, caressing up the inside of her leg. He shifted her against him, running his lips across her cheek to the curl of her ear, sucking and nibbling and licking as he spoke to her, the scandalous words more sensation than sound. "Such soft skin..." he said, as his fingers played along the inside of her thighs, driving her mad with desire as heat pooled at their juncture. "I've been wondering what you felt like here..." He shifted to gain better access to the skin high on the inside of her thighs, so close to the spot where she most wanted him. "Now that I know... I'm going to be consumed with thoughts of how this soft, lovely skin will feel against me..." He placed a soft, lush kiss on the column of her neck as his hand moved higher, closer to the center of her.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
I’m just getting to the good stuff (Cressida must seduce Nigel to gain access to the spy codes!) when Josh walks out of his house to get the mail. He sees me too; he lifts his hand like he’s just going to wave and not come over, but then he does. “Hey, nice onesie,” he says as he makes his way across the driveway. It’s faded light blue with sunflowers and it ties around the neck. I got it from the vintage store, 75 percent off. And it’s not a onesie. “This is a sunsuit,” I tell him, going back to my book. I try to subtly hide the cover with my hand. The last thing I need is Josh giving me a hard time for reading a trashy book when I’m just trying to enjoy a relaxing afternoon. I can feel him looking at me, his arms crossed, waiting. I look up. “What?” “Wanna see a movie tonight at the Bess? There’s a Pixar movie playing. We can take Kitty.” “Sure, text me when you want to head over,” I say, turning the page of my book. Nigel is unbuttoning Cressida’s blouse and she’s wondering when the sleeping pill she slipped in his Merlot will kick in, while simultaneously hoping it won’t kick in too soon, because Nigel is actually quite a good kisser. Josh reaches down and tries to get a closer look at my book. I slap his hand away, but not before he reads out loud, “Cressida’s heart raced as Nigel moved his hand along her stockinged thigh.” Josh cracks up. “What the heck are you reading?” My cheeks are burning. “Oh, be quiet.” Chuckling, Josh backs away. “I’ll leave you to Cressida and Noel then.” To his back, I call out, “For your information, it’s Nigel!
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Here's why I'm afraid of life after death: What if there is no nicotine gum? I must have access to my nicotine gum at all times. I kiss with the gum. I sleep with the gum. Anything you can do without the gum I must do with the gum. I am chewing the gum right now. I chew the gum, because I don’t trust the universe to fill me up on its own. I can’t count on the universe to sate my many holes: physical, emotional, spiritual. So I take matters into my own hands. I give myself little “doggy treats” for being alive. Each time I unwrap a new piece of nicotine gum and put it in my mouth (roughly every thirty minutes), I generate a sense of synthetic hope and potentiality. I am self-soothing. I am “being my own mommy.” I am saying, Here you go, my darling. I know life hurts. I know reality is itchy. But open your mouth. A fresh chance at happiness has arrived! I’ve been chewing nicotine gum for twelve years. I haven’t had a cigarette in ten years. So you might say the gum works, except now I have a gum problem. I am so addicted to the gum that I have to order it from special “dealers” in bulk on eBay. I get gum on all the bedding. There are many reasons why I don’t think I will have children, but the necessity of getting off the gum during pregnancy is one of them. When it comes down to anything vs. the gum, I always choose the gum. Now let me just say, before we go any further, that if you’re thinking of using nicotine gum to quit smoking you should not let my experience scare you. I am the addict’s addict. Everything I touch turns to dopamine. I can even turn people into dopamine (ask me how!).
