Hustle Street Quotes

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Chapter 1. He adored New York City. He idolized it all out of proportion...no, make that: he - he romanticized it all out of proportion. Yeah. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin.' Uh, no let me start this over. 'Chapter 1. He was too romantic about Manhattan, as he was about everything else. He thrived on the hustle bustle of the crowds and the traffic. To him, New York meant beautiful women and street-smart guys who seemed to know all the angles...'. Ah, corny, too corny for my taste. Can we ... can we try and make it more profound? 'Chapter 1. He adored New York City. For him, it was a metaphor for the decay of contemporary culture. The same lack of individual integrity that caused so many people to take the easy way out was rapidly turning the town of his dreams in...' No, that's going to be too preachy. I mean, you know, let's face it, I want to sell some books here. 'Chapter 1. He adored New York City, although to him it was a metaphor for the decay of contemporary culture. How hard it was to exist in a society desensitized by drugs, loud music, television, crime, garbage...' Too angry, I don't want to be angry. 'Chapter 1. He was as tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat.' I love this. 'New York was his town, and it always would be.
Woody Allen (Manhattan)
Harry and Tyrone were holding out a little more on each other each day. If one guy somehow got caught short and his nose and eyes were running and his body shivering as they scuffled and hustled the street trying to cop, and asked the other one to give him a taste, the guy swore up and down he had nothing, that he had just done in his cottons, and he would start shaking, trying to fake his friend out.
Hubert Selby Jr. (Requiem for a Dream)
The dark is settling in. The sky glows yellow- pale- anemic from the city lights. The Tenderloin at night is a real horror show. Every 3 feet someone is accosting you with a plea for a handout or the offer of drug or sex. The men and women wander the streets and alleys with a threatening, violont want. Takers looking to take, hustlers looking to hustle, all trying to satisfy a craving that is parpatually unsatisfiable. And tonight I'm one of them.
Nic Sheff (Tweak: Growing Up On Methamphetamines)
I'm here to tell niggas it ain't all swell. There's Heaven then there's Hell niggas One day your cruisin' in your seven, Next day your sweatin', forgettin' your lies, Alibis ain't matchin' up, bullshit catchin' up Hit with the RICO, they repoed your vehicle Everything was all good just a week ago 'Bout to start bitchin' ain't you? Ready to start snitchin' ain't you? I forgive you. Weak ass, hustlin' just ain't you Aside from the fast cars Honeys that shake they ass in bars You know you wouldn't be involved With the Underworld dealers, carriers of mac-millers East coast bodiers, West coast cap-peelers Little monkey niggas turned gorillas.
Jay-Z (Decoded)
The notion that a vast gulf exists between "criminals" and those of us who have never served time in prison is a fiction created by the racial ideology that birthed mass incarceration, namely that there is something fundamentally wrong and morally inferior about "them." The reality, though, is that all of us have done wrong. As noted earlier, studies suggest that most Americans violate drug laws in their lifetime. Indeed, most of us break the law not once but repeatedly throughout our lives. Yet only some of us will be arrested, charged, convicted of a crime, branded a criminal or a felon, and ushered into a permanent undercaste. Who becomes a social pariah and excommunicated from civil society and who trots off to college bears scant relationship to the morality of the crimes committed. Who is more blameworthy: the young black kid who hustles on the street corner, selling weed to help his momma pay rent? Or the college kid who deals drugs out of his dorm room so that he'll have cash to finance his spring break? Who should we fear? The kid in the 'hood who joined a gang and now carries a gun for security, because his neighborhood is frightening and unsafe? Or the suburban high school student who has a drinking problem but keeps getting behind the wheel? Our racially biased system of mass incarceration exploits the fact that all people break the law and make mistakes at various points in their lives with varying degrees of justification. Screwing up-failing to live by one's highest ideals and values-is part of what makes us human.
Michelle Alexander
Our government disdains a risk-reward game that millions of Americans play,” Matt wrote, “then bails out Wall Street sharks who bet unfathomable sums. I can only conclude that this contradictory stance has little to do with the skills required for each pursuit. No, for some reason, lawmakers just don’t like poker.
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
To the man who was hustling to sell facemasks for years before Covid, living rough on the streets and warning us of the nightmare to come. May your cardboard doomsday signs be framed and celebrated. May we always heed your warnings in future, no matter if the next plague requires wearing glittering buttplugs 24/7 to ward off the Coronass virus of 2021. May we never take you and your wild ramblings for granted again. We will buy your buttplugs, good sir. Just name your price.
Caroline Peckham (Broken Fae (Ruthless Boys of the Zodiac, #4))
is easy to ignore the rain if you have a raincoat. But how would she feel if she were compelled to hustle her living on the streets?
Truman Capote (In Cold Blood)
If I stop my car so you can walk across the street, I better see some hustle out of you! Knees to chest damnit! KNEES TO CHEST
Samual Jackson
Carney admired the man’s hustle; one of these days they were going to name a street after him, you watch.
Colson Whitehead (Harlem Shuffle (Ray Carney, #1))
I hadn't hustled in the streets for years for nothing. I knew when I was being set up.
Malcolm X (The Autobiography of Malcolm X)
My moves are smooth. Always have been. I’m smart enough to see what’s coming, and clever enough to turn it my way. All my skills make me perfect for this. The street dance. The hustle.
Kekla Magoon (X)
Billy's native arrogance might well have been a gift of miffed genes, then come to splendid definition through the tests to which a street like Broadway puts a young man on the make: tests designed to refine a breed, enforce a code, exclude all simps and gumps, and deliver into the city's life a man worthy of functioning in this age of nocturnal supremacy. Men like Billy Phelan, forged in the brass of Broadway, send, in the time of their splendor, telegraphic statements of mission: I, you bums, am a winner. And that message, however devoid of Christ-like other-cheekery, dooms the faint-hearted Scottys of the night, who must sludge along, never knowing how it feels to spill over with the small change of sassiness, how it feels to leave the spillover on the floor, more where that came from, pal. Leave it for the sweeper.
