Hut House Quotes

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If you throw me out of this house, I shall sleep on the path outside. If you return to the Continent without me, I shall follow you. I will build a willow hut at your gate; I will sleep under your window; I will be waiting for you at your own front door.
Eloisa James (When Beauty Tamed the Beast (Fairy Tales, #2))
I don’t know whether you have ever seen a map of a person’s mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child’s mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads on the island, for the Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with sex elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all, but there is also first day at school, religion, fathers, the round pond, needle-work, murders, hangings, verbs that take the dative, chocolate-pudding day, getting into braces, say ninety-nine threepence for pulling out your tooth yourself, and so on, and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still. Of course the Neverlands vary a good deal. John’s, for instance, had a lagoon with flamingos flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents...
J.M. Barrie (Peter Pan)
Gretel in Darkness: This is the world we wanted. All who would have seen us dead are dead. I hear the witch's cry break in the moonlight through a sheet of sugar: God rewards. Her tongue shrivels into gas.... Now, far from women's arms And memory of women, in our father's hut we sleep, are never hungry. Why do I not forget? My father bars the door, bars harm from this house, and it is years. No one remembers. Even you, my brother, summer afternoons you look at me as though you meant to leave, as though it never happened. But I killed for you. I see armed firs, the spires of that gleaming kiln-- Nights I turn to you to hold me but you are not there. Am I alone? Spies hiss in the stillness, Hansel we are there still, and it is real, real, that black forest, and the fire in earnest.
Louise Glück
Just wait until he figures out I shut him out of his slut hut.” The poodle whined softly. “I don’t need any criticism from you. If you can go a day without barfing or destroying my house, then I might listen to what you have to say. Until then, keep your opinions to yourself.” I fell back into my bed and put a pillow on my head. I’d just had a conversation with a poodle and accused him of criticizing me. Curran had finally driven me out of my mind.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
My birthplace was California, but I couldn't forget Armenia, so what is one's country? Is it land of the earth, in a specific place? Rivers there? Lakes? The sky there? The way the moon comes up there? And the sun? Is one's country the trees, the vineyards, the grass, the birds, the rocks, the hills and summer and winter? Is it the animal rhythm of the living there? The huts and houses, the streets of cities, the tables and chairs, and the drinking of tea and talking? Is it the peach ripening in summer heat on the bough? Is it the dead in the earth there?
William Saroyan
There's so much to think about here in the world, one life is not enough for it all.
Olav H. Hauge (Leaf-Huts and Snow-Houses)
...mountains breed learned men and shepherds' huts house philosophers.
Miguel de Cervantes Saavedra (Don Quixote)
Little Phoebe was one of those persons who possess, as their exclusive patrimony, the gift of practical arrangement. It is a kind of natural magic that enables these favored ones to bring out the hidden capabilities of things around them; and particularly to give a look of comfort and habitableness to any place which, for however brief a period, may happen to be their home. A wild hut of underbrush, tossed together by wayfarers through the primitive forest, would acquire the home aspect by one night's lodging of such a woman, and would retain it long after her quiet figure had disappeared into the surrounding shade.
Nathaniel Hawthorne (The House of the Seven Gables)
The longer one stays here the more does the spirit of the moor sink into one’s soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but on the other hand you are conscious everywhere of the homes and the work of prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their grey stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door, fitting a flint-tipped arrow on to the string of his bow, you would feel that the presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy.
Arthur Conan Doyle (The Hound of the Baskervilles (Sherlock Holmes, #5))
Put it on record --I am an Arab And the number of my card is fifty thousand I have eight children And the ninth is due after summer. What's there to be angry about? Put it on record. --I am an Arab Working with comrades of toil in a quarry. I have eight childern For them I wrest the loaf of bread, The clothes and exercise books From the rocks And beg for no alms at your doors, --Lower not myself at your doorstep. --What's there to be angry about? Put it on record. --I am an Arab. I am a name without a tide, Patient in a country where everything Lives in a whirlpool of anger. --My roots --Took hold before the birth of time --Before the burgeoning of the ages, --Before cypess and olive trees, --Before the proliferation of weeds. My father is from the family of the plough --Not from highborn nobles. And my grandfather was a peasant --Without line or genealogy. My house is a watchman's hut --Made of sticks and reeds. Does my status satisfy you? --I am a name without a surname. Put it on Record. --I am an Arab. Color of hair: jet black. Color of eyes: brown. My distinguishing features: --On my head the 'iqal cords over a keffiyeh --Scratching him who touches it. My address: --I'm from a village, remote, forgotten, --Its streets without name --And all its men in the fields and quarry. --What's there to be angry about? Put it on record. --I am an Arab. You stole my forefathers' vineyards --And land I used to till, --I and all my childern, --And you left us and all my grandchildren --Nothing but these rocks. --Will your government be taking them too --As is being said? So! --Put it on record at the top of page one: --I don't hate people, --I trespass on no one's property. And yet, if I were to become starved --I shall eat the flesh of my usurper. --Beware, beware of my starvation. --And of my anger!
Mahmoud Darwish
...he couldn’t help wondering how it had felt: refugees turning up from concentration camps, from a broken Europe, to find this bleak estate; its squat huts their new homes. There’d been watch towers and barbed wire fences. It can’t have looked like freedom. But freedom was measured, he supposed, by what you were leaving behind.
Mick Herron (Joe Country (Slough House, #6))
The house looked to her like the ugly offspring from a drunken one-night stand between a farmhouse and a Quonset hut.
Lee Goldberg (Movieland (Eve Ronin, #4))
He'd watch the loading and unloading of boats; the building of houses, shacks, and huts; and above all, the people, each carrying a bundle of stories inside them.
Marcus Sedgwick (Revolver)
out there houses are rare as rocking horse turds.
Tim Winton (The Shepherd's Hut)
The hanging gate, of something like trelliswork, was propped on a pole, and he could see that the house was tiny and flimsy. He felt a little sorry for the occupants of such a place--and then asked himself who in this world had a temporary shelter. [Anonymous, Kokinshuu 987: Where in all this world shall I call home? A temporary shelter is my home.] A hut, a jeweled pavilion, they were the same. A pleasantly green vine was climbing a board wall. The white flowers, he said to himself, had a rather self-satisfied look about them. 'I needs must ask the lady far yonder," he said, as if to himself. [Anonymous, Kokinshuu 1007: I needs must ask the lady far yonder What flower it is off there that blooms so white.] An attendant came up, bowing deeply. "The white flowers far off yonder are known as 'evening faces," he said. "A very human sort of name--and what a shabby place they have picked to bloom in." It was as the man said. The neighborhood was a poor one, chiefly of small houses. Some were leaning precariously, and there were "evening faces" at the sagging eaves. A hapless sort of flower. Pick one off for me, will you?" The man went inside the raised gate and broke off a flower. A pretty little girl in long, unlined yellow trousers of raw silk came out through a sliding door that seemed too good for the surroundings. Beckoning to the man, she handed him a heavily scented white fan. Put it on this. It isn't much of a fan, but then it isn't much of a flower either.
Murasaki Shikibu (The Tale of Genji)
network of tree houses and huts and underground burrows that made up the thriving metropolis in which they lived—all logs and twine and dried mud, everything leaning to the left or the right—did
James Dashner (The Kill Order (Maze Runner, #4))
The schools wear the blank faces of war buildings, their windows blown blind by rocks or guns or mortars. Their plaster is an acne of bullet marks. The huts and small houses crouch open and vulnerable; their doors are flimsy pieces of plyboard or sacks hanging and lank. Children and chickens and dogs scratch in the red, raw soil and stare at us as we drive through their open, eroding lives.
Alexandra Fuller (Don't Let's Go to the Dogs Tonight: An African Childhood)
In a good year, such as 1890, an estimated fifty to sixty thousand men, women, and children arrived for the hop harvest, where they were paid two pence a bushel for their labor and were housed in huts, sheds, or barns near the hop gardens.
Hallie Rubenhold (The Five: The Untold Lives of the Women Killed by Jack the Ripper)
Pa tells us we will all live with Uncle Leang and his family in their house. Uncle Leang and his wife have six children, so with the nine of us it makes seventeen under one thatched roof. Their house would not be called a house by city people’s standards. It looks more like one of those simple huts poor people live in. The roof and walls are made of straw and the hut has only a dirt floor. There are no bedrooms or bathrooms, just one big open room. There is no indoor kitchen, so all the cooking is done outside under a straw roof awning.
Loung Ung (First They Killed My Father: A Daughter of Cambodia Remembers)
The dire poverty of the early nineteenth century Irish may be indicated by their average life expectancy of 19 years-compared to 36 years for contemporary American slaves-and the fact that slaves in the United States typically lived in houses a little larger than the unventilated huts of the Irish and slept on mattresses, while the Irish slept in piles of
Thomas Sowell (Conquests And Cultures: An International History)
On the one side there were those who claimed that love, if it be allowed bat all, must be kept tame by marriage vows and family ties so that its fiery heat warms the hearth but does not burn down the house. On the other there were those who believed that only passion freed the soul from its mud-hut, and that only by loosing the heart like a coursing hare and following it until sundown could a man or woman sleep quietly at night.
