Hyne Quotes

We've searched our database for all the quotes and captions related to Hyne. Here they are! All 100 of them:

Like snow melt and passing leaves, we show our faces then are gone, and like rivers we pour.
Don Hynes
Snow laden trees, streets washed clean, the timeless hymnal open to the sky in the deep throated song of winter.
Don Hynes (Something Will Change Me: Poems of Soul and Spirit)
Each day I go to this altar, emptying the night bucket after bucket, until I've space enough for the morning.
Don Hynes (Something Will Change Me: Poems of Soul and Spirit)
In the embrace of silence, just me and a few words waiting in the shadows, loitering in the dark like hungry lovers.  
Don Hynes (Something Will Change Me: Poems of Soul and Spirit)
She's a gift, you see, rare and precious as wild grass or heron in flight; unpredictable, beyond imitation, gemstone perfect.  
Don Hynes (Something Will Change Me: Poems of Soul and Spirit)
Down the narrow trail to the sound of sea lions barking their belonging, we wandered into their world, the one we thought was ours.
Don Hynes (Something Will Change Me: Poems of Soul and Spirit)
Daring to raise my eyes, I call out, a bird-like sound, giving myself to this day, abandoning desire for all except you.
Don Hynes (Something Will Change Me: Poems of Soul and Spirit)
I climb the vine-covered walls using stillness as a braided rope, and drop like a cat into the garden of the eternal.
Don Hynes (Something Will Change Me: Poems of Soul and Spirit)
Something dark and unseen breaks into awareness, bursting like a mushroom with the full throat of desire.  
Don Hynes (Something Will Change Me: Poems of Soul and Spirit)
The tides of gain and loss shape and reshape the world, while below brilliant star fish breathe in water, turning salt and sea to light.
Don Hynes (Something Will Change Me: Poems of Soul and Spirit)
Let me rise in darkness, be fed by morning silence and choose each day to say yes.  
Don Hynes (Something Will Change Me: Poems of Soul and Spirit)
Then we will not speak nor write a single word for on that surging tide silence will prevail.  
Don Hynes (Something Will Change Me: Poems of Soul and Spirit)
You can serve high tea around the dining room table, but afternoon tea is more of a living room occasion, with everything brought in on a tray or a cart.
Angela Hynes (The Pleasures of Afternoon Tea)
Like the ancients I leave no trace but the imprint of kindness, left on the souls I’ve dared to love.
Don Hynes (Something Will Change Me: Poems of Soul and Spirit)
There's a woman asleep in the body of salmon behind the jagged teeth and furious jaw, parting the river with wild desire.
Don Hynes (Something Will Change Me: Poems of Soul and Spirit)
Holding to each other we burn back the pressing dark with the fire we've tended, alone together beside the river, quiet as the trees.
Don Hynes (Something Will Change Me: Poems of Soul and Spirit)
Against the tide of violence something spoken from the silence like an arrow parting air with the sharpened point of love.
Don Hynes (Something Will Change Me: Poems of Soul and Spirit)
You’d think the earth would long ago surrender but instead she flowers, rising from her meager dirt to fill the sky with color.
Don Hynes (Something Will Change Me: Poems of Soul and Spirit)
There is the land green and rising and there is the heart empty of longing, with room at last for silence.  
Don Hynes (Something Will Change Me: Poems of Soul and Spirit)
A Michigander can be every bit as prickly as a New Yorker, just not out loud. The Midwesterner’s credo: keep it to yourself.
James Hynes (Next)
The hour [...] can be anywhere between three and six o'clock in the afternoon. The general rule is that the earlier tea is served, the lighter the refreshments. At three, tea is usually a snack -- dainty finger sandwiches, petits fours, fresh strawberrries; at six, it can be a meal -- or "high" tea -- with sausage rolls, salads, and trifle.