William Kennedy (Billy Phelan's Greatest Game)
I spent most of my time floating on an inflatable raft in the pristine Mediterranean waters, my big belly curving toward the sun, reading (incongruously) The Autobiography of Malcolm X. It rocked me to my core. Malcolm’s story opened a window onto a reality I had ignored. But the greatest revelation the book brought me was the possibility of profound human transformation. I was spellbound by his journey from the doped-up, numbers-running, woman-beating, street-hustling, pimping Malcolm Little to a proud, clean, literate, Muslim Malcolm X who taught that all white people were the Devil incarnate—to his final, spiritual transformation in Mecca. There he met white people from all over the world who received him as a brother, and he realized that “white,” as he had been using the word, didn’t mean skin color as much as it meant attitudes and actions some whites held toward non-whites—but that not all whites were racist. At the time of his murder, he was anything but the hatemonger portrayed in the American press. Somehow, through the horrors that had been his life, he had become a spiritual leader. How had this been possible?
Jane Fonda (My Life So Far)
As noted earlier, studies suggest that most Americans violate drug laws in their lifetime. Indeed, most of us break the law not once but repeatedly throughout our lives. Yet only some of us will be arrested, charged, convicted of a crime, branded a criminal or felon, and ushered into a permanent undercaste. Who becomes a social pariah and excommunicated from civil society and who trots off to college bears scant relationship to the morality of crimes committed. Who is more blameworthy: the young black kid who hustles on the street corner, selling weed to help his momma pay the rent? Or the college kid who deals drugs out of his dorm room so that he’ll have cash to finance his spring break? Who should we fear? The kid in the ’hood who joined a gang and now carries a gun for security, because his neighborhood is frightening and unsafe? Or the suburban high school student who has a drinking problem but keeps getting behind the wheel? Our racially biased system of mass incarceration exploits the fact that all people break the law and make mistakes at various points in their lives and with varying degrees of justification. Screwing up—failing to live by one’s highest ideals and values—is part of what makes us human.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
For even now the drums were in our blood, we sat forward almost hearing them across the bay, and the van raced on through the streets so that the driver could hustle back for another load of pleasure-seekers, so bent on pleasure they were driving right through Happiness, it seemed, a quieter brand of existence that flourished under these green elms. We kept driving right through all the dappled domesticity, like prisoners, indeed, being moved from jail to jail imprisoned in our own sophistication.
Andrew Holleran (Dancer from the Dance)
They came to Virginia City as soon as the true value of the Comstock was perceived. They constituted, no doubt, a deplorable source of gambling, pleasure and embroilment. They were not soft-spoken women, their desire was not visibly separate from the main chance, and they would have beheld Mr. Harte’s portrayal of them at Poker Flat with ribald mirth. But let them have a moment of respect. They civilized the Comstock. They drove through its streets reclining in lacquered broughams, displaying to male eyes fashions as close to Paris as any then current in New York. They were, in brick houses hung with tapestries, a glamour and a romance, after the superheated caverns of the mines. They enforced a code of behavior: one might be a hard-rock man outside their curtains but in their presence one was punctilious or one was hustled away. They brought Parisian cooking to the sagebrush of Sun Mountain and they taught the West to distinguish between tarantula juice and the bouquet of wines. An elegy for their passing. The West has neglected to mention them in bronze and its genealogies avoid comment on their marriages, conspicuous or obscure, but it owes them a here acknowledged debt for civilization.
Bernard DeVoto (Mark Twain's America)
We crossed the street and we walked on, toward the van, all the way, and the front doors opened, both together, fast and smooth, unlatched when we were close, and then opened when we were closer still. Two guys climbed out. The one on the sidewalk pivoted slowly, while his partner hustled around the hood. Same sweep, different speeds. Some kind of a synchronized move, no doubt perfected by long practice. Both guys were in dark suits under black raincoats. Both were white. Or pink, to be accurate. Chapped, like they’d had a long hard winter. Both were shorter than me, but not much lighter. Both had big, knuckley hands, and cords of muscle in their necks.
Lee Child (Personal (Jack Reacher, #19))
I don’t resort to foul language as a rule, but that first session with the counselor yesterday was bloody ridiculous. I started crying in front of Dr. Temple at the end of her stupid empty-chair exercise, and then she actually said, with faux gentleness, that our session had to draw to a close and that she’d see me next week at the same time. She basically hustled me out onto the street, and I found myself standing on the pavement, shoppers bustling past me, tears streaming down my face. How could she do it? How could one human being see another so obviously in pain, a pain she had deliberately drawn out and worried away at, and then push her out into the street and leave her to cope with it alone?
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
But the mingled reality and mystery of the whole show, the influence upon me of the poetry, the lights, the music, the company, the smooth stupendous changes of glittering and brilliant scenery, were so dazzling, and opened up such illimitable regions of delight, that when I came out into the rainy street, at twelve o’clock at night, I felt as if I had come from the clouds, where I had been leading a romantic life for ages, to a bawling, splashing, link-lighted, umbrella-struggling, hackney-coach-jostling, patten-clinking, muddy, miserable world. I had emerged by another door, and stood in the street for a little while, as if I really were a stranger upon earth: but the unceremonious pushing and hustling that I received, soon recalled me to myself, and put me in the road back to the hotel; whither I went, revolving the glorious vision all the way; and where, after some porter and oysters, I sat revolving it still, at past one o’clock, with my eyes on the coffee-room fire.
