Hyacinth Quotes

We've searched our database for all the quotes and captions related to Hyacinth. Here they are! All 100 of them:

And I'll dance with you in Vienna, I'll be wearing a river's disguise. The hyacinth wild on my shoulder my mouth on the dew of your thighs. And I'll bury my soul in a scrapbook, with the photographs there and the moss. And I'll yield to the flood of your beauty, my cheap violin and my cross.
Leonard Cohen (Stranger Music: Selected Poems and Songs)
If thou of fortune be bereft, and in thy store there be but left two loaves, sell one, and with the dole, buy hyacinths to feed thy soul.
John Greenleaf Whittier
Being the only female in what was basically a boys’ club must have been difficult for her. Miraculously, she didn’t compensate by becoming hard or quarrelsome. She was still a girl, a slight lovely girl who lay in bed and ate chocolates, a girl whose hair smelled like hyacinth and whose scarves fluttered jauntily in the breeze. But strange and marvelous as she was, a wisp of silk in a forest of black wool, she was not the fragile creature one would have her seem.
Donna Tartt (The Secret History)
Poetry is the synthesis of hyacinths and biscuits.
Carl Sandburg
People are mostly layers of violence and tenderness wrapped like bulbs, and it is difficult to say what makes them onions or hyacinths.
Eudora Welty (Delta Wedding)
Embroidery?" I sucked at embroidery. Aunt Hyacinth had tried to teach me, but we'd both given it up as a lost cause.Lucy, strangely, had picked it up really quickly and embroidered a tapestry of Johnny Depp as Jack Sparrow for my last birthday.
Alyxandra Harvey (My Love Lies Bleeding (Drake Chronicles, #1))
Apollo had changed Hyacinth into a flower to protect him. I would give Alex back control so she could protect herself instead of making the decision for her. That's how we were different from the gods.
Jennifer L. Armentrout (Elixir (Covenant, #3.5))
down from his brow she ran his curls like thick hyacinth clusters full of blooms
Homer (The Odyssey (Vintage classics))
Mother,” Hyacinth said, pausing for slightly longer than normal to steal a bit of time to organize her thoughts, “I am not going to chase after Mr. St. Clair. He’s not at all the right sort of man for me.” “I’m not certain you’d know the right sort of man for you if he arrived on our doorstep riding an elephant.” “I would think the elephant would be a fairly good indication that I ought to look elsewhere.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
You gave me hyacinths first a year ago; They called me the hyacinth girl.' —Yet when we came back, late, from the Hyacinth garden, Your arms full, and your hair wet, I could not Speak, and my eyes failed, I was neither Living nor dead, and I knew nothing, Looking into the heart of light, the silence. Od' und leer das Meer.
T.S. Eliot (The Waste Land and Other Writings)
I sometimes think that never blows so red The Rose as where some buried Caesar bled; That every Hyacinth the Garden wears Dropt in its Lap from some once lovely Head.
Omar Khayyám (Rubáiyát of Omar Khayyám)
‘If you want to know if a gentleman loves you,’ her mother said, ‘there is only one true way to be sure.’” Lady Danbury leaned forward. Even Hyacinth leaned forward, and she was holding the book. “‘It’s in his kiss,’ her mother whispered. ‘It’s all there, in his kiss.’
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Man needs bread and hyacinths: one to feed the body, and one to feed the soul.
Sharon Creech (Chasing Redbird)
Hyacinth,” Lady Bridgerton said in a vaguely disapproving voice, “do try to speak in complete sentences.” Hyacinth looked at her mother with a surprised expression. “Biscuits. Are. Good.” She cocked her head to the side. “Noun. Verb. Adjective.” “Hyacinth.” “Noun. Verb. Adjective.” Colin said, wiping a crumb from his grinning face. “Sentence. Is. Correct.
Julia Quinn (Romancing Mister Bridgerton (Bridgertons, #4))
Mother,” Hyacinth said with a great show of solicitude, “you know I love you dearly—” “Why is it,” Violet pondered, “that I have come to expect nothing good when I hear a sentence beginning in that manner?
Julia Quinn (It's in His Kiss (Bridgertons, #7))
But Hyacinth Bridgerton, who at ten should have known the least about kisses of anyone, just blinked thoughtfully, and said, “I think it's nice. If they're laughing now, they'll probably be laughing forever.” She turned to her mother. “Isn't that a good thing?
Julia Quinn (The Duke and I (Bridgertons, #1))
Well,” he said with an affected sigh, “you have my approval, at least.” “Why?” Hyacinth asked suspiciously. “It would be an excellent match,” he continued. “If nothing else, think of the children.” She knew she’d regret it, but still she had to ask. “What children?” He grinned. “The lovely lithping children you could have together. Garethhhh and Hyathinthhhh. Hyathinth and Gareth. And the thublime Thinclair tots.” Hyacinth stared at him like he was an idiot. Which he was, she was quite certain of it. She shook her head. “How on earth Mother managed to give birth to seven perfectly normal children and one freak is beyond me." "Thith way to the nurthery.” Gregory laughed as she headed back into the room. “With the thcrumptious little Tharah and Thamuel Thinclair. Oh, yeth, and don’t forget wee little Thuthannah!
Julia Quinn (It's in His Kiss (Bridgertons, #7))
If I had but two loaves of bread, I would sell one and buy hyacinths, for they would feed my soul.
Mohammad
Telling someone who is manic that she's manic is like telling a dictator that he's a dick. Neither is going to admit it, and both are willing to torture you to prove their points.
