Hyperion Quotes

We've searched our database for all the quotes and captions related to Hyperion. Here they are! All 100 of them:

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In the beginning was the Word. Then came the fucking word processor. Then came the thought processor. Then came the death of literature. And so it goes.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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It occurs to me that our survival may depend upon our talking to one another.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Words bend our thinking to infinite paths of self-delusion, and the fact that we spend most of our mental lives in brain mansions built of words means that we lack the objectivity necessary to see the terrible distortion of reality which language brings.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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To see and feel one's beloved naked for the first time is one of life's pure, irreducible epiphanies. If there is a true religion in the universe, it must include that truth of contact or be forever hollow. To make love to the one true person who deserves that love is one of the few absolute rewards of being a human being, balancing all of the pain, loss, awkwardness, loneliness, idiocy, compromise, and clumsiness that go with the human condition. To make love to the right person makes up for a lot of mistakes.
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Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
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Evolution brings human beings. Human beings, through a long and painful process, bring humanity.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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The shortest route to courage is absolute ignorance.
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Dan Simmons (Endymion (Hyperion Cantos, #3))
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There is a fullness and calmness there which can come only from knowing pain.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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In such seconds of decision entire futures are made.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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To be a true poet is to become God. I tried to explain this to my friends on Heaven's Gate. 'Piss, shit,' I said. 'Asshole motherfucker, goddamn shit goddamn. Cunt. Pee-pee cunt. Goddamn!' They shook their heads and smiled, and walked away. Great poets are rarely understood in their own day.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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In the end--when all else is dust--loyalty to those we love is all we can carry with us to the grave. Faith--true faith--was trusting in that love.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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After fifty-five years of dedicating his life and work to the story of ethical systems, Sol Weintraub had come to a single, unshakable conclusion: any allegiance to a deity or concept or universal principal which put obedience above decent behavior toward an innocent human being was evil.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Words are the only bullets in truth's bandolier. And poets are the snipers.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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In twentieth-century Old Earth, a fast food chain took dead cow meat, fried it in grease, added carcinogens, wrapped it in petroleum-based foam, and sold nine hundred billion units. Human beings. Go figure.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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I loved you backward and forward in time. I loved you beyond boundaries of time and space.
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Dan Simmons (Endymion (Hyperion Cantos, #3))
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Mobs have passions, not brains.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Its hard to die. Harder to live
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Prison always has been a good place for writers, killing, as it does, the twin demons of mobility and diversion
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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You cannot imprison me!" He bellowed. "I am Hyperion! I am-" The bark closed over his face. Grover took his pipes from his mouth. "You are a very nice maple tree.
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Rick Riordan
β€œ
It no longer matters who consider themselves the masters of events. Events no longer obey their masters.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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I know what cancer was. How is it like humankind?" Sek Hardeen's perfectly modulated, softly accented tones showed a hint of agitation. "We have spread out through the galaxy like cancer cells through a living body, DurΓ©. We multiply without thought to the countless life forms that must die or be pushed aside so that we may breed and flourish. We eradicate competing forms of intelligent life.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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You have to live to really know things, my love
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Who was Hitler?' I said. Tyrena smiled slightly. 'An Old Earth politician who did some writing.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Barbarians, we call them, while all the while we timidly cling to our Web like Visigoths crouching in the ruins of Rome's faded glory and proclaim ourselves civilized.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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As you can imagine, they got along great, though how they got any sleep with Hyperion glowing all night and Theia giggling, β€œShiny! Shiny!” I don’t know.
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Rick Riordan (Percy Jackson's Greek Gods)
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Every age fraught with discord and danger seems to spawn a leader meant only for that age, a political giant whose absence, in retrospect, seems inconceivable when the history of that age is written.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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The day is perfect and I hate it for being so.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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I now understand the need for faithβ€”pure, blind, fly-in-the-face-of-reason faithβ€”as a small life preserver in the wild and endless sea of a universe ruled by unfeeling laws and totally indifferent to the small, reasoning beings that inhabit it.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Mark Twain once opined in his homey way: β€œThe difference between the right word and the almost right word is the difference between lightning and the lightning bug.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Nobody gets beyond a petroleum economy. Not while there's petroleum there.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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[H]istory viewed from the inside is always a dark, digestive mess, far different from the easily recognizable cow viewed from afar by historians.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Belief in one's identity as a poet or writer prior to the acid test of publication is as naive and harmless as the youthful belief in one's immortality... and the inevitable disillusionment is just as painful.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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The whole planet reeks of mysticism without revelation.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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I wish we had the technology to fight God on an equal basis. To beard him in his den. To fight back for all of the injustices heaped on humanity. To allow him to alter his smug arrogance or be blown to hell.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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God is the creature, not the creator.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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If I should die," said I to myself, "I have left no immortal work behind me - nothing to make my friends proud of my memory - but I have lov'd the principle of beauty in all things, and if I had had time I would have made myself remember'd.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Pain is an interesting and off-putting thing. Few if any things in life concentrate our attention so completely and terribly, and few things are more boring to listen to or read about.