Angela Hynes (The Pleasures of Afternoon Tea)
They listened to the Beatles for most of the journey, and Hynes explained to Gackowska why Abbey Road was the band’s best record, and how Sgt. Pepper’s wasn’t really a concept album, no matter what anyone claimed to the contrary. Then he had to explain to Gackowska what a concept album was, and a B side, until pretty soon he felt about a hundred years old and was tempted to check himself into a nursing home.
John Connolly (A Book of Bones (Charlie Parker #17))
A spark embedded in a body meant for the use of others, shining for no one in the dark.
James Hynes (Sparrow)
Indeed, it was not unusual for the dais to be littered with panties and boxer shorts after one of Branwell's talks at the MLA.
James Hynes (The Lecturer's Tale)
Plotting is an organic, and wildly inefficient process of trial and error.
James Hynes (Writing Great Fiction: Storytelling Tips and Techniques)
Perhaps what Aristotle and Seneca were saying boils down to the same infinite regress, a pair of facing mirrors in which my own image recedes into the distance, until I dissolve in the darkness: I do what I'm told because I'm a slave, and I'm a slave because I do what I'm told.
James Hynes (Sparrow)
A slave digs his own pit and stands in it, peering over the edge at everyone else's feet and counting himself lucky whenever they don't step on him. That's what Aristotle thought, anyway.
James Hynes (Sparrow)
But once violence has been expended and empire has taken some person, place, or thing as its own, it gives that person, place, or thing a new name and erases the old one. This new name also erases the history of that person, place, or thing, as if everything that came before never happened.
James Hynes (Sparrow)
She submitted patiently to all the handling of Hynes, as if she knew there were no use making any protest – but each day, just before four o’clock in the afternoon, something waked in her, and the training of a lifetime called her. She would tear against the wires of her pen or dash at the fence and try to leap it. She had not forgotten.
Eric Knight (Lassie Come-Home)
If Christians are always fighting each other,' I say, 'why do they always say, “Peace be with you”?
James Hynes (Sparrow)
So, unfortunately, my girl glimmers like nothing more than a deceitful, shiny obstacle to Gage.
Brandy Hynes (Burning Ivy (KORT, #1))
I need her compliant, not cowering. She certainly doesn’t disappoint.
Brandy Hynes (Burning Ivy (KORT, #1))
If he needed an answer about how much he'd changed, that provided it. He didn't want Fatima Hynes or any other nameless female with vacant eyes and an ample bosom. He didn't want anyone else, ever. He wanted Evelyn Marie Ruddick—and he'd be damned if he was going to let Neckcloth Alvington have her without a fight. And if there was one thing he knew how to do better than anyone else in London, it was how to fight dirty
Suzanne Enoch (London's Perfect Scoundrel (Lessons in Love, #2))
An advertising man understands even more viscerally than an academic that the world is made of discourse, Pescecane argued; he understands in his bones that true power resides in the infinite manipulability of signs.
James Hynes (The Lecturer's Tale)
As Amani frantically diced the ingredients for her Pan seared Mahi-Mahi with Mango Salsa, she recalled her first meeting with him during a class he taught on the presentation of food and organization the previous year. Amani had been immediately drawn to the tall, serious Californian, and not just because of his looks. With dark wavy hair, strong features and the deepest blue eyes she had ever seen short of Paul Newman’s, David Spencer was everything Amani admired in a man, and then some. http://omadisonpress.com/romance/all-...
Joanna Hynes (love and my iron chef)
As a first-generation Ethiopian immigrant, Sheba had lived in Charleston since she turned five years of age. She was Ethiopian by birth, but American by preference. She had worked hard, studied and sacrificed plenty to get where she was today, no easy feat for someone who had just celebrated her twenty-sixth birthday. According to her friends, Sheba was a beauty, though when she looked in the mirror, she saw inevitable flaws; her cheekbones were too pronounced, her mouth a little too wide, her nose with that perturbing slant to it. Still, she accepted compliments gratefully, especially from her roommate, Janelle. Janelle was the true beauty, Sheba thought, with dark ebony skin so smooth that she could be a walking ad for Ghirardelli Dark Chocolate.