Melissa Broder (So Sad Today: Personal Essays)
Put your glasses on mate ….. Come down from there, you’re gonna kill yourself …. Well, what does your Method Statement say? …. Right, let’s get you re-inducted. You need a reminder of site rules ….. Where are your outriggers, mate? ….. Put your glasses on ….. Put your glasses on …. Put your glasses on …. Oh, they steam up, do they? I’ve never heard that one before …. Where’s your mask? If you breathe this shit in you’re going to kill yourself. Silicosis is incurable ….. Right STOP! Do not reverse another inch without a banksman ….. Don’t put your glasses on just because you see me walk around the corner. They won’t protect MY eyes …. Hook yourself on, what’s the matter with you? Are all you scaffolders superhuman or something? ….. Put your glasses on ….. Oi! What stops me walking right in there? Where’s your barriers and signage? ….. Oi! I’m getting showered in fucking sparks here. And so is that can of petrol ….. Put your glasses on …. Where’s the flashback arrestor on this bottle of propane? ….. Hey, pal, stop welding until you’ve sheeted up ….. What are you doing climbing up there? Where’s your supervisor? What did he say about access in this morning’s Safe Start briefing? Nothing? Right, he can sit through another induction tomorrow ….. Where are the retaining pins to the joint clamps in this concrete pump line? SEAMUS! Fucking deal with this, will you? ….Put your glasses on …. Hey! Hey! Come here! Why have you got a nail instead of an ‘R’ clip to the quick-hitch system on your excavator bucket? NO! IT WON’T DO! WHAT THE FUCK IS WRONG WITH YOU? If that bucket falls on someone they’re not going to get up again. And you trust a fucking nail to hold it in position! Take this machine out of service immediately until you’ve got the proper ‘R’ clip! ….. Put your glasses on …. Where’s the edge protection. Who removed the edge protection? Right, let me phone for a scaffolder ….. Put your glasses on ….. Oi! Get out from under there! Never, ever stand underneath a suspended load. Even if all the equipment’s been inspected, which it obviously has, you can never trust the crane driver. He can be taken ill suddenly ….. Come here, mate, let’s have a little chat. Why are you working on Fall Arrest? You’re supposed to be working on Fall Restraint (FR ‘restrains’ you going near the perimeter edge of the building, FA ‘arrests’ your fall if, well, if you fall. If you’re hanging off a building we’ve got less than ten minutes to reach you before you start going into toxic shock brought on by suspension trauma. In other words, we need a Rescue Plan, which is why we’d prefer people work on Fall Restraint)
Karl Wiggins (Dogshit Saved My Life)
Tate was sprawled across the bed in his robe early the next morning when the sound of the front door opening penetrated his mind. There was an unholy commotion out there and his head was still throbbing, despite a bath, several cups of coffee and a handful of aspirin that had been forced on him the day before by two men he’d thought were his friends. He didn’t want to sober up. He only wanted to forget that Cecily didn’t want him anymore. He dragged himself off the bed and went into the living room, just in time to hear the door close. Cecily and her suitcase were standing with mutual rigidity just inside the front door. She was wearing a dress and boots and a coat and hat, red-faced and muttering words Tate had never heard her use before. He scowled. “How did you get here?” he asked. “Your boss brought me!” she raged. “He and that turncoat Colby Lane and two bodyguards, one of whom was the female counterpart of Ivan the Terrible! They forcibly dressed me and packed me and flew me up here on Mr. Hutton’s Learjet! When I refused to get out of the car, the male bodyguard swept me up and carried me here! I am going to kill people as soon as I get my breath and my wits back, and I am starting with you!” He leaned against the wall, still bleary-eyed and only half awake. She was beautiful with her body gently swollen and her lips pouting and her green eye sin their big-lensed frames glittering at him. She registered after a minute that he wasn’t himself. “What’s the matter with you?” she asked abruptly. He didn’t answer. He put a hand to his head. “You’re drunk!” she exclaimed in shock. “I have been,” he replied in a subdued tone. “For about a week, I think. Pierce and Colby got my landlord to let them in yesterday.” She smiled dimly. “I’d made some threats about what I’d do if he ever let anybody else into my apartment, after he let Audrey in the last time. I guess he believed them, because Colby had to flash his company ID to get in.” He chuckled weakly. “Nothing intimidates the masses like a CIA badge, even if it isn’t current.” “You’ve been drunk?” She moved a little closer into the apartment. “But, Tate, you don’t…you don’t drink,” she said. “I do now. The mother of my child won’t marry me,” he said simply. “I said you could have access…” His black eyes slid over her body like caressing hands. He’d missed her unbearably. Just the sight of her was calming now. “So you did.” Why did the feel guilty, for God’s sake, she wondered. She tried to recapture her former outrage. “I’ve been kidnapped!” “Apparently. Don’t look at me. Until today, I was too stoned to lift my head.” He looked around. “I guess they threw out the beer cans and the pizza boxes,” he murmured. “Pity. I think there was a slice of pizza left.” He sighed. “I’m hungry. I haven’t eaten since yesterday.” “Yesterday!
