“
I have this strange feeling that I'm not myself anymore. It's hard to put into words, but I guess it's like I was fast asleep, and someone came, disassembled me, and hurriedly put me back together again. That sort of feeling.
”
”
Haruki Murakami (Sputnik Sweetheart)
“
Tessa craned her head back to look at Will. “You know that feeling,” she said, “when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside.” His blue eyes were dark with understanding — of course Will would understand — and she hurried on. “I feel now as if the same is happening, only not to characters on a page but to my own beloved friends and companions. I do not want to sit by while tragedy comes for us. I would turn it aside, only I struggle to discover how that might be done.”
“You fear for Jem,” Will said.
“Yes,” she said. “And I fear for you, too.”
“No,” Will said, hoarsely. “Don’t waste that on me, Tess.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
I’m going to kill you one day,” I told him as we hurried after Grimalkin, back into the swampy marshland. It was not an idle threat.
Puck just laughed. “Yeah. You and everyone else, prince. Join the club.
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
People say I love you all the time - when they say, ‘take an umbrella, it’s raining,’ or ‘hurry back,’ or even ‘watch out, you’ll break your neck.’ There are hundreds of ways of wording it - you just have to listen for it, my dear.
”
”
John Patrick (The Curious Savage)
“
All right. Are you going to come back? Do you want any soup?"
"No," said Jace.
"Do you think Hodge will want any soup?"
"No one wants any soup."
"I want some soup," Simon said.
"No, you don't," said Jace. "You just want to sleep with Isabelle."
Simon was appalled. "That is not true."
"How flattering," Isabelle murmured into the soup, but she was smirking.
"Oh, yes it is," said Jace. "Go ahead and ask her—then she can turn you down and the rest of us can get on with our lives while you fester in miserable humiliation." He snapped his fingers. "Hurry up, mundie boy, we've got work to do.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Do you have any idea how late it is? Go to sleep," she scolded as she hurried past him.
"I know, I'm going to bed right now ... Hey! YOU go to sleep," Jerry scolded back, belatedly remembering that he was the parent.
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
Sure, I'm skinny,' he said as they hurried back through the stables, 'but I stay drier in the rain.'
'How?'
'Less falls on me.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
You can’t enjoy art or books in a hurry.
”
”
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
“
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
”
”
James Patterson (Maximum Ride Five-Book Set)
“
The necklace was a good excuse," he murmured.
"For what?"
"I thought maybe I could go to Charleston and show up at your front door to give this back and maybe… you might let me in. Or something. I was worried that another male would court you, so I've been trying to go as fast as I could. I mean, I figured maybe if I could read, and if I took a little better care of myself, and if I tried to stop being such a mean-ass motherfucker…" He shook his head. "But don't misunderstand. It's not like I expected you to be happy to see me. I was just… you know, hoping… coffee. Tea. Chance to talk. Or some shit. Friends, maybe. Except if you had a male, he wouldn't allow that. So, yeah, that's why I've been hurrying."
His yellow eyes lifted to hers. He was wincing, as if he were afraid of what might be showing on her face.
"Friends?" she said.
"Yeah… I mean, I wouldn't disgrace you by asking for more than that. I know that you regret… Anyway, I just couldn't let you go without… Yeah, so… friends.
”
”
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
“
Whereas the tourist generally hurries back home at the end of a few weeks or months, the traveler belonging no more to one place than to the next, moves slowly over periods of years, from one part of the earth to another. Indeed, he would have found it difficult to tell, among the many places he had lived, precisely where it was he had felt most at home.
”
”
Paul Bowles (The Sheltering Sky)
“
My life is very monotonous," the fox said. "I hunt chickens: men hunt me. All the chickens are just alike, and all the men are just alike. And, in consequence, I am a little bored. But if you tame me, it will be as if the sun came to shine on my life. I shall know the sound of a step that will be different from all the others. Other steps send me hurrying back underneath the ground. Yours will call me, like music, out of my burrow. And then look: you see the grain fields down yonder? [...] The wheat fields have nothing to say to me. And that is sad. But you have hair that is the color of gold. Think how wonderful that will be when you have tamed me! The grain, which is also golden, will bring me back to the thought of you. And I shall love to listen to the wheat in the wind...
”
”
Antoine de Saint-Exupéry
“
Across the room, she heard a loud clatter. She looked up to see that Roland ahd fallen out of his chair. The last time she'd glanced at him, he'd been leaning back on tw legs, and now it looked like gravity had finally won.
As he stumbled to his feet, Arriane went to help him. She glanced over and offered a hurried wave. "He's okay!" she called cheerily. "Get up!" she whispered loudly to Roland.
”
”
Lauren Kate
“
. . some moment happens in your life that you say yes right up to the roots of your hair, that makes it worth having been born just to have happen. laughing with somebody till the tears run down your cheeks. waking up to the first snow. being in bed with somebody you love... whether you thank god for such a moment or thank your lucky stars, it is a moment that is trying to open up your whole life. If you turn your back on such a moment and hurry along to business as usual, it may lose you the ball game. if you throw your arms around such a moment and hug it like crazy, it may save your soul.
”
”
Frederick Buechner
“
And for just a moment I had reached the point of ecstasy that I always wanted to reach, which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, with a phantom dogging its own heels, and myself hurrying to a plank where all the angels dove off and flew into the holy void of uncreated emptiness, the potent and inconceivable radiancies shining in bright Mind Essence, innumerable lotuslands falling open in the magic mothswarm of heaven. I could hear an indescribable seething roar which wasn't in my ear but everywhere and had nothing to do with sounds. I realized that I had died and been reborn numberless times but just didn't remember especially because the transitions from life to death and back to life are so ghostly easy, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it. I realized it was only because of the stability of the intrinsic Mind that these ripples of birth and death took place, like the action of the wind on a sheet of pure, serene, mirror-like water. I felt sweet, swinging bliss, like a big shot of heroin in the mainline vein; like a gulp of wine late in the afternoon and it makes you shudder; my feet tingled. I thought I was going to die the very next moment. But I didn't die...
”
”
Jack Kerouac (On the Road (The Viking Critical Library))
“
You may drive out Nature with a pitchfork, yet she still will hurry back.
”
”
Horatius
“
It's not your bra. It's our bra and I want it off." I slip it off her, pulling her against me as I rub my hands down the length of her back, then around to the button on the front of her jeans. "And I want to take off our pants."
She grins against my lips and slowly nods. "Okay, but hurry," she whispers.
"I can be quick," I assure her. "But I'll never hurry.
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
Take a shower. Wash away every trace of yesterday. Of smells. Of weary skin. Get dressed. Make coffee, windows open, the sun shining through. Hold the cup with two hands and notice that you feel the feeling of warmth.
You still feel warmth.
Now sit down and get to work. Keep your mind sharp, head on, eyes on the page and if small thoughts of worries fight their ways into your consciousness: threw them off like fires in the night and keep your eyes on the track. Nothing but the task in front of you.
Get off your chair in the middle of the day. Put on your shoes and take a long walk on open streets around people. Notice how they’re all walking, in a hurry, or slowly. Smiling, laughing, or eyes straight forward, hurried to get to wherever they’re going. And notice how you’re just one of them. Not more, not less. Find comfort in the way you’re just one in the crowd. Your worries: no more, no less.
Go back home. Take the long way just to not pass the liquor store. Don’t buy the cigarettes. Go straight home. Take off your shoes. Wash your hands. Your face. Notice the silence. Notice your heart. It’s still beating. Still fighting. Now get back to work.
Work with your mind sharp and eyes focused and if any thoughts of worries or hate or sadness creep their ways around, shake them off like a runner in the night for you own your mind, and you need to tame it. Focus. Keep it sharp on track, nothing but the task in front of you.
Work until your eyes are tired and head is heavy, and keep working even after that.
Then take a shower, wash off the day. Drink a glass of water. Make the room dark. Lie down and close your eyes.
Notice the silence. Notice your heart. Still beating. Still fighting. You made it, after all. You made it, another day. And you can make it one more.
You’re doing just fine.
You’re doing fine.
I’m doing just fine.
”
”
Charlotte Eriksson (You're Doing Just Fine)
“
Ah, damn it, lass,'he called after her. 'I've busted my stitches wide open.'
'What?'she cried, hurrying back to him. 'Let me see!'
'Ah-ha!' He snared her around the waist, dragging her down with him to his lap.'You still care for me!
”
”
Kresley Cole (If You Deceive (MacCarrick Brothers, #3))
“
But at my back I always hear
Time’s wingèd chariot hurrying near
”
”
Andrew Marvell (To His Coy Mistress)
“
This is how the entire course of life can be changed – by doing nothing. On Chesil beach he could have called out to Florence, he could have gone after her. He did not know, or would not have cared to know, that as she ran away from him, certain in her distress that she was about to lose him, she had never loved him more, or more hopelessly, and that the sound of his voice would have been a deliverance, and she would have turned back. Instead, he stood in cold and righteous silence in the summer’s dusk, watching her hurry along the shore, the sound of her difficult progress lost to the breaking of small waves, until she was blurred, receding against the immense straight road of shingle gleaming in the pallid light.
”
”
Ian McEwan (On Chesil Beach)
“
Hodge says he's on his way and he hopes you can both manage to cling to your flickering sparks of life until he gets here," she told Simon and Jace. "Or something like that."
"I wish he'd hurry," Jace said crossly. He was sitting up in bed against a pair of fluffed white pillows, still wearing his filthy clothes.
"Why? Does it hurt?" Clary asked.
"No. I have a high pain threshold. In fact, it's less of a threshold and more of a large and tastefully decorated foyer. But I do get easily bored." He squinted at her. "Do you remember back at the hotel when you promised that if we lived, you'd get dressed up in a nurse's outfit and give me a sponge bath?"
"Actually, I think you misheard," Clary said. "It was Simon who promised you the sponge bath."
Jace looked involuntarily over at Simon, who smiled at him widely. "As soon as I'm back on my feet, handsome.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
She was backing away from him now. Don’t go, was his first panicked thought. Followed by: Hurry up.
”
”
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
“
I found myself back in the sepulchral city resenting the sight of people hurrying through the streets to filch a little money from each other, to devour their infamous cookery, to gulp their unwholesome beer, to dream their insignificant and silly dreams. They trespassed upon my thoughts.
”
”
Joseph Conrad (Heart of Darkness)
“
I want you to go back to Tucson and bring me the bottle of tequila I keep in my liquor cabinet. And don't scare Tim."
Volusian remained motionless in that way of his. "My mistress grows increasingly creative in her ways to torment me."
"I thought you'd appreciate it."
"Only in so much as it inspires me to equally creative means to rip you apart when I am able to break free of these bonds and finally destroy you."
"You see? There's a silver lining to everything. Now hurry up.
”
”
Richelle Mead (Thorn Queen (Dark Swan, #2))
“
What did she say?” asked Matthias.
Nina coughed and took his arm, leading him away. “She said you’re a very nice fellow, and a credit to the Fjerdan race. Ooh, look, blini! I haven’t had proper blini in forever.”
“That word she used: babink,” he said. “You’ve called me that before. What does it mean?”
Nina directed her attention to a stack of paper-thin buttered pancakes. “It means sweetie pie.”
“Nina—”
“Barbarian.”
“I was just asking, there’s no need to name-call.”
“No, babink means barbarian.” Matthias’ gaze snapped back to the old woman, his glower returning to full force. Nina grabbed his arm. It was like trying to hold on to a boulder. “She wasn’t insulting you! I swear!”
“Barbarian isn’t an insult?” he asked, voice rising.
“No. Well, yes. But not in this context. She wanted to know if you’d like to play Princess and Barbarian.”
“It’s a game?”
“Not exactly.”
“Then what is it?”
Nina couldn’t believe she was actually going to attempt to explain this. As they continued up the street, she said, “In Ravka, there’s a popular series of stories about, um, a brave Fjerdan warrior—”
“Really?” Matthias asked. “He’s the hero?”
“In a manner of speaking. He kidnaps a Ravkan princess—”
“That would never happen.”
“In the story it does, and”—she cleared her throat—“they spend a long time getting to know each other. In his cave.”
“He lives in a cave?”
“It’s a very nice cave. Furs. Jeweled cups. Mead.”
“Ah,” he said approvingly. “A treasure hoard like Ansgar the Mighty. They become allies, then?”
Nina picked up a pair of embroidered gloves from another stand. “Do you like these? Maybe we could get Kaz to wear something with flowers. Liven up his look.”
“How does the story end? Do they fight battles?”
Nina tossed the gloves back on the pile in defeat. “They get to know each other intimately.”
Matthias’ jaw dropped. “In the cave?”
“You see, he’s very brooding, very manly,” Nina hurried on. “But he falls in love with the Ravkan princess and that allows her to civilize him—”
“To civilize him?”
“Yes, but that’s not until the third book.”
“There are three?”
“Matthias, do you need to sit down?”
“This culture is disgusting. The idea that a Ravkan could civilize a Fjerdan—”
“Calm down, Matthias.”
“Perhaps I’ll write a story about insatiable Ravkans who like to get drunk and take their clothes off and make unseemly advances toward hapless Fjerdans.”
“Now that sounds like a party.” Matthias shook his head, but she could see a smile tugging at his lips. She decided to push the advantage. “We could play,” she murmured, quietly enough so that no one around them could hear.
“We most certainly could not.”
“At one point he bathes her.”
Matthias’ steps faltered. “Why would he—”
“She’s tied up, so he has to.”
“Be silent.”
“Already giving orders. That’s very barbarian of you. Or we could mix it up. I’ll be the barbarian and you can be the princess. But you’ll have to do a lot more sighing and trembling and biting your lip.”
“How about I bite your lip?”
“Now you’re getting the hang of it, Helvar.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
The girl hurried away, but then Pippi shouted, "Did he have big ears that reached way down to his shoulders?"
"No," said the girl and turned and came running back in amazement. "You don't mean to say that you have seen a man walk by with such big ears?"
"I have never seen anyone who walks with his ears," said Pippi. "All the people I know walk with their feet.
”
”
Astrid Lindgren (Pippi Longstocking (Pippi Långstrump, #1))
“
To the most inconsiderate asshole of a friend,
I’m writing you this letter because I know that if I say what I have to say
to your face I will probably punch you.
I don’t know you anymore.
I don’t see you anymore.
All I get is a quick text or a rushed e-mail from you every few days. I
know you are busy and I know you have Bethany, but hello? I’m supposed to
be your best friend.
You have no idea what this summer has been like. Ever since we were
kids we pushed away every single person that could possibly have been our
friend. We blocked people until there was only me and you. You probably
haven’t noticed, because you have never been in the position I am in now.
You have always had someone. You always had me. I always had you. Now
you have Bethany and I have no one.
Now I feel like those other people that used to try to become our friend,
that tried to push their way into our circle but were met by turned backs. I
know you’re probably not doing it deliberately just as we never did it deliberately.
It’s not that we didn’t want anyone else, it’s just that we didn’t need
them. Sadly now it looks like you don’t need me anymore.
Anyway I’m not moaning on about how much I hate her, I’m just trying
to tell you that I miss you. And that well . . . I’m lonely.
Whenever you cancel nights out I end up staying home with Mum and
Dad watching TV. It’s so depressing. This was supposed to be our summer
of fun. What happened? Can’t you be friends with two people at once?
I know you have found someone who is extra special, and I know you
both have a special “bond,” or whatever, that you and I will never have. But
we have another bond, we’re best friends. Or does the best friend bond disappear
as soon as you meet somebody else? Maybe it does, maybe I just
don’t understand that because I haven’t met that “somebody special.” I’m
not in any hurry to, either. I liked things the way they were.
So maybe Bethany is now your best friend and I have been relegated to
just being your “friend.” At least be that to me, Alex. In a few years time if
my name ever comes up you will probably say, “Rosie, now there’s a name I
haven’t heard in years. We used to be best friends. I wonder what she’s doingnow; I haven’t seen or thought of her in years!” You will sound like my mum
and dad when they have dinner parties with friends and talk about old times.
They always mention people I’ve never even heard of when they’re talking
about some of the most important days of their lives. Yet where are those
people now? How could someone who was your bridesmaid 20 years ago not
even be someone who you are on talking terms with now? Or in Dad’s case,
how could he not know where his own best friend from college lives? He
studied with the man for five years!
Anyway, my point is (I know, I know, there is one), I don’t want to be
one of those easily forgotten people, so important at the time, so special, so
influential, and so treasured, yet years later just a vague face and a distant
memory. I want us to be best friends forever, Alex.
I’m happy you’re happy, really I am, but I feel like I’ve been left behind.
Maybe our time has come and gone. Maybe your time is now meant to be
spent with Bethany. And if that’s the case I won’t bother sending you this letter.
And if I’m not sending this letter then what am I doing still writing it?
OK I’m going now and I’m ripping these muddled thoughts up.
Your friend,
Rosie
”
”
Cecelia Ahern (Love, Rosie)
“
The patter of tentative footfalls reached my ears. I flipped on my side to face the door and saw Ansel wander by. I rolled onto my back, rubbing sleep from my eyes. I'd crashed on my bed as soons as I'd gotten back from school, collapsing under the weight of the day.
The floorboards squeaked as Ansel passed by my door again. I caught his nervous glance in my direction before he hurried down the hall.