Charles Dickens (David Copperfield)
Clark Air base in Angeles City is a hub of commerce. The streets teem with industrious Filipinos hustling to make a living. Rusty cars and trucks clog narrow streets and honk their horns with abandon. Jeepneys ferry passengers around town for only a few pesos and serve as public transportation. The jeepney is the official vehicle of the Philippines. Jeepneys are long, open-sided jeeps and have bench seats for passengers. The best jeepneys are very ornate, their hoods festooned with a multitude of fancy chrome horses and ornaments, multihued streamers, and hand-operated rubber-bulb horns. Safety standards are third-world-relaxed in the PI, and jeepney drivers casually smoke cigarettes while they sit with plastic containers of gasoline nestled between their feet. The clear plastic jugs have a tube that connects to the engine and serves as the jeepney’s improvised gas tank, making it easier for the driver to monitor and conserve fuel. Jeepneys are not the only transportation available. Small, sidecar-equipped motorcycles called tricycles, also serve as cheap taxis, crowding the streets near popular establishments. The alleys are lined with side-by-side food stalls, and street vendors occupy every corner.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
Only as a young man playing pool all night for money had he been able to find what he wanted in life, and then only briefly. People thought pool hustling was corrupt and sleazy, worse than boxing. But to win at pool, to be a professional at it, you had to deliver. In a business you could pretend that skill and determination had brought you along, when it had only been luck and muddle. A pool hustler did not have the freedom to believe that. There were well-paid incompetents everywhere living rich lives. They arrogated to themselves the plush hotel suites and Lear Jets that America provided for the guileful and lucky far more than it did for the wise. You could fake and bluff and luck your way into all of it. Hotel suites overlooking Caribbean private beaches. Bl*wj*bs from women of stunning beauty. Restaurant meals that it took four tuxedoed waiters to serve, with the sauces just right. The lamb or duck in tureen sliced with precise and elegant thinness, sitting just so on the plate, the plate facing you just so on the heavy white linen, the silver fork heavy gleaming in your manicured hand below the broad cloth cuff and mother of pearl buttons. You could get that from luck and deceit even while causing the business or the army or the government that supported you to do poorly at what it did. The world and all its enterprises could slide downhill through stupidity and bad faith. But the long gray limousines would still hum through the streets of New York, of Paris, of Moscow, of Tokyo. Though the men who sat against the soft leather in back with their glasses of 12-year-old scotch might be incapable of anything more than looking important, of wearing the clothes and the hair cuts and the gestures that the world, whether it liked to or not, paid for, and always had paid for. Eddie would lie in bed sometimes at night and think these things in anger, knowing that beneath the anger envy lay like a swamp. A pool hustler had to do what he claimed to be able to do. The risks he took were not underwritten. His skill on the arena of green cloth, cloth that was itself the color of money, could never be only pretense. Pool players were often cheats and liars, petty men whose lives were filled with pretensions, who ran out on their women and walked away from their debts. But on the table with the lights overhead beneath the cigarette smoke and the silent crowd around them in whatever dive of a billiard parlor at four in the morning, they had to find the wherewithal inside themselves to do more than promise excellence. Under whatever lies might fill the life, the excellence had to be there, it had to be delivered. It could not be faked. But Eddie did not make his living that way anymore.
Walter Tevis (The Color of Money (Eddie Felson, #2))
Little Nicky heads to the Badlands to see the show for himself. The Western Roads are outside his remit as a U.S. Treasury agent, but he knows the men he wants are its denizens. Standing on the corner of the Great Western and Edinburgh Roads, a sideshow, a carnival of the doped, the beaten, and the crazed. He walks round to the Avenue Haig strip and encounters the playground of Shanghai’s crackpots, cranks, gondoos, and lunatics. He’s accosted constantly: casino touts, hustling pimps, dope dealers; monkeys on chains, dancing dogs, kids turning tumbles, Chinese ‘look see’ boys offering to watch your car. Their numbers rise as the Japs turn the screws on Shanghai ever tighter. Half-crazy American missionaries try to sell him Bibles printed on rice paper—saving souls in the Badlands is one tough beat. The Chinese hawkers do no better with their porno cards of naked dyed blondes, Disney characters in lewd poses, and bare-arsed Chinese girls, all underage. Barkers for the strip shows and porno flicks up the alleyways guarantee genuine French celluloid of the filthiest kind. Beggars abound, near the dealers and bootleggers in the shadows, selling fake heroin pills and bootleg samogon Russian vodka, distilled in alleyways, that just might leave you blind. Off the Avenue Haig, Nicky, making sure of his gun in its shoulder holster, ventures up the side streets and narrow laneways that buzz with the purveyors of cure-all tonics, hawkers of appetite suppressants, male pick-me-ups promising endless virility. Everything is for sale—back-street abortions and unwanted baby girls alongside corn and callus removers, street barbers, and earwax pickers. The stalls of the letter writers for the illiterate are next to the sellers of pills to cure opium addiction. He sees desperate refugees offered spurious Nansen passports, dubious visas for neutral Macao, well-forged letters of transit for Brazil. He could have his fortune told twenty times over (gypsy tarot cards or Chinese bone chuckers? Your choice). He could eat his fill—grilled meat and rice stalls—or he could start a whole new life: end-of-the-worlders and Korean propagandists offer cheap land in Mongolia and Manchukuo.
Paul French (City of Devils: The Two Men Who Ruled the Underworld of Old Shanghai)
The genius of the current caste system, and what most distinguishes it from its predecessors, is that it appears voluntary. People choose to commit crimes, and that’s why they are locked up or locked out, we are told. This feature makes the politics of responsibility particularly tempting, as it appears the system can be avoided with good behavior. But herein lies the trap. All people make mistakes. All of us are sinners. All of us are criminals. All of us violate the law at some point in our lives. In fact, if the worst thing you have ever done is speed ten miles over the speed limit on the freeway, you have put yourself and others at more risk of harm than someone smoking marijuana in the privacy of his or her living room. Yet there are people in the United States serving life sentences for first-time drug offenses, something virtually unheard of anywhere else in the world. The notion that a vast gulf exists between “criminals” and those of us who have never served time in prison is a fiction created by the racial ideology that birthed mass incarceration, namely that there is something fundamentally wrong and morally inferior about “them.” The reality, though, is that all of us have done wrong. As noted earlier, studies suggest that most Americans violate drug laws in their lifetime. Indeed, most of us break the law not once but repeatedly throughout our lives. Yet only some of us will be arrested, charged, convicted of a crime, branded a criminal or felon, and ushered into a permanent undercaste. Who becomes a social pariah and excommunicated from civil society and who trots off to college bears scant relationship to the morality of crimes committed. Who is more blameworthy: the young black kid who hustles on the street corner, selling weed to help his momma pay the rent? Or the college kid who deals drugs out of his dorm room so that he’ll have cash to finance his spring break? Who should we fear? The kid in the ’hood who joined a gang and now carries a gun for security, because his neighborhood is frightening and unsafe? Or the suburban high school student who has a drinking problem but keeps getting behind the wheel? Our racially biased system of mass incarceration exploits the fact that all people break the law and make mistakes at various points in their lives and with varying degrees of justification. Screwing up—failing to live by one’s highest ideals and values—is part of what makes us human.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