Diana Palmer (Paper Rose (Hutton & Co. #2))
There are people in this country who will argue that because of the demise of morals in general, and Sunday school in particular, kids today are losing their innocence before they should, that because of cartoons and Ken Starr and curricula about their classmates who have two mommies, youth learn too soon about sex and death. Well, like practically everyone else in the Western world who came of age since Gutenberg, I lost my innocence the old-time-religion way, by reading the nursery rhyme of fornication that is the Old Testament and the fairy tale bloodbath that is the New. Job taught me Hey! Life's not fair! Lot's wife taught me that I'm probably going to come across a few weird sleazy things I won't be able to resist looking into. And the book of Revelation taught me to live in the moment, if only because the future's so grim. Being a fundamentalist means going straight to the source. I was asked to not only read the Bible, but to memorize Bible verses. If it wasn't for the easy access to the sordid Word of God I might have had an innocent childhood. Instead, I was a worrywart before my time, shivering in constant fear of a god who, from what I could tell, huffed and puffed around the cosmos looking like my dad did when my sister refused to take her vitamins that one time. God wasn't exactly a children's rights advocate. The first thing a child reading the Bible notices is that you're supposed to honor your mother and father but they're not necessarily required to reciprocate. This was a god who told Abraham to knife his boy Isaac and then at the last minute, when the dagger's poised above Isaac's heart, God tells Abraham that He's just kidding. This was a god who let a child lose his birthright because of some screwball mix-up involving fake fur hands and a bowl of soup. This was a god who saw to it that his own son had his hands and feet nailed onto pieces of wood. God, for me, was not in the details. I still set store by the big Judeo-Christian messages. Who can argue with the Ten Commandments? Don't kill anybody: don't mess around with other people's spouses: be nice to your mom and dad. Fine advice. It was the minutiae that nagged me.
Sarah Vowell (Take the Cannoli)
I’m happy here, Tate. I’ll let you know when the baby comes,” she added quietly. “Certainly, you’ll have access to him any time you like.” Doors were closing. Walls were going up around her. He clenched his teeth together in impotent fury. “I want you,” he said forcefully, which was not at all what he wanted to say. “I don’t want you,” she replied, lying through her teeth. She wasn’t about to become an obligation again. She even smiled. “Thanks for coming to see about me. I’ll phone Leta when she and Matt come home from Nassau.” “They’re already home,” he said flatly. “I’ve been to make peace with them.” “Have you?” She smiled gently. “I’m glad. I’m so glad. It broke Leta’s heart that you wouldn’t speak to her.” “What do you think it’s going to do to her when she hears that you won’t marry the father of your child?” She gaped at him. “She…knows?” “They both know, Cecily,” he returned. “They were looking forward to making a fuss over you.” He turned toward the door, bristling with hurt pride and rejection. “You can call my mother and tell her yourself that you aren’t coming back. Then you can live here alone in the middle of ‘blizzard country,; and I wish you well.” He turned at the door with his black eyes flashing. “As for me, hell will freeze over before I come near you again!” He went out and slammed the door. Cecily stared after him with her heart in her throat. Why was he so angry that she’d relieved him of any obligations about the baby? He couldn’t want her for herself. If he had, if he’d had any real feeling for her, he’d have married her years ago. It was only the baby. She let the tears rush down her face again with pure misery as she heard the four-wheel drive roar out of the driveway and accelerate down the road. She hoped he didn’t run over anybody. Her hand went to her stomach and she remembered with anguish the look on his face when he’d put his big, strong hand over his child. She’d sent him away for the sake of his own happiness, didn’t he know that? She supposed it was just hurt pride that had caused his outburst. But she wished he hadn’t come. It would be so much harder to live here now that she could see him in this house, in these rooms, and be haunted by the memory of him all over again. He wouldn’t come back. She’d burned her bridges. There was no way to rebuild them.