Jeanette Winterson (Sexing the Cherry)
On a dangerous seacoast where shipwrecks often occur, there was once a crude little life-saving station. The building was just a hut, and there was only one boat. But the few devoted members kept a constant watch over the sea, and with no thought for themselves went out day and night tirelessly searching for the lost. Some of those who were saved, and various others in the surrounding area, wanted to become associated with the station and give their time and money and effort for the support of its work. New boats were bought and new crews trained. The little life-saving station grew. Some of the members of the life-saving were unhappy that the building was so crude and poorly equipped. They felt that a more comfortable place should be provided as the first refuge of those saved from the sea. They replaced the emergency cots with beds and put better furniture in the enlarged building. Now the life-saving station became a popular gathering place for its members, and they decorated it as sort of a club. Fewer members were now interested in going to sea on life-saving missions, so they hired lifeboat crews to do this work. The life-saving motif still prevailed in this club`s decoration, and there was a liturgical lifeboat in the room where the club initiations were held. About this time a large ship was wrecked off the coast, and the hired crews brought in boatloads of cold, wet and half-drowned people. They were dirty and sick and some had black skin and some had yellow skin. The beautiful new club was in chaos. So the property committee immediately had a shower house built outside the club where victims of shipwrecks could be cleaned up before coming inside. At the next meeting, there was a split in the club membership. Most of the members wanted to stop the club`s life-saving activities as being unpleasant and a hindrance to the normal social life of the club. Some members insisted upon life-saving as their primary purpose and pointed out that they were still called a life-saving station. But they were finally voted down and told that if they wanted to save lives of all the various kinds of people who were shipwrecked in those waters, they could begin their own life-saving station down the coast. So they did just that. As the years went by, the new station experienced the same changes that had occurred in the old. It evolved into a club, and yet another `spin-off` life saving station was founded. History continued to repeat itself, and if you visit the sea coast today, you will find a number of exclusive clubs along the shore. Shipwrecks are frequent in those waters, but most of the people drown.
Ross Paterson (The Antioch Factor: The Hidden Message of the Book of Acts)
This place, our little cloud forest, even though we missed our papi, it was the most beautiful place you've ever seen. We didn't really know that then, because it was the only place we'd ever seen, except in picture in books and magazines, but now that's I've seen other place, I know. I know how beautiful it was. And we loved it anyway even before we knew. Because the trees had these enormous dark green leaves, as a big as a bed, and they would sway in the wind. And when it rain you could hear the big, fat raindrops splatting onto those giant leaves, and you could only see the sky in bright blue patches if you were walking a long way off to a friend's house or to church or something, when you passed through a clearing and all those leaves would back away and open up and the hot sunshine would beat down all yellow and gold and sticky. And there were waterfalls everywhere with big rock pools where you could take a bath and the water was always warm and it smelled like sunlight. And at night there was the sound of the tree frogs and the music of the rushing water from the falls and all the songs of the night birds, and Mami would make the most delicious chilate, and Abuela would sing to us in the old language, and Soledad and I would gather herbs and dry them and bundle them for Papi to sell in the market when he had a day off, and that's how we passed our days.' Luca can see it. He's there, far away in the misty cloud forest, in a hut with a packed dirt floor and a cool breeze, with Rebeca and Soledad and their mami and abuela, and he can even see their father, far away down the mountain and through the streets of that clogged, enormous city, wearing a long apron and a chef's hat, and his pockets full of dried herbs. Luca can smell the wood of the fire, the cocoa and cinnamon of the chilate, and that's how he knows Rebeca is magical, because she can transport him a thousand miles away into her own mountain homestead just by the sound of her voice.
Jeanine Cummins (American Dirt)
The secret of village togetherness and happiness had always been the generosity of its people, but the secret to that generosity was village inefficiency and decay. The House of the World, like our village huts and our human bodies, no matter how magnificent, is not built to last very long. Because of this, all life must be regularly renewed... If a house is built too well, so efficiently that it is permanent and refuses to fall apart, then people have no reason to come together. Though the house stays together, the people fall apart, and nothing gets renewed
Martin Prechtel
These multiplying societies treated the sick, aided the industrious poor, housed orphans, fed imprisoned debtors, built huts for shipwrecked sailors, and, in the case of the Massachusetts Humane Society, even attempted to resuscitate those suffering from “suspended animation,” that is, those such as drowning victims who appeared to be dead but actually were not. The fear of being buried alive was a serious concern at this time. Many, like Washington on his deathbed, asked that their bodies not be immediately interred in case they might be suffering from suspended animation.
Gordon S. Wood (Empire of Liberty: A History of the Early Republic, 1789-1815)
The closer Finn`s island come to extinction, the more I wandered back in my mind to the lives that come before us, the huts and the houses, the remains of animals and clothing, the coins and the latrines and cooking pots, the messages from the past left in bones and kitchen dumps. And the people. Sometimes I thought about the content of those lives, the intangible things that leave no fossils and no marks, no history. Would people from the future excavate traces of passion? Of hope, disappointment, despair? Or would the entire human race end up drowned and forgotten, buried under waves of melting ice, with no on left to dig us up or wonder at what was or what might have been?
Meg Rosoff (What I Was)
I met an angel on the rubbish dump. The light from the flames flickered on the bamboo walls and the straw roof, like the wings of other angels from the hut there emerged a tremulous stream of white, vegetal smoke. Silence took possession of the house, but it was not the silken silence of sweet peaceful nights, whose nocturnal carbon-paper makes copies of happy dreams, lighter than the thoughts of flowers, less metallic than water. April nights in the tropics are like the widows of the warm days of March - dark, cold, dishevelled and sad. The meaning of happiness or despair can only be understood by those who have spelt it out in their minds beforehand, bitten a tear-soaked handkerchief, torn it to shreds with their teeth.
Miguel Ángel Asturias (The President)
Where is she? Living or dead, where is she? If, as he folds the handkerchief and carefully puts it up, it were able with an enchanted power to bring before him the place where she found it and the night-landscape near the cottage where it covered the little child, would he descry her there? On the waste where the brick-kilns are burning with a pale blue flare, where the straw-roofs of the wretched huts in which the bricks are made are being scattered by the wind, where the clay and water are hard frozen and the mill in which the gaunt blind horse goes round all day looks like an instrument of human torture—traversing this deserted, blighted spot there is a lonely figure with the sad world to itself, pelted by the snow and driven by the wind, and cast out, it would seem, from all companionship. It is the figure of a woman, too; but it is miserably dressed, and no such clothes ever came through the hall and out at the great door of the Dedlock mansion.
Charles Dickens (Bleak House)
All of this ‘offering up something personal’ made me feel the old clammy twinge of fear of rejection. Then Nick reminds me that social life is governed by reciprocity. ‘A few years ago, I was driving through a remote part of Ethiopia and I kept passing all these mothers and children outside their mud huts. Everybody I passed stared at me like I was dead: totally blank facial expression. It was the most uncomfortable I’d ever felt in my life. ‘But then it occurred to me, while I was sitting there, I was looking at them in exactly the same way they’re looking at me. So I started smiling and waving as I went by – and it was like I flipped a switch. As soon as I started smiling, waving and looking friendly, they started waving from their windows, grinning at me and running out of their houses to give me high fives. ‘That’s the truth of the world, Jessica,’ he says, casually full-naming me to let me know something big is coming. ‘Nobody waves – but everybody waves back.’ I hear his mic drop all the way from Chicago.
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
She took out her chest of gold, and flung a handful of it or so into the fire, and the gold boiled up and poured out over the whole of the hut, until every part of it both inside and out was gilded. But when the gold began to bubble up the old hag grew so terrified that she fled as if the Evil One himself were pursuing her, and she did not remember to stoop down as she went through the doorway, and so she split her head and died. This whole sequence is just deeply bizarre. Mind you, I’d try to avoid wildly spewing molten gold myself, so I can’t argue with the crone. But seriously, if the house was filthy and she gilded it, wouldn’t that still be pretty nasty? Have you ever seen when people paint over a surface without cleaning it first, and you get weird dust lumps and gunk? I’m seeing an episode of Hoarders with every surface gilded. Rotten fruit? Gild it! Back issues of Hag Quarterly? Gild ’em! Dress you wore to the troll-prom twenty-seven years ago? Gild it! Cockroaches? Gild them and use them as festive napkin rings!
T. Kingfisher (The Halcyon Fairy Book)
My mouth kept dropping open, and I would choke on road dust as the city loomed ever closer. When I glanced over at Elka, she was in the same state—wide-eyed and torn between fear and wonderment. Everything seemed like something out of legend. In the shadow of the soaring walls, the city became less of an imposing majestic place and more a heaped, jumbled gathering of wealth and squalor existing side by side. Heady perfumes and the stink of offal wrapped around each other, woven into an overwhelming tapestry by the ocean breeze. Wicker cages full of fowl and small game swung from carts, squawking and chittering excitedly, filling the air with a haze of fur and feathers. Tens and tens of incomprehensible languages rang in my ears. Houses and temples and other buildings made of stone—structures that made my father’s great hall seem like a sheepherder’s hut—rose above the street, level upon level. All of it—the sights and sounds and smells—tangled together into an assault on my senses that made me want to clap my hands over my ears and hide my head. But there was no escaping the chaos as our cart plunged on, heading right toward the very heart of Massilia. With only the bars of my cage between me and the pushing, shoving, singing, shouting crowd, I’d never felt so vulnerable.
Lesley Livingston (The Valiant (The Valiant, #1))
I bought the air freshener for four euro because it was a kind of artefact translated into many languages, and also because it was clearly an interpretation of a woman ( breasts belly apron eyelashes) and I had becomes confused by the signs for servicios in public places. I could not figure out why one sign was male and the other female. The most common stick figure sign was not particularly male or female. Did I need this aerosol to make things clearer to me? What kind of clarity was I after? I had conquered Juan who was Zeus the thunderer as far as I was concerned, but the signs were all mixed up because his job in the injury hut was to tend the wounded with his tube of ointment. He was maternal, brotherly, he was like a sister, perhaps paternal, he had become my lover. Are we all lurking in each other's sign? Do I and the woman on the air freshener belong to the same sign? Another aeroplane was flying above the market, it's metal body heavy in the sky. A male pilot I had met in the Coffee House had told me that an aircraft was always referred to as 'she'. His task was to keep her in balance, to make her a extension of his hands, to make her responsive to the lightest of touch. She was sensitive and needed to be handled delicately. A week later, after we had slept together, I discovered that he was also responsive to the lightest of touch. It wasn't clarity I was after. I wanted things to be less clear.