The day-to-day horror of writing gave me a notion of tournament time. Writing novels is tedious. When will this book be finished, when will it reveal its bright and shining true self? it takes freakin’ years. At the poker table, you’re only playing a fraction of the hands, waiting for your shot. If you keep your wits, can keep from flying apart while those around you are self-destructing, devouring each other, you’re halfway there. … Let them flame out while you develop a new relationship with time, and they drift away from the table. 86-7 Coach Helen’s mantra: It’s OK to be scared, but don’t play scared. 90 [During a young adult trip to Los Vegas] I was contemplating the nickel in my hand. Before we pushed open the glass doors, what the heck, I dropped it into a one-armed bandit and won two dollars. In a dank utility room deep in the subbasements of my personality, a little man wiped his hands on his overalls and pulled the switch: More. Remembering it now, I hear a sizzling sound, like meat being thrown into a hot skillet. I didn't do risk, generally. So I thought. But I see now I'd been testing the House Rules the last few years. I'd always been a goody-goody. Study hard, obey your parents, hut-hut-hut through the training exercises of Decent Society. Then in college, now that no one was around, I started to push the boundaries, a little more each semester. I was an empty seat in lecture halls, slept late in a depressive funk, handed in term papers later and later to see how much I could get away with before the House swatted me down. Push it some more. We go to casinos to tell the everyday world that we will not submit. There are rules and codes and institutions, yes, but for a few hours in this temple of pure chaos, of random cards and inscrutable dice, we are in control of our fates. My little gambles were a way of pretending that no one was the boss of me. … The nickels poured into the basin, sweet music. If it worked once, it will work again. We hit the street. 106-8 [Matt Matros, 3x bracelet winner; wrote The Making of a Poker Player]: “One way or another you’re going to have a read, and you’re going to do something that you didn’t expect you were going to do before, right or wrong. Obviously it’s better if you’re right, but even if you’re wrong, it can be really satisfying to just have a read, a feeling, and go with it. Your gut.” I could play it safe, or I could really play. 180 Early on, you wanted to stay cool and keep out of expensive confrontations, but you also needed to feed the stack. The stack is hungry. 187 The awful knowledge that you did what you set out to do, and you would never, ever top it. It was gone the instant you put your hands on it. It was gambling. 224
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
Who is more blameworthy: the young black kid who hustles on the street corner, selling weed to help his momma pay the rent? Or the college kid who deals drugs out of his dorm room so that he’ll have cash to finance his spring break? Who should we fear? The kid in the ’hood who joined a gang and now carries a gun for security, because his neighborhood is frightening and unsafe? Or the suburban high school student who has a drinking problem but keeps getting behind the wheel? Our racially biased system of mass incarceration exploits the fact that all people break the law and make mistakes at various points in their lives and with varying degrees of justification. Screwing up—failing to live by one’s highest ideals and values—is part of what makes us human.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
On another occasion, Alinsky was working in his home base of Chicago to force Chicago’s department stores to give jobs to black activists who were Alinsky’s cronies. On this issue of course Alinsky was competing—or working in tandem, however we choose to view it—with Chicago’s number one racial shakedown man, Jesse Jackson. Jackson mastered a simple strategy of converting race into a protection racket. He would offer to “protect” Chicago businesses from accusations of racism—accusations that the businesses knew were actually fomented by Jackson himself. The businesses would then pay Jackson to make the trouble go away, and also to chase away other potential troublemakers. In return for his efforts, Jackson would typically receive hundreds of thousands in annual donations from the company, plus jobs and minority contracts that would go through his network, and finally other goodies such as free flights on the corporate airplane, supposedly for his “charitable work.” Later Jackson would go national with this blackmail approach. In New York, for example, Jackson opened an office on Wall Street where he extracted millions of dollars in money and patronage from several leading investment houses including Goldman Sachs, Citigroup, Credit Suisse, First Boston, Morgan Stanley, Paine Webber, and Prudential Securities. On the national stage, another race hustler, Al Sharpton, joined Jackson. For two decades these shakedown men in clerical garb successfully prosecuted their hustles. Jackson was the leader at first, but eventually Sharpton proved more successful than Jackson. While Jackson’s star has faded, Sharpton became President Obama’s chief advisor on race issues.
Dinesh D'Souza (Hillary's America: The Secret History of the Democratic Party)
I would take the solace of a forest over the hustle of London’s streets any day. Just listen to the silence. My father always said that if the mind is too cluttered, you will never hear your soul’s whispers. –Owen Locke, A Stranger at Fellsworth
Sarah E. Ladd
Side jobs that came my way provided an excellent tutorial on working the street: Learn how to hustle – a buck and an opportunity. How to read a man, his eyes and his intent. Guard your own and keep your own counsel. Make them say a number first and stay or go based on your own designs. Never lie but never give in. When they try to manhandle the situation, and get up in your face about it, step in even closer. If they talk too loud, pretending they're tough, lower your voice, make them lean in to hear and get them off balance. Always give a man an out. Never shame them, but create their indebtedness to you. Assume authority quietly. Yea, I learned a lot and I learned it well.
Michael Nanfito (Rotten Fruit in an Unkempt Garden: A Memoir in Poetry and Prose)
In New York City alone, three different imaginary bombs were to drop, one of which was to land imaginarily at the intersection of Fifty-Seventh Street and Fifth Avenue—right in front of Tiffany’s, of all places. As part of the test, when the warning alarm sounded, all normal activities in the fifty-four cities were to be suspended for ten minutes. —All normal activities suspended for ten minutes, read Woolly out loud. Can you imagine? Somewhat breathlessly, Woolly turned to yesterday’s paper in order to see what had happened. And there on the front page—above the fold, as they say—was a photograph of Times Square with two police officers looking up the length of Broadway and not another living soul in sight. No one gazing in the window of the tobacconist. No one coming out of the Criterion Theatre or going into the Astor Hotel. No one ringing a cash register or dialing a telephone. Not one single person hustling, or bustling, or hailing a cab. What a strange and beautiful sight, thought Woolly. The city of New York silent, motionless, and virtually uninhabited, sitting perfectly idle, without the hum of a single expectation for the very first time since its founding.
Amor Towles (The Lincoln Highway)
The reality is that most people of color learn early in America that we will have to work twice as hard to get half as far, and when we fail, no one will help us fall up. Immigrants, people of color, and women learn early that in order to make it in Amreeka you have to daft punk it through life. You have to do everything harder, better, faster, stronger, and smarter. Those are just the rules. The streets of Amreeka aren't paved with gold; they're paved with blood. As an immigrant, you'll take a beating but you'll be like Rick Ross and keep hustling. if Bob works eight hours a day, you work ten. If Samantha works late on Friday, then you work on Saturday. You go twenty feet just to get to ten feet.