'Ansel, I'm not the sun; stop orbiting and get in here,' I called.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
He put one hand lightly on the back of her neck and simultaneously she placed one hand lightly on his hip, and they kissed in the street as all around them people hurried home in the summer light, and it was the sweetest kiss that either of them would ever know. This is where it all begins. Everything starts here, today. And then it was over.
”
”
David Nicholls (One Day)
“
Like a girl, a baby running after her mother, begging to be picked up, and she tugs on her skirts, holding her back as she tries to hurry off—all tears, fawning up at her, till she takes her in her arms… That’s how you look, Patroclus, streaming live tears.
”
”
Homer (The Iliad)
“
Yesterday,” she began, speaking to his back, hurrying as though there was some element of him that was part hourglass.
”
”
Kelly Creagh (Nevermore (Nevermore, #1))
“
You sea! I resign myself to you also-
I guess what you mean,
I behold from the beach your crooked fingers,
I believe you refuse to go back without feeling of me.
We must have a turn together,
I undress, hurry me out of sight of the land,
Cushion me soft, rock me billowy drowse,
Dash me with amorous wet, I can repay you.
”
”
Walt Whitman (Song of Myself)
“
GOING TO WALDEN
It isn't very far as highways lie.
I might be back by nightfall, having seen
The rough pines, and the stones, and the clear water.
Friends argue that I might be wiser for it.
They do not hear that far-off Yankee whisper:
How dull we grow from hurrying here and there!
Many have gone, and think me half a fool
To miss a day away in the cool country.
Maybe. But in a book I read and cherish,
Going to Walden is not so easy a thing
As a green visit. It is the slow and difficult
Trick of living, and finding it where you are.
”
”
Mary Oliver
“
Will you… I mean, do you want to get married?” Tove asked. “To me?”
“I, um…” I didn’t know what to say.
“If you don’t want to, nothing has to change between us,” Tove said hurriedly. “I asked because it sounds like a good idea to me.”
“Yeah,” I said, and I didn’t know what I would say until it was coming out of mouth. “I mean, yes. I do. I will. I would… I’ll marry you.”
“Yeah?” Tove smiled hopefully, and I nodded.
“Yes.” I swallowed hard and tried to smile back.
“Good.” He exhaled and looked back down the hall. “This is good, right?”
“Yeah, I think so,” I said, and I did mean that.
“Yeah,” he nodded. “I sorta feel like throwing up now, though.
”
”
Amanda Hocking (Torn (Trylle, #2))
“
Was it possible? She had taken me with her hoping that as a punishment my parents would not send me to middle school? Or had she brought me back in such a hurry so that I would avoid punishment? Or - I wonder today - did she want at different moments both things?
”
”
Elena Ferrante (My Brilliant Friend (Neapolitan Novels, #1))
“
To me, you are still nothing more than a little boy who is just like a hundred thousand other little boys. And I have no need of you. And you, on your part, have no need of me. To you, I am nothing more than a fox like a hundred thousand other foxes. But if you tame me, then we shall need each other. To me, you will be unique in all the world. To you, I shall be unique in all the world..."
But if you tame me, it will be as if the sun came to shine on my life . I shall know the sound of a step that will be different from all the others. Other steps send me hurrying back underneath the ground. Yours will call me, like music, out of my burrow. And then look: you see the grain-fields down yonder? I do not eat bread. Wheat is of no use to me. The wheat fields have nothing to say to me. And that is sad. But you have hair that is the colour of gold. Think how wonderful that will be when you have tamed me! The grain, which is also golden, will bring me back the thought of you. And I shall love to listen to the wind in the wheat..." The fox gazed at the little prince, for a long time. "Please, tame me!" he said.
”
”
Antoine de Saint-Exupéry
“
Gundar, seeing Halt upright for the first time in two days, stumped up the deck to join them.
'Back on your feet then?' he boomed cheerfully, with typical Skandian tact. 'By Gorlag's toenails, with all the heaving abd puking you've been doing, I thought you'd turn yourself inside out and puke yourself over the rail!'...
'You do paint a pretty picture, Gundar,' Will said...
'Thank you for your concern,' Halt said icily...
'So, did you find Albert?' Gundar went on, unabashed. Even Halt was puzzled by this sudden apparent change of subject.
'Albert?' he asked. Too late, he saw Gundar's grin widening and knew he'd stepped into a trap.
'You seemed to be looking for him. You'd lean over the rail and call, 'Al-b-e-e-e-e-e-r-t!' I thought he might be some Araluen sea god.'
'No, I didn't find him. Maybe I could look for him in your helmet.'
He reached out a hand. But Gundar had heard what happened when Skandians lent their helmets to the grim-faced Ranger while onboard ship...
'No, I'm pretty sure he's not there,' he said hurriedly.
”
”
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
“
But at my back I always hear
Time’s wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
”
”
Andrew Marvell (To His Coy Mistress)
“
Once upon a time, we soared into the Solar System. For a few years. Then we hurried back. Why? What happened? What was 'Apollo' really about?
”
”
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
“
You'd better hurry up to the Gard and back. God knows what depravity we might get up to here without your guidance.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Now go. Hang out with your friends and be immature. Responsible," I added hurriedly, "but immature."
He made a face. "Do those two go hand in hand?"
"If your immaturity can lead to consequences, then it's irresponsible."
Cole grunted. "You should write that shi- stuff down."
"I heard the "shit" in there, baby boy, and I'm stealing the last PopTart as punishment."
"Harsh, Jo." He shook his head, backing off with a smile. "Harsh.
”
”
Samantha Young (Down London Road (On Dublin Street, #2))
“
In spring it is the dawn that is most beautiful. As the light creeps over the hills, their outlines are dyed a faint red and wisps of purplish cloud trail over them.
In summer the nights. Not only when the moon shines, but on dark nights too, as the fireflies flit to and fro, and even when it rains, how beautiful it is!
In autumn, the evenings, when the glittering sun sinks close to the edge of the hills and the crows fly back to their nests in threes and fours and twos; more charming still is a file of wild geese, like specks in the distant sky. When the sun has set, one's heart is moved by the sound of the wind and the hum of the insects.
In winter the early mornings. It is beautiful indeed when snow has fallen during the night, but splendid too when the ground is white with frost; or even when there is no snow or frost, but it is simply very cold and the attendants hurry from room to room stirring up the fires and bringing charcoal, how well this fits the season's mood! But as noon approaches and the cold wears off, no one bothers to keep the braziers alight, and soon nothing remains but piles of white ashes.
”
”
Sei Shōnagon
“
Can I tell you a dirty secret?”
“Yes,” she gasped. “Just hurry.”
Derek’s dark laughter increased her arousal, coating her in slick heat. Achingly slow, he sunk two thick fingers inside her. “If I could go back and do one thing differently that first night, I would taste your virgin pussy before I fucked you. I bet it would have been extra sweet.
”
”
Tessa Bailey (Protecting What's His (Line of Duty, #1))
“
I hurried out to the pond to catch polywogs in a jar. I leaned on my elbow and looked up close at the little frogs that climbed up on the sun-baked rocks.
"Caw, caw!" A huge black crow circled above me in the air and landed on a rock nearby. We looked at each other in silence.
"Crow, are you a boy or a girl?"
"Caw, caw!"
I laughed and rolled over on my back. The sky was crayon blue. I pretended I was lying on the white cotton clouds. The earth was damp against my back. The sun was hot, the breeze was cool. I felt happy. Nature held me close and seemed to find no fault with me.
”
”
Leslie Feinberg (Stone Butch Blues)
“
Did you just tell that man you went potty on yourself?"
"You. Shut. Up,"I hissed back furiously and chucked the scrubs at his head. "Hurry up before they find out I didn't wet myself. You seriously owe me.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
But at my back I always hear
Time’s wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found;
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long-preserved virginity,
And your quaint honour turn to dust,
And into ashes all my lust;
The grave’s a fine and private place,
But none, I think, do there embrace.
”
”
Andrew Marvell (The Complete Poems)
“
Immediately when you arrive in Sahara, for the first or the tenth time, you notice the stillness. An incredible, absolute silence prevails outside the towns; and within, even in busy places like the markets, there is a hushed quality in the air, as if the quiet were a conscious force which, resenting the intrusion of sound, minimizes and disperses sound straightaway. Then there is the sky, compared to which all other skies seem fainthearted efforts. Solid and luminous, it is always the focal point of the landscape. At sunset, the precise, curved shadow of the earth rises into it swiftly from the horizon, cutting into light section and dark section. When all daylight is gone, and the space is thick with stars, it is still of an intense and burning blue, darkest directly overhead and paling toward the earth, so that the night never really goes dark.
You leave the gate of the fort or town behind, pass the camels lying outside, go up into the dunes, or out onto the hard, stony plain and stand awhile alone. Presently, you will either shiver and hurry back inside the walls, or you will go on standing there and let something very peculiar happen to you, something that everyone who lives there has undergone and which the French call 'le bapteme de solitude.' It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here in this wholly mineral landscape lighted by stars like flares, even memory disappears...A strange, and by no means pleasant, process of reintergration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one who has stayed in the Sahara for a while is quite the same as when he came.
...Perhaps the logical question to ask at this point is: Why go? The answer is that when a man has been there and undergone the baptism of solitude he can't help himself. Once he has been under the spell of the vast luminous, silent country, no other place is quite strong enough for him, no other surroundings can provide the supremely satisfying sensation of existing in the midst of something that is absolute. He will go back, whatever the cost in time or money, for the absolute has no price.
”
”
Paul Bowles (Their Heads are Green and Their Hands are Blue: Scenes from the Non-Christian World)
“
Carried away in a sort of dream, he smiled, then he began to hurry back towards the lady; he was walking faster than usual, and his shoulders swayed backwards and forwards, right and left, in the most absurd fashion; altogether he looked, so utterly had he abandoned himself to it, ignoring all other considerations, as though he were the lifeless and wire-pulled puppet of his own happiness.
”
”
Marcel Proust (Remembrance of Things Past: Volume I - Swann's Way & Within a Budding Grove)
“
One turns at last even from glory itself with a sigh of relief. From the depths of mystery, and even from the heights of splendor, we bounce back and hurry for the latitudes of home.
”
”
Annie Dillard (Teaching a Stone to Talk: Expeditions and Encounters)
“
Grew up on a farm," Jesper explained.
"You don't look it."
"Sure, I'm skinny," he said as they hurried back through the stables, "but I stay drier in the rain."
"How?"
"Less falls on me."
"Are all of Kaz's associates as strange as this crew?" Matthias asked.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I have to go out,” she said, her words oddly curt and abrupt. “There‟s something I need to do.”
“At half eight in the morning?”
“I‟ll be back soon,” she said, hurrying toward the door. “Don‟t go anywhere.”
“Well, damn,” he tried to joke, “there go my plans to visit the King.
”
”
Julia Quinn (When He Was Wicked (Bridgertons, #6))
“
Now, here's what we do. You and I will find a back way out of this place. If we come across someone else, we make like a couple of lovesick teenagers. People generally hurry past heavy breathers. I get you to the parking lot, you vanish. Got it?"
He nodded. "There's just one thing I've got to do before we go," he said. Before I could inquire, he grabbed me and planted a kiss square on my mouth. It was short but fiery, despite the grape flavoring, and when he let me go I wan panting.
Holy crap!"
He smiled, not at all apologetically, and said, "I've wanted to do that ever since I saw my first Bond movie.
”
”
Jennifer Rardin
“
My man got close to my back and his mouth came to my ear where he said quietly, “Hurry this shit up, baby, ‘cause what you got last night after I watched you slide down a pole upside down while straddling it is gonna be nothin’ to what I give you tonight watchin’ you be badass.”
I turned and glared up at him. “Don’t turn me on while I’m working, Zano.”
His lips quirked.
“Jesus,” Mace muttered.
”
”
Kristen Ashley (Rock Chick Revolution (Rock Chick, #8))
“
I've got a lot to download on your mercy and grace. I've always rushed up to You and dumped whatever it was and hurried away, fascinated by my own busyness. I want to turn all this over to You slowly, carefully, examining every fragment as I pass it off, so there'll never be any question about it again. Every time I've dumped and run, I've nearly always run back and snatched it out of Your hands. Help me in this.......Right now, I'm certain of only one thing - that You love us, and that's where we all have to begin.
”
”
Jan Karon
“
Poets to Come
POETS to come! orators, singers, musicians to come!
Not to-day is to justify me, and answer what I am for;
But you, a new brood, native, athletic, continental, greater than before known,
Arouse! Arouse
for you must justify me
you must answer.
I myself but write one or two indicative words for the future,
I but advance a moment, only to wheel and hurry back in the darkness.
I am a man who, sauntering along, without fully stopping, turns a casual look upon you, and then averts his face,
Leaving it to you to prove and define it,
Expecting the main things from you.
”
”
Walt Whitman
“
There were never strawberries
like the ones we had
that sultry afternoon
sitting on the step
of the open french window
facing each other
your knees held in mine
the blue plates in our laps
the strawberries glistening
in the hot sunlight
we dipped them in sugar
looking at each other
not hurrying the feast
for one to come
the empty plates laid on the stone together
with the two forks crossed
and I bent towards you
sweet in that air
in my arms
abandoned like a child
from your eager mouth
the taste of strawberries
in my memory
lean back again
let me love you
let the sun beat
on our forgetfulness
one hour of all
the heat intense
and summer lightning
on the Kilpatrick hills
let the storm wash the plates.
”
”
Edwin Morgan (The Second Life: Selected Poems)
“
This is, to me, the loveliest and saddest landscape in the world. It is the same as that on the preceding page, but I have drawn it again to impress it on your memory. It is here that the little prince appeared on Earth, and disappeared.
Look at it carefully so that you will be sure to recognise it in case you travel some day to the African desert. And, if you should come upon this spot, please do not hurry on. Wait for a time, exactly under the star. Then, if a little man appears who laughs, who has golden hair and who refuses to answer questions, you will know who he is. If this should happen, please comfort me. Send me word that he has come back.
”
”
Antoine de Saint-Exupéry (The Little Prince)
“
I put both hands on his chest and backed him up a pace. The black sky behind him was filled with color. I said, “Go. Hurry. You can still help. You’re missing it.”
He pulled me close again and gazed down at me, tracing one finger so tenderly along my cheekbone. His finger was black, and he might be leaving an attractive black
streak across my skin. I didn’t mind. The way he was looking at me with those light blue eyes, I had never felt more beautiful.
He bent his head close to my ear again so I could hear him whisper, “I’m not missing anything
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
Whereas the tourist generally hurries back home at the end of a few weeks or months, the traveler, belonging no more to one place than to the next, moves slowly, over periods of years, from one part of the earth to another.
”
”
Paul Bowles
“
He did not think of himself as a tourist; he was a traveler. The difference is partly one of time, he would explain. Whereas the tourist generally hurries back home at the end of a few weeks or months, the traveler, belonging no more to one place than to the next, moves slowly, over periods of years, from one part of the earth to another.
”
”
Paul Bowles (The Sheltering Sky)
“
To His Coy Mistress
Had we but world enough and time,
This coyness, lady, were no crime.
We would sit down, and think which way
To walk, and pass our long love’s day.
Thou by the Indian Ganges’ side
Shouldst rubies find; I by the tide
Of Humber would complain. I would
Love you ten years before the flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires and more slow;
An hundred years should go to praise
Thine eyes, and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, lady, you deserve this state,
Nor would I love at lower rate.
But at my back I always hear
Time’s wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found;
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long-preserved virginity,
And your quaint honour turn to dust,
And into ashes all my lust;
The grave’s a fine and private place,
But none, I think, do there embrace.
Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapped power.
Let us roll all our strength and all
Our sweetness up into one ball,
And tear our pleasures with rough strife
Thorough the iron gates of life:
Thus, though we cannot make our sun
Stand still, yet we will make him run.
”
”
Andrew Marvell (The Complete Poems)
“
He thinks of that ocean house and wishes he were back in his former life or that one could take one moment and remain inside it like an egg inside its shell, instead of constantly being hurried into the future by good luck or bad.
”
”
Stephen Dobyns (Velocities: New and Selected Poems, 1966-1992)
“
In the rearview mirror, he caught Blue’s eyes by accident. Strangely enough, he saw his own thoughts reflected in her face: excitement and consternation. Casually, out of view of Ronan, making sure Adam was still sleeping, Gansey dangled his hand between the driver’s seat and the door. Palm up, fingers stretched back to Blue.
This was not allowed.
He knew it was not allowed, by rules he himself had set. He would not permit himself to play favorites between Adam and Ronan; he and Blue couldn’t play favorites in this way, either. She would not see the gesture, anyway. She would ignore it if she did. His heart hummed.
Blue touched his fingertips.
Just this —
He pinched her fingers lightly, just for a moment, and then he withdrew his hand and put it back on the wheel. His chest felt warm.
This was not allowed.
Ronan had not seen; Adam was still sleeping. The only casualty was his pulse.
“Your exit, dick!” Ronan snapped. Or Dick. It could have been either, really.
Gansey steered in a hurry. Adam blinked awake. Ronan swore. Gansey’s heart restarted.
