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Even though the World Wide Web has made hypertext commonplace, indeed ubiquitous, research continues to show that people who read linear text comprehend more, remember more, and learn more than those who read text peppered with links.
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Nicholas Carr (The Shallows: What the Internet is Doing to Our Brains)
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Berners-Lee was supremely lucky in the work environment he had settled into, the Swiss particle physics lab CERN. It took him ten years to nurture his slow hunch about a hypertext information platform.
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Steven Johnson (Where Good Ideas Come From: The Natural History of Innovation)
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You-you’re a fucking illuminated gothic black-letter manuscript. You couldn’t be hypertext if you tried. I’m…I’m synaptic, while, while you’re synoptic…
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Neil Gaiman (American Gods)
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Maureen Dowd - that catty, third-rate, wannabe sorority queen. She's such an empty vessel. One pleasure of reading the New York Times online is that I never have to see anything written by Maureen Dowd! I ignore her hypertext like spam for penis extenders.
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Camille Paglia
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The openness of such networked devices reflects our growing desire to construct writing in a way that breaks down the traditional distinctions between the book and such larger forms as the encyclopedia and the library.
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Jay David Bolter (Writing Space: Computers, Hypertext, and the Remediation of Print)
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That you do not have to like a person in order to learn from him/her/it. That loneliness is not a function of solitude. That it is possible to get so angry you really do see everything red. What a ‘Texas Catheter’ is. That some people really do steal—will steal things that are yours. That a lot of U.S. adults truly cannot read, not even a ROM hypertext phonics thing with HELP functions for every word. That cliquey alliance and exclusion and gossip can be forms of escape. That logical validity is not a guarantee of truth. That evil people never believe they are evil, but rather that everyone else is evil. That it is possible to learn valuable things from a stupid person. That it takes effort to pay attention to any one stimulus for more than a few seconds. That you can all of a sudden out of nowhere want to get high with your Substance so bad that you think you will surely die if you don’t, and but can just sit there with your hands writhing in your lap and face wet with craving, can want to get high but instead just sit there, wanting to but not, if that makes sense, and if you can gut it out and not hit the Substance during the craving the craving will eventually pass, it will go away — at least for a while. That it is statistically easier for low‐IQ people to kick an addiction than it is for high‐IQ people.
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David Foster Wallace (Infinite Jest)
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The star panelist was Ted Nelson, the wild-eyed author of the underground sensation Computer Lib. (Nelson also co-invented hypertext, by which words in one article can link to a related page, a pervasive aspect of today’s Web.) He summed up his wild philosophy in four maxims: “Most people are fools, most authority is malignant, God does not exist, and everything is wrong.
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Paul Allen (Idea Man)
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but they’d have a cheap laptop and some big chunk of the Library, and they’d crouch under a culvert with it, and peck around on it and fly around in it and read stuff and annotate it and hypertext it, and then they’d come up with some pathetic, shattered, crank, loony, paranoid theory as to what the hell had happened to them and their planet…. It almost beat drugs for turning smart people into human wreckage.
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Bruce Sterling (Heavy Weather)
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I found out that, paradoxically, a book can be bigger than the internet. The very constraints of a book — its linearity, its lack of updates — are also its greatest strengths. I can be far more confident that each reader will have a roughly similar experience of a book, rather than spidering off in all directions as with hypertext. ....But with a book, I have the luxury of being able to take people through a sequence of chapters, letting ideas build on top of each other, developing a fuller argument. It’s a smaller space, but it can support bigger ideas.
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John Scalzi
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of the most momentous innovations tiptoe quietly onto history’s stage. On August 6, 1991, Berners-Lee was glancing through the Internet’s alt.hypertext newsgroup and ran across this question: “Is anyone aware of research or development efforts in . . . hypertext links enabling retrieval from multiple heterogeneous sources?” His answer, “from: timbl@info.cern.ch at 2:56 pm,” became the first public announcement of the Web. “The WorldWideWeb project aims to allow links to be made to any information anywhere,” he began. “If you’re interested in using the code, mail me.”31 With his low-key personality and even lower-key posting, Berners-Lee did not fathom what a profound idea he had unleashed. Any information anywhere.