Melody Moezzi (Haldol and Hyacinths: A Bipolar Life)
Milk?” Lady Bridgerton asked. “Thank you,” Gareth replied. “No sugar, if you please.” “Hyacinth takes hers with three,” Gregory said, reaching for a piece of shortbread. “Why,” Hyacinth ground out, “would he care?” “Well,” Gregory replied, taking a bite and chewing, “he is your special friend.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
But she was already in. Gareth couldn't help but stand back in admiration. Hyacinth Bridgerton was clearly a natural born athlete. Either that or a cat burglar.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Of course none of those men was suitable. Half were after your fortune, and as for the other half—well, you would have reduced them to tears within a month.” “Such tenderness for your youngest child,” Hyacinth muttered. “It quite undoes me.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Gareth turned to Gregory. “Your sister will be safe with me,” he said. “I give you my vow.” “Oh, I have no worries on that score,” Gregory said with a bland smile. “The real question is—will you be safe with her?” It was a good thing, Gareth later reflected, that Hyacinth had already quit the room to fetch her coat and her maid. She probably would have killed her brother on the spot.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
It takes a super brave person to be as generous as you are, Hyacinth. Not many people are brave enough to be so loving
Karina Yan Glaser (The Vanderbeekers of 141st Street (The Vanderbeekers, #1))
Your body is a hyacinth, Into which a monk dips his waxy fingers. Our silence is a black cavern, From which a soft animal steps at times And slowly lowers heavy eyelids. On your temples black dew drips, The last gold of expired stars
Georg Trakl
You’re going to be my grandmother.” “You silly child. In my heart, I’ve been your grandmother for years. I’ve just been waiting for you to make it official.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
I would give the world to have one more person for whom I would lay down my life.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
But now you love a hyacinth. So much the better. You have gained a new source of enjoyment, and it is well to have as many holds upon happiness as possible.
Jane Austen (Northanger Abbey)
Don’t look so upset,” Hyacinth said, once it was just the two of them again. “You’re quite a catch.” He looked at her assessingly. “Is one meant to say such things quite so directly?” She shrugged. “Not to men one is trying to impress.” “Touché, Miss Bridgerton.” She sighed happily. “My three favorite words.” Of that, he had no doubt.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
He was a puzzle. And Hyacinth hated puzzles. Well, no, in truth she loved them. Provided, of course, that she solved them.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Yet when we came back, from the hyacinth garden, Yours arms full, and your hair wet, I could not Speak, and my eyes failed, I was neither Living nor dead, and I knew nothing. Looking into the heart of light, the silence. Oed und leer das Meer ('waste and empty in the sea')" "I remember Those are pearls that were his eyes." "Who is the third who walks always beside you? When I count, there are only you and I together But when I look ahead, up the white road There is always another one walking beside you, Gliding wrapt in a brown mantle, hooded I do not know whether a man or a woman But who is that on the other side of you?
T.S. Eliot (The Waste Land)
Charlotte Stokehurst,” Violet Bridgerton announced, “is getting married.” “Today?” Hyacinth queried, taking off her gloves. Her mother gave her a look. “She has become engaged. Her mother told me this morning.” Hyacinth looked around. “Were you waiting for me in the hall?” “To the Earl of Renton,” Violet added. “Renton.” “Have we any tea?” Hyacinth asked. “I walked all the way home, and I’m thirsty.” “Renton!” Violet exclaimed, looking about ready to throw up her hands in despair. “Did you hear me?” “Renton,” Hyacinth said obligingly. “He has fat ankles.” “He’s—” Violet stopped short. “Why were you looking at his ankles?
Julia Quinn (It's in His Kiss (Bridgertons, #7))
At last Hyacinth asked rather mournfully: "Why do you keep on pushing me away?" The note of unhappiness in that voice quite shocked him. How little one knows what one knows, or wants what one wants.
Robert Musil
People will think you're courting me.' 'Nonsense, everyone knows I don't court respectable women.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Say whatever is in your heart,” Violet said. Her lips twisted wryly. “And if that doesn’t work, I suggest that you take a book and knock him over the head with it.” Hyacinth blinked, then blinked again. “I beg your pardon.” “I didn’t say that,” Violet said quickly. Hyacinth felt herself smile. “I’m rather certain you did.” “Do you think?” Violet murmured, concealing her own smile with her teacup. “A large book,” Hyacinth queried, “or small?” “Large, I think, don’t you?” Hyacinth nodded. “Have we The Complete Works of Shakespeare in the library?” Violet’s lips twitched. “I believe that we do.” Something began to bubble in Hyacinth’s chest. Something very close to laughter. And it felt so good to feel it again. “I love you, Mother,” she said, suddenly consumed by the need to say it aloud. “I just wanted you to know that.” “I know, darling,” Violet said, and her eyes were shining brightly. “I love you, too.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Hyacinth. Please forgive me.
Vanessa Diffenbaugh (The Language of Flowers)
Miss Bridgerton,” he said, “the devil himself couldn’t scare you.” She forced her eyes to meet his. “That’s not a compliment, is it?” He lifted her hand to his lips, brushing a feather-light kiss across her knuckles. “You’ll have to figure that out for yourself,” he murmured. To all who observed, he was the soul of propriety, but Hyacinth caught the daring gleam in his eye, and she felt the breath leave her body as tingles of electricity rushed across her skin. Her lips parted, but she had nothing to say, not a single word. There was nothing but air, and even that seemed in short supply. And then he straightened as if nothing had happened and said, “Do let me know what you decide.” She just stared at him. “About the compliment,” he added. “I am sure you will wish to let me know how I feel about you.” Her mouth fell open. He smiled. Broadly. “Speechless, even. I’m to be commended.” “You—” “No. No,” he said, lifting one hand in the air and pointing toward her as if what he really wanted to do was place his finger on her lips and shush her. “Don’t ruin it. The moment is too rare.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
If of thy mortal goods thou art bereft, And from thy slender store two loaves alone to thee are left, Sell one, and with the dole Buy hyacinths to feed thy soul. Attributed to the Gulistan of Moslih Eddin Saadi
Hazel Felleman (The Best Loved Poems of the American People)
Everything I said he agreed with, which was trying, and his flute playing would make the deaf wince, but I think the real problem with Hyacinth was that he reminded me of myself. He read poetry. He flinched at loud noises. In addition to having no musical skills, he had no martial skills. He avoided any situation that might require physical effort on his part. Seeing him, I found it no wonder that my father despised me.