Deborah Levy (Hot Milk)
I was lucky to receive it. Most rogue interns never get a second chance. And here it’s worth mentioning that I benefited from what was known in 2009 as being fortunate, and is now more commonly called privilege. It’s not like I flashed an Ivy League gang sign and was handed a career. If I had stood on a street corner yelling, “I’m white and male, and the world owes me something!” it’s unlikely doors would have opened. What I did receive, however, was a string of conveniences, do-overs, and encouragements. My parents could help me pay rent for a few months out of school. I went to a university lousy with successful D.C. alumni. No less significantly, I avoided the barriers that would have loomed had I belonged to a different gender or race. Put another way, I had access to a network whether I was bullshit or not. A friend’s older brother worked as a speechwriter for John Kerry. When my Crisis Hut term expired, he helped me find an internship at West Wing Writers, a firm founded by former speechwriters for Bill Clinton and Al Gore. In the summer of 2009, my new bosses upgraded me to full-time employee. Without meaning to, I had stumbled upon the chance to learn a skill. The firm’s partners were four of the best writers in Washington, and each taught me something different. Vinca LaFleur helped me understand the benefits of subtle but well-timed alliteration. Paul Orzulak showed me how to coax speakers into revealing the main idea they hope to express. From Jeff Shesol, I learned that while speechwriting is as much art as craft, and no two sets of remarks are alike, there’s a reason most speechwriters punctuate long, flowy sentences with short, punchy ones. It works.
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
A winnowing fan was droning away in one of the barns and dust poured out of the open door. On the threshold stood the master himself, Alyokhin, a man of about forty, tall, stout, with long hair, and he looked more like a professor or an artist than a landowner. He wore a white shirt that hadn't been washed for a very long time, and it was tied round with a piece of rope as a belt. Instead of trousers he was wearing underpants; mud and straw clung to his boots. His nose and eyes were black with dust. He immediately recognised Ivan Ivanych and Burkin, and was clearly delighted to see them. 'Please come into the house, gentlemen,' he said, smiling, 'I'll be with you in a jiffy.' It was a large house, with two storeys. Alyokhin lived on the ground floor in the two rooms with vaulted ceilings and small windows where his estate managers used to live. They were simply furnished and smelled of rye bread, cheap vodka and harness. He seldom used the main rooms upstairs, reserving them for guests. Ivan Ivanych and Burkin were welcomed by the maid, who was such a beautiful young woman that they both stopped and stared at each other. 'You can't imagine how glad I am to see you, gentlemen,' Alyokhin said as he followed them into the hall. 'A real surprise!' Then he turned to the maid and said, 'Pelageya, bring some dry clothes for the gentlemen. I suppose I'd better change too. But I must have a wash first, or you'll think I haven't had one since spring. Would you like to come to the bathing-hut while they get things ready in the house?' The beautiful Pelageya, who had such a dainty look and a gentle face, brought soap and towels, and Alyokhin went off with his guests to the bathing-hut. 'Yes, it's ages since I had a good wash,' he said as he undressed. 'As you can see, it's a nice hut. My father built it, but I never find time these days for a swim.' He sat on one of the steps and smothered his long hair and neck with soap; the water turned brown. 'Yes, I must confess...' Ivan Ivanych murmered, with a meaningful look at his head. 'Haven't had a wash for ages,' Alyokhin repeated in his embarrassment and soaped himself again; the water turned a dark inky blue.
Anton Chekhov (Gooseberries and Other Stories (The Greatest Short Stories, Pocket Book))
He'd found a sweet-water stream that I drank from, and for dinner we found winkles that we ate baked on stones. We watched the sun set like a peach on the sea, making plans on how we might live till a ship called by. Next we made a better camp beside a river and had ourselves a pretty bathing pool all bordered with ferns; lovely it was, with marvelous red parrots chasing through the trees. Our home was a hut made of branches thatched with flat leaves, a right cozy place to sleep in. We had fat birds that Jack snared for our dinner, and made fire using a shard of looking glass I found in my pocket. We had lost the compass in the water, but didn't lament it. I roasted fish and winkles in the embers. For entertainment we even had Jack's penny whistle. It was a paradise, it was." "You loved him," her mistress said softly, as her pencil resumed its hissing across the paper. Peg fought a choking feeling in her chest. Aye, she had loved him- a damned sight more than this woman could ever know. "He loved me like his own breath," she said, in a voice that was dangerously plaintive. "He said he thanked God for the day he met me." Peg's eyes brimmed full; she was as weak as water. The rest of her tale stuck in her throat like a fishbone. Mrs. Croxon murmured that Peg might be released from her pose. Peg stared into space, again seeing Jack's face, so fierce and true. He had looked down so gently on her pitiful self; on her bruises and her bony body dressed in salt-hard rags. His blue eyes had met hers like a beacon shining on her naked soul. "I see past your always acting the tough girl," he insisted with boyish stubbornness. "I'll be taking care of you now. So that's settled." And she'd thought to herself, so this is it, girl. All them love stories, all them ballads that you always thought were a load of old tripe- love has found you out, and here you are. Mrs. Croxon returned with a glass of water, and Peg drank greedily. She forced herself to continue with self-mocking gusto. "When we lay down together in our grass house we whispered vows to stay true for ever and a day. We took pleasure from each other's bodies, and I can tell you, mistress, he were no green youth, but all grown man. So we were man and wife before God- and that's the truth." She faced out Mrs. Croxon with a bold stare. "You probably think such as me don't love so strong and tender, but I loved Jack Pierce like we was both put on earth just to find each other. And that night I made a wish," Peg said, raising herself as if from a trance, "a foolish wish it were- that me and Jack might never be rescued. That the rotten world would just leave us be.
Martine Bailey (A Taste for Nightshade)
A strange structure untangled itself out of the background like a hallucination, not part of the natural landscape. It was a funny-shaped, almost spherical, green podlike thing woven from living branches of trees and vines. A trellis of vines hung down over the opening that served as a door. Wendy was so delighted tears sprang to her eyes. It was her Imaginary House! They all had them. Michael wanted his to be like a ship with views of the sea. John had wanted to live like a nomad on the steppes. And Wendy... Wendy had wanted something that was part of the natural world itself. She tentatively stepped forward, almost swooning at the heavy scent of the door flowers. Languorously lighting on them were a few scissorflies, silver and almost perfectly translucent in the glittery sunlight. Their sharp wings made little snickety noises as they fluttered off. Her shadow made a few half-hearted attempts to drag back, pointing to the jungle. But Wendy ignored her, stepping into the hut. She was immediately knocked over by a mad, barking thing that leapt at her from the darkness of the shelter. "Luna!" Wendy cried in joy. The wolf pup, which she had rescued in one of her earliest stories, stood triumphantly on her chest, drooling very visceral, very stinky dog spit onto her face. "Oh, Luna! You're real!" Wendy hugged the gray-and-white pup as tightly as she could, and it didn't let out a single protest yelp. Although... "You're a bit bigger than I imagined," Wendy said thoughtfully, sitting up. "I thought you were a puppy." Indeed, the wolf was approaching formidable size, although she was obviously not yet quite full-grown and still had large puppy paws. She was at least four stone and her coat was thick and fluffy. Yet she pranced back and forth like a child, not circling with the sly lope Wendy imagined adult wolves used. You're not a stupid little lapdog, are you?" Wendy whispered, nuzzling her face into the wolf's fur. Luna chuffed happily and gave her a big wet sloppy lick across the cheek. "Let's see what's inside the house!" As the cool interior embraced her, she felt a strange shudder of relief and... welcome was the only way she could describe it. She was home. The interior was small and cozy; plaited sweet-smelling rush mats softened the floor. The rounded walls made shelves difficult, so macramé ropes hung from the ceiling, cradling halved logs or flat stones that displayed pretty pebbles, several beautiful eggs, and what looked like a teacup made from a coconut. A lantern assembled from translucent pearly shells sat atop a real cherry writing desk, intricately carved and entirely out of place with the rest of the interior. Wendy picked up one of the pretty pebbles in wonder, turning it this way and that before putting it into her pocket. "This is... me..." she breathed. She had never been there before, but it felt so secure and so right that it couldn't have been anything but her home. Her real home. Here there was no slight tension on her back as she waited for footsteps to intrude, for reality to wake her from her dreams; there was nothing here to remind her of previous days, sad or happy ones. There were no windows looking out at the gray world of London. There was just peace, and the scent of the mats, and the quiet droning of insects and waves outside. "Never Land is a... mishmash of us. Of me," she said slowly. "It's what we imagine and dream of- including the dreams we can't quite remember.
Liz Braswell (Straight On Till Morning (Twisted Tales))
I own an island, Constance—a private island in the Florida Keys. It’s west of No Name Key and northeast of Key West. It’s not a big island, but it’s a jewel. It is called Halcyon. I have a house there; a breezy mansion furnished with books and instruments and paintings; it offers both sunrise and sunset views; and it has been stocked with all the rare wines, champagnes, and delicacies you could ever wish for. I’ve been preparing this idyll over the years with painstaking, excessive care. It was to be a bastion; my last and final retreat from the world. But—as I was recovering in that hut in Ginostra—I realized that such a place, no matter how ideal, would be unbearably lonely without another person—the one, the perfect person—with whom to share it.” He paused. “Need I name that person?