Joanna Hynes (My Song Of Songs: Solomon's Touch (Interracial Romance))
... the Romans created a wasteland and called it a peace. The entire empire is a mosaic of rape and murder and bastardy and forced labour, of which I am only one insignificant, dull-coloured fragment, off to the side, at the very edge. Insignificant, perhaps, but also representative. I, too, am a product of rape, murder, bastardy, and forced labour. I am the empire in a nutshell.
James Hynes (Sparrow)
While some of those judgments have been so vastly off base that they bounced right off me, one was more poignant than I’d been prepared for. He labeled me a chameleon, claiming I don’t know my own color, and maybe I don’t—not beyond the smoke and fire. Because that horror has charred every moment after, and the only way to breathe in smog is with a mask. What if I choke without it?
Brandy Hynes (Carving Graves (KORT, #2))
The only distinguishing characteristic of a literature professor at the millennium was that he or she wrote about other people's writing. Apart from that, the writing he wrote about didn't even need to be literature, or writing about literature, or even writing about writing about literature. He needed theory...In the unflickering glare, at the center of a severe perspective, Nelson suddenly felt the visceral truth of the world as text; he apperceived the fundamentally linguistic nature of reality. Everything was text, at every level of existence, all the way up from quarks to queer theory. Words arranged in lines; lines arrayed on pages; pages pressed together, bound, and trimmed in books; books arranged cover to cover along a shelf like the words in a line of text; shelves stacked one atop the other like lines of text on a page; rows of shelves pressed together, with just the barest passage for the reader, like the pages of a book.
James Hynes (The Lecturer's Tale)
Love is a lie someone made up a long time ago that everyone fell for.
Joel Thomas Hynes (Down to the dirt)
Sometimes I dont know if a memory is a real thing or just some lie I'm tellin meself to help me get by.
Joel Thomas Hynes (Say Nothing Saw Wood)
Donna got the hairdryer goin and hey, maybe she's still in the tub and might just drop it by accident, put 'er out of 'er obvious misery.
Joel Thomas Hynes (Right Away Monday)
Sad I s'pose, if I could bring meself to give a fuck.
Joel Thomas Hynes (Right Away Monday)
That what we are now is just a collection of our blunders and our missteps, a mashed and battered accumulation of all our wrongs.
Joel Thomas Hynes (We'll All Be Burnt in Our Beds Some Night)
Meet Brian Hynes, a skilled Sr Process Manager based in Nashua, NH. He is a specialist in economics and finance, with a deep understanding of market dynamics and financial analysis. Brian's chosen career path in finance stems from his interest in leveraging economic principles to make informed investment decisions. His goal is to build a successful career in the finance industry, utilizing his expertise to optimize financial strategies and drive business growth.
Brian Hynes Nashua NH
I live in a library now, surrounded by the greatest works of literature in the world, but I’m here to tell you, reader, literature is not the foundation of civilization. The foundation of civilization is hot water. Civilization is plumbing.
James Hynes (Sparrow)
This is the greatest mystery of all: even a bird can be a slave, but even in its cage, it sings.
James Hynes (Sparrow)
I am just another author no one will remember, and this is just another book that changes nothing.
James Hynes (Sparrow)
The truth is, I will never know, and neither will you. No touching final reunion will ever be performed in this play. Nothing will be revealed or redeemed or healed. The story will simply stop. The players will run out of text. They will walk off the stage in mid-scene or even in the middle of a line. Suddenly the main character - don't call him the hero - will simply be gone, and you will never see him again. He will die alone at some undetermined time in the future, out of sight of history. He will leave the world the way he came into it - alone, unknown, unrecorded. Nobody, not even he, knows where he came from, and nobody will know when and where he goes.