Wajahat Ali (Go Back to Where You Came From: And Other Helpful Recommendations on How to Become American)
The core theme that spans much of Springsteen’s working-class studies is the disconnection—real and feared—of working people from the things that ground them: job, family, home, and community. “I live now only with strangers,” he sings in “Streets of Fire,” “I talk to only strangers / I walk with angels that have no place.” As Springsteen explained, “I think what happened during the seventies was that, first of all, the hustle became legitimized”—and he did not mean the disco dance. By the time of his follow up The River (1980), when his character receives his “union card and a wedding coat” for his nineteenth birthday, that union card was a symbol of a failure to get out, a source of entrapment. What was a source of material liberation in the 1930s, membership in a trade union, had become a symbol of those not chosen, those left behind.49
Jefferson R. Cowie (Stayin’ Alive: The 1970s and the Last Days of the Working Class)
The Congo is not just blood and gore. It also has an incandescent, raw energy to it, a dogged hustle that can be seen in street-side hawkers and besuited ministers alike. This charm is not unlike that of America’s mythical Wild West, full of gunslingers, Bible-thumpers, prostitutes, street urchins, and rogue businessmen. This is the paradox of the Congo: Despite its tragic past, and probably in part due to the self-reliance and ingenuity resulting from state decay, it is one of the most alive places I know.” — Jason Stearns, Dancing in the Glory of Monsters
Jason Stearns
The high-traffic area was not night and day different, but there was a little more hustle and noise. The commercial spaces spilled off the main drag into the side streets, a couple of units back. One of them was a bar with four guys outside, drinking beer. Ten o’clock in the morning. All four guys had shaved heads. All hacked and scabby, like they did it themselves with knives, and were proud of it. They were young, maybe eighteen or twenty, but large. Like four sides of beef. Not from the neighborhood, Reacher thought. Which raised issues of turf. Were they claiming something? Neagley said, “Let’s get a cup of coffee.” “Here?” “Those boys have something to say to us.” “How do you know?” “Just a feeling. They’re looking at us.” Reacher turned, and they looked at him. Tribal, with a hint of challenge, and a hint of fear. And animal, as if they were suddenly quivering with fight-or-flight secretions. As if the rubber was about to meet the road. He
Lee Child (Night School (Jack Reacher, #21))
What Harlem is, is constantly changing. It is a place that comes at you like a duet or a trio. Some avenues reveal a quartet of interest, while on side streets, a soloist steps out and breaks into song. Harlem is Langston. Harlem is allure. Harlem is jazz. Harlem is my wife, standing on an avenue with chickpea flour perched on her head. 'Come on, Marcus, let's hurry.' We walk as if we are hungry and destined. Harlem is love. And strife. And sorrow. Harlem is art. Harlem is the Apollo and the young woman who stands inside thinking, I'm going to get this. Harlem is poverty. Harlem is wealth. Harlem is America. Harlem is my home.
Marcus Samuelsson (The Red Rooster Cookbook: The Story of Food and Hustle in Harlem)
Marthe had reported back from her girl-girl talk that Elisabeth took quite calmly the immense fact that she was now venturing into the landscape where she could create another human being, a prospect that to Karl seemed more frightening than, say, getting a driver’s license. All this he felt as they finished breakfast, hustled into street garb, and turned left onto boulevard Raspail.
Gregory Benford (The Berlin Project)
down instead of from Twenty-Third Street looking up—things look quite a bit different. From that angle, the annoyed, hustling and bustling, highly important people angling their way through the obstacle course of onlookers seem insignificant. Our sun and moon and eight planets are just one little neighborhood among an estimated 200 billion neighborhoods that make up our universe.19 If we think of the Milky Way galaxy as being the size of the entire continent of North America, our solar system would fit into a coffee cup.20 Two Voyager spacecrafts are cruising toward the edge of the solar system at a rate of more than 35,000 miles per hour. They’ve been doing that for more than forty years and have traveled more than 11 billion miles, with no end in sight.21 When NASA sends communication to one of those Voyagers traveling at that velocity, it takes about seventeen hours to get there.22 That data has led scientists to estimate that to send a “speed of light” message to the edge of the universe would take more than 15 billion years to arrive.23 “So, yes, Chelsea art dealer, you are very important. But when we think about what we’re all gazing at while you make your agitation known through grunts and mumbles, you’re also impossibly young, urgently expiring, and unbelievably small.” You and I see the world with our own two eyes, and from that minuscule perspective, we tend to convince ourselves that we are (or at least should be) in control, directing our own lives, and scripting our future. We come back again to the truth that Philip Yancey reminded us of earlier in the chapter: “Prayer is the act of seeing reality from God’s point of view.” God is the one who calls us to “be still, and know that I am God.” Psalm 8 marvels at this very wonder:
Tyler Staton (Praying Like Monks, Living Like Fools: An Invitation to the Wonder and Mystery of Prayer)
DC at night had a particular savage gleam, red taillights piercing through gloom, dingy alleys bookending martini-lounge hustle-bustle. And yet another realm hovered above in an angelic glow, the eye called to uplit white marble monuments, to rounded domes and thrusting peaks, to glowing penthouses floating above streets as dark as puddles. Everything that rose seemed to be mirrored in descent, the reflecting pool and the cool Potomac like portals to an underworld. Wetzel had read somewhere that Hollywood directors liked to hose down streets to make the asphalt sparkle on film. Washington was like that naturally, a black-ice kind of town – lose focus and you’d slip and break your neck.
Gregg Hurwitz (Out of the Dark (Orphan X #4))
I have come to love the hustle and bustle, the way it is possible to lose yourself in a city, to walk anonymously through its crowded streets; the sense of freedom that accompanies the fact that no one knows your name, or who your mother is, or what you bought at the shop yesterday.
Emily Critchley (One Puzzling Afternoon)
This was supposed to be the year that I returned, to the breathtaking views of the Rockies, to the aroma of fresh-ground coffee, to the fragrances of freshly brewed tea, to the four-block stretch blending these anomalies. It was indeed supposed to be my year to see thee. I have longed to return to this unprecedented community, I have longed to take in your historic sites, I have longed to intermingle with others, it has been too long since I have walked on thee. This was supposed to be my year, to see my family, my friends, and my colleagues. It was supposed to be my year to experience your architectural vibe, design, and prominence. I look forward to your return to normalcy, even the tireless positioning of your parking lots. I look forward to what you have to showcase, the musical performances, the arts, the food, the hustle and bustle that travel upon thee. I look forward to being with thee. I miss your character, your charm, your insistence that I travel upon thee.
