Hush Louder Quotes

It does not do to rely too much on silent majorities, Evey, for silence is a fragile thing, one loud noise, and its gone. But the people are so cowed and disorganised. A few might take the opportunity to protest, but it'll just be a voice crying in the wilderness. Noise is relative to the silence preceding it. The more absolute the hush, the more shocking the thunderclap. Our masters have not heard the people's voice for generations, Evey and it is much, much louder than they care to remember.

Noise is relative to the silence preceeding it. The more absolute the hush, the more shocking the thunderclap. Our masters have not heard the peoples voice for generations, Evey and it is much, much louder than they care to remember.

A hush, a silence accompanied this dusting of snow until an odd whistling sound broke through the numbness, coming closer, growing louder. What was that?

No one else is kissing you anymore," he tells me in a conversational hush, not breaking our contact. "Your mouth is mine." The thought is more than he can bear; now we're twisting each other's clothes and the kiss is like a conversation with no words -- louder and louder, talking over each other: Listen to me. No, you listen to me.

The louder she screamed, the harder he whipped; and where the blood ran fastest, there he whipped longest. He would whip her to make her scream, and whip her to make her hush; and not until overcome by fatigue, would he cease to swing the blood-clotted cowskin. I remember the first time I ever witnessed this horrible exhibition. I was quite a child, but I well remember it. I never shall forget it whilst I remember anything. It was the first of a long series of outrages, of which I was doomed to be a witness and a participant. It struck me with awful force. It was the blood-stained gate, the entrance to the hell of slavery, through which I was about to pass.

Noise is relative to the silence preceding it. The more absolute the hush, the more shocking the thunderclap. Our masters have not hear the people's voice for generations Evey and it is much, much louder than they care to remember.

Noise is relative to the silence preceding it. The more absolute the hush, the more shocking the thunderclap. Our masters have not heard the people's voice for generations Evey and it is much, much louder than they care to remember.

He spoke on rising toes, on rolling ankles, he spoke with forward tilt, with lifted shoulders, with forefinger pointing and fist punching. He did verbal pirouettes, he did elongated sentences, he let clauses gather at the river and foam until they found spittle release. He spoke hushed, he spoke his big points in whispers, then drove them in with urgent balletic waves of arm and extended eyebrow as he said the same thing again only louder. He was not then a guns and bombs nationalist. He was the more dangerous kind. He was a poems and stories one.

Kristen- So you know I ran… and he got me. He had his belt in hand ready to whip me, and he did repeatedly until I fell to the ground, with him straddling me, his hand touching me, he started pinching me, and that is when he pierced my nipple with an old rusty nail. ‘Honey hush,’ he said as I screamed, even more, the second time; because I knew the pain was picking and nearing. He laughed- ‘Saying now everything matches!’ I recall him saying this- as he pulled me up dragging me by the hair. ‘Good now your bare ass can rub up on the bark of the tree, and then I can smack it later on tonight. You would like that? Wouldn’t you? My little bitch!’ Kristen- I had to say- ‘Yes, Yes- I would!’ I screamed louder than I have ever had in my entire life! For the reason that I knew what was coming! I could see him coming with the cruel tools in hand! I was thinking to myself. ‘Please God don’t let him have a screwdriver.’’ Because knew what he would do with it, and where it would be shoved in! Just for the hell of it, he drew a target on my tummy with my lipstick and started throwing tools like wrenches, trying to hit the same spot. I thought for sure something of his was going to go deep inside me. He looked at me, flashing scissors, and said in a sick way. ‘Look, baby, these are the same scissors your momma used to slit her wrist. He slapped them in my hand, and said it is your choice; you can do the same thing she had the choice of... What do you say? You know these are the very same scissors, that gave your mother the episiotomy that brought you into this world. Now they can be the same scissors to take you out.’ Gasping for breath in being so appalled, I remember saying- ‘What did I do to you?’ He said- ‘It is not what you did to me, it is what they want, and what I was asked to do, and what they will do to me if I don’t!’ I said- ‘Who are they?’ He whispered in my ear, as well as he bit it- my earlobe with his teeth afterward saying. - ‘You are that stupid? I knew it! Will If I tell you, I will have to kill you.’ He said- (In a very paranoid, yet almost cocky tone of voice.) So, I yelled back- ‘Just do it- you- vain shit-face!’ That is when he did it, one by one. Yes, one toe by toe, all the nails went in and through my fingernails and flesh. This happened to my hand, palm, and wrists one nail at a time. (Bang! Bang! Bang!) Until the point that I was able to suspend from them alone on the tree. The same tree that he carved our names into, saying forever and ever. I have to say at that point I did not want to live, saying get me down! Then he yelled- ‘Not yet- my baby!