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Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
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Do you think it's ready?" I [Silenus, The Poet] asked. "It's perfect... a masterpiece." "Do you think it'll sell?" I asked. "No fucking way.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Stand as I did after throwing the switch, a murderer, a betrayer, but still proud, feet firmly planted on Hyperion’s shifting sand, head held high, fist raised against the sky, crying β€œA plague on both your houses!
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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... a society devoted to self-destruction and waste but unwilling to acknowledge its indulgent ways.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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But, Dad…” She hesitated. β€œIt will mean raising me all over again. It means suffering through my childhood for a third time. No parent should be asked to do that.” Sol managed a smile. β€œNo parent would refuse that, Rachel.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Pain and darkness have been our lot since the Fall of Man. But there must be some hope that we can rise to a higher level ... that consciousness can evolve to a plane more benevolent than its counterpoint of a universe hardwired to indifference.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Sarai had treasured every stage of Rachel's childhood, enjoying the day-to-day normalcy of things; a normalcy which she quietly accepted as the best of life. She had always felt that the essence of human experience lay not primarily in the peak experiences, the wedding days and triumphs which stood out in the memory like dates circled in red on old calendars, but, rather, in the unself-conscious flow of little things - the weekend afternoon with each member of the family engaged in his or her own pursuit, their crossings and connections casual, dialogues imminently forgettable, but the sum of such hours creating a synergy which was important and eternal.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Choose again.
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Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
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But as with so many things in our lives, the reason for doing something is not the important thing. It is the fact of doing that remains.
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Dan Simmons (Endymion (Hyperion Cantos, #3))
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Why do you not disintegrate? Tartarus mused. You are nothing. You are even weaker than Krios and Hyperion. β€œI am Bob,” said Bob. Tartarus hissed. What is that? What is Bob? β€œI choose to be more than Iapetus,” said the Titan. β€œYou do not control me. I am not like my brothers.
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Rick Riordan (The House of Hades (Heroes of Olympus, #4))
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Sol had not known he was lonely until he met Sarai.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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O, that this too too solid flesh would melt Thaw and resolve itself into a dew! Or that the Everlasting had not fix'd His canon 'gainst self-slaughter! O God! God! How weary, stale, flat and unprofitable, Seem to me all the uses of this world! Fie on't! ah fie! 'tis an unweeded garden, That grows to seed; things rank and gross in nature Possess it merely. That it should come to this! But two months dead: nay, not so much, not two: So excellent a king; that was, to this, Hyperion to a satyr; so loving to my mother That he might not beteem the winds of heaven Visit her face too roughly. Heaven and earth! Must I remember? why, she would hang on him, As if increase of appetite had grown By what it fed on: and yet, within a month-- Let me not think on't--Frailty, thy name is woman!-- A little month, or ere those shoes were old With which she follow'd my poor father's body, Like Niobe, all tears:--why she, even she-- O, God! a beast, that wants discourse of reason, Would have mourn'd longer--married with my uncle, My father's brother, but no more like my father Than I to Hercules: within a month: Ere yet the salt of most unrighteous tears Had left the flushing in her galled eyes, She married. O, most wicked speed, to post With such dexterity to incestuous sheets! It is not nor it cannot come to good: But break, my heart; for I must hold my tongue.
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William Shakespeare (Hamlet)
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The Great Change is when humankind accepts its role as part of the natural order of the universe instead of its role as a cancer
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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A philosopher/mathematician named Bertrand Russell who lived and died in the same century as Gass once wrote: β€œLanguage serves not only to express thought but to make possible thoughts which could not exist without it.” Here is the essence of mankind’s creative genius: not the edifices of civilization nor the bang-flash weapons which can end it, but the words which fertilize new concepts like spermatazoa attacking an ovum.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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Love was as hardwired into the structure of the universe as gravity and matter.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Meaning no disrespect, sir, but there's no way in the Good Lord's fucking universe that anyone can bar accidents or the unexpected.