Asa Don Brown
Zack hadn’t expected to like much about China, but as they passed a street vendor plopping batter onto a sizzling grill behind the greasy glass of her cart, his stomach grumbled with a certainty that whatever it was would be delicious to try. And the general atmosphere of the street . . . it was undeniably chaotic, yet there was something comforting about the hustle and bustle, like it was proof of how vibrant life can be.
Xiran Jay Zhao (Zachary Ying and the Dragon Emperor)
Back when I started ColorComm, I was living in a small DC apartment with slow dial up Internet, so I spent two hours before work and two hours after work using the free Wi-Fi at the hotel across the street. It was a lot of long days, too little sleep, morning workouts and evening drinks missed in favor of doing more work - but it was worth it to me because I knew my dream was to one day leave my firm and run ColorComm full-time. I was willing to put in the exra hours. But if reading this makes you cringe with dread, or if you just don't want to spend that much time working, that's okay! It is not necessary to work from dawn to dusk every single day in order to have a successful career. But that reaction also means you probably shouldn't plan to make your side hustle your full time job anytime soon, because you may not be passionate enough or hungry enough to make it happen.
Lauren Wesley Wilson (What Do You Need?: How Women of Color Can Take Ownership of Their Careers to Accelerate Their Path to Success)
As she'd gotten stronger, and her new hair grew in, she'd started ranging farther from the room on top of the tower. Not into either city, at first, though she'd walked over to Oakland a couple of times, over the cantilever, and looked out at it. Things felt different over there, though she was never sure why. But where she felt best was on the suspension bridge, all wrapped in it, all the people hanging and hustling and doing what they did, and the way the whole thing grew a little, changed a little, every day. There wasn't anything like that, not that she knew of, not up in Oregon. At first she didn't even know that it made her feel good; it was just this weird thing, maybe the fever had left her a little crazy, but one day she'd decided she was just happy, a little happy, and she'd have to get used to it. But it turned out you could be sort of happy and restless at the same time, so she started keeping back a little of Skinner's junk-money to use to explore the city. And that was plenty to do, for a while. She found Haight Street and walked it all the way to the wall around Skywalker, with the Temple of Doom and everything sticking up in there, but she didn't try to go in. There was this long skinny park that led up to it, called the Panhandle, and that was still public. Way too public, she thought, with people, mostly old or anyway looking that way, stretched out side by side, wrapped in silvery plastic to keep the rays off, this crinkly stuff that glittered like those Elvis suits in a video they'd showed them sometimes, up in Beaverton. It kind of made her think of maggots, like if somebody rolled each one up in its own little piece of foil. They had a way of moving like that, just a little bit, and it creeped her out. The Haight sort of creeped her out, too, even though there were stretches that felt almost like you were on the bridge, nobody normal in sight and people doing things right out in public, like the cops were never going to come at all. But she wasn't ever scared, on the bridge, maybe because there were always people around she knew, people who lived there and knew Skinner. But she liked looking around the Haight because there were a lot of little shops, a lot of places that sold cheap food. She knew this bagel place where you could buy them a day old, and Skinner said they were better that way anyway. He said fresh bagels were the next thing to poison, like they'd plug you up or something. He had a lot of ideas like that. Most of the shops, she could actually go into, if she was quiet and smiled a little and kept her hands in her pockets.
William Gibson (Virtual Light (Bridge, #1))
Ice, you going from the streets to playing the police on TV is the biggest hustle in history, you know? You made the ultimate getaway.
Ice-T (Split Decision: Life Stories)
UNCONVENTIONAL DESTINATION WEDDING LOCALES Destination Wedding Jan 6 This wedding season, fall in love with endearing unconventional destination wedding locales Theme Weavers Designs Since all the travel restrictions have been lifted, destination weddings are back in vogue. However, the pandemic has led to a major paradigm shift. In this case, Indian couples are looking into hidden gems to take on as their wedding destination, instead of opting for an international location. With the rich cultural heritage and a myriad of local traditions, it has been observed by industry insiders that couples feel closer to their past and history after getting married in a regional wedding destination. At the same time, it is a very cumbersome task to find the perfect wedding destination - it has to be perfectly balanced in terms of the services it offers as well as having breathtaking views. This wedding season, choose something offbeat, by opting for an unexplored destination, that is both visually appealing and has a romantic vibe to them. Start off your wedding journey with an auspicious location. Rishikesh, on the banks of the holy river Ganges is one of the most sacred places a couple can tie the knot. This tiny town’s interesting traditions, picturesque locales, and ancient customs make this one of the most underrated places to get married in india. Perfect for a riverside wedding in extravagant outdoor tents, this wedding season, it is high time Rishikesh gets the hype it deserves. “The Glasshouse on the Ganges,” is one of the most stunning places to get married. While becoming informed travellers, this place is interred with a vast and vibrant cultural history. It offers an extremely unique experience as it revitalises ruined architectural wonders for the couple to tour or get married in, making it a heartwarming and wonderful experience for all those who are involved. Steep your wedding party in the lap of nature, in Naukuchiatal, Nainital, Uttarakhand. This place is commonly referred to as “treasure of natural beauty,” where it offers mesmerising natural spectacles for a couple to get married in a gorgeous outdoor ceremony. Away from the hustle and bustle of the urban jungles that have slowly been taking over the Indian subcontinent, this location provides a much needed breath of fresh air. This location also provides much needed reprieve from the fast paced lifestyle that we live, making a wedding a truly relaxing affair. As this is a quaint hill station, surrounded with lush greens, there are numerous ideas to create a natural and sustainable wedding. The most distinguishing feature of this location is the nine-cornered lake, situated 1,220 m above sea level. There is something classic and timeless about the Kerala backwaters. This location is enriching and chock full of unique cultural traditions. With spectacular and awe-inspiring views of the backwaters, Kumarakom in Kerala easily qualifies as one of the top wedding destinations in india. Just like Naukuchiatal, this space is a study in serenity, where it is far away from the noisy streets and bazaars. Perfect for a cozy and intimate wedding, the Kerala backwaters are a gorgeous choice for couples who are opting for a socially distant wedding, along with having a lot of indigenous flora and fauna. Punctuated with the salty sea and the sultry air, the backwaters in Kerala are an underrated gem that presents couples with a unique wedding location that is perfect for a historical and regal wedding. The beaches of Goa and the forts of Rajasthan are a classic for a reason, but at the same time, they can get boring. Couples have been exploring more underrated wedding locations in order to experience the diverse local cultures of India that can also host their weddings
Theme Weavers
To TJ, the prosecution had it wrong, wrong, wrong. On the street, Lewisbey had a reputation for being a warm guy with a large group of friends—from the underworld to sports to college. Anything you wanted to know about, from scholarships to business to fraud and drugs, he knew somebody that could help out. But guns and drugs weren’t his hustle. “Don’t get me wrong—he probably dipped and dabbed here and there,” TJ says. “But as far as the street perspective of it, I know for a fact that he wasn’t living that life.