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Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
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Instead of storing those countless microfilmed pages alphabetically, or according to subject, or by any of the other indexing methods in common use—all of which he found hopelessly rigid and arbitrary—Bush proposed a system based on the structure of thought itself. "The human mind . . . operates by association," he noted. "With one item in its grasp, it snaps instantly to the next that is suggested by the association of thoughts, in accordance with some intricate web of trails carried by the cells of the brain. . . . The speed of action, the intricacy of trails, the detail of mental pictures [are] awe-inspiring beyond all else in nature." By analogy, he continued, the desk library would allow its user to forge a link between any two items that seemed to have an association (the example he used was an article on the English long bow, which would be linked to a separate article on the Turkish short bow; the actual mechanism of the link would be a symbolic code imprinted on the microfilm next to the two items). "Thereafter," wrote Bush, "when one of these items is in view, the other can be instantly recalled merely by tapping a button. . . . It is exactly as though the physical items had been gathered together from widely separated sources and bound together to form a new book. It is more than this, for any item can be joined into numerous trails."
Such a device needed a name, added Bush, and the analogy to human memory suggested one: "Memex." This name also appeared for the first time in the 1939 draft.
In any case, Bush continued, once a Memex user had created an associative trail, he or she could copy it and exchange it with others. This meant that the construction of trails would quickly become a community endeavor, which would over time produce a vast, ever-expanding, and ever more richly cross-linked web of all human knowledge.
Bush never explained where this notion of associative trails had come from (if he even knew; sometimes things just pop into our heads). But there is no doubt that it ranks as the Yankee Inventor's most profoundly original idea. Today we know it as hypertext. And that vast, hyperlinked web of knowledge is called the World Wide Web.
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M. Mitchell Waldrop (The Dream Machine: J.C.R. Licklider and the Revolution That Made Computing Personal)
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A book is a real object, sure, but the form of the book is artifice, a product of industrial mercantile nations nurturing good little middle-class consumers, sheep who learned to do what they were told: turn the page, turn the page, turn the page. Hypertext, on the other hand, presents an antiauthoritarian alternative. Readers of hypertext aren’t passive consumers. They’re creators.” “And what do they create?” “Meaning. People can do what they want in a hypertext. There isn’t an overbearing author telling them what to think. They have the freedom to think what they will. What you have to understand is that information technologies are really just vessels for ideology. Print books are authoritarian and fascist. Hypertexts are liberating and empowering. I’m telling you, dude, traditional storytelling is dying. In the future, all the important literature will be hypertext.” “And this is what the World Wide Web is for?” Jack said. “Hypertext?” “The web seems good for two primary things, and the second is hypertext.” “What’s the first?” “Pornography.” “There’s pornography on the web?
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Nathan Hill (Wellness)
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In teaching an honors writing class, I juxtaposed Mary Shelley’s Frankenstein with Shelley Jackson’s Patchwork Girl, an electronic hypertext fiction written in proprietary Storyspace software. Since these were honors students, many of them had already read Frankenstein and were, moreover, practiced in close reading and literary analysis. When it came to digital reading, however, they were accustomed to the scanning and fast skimming typical of hyper reading; they therefore expected that it might take them, oh, half an hour to go through Jackson’s text. They were shocked when I told them a reasonable time to spend with Jackson’s text was about the time it would take them to read Frankenstein, say, ten hours or so. I divided them into teams and assigned a section of Jackson’s text to each team, telling them that I wanted them to discover all the lexias (i.e., blocks of digital text) in their section and warning them that the Storyspace software allows certain lexias to be hidden until others are read. Finally, I asked them to diagram interrelations between lexias, drawing on all three views that the Storyspace software enables. As a consequence, the students were not only required to read closely but also to analyze the narrative strategies Jackson uses to construct her text.