Douglas Preston (The Obsidian Chamber (Pendergast #16))
The words and ways this requires are…potent. They come at a price—power always does. This isn’t a matter of wrong or right, you understand, but merely the working of the world. If you want strength, if you want to survive, there must be sacrifice.” That’s not what Mags taught them. You can tell the wickedness of a witch by the wickedness of her ways. “So who paid your price?” He bends his neck to look directly at her, weighing something. “A fever spread through my parents’ village that first winter.” The word fever rings in Juniper’s ears, a distant bell toiling. “It was nothing too remarkable, except the midwives and wise women couldn’t cure it. One of them came sniffing around, made certain deductions…I took her shadow, too. And the sickness spread further. The villagers grew unruly. Hysterical. I did what I had to do in order to protect myself.” That line has smoothed-over feel, like a polished pebble, as if he’s said it many times to himself. “But then of course the fever spread even further… I didn’t know how to control it, yet. Which kinda of people were expendable and which weren’t. I’m more careful these days.” The ringing in Juniper’s ears is louder now, deafening. An uncanny illness, the Three had called it. Juniper remembers the illustrations in Miss Hurston’s moldy schoolbooks, showing abandoned villages and overfull graveyards, carts piled high with bloated bodies. Was that Gideon’s price? Had the entire world paid for the sins of one broken, bitter boy? And—were they paying again? I’m more careful these days. Juniper thinks of Eve’s labored breathing, the endless rows of cots at Charity Hospital, the fever that raged through the city’s tenements and row houses and dim alleys, preying on the poor and brown and foreign—the expendable. Oh, you bastard. But Hill doesn’t seem to hear the hitch in her breathing. “People grew frightened, angry. They marched on my village with torches, looking for a villain. So I gave them one.” Hill lifts both hands, palm up: What would you have of me? “I told them a story about an old witch woman who lived in a hut in the roots of an old oak. I told them she spoke with devils and brewed pestilence and death in her cauldron. They believed me.” His voice is perfectly dispassionate, neither guilty nor grieving. “They burned her books and then her. When they left my village I left with them, riding at their head.” So: the young George of Hyll had broken the world, then pointed his finger at his fellow witches like a little boy caught making a mess. He had survived, at any cost, at every cost. Oh, you absolute damn bastard.
Alix E. Harrow (The Once and Future Witches)
The words and ways this requires are…potent. They come at a price—power always does. This isn’t a matter of wrong or right, you understand, but merely the working of the world. If you want strength, if you want to survive, there must be sacrifice.” That’s not what Mags taught them. You can tell the wickedness of a witch by the wickedness of her ways. “So who paid your price?” He bends his neck to look directly at her, weighing something. “A fever spread through my parents’ village that first winter.” The word fever rings in Juniper’s ears, a distant bell toiling. “It was nothing too remarkable, except the midwives and wise women couldn’t cure it. One of them came sniffing around, made certain deductions…I took her shadow, too. And the sickness spread further. The villagers grew unruly. Hysterical. I did what I had to do in order to protect myself.” That line has smoothed-over feel, like a polished pebble, as if he’s said it many times to himself. “But then of course the fever spread even further… I didn’t know how to control it, yet. Which kinda of people were expendable and which weren’t. I’m more careful these days.” The ringing in Juniper’s ears is louder now, deafening. An uncanny illness, the Three had called it. Juniper remembers the illustrations in Miss Hurston’s moldy schoolbooks, showing abandoned villages and overfull graveyards, carts piled high with bloated bodies. Was that Gideon’s price? Had the entire world paid for the sins of one broken, bitter boy? And—were they paying again? I’m more careful these days. Juniper thinks of Eve’s labored breathing, the endless rows of cots at Charity Hospital, the fever that raged through the city’s tenements and row houses and dim alleys, preying on the poor and brown and foreign—the expendable. Oh, you bastard. But Hill doesn’t seem to hear the hitch in her breathing. “People grew frightened, angry. They marched on my village with torches, looking for a villain. So I gave them one.” Hill lifts both hands, palm up: What would you have of me? “I told them a story about an old witch woman who lived in a hut in the roots of an old oak. I told them she spoke with devils and brewed pestilence and death in her cauldron. They believed me.” His voice is perfectly dispassionate, neither guilty nor grieving. “They burned her books and then her. When they left my village I left with them, riding at their head.” So: the young George of Hyll had broken the world, then pointed his finger at his fellow witches like a little boy caught making a mess. He had survived, at any cost, at every cost. Oh, you absolute damn bastard.
Alix E. Harrow (The Once and Future Witches)
Where the baobab tree was the soul of the village, the palace was its heart, the inner machinations of what we were. Anarchic, mystical, complete. It was a hut the size of three houses and just as spacious inside. There were sleeping and cooking and bathing spaces, all separated by piles of strategically grouped books. It was the chaos of Nimm organized into one large space. You could walk through the open entranceway and see across the huge palace. My way was blocked by a great stack of vertically organized books.
Nnedi Okorafor (Akata Woman (The Nsibidi Scripts, #3))
You think I'm a loser!" Dagou yells. "Am I a loser for keeping us alive when all the decent places are moving to the strip? I keep your business going. You pay me almost nothing. My salary is a joke. I want an equal share of the profits." "Big man," sneers Leo. Ming knows Dagou will turn to Winnie a second before he does it. He always runs to their mother. "He grown up now," Winnie says. "Let him have his share." "You stay out of this! You gave up the business when you left it for this menstruation hut!" The table erupts. "Lay off it." "Don't talk to her like that!" "This is a Spiritual House." Leo pushes back his chair. Standing, he has the look of a beast on its hind legs: hairy, primitive, his long arms hanging almost to his knees. It isn't just the dark, unshaven hair sprouting in patches on his cheeks. There is something hungry yet remote in his close-set eyes. Everyone can see it. Some of them shrink back and turn away. Ming knows this eerie quality well. It has been there in his father for as long as he can remember. Long ago, he learned to escape its worst, to allow other members of the family to confront it. Now he climbs up into a place of refuge in his mind. A kind of hunting blind, where he can watch and wait. From above, Ming watches his brother. Dagou has the blank expression of someone who is only just becoming aware of what he's done. "'Don't talk to her like that,'" their father jeers. "Mama's boy! And you..." He grins wickedly at Winnie. Despite her vow of tranquility, she appears ready to bolt from her chair. The nuns seated on either side hold on to her arms. "You think he's still your diaper-filling lamb. You haven no idea what a dog he is. Ask him why he needs money now. Ask him. Ask him." Dagou looks around the table. "It's true I've fallen in love," he announces. "My whole life is changing." He pauses importantly. People stare at their plates. "Christ," says their father. "All this fuss over a decent fuck." The nuns gasp. Now Dagou's chair creaks, and he also rises to his feet. He is enormous and he swells with rage. His shoulders tense. He points at his father and his finger is shaking. It could be that he has decided, once and for all, to take down Big Chao. As the Sons of Liberty rose against King George. As the sons turned on Chronos, as he himself turned upon Uranus. So it will be in the family Chao.
Lan Samantha Chang (The Family Chao)
Wayna Qhapaq died in the first smallpox epidemic. The virus struck Tawantinsuyu again in 1533, 1535, 1558, and 1565. Each time the consequences were beyond the imagination of our fortunate age. “They died by scores and hundreds,” recalled one eyewitness to the 1565 outbreak. “Villages were depopulated. Corpses were scattered over the fields or piled up in the houses or huts.… The fields were uncultivated; the herds were untended [and] the price of food rose to such an extent that many persons found it beyond their reach. They escaped the foul disease, but only to be wasted by famine.
Charles C. Mann (1491: New Revelations of the Americas Before Columbus)
The day-to-day horror of writing gave me a notion of tournament time. Writing novels is tedious. When will this book be finished, when will it reveal its bright and shining true self? it takes freakin’ years. At the poker table, you’re only playing a fraction of the hands, waiting for your shot. If you keep your wits, can keep from flying apart while those around you are self-destructing, devouring each other, you’re halfway there. … Let them flame out while you develop a new relationship with time, and they drift away from the table. 86-7 Coach Helen’s mantra: It’s OK to be scared, but don’t play scared. 90 [During a young adult trip to Los Vegas] I was contemplating the nickel in my hand. Before we pushed open the glass doors, what the heck, I dropped it into a one-armed bandit and won two dollars. In a dank utility room deep in the subbasements of my personality, a little man wiped his hands on his overalls and pulled the switch: More. Remembering it now, I hear a sizzling sound, like meat being thrown into a hot skillet. I didn't do risk, generally. So I thought. But I see now I'd been testing the House Rules the last few years. I'd always been a goody-goody. Study hard, obey your parents, hut-hut-hut through the training exercises of Decent Society. Then in college, now that no one was around, I started to push the boundaries, a little more each semester. I was an empty seat in lecture halls, slept late in a depressive funk, handed in term papers later and later to see how much I could get away with before the House swatted me down. Push it some more. We go to casinos to tell the everyday world that we will not submit. There are rules and codes and institutions, yes, but for a few hours in this temple of pure chaos, of random cards and inscrutable dice, we are in control of our fates. My little gambles were a way of pretending that no one was the boss of me. … The nickels poured into the basin, sweet music. If it worked once, it will work again. We hit the street. 106-8 [Matt Matros, 3x bracelet winner; wrote The Making of a Poker Player]: “One way or another you’re going to have a read, and you’re going to do something that you didn’t expect you were going to do before, right or wrong. Obviously it’s better if you’re right, but even if you’re wrong, it can be really satisfying to just have a read, a feeling, and go with it. Your gut.” I could play it safe, or I could really play. 180 Early on, you wanted to stay cool and keep out of expensive confrontations, but you also needed to feed the stack. The stack is hungry. 187 The awful knowledge that you did what you set out to do, and you would never, ever top it. It was gone the instant you put your hands on it. It was gambling. 224
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
At this site, going back at least 790,000 years, there is evidence for Acheulean tools, Levallois tools, evidence of controlled fire, organised village life, huts that housed socially specialised tasks of different kinds and other evidence of culture among Homo erectus. Erectus may have stopped here on the way out of Africa.