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
I love tulips better than any other spring flower; they are the embodiment of alert cheerfulness and tidy grace, and next to a hyacinth look like a wholesome, freshly tubbed young girl beside a stout lady whose every movement weighs down the air with patchouli. Their faint, delicate scent is refinement itself; and is there anything in the world more charming than the sprightly way they hold up their little faces to the sun. I have heard them called bold and flaunting, but to me they seem modest grace itself, only always on the alert to enjoy life as much as they can and not be afraid of looking the sun or anything else above them in the face.
Elizabeth von Arnim (Elizabeth and Her German Garden)
Gareth sucked in a breath. Hyacinth’s brother wasn’t going to make this easy on him. But that didn’t matter. He had vowed to do this right, and he would not be cowed. He looked up, meeting the viscount’s dark eyes with steady purpose. “I would like to marry Hyacinth,” he said. And then, because the viscount did not say anything, because he didn’t even move, Gareth added, “Er, if she’ll have me.” And then about eight things happened at once. Or perhaps there were merely two or three, and it just seemed like eight, because it was all so unexpected. First, the viscount exhaled, although that did seem to understate the case. It was more of a sigh, actually—a huge, tired, heartfelt sigh that made the man positively deflate in front of Gareth. Which was astonishing. Gareth had seen the viscount on many occasions and was quite familiar with his reputation. This was not a man who sagged or groaned. His lips seemed to move through the whole thing, too, and if Gareth were a more suspicious man, he would have thought that the viscount had said, “Thank you, Lord.” Combined with the heavenward tilt of the viscount’s eyes, it did seem the most likely translation. And then, just as Gareth was taking all of this in, Lord Bridgerton let the palms of his hands fall against the desk with surprising force, and he looked Gareth squarely in the eye as he said, “Oh, she’ll have you. She will definitely have you.” It wasn’t quite what Gareth had expected. “I beg your pardon,” he said, since truly, he could think of nothing else. “I need a drink,” the viscount said, rising to his feet. “A celebration is in order, don’t you think?” “Er…yes?” Lord Bridgerton crossed the room to a recessed bookcase and plucked a cut-glass decanter off one of the shelves. “No,” he said to himself, putting it haphazardly back into place, “the good stuff, I think.” He turned to Gareth, his eyes taking on a strange, almost giddy light. “The good stuff, wouldn’t you agree?” “Ehhhh…” Gareth wasn’t quite sure what to make of this. “The good stuff,” the viscount said firmly. He moved some books to the side and reached behind to pull out what looked to be a very old bottle of cognac. “Have to keep it hidden,” he explained, pouring it liberally into two glasses. “Servants?” Gareth asked. “Brothers.” He handed Gareth a glass. “Welcome to the family.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
You’ll be seeing him tomorrow night, anyway.” “I am?” Hyacinth asked, at precisely the moment Mr. St. Clair said, “She will?” “You’re accompanying me to the Pleinsworth poetry reading,” Lady D told her grandson. “Or have you forgotten?” Hyacinth sat back, enjoying the sight of Gareth St. Clair’s mouth opening and closing in obvious distress. He looked a bit like a fish, she decided. A fish with the features of a Greek god, but still, a fish. “I really…” he said. “That is to say, I can’t—” “You can, and you will be there,” Lady D said. “You promised.” He regarded her with a stern expression. “I cannot imagine—” “Well, if you didn’t promise, you should have done, and if you love me…” Hyacinth coughed to cover her laugh, then tried not to smirk when Mr. St. Clair shot a dirty look in her direction. “When I die,” he said, “surely my epitaph will read, ‘He loved his grandmother when no one else would.’” “And what’s wrong with that?” Lady Danbury asked.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
I understand that you are an accomplished swords-man,” she finally said. He eyed her curiously. Where was she going with this? “I like to fence, yes,” he replied. “I have always wanted to learn.” “Good God,” Gregory grunted. “I would be quite good at it,” she protested. “I’m sure you would,” her brother replied, “which is why you should never be allowed within thirty feet of a sword.” He turned to Gareth. “She’s quite diabolical.” “Yes, I’d noticed,” Gareth murmured, deciding that maybe there might be a bit more to Hyacinth’s brother than he had thought. Gregory shrugged, reaching for a piece of shortbread. “It’s probably why we can’t seem to get her married off.” “Gregory!” This came from Hyacinth, but that was only because Lady Bridgerton had excused herself and followed one of the footmen into the hall. “It’s a compliment!” Gregory protested. “Haven’t you waited your entire life for me to agree that you’re smarter than any of the poor fools who have attempted to court you?” “You might find it difficult to believe,” Hyacinth shot back, “but I haven’t been going to bed each night thinking to myself—Oh, I do wish my brother would offer me something that passes for a compliment in his twisted mind.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
The only words I'll allow from your mouth are, 'Oh, Gareth,' and 'Yes, Gareth.'" "What about 'More, Gareth'?" "He almost kept a straith face. "That will be acceptable.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
The Smythe-Smith musicale. Thankfully, it came around just once per year, because Hyacinth was quite certain it would take a full twelve months for her ears to recover.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
I’ve already instructed the others to keep their mouths shut.” “Even Hyacinth?” Penelope asked doubtfully. “Especially Hyacinth.” “Did you bribe her?” Violet asked. “Because it won’t work unless you bribe her.” “Good Lord,” Colin muttered. “One would think I’d joined this family yesterday. Of course I bribed her.” He turned to Penelope. “No offense to recent additions.” “Oh, none taken.