James Hynes (Sparrow)
Maybe Sparrow can't walk as far as Chicken, but he can walk well enough to fill his belly. And maybe he can't fly as quickly as Swift, but he can fly fast enough to escape the fox and keep from being enslaved by man. Remember Sparrow. He's not excellent at anything, but just good enough at everything.
James Hynes (Sparrow)
And to hear Euterpe tell it, most of the world was full of Monsters. And in my imagination, I associated most of these monsters with men.
James Hynes (Sparrow)
Nothing human is alien to me, says the playwright, but men were alien to me, because I didn't think they were people. It never entered my imagination that I might grow up to become one of them.
James Hynes (Sparrow)
If I am Sparrow, and Sparrow is me, is it possible that someday he will watch from his cage as I fly straight up into the blue, getting smaller and smaller, shrinking from the outline of a bird to a pair of wings to a squiggle to a dot, until I vanish?
James Hynes (Sparrow)
I have lifted the rock and seen the worms writhing underneath.
James Hynes (Sparrow)
So perhaps you're not surprised by the difference between the two faces each man wears - not tragedy and comedy, like the dramatist's masks, but banker and panting beast, scribe and trembling lover, tradesman and rutting animal.
James Hynes (Sparrow)
And there, for the first time, in the beating silence of the air, during an endless moment that lasts for ever and no time at all, I finally become my secret name, my true name. I become Sparrow.
James Hynes (Sparrow)
... if he climbs just a little higher, he can escape, he can sail away and never come back. He can be Sparrow for ever. But of course, he's forgotten about the string, the one they tied around his leg. He's pulled it as taut as he can, higher and higher, further and further away from the city below, but he can never pull it far enough. He can never pull it until it breaks.
James Hynes (Sparrow)
Then Sparrow can't rise any more. The string pulls tight, his wings flail and lose their lift, and he plummets, spiralling back down the way he came, past the moon, through the stars. [] Something's reeling him in, and he's falling, falling, falling [] straight back into the bruised and tender flesh of the boy, alone on the bed.
James Hynes (Sparrow)
Instead, I have the freedom of the unremarkable, the powerless, and the insignificant.
James Hynes (Sparrow)
A broken tool myself, I live in a house full of unread books and broken tools, the irreparable detritus of a dead empire. I am the last Roman, the emperor of junk.
James Hynes (Sparrow)
He said that all bad men are slaves, whatever their station in life, and that only the wise man is free, no matter how lowborn he is. But then he said that the vast majority of men are bad and only very few are wise, and so, worse luck, we're all slaves really, when you think about it.
James Hynes
Chief Levine sensed that Curley had run his course, but loyalty dictated that he throw the weight of Ward 14 behind his old hero. Hynes, nevertheless, was elected by a narrow margin. Particularly rankling to Levine was the fact that the “Youth for Hynes” campaign was led by a Jewish Harvard Law School graduate and native New Yorker, Jerome Lyle Rappaport.
Lawrence Harmon (The Death of an American Jewish Community: A Tragedy of Good Intentions)
Suddenly self-conscious, the pointer a withered tulip, as if under a spell.
Maureen Hynes (Take the Compass (Hugh MacLennan Poetry Series Book 79))
I’d rather have a black-market king, who loves me with the untamable fury of Hell, than a devil who dresses in white, regards me below his career, and flashes his bewitching smile to hide his blackened soul.
Brandy Hynes (Carving Graves (KORT, #2))
No buy-in. If you win, you owe nothing for playing. The house will cover it. But if the dealer wins, you spend the rest of the night at Magie Noire with me.” Magie Noire is a membership-only sex club; yearly fees are fifty grand. Neither Ivy nor Rena have been there, but they’ve filled me in enough. “Fuck. No,” Liam growls at the same time Maddox chimes, “I want in on that action.