Daniel L. Everett (How Language Began: The Story of Humanity's Greatest Invention)
I still remember a small story from the Pañca Tantra which I was told as a small child. One rainy day, a monkey was sitting on a tree branch getting completely drenched. Right opposite on another branch of the same tree there was a small sparrow sitting in its hanging nest. Normally a sparrow builds its nest on the edge of a branch so it can hang down and swing around gently in the breeze. It has a nice cabin inside with an upper chamber, a reception room, a bedroom down below and even a delivery room if it is going to give birth to little ones. Oh yes, you should see and admire a sparrow’s nest sometime. It was warm and cozy inside its nest and the sparrow peeped out and, seeing the poor monkey, said, “Oh, my dear friend, I am so small; I don’t even have hands like you, only a small beak. But with only that I built a nice house, expecting this rainy day. Even if the rain continues for days, I will be warm inside. I heard Darwin saying that you are the forefather of human beings, so why don’t you use your brain? Build a nice, small hut somewhere to protect yourself during the rain.” You should have seen the face of that monkey. It was terrible! “Oh, you little devil! How dare you try to advise me? Because you are warm and cozy in your nest you are teasing me. Wait, you will see where you are!” The monkey proceeded to tear the nest to pieces, and the poor bird had to fly out and get drenched like the monkey. This is a story I was told when I was quite young and I still remember it. Sometimes we come across such monkeys, and if you advise them they take it as an insult. They think you are proud of your position. If you sense even a little of that tendency in somebody, stay away. He or she will have to learn by experience. By giving advice to such people, you will only lose your peace of mind. Is there any other category you can think of? Patañjali groups all individuals in these four ways: the happy, the unhappy, the virtuous and the wicked. So have these four attitudes: friendliness, compassion, gladness and indifference. These four keys should always be with you in your pocket. If you use the right key with the right person you will retain your peace. Nothing in the world can upset you then. Remember, our goal is to keep a serene mind. From the very beginning of Patañjali’s Sūtras we are reminded of that. And this sūtra will help us a lot.
Satchidananda (The Yoga Sutras of Patanjali: Commentary on the Raja Yoga Sutras by Sri Swami Satchidananda)
No onlooker asked, Why fix a house when the airport authority might demolish it? Almost everyone here improved his hut when he was able, in pursuit not just of better hygiene and protection from the monsoon but of protection from the airport authority. If the bulldozers came to flatten the slum, a decent hut was seen as a kind of insurance. The state of Maharashtra had promised to relocate those families who had squatted at the airport since 2000 to tiny apartments in high-rises. To Annawadians, a difficult-to-raze house increased the odds that a family’s tenure on airport land would be acknowledged by the relocation authorities. And so they put their money into what would be destroyed.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
A huge maze of tents and mud huts and homes built from plastic and aluminum siding in a labyrinth of narrow passageways littered with dirt and shit. It was a city in the belly of a yet greater city. He had lived in a small mud house there with his brothers… In its alleyways, he and his brothers had learned to walk and talk. They had gone to school there. He had played with sticks and rusty old bicycle wheels on its dirty streets, running around with other refugee kids, until the sun dipped and his grandmother called him home.
Khaled Hosseini
She was ushered into a passage where the only light came from the tallow taper in the rabbi's hand. The house smelled of chicken soup. In the thousand miles she and Rosa and the children had traveled from Siberia, passed along like parcels from settlement to Jewish settlement, sometimes in houses, often in huts, that smell had been the one constant, as if they had followed its trail by sniffing, like dogs. However poor their hosts, a hen had been killed in their honor because hospitality demanded it.
Ariana Franklin
Wherever you look, everything is in a row: a seven-story pile abutting a three-windowed log hut hard by a fantastical L-shaped mansion; ten paces from its columns is an outdoor market; farther on, a polluted pissoir; farther still, the white light of a belfry's tent roof, fringed cupolas rising into the blue - and, towering over the tiny church, another enormous edifice gleaming with fresh paint. Moscow is a mishmash of utterly unrelated (logically and optically) building ensembles, of large and small houses crammed from cellar to eaves with utterly unrelated offices, apartments, people living apart, at odds, past one another, yet separated only by thin walls, often plywood that doesn't reach the ceiling. In Moscow people and their paraphernalia are close to each other not because they are close but because they are side by side, cheek by jowl.
Sigizmund Krzhizhanovsky (Autobiography of a Corpse)
Built at a time when servants had servants who had servants, there'd been a whole thriving community in the great house to wait upon the tiny family perched on top like a hut on a mountain.
Sail Upon the Land
Families could often trace their lineage back several centuries. Their livelihood was earned from drum playing, a service considered to be dis-respectable. As members of a low caste, the drummers were forbidden to build decent houses. There were allowed to build wattle and daub huts, and to live rent-free on their patrons' properties. The right to own the country's land was restricted in this manner, a vicious condition that arose through tradition and was reinforced by law. Patterns of financial power and political hierarchy existed hand in hand.
Swarnakanthi Rajapakse (The Master’s Daughter)
Get married and have halfbreed babies, manuscripts, home¬spun blankets and mother’s milk on your happy ragged mat floor like this one. Get yourself a hut house not too far from town, live cheap, go ball in the bars once in a while, write and rumble in the hills and learn how to saw boards and talk to grandmas you damn fool, carry loads of wood for them, clap your hands at shrines, get supernatural favors, take flower-arrangement lessons and grow chrysanthemums by the door, and get married for krissakes, get a friendly smart sensitive human-being gal who don’t give a shit for martinis every night and all that dumb white machinery in the kitchen.
Jack Kerouac (The Dharma Bums)
She was too proud to eat her share of what little food we had. She told me she had. She swore she did. But every time I complained about being so hungry it hurt, she always offered me a nut or a partially rotted turnip, claiming she had just found two and already ate hers.” Rose sniffled and wiped her eyes again. “After she was gone, I left my pride in that little hut and begged my way to Medford. I’d do anything. Once you’ve spent an afternoon chasing a fly around your house for dinner, once you’ve eaten spiders whole and drooled over worms found while burying your mother with your bare hands, there’s nothing beneath you. All I wanted was to live-I’d forgotten everything else. A clod of dirt doesn’t have dreams. A bit of broken stone doesn’t understand hope. Each morning, all I wanted was to see the next dawn.
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
A moving wall of oxen advanced, and our mighty elephant himself was brought to a standstill. There was nothing to regret in this enforced halt, however, for a most curious spectacle was presented to our observations.   A drove of four or five thousand oxen encumbered the road, and, as our guide had supposed, they belonged to a caravan of Brinjarees.   “These people,” said Banks, “are the Zingaris of Hindostan. They are a people rather than a tribe, and have no fixed abode, dwelling under tents in summer, in huts during the winter or rainy season. They are the porters and carriers of India, and I saw how they worked during the insurrection of 1857. By a sort of tacit agreement between the belligerents, their convoys were permitted to pass through the disturbed provinces. In fact, they kept up the supply of provisions to both armies. If these Brinjarees belong to one part of India more than to another, I should say it was Rajpootana, and perhaps more particularly the kingdom of Milwar.
Jules Verne (The Steam House)
While Nicole drove off in search of recipes for fish hash, clam fritters, and salmon quiche, Charlotte settled in the Chowder House with Dorey Jewett, who, well beyond the assortment of chowders she always brought to Bailey's Brunch, would be as important a figure in the book as any. They sat in the kitchen, though Dorey did little actual sitting. Looking her chef-self in T-shirt, shorts, and apron, if she wasn't dicing veggies, she was clarifying butter or supervising a young boy who was shucking clams dug from the flats hours before. Even this early, the kitchen smelled of chowder bubbling in huge steel pots. Much as Anna Cabot had done for the island in general, Dorey gave a history of restaurants on Quinnipeague, from the first fish stand at the pier, to a primitive burger hut on the bluff, to a short-lived diner on Main Street, to the current Grill and Cafe. Naturally, she spoke at greatest length about the evolution of the Chowder House, whose success she credited to her father, though the man had been dead for nearly twenty years. Everyone knew Dorey was the one who had brought the place into the twenty-first century, but her family loyalty was endearing.
Barbara Delinsky (Sweet Salt Air)
Marx’s first point is one still made by critics of the modern consumer society: A house may be large or small; as long as the surrounding houses are equally small it satisfies all social demands for a dwelling. But let a palace arise beside the little house, and it shrinks from a little house to a hut… however high it may shoot up in the course of civilization, if the neighbouring palace grows to an equal or even greater extent, the occupant of the relatively small house will feel more and more uncomfortable, dissatisfied and cramped within its four walls. (WLC 259)
Peter Singer (Marx: A Very Short Introduction)
He found a location in the north of the island from where to view the transit, but it was too late to build a proper observatory. Instead he placed some big boulders in a circle and constructed a small hut to house the instruments. It was so crudely built that it gave little protection from wind, dust and animals. The instruments had already suffered from the long sea voyage with some ‘eaten by rust’, Pingré moaned, hectically polishing and greasing them with turtle oil, the only lubricant available. Over the next days, the French astronomer prepared his instruments and observed the movements of Jupiter’s satellites at night in order to set the clock – an enterprise that was sabotaged by the rats that chewed through one of the pendulums. At
Andrea Wulf (Chasing Venus: The Race to Measure the Heavens)
He looked out over the landscape of baking earth and bleak iron huts towards the Scobies' house as though he were examining the scene of a battle after the defeat. He wondered how all that dreary scene would have appeared if he had been victorious, but in human love there is never such a thing as victory: only a few minor tactical successes before the final defeat of death or indifference.
Graham Greene (The Heart of the Matter)
Diamond Hill—what a glorious name for a place. No one outside of Hong Kong would have guessed it was the moniker of a squatter village in Kowloon East. In the fifties and sixties, it was a ghetto with its share of grime and crime, and sleaze oozing from brothels, opium dens, and underground gambling houses. There and then, you found no diamonds but plenty of poor people residing on its muddy slopes. Most refugees from mainland China settled in dumps like this because the rent was dirt cheap. Hong Kong began prospering in the seventies and eighties, and its population exploded, partly due to the continued influx of refugees. Large-scale urbanization and infrastructure development moved at breakneck speed. There was no longer any room for squatter villages or shantytowns. By the late eighties, Diamond Hill was chopped into pieces and demolished bit by bit with the construction of the six-lane Lung Cheung Road in its north, the Tate’s Cairn Tunnel in its northwest, and its namesake subway station in its south. Only its southern tip had survived. More than two hundred families and businesses crammed together in this remnant of Diamond Hill, where the old village’s flavor lingered. Its buildings remained a mishmash of shoddy low-rise brick houses and bungalows, shanties, tin huts, and illegal shelters made of planks and tar paper occupying every nook and cranny. There was not a single thoroughfare wide enough for cars. The only access was by foot using narrow lanes flanked by gutters. The lanes branched out and merged, twisted and turned, and dead-ended at tall fences built to separate the village from the outside world. The village was like a maze. The last of Diamond Hill’s residents were on borrowed time and borrowed land. They had already received eviction notices from the Hong Kong government, and all had made plans for the future. The government promised to compensate longtime residents for vacating the land, but not the new arrivals.