Eyes on the road, Gansey.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
When I'm working I'm wishing I was doing nothing and when I'm doing nothing I'm wondering if I should be working. I hurry through what I've got to do and then, when I've got nothing to do, I keep glancing at the clock, wishing it was time to go out. Then, when I'm out, I'm wondering how long it will be before I'm back home.
”
”
Geoff Dyer (Out of Sheer Rage: Wrestling With D.H. Lawrence)
“
Yet what happened in fact? In the middle of the night John woke up and saw me sleeping beside him with no doubt a look of peace on my face, even of bliss, bliss is not unattainable in this world. He saw me—saw me as I was at that moment—took fright, hurriedly strapped the armour back over his heart, this time with chains and a double padlock, and stole out into the darkness.
”
”
J.M. Coetzee (Summertime (Scenes from Provincial Life #3))
“
You promised to be on your best behavior,” I reminded him, breathless.
“You kissed me,” he growled. His voice had gone very deep.
“Well, but you started it by kissing my neck.”
“True. I hadn't planned that.” His sultry voice, paired with those blazing eyes, told me I needed to get away from him. I hurried to the end of the bed, where I jumped off and began to pace back and forth, yanking out my loose hairband and pulling my hair back into a tight ponytail. I tried hard not to think about the taste of his lips. I'd had my first kiss, and I'd never be the same.
“Why did you stop?” he asked.
“Because you were moving on to other things.”
He scratched his chin and cheek. “Hmm, moved too quickly. Rookie mistake.”
I crossed my arms again, watching him speculate internally like a coach outlining a play that had gone wrong. Incredible. Then he sized me up in his sights again.
“But I can see you still want me.”
I gave him my meanest stare, but it was hard to look at him. Gosh, he was hot! And a total player. The kiss meant nothing to him.
“Oh,” he said with mock sadness, “there it goes. Mad instead? Well, sort of. You can't seem to muster a really good anger—”
“Stop it!”
“Sorry, was I saying that out loud?”
“I can read people, too, you know. Well, not you, but at least I have the decency to try not to notice, to give them some sort of emotional privacy!”
“Yes, how very decent of you.” He hadn't moved from his languid position on my bed.
I leaned forward, grabbing a pillow and throwing it at him.
“Pillow fight?” He raised an eyebrow.
“Get off my bed. Please. I'm ready to go to sleep.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Och, Dani my darling, you're not giving me a single reason to wait for you to grow up. You're giving me a thousand reasons not to."
It's Christian! I'm so glad it's him, not one of the other princes! I turn around in his arms and tip my head back. "Hi, Christian!" I beam at him. He's hotter than the other princes. I'm glad I got him. I'll take the others, too, but I want him first. "I want to grow up. Now. Hurry.
”
”
Karen Marie Moning (Iced (Fever, #6))
“
Indians do not hinder the progress of their dead by embalming or tight coffining. When the spirit has gone they give the body back to the earth. the earth welcomes the body-coaxes new life and beauty from it, hurries over what men shudder at. Lovely tender herbage bursts from the graves, swiftly, exulting over corruption.
”
”
Emily Carr (Klee Wyck)
“
Oh, no,” she said. “Apollo and Meg can have one, but I’m keeping the rest hostage until you’re back safely. And hurry, dear. It would be a shame if Paul ate them all when he gets home.” Percy’s expression turned grim. He faced us. “You hear that, guys? A batch of cookies is depending on me. If you get me killed on the way to camp, I am going be ticked off.
”
”
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
“
It was hard to stay angry when I felt so sad. I would rather have felt angry, but instead, all I could do was sob. Even though people had been coming over all day, the house seemed so lonely that I couldn't stand it.
The room grew somewhat dimmer. I didn't move as it grew dimmer still. Then, with a start, I hurried outside and ran to the alley in back of our house. Through a break between the buildings, I saw that the sun hung low over the horizon. I watched it until it started to hide between two trees in the distance. Then I climbed on a car and watched until only half of the sun was visible, and then a quarter, and then I felt a huge sickening panic inside of me and ran as hard as I could to a ladder I saw down the alley. I rushed up the ladder and climbed on the roof of somebody's garage. I saw the sun again, a quarter of it, and then a slice, and then it disappeared, the last time ever that the sun would set on a day my sister had lived.
”
”
Cynthia Kadohata (Kira-Kira)
“
Only the sea is like a human being . . .always moving, always something deep in itself is stirring it. It never rests; it is always wanting, wanting, wanting. It hurries on; and then it creeps back slowly without having reached, moaning. It is always asking a question and it never gets the answer.
”
”
Olive Schreiner (The Story of an African Farm)
“
Dad took moving pictures of us children washing dishes, so that he could figure out how we could reduce our motions and thus hurry through the task. Irregular jobs, such as painting the back porch or removing a stump from the front lawn, were awarded on a low-bid basis. Each child who wanted extra pocket money submitted a sealed bid saying what he would do the job for. The lowest bidder got the contract.
”
”
Frank B. Gilbreth Jr. (Cheaper by the Dozen)
“
Nooooooooooo!" Screaming the word, Amy and Dan moved as one.
Time slowed down, which, Dan knew from experience, often happened when you were in midair. By the time they leaped onto the hood of Fiske's car (oops, dents), and Dan had ripped off a windshield wiper to use as a weapon (probably not the best idea, but hey, he was improvising), Scarey Harley Dude had turned around.
He strode off in his motorcycle boots, moving swiftly to his bike without seeming to hurry. His helmet back on, sunglasses adjusted, he roared off straight into the road, weaving through the thick traffic like smoke.
Amy's face was squashed against the windshield. Dan held the wiper aloft like a club.
And Evan Tolliver stood on the sidewalk, blinking at them.
Dan waved the windshield wiper at him. "Hey, bro. We didn't want to miss our ride.
”
”
Jude Watson (Vespers Rising (The 39 Clues, #11))
“
Duchess was barking her head off as she raced after a snarling, hissing, yowling white ball of Maleficent. Aphrodite was chasing after the dog, screaming for her to ''Come! Stay. Be good, damnit!'' Damien was close behind her, flailing his arms and yelling ''Duchess! Come!'' All of a sudden the Twins' cat, the huge and very stuck-up Beelzebub joined in the chase, only he was tearing around after Duchess.
''Ohmygod! Beelzebub! Honey!'' Shaunee ran into my view, yelling at the top of her very healthy lungs.
''Beelzebub! Duchess! Stop!'' Erin wailed, right behind her twin.
Darius suddenly burst out into the hallway, and I stepped back behind the curtains, not sure is my shrouding could be detected by him. Apparently he didn't notice me, or anything else, because he ran into the Council Room. I peeked through the drapes and could hear him telling Neferet that she was needed on the school grounds-that there was an 'altercation.' Then Neferet was hurrying out of the room and down the hall, following Darius into the dog-barking, cat-yowling, kid-screaming craziness.
I noticed that through all of it I hadn't seen hide nor hair of Jack.
Talk about an excellent diversion!
”
”
Kristin Cast (Untamed (House of Night, #4))
“
Then she hurried back up the stairs, a star on her wrist, a medallion tucked beneath her shirt, and a cruel twinge of giddiness fluttering inside her chest.
”
”
Marissa Meyer (Archenemies (Renegades, #2))
“
I sit up in bed and watch her fiddle about in the back of my wardrobe. I think she's got a plan. That's what's good about Zoey. She'd better hurry up though, because I'm starting to think of things like carrots. And air. And ducks. And pear trees. Velvet and silk. Lakes. I'm going to miss ice. And the sofa. And the lounge. And the way Cal loves magic tricks. And white things- milk, snow, swans.
”
”
Jenny Downham (Before I Die)
“
All of a sudden, there is no hurry. There will be time for everything. For the breezes that blow and for the rainwater drying in the gutters, for Maury to find a place of safety in the world, for Malcolm to come back from the dead and ask her about birds and jets. For the big things too, things like beauty and vengeance and honor and righteousness and the grace of God and the slow spilling of the earth from day to night and back to day again.
It is spread out before her, compressed into one single moment. She will be able to see it all.
”
”
Alden Bell (The Reapers are the Angels (Reapers, #1))
“
He saw the statue - she shrank back as he hurried forward. And then he realized it wasn't her. Rose was taken aback. She hadn't known - how could she know - what her disappearence had done to him. This Doctor had a look of such despair in his eyes that her heart almost stopped in pity. She wanted more than anything else to go to him, tell him that everything was going to be alright. But... what with possibly ripping time and space apart, that was probably a bad idea.
”
”
Jacqueline Rayner (Doctor Who: The Stone Rose)
“
You come back to train with Botkin. I hit big girl same as little girl."
"That's very egalitarian of you." I said, and hurried Tamar out of the stables before Botkin decided to show me just how fair-minded he could be.
”
”
Leigh Bardugo
“
We’ve taken everything from her, brother,” Maven murmurs, drawing close. “Surely we can give her this?”
And then slowly, reluctantly, Cal nods and waves me into his room. Dizzy with excitement, I hurry inside, almost hopping from foot to foot.
I’m going home.
Maven lingers at the door, his smile fading a little when I leave his side. “You’re not coming.” It isn’t a question.
He shakes his head. “You’ll have enough to worry about without me tagging along.”
I don’t have to be a genius to see the truth in his words. But just because he isn’t coming doesn’t mean I will forget what he’s done for me already. Without thinking, I throw my arms around Maven. He doesn’t respond for a second, but slowly lets an arm drop around my shoulders. When I pull back, a silver blush paints his cheeks. I can feel my own blood run hot beneath my skin, pounding in my ears.
”
”
Victoria Aveyard (Red Queen (Red Queen, #1))
“
Hold childhood in reverence, and do not be in any hurry to judge it for good or ill. Leave exceptional cases to show themselves, let their qualities be tested and confirmed, before special methods are adopted. Give nature time to work before you take over her business, lest you interfere with her dealings. You assert that you know the value of time and are afraid to waste it. You fail to perceive that it is a greater waste of time to use it ill than to do nothing, and that a child ill taught is further from virtue than a child who has learnt nothing at all. You are afraid to see him spending his early years doing nothing. What! is it nothing to be happy, nothing to run and jump all day? He will never be so busy again all his life long. Plato, in his Republic, which is considered so stern, teaches the children only through festivals, games, songs, and amusements. It seems as if he had accomplished his purpose when he had taught them to be happy; and Seneca, speaking of the Roman lads in olden days, says, "They were always on their feet, they were never taught anything which kept them sitting." Were they any the worse for it in manhood? Do not be afraid, therefore, of this so-called idleness. What would you think of a man who refused to sleep lest he should waste part of his life? You would say, "He is mad; he is not enjoying his life, he is robbing himself of part of it; to avoid sleep he is hastening his death." Remember that these two cases are alike, and that childhood is the sleep of reason.
The apparent ease with which children learn is their ruin. You fail to see that this very facility proves that they are not learning. Their shining, polished brain reflects, as in a mirror, the things you show them, but nothing sinks in. The child remembers the words and the ideas are reflected back; his hearers understand them, but to him they are meaningless.
Although memory and reason are wholly different faculties, the one does not really develop apart from the other. Before the age of reason the child receives images, not ideas; and there is this difference between them: images are merely the pictures of external objects, while ideas are notions about those objects determined by their relations.
”
”
Jean-Jacques Rousseau (Emile, or On Education)
“
And that was fine, except that she didn't have any old friends anymore. Kids back home who'd been friendly were now...respectful, because of the hat. There was a kind of wall, as if she'd grown up and they hadn't. What could they talk about? She'd been to places they couldn't even imagine. Most of them hadn't even been to Twoshirts, which was only half a day away. And this didn't worry them at all. They were going to do the jobs their fathers did, or raise children like their mothers did. And that was fine, Tiffany added hurriedly to herself. But they hadn't decided. It was just happening to them, and they didn't notice.
”
”
Terry Pratchett (Wintersmith (Discworld, #35; Tiffany Aching, #3))
“
I should hurry, then, if I were you,” said Blackberry. “The sun will be down soon.” “Hah!” said Bigwig. “If I meet a stoat, it’d better look out, that’s all. I’ll bring you one back tomorrow, shall I?
”
”
Richard Adams (Watership Down)
“
You know, Ella, you're not the first woman who's ever been in this shower with me--"
"I'm shocked." I leaned back against him as he soaped my back.
"--but you're for damn sure the first one who's ever worried about wasting water."
"How much, would you say?"
"Ten gallons per minute, give or take."
"Oh my God. Hurry.We can't stay in here long. We'll throw the entire ecological system out of balance.
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
Snow lies on my fields
though the air is so warm I want
to roll on my back and wriggle.
Sure, the dark downhill weep shows
who’s winning, and the thatch of tall
grass is sticking out of the banks,
but I want to start digging and planting.
My swelling hills, my leafbrown loamy
soil interlaced with worms red as mouths,
my garden,
why don’t you hurry up
and take your clothes off ?
”
”
Marge Piercy (The Moon Is Always Female: Poems)
“
I look at the books on my library shelves. They certainly seem dormant. But what if the characters are quietly rearranging themselves? What if Emma Woodhouse doesn’t learn from her mistakes? What if Tom Jones descends into a sodden life of poaching and outlawry? What if Eve resists Satan, remembering God’s injunction and Adam’s loving advice? I imagine all the characters bustling to get back into their places as they feel me taking the book down from the shelf. “Hurry,” they say, “he’ll expect to find us exactly where he left us, never mind how much his life has changed in the meantime.
”
”
Verlyn Klinkenborg
“
The breathless idyl of their engagement gave way, first, to the intense romance of the more passionate relationship. The breathless idyl left them, fled on to other lovers; they looked around one day it and it was gone, how, they scarcely knew. Had either of them lost the other in the days of the idyl, the love lost would have been ever to the loser that dim desire without fulfillment which stands back of all life. But magic must hurry on, and the lovers remain...
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
Jason shot to his feet, nostrils flaring. Ben stopped dead.
The cafeteria went still. Everyone watched the boys square off.
"Im not a violent person, Blue." Jason bit off the words. "But Ive had enough of your mouth. Ill kick your ass right here."
Ben's jaw tightened. "You think so, rich boy?"
"You heard me." A vein was bulging in Jason's neck.
Ben's breathing quickened. The tiniest spark of gold flickered in his irises.
My stomach backflipped.
Oh my God! He's going to flare!
"Get him out of here!" I hissed at Shelton and Hi. "Hurry!"
Recognizing the danger, Hi jumped to his feet, planted both hands on Ben's chest and pushed him towards the door, whispering, "Use your head, use your head, use your head!"
Ben tried to hold his ground, but Shelton joined the effort. "Get it together! People are watching. Dont lose control!"
Slowly, the duo managed to back Ben away, but his glare never strayed from Jason. At the exit, Ben shrugged free, and stalked down the hall alone.
I took my first breath since Jason stood.
Crisis averted, but only barely.
”
”
Kathy Reichs (Code (Virals, #3))
“
This is freedom. This is the face of faith, nobody gets
what they want. Never again are you the same. The longing
is to be pure. What you get is to be changed. More and more by
each glistening minute, through which infinity threads itself.
Also oblivion, of course, the aftershocks of something
at sea. Here hands full of sand, letting it
sift through
in the wind, I look in and say take this, hurry. And if I listen
now? Listen, I was not saying anything. It was only
something I did. I could not chose words. I am free to go.
I cannot, of course, come back. Not to this. Never.
It is a ghost posed on my lips. Here: never.
”
”
Jorie Graham (Never)
“
She needed Andrew Simpson Smith, it was that simple. And he had spent his life training to help people like her. Gods.
"Okay, Andrew. But let's leave today. I'm in a hurry."
"Of course. Today." He stroked the place where his slight beard was beginning to grow. "These ruins where your friends are waiting? Where are they?"
Tally glances up at the sun, still low enough to indicate the eastern horizon. After a moment's calculation, she pointed off to the northwest, back toward the city and beyond that, the Rusty Ruins. "About a week's walk that way."
"A week?"
"That means seven days."
"Yes, I know the gods' calendar," he said huffily. "But a whole week?"
"Yeah. That's not so far, is it?" The hunters had been tireless on their march the night before.
He shook his head, an awed expression on his face. "But that is beyond the edge of the world.
”
”
Scott Westerfeld (Pretties (Uglies, #2))
“
I found myself back in the sepulchral city resenting the sight of people hurrying through the streets to filch a little money from each other, to devour their infamous cookery, to gulp their unwholesome beer, to dream their insignificant and silly dreams. They trespassed upon my thoughts. They were intruders whose knowledge of life was to me an irritating pretence, because I felt so sure they could not possibly know the things I knew. Their bearing, which was simply the bearing of commonplace individuals going about their business in the assurance of perfect safety, was offensive to me like the outrageous flauntings of folly in the faces of a danger it is unable to comprehend.
”
”
Joseph Conrad (Heart of Darkness)
“
I can't talk you out of this?" he whispered, his eyes searching mine.
"No."
He swallowed and brushed back a hair from my forehead. His hand lingered on my face, and I let it. His eyes were strangely sad, and I wanted to ask him why, but I didn't dare speak.
"I want you to remember this," he said, his voice low and husky.
"What?" I asked.
"You want me to kiss you."
"I don't," I lied.
"You do. And I want you to remember that."
"Why?"