Diana Palmer (Paper Rose (Hutton & Co. #2))
It seems that in the kingdom of Heaven, the cosmic lottery works in reverse; in the kingdom of Heaven, all of our notions of the lucky and the unlucky, the blessed and the cursed, the haves and the have-nots, are turned upside down. In the kingdom of Heaven, the last will be first and the first will be last. In India, I realised that while the poor and oppressed certainly deserve my compassion and help, they do not need my pity. Widows and orphans and lepers and untouchables enjoy special access to the Gospel that I do not have. They benefit immediately from the Good News that freedom is found not in retribution but in forgiveness, that real power belongs not to the strong but to the merciful, that joy comes not from wealth but from generosity. The rest of us have to get used to the idea that we cannot purchase love or fight for peace or find happiness in high positions. Those of us who have never suffered are at a disadvantage because Jesus invites His followers to fellowship in His suffering. In fact, the first thing Jesus did in His sermon on the mount was to mess with our assumptions about the cosmic lottery. In Luke’s account, Jesus says, "Blessed are you who are poor for yours is the Kingdom of God. Blessed are you who hunger now, for you will be satisfied. Blessed are you who weep now, for you will laugh. But woe to you who are rich, for you have already received your comfort. Woe to you who are well-fed now, for you will go hungry. Woe to you who laugh now, for you will mourn and weep.” (Luke 6:20-21; 24-25) It seems that the kingdom of God is made up of the least of these. To be present among them is to encounter what the Celtic saints called “thin spaces”, places or moments in time in which the veil separating heaven and earth, the spiritual and the material, becomes almost transparent. I’d like to think that I’m a part of this kingdom, even though my stuff and my comforts sometimes thicken the veil. Love, joy, peace, patience, kindness, goodness, faithfulness, gentleness and self-control – these are God things, and they are available to all, regardless of status or standing. Everything else is just extra, and extra can be a distraction. Extra lulls us into the complacency and tricks us into believing that we need more than we need. Extra makes it harder to distinguish between God things and just things.
Rachel Held Evans (Evolving in Monkey Town: How a Girl Who Knew All the Answers Learned to Ask the Questions)
Lies flee in the presence of truth. And the Devil turns powerless when our minds turn to our all-powerful God. Here’s where I become quite fascinated. Jesus had access to thousands of scriptures from the Old Testament. He knew them. He could have used any of them. But He chose three specific ones. I’ve decided I want these three to be at the top of my mind. I Want a Promise for My Problem of Feeling Empty Man does not live on bread alone but on every word that comes from the mouth of the LORD. (Deuteronomy 8:3) My soul was hand designed to be richly satisfied in deep places by the Word of God. When I go without the nourishment of truth, I will crave filling my spiritual hunger with temporary physical pleasures, thinking they will somehow treat the loneliness inside. These physical pleasures can’t fill me, but they can numb me. Numb souls are never growing souls. They wake up one day feeling so very distant from God and wondering how in the world they got there. Since Satan’s goal is to separate us from the Lord, this is exactly where he wants us to stay. But the minute we turn to His Word is the minute the gap between us and God is closed. He is always near. His Word is full and fully able to reach those deep places inside us desperate for truth. I Want a Promise for My Problem of Feeling Deprived “Fear the LORD your God, serve him only and take your oaths in his name” (Deuteronomy 6:13). Another version of this verse says, “Worship Him, your True God, and serve Him.” (THE VOICE) When we worship God, we reverence Him above all else. A great question to ask: Is my attention being held by something sacred or something secret? What is holding my attention the most is what I’m truly worshipping. Sacred worship is all about God. Is my attention being held by something sacred or something secret? Secret worship is all about something in this