Jason Y. Ng (Hong Kong Noir)
However, since the early 1930s, new-home construction had been somewhat stalled, first due to the economic effects of the Depression and then due to the war, a period when many homebuilders were contracted to meet emergency military housing needs. The lack of immediately available housing forced families to double up and, occasionally, to take more extreme measures. In 1947, two years after the war’s end, some 500,000 families were still occupying Quonset huts or other temporary housing. In Chicago, 250 families took up residence in former trolley cars that had been converted into living quarters. In Omaha, one newspaper advertisement declared: “Big Ice Box, 7x17 feet, could be fixed up to live in.
Eric Rutkow (American Canopy: Trees, Forests, and the Making of a Nation)
In the Fragments from an intimate diary that precede a French collection of Rilke's letters, we find the following scene: one very dark night, Rilke and two friends perceive "the lighted casement of a distant hut, the hut that stands quite alone on the horizon before one comes to fields and marshlands." This image of solitude symbolized by a single light moves the poet's heart in so personal a way that it isolates him from his companions. Speaking of this group of three friends, Rilke adds: "Despite the fact that we were very close to one another, we remained three isolated individuals, seeing night for the first time." This expression can never be meditated upon enough, for here the most commonplace image, one that the poet had certainly seen hundreds of time, is suddenly marked with the sign of "the first time," and it transmits this sign to the familiar night. One might even say that light emanating from a lone watcher, who is also a determined watcher, attains to the power of hypnosis. We are hypnotized by solitude, hypnotized by the gaze of the solitary house; and the tie that binds us to it is so strong that we begin to dream of nothing but a solitary house in the night.
Gaston Bachelard (The Poetics of Space)
We once again practice economics "as if people mattered." We once again agree that things do not own us and are not even very important. We once again assert that jobs are only jobs, that cars are only organized piles of metal, that houses will one day fall down-hut that people are important beyond description.
Richard A. Swenson (Margin: Restoring Emotional, Physical, Financial, and Time Reserves to Overloaded Lives)
By 1950, Brennan was settling into a schedule that saw him making three films a year, giving him more time on his ranch and with a new business he started in Joseph, a 487-seat movie theater that opened on July 27, 1950. It was housed in a Quonset hut made out of surplus war materials also used to build the civic center. “The reason he got the theater built,” Mike recalled, “was because the civic center was the same size, and they [Frank McCully and Walter] got the chance to buy two of them for half the price.” At the theater’s grand opening, actors Chill Wills and Forrest Tucker said a few words and signed autographs, and Joseph’s mayor and other local dignitaries attended the event. A La Grande radio station broadcast the event. Curtain Call at Cactus Creek was the feature, following a musical short with the Nat King Cole trio.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends Series))
Marx’s first point is one still made by critics of the modern consumer society: A house may be large or small; as long as the surrounding houses are equally small it satisfies all social demands for a dwelling. But let a palace arise beside the little house, and it shrinks from a little house to a hut… however high it may shoot up in the course of civilization, if the neighbouring palace grows to an equal or even greater extent, the occupant of the relatively small house will feel more and more uncomfortable, dissatisfied and cramped within its four walls. (WLC 259)
Anonymous
I await my time. I sit, I cook, I spin, with downcast eyes I am silent and let him speak. This is fine. I await my time. Everything is a strategy. This is the wisdom of the spider. Silently, silently spin. Let the fly buzz. Before I ate her and put on her skin I lay across the stove in my hut, the hut standing on a chicken leg, and I waited, and they came to me, and became my food, and in the end she came too, the one I wanted, and instead of swallowing her I dived inside and let her swallow me. It doesn’t matter what it looks like! I ate her even as I allowed her to eat me. It’s a special digestive trick: a reverse takeover of the feeder by the fed. And so farewell, chicken-legged hut in the forest! Goodbye forever, foul Russian smell! Now am I perfumed and clothed in beauty, my eyes behind her eyes, my teeth behind her teeth. Everything she does is false, every word a lie, because here I am inside her, pulling her strings, casting the web of her words and deeds around the little fly, the old fool. He believes she loves him! Ha ha ha ha ha! Cackle, cackle! That’s a good one, that is. (...) I conceal this voice deep inside myself, so deep that she, myself, can convince herself she cannot hear it, that it is not her truest voice. At the level of the skin, of the tongue, a different voice speaks, and she tells herself a different story, in which she is virtuous and her deeds are justified, both absolutely, by moral standards, and empirically, by the events around her. By him, the old one, the king in the golden house, who he is, how he treats her, what his faults are. But there it is, the deep voice speaking, commanding her at the deepest level, the level of the molecules of instruction, twined into the four helical amino acids of her being, which is also mine. It is who I is. It is who she am.
Salman Rushdie (The Golden House)
Cool Dust" A heave of afternoon light pulls a tulip from the turf, a bower for locusts, a cup of shells. The farmhouse tilts, a bent shadow on wheels. In cedar rooms a family is molded, silent, wrapped in the wire of steel eyes and stopped voice, romantic ash. This is not my house, my ghost, my uninvited guest, my lost labor of love, my thicket or grease, my JPEG gessoed or rawhide suit. The yellow light throbs like an internal organ — soft body of an overture to insect sounds — sapling of a new world — whose future awaits me at the tilting window of my own domestic hut. Perhaps this is my mesh of hours, my muscular ache, my guardian sash, twist of rope carved around an old maple trunk, my rod of power red with anticipatory friction at the edge of an emerging set of planetary rings. Stained ochre by the air I pitch forward, a vanilla-scented pear that floats or falls. In the rattan chair on the front porch by the blistered boards of the front door a figure of tar watches. Cool dust sparkles and settles. Shadows have made me visible. An empty wagon flares on the hillside.
Aaron Shurin (Citizen)
I’m reminded of a dream that the aunt of a friend of mine had; the woman’s name is Cleo and she grew up in Kansas during the Great Depression. In the dream, she is lifted to Heaven when just a child. There, she is greeted by an angel who says, “Take my hand and I will show you to your new home.” The angel and Cleo stroll through Heaven’s shining streets, more radiant than anything the small and nervous girl had seen. However, instead of stopping before one of the lovely houses, they keep walking, then walking some more. The lights begin to dim, the houses are smaller now and the streets not so smooth. Finally, they arrive at a tiny hut near the edge of a dense forest with just enough light to see. Cleo asks, “Is this my new home?” The angel replies, “I’m afraid so; you were just barely good enough to get in.
Madeleine K. Albright
queen opened the gate, and she and Arthur crossed to the hut. Guinevere knocked on the door. A moment later, an old woman wrapped in a shawl stood in the doorway. She had a long white braid and luminous skin worn smooth by weather and time, like an ancient stone. The woman’s eyes were closed. With a start, Jack realized Cafelle was blind. At her side was a tall white dog with light blue eyes. Oki didn’t bark or whine. The peaceful gaze of the white dog seemed to keep him calm. “Greetings, Cafelle. We have come to—to seek your help,” rasped King Arthur. Cafelle bowed her head. “Welcome, Your Majesty,” she said. “And the queen has come with you this time,
Mary Pope Osborne (Night of the Ninth Dragon (Magic Tree House, #55))
As early as 1793, a White minister protested that “a Negro hut” had depreciated property values in Salem. Similar protests surfaced in New Haven and Indiana, and they had become commonplace in Boston by the time Garrison settled there. The vicious housing cycle had already begun. Racist policies harmed Black neighborhoods, generating racist ideas that caused people not to want to live next to Blacks, which depressed the value of Black homes, which caused people not to want to live in Black neighborhoods even more, owing to low property values.
Ibram X. Kendi (Stamped from the Beginning: The Definitive History of Racist Ideas in America)
And to the discontent of the spring there was now added the new discontent which the young man and others like him spread abroad in the spirits of the dwellers in the huts, the sense of unjust possession, by others of those things which they had not. And as they thought day after day on all these matters and talked of them in the twilight, and above all as day after day their labor brought in no added wage, there arose in the hearts of the young and the strong a tide as irresistible as the tide of the river, swollen with winter snows—the tide of the fullness of savage desire.
Pearl S. Buck (The Good Earth (House of Earth, #1))
I spun around at the door. “Yes?” “Word of advice,” he said. “Gem had nothing to do with this. Not to mention, Alastair contributes generously to the police department every year.” “What’s that supposed to mean?” Wes cracked his knuckles, then winced and shook out his hand. “Alastair Gem is not a man you want to offend.” Chapter 9 “Iexpect you’ll fill me in,” Jimmy said as I climbed back into the car. “Dare I suggest it be over a bucket of chicken?” I swerved into the left lane and put on my blinker for The Chicken Hut, a fried food joint near the station. We crawled through the drive thru line and put in our orders. A king-sized pail for Jimmy, a queen for me. A few minutes later, the tantalizing smell of fried chicken was working its way into the car’s upholstery. Jimmy had shiny fingers by the time we returned to the station parking lot. He mopped his chin with a napkin. “I’m ready to hear the details whenever you’re done with that wing.” I sighed, tossing the wing back into the bucket. I wasn’t all that hungry. It was hard to care much about food when a case consumed me. “My sister brought Wes home last night,” I said. “Like, on a date. Wes Remington—the manager of Rubies—was at my house. Rubies is Alastair Gem’s latest venture.” “No kidding? That’s neat.” “What’s neat?” “Gem is like the Tony Stark of the Twin Cities. His latest restaurant has the best food I’ve ever tasted—it set me back a year into retirement to eat there, though. Now I hear he’s got an Emerald hotel coming soon that’s gonna cost two grand a pop for a night. That man is rich, powerful, and handsome. The rest of us don’t stand a chance.” “I beg to differ,” I said. “Anyone who is that rich, handsome, and powerful has secrets to hide.” Jimmy shrugged. “Probably. Still doesn’t mean I wouldn’t date him, and I’m a happily married straight man.” “As it turns out, Wes doesn’t have an alibi for the night of the murder. He says he was upstairs working, but we don’t have anyone who can confirm it.” “Do you like him for Jane Doe’s murder?” I licked my fingers. “It’s too early to tell. My head says yes. He’s new to town and had easy access to the victim. But I don’t have any clue as to a motive. Why would he grab her specifically?” “We’re looking for a serial killer. Is there any saying why they do what they do?” “Maybe not,” I agreed. “But my gut’s telling me Wes isn’t our guy. He seemed...
