Hyde Appearance Quotes

You point your feet out too much when you walk,” Will went on. He was busy polishing an apple on his shirtfront, and appeared not to notice Tessa glaring at him. “Camille walks delicately. Like a faun in the woods. Not like a duck.” “I do not walk like a duck.” “I like ducks,” Jem observed diplomatically. “Especially the ones in Hyde Park.” He glanced sideways at Will; both boys were sitting on the edge of the high table, their legs dangling over the side. “Remember when you tried to convince me to feed poultry pie to the mallards in the park to see if you could breed a race of cannibal ducks?” “They ate it too,” Will reminisced. “Bloodthirsty little beasts. Never trust a duck.

You point your feet out too much when you walk,” Will went on. He was busy polishing an apple on his shirtfront, and appeared not to notice Tessa glaring at him. “Camille walks delicately. Like a faun in the woods. Not like a duck” “I do not walk like a duck.” “I like ducks,” Jem observed diplomatically. “Especially the ones in Hyde Park.

He is not easy to describe. There is something wrong with his appearance; something displeasing, something downright detestable. I never saw a man I so disliked, and yet I scarce know why. He must be deformed somewhere; he gives a strong feeling of deformity, although I couldn’t specify the point. He’s an extraordinary-looking man, and yet I really can name nothing out of the way. No sir; I can make no hand of it; I can’t describe him. And it’s not want of memory; for I declare I can see him this moment.

The bargain might appear unequal; but there was still another consideration in the scales; for while Jekyll would suffer smartingly in the fires of abstinence, Hyde would be not even conscious of all that he had lost.

Out of bad faith comes a longing for control, for the law and the police. Bad faith suspects that the gift will not come back, that things won’t work out, that there is a scarcity so great in the world that it will devour whatever gifts appear. In bad faith the circle is broken.

He is not easy to describe. There is something wrong with his appearance; something displeasing, something down-right detestable. I never saw a man I so disliked, and yet I scarce know why. He must be deformed somewhere; he gives a strong feeling of deformity, although I couldn’t specify the point.

I crossed the yard, wherein the constellations looked down upon me, I could have thought, with wonder, the first creature of that sort that their unsleeping vigilance had yet disclosed to them; I stole through the corridors, a stranger in my own house; and coming to my room, I saw for the first time the appearance of Edward Hyde.

To cast in my lot with Jekyll, was to die to those appetites which I had long secretly indulged and had of late begun to pamper. To cast it in with Hyde, was to die to a thousand interests and aspirations, and to become, at a blow and forever, despised and friendless. The bargain might appear unequal; but there was still another consideration in the scales; for while Jekyll would suffer smartingly in the fires of abstinence, Hyde would be not even conscious of all that he had lost. Strange as my circumstances were, the terms of this debate are as old and commonplace as man; much the same inducements and alarms cast the die for any tempted and trembling sinner; and it fell out with me, as it falls with so vast a majority of my fellows, that I chose the better part and was found wanting in the strength to keep to it.

Scarcity appears when wealth cannot flow. Elsewhere

TV irony changed in post-modern times. Irony, which exploits the difference between what is said and what is meant, and between how things appear and how they really are, used to be a reliable trope for exposing hypocrisy. Post-modern irony is not liberating, but rather imprisoning. Wallace quoted the poet and philosopher Lewis Hyde: ‘Irony has only emergency use. Carried over time, it is the voice of the trapped who have come to enjoy their cage.

You think passion is enough. That it’s all you really need. You think if something’s just really, really important to you, it’ll magically appear. Well, passion is all well and good. You won’t get nowhere without it. But it’s not the whole enchilada. You still gotta go step-by-step like everybody else.