Brandy Hynes (Carving Graves (KORT, #2))
my eyes seek out Wells and Ivy. She whispers in his ear, and he winks at me. They both know how much I need this one night, freedom before I take one for the Carver team.
Brandy Hynes (Carving Graves (KORT, #2))
If I lose the best out of three, I’ll go to Magie Noire with you.” I pause for effect, slanting my head to the onyx-haired gentleman at the table. “And Maddox.” “And me.” Jax raises his hand. “That’s how we roll.” “Fine, Magic Jax. And you,” I allow. His pierced lips flourish into a boyish grin. “You’re on, pretty lady,” Cash says, shuffling the cards. “Three rounds of blackjack to determine the winner.
Brandy Hynes (Carving Graves (KORT, #2))
Sometimes, not losing is a win.
Brandy Hynes (Carving Graves (KORT, #2))
my eyes keep gravitating back to Liam’s. Different again. Still a midnight forest, opaque and luring. But there’s something else. Pandemonium.
Brandy Hynes (Carving Graves (KORT, #2))
The women who captivate men like us aren’t the pieces of ass you generally convince to drop their panties. They’re the pains in the ass—independent, doing-fine-without-you, crawl-under-your-skin women who fuck with your head.” “Yeah,” Ty interjects with a chuckle. “You’re so fucked, man.
Brandy Hynes (Carving Graves (KORT, #2))
A lost battle is not a lost war.
Brandy Hynes (Carving Graves (KORT, #2))
maybe,” he drawls, “you like thinking of her as a pretentious bitch because then if she rejects you, it’s about her character flaw, not about yours.
Brandy Hynes (Carving Graves (KORT, #2))
Things tightly held are generally those with the greatest value.
Brandy Hynes (Carving Graves (KORT, #2))
that final prove it challenge she dished out confuses me. That wasn’t about sex. That was about proving I’m more. Why does that matter to her? Why did it matter to me?
Brandy Hynes (Carving Graves (KORT, #2))
Celeste Carver and I would be a disaster. Explosive. In every imaginable way. Images of her detonating assail me—her whimpers and moans and bellows of ecstasy, the feel of her trembling in my arms, both of us accelerating until we crash in a unified shattering. Sweaty. Spent. Wrecked.
Brandy Hynes (Carving Graves (KORT, #2))
Fine,” he says, tone leery. “Make sure she keeps her date this week then.” That is a prime example of how the Chief is a royal asshole sometimes. My molars grind at the thought of sending her out with another man. At least it will be that name-not-worth-screaming loser this time. Dustin.
Brandy Hynes (Carving Graves (KORT, #2))
Until Wells, everyone I ever knew used me, stole from me, threw me away. Treated me like I was nothing.
Brandy Hynes (Carving Graves (KORT, #2))
I press myself into her back, letting my hands rest on the counter—my beer still clutched in one—and my arms bracket her in.
Brandy Hynes (Carving Graves (KORT, #2))
I may have peeked at her shampoo when she was locked in the room with Ivy earlier, in an effort to put a name to that honeysuckle aroma. It was a perfectly logical thing to investigate. I’m a researcher. Finding answers is in my blood. It’s what I do. Lunatic.
Brandy Hynes (Carving Graves (KORT, #2))
While I’m enchanted by this softer side of her, there’s still that matter of her playing me in the elevator to resolve. Payback’s a bitch, Ace.
Brandy Hynes (Carving Graves (KORT, #2))
you’re the most beautiful woman in the room tonight.” She tilts her head with a lopsided smile, the wisps of her hair grazing her collarbone. “That’s presumptuous. We’re not even there yet.” Leaning in close so my lips brush her ear, I slide my free hand across her lower back and tug her closer to me. “Not presumptuous, Ace. You’re easily the most stunning woman in any room.
Brandy Hynes (Carving Graves (KORT, #2))
To those who drown in silence but swim against the current for others. I see you.