"Because." Without further explanation, he turned away from me. "If you want to do this, hurry and put some clothes on. You don't want to see the King in your pajamas.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
There is no thing that with a twist of the imagination cannot be something else. Porpoises risen in a green sea, the wind at nightfall bending the rose- red grasses and you- in your apron hurrying to catch- say it seems to you to be your son. How ridiculous! You will pass up into a cloud and look back at me, not count the scribbling foolish that put wings at your heels, at your knees.
”
”
William Carlos Williams (Kora in Hell)
“
Larry sat with his arm stretched out along the top of the front seat. His shirt cuff was pulled back by his position and displayed his slim, strong wrist and the lower part of his brown arm lightly covered with fine hairs. The sun shone goldly upon them. Something in Isabel's immobility attracted my attention, and I glanced at her. She was so still that you might have thought her hypnotized. Her breath was hurried. Her eyes were fixed on the sinewy wrist with its little golden hairs and on that long, delicate, but powerful hand, and I have never seen on a human countenance such a hungry concupiscence as I saw then on hers. It was a mask of lust. I would never have believed that her beautiful features could assume an expression of such unbridled sensuality. It was animal rather than human. The beauty was stripped from her face; the look upon it made her hideous and frightening. It horribly suggested the bitch in heat and I felt rather sick.
”
”
W. Somerset Maugham (The Razor’s Edge)
“
Marcus smiled back at her nervously, eyeing not only the rifle but the pair of knives he now saw clipped to her belt. Not one knife - a pair of knives. Who needs two knives? How many things does she have to cut at once? He was in no hurry to find out.
”
”
Dan Wells (Fragments (Partials Sequence, #2))
“
Yeah, that’s my experience. Humbling to the point where you have major regrets about some of the stupid things you said, some of the things you thought were right. You keep going to these countries, and it’s like, you forgot the lesson from the last time. Because the first person you encounter kind of bitch-slaps you upside the head in the most wonderful, innocent way and you realize, God, I’m still an asshole. And this guy, by doing nothing except being broke and so incredibly polite—it takes you aback, you realize, I’m still not there yet. I still have like eight miles to go before I can even get into the parking lot of humility. I have to keep going back. It’s like going back to a chiropractor to get a readjustment. That’s me in Africa, that’s me in Southeast Asia. You come back humbled and you bring that into your life. It’s made me much more tolerant of other peoples—and I’m not saying I used to be a misogynist, or I used to be a racist, that was never my problem. But I can be extremely headstrong, impatient, rude. Like, “Hurry up, man. What’s your problem? Get out of my way.” That sentiment comes easy to me. Going to these countries, you realize none of that is necessary, none of it’s cool, it’s nothing Abraham Lincoln would do, and so why are you doing it? Those are the lessons I’ve learned.
”
”
Henry Rollins
“
So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing.
“Mom.”
“Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?”
“Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?”
“I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.”
“Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.”
“The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.”
“Our car doesn’t have air bags,” Blue pointed out.
Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.”
Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?”
“You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?”
“I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.”
Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.”
“If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested.
“This is what you get, Maura, for using your DNA to make a baby,” Calla said.
Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.”
Calla growled, “Don’t be one of them.”
“Persephone?” asked Maura.
In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.”
“Okay,” Blue said hurriedly. “I’m out.”
“You could at least say sorry,” Maura said. “Pretend like I have some power over you.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
I continued to shower, in no hurry to join back up with the guards who waited for me. I wondered when and if I would see Lia again. Rafe wouldn’t make it easy, especially now that he was—
I shoved my head back under the water. I hadn’t even gotten used to the idea of him being a prince, and now he was a blazing king.
”
”
Mary E. Pearson (The Beauty of Darkness (The Remnant Chronicles, #3))
“
Ella finished her burger and dug into a side of fries. Hi watched, enraptured.
She couldn't help but notice. “Would you like one?”
“What? Sure.” Hi smiled, made no move.
After a moment, Ella nudged the bowl his way. “Careful, they're still hot.”
“Oh, no problem.” Hi fumbled for a fry. “I like food that's hot.”
I caught Shelton slowly shaking his head.
“Oh, shoot!” Ella winced. “I forgot to stop by the office. My mother had to drop off my shin guards.” She slid her fries over to Hi. “Enjoy. They're hot, which apparently you like.”
“Got that right. Hot hot hot!” Hi awkwardly shoved another fry into his mouth.
“Okay, wow.” Ella gathered her things, then brushed my cheek with a kiss. “Later, Tor.” Shouldering her bag, she hurried from the cafeteria.
A loud thunk drew my attention back to the table.
Hi's forehead was resting on his tray. “Tell me that wasn't as bad as I think.”
“Worse,” Shelton said. “So, so much worse.”
Then head rose, then thunked back down. “I don't remember parts. I think I lost time.”
I patted his shoulder. “That's probably for the best.”
“Such.” Thunk. “A.” Thunk. “Dumbass.” Thunk.
Shelton laughed nervously. “See? That's why I don't talk.”
Hi's face shot up. “Tell her I have brain seizures. A serious medical condition. Or that I have an evil twin who sometimes takes my place, but can't talk for crap.”
“Got it," I promised. His head dropped once more.
”
”
Kathy Reichs (Exposure (Virals, #4))
“
Doran stood on the dais, fists clenched. "All right," he said. "Let's do it, come on. Charge me up."
Skulduggery tapped the controls. "Just give me a moment…"
Doran's leg was shaking. "Come on," he said. "Hurry up. Haven't got all day."
"Just one more moment…"
"Here," said Doran. "You have used this on people before, right?"
"Hmmm?" Skulduggery said. "People? No, not on people. Ah, here we go."
The dais lit up.
"Oh, I don't know about this," said Doran. "I don't think I want to do this…"
"You'll be fine." Skulduggery said.
"How do you know?"
"I don't."
The hair stood up on Valkyrie's arms and light filled the room. The Accelerator wined like an animal, the wine getting louder and louder and the dais beginning to tremble.
"I want to get off!" Doran shouted. "I want to get off!"
"You can't get off!" Skulduggery shouted back over the roar. "If you get off you'll die!"
"I'll die?"
"I don't know," Skulduggery shouted. "Probably.
”
”
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
“
Oh, François,” I breathily said. “You’ll have to hurry. My boyfriend will be back soon.” Ethan grunted and slipped his arms around mine, pulling him tight against my body. “My desire is impatient,” he said in a French accent that was surprisingly believable. “It will not wait, and damn your boyfriend.” I turned to face him, wrapped my arms around his neck, and caught his bottom lip gently between my teeth. “Then by all means, François, let’s get to it.
”
”
Chloe Neill (Blood Games (Chicagoland Vampires #10))
“
One morning I fell to sketching a face: what sort of a face it was to be, I did not care or know. I took a soft black pencil, gave it a broad point, and worked away. Soon I had traced on the paper a broad and prominent forehead and a square lower outline of visage: that contour gave me pleasure; my fingers proceeded actively to fill it with features. Strongly-marked horizontal eyebrows must be traced under that brow; then followed, naturally, a well-defined nose, with a straight ridge and full nostrils; then a flexible-looking mouth, by no means narrow; then a firm chin, with a decided cleft down the middle of it: of course, some black whiskers were wanted, and some jetty hair, tufted on the temples, and waved above the forehead. Now for the eyes: I had left them to the last, because they required the most careful working. I drew them large; I shaped them well: the eyelashes I traced long and sombre; the irids lustrous and large. "Good! but not quite the thing," I thought, as I surveyed the effect: "they want more force and spirit;" and I wrought the shades blacker, that the lights might flash more brilliantly--a happy touch or two secured success. There, I had a friend's face under my gaze; and what did it signify that those young ladies turned their backs on me? I looked at it; I smiled at the speaking likeness: I was absorbed and content.
Is that a portrait of some one you know?" asked Eliza, who had approached me unnoticed. I responded that it was merely a fancy head, and hurried it beneath the other sheets. Of course, I lied: it was, in fact, a very faithful representation of Mr. Rochester. But what was that to her, or to any one but myself? Georgiana also advanced to look. The other drawings pleased her much, but she called that 'an ugly man.
”
”
Charlotte Brontë (Jane Eyre)
“
Laurence," Granby said at his shoulder, "in the hurry, the ammunition was all laid in its usual place on the left, though we are not carrying the bombs to balance it out; we ought to restow."
"Can you have it done before we engage? Oh, good Lord," Laurence said, realizing. "I do not even know the position of the convoy; do you?" Granby shook his head, embarrassed, and Laurence swallowed his pride and shouted, "Berkley, where are we going?"
A general explosion of mirth ran among the men on Maximus's back. Berkley called back, "Straight to Hell, ha ha!" More laughter, nearly drowning out the coordinates that he bellowed over.
”
”
Naomi Novik (Throne of Jade (Temeraire, #2))
“
She thrusts hurriedly into your hand an extremely hot buttered roll, flashes out a tiny pair of scissors, snips off the second button of your overcoat, meaningly ejaculates the one word, "parallelogram!" and swiftly flies down a cross street, looking back fearfully over her shoulder. That
”
”
O. Henry (The Four Million)
“
I hurried to the southern corridor, relieved when I was safe in the blackness there. Relieved and horrified. It was really over now.
I'm so afraid, I whimpered.
Before Mel could respond, a heavy hand dropped on my shoulder from the darkness.
"Going somewhere?"
I was so tightly wound that I shrieked in terror; I was so terrified that my shriek was only a breathless little squeal.
"Sorry!" Jared's arm went round my shoulders, comforting. "I'm sorry. I didn't mean to scare you."
"What are you doing here?" I demanded, still breathless.
"Following you. I've been following you all night."
"Well, stop it now."
There was a hesitation in the dark, and his arm didn't move. I shrugged out from under it, but he caught my wrist. His grip was firm; I wouldn't be able to shake free easily.
"You're going to see Doc?" he asked, and there was no confusion in his question. It was obvious that he wasn't talking about a social visit.
"Of course I am." I hissed the words so that he wouldn't hear the panic in my voice. "What else can I do after today?It's not going to get any better. And this isn't Jeb's decision to make."
"I know. I'm on your side."
It made me angry that these words still had the power to hurt me, to bring tears stinging into my eyes. I tried to hold onto the thought of Ian - he was the anchor, as Kyle somehow had been for Sunny - but it was hard with Jared's hand touching me, with the smell of him in my nose. Like trying to make out the song of one violin when the entire percussion section was bashing away...
"Then let me go, Jared. Go away. I want to be alone." The words came out fierce and fast and hard. It was easy to hear that they weren't lies.
"I should come with you."
"You'll have Melanie back soon enough," I snapped. "I'm only asking for a few minutes, Jared. Give me that much."
Another pause; his hand didn't loosen.
"Wanda, I would come to be with you."
The tears spilled over. I was grateful for the darkness.
"It wouldn't feel that way," I whispered. "So there's no point.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
From that day on, I began to think of people not as the masters of space and time but as participants in a great cosmic chain of being, with a direct genetic link across species both living and extinct, extending back nearly four billion years to the earliest single-celled organisms on Earth.
”
”
Neil deGrasse Tyson (Astrophysics for People in a Hurry)
“
I feel like, I was going somehow with my life, holding myself together and then these blasts happened, and then suddenly I was paralyzed. I was not able to move, or to even hold myself intact. As if like I was fallen into this unconscious state, of eternal sleep. When I was asleep, somebody came and disassembled me into thousands of pieces and then hurriedly put me back together in a second, losing some of my pieces on the ground, or placing some of them incorrectly – you know, that kind of feeling”
“How do you feel?” She added. Apparently, she was asking me back everything.
“I’m still not able to sleep on her side of the bed” I faked a smile.
”
”
Bhavya Kaushik (The Other Side of the Bed)
“
There is more and more I tell no one,
strangers nor loves.
This slips into the heart
without hurry, as if it had never been.
And yet, among the trees, something has changed.
Something looks back from the trees,
and knows me for who I am.
”
”
Jane Hirshfield (The Lives of the Heart)
“
The struggle in Mr. Guppy’s breast and the numerous oscillations it occasioned him between his mother’s door and us were sufficiently conspicuous in the windy street (particularly as his hair wanted cutting) to make us hurry away. I did so with a lightened heart; but when we last looked back, Mr. Guppy was still oscillating in the same troubled state of mind.
”
”
Charles Dickens (Bleak House)
“
Gideon walked briskly and I hurried to keep up. When he stopped abruptly, turned, and dipped me back in a lavish heated kiss on the crowded sidewalk, I was too stunned to do more than hold on. It was a soul-wrenching melding of our mouths, full of passion and sweet spontaneity that made my heart ache. Applause broke out around us. When he straightened me again, I was breathless and dizzy. “What was that?” I gasped. “A prelude.
”
”
Sylvia Day (Bared to You (Crossfire, #1))
“
Get Comfortable Not Knowing There once was a village that had among its people a very wise old man. The villagers trusted this man to provide them answers to their questions and concerns. One day, a farmer from the village went to the wise man and said in a frantic tone, “Wise man, help me. A horrible thing has happened. My ox has died and I have no animal to help me plow my field! Isn’t this the worst thing that could have possibly happened?” The wise old man replied, “Maybe so, maybe not.” The man hurried back to the village and reported to his neighbors that the wise man had gone mad. Surely this was the worst thing that could have happened. Why couldn’t he see this? The very next day, however, a strong, young horse was seen near the man’s farm. Because the man had no ox to rely on, he had the idea to catch the horse to replace his ox—and he did. How joyful the farmer was. Plowing the field had never been easier. He went back to the wise man to apologize. “You were right, wise man. Losing my ox wasn’t the worst thing that could have happened. It was a blessing in disguise! I never would have captured my new horse had that not happened. You must agree that this is the best thing that could have happened.” The wise man replied once again, “Maybe so, maybe not.” Not again, thought the farmer. Surely the wise man had gone mad now. But, once again, the farmer did not know what was to happen. A few days later the farmer’s son was riding the horse and was thrown off. He broke his leg and would not be able to help with the crop. Oh no, thought the man. Now we will starve to death. Once again, the farmer went to the wise man. This time he said, “How did you know that capturing my horse was not a good thing? You were right again. My son is injured and won’t be able to help with the crop. This time I’m sure that this is the worst thing that could have possibly happened. You must agree this time.” But, just as he had done before, the wise man calmly looked at the farmer and in a compassionate tone replied once again, “Maybe so, maybe not.” Enraged that the wise man could be so ignorant, the farmer stormed back to the village. The next day troops arrived to take every able-bodied man to the war that had just broken out. The farmer’s son was the only young man in the village who didn’t have to go. He would live, while the others would surely die. The moral of this story provides a powerful lesson. The truth is, we don’t know what’s going to happen—we just think we do. Often we make a big deal out of something. We blow up scenarios in our minds about all the terrible things that are going to happen. Most of the time we are wrong. If we keep our cool and stay open to possibilities, we can be reasonably certain that, eventually, all will be well. Remember: maybe so, maybe not.
”
”
Richard Carlson (Don't Sweat the Small Stuff ... and it's all small stuff: Simple Ways to Keep the Little Things from Taking Over Your Life)
“
A psychotic world we live in. The madmen are in power. How long have we known this? Faced this?-And-how many of us do know it? Not Lotze. Perhaps if you know you are insane then you are not insane. Or you are becoming sane, finally. Waking up. I suppose only a few are aware of all this. Isolated persons here and there. But the broad masses...what do they think? All these hundreds of thousands in this city, here. Do they imagine that they live in a sane world? Or do they guess, glimpse the truth...?
But, he thought, what does it mean, insane? A legal definition. What do I mean? I feel it, see it, but what is it?
He thought, it is something they do, something they are. It is their unconsciousness. Their lack of knowledge about others. Their not being aware of what they do to others, the destruction they have caused and are causing. No, he thought. That isn't it. I don't know; I sense it, inuit it. But-they are purposely cruel...is that it? No. God, he thought, I can't find it, make it clear. Do they ignore parts of reality? Yes. But it is more. It is their plans. Yes, their plans. The conquering of the planets. Something frenzied and demented, as was their conquering of Africa, and before that, Europe and Asia.
Their view; it is cosmic. Not of man here, a child there, but an abstraction: race, land. Volk. Land. Blut. Ehre. Not of honorable men but of Ehre itself, honor; the abstract is real, the actual is invisible to them. Die Gute, but not good men, this good man. It is their sense of space and time. They see through the here, the now, into the vast black deep beyond, the unchanging. And that is fatal to life. Because eventually there will be no life; there was once only the dust particles in space, the hot hydrogen gases, nothing more, and it will come again. This is an interval, ein Augenblick. The cosmic process is hurrying on, crushing life back into the granite and methane; the wheel turns for all life. It is all temporary. And they-these madmen-respond to the granite, the dust, the longing of the inanimate; they want to aid Natur.
And, he thought, I know why. They want to be the agents, not the victims, of history. They identify with God's power and believe they are godlike. That is their basic madness. They are overcome by some archetype; their egos have expanded psychotically so that they cannot tell where they begin and the godhead leaves off. it is not hubris, not pride; it is inflation of the ego to its ultimate-confusion between him who worships and that which is worshiped. Man has not eaten God; God has eaten man.
What they do not comprehend is man's helplessness. I am weak, small, of no consequence to the universe. It does not notice me; I live on unseen. But why is that bad? Isn't it better that way? Whom the gods notice they destroy. Be small...and you will escape the jealousy of the great.
