Hyper Girl Quotes

As for Sadie, she didn’t appear interested in strategy. She leaped from puddle to puddle in her combat boots. She hummed to herself, twirled like a little kid and occasionally pulled random things out of her backpack: wax animal figurines, some string, a piece of chalk, a bright yellow bag of candy. She reminded me of someone … Then it occurred to me. She looked like a younger version of Annabeth, but her fidgeting and hyperness reminded me of … well, me. If Annabeth and I ever had a daughter, she might be a lot like Sadie. Whoa. It’s not like I’d never dreamed about kids before. I mean, you date someone for over a year, the idea is going to be in the back of your mind somewhere, right? But still – I’m barely seventeen. I’m not ready to think too seriously about stuff like that. Also, I’m a demigod. On a day-to-day basis, I’m busy just trying to stay alive. Yet, looking at Sadie, I could imagine that someday maybe I’d have a little girl who looked like Annabeth and acted like me – a cute little hellion of a demigod, stomping through puddles and flattening monsters with magic camels.

Back then, and even now, I wonder: Am I “empowered”? If you have to hide your hypersensitivity, are you really a “strong woman”? Sometimes another voice enters my head, shooing these thoughts aside. This one tells me that the only really good performance is one where you make yourself vulnerable while pushing beyond your familiar comfort zone. I liken it to having an intense, hyper-real dream, where you step off a cliff but don’t fall to your death.

In Somali culture hyper-masculinity is the most desired attribute in men. Femininity signifies softness, a lightness of touch: qualities that are aggressively pressed onto young girls and women. When a woman does not possess feminine traits, it is considered an act of mild social resistance. This applies equally to men who are not overtly masculine but the stakes are considerably amplified. If a Somali man is considered feminine he is deemed weak, helpless, pitiful: The underlying message being that femininity is inherently inferior to masculinity.

Explosions on TV, and all the girls with heads inside a dream So now we live beside the pool, where everything is good And I'll never go home again (place the call, feel it start) Favorite friend (and nothing's wrong when nothing's true) I live in a hologram with you We're all the things that we do for fun (and I'll breathe, and it goes) Play along (make-believe it's hyper real) But I live in a hologram with you

My God,” she says. “I feel like I’ve gone through a car wash.” I laugh, or force myself to, because it’s not something I’d normally laugh at. “What about you?” she says to Scottie. “How did you make out?” “I’m a boy,” Scottie says. “Look at me.” Sand has gotten into the bottom of her suit, creating a huge bulge. She scratches at the bulge. “I’m going to go to work now,” she says. I think she’s impersonating me and that Mrs. Speer is getting an unrealistic, humiliating glimpse. “Scottie,” I say. “Take that out.” “It must be fun to have girls,” Mrs. Speer says. She looks at the ocean, and I see that she’s looking at Alex sunbathing on the floating raft. Sid leans over Alex and puts his mouth to hers. She raises a hand to his head, and for a moment I forget it’s my daughter out there and think of how long it has been since I’ve been kissed or kissed like that. “Or maybe you have your hands full,” Mrs. Speer says. “No, no,” I say. “It’s great,” and it is, I suppose, though I feel like I’ve just acquired them and don’t know yet. “They’ve been together for ages.” I gesture to Alex and Sid. I don’t understand if they’re a couple or if this is how all kids in high school act these days. Mrs. Speer looks at me curiously, as if she’s about to say something, but she doesn’t. “And boys.” I gesture to her little dorks. “They must keep you busy.” “They’re a handful. But they’re at such a fun age. It’s such a joy.” She gazes out at her boys. Her expression does little to convince me that they’re such a joy. I wonder how many times parents have these dull conversations with one another and how much they must hide. They’re so goddamn hyper, I’d do anything to inject them with a horse tranquilizer. They keep insisting that I watch what they can do, but I truly don’t give a fuck. How hard is it to jump off a diving board? My girls are messed up, I want to say. One talks dirty to her own reflection. Did you do that when you were growing up? “Your girls seem great, too,” she says. “How old are they?” “Ten and eighteen. And yours?” “Ten and twelve.” “Oh,” I say. “Great.” “Your younger one sure is funny,” she says. “I mean, not funny. I meant entertaining.” “Oh, yeah. That’s Scottie. She’s a riot.