Julia Quinn (Romancing Mister Bridgerton: The 2nd Epilogue (Bridgertons, #4.5))
No one said we had to spend every waking moment together," he said, "but at the end of the day"-he leaned and kissed each of her eyebrows, in turn-"an most of the time during, there is no one I would rather see, no one whose voice I would rather hear, and no one whose mind I would rather explore.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Until one has loved an animal, a part of one’s soul remains unawakened.’” Hyacinth looked up at her father. “What does that mean, Papa?” “It means that animals make our hearts happy in a very special way. A French man named Anatole France said that a long time ago.
Karina Yan Glaser (The Vanderbeekers of 141st Street)
Gareth?” Hyacinth said softly. He turned to her, wondering how long he’d been standing there, pondering his options. “Hyacinth,” he said. She looked at him expectantly. “Hyacinth,” he said again, this time with a bit more certitude. He smiled, letting his eyes melt into hers. “Hyacinth.” “We know her name,” came his grandmother’s voice. Gareth ignored her and pushed a table aside so that he could drop to one knee. “Hyacinth,” he said, relishing her gasp as he took her hand in his, “would you do me the very great honor of becoming my wife?” Her eyes widened, then misted, and her lips, which he’d been kissing so deliciously mere hours earlier, began to quiver. “I…I…” It was unlike her to be so without words, and he was enjoying it, especially the show of emotion on her face. “I…I…” “Yes!” his grandmother finally yelled. “Yes! She’ll marry you!” “She can speak for herself,” he said. “No,” Lady D said, “she can’t. Quite obviously.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
It was nearly impossible to keep anything a secret, especially from her sisters, the youngest of whom—Hyacinth—could probably have won the war against Napoleon in half the time if His Majesty had only thought to draft her into the espionage service.
Julia Quinn (To Sir Phillip, With Love (Bridgertons, #5))
IT’S THE LESSON YOUNG GIRLS EVERYWHERE were taught their entire lives—don’t be seduced by the men you meet, protect your virtue—until, of course, their entire lives depended on seduction by the right man. It was an impossible situation, a trick of society as a whole: force women to live at the mercy of whichever man wants them but shame them for anything they might do to get a man to want them. Passivity was the ultimate virtue. Heaven forbid you turn into someone like Hyacinth Coldwater. Be patient, be silent, be beautiful and untouched as an orchid, and then and only then will your reward come: a bell jar to keep you safe.
Dana Schwartz (Anatomy: A Love Story (The Anatomy Duology, #1))
No one said we had to spend every waking moment together, but at the end of the day and most of the time during, there is no one I would rather see, no one whose voice I would rather hear, and no one whose mind I would rather explore. I love you, Hyacinth Bridgerton. And I always will.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Everybody works . . . . That's what life is. Work and a little play and a lot of prayer.
Susan Vreeland (Girl in Hyacinth Blue)
She was still a girl, a slight lovely girl who lay in bed and ate chocolates, a girl whose hair smelled like hyacinth and whose white scarves fluttered jauntily in the breeze; a girl as bewitching, and clever, as any girl who ever lived.
Donna Tartt
If two people love the same thing, she reasoned, then they must love each other, at least a little, even if they never say it.
Susan Vreeland (Girl in Hyacinth Blue)
On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece, And the grandeur that was Rome.
Edgar Allan Poe (To Helen)
I created hyacinths, so I'm supposed to know how to plant and water them?
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
She was still a girl, a slight lovely girl who lay in bed and ate chocolates, a girl whose hair smelled like hyacinth and whose white scarves fluttered jauntily in the breeze;
Donna Tartt (The Secret History)
He turned to her. “Didn’t you see the lightning strike the steeple?” She recovered with a sip of tea, then smiled sweetly. “I was listening too devotedly to the sermon.” “Claptrap last week,” Lady D announced. “I think the priest is getting old.” Gareth opened his mouth, but before he could say a word, his grandmother’s cane swung around in a remarkably steady horizontal arc. “Don’t,” she warned, “make a comment beginning with the words, ‘Coming from you…’” “I wouldn’t dream of it,” he demurred. “Of course you would,” she stated. “You wouldn’t be my grandson if you wouldn’t.” She turned to Hyacinth. “Don’t you agree?” To her credit, Hyacinth folded her hands in her lap and said, “Surely there is no right answer to that question.” “Smart girl,” Lady D said approvingly. “I learn from the master.” Lady Danbury beamed.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
It is a well-known established fact throughout the many-dimensional worlds of the multiverse that most really great discoveries are owed to one brief moment of inspiration. There's a lot of spadework first, of course, but what clinches the whole thing is the sight of, say, a falling apple or a boiling kettle or the water slipping over the edge of the bath. Something goes click inside the observer's head and then everything falls into place. The shape of DNA, it is popularly said, owes its discovery to the chance sight of a spiral staircase when the scientist‘s mind was just at the right receptive temperature. Had he used the elevator, the whole science of genetics might have been a good deal different. This is thought of as somehow wonderful. It isn't. It is tragic. Little particles of inspiration sleet through the universe all the time traveling through the densest matter in the same way that a neutrino passes through a candyfloss haystack, and most of them miss. Even worse, most of the ones that hit the exact cerebral target, hit the wrong one. For example, the weird dream about a lead doughnut on a mile-high gantry, which in the right mind would have been the catalyst for the invention of repressed-gravitational electricity generation (a cheap and inexhaustible and totally non-polluting form of power which the world in question had been seeking for centuries, and for the lack of which it was plunged into a terrible and pointless war) was in fact had by a small and bewildered duck. By another stroke of bad luck, the sight of a herd of wild horses galloping through a field of wild hyacinths would have led a struggling composer to write the famous Flying God Suite, bringing succor and balm to the souls of millions, had he not been at home in bed with shingles. The inspiration thereby fell to a nearby frog, who was not in much of a position to make a startling contributing to the field of tone poetry. Many civilizations have recognized this shocking waste and tried various methods to prevent it, most of them involving enjoyable but illegal attempts to tune the mind into the right wavelength by the use of exotic herbage or yeast products. It never works properly.