world that seems so attractive on the outside but will devour you on the inside. Pornography, sex outside of marriage, trading your character to claw your way to a position of power, fueling your sense of worth with your child’s successes, and spending outside of your means to constantly dress your life in the next new thing—all things we do to counteract feelings of being left out of and not invited to the good things God has given others—these are just some of the ways lust sneaks in and wreaks havoc. Two words that characterize misplaced worship or lust are secret excess. God says if we will direct our worship to Him, He will give us strength to turn from the mistakes of yesterday and provide portions for our needs of today. Whom have I in heaven but you? And earth has nothing I desire besides you. My flesh and my heart may fail, but God is the strength of my heart and my portion forever. (PSALM 73:25–26) And I Certainly Want a Promise for My Problem of Feeling Rejected Do not put the LORD your God to the test. (Deuteronomy 6:16)
Lysa TerKeurst (Uninvited: Living Loved When You Feel Less Than, Left Out, and Lonely)
Mum: I loved watching you work on it because you were concentrating so hard and it looked like you were enjoying it. Do you like it? Grace: I like the path. It’s easy to follow and stay safe. But the trees don’t look right. I just made round tops. Trees are hard to draw. Mum: Yes … Trees can be tough … Lots of artists spend their whole lives practising trees. We can look at some next time we go to the art gallery, okay? We can see all the ways that different artists draw trees. It’s okay to draw them any way you want to. And you can try different ways. Grace: Okay. I’m going to do a new picture and practise my trees. Mum: [smiling] I love how you keep practising things you want to get good at! What has Grace learned? That her Mum values ‘concentrating so hard’ and enjoying working at something. That her mother is interested in the witches of her inner world. That her mother values the work she does, but that she is the one to evaluate it. That even skilled adults practise. That her own work has some relationship to the work hanging in an art gallery. That she can try different ways and do things the ways she wants to. That whether to practise more is her own choice but will give her the results she wants in her work. That she can take joy in sharing her inner life through the creative process. Grace is accessing her unique gifts, honing them and enjoying the process of sharing them with the world. She is well on her way to developing mastery. Mastery
Laura Markham (Calm Parents, Happy Kids: The Secrets of Stress-free Parenting)
I was lucky to receive it. Most rogue interns never get a second chance. And here it’s worth mentioning that I benefited from what was known in 2009 as being fortunate, and is now more commonly called privilege. It’s not like I flashed an Ivy League gang sign and was handed a career. If I had stood on a street corner yelling, “I’m white and male, and the world owes me something!” it’s unlikely doors would have opened. What I did receive, however, was a string of conveniences, do-overs, and encouragements. My parents could help me pay rent for a few months out of school. I went to a university lousy with successful D.C. alumni. No less significantly, I avoided the barriers that would have loomed had I belonged to a different gender or race. Put another way, I had access to a network whether I was bullshit or not. A friend’s older brother worked as a speechwriter for John Kerry. When my Crisis Hut term expired, he helped me find an internship at West Wing Writers, a firm founded by former speechwriters for Bill Clinton and Al Gore. In the summer of 2009, my new bosses upgraded me to full-time employee. Without meaning to, I had stumbled upon the chance to learn a skill. The firm’s partners were four of the best writers in Washington, and each taught me something different. Vinca LaFleur helped me understand the benefits of subtle but well-timed alliteration. Paul Orzulak showed me how to coax speakers into revealing the main idea they hope to express. From Jeff Shesol, I learned that while speechwriting is as much art as craft, and no two sets of remarks are alike, there’s a reason most speechwriters punctuate long, flowy sentences with short, punchy ones. It works.