John H. Richardson (The Gun King (Southside collection))
Hypnotised by the grandeur of the two-hundred-year-old city with buildings that epitomised Georgian, Neoclassical, and Federation style architecture, most Indians harboured aspirations of working in the oldest Australian city’s CBD. The Victorian sandstone buildings and Seidler style international architecture lining both the sides of its streets mesmerized the city’s populations. Its hustle, bustle, and its assimilated cosmopolitan staff rushing back to their offices with disposable coffee cups and take away food paper bags in their hands appealed to its visitors.
DR NEETHA JOSEPH (A Recusant’s Incarnation: A Memoir)
To me, these were the streets of Lou Reed, Andy Warhol, the Ramones, and Patti Smith. I sucked it all up. The sounds. The smells. The traffic. The honking yellow cabs. And the stench of garbage. I felt like I was in a waking dream, intoxicated by the grime, the noise, and the hustle and bustle of the city, walking through the soundtrack of my life. It was all so loud and intense, more exhilarating and overwhelming than anything I could have imagined and all the pictures I’d already conjured in my mind while listening to “53rd & 3rd” or “Walk on the Wild Side.
Kid Congo Powers (Some New Kind of Kick: A Memoir)
Who is more blameworthy: the young black kid who hustles on the street corner, selling weed to help his momma pay the rent? Or the college kid who deals drugs out of his dorm room so that he’ll have cash to finance his spring break? Who should we fear? The kid in the ’hood who joined a gang and now carries a gun for security, because his neighborhood is frightening and unsafe? Or the suburban high school student who has a drinking problem but keeps getting behind the wheel?
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
As creator Gibson tells it, the character evolved almost by accident. In 1930, Street and Smith—prolific producers of pulp fiction magazines—decided to try the new medium, radio, in an effort to boost circulation. Once a week a drama would be adapted from an upcoming issue of Detective Story. Adapter Harry Engman Charlot added the gimmick of the mysterious host, called him the Shadow, and left the link to the magazine somewhat tenuous. “Apparently,” wrote Gibson in his Shadow Scrapbook, “some listeners didn’t get this message clearly, because instead of asking about Detective Story Magazine, they wanted the magazine that told about the Shadow.” The answer was obvious—a new magazine, with the Shadow as its nucleus. Gibson, then a hustling freelancer whose acquaintances included magicians Houdini and Blackstone, was called in to help develop the character and get the new publication off the ground.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Life Is What It Seems" Outside in the piss stained hall, A prostitute leans on a dirty wall. Inside I rest my head, On a dirty mattress I call a bed. Dirty clothes out to the door, Empty bottles on the floor. In the streets a car honks it's horn, Down the hall a baby is born. In the bar people drown their sorrow, Got no hope for tomorrow. Rain coming down from the sky, Falling hard , like the tears I cry. I had dreams once, like the rest, Worked real hard, did my best. Been so long, I forgot those dreams, Sometimes life is what it seems. My friends are the people of the streets, Hustling hard for their daily eats. Most people walk and pass us by, Never stop to wonder why. Living breathing human beings, Sometimes life is what it seems. 2009.
Alan W. Jankowski
Hansu had not been in a forest since he was a boy—that time before he became a tough teenager who could hustle and steal with the wisest street kids of Osaka.
Min Jin Lee (Pachinko)
Then though , I look around me at the airport hustle, with its irritable cab honkings and clank of baggage carts, the spit and hiss of bus brakes, the lamplit shades hurrying to and fro in a New York night that is black, raining, and cold, with, ahead of us, the inconceivable press and milling of unseen souls, New York, city of dreams, or so it still sells itself, though for most who walk its canyoned street it is where the dream died, leaving them in graffitied apartments with bad heating and dark stairwells, riding the treadmill of two part-time jobs, or even three, the unending, mean struggle for survival…
Wayne Brown (The Scent of the Past: Stories and Remembrances)
The Cats in the City Location: an Arab city. Time: the age of defeat. The twenty-first century. General atmosphere: “fancy” neighborhoods. Expensive houses painted in tombstone colors. Beautiful and well-maintained gardens. Flowers that no one dares to smell. Imported cars. Imported devices. Imported clothes. Imported foods. Endless consumer shops for anything and everything. Between every other restaurant, there are shops selling cosmetics and souvenirs. Between every other consumer market, There is a worship place. All consumer shops are built skillfully On the scab of the same old wound; A wound that can flood the city with blood and death With the slightest fingernail scratch. As I walk farther from the city, The consumer shops vanish. The lights are suddenly dimmed. The cheering and the hustle and bustle of the consumers go silent. I see myself in total darkness. I am alone hearing nothing but the sounds of my footsteps, And the meows of hungry stray street cats, Covered with the ashes of daily existence. A thin and hungry cat approaches me, She meows in despair and starvation, Begging me for her bite of the day (or the week?) I throw her a small piece of my sandwich. She picks it up and runs away To celebrate her temporary gains! She leaves me alone wondering in darkness: What reflects the reality of this city more The 'fancy' neighborhoods I saw earlier, Or the starving cats in the darkness? June 8, 2014
Louis Yako (أنا زهرة برية [I am a Wildflower])
Quote from Feed Me: Mr. Nho Davison sat at his desk, looking around his small but adequate corner office. Sometimes he couldn’t believe his dumb luck. Less than a decade ago, he had been on the streets, hustling. The son of a whore, he’d followed in his mother’s footsteps, sucking cock and getting fucked up the ass behind dumpsters in the dirty shadows of San Francisco’s alleys.