Terry Pratchett (Sourcery (Discworld, #5; Rincewind, #3))
In the end, it's only the moments that we have, the kiss on the palm, the joint wonder at the furrowed texture of a fir trunk or at the infinitude of grains of sand in a dune. Only the moments.
Susan Vreeland (Girl in Hyacinth Blue)
I‟m going to kill her,” Francesca said to no one in particular. Which was probably a good thing, as there was no one else present. “Who are you talking to?” Hyacinth demanded. “God,” Francesca said baldly. “And I do believe I have been given divine leave to murder you.” “Hmmph,” was Hyacinth‟s response. “If it was that easy, I‟d have asked permission to eliminate half the ton years ago.” Francesca decided just then that not all of Hyacinth‟s statements required a rejoinder. In fact, few of them did.
Julia Quinn (When He Was Wicked (Bridgertons, #6))
Let the dreamers and the seers keep watch. It is what we do.
Jacqueline Carey
I do love it when I am right,” Hyacinth said triumphantly. “Which is fortunate, since I so often am.” Penelope just looked at her. “You do know that you are insufferable.” “Of course.” Hyacinth leaned toward Penelope with a devilish smile. “But you love me, anyway, admit it.” “I admit nothing until the end of the evening.” “After we have both gone deaf?” “After we see if you behave yourself.” Hyacinth laughed. “You married into the family. You have to love me. It’s a contractual obligation.” “Funny how I don’t recall that in the wedding vows.” “Funny,” Hyacinth returned, “I remember it perfectly
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Not that I wish to give you any ammunition, but the sad fact of it is-most men are sheep. Where one goes, the rest will follow. And didn't you say you wished to be married?' 'Not to someone who follows you as the lead sheep.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Vernal Equinox The scent of hyacinths, like a pale mist, lies between me and my book; And the South Wind, washing through the room, Makes the candles quiver. My nerves sting at a spatter of rain on the shutter, And I am uneasy with the thrusting of green shoots Outside, in the night. Why are you not here to overpower me with your tense and urgent love?
Amy Lowell
Speaking of which,” he murmured. Hyacinth’s mouth fell open as he dropped down to one knee. “What are you doing?” she squeaked, frantically looking this way and that. Lord St. Clair was surely peeking out at them, and heaven only knew who else was, too. “Someone will see,” she whispered. He seemed unconcerned. “People will say we’re in love.” “I—” Good heavens, but how did a woman argue against that? “Hyacinth Bridgerton,” he said, taking her hand in his, “will you marry me?” She blinked in confusion. “I already said I would.” “Yes, but as you said, I did not ask you for the right reasons. They were mostly the right reasons, but not all.” “I—I—” She was stumbling on the words, choking on the emotion. He was staring up at her, his eyes glowing clear and blue in the dim light of the streetlamps. “I am asking you to marry me because I love you,” he said
Julia Quinn (It's in His Kiss (Bridgertons, #7))
The almond blossom from the tree has gone, to be replaced by new green shoots. It smells of spring, and mown grass, and tilled earth from the fields beyond. Now is the month of Germinal in the Republican calendar: the month of hyacinth, and bees, and violet, and primrose. It is also the windy month; the month of new beginnings, and I have never felt it so strongly as I feel it now: that sense of possibility; that irresistible lightness.
Joanne Harris (The Strawberry Thief (Chocolat, #4))
When we left it, the city was still smoldering. Otherwise it was a perfect spring morning. White hyacinths gasped in the embassy lawn. The sky was September-blue and the pigeons went on pecking at bits of bread scattered by the bombed bakery. Broken baguettes. Crushed croissants. Gutted cars. A carousel spinning its blackened horses. He said the shadow of missiles growing larger on the sidewalk looked like god playing an air piano above us.
Ocean Vuong (Night Sky with Exit Wounds)
How love builds itself unconsciously, he thought, out of the momentous ordinary.
Susan Vreeland (Girl in Hyacinth Blue)
Though trodden beneath the shepherd’s heel, the wild hyacinth blooms on the ground.
Gene Wolfe (Return to the Whorl (The Book of the Short Sun, #3))
There Albine lay, panting, exhausted by love, her hands clutched closer and closer to her heart, breathing her last. She parted her lips, seeking the kiss which should obliterate her, and then the hyacinths and tuberoses exhaled their incense, wrapping her in a final sigh, so profound that it drowned the chorus of roses, and in this culminating gasp of blossom, Albine was dead.
Émile Zola (La Faute de l'abbé Mouret (Les Rougon-Macquart, #5))
Work is love made plain, whether man’s work or woman’s work.
Susan Vreeland (Girl in Hyacinth Blue)
Sometimes being a good friend is about saying no, about trying to do what’s best for your friend regardless of what they say.
Gitty Daneshvari (The Final Exam (School of Fear, #3))
It was strange: When you reduced even a fledgling love affair to its essentials--I loved her, she maybe loved me, I was foolish, I suffered--it became vacuous and trite, meaningless to anyone else. In the end, it's only the moments that we have, the kiss on the palm, the joint wonder at the furrowed texture of a fir trunk or at the infinitude of grains of sand in a dune. Only the moments.