Tom said, looking at Cassandra, “I live at Hyde Park Square. We could live in that one if you like it. But it would be an easy matter to move to one of the others, if you would prefer.” Cassandra blinked in confusion. “You have more than one house?” “Four,” Tom replied in a matter-of-fact tone. Seeing her expression, he appeared to realize how odd she found it, and continued more cautiously, “I also have a few undeveloped residential lots in Kensington and Hammersmith, and recently I acquired an estate in Edmonton. But it would be impractical to live that far from my offices. So … I thought I might turn that one into a town.” “You’re going to start a town?” Kathleen asked blankly. “For the love of God,” West said, “don’t name it after yourself.

What is involved in appearing to court me?” He quirked an eyebrow at her. “You haven’t been courted before? What about the climbing cits and baronets’ sons? They never came up to scratch?” “Many of them did.” She wondered what he’d look like if somebody were to shave off those piratical eyebrows. “They did not bother much with the other part of the business.” “The wooing?” “The nonsense.” “We need the nonsense,” he said. “We need to drive out at the fashionable hour; we need to be seen arm in arm at the social events. I need to call upon you at the proper times with flowers in hand, to spend time with your menfolk when I creditably can. I’ll carry your purchases when you go shopping and be heard begging you to save your waltzes for me.” “There’s a problem,” she said, curiously disappointed to see the flaw in his clever scheme. He was a wonderful dancer; that was just plain fact. And she loved flowers, and loved the greenery and fresh air of Hyde Park. She also liked to shop but generally contented herself with the occasional minor outing with her sisters. And to hear him begging for her waltzes… “What sort of problem can there possibly be? Couples are expected to court in spring. It’s the whole purpose behind the Season.” “If you court me like that, Their Graces will get wind of it. They very likely already know you’ve called on me.” “And this is a problem how?” He wasn’t a patient man, or one apparently plagued with meddlesome parents. “They will start, Mr. Hazlit. They will get their hopes up. They will sigh and hint and quiz my siblings, all in hopes that you will take me off their hands.” “Then they will be disappointed. Parents expect to be disappointed. My sister was a governess, and she has explained this to me.” He looked like he was winding up for a lecture before the Royal Society, so she put a hand on his arm. “I do not like to disappoint Their Graces,” she said quietly. “They have suffered much at the hands of their children.” He blinked at her, his lips pursing as if her sentiments were incomprehensible. “I won’t declare for you,” he said. “If they let their hopes be raised by a few silly gestures, then that is their problem. You have many siblings. Let them fret over the others.” “It isn’t like that.” She cocked her head to study him. Hadn’t he had any parents at all? “I could have seventeen siblings, and Their Graces would still worry about me. You mentioned having sisters. Do you worry less about the one than the other?” “I do not.” He didn’t seem at all pleased with this example. “I worry about them both, incessantly. Excessively, to hear them tell it, but they have no regard for my feelings, else they’d write more than just chatty little…” “Yes?” “Never mind.” Some

The gates had appeared at the start of Feathered Serpent, the game that Alex had played in the Pleasure Dome in Hyde Park. Then it had been a computerized image, projected onto a screen— and Alex had been represented by an avatar, a two-dimensional version of himself. But Cray had also built an actual physical version of the game. Alex reached out and touched one of the walls.

truth.—Things exist in precise and definite relations. Events take place according to fixed and immutable laws. Truth is the perception of things just as they are. Between truth and falsehood there is no middle ground. Either a fact is so, or it is not. "Truth," says Ruskin, "is the one virtue of which there are no degrees. There are some faults slight in the sight of love, some errors slight in the estimation of wisdom; but truth forgives no insult, and endures no stain." Truth does not always lie upon the surface of things. It requires hard, patient toil to dig down beneath the superficial crust of appearance to the solid rock of fact on which truth rests. To discover and declare truth as it is, and facts as they are, is the vocation of the scholar. Not what he likes to think, not what other people will be pleased to hear, not what will be popular or profitable; but what as the result of careful investigation, painstaking inquiry, prolonged reflection he has learned to be the fact;—this, nothing less and nothing more, the scholar must proclaim. Truth is fidelity to fact; it plants itself upon reality; and hence it speaks with authority. The truthful man is one whom we can depend upon. His word is as good as his bond. "He sweareth to his own hurt, and changeth not." The truthful man brings truth and man together. THE VIRTUE. Veracity has two foundations: one reverence for truth; the other regard for one's fellow-men.—Ordinarily these two motives coincide and re-enforce each other. The right of truth to be spoken, and the benefit to men from hearing it, are two sides of the same obligation.

you had been civil, he would have been the one to look bad. Not you. This way you appear to validate him. You give him all the ammunition he needs.