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
Rider scooped Willow into his arms and carried her outside to the nearest tree, Miriam right behind him. Awkwardly shifting his burden, he sat in the shade and settled Willow in his lap. "Mrs. Brigham, could you lend me a hand?" he asked anxiously. "I think we should loosen her clothing or something." Rider propped Willow's limp form over one arm, giving Miriam access to the back of the girl's dress. As the corset came into view, he snorted in disgust. "Unlace that contraption, too. No wonder she fainted; she can't breathe." Miriam looked aghast. "Oh, but I can't do that! It wouldn't be decent." "She's wearing something under it, isn't she?" "Well, yes, but--" "Good God, I'll do it myself!" His free hand produced a small knife from his pants pocket. The blade flashed and before Miriam could stop him, the corset ribbons were severed. Immediately, Willow inhaled deeply. Rider shifted her back into the bend of his arm and gently patted her cheeks. "Come on, little girl, open those big blue eyes." Inhaling another deep breath, Willow gradually came around. She blinked at the leafy roof overhead, then focused a confused gaze on Rider's smiling face. "What happened? How did I get out here?" Glancing around, she impatiently brushed a few errant strands of hair from her eyes. "Oh, my dear, you fainted," Miriam fussed. "Fainted! I've never fainted in my life. I'm not the fainting kind." "Maybe not under normal circumstances," Rider contradicted, "but you did faint. And it's little wonder, trussed up in that ridiculous corset. Wearing that thing in this heat is insane!" "Really, Mr. Sinclair." Miriam scowled. "I hardly think this is an appropriate subject in mixed company." "I'm sorry, Mrs. Brigham, but it's the truth." "I don't care what either one of you says," Willow broke in. "I did not faint." Rider grimaced in disgust. "Just dozed off again, huh?
Charlotte McPherren (Song of the Willow)
beyond them. The Six Diseases If we want to look at how we practice all forms of rivalry, there are six diseases my father wrote about, all of which stem from the desire we have to win at all costs. These diseases rely on being in competition, which is typically where we go in a relationship the moment any discord pops up. When we relate to others in these ways, we are disconnecting from them and disconnecting from our true selves in order to access some form of outside validation. In other words, there is no relationship, no collaboration, no cocreation. There is only the victor and the loser. The Six Diseases are: The desire for victory I have to be the winner. If I don’t win, I’m a loser. If I win, everyone else is a loser. The desire to resort to technical cunning I rely on the power of my wits to show you how great I am. Who cares about people or their feelings as long as everyone can see how clever I am? The desire to display all that has been learned Check me out. I know lots of things. I can speak at length about anything. It doesn’t matter what anyone else has to say (especially if it’s dumb). The desire to awe the enemy I am a force to be reckoned with. Look out! I will wow you to get your approval even if I have to do something shocking and wild to get your attention. The desire to play the passive role I am so easy to get along with. Who wouldn’t like me? I am so unobtrusive and sweet. I will put anything that’s important to me aside to make sure that you see how likeable and wonderful I am. How could you not like me when I sacrifice everything just for you? The desire to rid oneself of whatever disease one is affected by I am not okay as I am. I will perform constant self-work and read as many books as I can and take so many classes to make myself good that you will see that I am always trying to be a good person even if I continue to do lots of shitty things. I know I’m not okay as I am. And I know you know that I know I’m not okay as I am, which makes it okay not to get truly better as long as it looks like I’m trying.