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Dan Simmons (Endymion (Hyperion Cantos, #3))
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Goddamn fatherfucking asshole politician moral paraplegic dipshit drag-queen bitch!
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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THERE WILL BE NO FURTHER MISUSE OF THIS CHANNEL. YOU ARE DISTURBING OTHERS WHO ARE USING IT TO SERIOUS PURPOSE. ACCESS WILL BE RESTORED WHEN YOU UNDERSTAND WHAT IT IS FOR. GOODBYE
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Sometimes,” said General Morpurgo, taking her hand, β€œdreams are all that separate us from the machines.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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The universe is indifferent to our fates. This was the crushing burden that the character took with him as he struggled through the surf toward survival or extinction. The universe just does not give a shit.
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Dan Simmons (Endymion (Hyperion Cantos, #3))
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The past is dead and buried. But I know now that buried things have a way of rising to the surface when one least expects them to.
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Dan Simmons (Prayers to Broken Stones (Hyperion Cantos, #0.5))
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After ten standard months I was done, acknowledging the ancient aphorism to the effect that no book or poem is ever finished, merely abandoned.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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at that moment, the sum of the crowd’s IQ was far below that of its most modest single member. Mobs have passions, not brains.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Quality wine, Scotch, and coffee had been the three irreplaceable commodities after the death of Old Earth.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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... a comment with the idle arrogance common of such nobodies who have just come into a small bit of power.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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... pain has been with him since birth - the universe's gift to a poet ...
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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The problem with being passionately in love ... is that it deprives you of too much sleep.
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Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
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Odd how the daily imperatives persist even in the face of collective disaster.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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in the union of nature, loyalty is no dream! We part only to be more intimately at one, more divinely at peace with all, with each other. We die so as to live.
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Friedrich HΓΆlderlin (Hyperion)
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No lifetime is long enough for those who wish to create, Raul. Or for those who simply wish to understand themselves and their lives. It is, perhaps, the curse of being human, but also a blessing.
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Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
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The life of a poet lies not merely in the finite language-dance of expression but in the nearly infinite combinations of perception and memory combined with the sensitivity to what is perceived and remembered.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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O aching time! O moments big as years!
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John Keats (Hyperion, Isabella, The Eve of St. Agnes, [and] Lamia; edited by G.E. Hollingworth)
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The universe just does not give a shit.
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Dan Simmons (Endymion (Hyperion Cantos, #3))
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You want to be a hero,” he repeated. β€œYou want to be one of those rare human beings who make history, rather than merely watch it flow around them like water around a rock.
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Dan Simmons (Endymion (Hyperion Cantos, #3))
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Those who ignore history’s lessons in the ultimate folly of war are forced to do more than relive them … they may be forced to die by them.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Eagles are extinct," grumbled Morpurgo. "Perhaps they should have attacked the sky. It betrayed them.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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God did not choose Herod or Pontius Pilate or Caesar Augustus as His instrument. He chose the unknown son of an unknown carpenter in one of the least important stretches of the Roman Empire.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Sol Weintraub suddenly understood perfectly why Abraham had agreed to sacrifice Isaac, his son, when the Lord commanded him to do so. It was not obedience. It was not even to put the love of God above the love of his son. Abraham was testing God. By denying the sacrifice at the last moment, by stopping the knife, God had earned the rightβ€”in Abraham’s eyes and the hearts of his offspringβ€”to become the God of Abraham. Sol
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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In the beginning was the Word. In the end . . . past honor, past life, past caring . . . In the end will be the Word.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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My intellect was my greatest vanity.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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There is something about raising a child that helps to sharpen one's sense of what is real.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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The young remember most deeply
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Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
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Pain is the curl and foam of a wave that does not break.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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The Chinese poet George Wu ... recorded on his comlog: "Poets are the mad midwives to reality. They see not what is, nor what can be, but what must become." Later, on his last disk to his lover the week before he died, Wu said: "Words are the only bullets in truth's bandolier. And poets are the snipers.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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evolution is not progress, that there is no β€˜goal’ or direction to evolution. Evolution is change. Evolution β€˜succeeds’ if that change best adapts some leaf or branch of its tree of life to conditions of the universe.