There was a pause in which Harry glared at her, and her eyes filled slowly with tears. “You didn’t mean that,” said Harry quietly. “No . . . well . . . all right . . . I didn’t,” she said, wiping her eyes angrily. “But why does he have to make life so difficult for himself — for us?” “I dunno —” Weasley is our King, Weasley is our King, He didn’t let the Quaffle in, Weasley is our King . . . “And I wish they’d stop singing that stupid song,” said Hermione miserably, “haven’t they gloated enough?” A great tide of students was moving up the sloping lawns from the pitch. “Oh, let’s get in before we have to meet the Slytherins,” said Hermione. Weasley can save anything, He never leaves a single ring, That’s why Gryffindors all sing: Weasley is our King. “Hermione . . .” said Harry slowly. The song was growing louder, but it was issuing not from a crowd of green-and-silver-clad Slytherins, but from a mass of red and gold moving slowly toward the castle, which was bearing a solitary figure upon its many shoulders. . . . Weasley is our King, Weasley is our King, He didn’t let the Quaffle in, Weasley is our King . . . “No!” said Hermione in a hushed voice. “YES!” said Harry loudly. “HARRY! HERMIONE!” yelled Ron, waving the silver Quidditch Cup in the air and looking quite beside himself. “WE DID IT! WE

It's not always a storm. Sometimes it's a mist that descends from the sky, coating my body with faint wisps of despair. Or it's like walking out of my house and into a spiderweb that winds itself around my head, so that I spend the rest of the day swatting at my face and arms trying to brush off this phantom creeping. Or an uncomfortable itch in that space between bone and flesh that makes me want to remove my skin and hand it off to someone else, makes me want to peel my fingertips and expose blood. Anything to make this hushed suffering louder because when it's quiet it doesn't feel real.

Let’s find out, shall we?” Then, louder and with a rakish grin, “Shall we find the exit to the garden, my lady? I daresay we both could use some…air.” “I don’t think that will be at all necessary, Stanhope.” The statement cut through the air like a knife, and Alex felt her stomach drop with the realization that Blackmoor was standing immediately behind her. She looked up at Freddie, wide-eyed, not quite knowing what to do. He spoke with an air of bored dismissal. “Blackmoor, what a surprise. What is it you want?” Blackmoor’s tone brooked no refusal, but was surprisingly hushed, only loud enough for the three of them to hear. “I want you to stay away from Lady Alexandra, Stanhope. She is most definitely not in need of a walk in the gardens with the likes of you.” “I suppose you would be a better companion?” Freddie drawled. Alex could sense that this conversation was not going to end well but had a nagging suspicion that Freddie was quite enjoying himself. “Most certainly. I’m practically her brother.” Freddie gave a short laugh at this, which made Blackmoor even more angry. “More importantly,” he continued, “I’m her escort this evening, and I say where she goes and who she goes with. And she is most certainly not going anywhere with you.” “I beg your pardon?” Alex spoke, keeping her voice hushed, but pulling herself up to her full height and stepping between the two men. Her face flushed with indignation as she leveled Blackmoor with a dark look. “What did you just say?” He looked down at her mutely as she pressed on. “I’m almost certain that you implied…nay…dictated…that you have some kind of control over my behavior.” He opened his mouth to speak, but she cut him off. “I think it best you say no more, my lord, lest you embarrass yourself further. Let me be clear. Last I was aware, you were neither my husband nor my father nor my king. Therefore, any control you may imagine you hold over me is just that—imaginary.” She continued, her anger making her voice waver, “If I want to take a walk in the gardens with Stanhope, or with anyone else for that matter, that is entirely my business. I will thank you to stay out of my affairs. Or need I remind you that it is not Stanhope whom I’ve had to be wary of on balconies recently?” Her