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N. Katherine Hayles (How We Think: Digital Media and Contemporary Technogenesis)
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That you do not have to like a person in order to learn from him/her/it. That loneliness is not a function of solitude. That it is possible to get so angry you really do see everything red. What a ‘Texas Catheter’ is. That some people really do steal—will steal things that are yours. That a lot of U.S. adults truly cannot read, not even a ROM hypertext phonics thing with HELP functions for every word. That cliquey alliance and exclusion and gossip can be forms of escape. That logical validity is not a guarantee of truth. That evil people never believe they are evil, but rather that everyone else is evil. That it is possible to learn valuable things from a stupid person. That it takes effort to pay attention to any one stimulus for more than a few seconds. That you can all of a sudden out of nowhere want to get high with your Substance so bad that you think you will surely die if you don’t, and but can just sit there with your hands writhing in your lap and face wet with craving, can want to get high but instead just sit there, wanting to but not, if that makes sense, and if you can gut it out and not hit the Substance during the craving the craving will eventually pass, it will go away—at least for a while. That it is statistically easier for low‐IQ people to kick an addiction than it is for high‐IQ people.
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David Foster Wallace (Infinite Jest)
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The individual home page, of which there must now be millions, is an act of self-expression and self-promotion that recalls several earlier forms, including the greeting card, the resume, and the photograph album.
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Jay David Bolter (Writing Space: Computers, Hypertext, and the Remediation of Print)
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that the Web allows individuals not only to represent themselves in words and images, but also to publish these representations to an audience of millions at almost no expense.
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Jay David Bolter (Writing Space: Computers, Hypertext, and the Remediation of Print)
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Meanwhile, large corporations have invented a Web genre that combines and remediates a number of forms, including the promotional ad or brochure, the stockholder's report, and marketing and sales materials.
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Jay David Bolter (Writing Space: Computers, Hypertext, and the Remediation of Print)
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For various ideological reasons, the business world, the entertainment industry, and most users of the World Wide Web have shown little interest in a serious critique of digital media, but they are all eager to use digital technology to extend and remake forms of representation and communication.
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Jay David Bolter (Writing Space: Computers, Hypertext, and the Remediation of Print)
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HTML originated from a prototype of a language created by Tim Berners-Lee in 1992. Berners-Lee felt that there was a possibility of linking documents together using hypertext, and the concept of HTML evolved from this. A breakthrough in this field of development
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Aravind Shenoy (Thinking in CSS)
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forcing him to jump back and forth along the corridor in an almost physical demonstration of hypertext.
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John Markoff (What the Dormouse Said: How the Sixties Counterculture Shaped the Personal Computer Industry)
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He offered his readers a quick tour of Vannevar Bush’s Memex system and spent several pages discussing “associative linking” possibilities, a notion that was to serve as the forerunner of hypertext and led three decades later to the World Wide Web.
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John Markoff (What the Dormouse Said: How the Sixties Counterculture Shaped the Personal Computer Industry)
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hypertext readers often “could not remember what they had and had not read.
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Nicholas Carr (The Shallows: What the Internet is Doing to Our Brains)
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A 1989 study showed that readers of hypertext often ended up clicking distractedly “through pages instead of reading them carefully.
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Nicholas Carr (The Shallows: What the Internet is Doing to Our Brains)
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Berners-Lee’s hypertext browsing, users would finally begin to get it about the Internet.
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M. Mitchell Waldrop (The Dream Machine)
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Все мои шутки — это гипертекст. Если мой материал опубликовать на Википедии, он будет синим!
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Егор Шатайло
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He settled into the Chelsea apartment as best he could with everything in his life in turmoil — no permanent abode, no publishing agreements, growing difficulties with the police, and what was to happen now with Marianne? — but when he turned on the TV he saw a great wonder that dwarfed what was happening to him. The Berlin Wall was falling, and young people were dancing on its remains.