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Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
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Religion and ethics were not always - or even frequently - mutually compatible. The demands of religious absolutism or fundamentalism or rampaging relativism often deflected the worst aspects of contemporary culture or prejudices rather than a system which both man and God could live under with a sense of real justice.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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This is some sort of joke, isn't it?" asks Hunt, staring at the flawless blue sky and distant fields. I cough as lightly and briefly as possible into a handkerchief I have made from a towel borrowed from the inn. "Probably," I say. "But then, what isn't?
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Sol wanted to know how any ethical system – much less a religion so indomitable that it had survived every evil mankind could throw at it – could flow from a command from God for a man to slaughter his son. It did not matter to Sol that the command had been rescinded at the last moment. It did not matter that the command was a test of obedience. In fact, the idea that it was the obedience of Abraham which allowed him to become the father of all the tribes of Israel was precisely what drove Sol into fits of fury.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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It has been my experience that immediately after certain traumatic separationsβ€”leaving one’s family to go to war, for instance, or upon the death of a family member, or after parting from one’s beloved with no assurances of reunionβ€”there is a strange calmness, almost a sense of relief, as if the worst has happened and nothing else need be dreaded.
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Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
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We are created for precisely this sort of suffering. In the end, it is all we are, these limpid tide pools of self-consciousness between crashing waves of pain. We are destined and designed to bear our pain with us, hugging it tight to our bellies like the young Spartan thief hiding a wolf cub so it can eat away our insides. What other creature in God's wide domain would carry the memory of you, Fanny, dust these nine hundred years, and allow it to eat away at him even as consumption does the same work with its effortless efficiency? Words assail me. The thought of books makes me ache. Poetry echoes in my mind, and if I had the ability to banish it, I would do so at once.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Stop this!” he shouted. β€œYour woodland magic is no match for a Titan!” But the more he struggled, the faster the roots grew. They curled about his body, thickening and hardening into bark. His golden armor melted into the wood, becoming part of a large trunk. The music continued. Hyperion’s forces backed up in astonishment as their leader was absorbed. He stretched out his arms and they became branches, from which smaller branches shot out and grew leaves. The tree grew taller and thicker, until only the Titan’s face was visible in the middle of the trunk. β€œYou cannot imprison me!” he bellowed. β€œI am Hyperion! I am—” The bark closed over his face. Grover took his pipes from his mouth. β€œYou are a very nice maple tree.
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Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
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Thus evolved some members of the Coreβ€”not altruists, but desperate survivalists who realized that the only way ultimately to win their never-ending zero-sum game was to stop the game. And to stop the game they needed to evolve into a species capable of empathy.
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Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
β€œ
I discovered what a mental stimulant physical labor could be; not mere physical labor, I should add, but absolutely spine-bending, lung-racking, gut-ripping, ligament-tearing, and ball-breaking physical labor. But as long as the task is both onerous and repetitive, I discovered, the mind is not only free to wander to more imaginative climes, it actually flees to higher planes.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
β€œ
Where religious values might be relative, intellectual values fleeting, moral values ambiguous, and aesthetic values dependent upon an observer, the existence value of any thing is infiniteβ€”thus the β€œmountains in the sun”—and being infinite, equal to every other thing and all truths.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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We thought we were special, opening our perceptions, honing our empathy, spilling that cauldron of shared pain onto the dance floor of language and then trying to make a minuet out of all that chaotic hurt. It doesn’t matter a damn bit. We’re no avatars, no sons of god or man. We’re only us, scribbling our conceits alone, reading alone, and dying alone.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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When you've spent thirty years entering rooms filled with strangers you feel less pressure than when you've had only half that number of years of experience. You know what the room and the people in it probably hold for you and you go looking for it. If it's not there, you sense it earlier and leave to go about your business. You just know more about what is, what isn't, and how little time there is to learn the difference.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
β€œ
There would be no more offerings. Not this day. Not any day. Humankind had suffered enough for its love of gods, its long search for God. He thought of the many centuries in which his people, the Jews, had negotiated with God, complaining, bickering, decrying the unfairness of things but always - always - returning to obedience at whatever the cost. Generations dying in the ovens of hatred. Future generations scarred by the cold fires of radiation and renewed hatred.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
β€œ
[The Void Which Binds] actual but unaccessible presence in our universe is one of the prime causes for our species elaborating myth and religion, for our stubborn, blind belief in extrasensory powers, in telepathy and precognition, in demons and demigods and resurrection and reincarnation and ghosts and messiahs and so many other categories of almost-but-not-quite satisfying bullshit.