Susan Vreeland
Eloise,” Penelope said, somewhat breathless from trying to shake off Hyacinth. “Penelope.” But Eloise’s voice sounded curious. Which did not surprise Penelope; Eloise was no fool, and she was well aware that her brother’s normal modes of behavior did not include beatific smiles in her direction. “Eloise,” Hyacinth said, for no reason Penelope could deduce. “Hyacinth.” Penelope turned to her husband. “Colin.” He looked amused. “Penelope. Hyacinth.” Hyacinth grinned. “Colin.” And then: “Sir Phillip.” “Ladies.” Sir Phillip, it seemed, favored brevity. “Stop!” Eloise burst out. “What is going on?” “A recitation of our Christian names, apparently,” Hyacinth said.
Julia Quinn (Romancing Mister Bridgerton: The 2nd Epilogue (Bridgertons, #4.5))
And I will love words for their own sake, like 'hyacinth' and 'Piccadilly' and 'onyx.' And I'll have a good old dog, and think what I like, and be part of a different sort of family, with friends, you know? - who understand that things are only worth what you're willing to give up for them.
Rick Elice
Francesca actually felt her chin drop. “Mother,” she said, shaking her head, “you really should have stopped at seven.” “Children, you mean?” Violet asked, sipping at her tea. “Sometimes I do wonder.” “Mother!” Hyacinth exclaimed. Violet just smiled at her. “Salt?” “It took her eight tries to get it right,” Hyacinth announced, thrusting the salt cellar at her mother with a decided lack of grace. “And does that mean that you, too, hope to have eight children?” Violet inquired sweetly. “God no,” Hyacinth said. With great feeling. And neither she nor Francesca could quite resist a chuckle after that.
Julia Quinn (When He Was Wicked (Bridgertons, #6))
I’m trying to embroider.” Hyacinth held up her handiwork as proof. “You’re trying to avoid—” Her mother stopped, blinking. “I say, why does that flower have an ear?” “It’s not an ear.” Hyacinth looked down. “And it’s not a flower.” “Wasn’t it a flower yesterday?” “I have a very creative mind,” Hyacinth ground out, giving the blasted flower another ear. “That,” Violet said, “has never been in any doubt.” Hyacinth looked down at the mess on the fabric. “It’s a tabby cat,” she announced. “I just need to give it a tail.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
One of the things that confirmed Hyacinth’s suspicion that America was an evil, lonely place was that people were islands unto themselves. And so when Avril drifted away, there was no friend or neighbor or pastor or coworker to reach out to and ask after her child.
Naomi Jackson (The Star Side of Bird Hill)
It is of no concern. I don't mind that I am not universally adored. If I wanted everyone to like me, I'd have to be kind and charming and bland and boring all the time, and what would be the fun in that?
Julia Quinn (It's in His Kiss (Bridgertons, #7))
I’m not trying to impress you,” he replied, glancing up at the front of the room. “Gads,” he said, blinking in surprise. “What is that ?” Hyacinth followed his gaze. Several of the Pleinsworth progeny, one of whom appeared to be costumed as a shepherdess, were milling about. “Now that’s an interesting coincidence,” Gareth murmured. “It might be time to start bleating,” she agreed. “I thought this was meant to be a poetry recitation.” Hyacinth grimaced and shook her head. “An unexpected change to the program, I’m afraid.” “From iambic pentameter to Little Bo Peep?” he asked doubtfully. “It does seem a stretch.” Hyacinth gave him a rueful look. “I think there will still be iambic pentameter.” His mouth fell open. “From Peep?” She nodded, holding up the program that had been resting in her lap. “It’s an original composition,” she said, as if that would explain everything. “By Harriet Pleinsworth.The Shepherdess, the Unicorn, and Henry VIII .” “All of them? At once?” “I’m not jesting,” she said, shaking her head. “Of course not. Even you couldn’t have made this up.” Hyacinth decided to take that as a compliment. “Why didn’t I receive one of these?” he asked, taking the program from her. “I believe it was decided not to hand them out to the gentlemen,” Hyacinth said, glancing about the room. “One has to admire Lady Pleinsworth’s foresight, actually. You’d surely flee if you knew what was in store for you.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
I turn to look at him. His face is smooth, without the blotches and spots that have begun to afflict the other boys. His features are drawn with a firm hand; nothing awry or sloppy, nothing too large—all precise, cut with the sharpest of knives. And yet the effect itself is not sharp. He turns and finds me looking at him. “What?” he says. “Nothing.” I can smell him. The oils that he uses on his feet, pomegranate and sandalwood; the salt of clean sweat; the hyacinths we had walked through, their scent crushed against our ankles. Beneath it all is his own smell, the one I go to sleep with, the one I wake up to. I cannot describe it. It is sweet, but not just. It is strong but not too strong. Something like almond, but that still is not right. Sometimes, after we have wrestled, my own skin smells like it. He puts a hand down, to lean against. The muscles in his arms curve softly, appearing and disappearing as he moves. His eyes are deep green on mine. My pulse jumps, for no reason I can name. He has looked at me a thousand thousand times, but there is something different in this gaze, an intensity I do not know. My mouth is dry, and I can hear the sound of my throat as I swallow. He watches me. It seems that he is waiting. I shift, an infinitesimal movement, towards him. It is like the leap from a waterfall. I do not know, until then, what I am going to do. I lean forward and our lips land clumsily on each other. They are like the fat bodies of bees, soft and round and giddy with pollen. I can taste his mouth—hot and sweet with honey from dessert. My stomach trembles, and a warm drop of pleasure spreads beneath my skin. More.
Madeline Miller (The Song of Achilles)
I first tasted under Apollo’s lips, love and love sweetness, I, Evadne; my hair is made of crisp violets or hyacinth which the wind combs back across some rock shelf; I, Evadne, was made of the god of light. His hair was crisp to my mouth, as the flower of the crocus, across my cheek, cool as the silver-cress on Erotos bank; between my chin and throat, his mouth slipped over and over. Still between my arm and shoulder, I feel the brush of his hair, and my hands keep the gold they took, as they wandered over and over, that great arm-full of yellow flowers.