Brandy Hynes (Carving Graves (KORT, #2))
Even the darkest night will end and the sun will rise. —Victor Hugo, Les Misérables
Brandy Hynes (Carving Graves (KORT, #2))
There is no escaping choices. They swirl around us, lurking inside life lessons and simple mundane actions alike. Empowering? Sometimes. Exhausting? Definitely.
Brandy Hynes (Carving Graves (KORT, #2))
CELESTE
Brandy Hynes (Carving Graves (KORT, #2))
Eat the forbidden fruit or ignore the slithering snake licking at your neck. Never look back or turn to salt. Obey the king’s absurd edict or be devoured by lions for your convictions. No wonder children harbor so much anxiety—that was just first grade in Catholic school.
Brandy Hynes (Carving Graves (KORT, #2))
Having four guards is a bit overkill, but my father has been ridiculously overprotective this past year, ever since he discovered that Ivy and her husband, Wells, are two of the five leaders for KORT—the country’s most powerful cabal. It’s the same cabal that The Order—the secret society my father is a member of—serves, so his paranoia shouldn’t be newfound. It was an eye-opening period for us both. Up until then, I believed my father simply owned a successful home-development business. He does, but it’s also a front for shady dealings, whatever they may be.
Brandy Hynes (Carving Graves (KORT, #2))
Cee, with the right placement, a pawn gets promoted to a queen. And you know who calls checkmate more than anyone? The queen. You hold all the power, squirt. You just don’t know it.” My older brother, Ben, gifted me that perspective when I was fifteen.
Brandy Hynes (Carving Graves (KORT, #2))
While my family would never come out and say it, I’ve been raised as a pawn. A tool to achieve what they deem as greatness
Brandy Hynes (Carving Graves (KORT, #2))
They don’t see me as a pretty face with nothing to offer. They see me as a secret weapon, full of talents that can work in their favor, carrying on the honor of the Carver name.
Brandy Hynes (Carving Graves (KORT, #2))
That’s the truth, beautiful girl. It’s like wearing an elegant evening gown that only hints at your assets, as is expected from a cultivated lady, all the while going pantyless underneath. Never let them see, always keep them guessing, and play their game. When you finally reveal what you’re hiding beneath that plastic veneer they’ve forced you to craft, you’ll render them speechless long enough to seize it all.
Brandy Hynes (Carving Graves (KORT, #2))
Play their game. Hold the power. Be the pawn who becomes the queen and wins the whole damn battle.
Brandy Hynes (Carving Graves (KORT, #2))
Every move has a consequence. Every action, a reaction.
Brandy Hynes (Carving Graves (KORT, #2))
A woman who drops to her knees is a woman who can knock a man on his ass.
Brandy Hynes (Carving Graves (KORT, #2))
It’s like Liam Graves is on the other side of a pendulum I’m involuntarily attached to. My focus always swings to him.
Brandy Hynes (Carving Graves (KORT, #2))
Wells’s eyes are firmly planted on his wife in utter adoration, like always. It makes my insides twist with a longing I never felt until I saw them together last July. Their love is hard to look away from.
Brandy Hynes (Carving Graves (KORT, #2))
The truth is, I think about Liam Graves far more than I’d like.
Brandy Hynes (Carving Graves (KORT, #2))
Rena’s family owns La Lune Noire. I’ve yet to go, but it’s a resort, complete with all manner of scandalous seduction—covert corruption, gambling, and salacious debauchery. They cater to the wealthiest of the wicked. My alter ego is dying to experience all they offer, but the sophisticated guise I’m expected to tout thinks it’s best to avoid it.
Brandy Hynes (Carving Graves (KORT, #2))
You all deserve to have an epic love.
Brandy Hynes (Carving Graves (KORT, #2))
He steps closer—close enough that there’s a crackling, like the very molecules of the air are pulverized by whatever this energy is between us.
Brandy Hynes (Carving Graves (KORT, #2))