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Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
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I will not try to describe the beauty of life in a Swarm β€’ their zero-gravity globe cities and comet farms and thrust clusters, their micro-orbital forests and migrating rivers and the ten thousand colors and textures of life at Rendezvous Week. Suffice it to say that I believe the Ousters have done what Web humanity has not in the past millennia: evolved. While we live in our derivative cultures, pale reflections of Old Earth life, the Ousters have explored new dimensions of aesthetics and ethics and biosciences and art and all the things that must change and grow to reflect the human soul.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))
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I explained my opinion of the ship’s logic. β€œThat is a strange designation,” said the ship. β€œWhile I have certain organic elements incorporated into my substructure and decentralized DNA computing components, I am notβ€”in the strictest sense of the termβ€”a biological organism. I have no digestive system. No need for elimination, other than the occasional waste gas and passenger effluvium. Therefore, I have no anus in either real or figurative terms. Therefore, I hardly believe I could qualify to be called an …” β€œShut up,” I said.
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Dan Simmons (The Rise of Endymion (Hyperion Cantos, #4))
β€œ
Sol, listen,” came the Voice, modulated now so it did not boom from far above but almost whispered in his ear, β€œthe future of humankind depends upon your choice. Can you offer Rachel out of love, if not obedience?” Sol heard the answer in his mind even as he groped for the words. There would be no more offerings. Not this day. Not any day. Humankind had suffered enough for its love of gods, its long search for God. He thought of the many centuries in which his people, the Jews, had negotiated with God, complaining, bickering, decrying the unfairness of things but alwaysβ€”alwaysβ€”returning to obedience at whatever the cost. Generations dying in the ovens of hatred. Future generations scarred by the cold fires of radiation and renewed hatred. Not this time. Not ever again.
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Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
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Glossa Time goes by, time comes along, All is old and all is new; What is right and what is wrong, You must think and ask of you; Have no hope and have no fear, Waves that rise can never hold; If they urge or if they cheer, You remain aloof and cold. To our sight a lot will glisten, Many sounds will reach our ear; Who could take the time to listen And remember all we hear? Keep aside from all that patter, Seek yourself, far from the throng When with loud and idle clatter Time goes by, time comes along. Nor forget the tongue of reason Or its even scales depress When the moment, changing season, Wears the mask of happiness - It is born of reason's slumber And may last a wink as true: For the one who knows its number All is old and all is new. Be as to a play, spectator, As the world unfolds before: You will know the heart of matter Should they act two parts or four; When they cry or tear asunder From your seat enjoy along And you'll learn from art to wonder What is right and what is wrong. Past and future, ever blending, Are the twin sides of same page: New start will begin with ending When you know to learn from age; All that was or be tomorrow We have in the present, too; But what's vain and futile sorrow You must think and ask of you; For the living cannot sever From the means we've always had: Now, as years ago, and ever, Men are happy or are sad: Other masks, same play repeated; Diff'rent tongues, same words to hear; Of your dreams so often cheated, Have no hope and have no fear. Hope not when the villains cluster By success and glory drawn: Fools with perfect lack of luster Will outshine Hyperion! Fear it not, they'll push each other To reach higher in the fold, Do not side with them as brother, Waves that rise can never hold. Sounds of siren songs call steady Toward golden nets, astray; Life attracts you into eddies To change actors in the play; Steal aside from crowd and bustle, Do not look, seem not to hear From your path, away from hustle, If they urge or if they cheer; If they reach for you, go faster, Hold your tongue when slanders yell; Your advice they cannot master, Don't you know their measure well? Let them talk and let them chatter, Let all go past, young and old; Unattached to man or matter, You remain aloof and cold. You remain aloof and cold If they urge or if they cheer; Waves that rise can never hold, Have no hope and have no fear; You must think and ask of you What is right and what is wrong; All is old and all is new, Time goes by, time comes along.