Because if you had been civil, he would have been the one to look bad. Not you. This way you appear to validate him. You give him all the ammunition he needs.

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Paul Costelloe One of the most established and experienced names in British fashion, Irish-born Paul Costelloe has maintained a highly successful design label for more than twenty-five years. He was educated in Paris and Milan, and has since become known for his expertise in fabrics, primarily crisp linen and tweed. I remember another moment, in the pouring rain in Hyde Park, when Pavarotti was singing for an audience. Diana went up to him in a design of mine, a double-breasted suit consisting of a jacket and skirt. She was absolutely soaked and she was beautifully suntanned. To me, the most radiant photograph of her that has ever appeared anywhere was taken then. If you ever get a chance to look at it, you must. It is featured in a couple of books about her. It really is something special to me--I have it on my wall, in my studio, at this very moment. Whenever I look at it, I get a lump in my throat. There was another occasion when she wore something of mine that stands out in my mind. Diana was wearing a very sheer skirt and jacket and was standing in the sun. She was in India, in front of the Taj Mahal, and her skirt was see-through. Of course, the press went full out on that. My last memory of her is when she was wearing a linen dress of mine in Melbourne and was surrounded by a large group of Australian swimmers. That, for me, was a very exciting moment. She was always incredibly polite, incredibly generous. There is simply no comparison. She had a completely different manner from everyone else. I have been to Buckingham Palace, and she was always far above the rest. I must have been the one and only Irishman ever to dress a member of the Royal Family!

anarchism and gift exchange share the assumption that it is not when a part of the self is inhibited and restrained, but when a part of the self is given away, that community appears.

On January 2, 1843, the Prophet made an interesting statement to Elders Orson Hyde and Willard Richards concerning blacks—one that may have even specifically referenced Elijah Abel. Hyde apparently wanted Joseph Smith’s take on the “situation of the negro.” The Prophet replied, “They [the blacks] came into the world slaves, mentally and physically. Change their situation with whites, and they would be like them. They have souls, and are subjects of salvation. Go into Cincinnati or any city, and find an educated negro, who rides in his carriage, and you will see a man who has risen by the powers of his own mind to his exalted state of respectability. The slaves in Washington are more refined than many in high places, and the black boys will take the shine off many of those they brush and wait on. To this Elder Hyde is reported as saying, “Put them on the level, and they will rise above me,” to which Smith replied, “If I raised you to be my equal, and then attempted to oppress you, would you not be indignant and try to rise above me?” The Prophet went on to declare that, in his opinion, blacks should be equal with whites—“I would … put them on a national equalization.” He appears, however, to have favored segregation: “I would confine them by strict law to their own species.” Such separation was evidently meant to prevent tension between whites and blacks, which the Prophet seems to have considered inevitable in the event of “equalization.” Elijah Abel had just moved from Nauvoo to Cincinnati, and it is entirely plausible that Smith was referring to Abel personally when he suggested his listeners “go into Cincinnati” where “you will see a man who has risen by the powers of his own mind to his exalted state of respectability.

Frequently an unconscious component can externalize and appear from without, and is known as projection. This involves an excessive emotional response to another person or situation, like falling in love or disliking someone intensely. Such powerful emotional responses may indicate that an unconscious content is seeking to burst through into consciousness, but it can only appear as externalized, or projected onto the other person. It is not the other person we love or hate, but part of ourselves projected onto him or her.

