Hypothetical Conversation Quotes

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I may be out of bed, but I’m in no way equipped to conduct hypothetical conversations before I’ve had a cup of tea.
Diana Gabaldon (Written in My Own Heart's Blood (Outlander, #8))
jouska n. a hypothetical conversation that you compulsively play out in your head-a crisp analysis, a devastating comeback, a cathartic heart-to-heart-which serves as a kind of psychological batting cage that feels far more satisfying than the small-ball strategies of everyday life.
John Koenig (The Dictionary of Obscure Sorrows)
We keep trying to make our units of measurement make sense. But the truth is that the world is an absurd place; why not embrace it? It’s true, unit conversion errors have caused us to lose space probes once in a while. But isn’t that a small price to pay for silliness?
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
It’s because she doesn’t have eyelashes,” Daisy said. Iris turned to her with complete calm and said, “I hate you.” “That’s a terrible thing to say, Daisy,” Honoria said, turning on her with a stern expression. It was true that Iris was extraordinarily pale, with the kind of strawberry blond hair that seemed to render her lashes and brows almost invisible. But she’d always thought Iris was absolutely gorgeous, almost ethereal-looking. “If she didn’t have eyelashes, she’d be dead,” Sarah said. Honoria turned to her, unable to believe the direction of the conversation. Well, no, that was not completely accurate. She believed it (unfortunately). She just didn’t understand it. “Well, it’s true,” Sarah said defensively. “Or at the very least, blind. Lashes keep all the dust from our eyes.” “Why are we having this conversation?” Honoria wondered aloud. Daisy immediately answered, “It’s because Sarah said she didn’t think Iris could look venomous, and then I said—" “I know,” Honoria cut in, and then, when she realized Daisy still had her mouth open, looking as if she was only waiting for the right moment to complete her sentence, she said it again. “I know. It was a hypothetical question.” “It still had a perfectly valid answer,” Daisy said with a sniff.
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
23 Emotions people feel, but can’t explain 1.    Sonder: The realization that each passerby has a life as vivid and complex as your own. 2.    Opia: The ambiguous intensity of Looking someone in the eye, which can feel simultaneously invasive and vulnerable. 3.    Monachopsis: The subtle but persistent feeling of being out of place. 4.    Énouement: The bittersweetness of having arrived in the future, seeing how things turn out, but not being able to tell your past self. 5.    Vellichor: The strange wistfulness of used bookshops. 6.    Rubatosis: The unsettling awareness of your own heartbeat. 7.    Kenopsia: The eerie, forlorn atmosphere of a place that is usually bustling with people but is now abandoned and quiet. 8.    Mauerbauertraurigkeit: The inexplicable urge to push people away, even close friends who you really like. 9.    Jouska: A hypothetical conversation that you compulsively play out in your head. 10.    Chrysalism: The amniotic tranquility of being indoors during a thunderstorm. 11.    Vemödalen: The frustration of photographic something amazing when thousands of identical photos already exist. 12.    Anecdoche: A conversation in which everyone is talking, but nobody is listening 13.    Ellipsism: A sadness that you’ll never be able to know how history will turn out. 14.    Kuebiko: A state of exhaustion inspired by acts of senseless violence. 15.    Lachesism: The desire to be struck by disaster – to survive a plane crash, or to lose everything in a fire. 16.    Exulansis: The tendency to give up trying to talk about an experience because people are unable to relate to it. 17.    Adronitis: Frustration with how long it takes to get to know someone. 18.    Rückkehrunruhe: The feeling of returning home after an immersive trip only to find it fading rapidly from your awareness. 19.    Nodus Tollens: The realization that the plot of your life doesn’t make sense to you anymore. 20.    Onism: The frustration of being stuck in just one body, that inhabits only one place at a time. 21.    Liberosis: The desire to care less about things. 22.    Altschmerz: Weariness with the same old issues that you’ve always had – the same boring flaws and anxieties that you’ve been gnawing on for years. 23.    Occhiolism: The awareness of the smallness of your perspective. John Koenig, The Dictionary of Obscure Sorrows (Simon & Schuster, November 16, 2021)
John Koenig (The Dictionary of Obscure Sorrows)
A week is a long time to go without bedding someone?” Marcus interrupted, one brow arching. “Are you going to claim that it’s not?” “St. Vincent, if a man has time to bed a woman more than once a week, he clearly doesn’t have enough to do. There are any number of responsibilities that should keep you sufficiently occupied in lieu of…” Marcus paused, considering the exact phrase he wanted. “Sexual congress.” A pronounced silence greeted his words. Glancing at Shaw, Marcus noticed his brother-in-law’s sudden preoccupation with knocking just the right amount of ash from his cigar into a crystal dish, and he frowned. “You’re a busy man, Shaw, with business concerns on two continents. Obviously you agree with my statement.” Shaw smiled slightly. “My lord, since my ‘sexual congress’ is limited exclusively to my wife, who happens to be your sister, I believe I’ll have the good sense to keep my mouth shut.” St. Vincent smiled lazily. “It’s a shame for a thing like good sense to get in the way of an interesting conversation.” His gaze switched to Simon Hunt, who wore a slight frown. “Hunt, you may as well render your opinion. How often should a man make love to a woman? Is more than once a week a case for unpardonable gluttony?” Hunt threw Marcus a vaguely apologetic glance. “Much as I hesitate to agree with St. Vincent…” Marcus scowled as he insisted, “It is a well-known fact that sexual over-indulgence is bad for the health, just as with excessive eating and drinking—” “You’ve just described my perfect evening, Westcliff,” St. Vincent murmured with a grin, and returned his attention to Hunt. “How often do you and your wife—” “The goings-on in my bedroom are not open for discussion,” Hunt said firmly. “But