H.D. (Selected Poems of H.D.)
In the end, it's only the moments that we have.
Susan Vreeland (Girl in Hyacinth Blue)
I do not belong anywhere. I have an accent in every language I speak.
Sholeh Wolpé (Keeping Time with Blue Hyacinths: Poems)
In the first week of April the weather turned suddenly, unseasonably, insistently lovely. The sky was blue, the air warm and windless, and the sun beamed on the muddy ground with all the sweet impatience of June. Toward the fringe of the wood, the young trees were yellow with the first tinge of new leaves; woodpeckers laughed and drummed in the copses and, lying in bed with my window open, I could hear the rush and gurgle of the melted snow running in the gutters all night long. In the second week of April everyone waited anxiously to see if the weather would hold. It did, with serene assurance. Hyacinth and daffodil bloomed in the flower beds, violet and periwinkle in the meadows; damp, bedraggled white butterflies fluttered drunkenly in the hedgerows. I put away my winter coat and overshoes and walked around, nearly light-headed with joy, in my shirtsleeves.
Donna Tartt (The Secret History)
A toy boat, a toy boat, a toy boat,’ she repeated, thus enforcing upon herself the fact that it is not articles by Nick Greene on John Donne nor eight-hour bills nor covenants nor factory acts that matter; it’s something useless, sudden, violent; something that costs a life; red, blue, purple; a spirit; a splash; like those hyacinths (she was passing a fine bed of them); free from taint, dependence, soilure of humanity or care for one’s kind; something rash, ridiculous, like my hyacinth, husband I mean, Bonthrop: that’s what it is — a toy boat on the Serpentine, ecstasy — it’s ecstasy that matters.
Virginia Woolf (Orlando)
So Recklessly Exposed December and January, gone. Tulips coming up. It's time to watch how trees stagger in the wind and roses never rest. Wisteria and Jasmine twist on themselves. Violet kneels to Hyacinth, who bows. Narcissus winks, wondering what will the lightheaded Willow say of such slow dancing by Cypress. Painters come outdoors with brushes. I love their hands. The birds sing suddenly and all at once. The soul says Ya Hu, quietly. A dove calls, Where, ku? Soul, you will find it. Now the roses show their breasts. No one hides when the Friend arrives. The Rose speaks openly to the Nightingale. Notice how the Green Lily has several tongues but still keeps her secret. Now the Nightingale sings this love that is so recklessly exposed, like you.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (The Essential Rumi)
In the country, spring is a time of small happenings happening quietly, hyacinth shoots thrusting in a garden, willows burning with a sudden frosty fire of green, lengthening afternoons of long flowing dusk, and midnight rain opening lilac; but in the city there is the fanfare of organ-grinders, and odors, undiluted by winter wind, clog the air; windows long closed go up, and conversation, drifting beyond a room, collides with the jangle of a peddler's bell.
Truman Capote (The Complete Stories of Truman Capote)
...the cooing of pigeons, nesting in the wall outside; shimmering and unexpected like a first hyacinth gently tearing open its nutritious heart to release its flower of sound, mauve and satin-soft, letting into my still dark and shuttered bedroom as through an opened window the warmth, the brightness, the fatigue of a first fine day.
Marcel Proust (The Guermantes Way)
Insomuch as the structure of this book parallels that of my own mind, it boasts about as much order and linearity as a hallucination.
Melody Moezzi (Haldol and Hyacinths: A Bipolar Life)
In the early twentieth century, the Congress of our great nation debated a glorious plan to resolve a meat shortage in America. The idea was this: import hippos and raise them in Louisiana’s bayous. The hippos would eat the ruinously invasive water hyacinth; the American people would eat the hippos; everyone would go home happy. Well, except the hippos. They’d go home eaten. Much to everyone’s disappointment, Congress didn’t follow through on the plan, and today America lives a cursed life—a beef life, with nary a free-range hippo within the borders of our country.
Sarah Gailey (River of Teeth (River of Teeth, #1))
But that’s not what I’m trying to tell you,” Violet said, her eyes taking on a slightly determined expression. “What I’m trying to say is that when you were born, and they put you into my arms—it’s strange, because for some reason I was so convinced you would look just like your father. I thought for certain I would look down and see his face, and it would be some sort of sign from heaven.” Hyacinth’s breath caught as she watched her, and she wondered why her mother had never told her this story. And why she’d never asked. “But you didn’t,” Violet continued. “You looked rather like me. And then—oh my, I remember this as if it were yesterday—you looked into my eyes, and you blinked. Twice.” “Twice?” Hyacinth echoed, wondering why this was important. “Twice.” Violet looked at her, her lips curving into a funny little smile. “I only remember it because you looked so deliberate. It was the strangest thing. You gave me a look as if to say, ‘I know exactly what I’m doing.’ ” A little burst of air rushed past Hyacinth’s lips, and she realized it was a laugh. A small one, the kind that takes a body by surprise. “And then you let out a wail,” Violet said, shaking her head. “My heavens, I thought you were going to shake the paint right off the walls. And I smiled. It was the first time since your father died that I smiled.” Violet took a breath, then reached for her tea. Hyacinth watched as her mother composed herself, wanting desperately to ask her to continue, but somehow knowing the moment called for silence. For a full minute Hyacinth waited, and then finally her mother said, softly, “And from that moment on, you were so dear to me. I love all my children, but you…” She looked up, her eyes catching Hyacinth’s. “You saved me.” Something squeezed in Hyacinth’s chest. She couldn’t quite move, couldn’t quite breathe. She could only watch her mother’s face, listen to her words, and be so very, very grateful that she’d been lucky enough to be her child. “In some ways I was a little too protective of you,” Violet said, her lips forming the tiniest of smiles, “and at the same time too lenient. You were so exuberant, so completely sure of who you were and how you fit into the world around you. You were a force of nature, and I didn’t want to clip your wings.” “Thank you,” Hyacinth whispered, but the words were so soft, she wasn’t even sure she’d said them aloud.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
I’ve always felt that love is like Belgian chocolate, you know, the ones with brandy filling. You always say you’re going to take one more bite, one more chocolate, and then, the whole box is gone. Perhaps the morning after, you might even get indigestion or a headache, and still, that evening, you might stop by the supermarket and buy another box because you simply can’t get enough.