To Jeff's surprise, it wasn't a persistent bladder that made Missy beg him to follow her outside so urgently. Once out of the door, she stared into the darkness, growling. Jeff's home was on the periphery of the settlement. Beyond it, there were only fields. He had decided to live alone after his wife passed away. Binding himself to another being so closely had been a wonderful experience he never would have thought possible when he was growing up. The downside was that losing someone that close to the heart could cause more pain than removing all the implants simultaneously. Missy started to growl louder, the hair on her neck standing up. She was staring into the darkness as if she could see something invisible to Jeff's human eyes. He licked his dry lips, becoming extremely nervous. Missy's behavior gave him the creeps. Something was wrong here. Very wrong. A suspicion came to his mind, so horrible he didn't dare to finish the thought. No, it could not be. They were so far away. So small, so unimportant, so well hidden. They were safe. Jeff looked up to the high chimney where the sentries stood on guard. He saw them moving. Everything had to be fine; otherwise, someone would have activated the alarm. Missy bared her canines and moved forward, into the darkness. "Missy! Stay!" Jeff commanded in a hushed voice. The dog did not listen. Jeff swore and followed her toward the highway bridge, trying to catch her. Then he suddenly froze in place.

Both Biruté and Jane are firmly rooted in the world of human endeavor. Jane has not become a chimp; Biruté has not become an orangutan. Yet the lives of all three women have been transformed by their visions; they are inexorably linked to the other nations through which they have traveled. In a sense they are, in the words of Henry Beston, living by voices we shall never hear; they are gifted with extensions of the senses we have lost or never attained. You need only listen to Jane’s excitement at seeing “a tree laden with luscious fruit”—fruit that to human senses is so tart it prompts a grimace. You need only remember how Dian would sing to the gorillas a gorilla song—praising the taste of rotting wood. You need only imagine what goes through Biruté’s mind when she does the “fruit stare” of the orangutan. Western scientists do not like to talk about these things, for to do so is to voice what for so long has been considered unspeakable. The bonds between human and animal and the psychic tools of empathy and intuition have been “coded dark” by Western science—labeled as hidden, implicit, unspoken. The truths through which we once explained our world, the truths spoken by the ancient myths, have been hushed by the louder voice of passionless scientific objectivity. But perhaps we are rediscovering the ancient truths. In his book Life of the Japanese Monkeys, the renowned Japanese primate researcher Kawai Masao outlines a new concept, upon which his research is built: he calls it kyokan, which translates as “feel-one.” He struck upon the concept after observing a female researcher on his team interacting with female Japanese macaques. “We [males] had always found it more difficult to distinguish among female [macaques],” he wrote. “However, a female researcher who joined our study could recognize individual females easily and understood their behavior, personality and emotional life better. . . . I had never before thought that female monkeys and women could immediately understand each other,” he wrote. “This revelation made me feel I had touched upon the essence of the feel-one method.” Masao’s book, unavailable to Western readers until translated into English by Pamela Asquith in 1981, explains that kyokan means “becoming fused with the monkeys’ lives where, through an intuitive channel, feelings are mutually exchanged.” Embodied in the kyokan approach is the idea that it is not only desirable to establish a feeling of shared life and mutual attachment with the study animals—to “feel one” with them—but that this feeling is necessary for proper science, for discovering truth. “It is our view that by positively entering the group, by making contact at some level, objectivity can be established,” Masao wrote. Masao is making a call for the scientist to return to the role of the ancient shaman: to “feel one” with the animals, to travel within their nations, to allow oneself to become transformed, to see what ordinary people cannot normally see. And this, far more than the tables of data, far more than the publications and awards, is the pioneering achievement of Jane Goodall, Biruté Galdikas, and Dian Fossey: they have dared to reapproach the Other and to sanctify the unity we share with those other nations that are, in Beston’s words, “caught with ourselves in the net of life and time, fellow prisoners of the splendor and travail of the earth.