you lie with her more than once a week?” St. Vincent pressed. “Hell, yes,” Hunt muttered. “And well you should, with a woman as beautiful as Mrs. Hunt,” St. Vincent said smoothly, and laughed at the warning glance that Hunt flashed him. “Oh, don’t glower—your wife is the last woman on earth whom I would have any designs on. I have no desire to be pummeled to a fare-thee-well beneath the weight of your ham-sized fists. And happily married women have never held any appeal for me—not when unhappily married ones are so much easier.” He looked back at Marcus. “It seems that you are alone in your opinion, Westcliff. The values of hard work and self-discipline are no match for a warm female body in one’s bed.” Marcus frowned. “There are more important things.” “Such as?” St. Vincent inquired with the exaggerated patience of a rebellious lad being subjected to an unwanted lecture from his decrepit grandfather. “I suppose you’ll say something like ‘social progress’? Tell me, Westcliff…” His gaze turned sly. “If the devil proposed a bargain to you that all the starving orphans in England would be well-fed from now on, but in return you would never be able to lie with a woman again, which would you choose? The orphans, or your own gratification?” “I never answer hypothetical questions.” St. Vincent laughed. “As I thought. Bad luck for the orphans, it seems.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
The pinnacle of the moral life, to which we should all aspire, is precisely to do what is right because it is right, because that is what it is to walk in God’s ways. That is why the key word of Deuteronomy is shema, the word that is untranslatable precisely because it covers this multiplicity of senses from simple obedience to deep internalisation. As we grow and mature, we move from thinking of commands as hypothetical imperatives to thinking of them as categorical, and we move from heteronomy to autonomy, because we have made God’s will our will.
Jonathan Sacks (Deuteronomy: Renewal of the Sinai Covenant (Covenant & Conversation Book 5))
Of further interest is the fact that both men were products of the Judeo-Spanish traditions of their respective times. Maimonides was heavily influenced by the philosophical renaissance that was reflective of the last states of the Golden Age of Muslim rule in Spain. Spinoza, on the other hand, was the product of the Converso experience which created a generation of Sephardic Jews that ultimately impacted the rise of secularism and modernity in Europe. The
Juan Marcos Bejarano Gutierrez (Maimonides and Spinoza Come to Dinner: A Hypothetical Conversation)
by some to imply the denigration of halakhic observance.
Juan Marcos Bejarano Gutierrez (Maimonides and Spinoza Come to Dinner: A Hypothetical Conversation)
The problem is that we identify ourselves with the thoughts that pass over like clouds. We grab hold of the thoughts and replay it over and over and over until we think it is us. We replay conversations we’ve had and hypothetical conversations we wish we’d had. We even think of future things that we want to say to someone. We are just a step away from internally sounding like a schizophrenic on the street. We just know that we shouldn’t say all the things that we think.
Eric Overby
If you built an iPhone with vacuum tubes instead of transistors, packed together with the same density as they were in UNIVAC, the phone would be about the size of five city blocks when resting on one edge. Conversely, if you built the original UNIVAC out of iPhone-size components, the entire machine would be less than 300 microns tall, small enough to embed inside a single grain of salt.
Randall Munroe (What If? 2: Additional Serious Scientific Answers to Absurd Hypothetical Questions)
The job of comedy writer is essentially to sit and have funny conversations about hypothetical situations, and you are rewarded for originality of detail.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
The wonderful thing about Marla was that she understood Rachel’s desire to talk endlessly about the sort of adult that Janie might have become, to wonder how many children she would have had and the sort of man she would have married. It kept her alive, for just those few moments. Ed had hated those hypothetical conversations so much, he’d leave the room. He couldn’t understand Rachel’s need to wonder what could have been, rather than just accepting that it never would be.
Liane Moriarty (The Husband's Secret)
On November 28, 2000, while the Bush and Gore campaigns were still arguing over hanging chads in Florida, Sailer wrote a blog post. Citing exit-poll data, he demonstrated that if Bush had increased his share of the white vote by just 3 percent—if 57 percent of white Americans had voted for him, rather than 54 percent—he would have won in a landslide. Sailer then expanded his hypothetical: what if, in order to win those additional white votes, Bush had embraced a platform so caustic, so openly hostile to racial minorities, that he lost every nonwhite vote? “Incredibly,” Sailer found, “he still would have won.
Andrew Marantz (Antisocial: Online Extremists, Techno-Utopians, and the Hijacking of the American Conversation)
Living wills are much easier to draft when you are living instead of possibly dying; they’re the ultimate hypotheticals. And what difference would it have made if we’d had that conversation? Before you get sick, you have absolutely no idea of how you’re going to feel once you do. You can imagine you’ll be brave, but it’s just as possible you’ll be terrified. You can hope that you’ll find a way to accept death, but you could just as easily end up raging against it. You have no idea what your particular prognosis is going to be, or how you’ll react to it, or what options you’ll have.
Nora Ephron (I Feel Bad About My Neck)
Oh,” I said. I knew how lame and stupid that sounded, but I couldn’t think of anything else. I knew nothing of such stuff, but even I could see that this was bad. “Great Deal finds out, reports him, his agency fires him, and suspends his license for five years.” “So . . . he’s out of work?” I wasn’t sure where the conversation had moved from the hypothetical to the factual. “To say the least, yeah. It’s not Great Deal, of course, but otherwise the story is . . . yeah, he’s out of work and lucky not to be banned for life.
Andrew Hart (Lies that Bind Us)