”
”
Philip K. Dick (The Man in the High Castle)
“
What about the check?" Suze said.
"Pay it," he called back. "This is your party."
"I don't like him," Suze said to Margie.
Margie slid out of the booth. "Think of him as a growth experience."
"Oh, good, I've been wanting one of those," Suze said and tossed a twenty on the table. It was too much, but she was in a hurry to steal a dog.
”
”
Jennifer Crusie (Fast Women)
“
He had no document but his memory; the training he had acquired with each added hexameter gave him a discipline unsuspected by those who set down and forget temporary, incomplete paragraphs. He was not working for posterity or even for God, whose literary tastes were unknown to him. Meticulously, motionlessly, secretly, he wrought in time his lofty, invisible labyrinth. He worked the third act over twice. He eliminated certain symbols as over-obvious, such as the repeated striking of the clock, the music. Nothing hurried him. He omitted, he condensed, he amplified. In certain instances he came back to the original version. He came to feel affection for the courtyard, the barracks; one of the faces before him modified his conception of Roemerstadt's character. He discovered that the wearying cacophonies that bothered Flaubert so much are mere visual superstitions, weakness and limitation of the written word, not the spoken...He concluded his drama. He had only the problem of a single phrase. He found it. The drop of water slid down his cheek. He opened his mouth in a maddened cry, moved his face, dropped under the quadruple blast.
”
”
Jorge Luis Borges (Labyrinths: Selected Stories & Other Writings)
“
The Darkling hurried up the hill and knelt beside me, blocking my view of the corpse. “Look at me,” he instructed. I tried to focus on his face, but all I could see was the assassin’s severed body, his blood pooling in the damp leaves. “What … what did you do to him?” I asked, my voice quavering. “What I had to do. Can you stand?” I nodded shakily. He took my hands and helped me to my feet. When my gaze slid back to the corpse, he took hold of my chin and drew my eyes back to his. “At me,” he commanded. I nodded and tried to keep my eyes trained on the Darkling as he led me down the hill and called out orders to his men. “Clear the road. I need twenty riders.” “The girl?” Ivan asked. “Rides with me,” said the Darkling. He
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
A hedgehog flies from the safety of a bush, startling me. It darts past us in a terrible hurry. Kartik nods toward the furry little thing. "Don't mind him. He's off to meet his lady friend."
"How can you be sure?"
"He has on his best hedgehog suit."
"Ah, I should have noticed." I say, happy to be playing this game-any game-with him. I put my hand on the tree's trunk and swing myself around it slowly, letting my body feel gravity's pull. "And why has he worn his best?"
"He's been away in London, you see, and now he has returned to her," Kartik continues.
"And what if she is angry with him for being away so long?"
Kartik circles just behind me. "She will forgive him."
"Will she?" I say pointedly.
"It is his hope that she will, for he didn't mean to upset her." Kartik answers, and I am no longer sure we speak of the hedgehog.
"And is he happy to see her again?"
"Yes," Kartik says. "He should like to stay longer, but he cannot."
The bark chafes against my hand. "Why is that?"
"He has his reasons, and hopes his lady will understand them one day." Kartik has changed direction. He comes around the other side of the tree. We are face to face. A palm of moonglow reaches through the branches to caress his face.
"Oh," I say, heart beating fast.
"And what would the lady hedgehog say to that?" he asks. His voice soft and low.
"She would say..." I swallow hard.
Kartik steps closer. "Yes?"
"She would say," I whisper, "'If you please, I am not a hedgehog. I am a woodchuck.'"
A small smile plays at Kartik's lips.
"He is fortunate to have so witty a lady friend," he says, and I wish I could have the moment back again to play differently.
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
I was a fool!" Percy roared,so loudly that Lupin nearly dropped his photograph. "I was a pompous prat, I was a- a-"
"Ministry loving, family-disowning, power-hungry moron," said Fred.
Percy swallowed.
"Yes, I was!"
"Well, you can't say fairer than that," said Fred, holding out his hand to Percy.
Mrs Weasley burst into tears. She ran forwards, pushed Fred aside and pulled Percy into a strangling hug, while he patted her on the back, his eyes on his father.
"I'm sorry, Dad," Percy said.
Mr Weasley blinked rather rapidly, then he, too, hurried to hug his son.
"What made you see sence, Perce?" enquired George.
" It's been coming on for a while," said Percy, mopping his eyes under his glasses with a corner of his travelling cloak. "But I had to find a way out and it's not so easy at the Ministry, they're imprisoning traitors all the time. I managed to make contact with Aberforth and he tipped me off ten minutes ago that Hogwarts was going to make a fight of it, so here I am."
"Well, we do look to our prefects to take a lead at times such as these," said George, in a good imitation of Percy's most pompous manner. "Now let's get upstairs and fight, or all the good Death Eaters''ll be taken.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
That is the only way to get a kettle to boil up the river. If it sees that you are waiting for it and are anxious, it will never even sing. You have to go away and begin your meal, as if you were not going to have any tea at all. You must not even look round at it. Then you will soon hear it sputtering away, mad to be made into tea. It is a good plan, too, if you are in a great hurry, to talk very loudly to each other about how you don’t need any tea, and are not going to have any. You get near the kettle, so that it can overhear you, and then you shout out, “I don’t want any tea; do you, George?” to which George shouts back, “Oh, no, I don’t like tea; we’ll have lemonade instead—tea’s so indigestible.” Upon which the kettle boils over, and puts the stove out. We adopted this harmless bit of trickery, and the result was that, by the time everything else was ready, the tea was waiting. Then we lit the lantern, and squatted down to supper.
”
”
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
“
But Benedict Bridgerton was obviously determined not to be a gentleman this afternoon, because when she moved one of her feet-just to flex her toes, which were falling asleep in her shoes, honest!-barely half a second passed before he growled, "Don't even think about it."
"I wasn't!" she protested. "My foot was falling asleep. And hurry up! It can't possibly take so long to get dressed."
"Oh?" he drawled.
"You're doing this just to torture me," she grumbled.
"You may feel free to face me at any time," he said, his voice laced with quiet amusement. "I assure you that I asked you to turn your back for the sake of your sensibilities, not mine.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
Oof!" Adam caught me all right, with the side of his head. I could tell by the feel of his skull on my foot as I kicked him. He grabbed me the best he could anyway, and we half landed, half fell in the pine needles.
He lay facedown on the ground. I flopped him over on his back to make sure he was alive. If he had a concussion, we'd have to call the ambulance, which meant we'd get caught and he'd get sent to military school.
On the bright side, maybe the military school would not take him if he had brain damage.
"I'm so sorry."
"Worth it," he grunted. He rolled onto his feet like a ninja and grabbed my hand.
"Hurry, before they release the hounds.
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
You won’t lose me. There is nothing in this world that matters more to me than you. Absolutely nothing. You come first. Always. I love you. I don’t think you realize how much. Or how much I need you in my life. How whole and totally at peace I feel when you’re in my arms and I’m deep inside you. You’re the one, princess. The reason I wake up with a smile on my lips. The reason it stays on my face all fucking day. When I hurry home from work, I’m hurrying back to you. To you, Tate. Do you understand what I’m saying? I’ve made my choice. Don’t you ever say I deserve better.
”
”
Elle Aycart (Inked Ever After (Bowen Boys, #2.5))
“
Look at it carefully so that you will be sure to recognise it in case you travel
some day to the African desert. And, if you should come upon this spot, please
do not hurry on. Wait for a time, exactly under the star. Then, if a little man
appears who laughs, who has golden hair and who refuses to answer questions,
you will know who he is. If this should happen, please comfort me. Send me
word that he has come back.
”
”
Antoine de Saint-Exupéry (The Little Prince)
“
So many of us think ourselves into smallness, into inferiority, by thinking downward. We are held back by too much caution. We are timid about venturing. We are not bold enough.... Struck down by our own caution, our own lack of faith in ourselves and our abilities. Opportunities? There were many. But always there was risk. Do we dare? We vacillate. Time hurries by. Opportunity gone. We anguish. The years roll on. Finally, we convince ourselves that it's too late and settle for cheap imitations of life.
”
”
Og Mandino (The Choice: A Surprising New Message of Hope)
“
AS THE heavy door shut behind him the cloud gradually lifted from the room. Rachel moved nervously to the table and began to wrap the leftover corn bread in a clean linen napkin. "Before I do another thing," she said, "I must take this to Widow Brown. She's still far too weak to fend for herself. Forgive me for leaving you, Katherine, but I'll be back in no time at all." "In no time," echoed Judith bitterly, as her mother hurried out into the foggy morning. "Just as soon as she's built up the fire and made gruel and tidied the whole cabin. With more than a day's work waiting here at home.
”
”
Elizabeth George Speare (The Witch of Blackbird Pond)
“
Suddenly I know just what I’m going to do. Something that will blow anything Peeta did right out of the water. I go over to the knot-tying station and get a length of rope. I start to manipulate it, but it’s hard because I’ve never made this actual knot myself. I’ve only watched Finnick’s clever fingers, and they moved so fast. After about ten minutes, I’ve come up with a respectable noose. I drag one of the target dummies out into the middle of the room and, using some chinning bars, hang it so it dangles by the neck. Tying its hands behind its back would be a nice touch, but I think I might be running out of time. I hurry over to the camouflage station, where some of the other tributes, undoubtedly the morphlings, have made a colossal mess. But I find a partial container of bloodred berry juice that will serve my needs. The flesh-colored fabric of the dummy’s skin makes a good, absorbent canvas. I carefully finger paint the words on its body, concealing them from view. Then I step away quickly to watch the reaction on the Gamemakers’ faces as they read the name on the dummy.
*SENECA CRANE.*
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
The Big Nurse is able to set the wall clock at whatever speed she wants by just turning one of those dials in the steel door; she takes a notion to hurry things up, she turns the speed up, and those hands whip around that disk like spokes in a wheel. The scene in the picture-screen windows goes through rapid changes of light to show morning, noon, and night - throb off and on furiously with day and dark, and everybody is driven like mad to keep up with that passing of fake time; awful scramble of shaves and breakfasts and appointments and lunches and medications and ten minutes of night so you barely get your eyes closed before the dorm light's screaming at you to get up and start the scramble again, go like a sonofabitch this way, going through the full schedule of a day maybe twenty times an hour, till the Big Nurse sees everybody is right up to the breaking point, and she slacks off on the throttle, eases off the pace on that clock-dial, like some kid been fooling with the moving-picture projection machine and finally got tired watching the film run at ten times its natural speed, got bored with all that silly scampering and insect squeak of talk and turned it back to normal.
”
”
Ken Kesey (One Flew Over the Cuckoo’s Nest)
“
Cattle did not have to be led to water. They came eagerly to the trough and drank while Almanzo pumped, then they hurried back to the warm barns, and each went to its own place. Each cow turned into her own stall and put her head between her own stanchions. They never made a mistake.
Whether this was because they had more sense than horses, or because they had so little sense that they did everything by habit, Father did not know.
”
”
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
“
I had read four thousand pages of letters by Lawrence and I wanted thousands of pages more... I wanted them not to end. And yet, at the same time that I was wishing they would not come to an end, I was hurrying through these books because however much you are enjoying a book, however much you want it never to end, you are always eager for it to end. However much you are enjoying a book you are always flicking to the end, counting to see how many pages are left, looking forward to the time when you can put the book down and have done with it. At the back of our minds, however much we are enjoying a book, we come to the end of it and some little voice is always saying, "Thank Christ for that!
”
”
Geoff Dyer (Out of Sheer Rage: Wrestling With D.H. Lawrence)
“
I wish I could break this window. Step through it. But I can't break this window. I can't even find some less dramatic way to die inside of this school, like hanging myself or slitting my wrists, because what would they do with my body? It might put everyone at risk. I won't let myself do that.
I'm not selfish like Lily.
I hate her. I hate her so much my heart tries to crawl out of my throat but it gets stuck there and beats crazily in the too narrow space. I bring my hands to my neck and try to massage it back down. I pres so heard against the skin, my eyes sting, and then I'm hurrying back down the stairs, back to the first floor. I think of Trace running laps, something he can control.
”
”
Courtney Summers (This is Not a Test (This is Not a Test, #1))
“
Lend sat up,craning his neck to see down my shirt,which I hurriedly pushed back into place. "Last time I checked, you couldn't see souls."
He shrugged,an exaggerated look of innocence on his face. "Still,it wouldn't hurt for me to try,would it?"
"You have got to be the most sefless boyfriend alive."
"Like I said,anything worthwhile is worth making sacrifices for."
"Speaking of which,weren't you going to give me a tongue demonstration?
”
”
Kiersten White (Supernaturally (Paranormalcy, #2))
“
NINA
Your life is beautiful.
TRIGORIN
I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!
”
”
Anton Chekhov (The Seagull)
“
Have you lost your mind?” I yelled. “Did you have to humiliate him in front of his comrades? Isn’t it enough that he already hates you with the fire of a thousand suns?” Her expression was grim. Unfeeling. She was in no hurry to answer, but when she did, her tone held no emotion. “Malich laughed the night he told me that he had killed Greta. He reveled in her death. He said it was easy. Her death cost him nothing. It will now. Every day that I breathe, I will make it cost him something. Every time I see that same smug grin on his face, I will make him pay for it.” She dumped her winnings on the bed and looked back at me. “So the short answer to your question, Kaden, is no. It’s not enough. It will never be enough.
”
”
Mary E. Pearson (The Heart of Betrayal (The Remnant Chronicles, #2))
“
I can be in control of my own actions, despite what my track record might imply to the contrary, and suddenly, I just feel like, sure. I can hold my boyfriend-yeah-that’s-right-world-boyfriend’s hand wherever I want to, and not because I want to be all, ‘Check it out, humanity, there’s someone out there who’ll hold my hand,’ but because we’re walking close enough that his arm is against mine and he’s musing over the meaning of ‘crunk’ like he’s sixty-five and somehow, by some mad glorious stroke of luck, he is mine to touch.
He looks down at our hands. Ever sensible, he’s wearing gloves, nice leather ones. I left in a hurry, and I’m not exactly the most practical guy to begin with; I’m barehanded, and my fingers are cold. He tightens his grasp on my hand, smiles at me a little bit. I smile back. Beats pockets.
”
”
Hannah Johnson (Know Not Why (Know Not Why, #1))
“
And as I walked by the shallow crystal stream I saw unwonted ripples tipped with yellow light, as if those placid waters were drawn on in resistless currents to strange oceans that are not in the world. Silent and sparkling, bright and baleful, those moon-cursed waters hurried I knew not whither; whilst from the embowered banks white lotos-blossoms fluttered one by one in the opiate night-wind and dropped despairingly into the stream, swirling away horribly under the arched, carven bridge, and staring back with the sinister resignation of calm, dead faces.
”
”
H.P. Lovecraft (The Definitive H.P. Lovecraft: 67 Tales of Horror)
“
Pudge/Colonel:
"I am sorry that I have not talked to you before. I am not staying for graduation. I leave for Japan tomorrow morning. For a long time, I was mad at you. The way you cut me out of everything hurt me, and so I kept what I knew to myself.
But then even after I wasn't mad anymore, I still didn't say anything, and I don't even really know why. Pudge had that kiss,
I guess. And I had this secret.
You've mostly figured this out, but the truth is that I saw her that night, I'd stayed up late with Lara and some people, and then I was falling asleep and I heard her crying outside my back window. It was like 3:15 that morning, maybe, amd I walked out there and saw her walking through the soccer field. I tried to talk to her, but she was in a hurry. She told me that her mother was dead eight years that day, and that she always put flowers on her mother's grave on the anniversary but she forgot that year. She was out there looking for flowers, but it was too early-too wintry. That's how
I knew about January 10. I still have no idea whether it was suicide.
She was so sad, and I didn't know what to say or do. I think she counted on me to be the one person who would always say and do the right things to help her, but I couldn"t. I just thought she was looking for flowers. I didn't know she was going to go. She was drunk just trashed drunk, and I really didn't think she would drive or anything. I thought she would just cry herself to sleep and then drive to visit her mom the next day or something. She walked away, and then I heard a car start. I don't know what I was thinking.
So I let her go too. And I'm sorry. I know you loved her. It was hard not to."
Takumi
”
”
John Green (Looking for Alaska)
“
Just to say evil Islamics did it, that's so lame, and we know it. We see those official close-ups on the screen. The shifty liar's look, the twelve-stepper's gleam in the eye. One look at these faces and we know they're guilty of the worst crimes we can imagine. But who's in any hurry to imagine? To make the awful connection? Any more than Germans were back in 1933, when Nazis torched Reichstag within a month of Hitler becoming chancellor. Which of course is not to suggest that Bush and his people have actually gone out and staged the events of 11 September. It would take a mind hopelessly diseased with paranoia, indeed a screamingly anti-American nutcase, even to allow to cross her mind the possibility that that terrible day would have deliberately been engineered as a pretext to impose some endless Orwellian 'war' and the emergency decrees we will soon be living under. Nah, nah, perish that thought.