Gina LaManna (Shoot the Breeze (Detective Kate Rosetti Mystery, #1))
Mike Reilly had noted, while making security checks on peasant huts near the Livadia, that ‘every house, no matter how poverty-ridden, had a radio . . . They were odd-looking radios to these American eyes, as they had no knobs or dialling apparatus of any kind. It seemed that they were built to receive only one frequency, which was that of the powerful Moscow government-controlled station.
Diana Preston (Eight Days at Yalta: How Churchill, Roosevelt, and Stalin Shaped the Post-war World)
Historians say, “The winter of ’seventy-four to ’seventy-five was a time of deep depression.” But historians do not take little children into consideration. Deep depression? To three children on the prairie it was a time of glamour. There was not much to eat in the cupboard. There was little or no money in the father’s flat old pocketbook. The presents were pitifully homely and meager. And all in a tiny house,—a mere shell of a house, on a new raw acreage of the wild, bleak prairie. How could a little rude cabin hold so much white magic? How could a little sod house know such enchantment? And how could a little hut like that eventually give to the midwest so many influential men and women? How, indeed? Unless, . . . unless, perchance, the star did stop over the house?
Bess Streeter Aldrich (A Lantern in Her Hand)
They had nothing. In their houses, there was nothing. At first. You had to stay in the dark of the huts a long while to make out what was on the walls. In the wife's hut a wavy pattern of broad white and ochre bands. In others - she did not know whether or not she was welcome where they dipped in and out all day from dark to light like swallows - she caught a glimpse of a single painted circle, an eye or target, as she saw it. In one dwelling where she was invited to enter there was the tail of an animal and a rodent skull, dried gut, dangling from the thatch. Commonly there were very small mirrors snapping at the stray beams of light like hungry fish rising. They reflected nothing. An impression - sensation - of seeing something intricately banal, manufactured, replicated, made her turn as if someone had spoken to her from back there. It was in the hut where the yokes and traces for the plough-oxen were. She went inside again and discovered insignia, like war medals, nailed just to the left of the dark doorway. The enamel emblem's Red Cross was foxed and pitted with damp, bonded with dirt to the mud and dung plaster that was slowly incorporating it. The engraved lettering on the brass arm-plaque had filled with rust. The one was a medallion of the kind presented to black miners who pass a First Aid exam on how to treat injuries likely to occur underground, the other was a black miner's badge of rank, the highest open to him. Someone from the mines; someone had gone to the gold mines and come home with these trophies. Or they had been sent home; and where was the owner? No one lived in this hut. But someone had; had had possessions, his treasure displayed. Had gone away, or died - was forgotten or was commemorated by the evidence of these objects left, or placed, in the hut. Mine workers had been coming from out of these places for a long, long time, almost as long as the mines had existed. She read the brass arm-plaque: Boss Boy.
Nadine Gordimer (July's People)
Major Negro population centers like Chicago’s South Side were represented as shining fortresses. Smaller neighborhoods and enclaves were marked with towers or oases. Isolated hotels and motels were inns with smiling keepers. Tourist homes—private residences that lent rooms to Negro travelers—were peasant huts, or tree houses, or hobbit holes. Less friendly parts of the country were populated by ogres and trolls, vampires and werewolves, wild beasts, ghosts, evil sorcerers, and hooded white knights. In Oklahoma, a great white dragon coiled around Tulsa, breathing fire onto the neighborhood where Atticus’s father and Uncle George had been born.
Matt Ruff (Lovecraft Country)
The houses float up to his mind’s eye like jinn, past lovers. The sloping roof of his mother’s hut, the marbled tiles in Salma’s kitchen, the small house he shared with Alia in Nablus. The Kuwait home. The Beirut apartments. This house, here in Amman. For Alia, some old, vanished house in Jaffa. They glitter whitely in his mind, like structures made of salt, before a tidal wave comes and sweeps them away.
Hala Alyan (Salt Houses)
Yes! believers everywhere are stones in the spiritual house, broken perhaps into conformity, or chiselled into beauty by successive strokes of trial; and wherever they are, in the hut or in the ancestral hall, in the climates of the snow or of the sun, whether society hoot them or honour them, whether they wrap themselves in delicate apparelling, or, in rugged homespun, toil all day for bread, they are parts of the true temple which God esteems higher than cloistered crypt or stately fane, and the top stone of which shall hereafter be brought on with joy.
Knowles King (The Wesleyan Methodist Pulpit in Malvern Sermons Preached at the Opening Services of the Wesleyan Methodist Chapel, in 1866)
So when Finn sailed back down the Negro at dawn, he saw no flames and heard no roaring as the house was destroyed. Everything at first seemed to be as it had always been: the big trees by the river, the huts of the Indians, the Carters’ launch riding at anchor. Then the dog, standing beside him, threw back his head and howled. “What is it?” asked Finn. But now he, too, smelled the choking, lingering smoke. And as he sailed toward the landing stage, he saw it--the space, the nothingness, where the Carters’ house should have been. Not even an empty shell. Nothing. He had thought that the news of his father’s death was the worst thing that had happened to him, but this was worse, because he was to blame. If he had taken Maia as she had begged… He was shivering so much that it was difficult to steer the Arabella to the jetty and make her fast. There was no point in searching the ruins; it was so obvious that no one could survive such a blaze. But there was one last hope. The huts of the Indians had been spared. Perhaps they had gotten Maia out; perhaps he would find her sleeping there. He pushed open the door of the first hut and went inside…then the second and the third. They were completely empty. Even the parrot on his perch had gone, even the little dog. A broken rope in the run outside showed where the pig, terrified by the flames, had rushed back into the forest. There was no doubt now in Finn’s mind. They had let Maia burn and fled in terror and shame. What would it be like, Finn wondered, going on living and knowing that he had killed his friend? The howler monkeys had been right to laugh when he said he wasn’t going back. He had turned downriver again almost at once to fetch Maia, and he had made good time, traveling with the current--but he had come too late.
Eva Ibbotson (Journey to the River Sea)
Don Fabrizio remembered a conversation with Father Pirrone some months before in the sunlit observatory. What the Jesuit had predicted had come to pass. But wasn’t it perhaps good tactics to insert himself into the new movement, make at least part use of it for a few members of his own class? The worry of his imminent interview with Don Calogero lessened. “But the rest of his family, Don Ciccio, what are they really like?” “Excellency, no one has laid eyes on Don Calogero’s wife for years, except me. She only leaves the house to go to early Mass, the five o’clock one, when it’s empty. There’s no organ-playing at that hour; but once I got up early just to see her. Donna Bastiana came in with her maid, and as I was hiding behind a confessional I could not see very much; but at the end of Mass the heat was too great for the poor woman and she took off her black veil. Word of honour, Excellency, she was lovely as the sun, one can’t blame Don Calogero, who’s a beetle of a man, for wanting to keep her away from others. But even in the best kept houses secrets come out; servants talk; and it seems Donna Bastiana is a kind of animal: she can’t read or write or tell the time by a clock, can scarcely talk; just a beautiful mare, voluptuous and uncouth; she’s incapable even of affection for her own daughter! Good for bed and that’s all.” Don Ciccio, who, as protégé of queens and follower of princes, considered his own simple manners to be perfect, smiled with pleasure. He had found a way of getting some of his own back on the suppressor of his personality. “Anyway,” he went on, “one couldn’t expect much else. You know whose daughter Donna Bastiana is, Excellency?” He turned, rose on tiptoe, pointed to a distant group of huts which looked as if they were slithering off the edge of the hill, nailed there just by a wretched-looking bell-tower: a crucified hamlet. “She’s the daughter of one of your peasants from Runci, Peppe Giunta he was called, so filthy and so crude that everyone called him Peppe “Mmerda” . . . excuse the word, Excellency.” Satisfied, he twisted one of Teresina’s ears round a finger. “Two years after Don Calogero had eloped with Bastiana they found him dead on the path to Rampinzeri, with twelve bullets in his back. Always lucky, is Don Calogero, for the old man was getting above himself and demanding, they say.” Much of this was known to Don Fabrizio and had already been balanced up in his mind; but the nickname of Angelica’s grandfather was new to him; it opened a profound historical perspective, and made him glimpse other abysses compared to which Don Calogero himself seemed a garden flowerbed. The Prince began to feel the ground giving way under his feet; how ever could Tancredi swallow this? And what about himself? He found himself trying to work out the relationship between the Prince of Salina, uncle of the bridegroom, and the grandfather of the bride; he found none, there wasn’t any. Angelica was just Angelica, a flower of a girl, a rose merely fertilised by her grandfather’s nickname. Non olet, he repeated, non olet; in fact optime foeminam ac contuberninum olet.
Giuseppe Tomasi di Lampedusa (The Leopard)
The man who wants to marry me is very rich and strong. He lives near here. He built his house in three days.” “A proper house or a hut?” he wanted to know. “A real house, with shingles and a pitched roof, and glass windows.” He was silent for a moment, and I was sure I’d finally impressed him. “Three days,” he said at last. “There is no wisdom in such hurrying. This house will not stand long.