Dana J. Wright
Somehow one feels unfettered by any of the harsh, restricting influences of human existence as we live it these days. There are no buildings, no roads, no street lights, no artificial or even natural noises, no hustle and bustle, no need for anyone to shout or to have money or to pretend about anything; those human beings who are with you are probably fairly well known to you, and are there for the same reason that you are—they know the dangers and delights of solitude just the same as you do, and they will react to the unblemished and staggering loveliness of a huge expanse of desert sky, deep blue by day and of a marvellous purple at night sprinkled haphazardly with hundreds and thousands of stars silently lighting up that great canopy of night-time that drifts down with the close of day. I personally think I know of nothing more restorative than lying on the soft sand—cool now after the retirement of the day’s sun— and just staring at the miracle of such a sky. And then you fall asleep, rolled up in a sleeping bag against the considerable fall in temperature as the night goes on, perhaps waking an hour or two before dawn for just long enough to notice that those little stars are still there—as bright as ever—and do not even look as though they are getting ready to be extinguished by the advent of another day. It is a lovely, comforting feeling when the world around you is quite still; and there is no sound anywhere to penetrate the delightful peace that surrounds you. When the dawn comes, and the stars have all gone away, there is something sharp and exhilarating about the smell in the air. It is fresh and clean and tantalisingly different to the atmosphere which will pervade the day once the sun has come up over the distant horizon. Then there will be no escape from its merciless and desiccating heat, which drains you of energy and leaves you burned and incapable of any prolonged activity. And the bright reflection of the sun off the light-coloured sand can be piercing and painful to the eyes. There is probably not even a tiny breeze to move that sullen, sultry air, and there can be no relief from its effects until once more, and inevitably, the great ball of fire that is the sun will slide slowly below the land and allow it to grow cool. It would be foolish to pretend that all of those who served with the LRDG saw the desert in the way that I have described it, all or even much of the time. But I am quite sure that when their minds were not diverted by rather more pressing considerations concerning the enemy, there were few who were not moved by the beauty of the sky at night. They all spent quite a number of hours on sentry duty, when, alone with his thoughts and in such surroundings, no man can be oblivious of such a miraculous revelation.
David Lloyd Owen (The Long Range Desert Group, 1940–1945: Providence Their Guide)
Now he had my attention. After everything that had happened in his life, the abuse and the nasty crimes, perpetrated by and against him, the years hustling on the street, the homelessness, the lifetime in prison, it all came down to a simple thing: a good review.
Avi Steinberg (Running the Books)
Later, I sat down drunk on the corner of Carondelet and Canal Streets, listening for the rumble of the streetcar that would take me back uptown to my apartment, watching the evening sun bleed from the streets, the city shifting into night, when it truly became New Orleans: the music, the constant festival, the smell of late evening dinners pouring out, layering the beer-soaked streets, prostitutes, clubs with DJs, rowdy gay bars, dirty strip clubs, the insane out for a walk, college students vomiting in trash cans, daiquiri bars lit up like supermarkets, washing-machine-sized mixers built into the wall spinning every color of daiquiri, lone trumpet players, grown women crying, clawing at men in suits, portrait painters, spangers (spare change beggars), gutter punks with dogs, kids tap-dancing with spinning bike wheels on their heads, the golden cowboy frozen on a milk crate, his golden gun pointed at a child in the crowd, fortune-tellers, psycho preachers, mumblers, fighters, rock-faced college boys out for a date rape, club chicks wearing silver miniskirts, horse-drawn carriages, plastic cups piling against the high curbs of Bourbon Street, jazz music pressing up against rock-and-roll cover bands, murderers, scam artists, hippies selling anything, magic shows and people on unicycles, flying cockroaches the size of pocket rockets, rats without fear, men in drag, business execs wandering drunk in packs, deciding not to tell their wives, sluts sucking dick on open balconies, cops on horseback looking down blouses, cars wading across the river of drunks on Bourbon Street, the people screaming at them, pouring drinks on the hood, putting their asses to the window, whole bars of people laughing, shot girls with test tubes of neon-colored booze, bouncers dragging skinny white boys out by their necks, college girls rubbing each other’s backs after vomiting tequila, T-shirts, drinks sold in a green two-foot tube with a small souvenir grenade in the bottom, people stumbling, tripping, falling, laughing on the sidewalk in the filth, laughing too hard to stand back up, thin rivers of piss leaking out from corners, brides with dirty dresses, men in G-strings, mangy dogs, balloon animals, camcorders, twenty-four-hour 3-4-1, free admission, amateur night, black-eyed strippers, drunk bicyclers, clouds of termites like brown mist surrounding streetlamps, ventriloquists, bikers, people sitting on mailboxes, coffee with chicory, soul singers, the shoeless, the drunks, the blissful, the ignorant, the beaten, the assholes, the cheaters, the douche bags, the comedians, the holy, the broken, the affluent, the beggars, the forgotten, and the soft spring air pregnant with every scent created by such a town.
Jacob Tomsky (Heads in Beds: A Reckless Memoir of Hotels, Hustles, and So-Called Hospitality)
Even if you’re not from the streets (and given how diverse my audience has become, there’s a good chance you’re not),
50 Cent (Hustle Harder, Hustle Smarter)
This surprised him, her turning down his invitation to dine with him, and his face showed it. "Katie." She rose. Their gazes locked for an extended moment. "Good luck, Shaw." She hesitated for another second, long enough for him to say something to keep her there. Yet he remained quiet. She turned and left. Shaw sat there for several beats, a massive struggle going on inside his mind. Finally, he threw some euros on the table, hustled from the restaurant, and looked up and down the crowded street. But Katie was already gone.
David Baldacci (Deliver Us from Evil (A. Shaw, #2))
We hit the Maldives for a surfing break. The islands are right on the equator, and the heat was incredible. Bindi didn’t understand traditional Muslim clothing. The women wore black burkas, with just a small panel to look through, and Bindi worried about them in the heat. Somewhere along the line, she had picked up some verbiage that she then blurted out loudly in the street when we encountered a heavily swathed Muslim woman. “Mummy, is that an oppressed woman?” Not wanting to cause an incident, I hustled us both away. I tried to explain about differences in cultures and religions, how sometimes what you wore was an indication of modesty, rather than oppression. But in the back of my mind was the thought, Out of the mouths of babes.
Terri Irwin (Steve & Me)
I don't know why he isn't dead, maybe he's lucky. Certainly his physical self is dead. Before the streets, drugs, IV use, and hustling -medically - his body is not right. [...] So there is some will to live in him, to pass on his knowledge and good nature. It's a mystery. Dave is an inspiration to people. He is society's throw-away.
Jim Goldberg (Raised by Wolves)