"But there's still always the other thing. Our yearning. Our deep need for it to be true. Somewhere, down at some shameful dark recess of the national soul, we need to feel betrayed, even guilty. As if it was us who created Bush and his gang, Cheney and Rove and Rumsfeld and Feith and the rest of them--we who called down the sacred lightning of 'democracy' and then the fascist majority on the Supreme Court threw the switches, and Bush rose from the slab and began his rampage. And whatever happened then is on our ticket.
”
”
Thomas Pynchon (Bleeding Edge)
“
I Have Walked Down Many Roads
by Antonio Machado
translated from the Spanish by Don Share
I have walked down many roads
and cleared many paths;
I have navigated a hundred oceans
and anchored off a hundred shores.
All over, I have seen
caravans of sadness,
pompous and melancholy men
drunk with black shadows,
and defrocked pedants
who stare, keep quiet, and think
they know, because they don’t
drink wine in the neighborhood bars.
Bad people who go around
polluting the earth . . .
And all over, I have seen
people who dance or play,
when they can, and work
their four handfuls of land.
If they turn up someplace,
they never ask where they are.
When they travel, they ride
on the backs of old mules,
and don’t know how to hurry,
not even on holidays.
When there’s wine, they drink wine;
when there’s no wine, they drink cool water.
These are good people, who live,
work, get by, and dream;
and on a day like all the others
they lie down under the earth.
”
”
Antonio Machado (Times Alone: Selected Poems)
“
Henery Fray was the first to follow. Then Gabriel arose and went off with Jan Coggan, who had offered him a lodging. A few minutes later, when the remaining ones were on their legs and about to depart, Fray came back again in a hurry. Flourishing his finger ominously he threw a gaze teeming with tidings just where his eye alighted by accident, which happened to be in Joseph Poorgrass's face.
”
”
Thomas Hardy (Far from the Madding Crowd)
“
Cinder hurried to join her, eager to see what the boys had done. But when she stepped into the sitting room, it was not the decorations that caught her attention first, but Wolf, standing in front of the fireplace altar in his formal black-and-red tuxedo. Thought it had been made especially for him, the jacket still stretched across his broad chest and shoulders, and the red bow tie was almost humorous against his fierce features and lupine bone structure.
Almost.
Despite everything Levana had tried to do to him, Cinder had to admit that he was still handsome, with his olive skin and vivid green eyes and unkempt hair. Most of all, though, it was the look he was giving Scarlet, which would have taken away the breath of any girl.
Kai and Thorne were there, too, each of them standing with their hands in their pockets, rocking back on their heels with supremely smug looks on their faces, like they were daring anyone to suggest it wasn't the most beautiful impromptu wedding ever created.
”
”
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
“
Passersby looked at us curiously. In the porch, Mr. Whitman held the church door open for us. “Hurry up, please,” he said. “We don’t want to attract attention.” No, sure, there was nothing likely to attract attention in two black limousines parking in North Audley Street in broad daylight so that men in suits could carry the Lost Ark out of the trunk of one of the cars, over the sidewalk, and into the church. Although from a distance the chest carrying it could have been a small coffin . . . The thought gave me goose bumps.
“I hope at least you remembered your pistol,” I whispered to Gideon.
“You have a funny idea of what goes on at a soiree,” he said, in a normal tone of voice, arranging the scarf around my shoulders. “Did anyone check what’s in your bag? We don’t want your mobile ringing in the middle of a musical performance.”
I couldn’t keep from laughing at the idea, because just then my ringtone was a croaking frog. “There won’t be anyone there who could call me except you,” I pointed out.
“And I don’t even know your number. Please may I take a look inside your bag?”
“It’s called a reticule,” I said, shrugging and handing him the little bag.
“Smelling salts, handkerchief, perfume, powder . . . excellent,” said Gideon. “All just as it should be. Come along.” He gave me the reticule back, took my hand, and led me through the church porch. Mr. Whitman bolted the door again behind us. Gideon forgot to let go of my hand once we were inside the church, which was just as well, because otherwise I’d have panicked at the last moment and run away.
”
”
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
“
The odd group of well-wishers slowly moved down the hallway as Moshe’s sobs cascaded up and down the walls, bouncing from one side to the other. The discourse on Doc Roberts was forgotten now as the group tromped forward, a ragtag assortment of travelers moving fifteen feet as if it were fifteen thousand miles, slow travelers all, arrivals from different lands, making a low trek through a country that claimed to be so high, a country that gave them so much yet demanded so much more. They moved slowly, like fusgeyers, wanderers seeking a home in Europe, or erú West African tribesmen herded off a ship on a Virginia shore to peer back across the Atlantic in the direction of their homeland one last time, moving toward a common destiny, all of them—Isaac, Nate, and the rest—into a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought. Had the group of stragglers moping down the hallway seen that future, they would have all turned en masse and rushed from the hospital out into the open air and collapsed onto the lawn and sobbed like children. As it was, they moved like turtles toward Chona’s room as Moshe’s howl rang out. They were in no hurry. The journey ahead was long. There was no promise ahead. There was no need to rush now.
”
”
James McBride (The Heaven & Earth Grocery Store)
“
Dawn had passed and it was most of the way to morning when the baby emerged into the world, looked around, and burst into tears.
“You get used to it,” the Sister told the infant, and handed the child to Marra, who stared at it with intense horror. It was bloody and wrinkly and reddish gray and looked like the sort of thing you would drive back to hell with holy water. “Um,” said Marra.
“Is it…Is…” The mother was panting and could hardly breathe. “It cried. It’s alive, right?”
“Oh, yes,” said Marra hurriedly. “Very alive.” She stared at it, trying to find something else to say. “Had arms and legs. And, uh…a head…”
“That’s good,” said the mother, and began giggling with high, hysterical laughter. “Oh, that’s good. You want them to have heads.”
“Lady of Grackles have mercy,” muttered the Sister Apothecary, but as she was saying this directly into the birth canal, no one but Marra heard.
”
”
T. Kingfisher (Nettle & Bone)
“
Welcome home, miss," she said, curtsying.
Cecilia reached forward to awkwardly pat the maid's arm. "Thank you, dear. Are you quite all right after your hurried journey?" For Pleasance's curls bristled even more than usual and her eyes shone as if she had skimmed the edge of heaven to get to Pucklechurch and back in time.
"I do feel a little consumptive, miss," Pleasance answered cheerfully. "But such is the way of life. A shadow hangs over all of us, claiming our souls even from the moment of birth, and all we can do is surrender or succumb to screaming madness. Please come in.
”
”
India Holton (The Wisteria Society of Lady Scoundrels (Dangerous Damsels, #1))
“
She looked down at him, smiling with exasperated amusement. *Stubborn, snarly male.*
*Stubbornness is a much-maligned quality,* he panted as he climbed toward her. Her silvery, velvet-coated laugh filled the land. Then he finally got a good look at her. He sank to his knees. *I owe you a debt, Lady.*
She shook her head. *The debt is mine, not yours.*
*I failed you,* he said bitterly, looking at her wasted body.
*No, Daemon,* Jaenelle replied softly. *I failed you. You asked me to heal the crystal chalice and return to the living world. And I did. But I don’t think I ever forgave my body for being the instrument that was used to try to destroy me, and I became its cruelest torturer. For that I’m sorry because you treasured that part of me.*
*No, I treasured all of you. I love you, Witch. I always will. You’re everything I’d dreamed you would be.*
She smiled at him. *And I—* She shuddered, pressed her hand against her chest. *Come. There’s little time left.* She fled through the rocks, out of sight before he could move. He hurried after her, following the glittering trail, gasping as he felt a crushing weight descend on him. *Daemon.* Her voice came back to him, faint and pain-filled. *If the body is going to survive, I can’t stay any longer.* He fought against the weight.
*Jaenelle!*
*You have to take this in slow stages. Rest there now. Rest, Daemon. I’ll mark the trail for you. Please follow it. I’ll be waiting for you at the end.*
*JAENELLE!* A wordless whisper. His name spoken like a caress. Then silence.
”
”
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
“
Ronan's phone buzzed with a text: Gansey.
Reached out to a few peers, it said, as if he were sixty instead of the same age as Ronan. Image you sent confirmed logo for Boudicca. All-lady group involved in the protection and organization of women in business. Henry says his mother thinks they're pretty powerful.
Another text came in. Boudicca is actually a very interesting historical figure in her won right.
Another: She was a warrior queen of the Celts around 60 CE and she fought against the Romans
Another: Blue wants you to know Boudicca is
Another: Sorry sent too soon quote is 'Boudicca is the original goth. Ronan Lynch wishes he was that badass'
Another: Is badass one word or two
Ronan's phone displayed ellipses to show that Gansey was about to shoot off another text.
Ronan texted back hurriedly, If you have to ask you aren't one. Thanks old man. I'll wiki it.
”
”
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
“
You are protected, in short, by your ability to love!" said Dum-bledore loudly. "The only protection that can possibly work against the lure of power like Voldemort's! In spite of all the temptation you have endured, all the suffering, you remain pure of heart, just as pure as you were at the age of eleven, when you stared into a mir-ror that reflected your heart's desire, and it showed you only the way to thwart Lord Voldemort, and not immortality or riches. Harry, have you any idea how few wizards could have seen what you saw in that mirror? Voldemort should have known then what he was dealing with, but he did not! But he knows it now. You have flitted into Lord Voldemort's mind without damage to yourself, but he cannot possess you with-out enduring mortal agony, as he discovered in the Ministry. I do not think he understands why, Harry, but then, he was in such a hurry to mutilate his own soul, he never paused to understand the incomparable power of a soul that is untarnished and whole."
"But, sir," said Harry, making valiant efforts not to sound argu-mentative, "it all comes to the same thing, doesn't it? I've got to try and kill him, or —"
"Got to?" said Dumbledore. "Of course you've got to! But not because of the prophecy! Because you, yourself, will never rest until you've tried! We both know it! Imagine, please, just for a moment,
that you had never heard that prophecy! How would you feel about Voldemort now? Think!"
Harry watched Dumbledore striding up and down in front ol him, and thought. He thought of his mother, his father, and Sinus. He thought of Cedric Diggory. He thought of all the terrible deeds he knew Lord Voldemort had done. A flame seemed to leap inside his chest, searing his throat.
"I'd want him finished," said Harry quietly. "And I'd want to do it."
"Of course you would!" cried Dumbledore. "You see, the prophecy does not mean you have to do anything! But the prophecy caused Lord Voldemort to mark you as his equal. ... In other words, you are free to choose your way, quite free to turn your back on the prophecy! But Voldemort continues to set store by the prophecy. He will continue to hunt you . . . which makes it certain, really, that —"
"That one of us is going to end up killing the other," said Harry. "Yes."
But he understood at last what Dumbledore had been trying to tell him. It was, he thought, the difference between being dragged into the arena to face a battle to the death and walking into the arena with your head held high. Some people, perhaps, would say that there was little to choose between the two ways, but Dumble-dore knew — and so do I, thought Harry, with a rush of fierce pride, and so did my parents — that there was all the difference in the world.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
But if you tame me, it will be as if the sun came to shine on my life . I shall know the sound of a step that will be different from all the others. Other steps send me hurrying back underneath the ground. Yours will call me, like music, out of my burrow. And then look: you see the grain-fields down yonder? I do not eat bread. Wheat is of no use to me. The wheat fields have nothing to say to me. And that is sad. But you have hair that is the colour of gold. Think how wonderful that will be when you have tamed me! The grain, which is also golden, will bring me back the thought of you. And I shall love to listen to the wind in the wheat...
”
”
Antoine de Saint-Exupéry
“
No, they did not bury me, though there is a period of time which I remember mistily, with a shuddering wonder, like a passage through some inconceivable world that had no hope in it and no desire. I found myself back in the sepulchral city resenting the sight of people hurrying through the streets to filch a little money from each other, to devour their infamous cookery, to gulp their unwholesome beer, to dream their insignificant and silly dreams. They trespassed upon my thoughts. They were intruders whose knowledge of life was to me an irritating pretense, because I felt so sure they could not possibly know the things I knew. Their bearing, which was simply the bearing of commonplace individuals going about their business in the assurance of perfect safety, was offensive to me like the outrageous flauntings of folly in the face of a danger it is unable to comprehend. I had no particular desire to enlighten them, but I had some difficulty in restraining myself from laughing in their faces, so full of stupid importance. I dare say I was not very well at that time. I tottered about the streets—there were various affairs to settle—grinning bitterly at perfectly respectable persons. I admit my behavior was inexcusable, but then my temperature was seldom normal in these days.
”
”
Joseph Conrad (Heart of Darkness)
“
What?” Ron bellowed furiously. “Four? You lousy, biased scumbag, you gave Krum ten!” But Harry didn’t care, he wouldn’t have cared if Karkaroff had given him zero; Ron’s indignation on his behalf was worth about a hundred points to him. He didn’t tell Ron this, of course, but his heart felt lighter than air as he turned to leave the enclosure. And it wasn’t just Ron . . . those weren’t only Gryffindors cheering in the crowd. When it had come to it, when they had seen what he was facing, most of the school had been on his side as well as Cedric’s. . . . He didn’t care about the Slytherins, he could stand whatever they threw at him now. “You’re tied in first place, Harry! You and Krum!” said Charlie Weasley, hurrying to meet them as they set off back toward the school.
”
”
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
“
They were furious. Did he not know he might catch cold? Why did he not answer their hail? It was no good his telling them he had not heard; they knew better; he had not got flannel ears--Why had he not waited for them? --What was a boat for? Was this a proper time to go a-swimmin? -- Did he think this was midsummer? Or Lammas? -- He was to see how cold he was, blue an trembling like a fucking jelly -- Would a new-joined ships boy have done such a wicked thing? No, sir, he would not. -- What would the skipper, what would Mr Pullings and Mr Babbington say, when they heard of his capers? -- As God loved them, they had never seen anything so foolish: he might strike them blind, else. -- Where had he left his intellectuals? Aboard the sloop? They dried him with handkerchiefs., dressed him by force, and rowed him quickly back to the Polychrest. He was to go below directly, turn in between blankets--no sheets, mind--with a pint of grog and have a good sweat. he was to go up the side now, like a Christian and nobody would notice. Plaice and Lakey were perhaps the strongest men in the ship, with arms like gorillas; they thrust him aboard and hurried him to his cabin without so much as by your leave, and left him there in the charge of his servant, with recommenations for his present care.
”
”
Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
“
Alai saw the tears but had the grace not to say so. "They're fartheads, Ender, they won't even let you take anything you own."
Ender grinned and didn't cry after all. "Think I should strip and go naked?"
Alai laughed, too.
On impulse Ender hugged him, tight, almost as if he were Valentine. He even thought of Valentine then and wanted to go home. "I don't want to go," he said.
Alai hugged him back. "I understand them, Ender. You are the best of us. Maybe they in a hurry to teach you everything."
"They don't want to teach me everything," Ender said. "I wanted to learn what it was like to have a friend."
Alai nodded soberly. "Always my friend, always the best of my friends," he said. Then he grinned. "Go slice up the buggers."
"Yeah," Ender smiled back.
Alai suddenly kissed Ender on the cheek and whispered in his ear, "Salaam.
”
”
Orson Scott Card (Ender’s Game (Ender's Saga, #1))
“
Apparently, we're all in the frame," I heard Harry murmur somewhere behind me. And I whirled back to him. Innate, irrational anger surged. Then stopped, dead - as I suddenly took in Handsome, Robert and Doc. They were all staring at me. They were concentrating, all resolute, all a tad furrow-browed… upon my face.
Self-consciousness burgeoned. I gingerly fingered my and lips and my chin,
"Am I drooling?"
"Your arse is hanging out," said Harry, not looking up from the forensics he was scanning.
And so it was.
Handsome, Robert and Doc averted their eyes as I, wishing I'd merely been dribbling, grabbed the back flaps of my breezy hospital gown, fully placed my back against the wall. Then, thinking better of it, dived hurriedly, carefully, back into bed.
If Chinese Lady'd been here, she could've, would've, told me.
I missed her already.
”
”
Morana Blue (Gatsby's Smile)
“
Not in the mood for pasta?” He narrowed those bold blue eyes to give her a critical study. “You must’ve hit your head harder than we thought.”
“I was going to do it—get dinner, I mean. One of the fancy things you like, because—Hell.” She gave up, hurried to him to wrap her arms around him. “I’m sorry. I’m sorry. I was so pissed off at what happened, at myself, I didn’t think.”
He stroked a hand down her hair first, then gave the choppy ends a quick tug. “I’m not angry with you.”
“I know. You could be, but you’re not. So I have to be even sorrier.”
“Your logic is fascinating, and elusive.”
“I can’t pay you back with sex or salt-crusted sea bass or whatever because you’re too busy taking care of me. So now I’ve got this black mark in my column against the bright shiny star in yours, and—”
He tipped her head up. “Are we keeping score?”
“No. Maybe. Shit.”
“How am I doing?”
“Undisputed champ.”
“Good. I like to win.” He brushed her bangs back to study the injury himself. “You’ll do. Let’s eat.