In teaching an honors writing class, I juxtaposed Mary Shelley’s Frankenstein with Shelley Jackson’s Patchwork Girl, an electronic hypertext fiction written in proprietary Storyspace software. Since these were honors students, many of them had already read Frankenstein and were, moreover, practiced in close reading and literary analysis. When it came to digital reading, however, they were accustomed to the scanning and fast skimming typical of hyper reading; they therefore expected that it might take them, oh, half an hour to go through Jackson’s text. They were shocked when I told them a reasonable time to spend with Jackson’s text was about the time it would take them to read Frankenstein, say, ten hours or so. I divided them into teams and assigned a section of Jackson’s text to each team, telling them that I wanted them to discover all the lexias (i.e., blocks of digital text) in their section and warning them that the Storyspace software allows certain lexias to be hidden until others are read. Finally, I asked them to diagram interrelations between lexias, drawing on all three views that the Storyspace software enables. As a consequence, the students were not only required to read closely but also to analyze the narrative strategies Jackson uses to construct her text.

The weekend arrives and I’m on edge, especially working at the trattoria. I’m hyper-aware of everyone around me, twitching at the sight of every youngish-looking guy with a full head of brown hair. The super curly heads are even fewer and farther between, but sightings of those nearly spark heart attacks. Only as the sun sets Sunday night do I let myself truly mope. I know they just started at a new dig site in Tuscany, and I can’t expect Darren to come to Cinque Terre every weekend, but it still stings. I could smack myself on the head for not making sure we had a way to get in touch with each other. Forget about waiting for him to ask me, that’s crap. I can be a take-control girl when I want to be, can’t I? I’m desperate to see his smile, and not just because it’s his, but because moods are in major need of brightening around here.

In order to construct a flawless imitation, the first step was to gather as much video data as possible with a web crawler. His ideal targets were fashionable Yoruba girls, with their brightly colored V-neck buba and iro that wrapped around their waists, hair bundled up in gele. Preferably, their videos were taken in their bedrooms with bright, stable lighting, their expressions vivid and exaggerated, so that AI could extract as many still-frame images as possible. The object data set was paired with another set of Amaka’s own face under different lighting, from multiple angles and with alternative expressions, automatically generated by his smartstream. Then, he uploaded both data sets to the cloud and got to work with a hyper-generative adversarial network. A few hours or days later, the result was a DeepMask model. By applying this “mask,” woven from algorithms, to videos, he could become the girl he had created from bits, and to the naked eye, his fake was indistinguishable from the real thing. If his Internet speed allowed, he could also swap faces in real time to spice up the fun. Of course, more fun meant more work. For real-time deception to work, he had to simultaneously translate English or Igbo into Yoruba, and use transVoice to imitate the voice of a Yoruba girl and a lip sync open-source toolkit to generate corresponding lip movement. If the person on the other end of the chat had paid for a high-quality anti-fake detector, however, the app might automatically detect anomalies in the video, marking them with red translucent square warnings

parents might have had more of a clue what was happening if they had shown interest in something other than her academic achievement and her extracurricular activities. Ask your daughter questions like, “What do you like to do for fun?” If a girl answers that question, as Emily did, by saying that she doesn’t have time for fun, that’s a red flag. Ask your daughter, “What three words describe you?” If those words include “hyper” or “anxious” or “wired” or “sleepless” or something similar, dig deeper. Try to understand the source of your daughter’s anxiety. Is she worried about something she thinks the other girls are saying about her? Is she worried about her grades? Is she worried about her weight? You need to know what keeps your daughter awake at night. Be a good listener. Don’t be in a hurry to make recommendations. Just nod and keep your mouth shut until your daughter has had her say. As Levine observes, “When we listen to our friends it is usually with the purpose of understanding their dilemmas, of helping them clarify how they feel, and of letting them know that we care. We listen long enough to know what it feels like to be in their shoes. Too often with our children, we rush in and offer suggestions, propose alternatives, or solve problems.”18