Scarlet Hyacinth (Belgian Chocolates and Incubus Kisses (The Taste of Love #1))
She frowned at the message on his T-shirt: IT ONLY SEEMS KINKY THE FIRST TIME. “It was a gift,” he said. “From Satan?” Something that looked almost like a smile flickered across his face and then disappeared. “You don’t like it, you know what you can do about it.” He cleared another snarl of water hyacinths. “What if a child saw that shirt?” “Seen any kids today?” He shifted his weight slightly on the seat. “You’re making me sorry I lost my favorite one.” She turned back to the bow. “I don’t want to hear.” “It says, ‘I’m al for gay marriage as long as both bitches are hot.
Susan Elizabeth Phillips (The Great Escape (Wynette, Texas, #7))
how to (un)cage a girl longer hair bigger breasts smoother skin flatter stomach whiter teeth smaller nose if you worry enough you won't have time or energy to see what really is what could i have learned if i didn't live here in this cell? where could i have flown? how would i have grown? if i forgave this shell? oh, my body let me cradle you like my girl's her long limbs spilling over or folding up like silk her gold-tinged curls ringleting my fingers her eyes the blue of sorrow and hyacinth oh, my body when you are at peace rocked here to sleep as if by a mother as if by a lover who sees your flushed skin the grace that you're in the gleam of your hair the green of your stare then this soul can fly off to understand pyramids and time history electricity technology symbology that all of us are one that all of us are love
Francesca Lia Block (How to (Un)cage a Girl)
Sophie stared at the door, trying desperately to keep her eyes focused on anything but Benedict. She'd spent all week hoping for a glimpse,but now that he was here, all she wanted was to escape. If she looked at his face, her eyes inevitably strayed to his lips. And if she looked at his lips, her thoughts immediately went to their kiss. And if she thought about the kiss... "I need that thimble," she blurted out, jumping to her feet. There were some things one just shouldn't think about in public. "So you said," Benedict murmured, one of his eyebrows quirking up into a perfect-and perfectly arrogant-arch. "It's downstairs," she muttered. "In my room." "But your room is upstairs," Hyacinth said. Sophie could have killed her. "That's what I said," she ground out. "No," Hyacinth said in a matter-of-fact tone, "you didn't." "Yes," Lady Bridgerton said, "she did. I heard her." Sophie twisted her head sharply to look at Lady Bridgerton and knew in an instant that the older woman had lied. "I have to get that thimble," she said, for what seemed like the thirtieth time. She hurried toward the doorway, gulping as she grew close to Benedict. "Wouldn't want you to hurt yourself," he said, stepping aside to allow her through the doorway.But as she brushed past him, he leaned forward, whispering, "Coward.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
WILDE: Oh — Bosie! (He weeps.) I have to go back to him, you know. Robbie will be furious but it can't be helped. The betrayal of one's friends is a bagatelle in the stakes of love, but the betrayal of oneself is a lifelong regret. Bosie is what became of me. He is spoiled, vindictive, utterly selfish and not very talented, but these are merely the facts. The truth is he was Hyacinth when Apollo loved him, he is ivory and gold, from his red rose-leaf lips comes music that fills me with joy, he is the only one who understands me. 'Even as a teething child throbs with ferment, so does the soul of him who gazes upon the boy's beauty; he can neither sleep at night nor keep still by day,' and a lot more besides, but before Plato could describe love, the loved one had to be invented. We would never love anybody if we could see past our invention. Bosie is my creation, my poem. In the mirror of invention, love discovered itself. Then we saw what we had made — the piece of ice in the fist you cannot hold or let go. (He weeps.)
Tom Stoppard (The Invention of Love)
Those whom God hath joined together, let no man put asunder. A shiver raced down Daphne’s spine, causing her to sway. In just a moment, she would belong to this man forever. Simon’s head turned slightly, his eyes darting to her face. Are you all right? his eyes asked. She nodded, a tiny little jog of her chin that only he could see. Something blazed in his eyes— could it be relief? I now pronounce you— Gregory sneezed for a fourth time, then a fifth and sixth, completely obliterating the archbishop’s “man and wife.” Daphne felt a horrifying bubble of mirth pushing up her throat. She pressed her lips together, determined to maintain an appropriately serious facade. Marriage, after all, was a solemn institution, and not one to be treating as a joke. She shot a glance at Simon, only to find that he was looking at her with a queer expression. His pale eyes were focused on her mouth, and the corners of his lips began to twitch. Daphne felt that bubble of mirth rising ever higher. You may kiss the bride. Simon grabbed her with almost desperate arms, his mouth crashing down on hers with a force that drew a collective gasp from the small assemblage of guests. And then both sets of lips— bride and groom— burst into laughter, even as they remained entwined. Violet Bridgerton later said it was the oddest kiss she’d ever been privileged to view. Gregory Bridgerton— when he finished sneezing— said it was disgusting. The archbishop, who was getting on in years, looked perplexed. But Hyacinth Bridgerton, who at ten should have known the least about kisses of anyone, just blinked thoughtfully, and said, “I think it’s nice. If they’re laughing now, they’ll probably be laughing forever.” She turned to her mother. “Isn’t that a good thing?” Violet took her youngest daughter’s hand and squeezed it. “Laughter is always a good thing, Hyacinth. And thank you for reminding us of that.
Julia Quinn (The Duke and I (Bridgertons, #1))