”
”
J.D. Robb (Promises in Death (In Death, #28))
“
His life was absurd. He went all over the world accepting all kinds of bondage and escaping. He was roped to a chair. He escaped. He was chained to a ladder. He escaped. He was handcuffed, his legs were put in irons, he was tied up in a strait jacket and put in a locked cabinet. He escaped. He escaped from bank vaults, nailed-up barrels, sewn mailbags; he escaped from a zinc-lined Knabe piano case, a giant football, a galvanized iron boiler, a rolltop desk, a sausage skin. His escapes were mystifying because he never damaged or appeared to unlock what he escaped from. The screen was pulled away and there he stood disheveled but triumphant beside the inviolate container that was supposed to have contained him. He waved to the crowd. He escaped from a sealed milk can filled with water. He escaped from a Siberian exile van. From a Chinese torture crucifix. From a Hamburg penitentiary. From an English prison ship. From a Boston jail. He was chained to automobile tires, water wheels, cannon, and he escaped. He dove manacled from a bridge into the Mississippi, the Seine, the Mersey, and came up waving. He hung upside down and strait-jacketed from cranes, biplanes and the tops of buildings. He was dropped into the ocean padlocked in a diving suit fully weighted and not connected to an air supply, and he escaped. He was buried alive in a grave and could not escape, and had to be rescued. Hurriedly, they dug him out. The earth is too heavy, he said gasping. His nails bled. Soil fell from his eyes. He was drained of color and couldn't stand. His assistant threw up. Houdini wheezed and sputtered. He coughed blood. They cleaned him off and took him back to the hotel. Today, nearly fifty years since his death, the audience for escapes is even larger.
”
”
E.L. Doctorow (Ragtime)
“
I will say it again," said Dumbledore as the phoenix rose into the air and resettled itself upon the perch beside the door. "You have shown bravery beyond anything I could have expected of you tonight. Harry. You have shown bravery equal to those who died fighting Voldemort at the height of his powers. You have shouldered a grown wizard's burden and found yourself equal to it - and you have now given us all we have a right to expect. You will come with me to the hospital wing. I do not want you returning to the dormitory tonight. A Sleeping Potion, and some peace . . . Sirius, would you like to stay with him?"
Sirius nodded and stood up. He transformed back into the great black dog and
walked with Harry and Dumbledore out of the office, accompanying them down a
flight of stairs to the hospital wing.
When Dumbledore pushed open the door. Harry saw Mrs. Weasley, Bill, Ron, and
Hermione grouped around a harassed-looking Madam Pomfrey. They appeared to
be demanding to know where Harry was and what had happened to him. All of
them whipped around as Harry, Dumbledore, and the black dog entered, and Mrs.
Weasley let out a kind of muffled scream.
"Harry! Oh Harry!"
She started to hurry toward him, but Dumbledore moved between them.
"Molly," he said, holding up a hand, "please listen to me for a moment. Harry has been through a terrible ordeal tonight. He has just had to relive it for me.What he needs now is sleep, and peace, and quiet. If he would like you all to stay with him," he added, looking around at Ron, Hermione, and Bill too, "you may do so. But I do not want you questioning him until he is ready to answer, and certainly not this evening."
Mrs. Weasley nodded. She was very white. She rounded on Ron, Hermione, and
Bill as though they were being noisy, and hissed, "Did you hear? He needs quiet!
”
”
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
“
That's always the way in this world. The chappies you'd like to lend money to won't let you, whereas the chappies you don't want to lend it to will do everything except actually stand you on your head and lift the specie out of your pockets. As a lad who has always rolled tolerably freely in the right stuff, I've had lots of experience of the second class. Many's the time, back in London, I've hurried along Piccadilly and felt the hot breath of the toucher on the back of my neck and heard his sharp excited yapping as he closed in on me. I've simply spent my life scattering largesse to blighters I didn't care a hang for; yet here was I now, dripping doubloons and pieces of eight and longing to hand them over, and. Bicky, poor fish, absolutely on his uppers, not taking any at any price.
”
”
P.G. Wodehouse
“
What is wrong with you?” I say in lieu of greeting. “You went to Morris’s dorm and declared your intentions?”
He offers a faint smile. “Of course. It was the noble thing to do. I can’t be chasing after another guy’s girl without his knowledge.”
“I’m not his girl,” I snap. “We went on one date! And now I’m never going to be his girl, because he doesn’t want to go out with me again.”
“What the hell?” Logan looks startled. “I’m disappointed in him. I thought he had more of a competitive spirit than that.”
“Seriously? You’re going to pretend to be surprised? He won’t see me again because your jackass self told him he couldn’t.”
Astonishment fills his eyes. “No, I didn’t.”
“Yes, you did.”
“Is that what he told you?” Logan demands.
“Not in so many words.”
“I see. Well, what words did he actually use?”
I grit my teeth so hard my jaw aches. “He said he’s backing off because he doesn’t want to get in the middle of something so complicated. I pointed out that there’s nothing complicated about it, seeing as you and I are not together.” My aggravation heightens. “And then he insisted that I need to give you a chance, because you’re a—” I angrily air-quote Morris’s words “—‘stand-up guy who deserves another shot.’”
Logan breaks out in a grin.
I stab the air with my finger. “Don’t you dare smile. Obviously you put those words in his mouth. And what the hell was he jabbering about when he told me you and him were ‘family’?” All the disbelief I’d felt during my talk with Morris comes spiraling back, making me pace the bedroom in hurried strides. “What did you say to him, Logan? Did you brainwash him or something? How are you guys family? You don’t even know each other!”
Strangled laughter sounds from Logan’s direction. I spin around and level a dark glower at him.
“He’s talking about the joint family we created in Mob Boss. It’s this role-playing game where you’re the Don of a mob family and you’re fighting a bunch of other mafia bosses for territory and rackets and stuff. We played it when I went over there, and I ended up staying until four in the morning. Seriously, it was intense.” He shrugs. “We’re the Lorris crime syndicate.”
I’m dumbfounded.
Oh my God.
Lorris? As in Logan and Morris? They fucking Brangelina’d themselves?
“What is happening?” I burst out. “You guys are best friends now?”
“He’s a cool guy. Actually, he’s even cooler in my book now for stepping down like that. I didn’t ask him to, but clearly he grasps what you refuse to see.”
“Yeah, and what’s that?” I mutter.
“That you and I are perfect for each other.”
No words. There are no words to accurately convey what I’m feeling right now. Horror maybe? Absolute insanity? I mean, it’s not like I’m madly in love with Morris or anything, but if I’d known that kissing Logan at the party would lead to…this, I would have strapped on a frickin’ chastity gag.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
Some time later, after Noah had discreetly disappeared, Declan’s Volvo glided up, as quiet as the Pig was loud. Ronan said, “Move up, move up” to Blue until she scooted the passenger seat far enough for him to clamber behind it into the backseat. He hurriedly sprawled back in the seat, throwing one jean-covered leg over the top of Adam’s and laying his head in a posture of thoughtless abandon. By the time Declan arrived at the driver’s side window, Ronan looked as if he had been asleep for days.
“Lucky I was able to get away,” Declan said. He peered into the car, eyes passing over Blue and snagging on Ronan in the backseat. His gaze followed his brother’s leg to where it rested on top of Adam’s, and his expression tightened.
“Thanks, D,” Gansey said easily. With no effort, he pushed open the door, forcing Declan back without seeming to. He moved the conversation to the region of the front fender. It became a battle of genial smiles and deliberate hand gestures.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Hazel knew, he could not help despising them for timid, helpless, stay-at-home creatures who could not fly. He was often impatient. Did he mean that he had looked at the river and considered it as if he were a rabbit? That there was slack water immediately below the bridge, with a low, shelving bank where they could get out easily? That seemed too much to hope for. Or did he simply mean that they had better hurry up and take a chance on being able to do what he himself could do without difficulty? This seemed more likely. Suppose one of them did jump out of the boat and go down with the current—what would that tell the others, if he did not come back?
”
”
Richard Adams (Watership Down)
“
from her purse. “We have to follow that car!” “But not too close,” Nancy replied. “We’d make them suspicious.” The girls waited three minutes before backing out into the main highway and then turning into the adjacent road. Though the automobile ahead had disappeared, tire prints were plainly visible. The road twisted through a stretch of wood-land. When finally the tire prints turned off into a heavily wooded narrow lane, Nancy was sure they were not far from the cabin. She parked among some trees and they went forward on foot. “There it is!” whispered Nancy, recognizing the chimney. “Bess, I want you to take my car, drive to River Heights, and look up the name of the owner of the car we just saw. Here’s the license number. “After you’ve been to the Motor Vehicle Bureau, please phone Mrs. Putney’s house. If she answers, we’ll know it wasn’t she we saw in the car. Then get hold of Dad or Ned, and bring one of them here as fast as you can. We may need help. Got it straight?” “I—I—g-guess so,” Bess answered. “Hurry back! No telling what may happen while you’re away.” The two watched as Nancy’s car rounded a bend and was lost to view. Then Nancy and George walked swiftly through the woods toward the cabin. Approaching the building, Nancy and George were amazed to find that no car was parked on the road in front. “How do you figure it?” George whispered as the girls crouched behind bushes. “We certainly saw tire marks leading into this road!” “Yes, but the car that passed may have gone on without stopping. Possibly the driver saw us and changed her plans. Wait here, and watch the cabin while I check the tire marks out at the
”
”
Carolyn Keene (The Ghost of Blackwood Hall (Nancy Drew, #25))
“
And thus they form a perfect group; he walks back two or three paces, selects his point of sight, and begins to sketch a hurried outline. He has finished it before they move; he hears their voices, though he cannot hear their words, and wonders what they can be talking of. Presently he walks on, and joins them.
'You have a corpse there, my friends?' he says.
'Yes; a corpse washed ashore an hour ago.'
'Drowned?'
'Yes, drowned; - a young girl, very handsome.'
'Suicides are always handsome,' he says; and then he stands for a little while idly smoking and meditating, looking at the sharp outline of the corpse and the stiff folds of the rough canvas covering.
Life is such a golden holiday to him young, ambitious, clever - that it seems as though sorrow and death could have no part in his destiny. ("The Cold Embrace")
”
”
Mary Elizabeth Braddon (Reign of Terror Volume 2: Great Victorian Horror Stories)
“
You need to be Queen. Everyone who knows anything knows htat, but most people don't know anything, and that is a problem." He scratched at the back of his head and shifted his weight. "I would never take that away from you. No matter what happens, I'd never take the crown from you, and I'd defend you against anybody who tried."
I didn't say anything to that. I'd never heard Tove talk so much before, and I didn't know what he was getting at.
"I know that you're in love with...well, not me," he said carefully. "And I'm not in love with you either. But I do respect you and I like you."
"I respect and like you too," I said, and he gave me a small smile.
"But it's a number of things, and it's none of them." He let out a deep breath. "That didn't make sense. I mean,it's because you need somebody to help you keep the throne, and somebody on your side, and I can do that. But...it's just because I think...I want to."
"What?" I asked, and he actually looked at me, letting his mossy eyes stare into mine.
"Will you...I mean,do you want to get married?" Tove asked. "To me?"
"I,um..." I didn't know what to say.
"If you don't want to,nothing has to change between us," Tove said hurriedly. "I asked because it sounds like a good idea to me."
"Yeah," I said,and I didn't know what I would say until it was comign out of my mouth. "I mean,yes,I do.I will. I would...I'll marry you."
"Yeah?" Tove smiled.
"Yes." I swallowed hard and tried to smile back.
"Good." He exhaled and looked back down the hall. "This is good,right?"
"Yeah,I think so," I said, and I meant it.
"Yeah." He nodded. "I sorta feel like throwing up now,though."
"I think that's normal."
"Good." He nodded again and looked at me. "Well,I'll let you go...do whatever you need to do.And I'll go do what I do."
"okay," I nodded.
"All right." He randomly patted me on the shoulder, then nodded again, and walked away.
”
”
Amanda Hocking (Torn (Trylle, #2))
“
You've been a really good friend to me, Richard. And I've sort of got to quite like having you around. Please don't go.' He squeezed her hand in his gently. 'Well,' he said, 'I've sort of got to quite like having you around, too. But I don't belong in this world. In my London...well, the most dangerous thing you ever have to watch out for is a taxi in a bit of a hurry. I like you too. I like you an awful lot. But I have to go home.' She looked up at him with her odd-coloured eyes, green and blue and flame. 'Then we won't ever see each other again,' she said. 'I suppose we won't' 'Thanks for everything you did,' she said, seriously. Then she threw her arms around him, and she squeezed him tightly enough that the bruises on his ribs hurt, and he hugged her back, just as tightly, making all his bruises complain violently, and he simply didn't care.
”
”
Neil Gaiman (Neverwhere (London Below, #1))
“
Start with very small experiments. When anger arises, stop! What is the hurry? When you feel hatred, wait! There should be some interval. Reply only when you are fully conscious – not until that. You will find that all that is sinful in life has fallen away from you; all that is wrong is banished forever. You will suddenly discover, there is no need to respond to anger. Perhaps you might feel like thanking the man who insults you. Because he has obliged you. He gave you an opportunity to awaken.
Kabir has said stay near the one who is critical of you. Look after him and serve him who is abusing you because it is he who gives you the opportunity to awaken.
All the occasions that drown you in unconsciousness can be turned into stepping stones to awareness if you wish so. Life is like a huge boulder lying in the middle of the road. Those who are foolish, see the stone as a barrier and turn back. For them the road is closed. Those who are clever, climb the stone and use it as a step. And the moment they make it a stepping stone greater heights are available to them.
A seeker should keep in mind only one factor, and that is: to utilize each moment to awaken awareness. Then be it hunger or anger or lust or greed, every state can be utilized towards awareness.
”
”
Osho (Bliss: Living beyond happiness and misery)
“
We startled awake, alarmed by her shouting, jumping to our feet, drawing swords, looking for imminent danger.
Jeb was saying it was a false alarm, that there was nothing wrong, but Lia had somehow gotten to her feet on her own, her eyes wild, telling us we had to leave. A relieved breath hissed between my teeth and I lowered my sword. She’d only had a nightmare. I stepped toward her. “Lia, it was just a bad dream. Let me help you lie back down.”
She hobbled backward, determined, sweat glistening on her face, and her arm stretched out to keep me at a distance. “No! Get ready. We leave this morning.”
“Look at you,” I said. "You’re tottering like a drunk. You can’t ride.”
“I can and I will."
“What’s your hurry, Your Highness?” Sven asked.
She looked from me to my men. Their feet were firmly planted. They weren’t going anywhere based on her wild-eyed demands. Had she spiked another fever?
Her expression sobered. “Please, Rafe, you have to trust me on this.”
“What did you see?” I asked.
“It’s not what I saw but what I heard— Aster’s voice telling me not to tarry.”
“Didn’t she say that to you a dozen times?”
“At least,” she answered, but her stance remained determined.
All this rush over don’t tarry?
Ever since I had gathered her into my arms on that riverbank, I had been looking over my shoulder for danger. I knew it was there. But I had to weigh that uncertainty against the benefits of healing too.
I looked away, trying to think. I wasn’t sure if I was making the right decision or not, but I turned back to my men. “Pack up.
”
”
Mary E. Pearson (The Beauty of Darkness (The Remnant Chronicles, #3))
“
J. P. Morgan tells the story of how he would get his shoes shined every Wednesday at the same shop around the corner from his office. One day the shoe shine attendant asked him if he and his friends could buy some stock through Morgan’s brokerage. The three friends had about $40—a lot of money in 1929. Morgan politely refused, hurried back to his office, and ordered that his company was not to have a single share of stock on its books by the end of the day. Morgan simply asked, “If the shoe shine boys are buying stocks, who else is left?” Of course, the 1929 stock market crash was only a few days away, and Morgan looked like a genius. He was not a genius; he noted that the order flow was likely running out on the buy side. It wasn’t his army of analysts that showed him that. It was a public investor.
”
”
Anonymous
“
Tsunami spotted Snail and Herring among the guards. Their eyes darted anxiously from side to side, as if they were wondering how they were still alive. Because Mother wants to make a spectacle of them, Tsunami guessed. Coral was probably waiting for the right moment to punish them in public, the way she’d punished Tortoise. Well, two can play the spectacle game, Your Majesty. “MOTHER!” Tsunami declared dramatically as the waitstaff set bowls of soup in front of each dragon. Beside her, Whirlpool jumped and nearly tipped his bowl onto himself. Even Queen Coral looked startled. “I have something DREADFULLY SHOCKING to tell you!” Tsunami announced. She wanted this to be loud, so every dragon could witness it. “Oh?” said Coral. “Could we discuss it after breakfast? In a civilized fashion?” “NO,” Tsunami said, louder than before. “This is TOO SHOCKING.” Even SeaWings not invited to the feast were starting to peer out of their caves and poke their heads out of the lake to hear what was going on. “Well, perhaps —” Coral started. “WOULD YOU BELIEVE,” Tsunami said, “that my friends — the DRAGONETS OF DESTINY, remember — were CHAINED UP? And STARVED? In YOUR CAVES? By YOUR DRAGONS?” “What?” Coral said, flapping her wings. She looked thoroughly alarmed, but Tsunami couldn’t tell whether that was because the news actually surprised her or because she was being confronted openly with what she’d done. “I KNOW!” Tsunami practically bellowed. “It’s UNBELIEVABLE. I’m sure you didn’t know anything about it, of course.” “Of course,” Coral said in a hurry. “I would never treat any dragonets that way! Especially my dearest daughter’s dearest friends. Who are part of the prophecy and everything.” “And I’m sure you’ll want to punish the dragons who disobeyed you by treating my friends so terribly,” Tsunami said. “Right? Like, for instance, the one who lied to you about keeping them well fed?” She shot a glare at Lagoon, who froze with a sea snail halfway to her mouth, suddenly realizing what was going on. “Absolutely,” said the queen. “Guards! Throw Lagoon in one of the underwater dungeons!” “But —” Lagoon said. “But I was only —” “Next time you’ll obey my orders,” said the queen. A stripe quickly flashed under her wings, but Tsunami spotted it, and it was one Riptide had taught her. Silence. Oh, Mother, Tsunami thought sadly. “Can’t I even —” Lagoon said, reaching wistfully for her cauldron of soup as the guards pulled her away. “No breakfast for you,” the queen ordered. “Think about how that feels as you sit in my dungeon.” Tsunami was fairly sure Lagoon wouldn’t actually suffer very much. Queen Coral would have her back at Council meetings before long. But Tsunami wasn’t done. “And
”
”
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
“
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms."