First, educate the traffick-aged victim on how to stay safe - especially in regards to social media. I don’t think they have nay idea that once they hit that send button just how far that message or picture can go and how it can be used. I think we should help parents understand their responsibility and what they can do to keep their kids safe. In addition to that, I think to educate the schools and school counselors, school nurses, teachers to be aware of the signs of the student who suddenly either begins to withdraw or become hyper-sexualized. Something is going on there.   Also, I think society as a whole needs to look at prostitution differently. There is no girl who wants to become a prostitute. It’s just not like that. And, we really didn’t play with hooker Barbies when we were kids and say “that’s what I want to be when I grow up.” No, we wanted to be nurses or stewardesses or something else. Don’t drive by prostitutes and look down at them and call them names and be hateful to them - but love them, pray for them.   Everybody can help in some way whether it’s through prayer, financial support, or volunteering. Everyone can help in some way.   Selling people for sex is a profitable business right now. I would love for the purchasers to stop buying. I think that’s wrong. If there’s no buying of the product, people will quit trying to sell the product, so it would end the market. I’d like that!

Praise your child’s behavior. Don’t praise your child, but rather praise what she is doing. For example, instead of saying, “You’re a good girl for sitting quietly,” say, “It’s good you’re sitting quietly.” Focus your praise or disapproval on your child’s behavior, because that is what you’re interested in managing.

Back then, and even now, I wonder: Am I “empowered”? If you have to hide your hypersensitivity, are you really a “strong woman”? Sometimes another voice enters my head, shooing these thoughts aside. This one tells me that the only really good performance is one where you make yourself vulnerable while pushing beyond your familiar comfort zone. I liken it to having an intense, hyper-real dream, where you step off a cliff but don’t fall to your death. Though

A ten-year-old boy doesn’t want a hyper-dexterous giant to choke, just as a ten-year-old girl doesn’t feel good when Britney Spears has a nervous breakdown on live TV. Only an adult can feel good about someone else’s failure.

Other common differences* between boys and girls include the following: • Boys prefer to focus on a single task, and they react more aggressively to interruptions. • Girls’ motor activities peak less quickly, are less vigorous, and last longer. • Boys create and play games that fill larger spaces, and they need to be outside more. • Girls’ attention to objects is less fleeting and less active. • Girls rely more on their five senses. • Boys do better with visual information presented to the left eye, which feeds the right hemisphere. • By age five, girls are six months ahead of boys in general development. • Boys who see themselves as physically strong will seek rough and tumble play. • Boys who feel safe and competent will seek independence earlier than girls.

I was trying to be, like, hyper-rational,' says the first girl. 'And explain to him that he can't treat me this way.' 'That's smart,' says her friend. 'But all my human feelings got in the way,' says the first girl. 'That happens,' says her friend.

On that depressing, crumbling porch, she looks as out of place as a hyper puppy wanting to play fetch in a graveyard. Or maybe I just feel like I’m suddenly at a funeral. One that commemorates the death of my peace and quiet.

Everyone else is running for cover, ducking under jackets and being brought to heel by runaway umbrellas blowing violently inside-out, but for some reason I don't want to move from my spot, even though I'm more than a little scared. Maybe it's my view, the elegant chaos of the New York skyline stretched out before me, buildings stacked on top of one another, holding millions of stories, any one of which could soon be mine. Maybe it's the way the driving rain feels on my skin, cool and strong, commanding the attention of all my senses and making me feel hyper-alive. Or maybe it's the winds that lift my hair off my shoulders and stream it behind me like a flock of blackbirds, rushing in my ears and filling my lungs with an energy that seems unstoppable. All I know is that I'm standing in the middle of the Brooklyn Bridge, a lone girl in a long skirt watching a storm roll in with her eyes fully open for the first time, And I'm not sure if it's God, or fate, or just air masses colliding over water, but I will say this: It feels, finally, like flying.

When she turned toward the couch, Dean motioned for her to sit next to him and Abby’s stomach fluttered.  God, what was it about this man that had her feeling so…giddy?  She was a grown woman and yet when Dean smiled at her, she felt like a teenage girl with her first crush!  She thought she’d be more mature about it at this point in her life but Dean Hughes just had a way of making everything girly in her go on hyper-alert when he was near. And that wasn’t necessarily a bad thing.