Shannon Lee (Be Water, My Friend: The Teachings of Bruce Lee)
It’s so funny you should say this, because if you were one of my students, you’d be wearing your pain like a badge of honor. This generation doesn’t hide anything from anyone. My class talks a lot about their traumas. And how their traumas inform their games. They, honest to God, think their traumas are the most interesting thing about them. I sound like I’m making fun, and I am a little, but I don’t mean to be. They’re so different from us, really. Their standards are higher; they call bullshit on so much of the sexism and racism that I, at least, just lived with. But that’s also made them kind of, well, humorless. I hate people who talk about generational differences like it’s an actual thing, and here I am, doing it. It doesn’t make sense. How alike were you to anyone we grew up with, you know?” “If their traumas are the most interesting things about them, how do they get over any of it?” Sam asked. “I don’t think they do. Or maybe they don’t have to, I don’t know.” Sadie paused. “Since I’ve been teaching, I keep thinking about how lucky we were,” she said. “We were lucky to be born when we were.” “How so?” “Well, if we’d been born a little bit earlier, we wouldn’t have been able to make our games so easily. Access to computers would have been harder. We would have been part of the generation who was putting floppy disks in Ziploc bags and driving the games to stores. And if we’d been born a little bit later, there would have been even greater access to the internet and certain tools, but honestly, the games got so much more complicated; the industry got so professional. We couldn’t have done as much as we did on our own. We could never have made a game that we could sell to a company like Opus on the resources we had. We wouldn’t have made Ichigo Japanese, because we would have worried about the fact that we weren’t Japanese. And I think, because of the internet, we would have been overwhelmed by how many people were trying to do the exact same things we were. We had so much freedom—creatively, technically. No one was watching us, and we weren’t even watching ourselves. What we had was our impossibly high standards, and your completely theoretical conviction that we could make a great game.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
ESTABLISH STABLE ANCHORS OF ATTENTION Mindfulness meditation typically involves something known as an anchor of attention—a neutral reference point that helps support mental stability. An anchor might be the sensation of our breath coming in and out of the nostrils, or the rising and falling of our abdomen. When we become lost in thought during practice, we can return to our anchor, fixing our attention on the stimuli we’ve chosen. But anchors can also intensify trauma. The breath, for instance, is far from neutral for many survivors. It’s an area of the body that can hold tension related to a trauma and connect to overwhelming, life-threatening events. When Dylan paid attention to the rising and falling of his abdomen, he would be swamped with memories of mocking faces while walking down the hallway. Other times, feeling a constriction of his breath in the chest echoed a feeling of immobility, which was a traumatic reminder. For Dylan, the breath simply wasn’t a neutral anchor. As a remedy, we can encourage survivors to establish stabilizing anchors of attention. This means finding a focus of attention that supports one’s window of tolerance—creating stability in the nervous system as opposed to dysregulation. Each person’s anchor will vary: for some, it could be the sensations of their hands resting on their thighs, or their buttocks on the cushion. Other stabilizing anchors might include another sense altogether, such as hearing or sight. When Dylan and I worked together, it took a while until he could find a part of his body that didn’t make him more agitated. He eventually found that the sense of hearing was a neutral anchor of attention. At my office, he’d listen for the sound of the birds or the traffic outside, which he found to be stabilizing. “It’s subtle,” he said to me, opening his eyes and rubbing the back of his neck with his hand. “But it is a lot less charged. I’m not getting riled up the same way, which is a huge relief.” In sessions together, Dylan’s anchor was a spot he’d rest his attention on at the beginning of a session or a place to return to if he felt overwhelmed. If he practiced meditation at home—I’d recommended short periods if he could stay in his window of tolerance—he used hearing as an anchor, or “home base” as he called it. “I finally feel like I can access a kind of refuge,” he said quietly, placing his hand on his belly. “My body hasn’t felt safe in so long. It’s a relief to finally feel like I’m learning how to be in here.” Anchors of attention you can offer students and clients practicing mindfulness—besides the sensation of the breath in the abdomen or nostrils—include different physical sensations (feet, buttocks, back, hands) and other senses (seeing, smelling, hearing). One client of mine had a soft blanket that she would touch slowly as an anchor. Another used a candle. For some, walking meditation is a great way to develop more stable anchors of attention, such as the feeling of one’s feet on the ground—whatever supports stability and one’s window of tolerance. Experimentation is key. Using subtler anchors does come with benefits and drawbacks. One advantage to working with the breath is that it is dynamic and tends to hold our attention more easily. When we work with a sense that’s less tactile—hearing, for instance—we may be more prone to drifting off into distraction. The more tangible the anchor, the easier it is to return to it when attention wanders.
David A. Treleaven (Trauma-Sensitive Mindfulness: Practices for Safe and Transformative Healing)