Paula McLain (Circling the Sun)
January 2013 Andy’s Message   Hi Young, I’m home after two weeks in Tasmania. My rowing team was the runner-up at the Lindisfarne annual rowing competition. Since you were so forthright with your OBSS experiences, I’ll reciprocate with a tale of my own from the Philippines.☺               The Canadian GLBT rowing club had organised a fun excursion to Palawan Island back in 1977. This remote island was filled with an abundance of wildlife, forested mountains and beautiful pristine beaches.               It is rated by the National Geographic Traveller magazine as the best island destination in East and South-East Asia and ranked the thirteenth-best island in the world. In those days, this locale was vastly uninhabited, except by a handful of residents who were fishermen or local business owners.               We stayed in a series of huts, built above the ocean on stilts. These did not have shower or toilet facilities; lodgers had to wade through knee-deep waters or swim to shore to do their business. This place was a marvellous retreat for self-discovery and rejuvenation. I was glad I didn’t have to room with my travelling buddies and had a hut to myself.               I had a great time frolicking on the clear aquiline waters where virgin corals and unperturbed sea-life thrived without tourist intrusions. When we travelled into Lungsodng Puerto Princesa (City of Puerto Princesa) for food and a shower, the locals gawked at us - six Caucasian men and two women - as if we had descended from another planet. For a few pesos, a family-run eatery agreed to let us use their outdoor shower facility. A waist-high wooden wall, loosely constructed, separated the bather from a forest at the rear of the house. In the midst of my shower, I noticed a local adolescent peeping from behind a tree in the woods. I pretended not to notice as he watched me lathe and played with himself. I was turned on by this lascivious display of sexual gratification. The further I soaped, the more aroused I became. Through the gaps of the wooden planks, the boy caught glimpses of my erection – like a peep show in a sex shop, I titillated the teenager. His eyes were glued to my every move, so much so that he wasn’t aware that his friend had creeped up from behind. When he felt an extra hand on his throbbing hardness, he let out a yelp of astonishment. Before long, the boys were masturbating each other. They stroked one another without mortification, as if they had done this before, while watching my exhibitionistic performance carefully. This concupiscent carnality excited me tremendously. Unfortunately, my imminent release was punctured by a fellow member hollering for me to vacate the space for his turn, since I’d been showering for quite a while. I finished my performance with an anticlimactic final, leaving the boys to their own devices. But this was not the end of our chance encounter. There is more to ‘cum’ in my next correspondence!               Much love and kisses,               Andy
Young (Turpitude (A Harem Boy's Saga Book 4))
Maté The moon was simply dying to tread the earth. She wanted to sample the fruit and to bathe in some river. Thanks to the clouds, she was able to come down. From sunset until dawn, clouds covered the sky so that no one could see the moon was missing. Nighttime on the earth was marvelous. The moon strolled through the forest of the high Paranà, caught mysterious aromas and flavors, and had a long swim in the river. Twice an old peasant rescued her. When the jaguar was about to sink his teeth into the moon’s neck, the old man cut the beasts throat with his knife; and when the moon got hungry, he took her to his house. “We offer you our poverty,” said the peasant’s wife, and gave her some corn tortillas. On the next night the moon looked down from the sky at her friends’ house. The old peasant had built his hut in a forest clearing very far from the villages. He lived there like an exile with his wife and daughter. The moon found that the house had nothing left in it to eat. The last corn tortillas had been for her. Then she turned on her brightest light and asked the clouds to shed a very special drizzle around the hut. In the morning some unknown trees had sprung up there. Amid their dark green leaves appeared white flowers. The old peasant’s daughter never died. She is the queen of the maté and goes about the world offering it to others. The tea of the maté awakens sleepers, activates the lazy, and makes brothers and sisters of people who don’t know each other. (86
Eduardo Galeano (Genesis: Volume 1 (Memory of Fire, 1))
Some hells present an appearance like the ruins of houses and cities after conflagrations, in which infernal spirits dwell and hide themselves. In the milder hells there is an appearance of rude huts, in some cases contiguous in the form of a city with lanes and streets.
Emanuel Swedenborg
A house may be large or small; as long as the surrounding houses are equally small it satisfies all social demands for a dwelling. If a palace rises besides the little house, the little house shrinks into a hut.
Karl Marx
Yellagonga had no answer or words of encouragement for his cousins. He wasn't certain about anything anymore. Where there was once bush, there were now tents, huts or houses. Soon the white people would take his land from him and there would be no recourse for any injustices committed against his people.
Doris Pilkington (Rabbit-Proof Fence: The True Story of One of the Greatest Escapes of All Time)
We have seen a movement from many deities to two to one. Whether you take that movement to be fact, mythology, or theology, it is the story of how we got to where most (Western) religions are now. And, as I said, it even defines where atheism is at. Have you heard the old joke about the Jewish man who was left on a desert island for years? When a ship found him, they saw two large huts that he had built on a hill. They asked him what they were. He said, "That one's my synagogue." ... And they asked him what the other hut was. He said, "That's the synagogue I don't go to!" (You can change this to churches or any house of worship you like when you tell the joke.) So we hear people say, "Do you believe in God?" But we do not generally hear people say, "Do you believe in the gods?" The religion that atheists don't go to is monotheism--by default. Or, better: by history. ... I have read and heard it said many times that monotheism has done more harm than polytheism. The claim is that monotheism is exclusive--"If my belief is right, then everybody else's belief must be wrong"--so monotheists are more likely than polytheists or atheists to exclude, persecute, and purge others. We can admit there is some logic to that claim, but still the evidence of history goes both ways. Polytheists and atheist nations and empires have done their share of atrocities. I would not want to take a side in a depressing debate over which has done more horrible things. My task here has not been to argue that monotheism is higher or lower than other ideas. It has just been to track how it came about and to recognize that it succeeded. Monotheism won. One won.
Richard Elliott Friedman (The Exodus)
Master Clement, how far dost thou make it to Higham-on-the-Way?" "A matter of forty miles," said the Chapman; "because, as thou wottest, if ye ride south from hence, ye shall presently bring your nose up against the big downs, and must needs climb them at once; and when ye are at the top of Bear Hill, and look south away ye shall see nought but downs on downs with never a road to call a road, and never a castle, or church, or homestead: nought but some shepherd's hut; or at the most the little house of a holy man with a little chapel thereby in some swelly of the chalk, where the water hath trickled into a pool; for otherwise the place is waterless." Therewith he took a long pull at the tankard by his side, and went on:
William Morris (The Well at the World's End)
As the struggle continued, Mason abandoned his plan to seize the camp intact for its booty, grabbed a firebrand, and set it aflame. As the eighty closely packed huts, which housed 800 Indians, went up in smoke, the Pequots poured out of the stockade to meet death from English and Narraganset swords and muskets. Others - hundreds of them - remained huddled inside the huts and were burned, women and children, old and young, “in promiscuous ruin.” The
Robert M. Utley (American Heritage History of the Indian Wars)
Between the palaces of the knights and those that served them; the convents, the elegant homes belonging to officers of the Church and the town; between the bakehouse and the shops of the craftsmen, the arsenals and magazines, the warehouses, the homes of merchants and courtesans, Italian, Spanish, Greek; past the painted shrines and courtyards scraped from pockets of earth with their bright waxy green carob trees, a fig, a finger of vine, a blue and orange pot of dry, dying flowers and a tethered goat bleating in a swept yard, padded the heirs of this rock, this precious knot in the trade of the world. Umber-skinned, grey-eyed, barefoot and robed as Arabs with the soft, slurring dialect that Dido and Hannibal spoke, they slipped past the painted facades to their Birgu of fishermen's huts and blank, Arab-walled houses or to sleep, curled in the shade, with the curs in a porch.
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
The show was shot on an enormous sound stage, the largest one in Hollywood, and the same one used for Gone with the Wind. A complete house for the McCoys was built on the set. In those days, the all-consuming grind of doing a television series meant that actors spent their downtime in little huts called “knockdown greens.” They were like tents, said Kathleen Nolan. “Now you have a trailer outside, but then it was an efficient way of keeping the talent close at hand. They did four shows a week, and then took a week off, so that Brennan could rest.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends Series))
One of the most powerful was that of the Masons, which included the many kinds of workers connected with building. We have evidence of the power and importance of this guild in the wonderful beauty, grace, and strength of the numerous cathedrals and churches, town halls and houses, which were built in the 12th, 13th, and 14th centuries, and still give to Europe an inimitable interest and charm. In the builders’ huts around the cathedrals that were growing up, the Master would read the Scriptures, even in times when elsewhere the mere possession of a Bible was punishable with death.
E.H. Broadbent (The Pilgrim Church)
It seems to me that, whether it is recognized or not, there is a terrific frustration which increases in intensity and harmfulness as time goes on, when people are always daydreaming of the kind of place in which they would like to live, yet never making the place where they do live into anything artistically satisfying to them. Always to dream of a cottage by a brook, while never doing anything original to the stuffy boarding-house room in a city; always to dream of a rock, glass, and timber house on the cliffs above the sea, while never putting anything of yourself into the small village brick house; or to dream of what you could do with a hut in the jungle yet never to think of your inherited family mansion as anything but a place to mark time, is to waste creativity by not allowing it to grow and develop through use. Trying out all the ideas that come to you, within the limits of your present place, money, talents, materials and so forth, will not use up everything you want to save for the future, but will rather generate and develop more ideas.
Edith Schaeffer (Hidden Art)
The word hytte can too-simply be translated as "hut," but it holds a more vaulted status in Norway than the English word implies. A quarter of the population own such hytte. They are usually buried in the forest or up above the treeline, and offer Norwegians a place of escape from their lives down in the valleys. Sometimes the huts are located so close to the main residence that it doesn't seem to make sense that someone would abandon the comforts of home for a woodstove-heated, out-housed cabin. But that is exactly the point. This change of gears toward a simpler life, where tasks like boiling water on the woodstove or chopping wood with an ax, that might take only minutes with the help of more advanced technology, may fill the day in your wilderness retreat. These places are sacred to their owners, because they make a balance of the old world and the new.
Paul Watkins (The Fellowship of Ghosts: A Journey Through the Mountains of Norway)