She curls tightly to me kissing me on the lips and cheeks, her body skin to skin to mine, she’s kind of- like- a hyper puppy… you know- wet nose, big sad eyes, giving you lots of unwanted wet kisses, and can’t sit in one place for too long. Now she is pulling on my necklace, the one I am always wearing has my dad’s wedding ring hanging from it-a thin silver chain and the gold band hanging from it, a gift dad gives me- saying- ‘He loves me more than mom, that I am the love of his life.’ Yet sis tugs gently to get my full attention. I ask here- ‘Why are you not wearing your undies?’ And she baby- talks without missing a beat- ‘Be- because you don’t at night so-o why should I’s.’ I knew not too long from now she would be running around the house stark-naked like always, saying it’s because I sleep this way. I am sure mom will say I am a bad role model, but yet there are far worse things she has done, things that mom and dad never need to know about, things that I can even remember right now. If she wants to be in my bad nude, will- I guess that’s okay…? She is just trying to be like me, and that’s sweet. I have saved her butt many times when she has done bad things. I have been like a mom to her, ever since she was born if I wanted to be or not. And she has been there for me when I was a nobody. Yeah, she’s the best pain in the butt a girl can have. ‘Mommy says you have to get up soon, her hand covering her eyes as she walks my room and sees both of us.’ Her breath smells like toothpaste, as she kisses us good morning, and she stumbles over all the stuff lying on the floor and it’s not until I push sis off me that I realize how badly I’m shaking. Mom, she has one of those green face masks sped up, which is some scary-looking crap, pulls she has curlers in her hair. Yet that’s not what’s got me traumatized. ‘It’s Friday,’ I say confused. I thought we were going to the rusty anchor today? Mom said- ‘I thought you didn’t like doing that Karly that you’re too grown up to be with your mommy and Daddy and sissy… always- yes we are all going this upcoming weekend, glad to see you want to go.’ I said- ‘Oh- okay?’ Mom- ‘Karly are you feeling, okay? Are you not your usual descent and moody self? Me- ‘Yah I am a fine mom.’ I have no idea how I got home last night, or what I did or didn’t do. It’s like it never happened, yet I think it did… didn’t it? Maybe I drink too much? Mom said- ‘Um-hum- come on you two bare cuddle bugs it’s getting late.’ Then- I remember getting in the car, with the girls and the fighting it was all coming back to me, as I see my sis run into her room, leaving her nighty behind on my bed. I knew that something looked different about her when I looked her over, I am starting to remember what Ray did to her last night. Yet she seems to be taking it so well- so strange. I have no idea what happened to Jenny or Maddie or Liv, and just thinking about it makes me awful sick, pissed, and yet so worried. I put my feet on the ground, first on my fuzzy shaggy throw rug, and then I step forward feeling the hard would under my feet. The cold wood reminds me. When I was younger, I would lie on the floor all summer wishing I have some friends to spend my time with. Back then my only friend was my sis and my horse, I’m curious to do the same thing now, and reflect a bit on what the heck is going on- and also on how things have changed, I know my sis will be another half hour getting ready. And with me, all I have to do is jump in my outfit laying there on the floor. My skin feels so cold yet, yet on the inside, I feel scorching. Like- photos on Instagram, all these snapshots start scrolling, row after row in my mind. Seeing bits and pieces of what went down last night. My, I- phone starts vibrating on top of my bed until it falls off the edge hitting me square in the face making me jump two feet in the air. I reach for it and slide my finger over the cracked screen.

Incidents like Gamergate are partly a response to these conditions of hyper-visibility. The rise of trolling, and its ethos of disrespect and anonymity, has been so forceful in part because the internet's insistence on consistent, approval-worthy identity is so strong. In particular, the misogyny embedded in trolling reflects the way women—who, as John Berger wrote, have always been required to maintain an external awareness of their own identity—often navigate these online conditions so profitably. It's the self-calibration that I learned as a girl, as a woman, that has helped me capitalize on "having" to be online. My only experience of the world has been one in which personal appeal is paramount and self-exposure is encouraged; this legitimately unfortunate paradigm, inhabited first by women and now generalized to the entire internet is what trolls loathe and actively repudiate. They destabilize an internet built on transparency and likability. They pull back toward the chaotic and the unknown.