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Mihai Eminescu (Poems)
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Milton's Eve! Milton's Eve! ... Milton tried to see the first woman; but Cary, he saw her not ... I would beg to remind him that the first men of the earth were Titans, and that Eve was their mother: from her sprang Saturn, Hyperion, Oceanus; she bore Prometheus" -- "Pagan that you are! what does that signify?" "I say, there were giants on the earth in those days: giants that strove to scale heaven. The first woman's breast that heaved with life on this world yielded the daring which could contend with Omnipotence: the stregth which could bear a thousand years of bondage, -- the vitality which could feed that vulture death through uncounted ages, -- the unexhausted life and uncorrupted excellence, sisters to immortality, which after millenniums of crimes, struggles, and woes, could conceive and bring forth a Messiah. The first woman was heaven-born: vast was the heart whence gushed the well-spring of the blood of nations; and grand the undegenerate head where rested the consort-crown of creation. ... I saw -- I now see -- a woman-Titan: her robe of blue air spreads to the outskirts of the heath, where yonder flock is grazing; a veil white as an avalanche sweeps from hear head to her feet, and arabesques of lighting flame on its borders. Under her breast I see her zone, purple like that horizon: through its blush shines the star of evening. Her steady eyes I cannot picture; they are clear -- they are deep as lakes -- they are lifted and full of worship -- they tremble with the softness of love and the lustre of prayer. Her forehead has the expanse of a cloud, and is paler than the early moon, risen long before dark gathers: she reclines her bosom on the ridge of Stilbro' Moor; her mighty hands are joined beneath it. So kneeling, face to face she speaks with God. That Eve is Jehova's daughter, as Adam was His son.
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Charlotte BrontΓ« (Shirley)
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What infinite heart's-ease Must kings neglect, that private men enjoy! And what have kings, that privates have not too, Save ceremony, save general ceremony? And what art thou, thou idle ceremony? What kind of god art thou, that suffer'st more Of mortal griefs than do thy worshippers? What are thy rents? what are thy comings in? O ceremony, show me but thy worth! What is thy soul of adoration? Art thou aught else but place, degree and form, Creating awe and fear in other men? Wherein thou art less happy being fear'd Than they in fearing. What drink'st thou oft, instead of homage sweet, But poison'd flattery? O, be sick, great greatness, And bid thy ceremony give thee cure! Think'st thou the fiery fever will go out With titles blown from adulation? Will it give place to flexure and low bending? Canst thou, when thou command'st the beggar's knee, Command the health of it? No, thou proud dream, That play'st so subtly with a king's repose; I am a king that find thee, and I know 'Tis not the balm, the sceptre and the ball, The sword, the mace, the crown imperial, The intertissued robe of gold and pearl, The farced title running 'fore the king, The throne he sits on, nor the tide of pomp That beats upon the high shore of this world, No, not all these, thrice-gorgeous ceremony, Not all these, laid in bed majestical, Can sleep so soundly as the wretched slave, Who with a body fill'd and vacant mind Gets him to rest, cramm'd with distressful bread; Never sees horrid night, the child of hell, But, like a lackey, from the rise to set Sweats in the eye of Phoebus and all night Sleeps in Elysium; next day after dawn, Doth rise and help Hyperion to his horse, And follows so the ever-running year, With profitable labour, to his grave: And, but for ceremony, such a wretch, Winding up days with toil and nights with sleep, Had the fore-hand and vantage of a king. The slave, a member of the country's peace, Enjoys it; but in gross brain little wots What watch the king keeps to maintain the peace, Whose hours the peasant best advantages.
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William Shakespeare (Henry V)
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The cruciform does not like pain. Nor do I but, like the cruciform, I am willing to use it to serve my purposes. And I will do so consciously, not instinctively like the mindless mass of alien tissue embedded in me. This thing only seeks a mindless avoidance of death by any means. I do not wish to die, but I welcome pain and death rather than an eternity of mindless life. Life is sacred--I still hold to that as a core element of the Church's though and teachings these past twenty-eight hundred years when life has been so cheap--but even more sacred is the soul. I realize now that what I was trying to do with the Armaghast data was offer the Church not a rebirth but only a transition to a false life such as these poor walking corpses inhabit. If the Church is meant to die, it must do so--but do so gloriously, in the full knowledge of its rebirth in Christ. It must go into the darkness not willingly but well--bravely and firm of faith--like the millions who have gone before us, keeping faith with all those generations facing death in the isolated silence of death camps and nuclear fireballs and cancer wards and pogroms, going into the darkness, if not hopefully, then prayerful that there is some reason for it all, something worth the price of all that pain, all those sacrifices., All those before us have gone into the darkness without assurance of logic or fact or persuasive theory, with only a slender thread of hope or the all too shakable conviction of faith. And if they have been able to sustain that slim hope in the face of darkness, then so must I... and so must the Church.
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Dan Simmons (Hyperion (Hyperion Cantos, #1))