That year, which began with horrors — on a small scale the fatwa, on a much larger scale Tiananmen — also contained great wonders. The magnificence of the invention of the hypertext transfer protocol, the http:// that would change the world, was not immediately evident. But the fall of Communism was. He had come to England as a teenage boy who had grown up in the aftermath of the bloody partition of India and Pakistan, and the first great political event to take place in Europe after his arrival was the building of the Berlin Wall in August 1961. Oh no, he had thought, are they partitioning Europe now? Years later, when he visited Berlin to take part in a TV discussion with Günter Grass, he had crossed the wall on the S-Bahn and it had looked mighty, forbidding, eternal. The western side of the wall was covered in graffiti but the eastern face was ominously clean. He had been unable to imagine that the gigantic apparatus of repression whose icon it was would ever crumble. And yet the day came when the Soviet terror-state was shown to have rotted from within, and it blew away, almost overnight, like sand. Sic semper tyrannis. He took renewed strength from the dancing youngsters’ joy.
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Salman Rushdie (Joseph Anton: A Memoir)
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(lawyers invented hypertext for paper back in the Middle Ages, but that’s another topic)
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Glenn Reynolds (An Army of Davids: How Markets and Technology Empower Ordinary People to Beat Big Media, Big Government, and Other Goliaths)
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hypertext didn’t disrupt literature. No, it disrupted reality. That’s what Jack thinks when he sees his father’s lunacy: The actual world has become one big hypertext, and nobody knows how to read it. It’s a free-for-all where people build whatever story they want out of the world’s innumerable available scraps.
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Nathan Hill (Wellness)
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I claim that modern text (including hypertext) is essentially the same in structure as the earliest spoken/gestural language circa 100,000 years ago. We need language that handles complexity much better. Linear text is bad for that, documents are bad. These old tools do not allow collective thinking about complex problems.
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Frode Hegland (The Future of Text 1)
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Hypertext Transfer Protocol (HTTP) is an application layer protocol, which is transport layer protocol agnostic.
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Prabath Siriwardena (Advanced API Security: OAuth 2.0 and Beyond)
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That hasn’t happened. Even though the World Wide Web has made hypertext commonplace, indeed ubiquitous, research continues to show that people who read linear text comprehend more, remember more, and learn more than those who read text peppered with links.
”
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Nicholas Carr (The Shallows: What the Internet is Doing to Our Brains)
“
I found out that, paradoxically, a book can be bigger than the internet. The very constraints of a book — its linearity, its lack of updates — are also its greatest strengths. I can be far more confident that each reader will have a roughly similar experience of a book, rather than spidering off in all directions as with hypertext. ....with a book, I have the luxury of being able to take people through a sequence of chapters, letting ideas build on top of each other, developing a fuller argument. It’s a smaller space, but it can support bigger ideas.
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John Scalzi
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a blog titled, “Fat Protocols.” Monegro’s thesis is as follows: The Web is supported by protocols like the transmission control protocol/Internet protocol (TCP/IP), the hypertext transfer protocol (HTTP), and simple mail transfer protocol (SMTP), all of which have become standards for routing information around the Internet. However, these protocols are commoditized, in that while they form the backbone of our Internet, they are poorly monetized. Instead, what is monetized is the applications on top of the protocols. These applications have turned into mega-corporations, such as Facebook and Amazon, which rely on the base protocols of the Web and yet capture the vast majority of the value.
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Chris Burniske (Cryptoassets: The Innovative Investor's Guide to Bitcoin and Beyond)
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Isabella di Fabio What is CSS and HTML?
Isabella Secret Story About The html language (hypertext markup language) is used for the development and creation of web pages. ... Among the tags included within the HTML language are: hyperlinks, image tags, page breaks, among others.
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Isabella Di Fabio
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The most radical new element that comes to the fore in hypertext is the system of multidirectional and often labyrinthine linkages we are invited or obliged to create. Indeed the creative imagination often becomes more preoccupied with linkage, routing and mapping than with statement or style, or with what we would call character or plot (two traditional narrative elements that are decidedly in jeopardy).
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Robert Coover