(The two ladies in the Bower of Bliss) Two naked Damzelles he therein espyde, Which therein bathing, seemed to contend, And wrestle wantonly, ne car’d to hyde, Their dainty parts from vew of any, which them eyde. Sometimes the one would lift the other quight Aboue the waters, and then downe againe Her plong, as ouer maistered by might, Where both awhile would couered remaine, And each the other from to rise restraine; The whiles their snowy limbes, as through a vele, So through the Christall waues appeared plaine: Then suddeinly both would themselues vnhele, And th’amarous sweet spoiles to greedy eyes reuele. ... The wanton Maidens him espying, stood Gazing a while at his vnwonted guise; Then th’one her selfe low ducked in the flood, Abasht, that her a straunger did avise: But th’other rather higher did arise, And her two lilly paps aloft displayd, And all, that might his melting hart entise To her delights, she vnto him bewrayd: The rest hid vnderneath, him more desirous made. With that, the other likewise vp arose, And her faire lockes, which formerly were bownd Vp in one knot, she low adowne did lose: Which flowing long and thick, her cloth’d arownd, And th’yuorie in golden mantle gownd: So that faire spectacle from him was reft, Yet that, which reft it, no lesse faire was fownd: So hid in lockes and waues from lookers theft, Nought but her louely face she for his looking left. Withall she laughed, and she blusht withall, That blushing to her laughter gaue more grace, And laughter to her blushing, as did fall: Now when they spide the knight to slacke his pace, Them to behold, and in his sparkling face The secret signes of kindled lust appeare, Their wanton meriments they did encreace, And to him beckned, to approch more neare, And shewd him many sights, that courage cold could reare.

The modern sitcom, in particular, is almost wholly dependent for laughs and tone on the M*A*S*H0inspired savaging of some buffoonish spokesman for hypocritical, pre-hip values at the hands of bitingly witty insurgents. [. . .] Its promulgation of cynicism about authority works to the general advantage of television on a number of levels. First, to the extent that TV can ridicule old-fashioned conventions right off the map, it can create an authority vacuum. And then guess what fills it. The real authority on a world we now view as constructed and not depicted becomes the medium that constructs our world-view. Second, to the extent that TV can refer exclusively to itself and debunk conventional standards as hollow, it is invulnerable to critics' changes that what's on is shallow or crass or bad, since and such judgments appeal to conventional, extra-televisual standards about depth, taste, quality. Too, the ironic tone of TV's self-reference means that no one can accuse TV of trying to put anything over on anybody. As essayist Lewis Hyde points out, self-mocking irony is always 'Sincerity, with a motive.' [. . .] If television can invite Joe Briefcase into itself via in-gags and irony, it can ease that painful tension between Joe's need to transcend the crowd and his inescapable status as Audience-member. For to the extent that TV can flatter Joe about 'seeing through' the pretentiousness and hypocrisy of outdated values, it can induce in him precisely the feeling of canny superiority it's taught him to crave, and can keep him dependent on the cynical TV-watching that alone affords this feeling. [. . .] Television can reinforce its on queer ontology of appearance: the most frightening prospect, for the well-conditioned viewer, becomes leaving oneself open to others' ridicule by betraying passé expressions of value, emotion, or vulnerability.

many of my patients, when they first experience violent, sexual, or blasphemous bad thoughts, believe that there is deep down in them—like the ruthless Mr. Hyde living deep within Dr. Jekyll and waiting to be unbound—an evil murderer or molester, their “true” self, whose appearance is heralded by the appearance of the bad thoughts.9 For my patients who come to this conclusion, thought suppression seems to them the only logical approach—that is, to block all attempts of their evil nature from forcing itself into their consciousness. Sadly, as we now understand, this makes a bad situation far worse (as do artificial attempts to suppress the thoughts by drinking or illegal drugs). Consequently, another rule of thumb in taming one’s bad thoughts is: Bad thoughts do not signify that you are truly evil deep down, and voluntarily suppressing these thoughts will only make them stronger.