My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff.
"No,Nate," we say.
He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut.
Condoms.Oh my God, how humiliating.
St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that?
We reach the landing,and St. Clair scratches his head. "Er..."
"So..."
"I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully.
"Yeah.Me too.I'm going to...get ready for bed,too."
"See you in a minute?"
I swell with relief. "Up there or down here?"
"Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him.
Like I'd even know how.
St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing.
"Room service," he says.
My mind goes...blank. "Ha ha," I say weakly.
He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something.
After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says.
"It's okay."
"..."
"..."
"Anna?"
"Yeah?"
"Thanks for letting me sleep here again. Last night..."
The pressure inside my chest is torturous. What? What what what?
"I haven't slept that well in ages."
The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Q (Quiller-Couch) was all by himself my college education. I went down to the public library one day when I was seventeen looking for books on the art of writing, and found five books of lectures which Q had delivered to his students of writing at Cambridge.
"Just what I need!" I congratulated myself. I hurried home with the first volume and started reading and got to page 3 and hit a snag:
Q was lecturing to young men educated at Eton and Harrow. He therefore assumed his students − including me − had read Paradise Lost as a matter of course and would understand his analysis of the "Invocation to Light" in Book 9. So I said, "Wait here," and went down to the library and got Paradise Lost and took it home and started reading it and got to page 3, when I hit a snag:
Milton assumed I'd read the Christian version of Isaiah and the New Testament and had learned all about Lucifer and the War in Heaven, and since I'd been reared in Judaism I hadn't. So I said, "Wait here," and borrowed a Christian Bible and read about Lucifer and so forth, and then went back to Milton and read Paradise Lost, and then finally got back to Q, page 3. On page 4 or 5, I discovered that the point of the sentence at the top of the page was in Latin and the long quotation at the bottom of the page was in Greek. So I advertised in the Saturday Review for somebody to teach me Latin and Greek, and went back to Q meanwhile, and discovered he assumed I not only knew all the plays by Shakespeare, and Boswell's Johnson, but also the Second books of Esdras, which is not in the Old Testament and not in the New Testament, it's in the Apocrypha, which is a set of books nobody had ever thought to tell me existed.
So what with one thing and another and an average of three "Wait here's" a week, it took me eleven years to get through Q's five books of lectures.
”
”
Helene Hanff
“
Not that she did in fact run or hurry; she went indeed rather slowly. She felt rather inclined just for a moment to stand still after all that chatter, and pick out one particular thing; the thing that mattered; to detach it; separate it off; clean it of all the emotions and odds and ends of things, and so hold it before her, and bring it to the tribunal where, ranged about in conclave, sat the judges she had set up to decide these things. Is it good, is it bad, is it right or wrong? Where are we all going to? and so on. She righted herself after the shock of the event, and quite unconsciously and incongruously, used the branches of the elm trees outside to help her to stabilise her position. Her world was changing: they were still. The event had given her a sense of movement. All must be in order. She must get that right and that right, she thought, insensibly approving of the dignity of the trees’ stillness, and now again of the superb upward rise (like the beak of a ship up a wave) of the elm branches as the wind raised them. For it was windy (she stood a moment to look out). It was windy, so that the leaves now and then brushed open a star, and the stars themselves seemed to be shaking and darting light trying to flash out between the edges of the leaves. Yes, that was done then, accomplished; and as with all things done, became solemn. Now one thought of it, cleared of chatter and emotion, it seemed always to have been, only was shown now and so being shown, struck everything into stability. They would, she thought, going on again, however long they lived, come back to this night; this moon; this wind; this house: and to her too.
”
”
Virginia Woolf (To the Lighthouse)
“
The doors burst open, startling me awake. I nearly jumped out of bed. Tove groaned next to me, since I did this weird mind-slap thing whenever I woke up scared, and it always hit him the worst. I'd forgotten about it because it had been a few months since the last time it happened.
"Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes.
"What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired as hell, and I was not happy.
"I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newlyweds."
"Oh, my god." I groaned and pulled the covers over my head.
"You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time."
"A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenuous activities, like a long night of lovemaking, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you."
"Yes, we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had poured for him.
"What about you, Princess?" Loki's gaze cut to me as he filled another glass.
"I'm not hungry." I sighed and sat up.
"Oh, really?" Loki arched an eyebrow. "Does that mean that last night-"
"It means that last night is none of your business," I snapped.
I got up and hobbled over to Elora's satin robe, which had been left on a nearby chair. My feet and ankles ached from all the dancing I'd done the night before.
"Don't cover up on my account," Loki said as I put on the robe. "You don't have anything I haven't seen."
"Oh, I have plenty you haven't seen," I said and pulled the robe around me.
"You should get married more often," Loki teased. "It makes you feisty."
I rolled my eyes and went over to the table. Loki had set it all up, complete with a flower in a vase in the center, and he'd pulled off the domed lids to reveal a plentiful breakfast. I took a seat across from Tove, only to realize that Loki had pulled up a third chair for himself.
"What are you doing?" I asked.
"Well, I went to all the trouble of having someone prepare it, so I might as well eat it." Loki sat down and handed me a flute filled with orange liquid. "I made mimosas."
"Thanks," I said, and I exchanged a look with Tove to see if it was okay if Loki stayed.
"He's a dick," Tove said over a mouthful of food, and shrugged. "But I don't care."
In all honesty, I think we both preferred having Loki there. He was a buffer between the two of us so we didn't have to deal with any awkward morning-after conversations. And though I'd never admit it aloud, Loki made me laugh, and right now I needed a little levity in my life.
"So, how did everyone sleep last night?" Loki asked.
There was a quick knock at the bedroom doors, but they opened before I could answer. Finn strode inside, and my stomach dropped. He was the last person I'd expected to see. I didn't even think he would be here anymore. After the other night I assumed he'd left, especially when I didn't see him at the wedding.
"Princess, I'm sorry-" Finn started to say as he hurried in, but then he saw Loki and stopped abruptly.
"Finn?" I asked, stunned.
Finn looked appalled and pointed at Loki. "What are you doing here?"
"I'm drinking a mimosa." Loki leaned back in his chair. "What are you doing here?"
"What is he doing here?" Finn asked, turning his attention to me.
"Never mind him." I waved it off. "What's going on?"
"See, Finn, you should've told me when I asked," Loki said between sips of his drink.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
Good evening," it lowed and sat back heavily on its haunches, "I am the main Dish of the Day. May I interest you in parts of my body? It harrumphed and gurgled a bit, wriggled its hind quarters into a more comfortable position and gazed peacefully at them.
Its gaze was met by looks of startled bewilderment from Arthur and Trillian, a resigned shrug from Ford Prefect and naked hunger from Zaphod Beeblebrox.
"Something off the shoulder perhaps?" suggested the animal. "Braised in a white wine sauce?"
"Er, your shoulder?" said Arthur in a horrified whisper.
"But naturally my shoulder, sir," mooed the animal contentedly, "nobody else's is mine to offer."
Zaphod leapt to his feet and started prodding and feeling the animal's shoulder appreciatively.
"Or the rump is very good," murmured the animal. "I've been exercising it and eating plenty of grain, so there's a lot of good meat there." It gave a mellow grunt, gurgled again and started to chew the cud. It swallowed the cud again.
"Or a casserole of me perhaps?" it added.
"You mean this animal actually wants us to eat it?" whispered Trillian to Ford.
"Me?" said Ford, with a glazed look in his eyes. "I don't mean anything."
"That's absolutely horrible," exclaimed Arthur, "the most revolting thing I've ever heard."
"What's the problem, Earthman?" said Zaphod, now transferring his attention to the animal's enormous rump.
"I just don't want to eat an animal that's standing there inviting me to," said Arthur. "It's heartless."
"Better than eating an animal that doesn't want to be eaten," said Zaphod.
"That's not the point," Arthur protested. Then he thought about it for a moment. "All right," he said, "maybe it is the point. I don't care, I'm not going to think about it now. I'll just ... er ..."
The Universe raged about him in its death throes.
"I think I'll just have a green salad," he muttered.
"May I urge you to consider my liver?" asked the animal, "it must be very rich and tender by now, I've been force-feeding myself for months."
"A green salad," said Arthur emphatically.
"A green salad?" said the animal, rolling his eyes disapprovingly at Arthur.
"Are you going to tell me," said Arthur, "that I shouldn't have green salad?"
"Well," said the animal, "I know many vegetables that are very clear on that point. Which is why it was eventually decided to cut through the whole tangled problem and breed an animal that actually wanted to be eaten and was capable of saying so clearly and distinctly. And here I am."
It managed a very slight bow.
"Glass of water please," said Arthur.
"Look," said Zaphod, "we want to eat, we don't want to make a meal of the issues. Four rare steaks please, and hurry. We haven't eaten in five hundred and seventy-six thousand million years."
The animal staggered to its feet. It gave a mellow gurgle.
"A very wise choice, sir, if I may say so. Very good," it said. "I'll just nip off and shoot myself."
He turned and gave a friendly wink to Arthur.
"Don't worry, sir," he said, "I'll be very humane."
It waddled unhurriedly off to the kitchen.
A matter of minutes later the waiter arrived with four huge steaming steaks.
”
”
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
“
Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down.
Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out. And down to the rocks come the black flies to eat anything they can find. The sharp smell of iodine from the algae, and the lime smell of calcareous bodies and the smell of powerful protean, smell of sperm and ova fill the air. On the exposed rocks the starfish emit semen and eggs from between their rays. The smells of life and richness, of death and digestion, of decay and birth, burden the air. And salt spray blows in from the barrier where the ocean waits for its rising-tide strength to permit it back into the Great Tide Pool again. And on the reef the whistling buoy bellows like a sad and patient bull.
”
”
John Steinbeck (Cannery Row (Cannery Row, #1))
“
There is no pain - just travel.
On her knees, she stays still as a supplicant ready for communion. It is very quiet. All of a sudden there is no hurry. There will be time for everything. For the breezes that blow and for the rainwater drying in the gutters, for Maury to find a place of safety in the world, for Malcolm to come back from the dead and ask her about birds and jets. For the big things too, things like beauty and vengeance and honor and righteousness and the grace of God and the slow spilling of the earth from day to night and back to day again.
It is spread out before her, compressed into one single moment. She will be able to see it all -- if she can keep her sleepy eyes open.
It's like a dream where she is. Like a dream where you find yourself underwater and you are panicked for a moment until you realize you no longer need to breathe, and you can stay under the surface forever.
She feels her body falling sideways to the ground. It happens slow - and she expects a crash that never comes because her mind is jumping and it doesn't know which way is up anymore, like the moon above her and the fish below her and her in between floating, like on the surface of the river, floating between sea and sky, the world all skin, all meniscus, and she a part of it too.
Moses Todd told her if you lean over the rail at Niagara Falls it takes your breath away, like turning yourself inside out -- and Lee the hunter told her that one time people used to stuff themselves in barrels and ride over the edge.
And she is there too, floating out over the edge of the falls, the roar of the water so deafening it's like hearing nothing at all, like pillows in your ears, and the water exactly the temperature of your skin, like you are falling and the water is falling, and the water is just more of you, like everything is just more of you, just different configurations of the things that make you up.
She is there, and she's sailing out and down over the falls, down and down, and it takes a long time because the falls are one of God's great mysteries and so high they are higher than any building, and so she is held there, spinning in the air, her eyes closed because she's spinning on the inside too, down and down.
She wonders if she will ever hit the bottom, wonders will the splash ever come.
Maybe not - because God is a slick god, and he knows things about infinities. Infinities are warm places that never end. And they aren't about good and evil, they're just peaceful-like and calm, and they're where all travelers go eventually, and they are round everywhere you look because you can't have any edges in infinities.
And also they make forever seem like an okay thing.
”
”
Alden Bell (The Reapers are the Angels (Reapers, #1))
“
Let's take another look at that awful word 'desperate.' As Stephanie Coontz points out, the fact that we throw this label on women who have refrained from marrying is absurd. 'It's understandable that many women are anxious about the prospect of finding a good husband,' Coontz wrote in Marriage, a History. 'But few modern women are actually desperate to marry. Historically, desperate is agreeing to marry a much older man whom you find physically repulsive. Desperate is closing your eyes to prostitutes and mistresses and praying you don't get a venereal disease. Desperate is having child after child because your husband won't let you use birth control or covering the bruises you got last night when you hurry to the market to shop for the evening meal. Women today may be anxious about finding a mate, but most could not even imagine being that desperate.'
You didn't rush back to that mediocre relationship. You didn't grit your teeth and enter some passionless union with a perfectly nice guy who doesn't get you. There are people who are afraid to be alone, who head for the nearest warm body after each breakup, or who stay in miserable relationships because the alternative is so terrifying. But that's not you, is it?
”
”
Sara Eckel (It's Not You: 27 (Wrong) Reasons You're Single)
“
His cellphone alarm beeped. Now. Who would he nail?
A single target tonight. So, a single bullet in the gun.
David put the crosshairs on one of the guys walking out of the Quick Trip. Tall man, longish hair, scruffy beard. The guy pulled keys from his pocket and the crosshairs settled on his face.
What was next? David pulled the trigger. The back of the guy’s head exploded. A massive wound.
The guy’s friend looked around. The pregnant woman screamed. The black guy ran. The girls hugged each other.
David pulled the trunk lid back down. Clicked and locked. A gentle walkway wound around the mall. Sol slowly drove away.
David’s breaths came fast, almost pants. He then took his black pants off and removed his soiled underwear. He reached in the plastic bag for the fresh pair. Changing in the trunk of a dark and hot and moving car was difficult. Just part of the job now.
When he pulled the trigger, he orgasmed. Always did.
David slowed his breathing. Taylor series for ex = 1 + x + X2 / 2! + X3 / 3! etc.
Yes, that was better.
He closed his eyes and let go of the rope and let the rifle roll to one side. That guy’s head exploded.
They drove away, below the speed limit. Didn’t want to attract attention. No need to, in no hurry.
”
”
Michael Grigsby
“
The morning sea of silence broke into ripples of bird songs; and the flowers were all merry by the roadside; and the wealth of gold was scattered through the rift of the clouds while we busily went on our way and paid no heed.
We sang no glad songs nor played; we went not to the village for barter; we spoke not a word nor smiled; we lingered not on the way. We quickened our pace more and more as the time sped by.
The sun rose to the mid sky and doves cooed in the shade. Withered leaves danced and whirled in the hot air of noon. The shepherd boy drowsed and dreamed in the shadow of the banyan tree, and I laid myself down by the water and stretched my tired limbs on the grass.
My companions laughed at me in scorn; they held their heads high and hurried on; they never looked back nor rested; they vanished in the distant blue haze. They crossed many meadows and hills, and passed through strange, far-away countries. All honour to you, heroic host of the interminable path! Mockery and reproach pricked me to rise, but found no response in me. I gave myself up for lost in the depth of a glad humiliation---in the shadow of a dim delight.
The repose of the sun-embroidered green gloom slowly spread over my heart. I forgot for what I had travelled, and I surrendered my mind without struggle to the maze of shadows and songs.
At last, when I woke from my slumber and opened my eyes, I saw thee standing by me, flooding my sleep with thy smile. How I had feared that the path was long and wearisome, and the struggle to reach thee was hard!
”
”
Rabindranath Tagore (Gitanjali)
“
When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...'
My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning.
A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. ("The Lifted Veil")
”
”
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
“
Mr. Kadam bowed and said, “Miss Kelsey, I will leave you to your dining companion. Enjoy your dinner.” Then he walked out of the restaurant.
“Mr. Kadam, wait. I don’t understand.”
Dining companion? What is he talking about? Maybe he’s confused.
Just then, a deep, all-too-familiar voice behind me said, “Hello, Kells.”
I froze, and my heart dropped into my stomach, stirring up about a billion butterflies. A few seconds passed. Or was it a few minutes? I couldn’t tell.
I heard a sigh of frustration. “Are you still not talking to me? Turn around, please.”
A warm hand slid under my elbow and gently turned me around. I raised my eyes and gasped softly. He was breathtaking! So handsome, I wanted to cry.
“Ren.”
He smiled. “Who else?”
He was dressed in an elegant black suit and he’d had his hair cut. Glossy black hair was swept back away from his face in tousled layers that tapered to a slight curl at the nape of his neck. The white shirt he wore was unbuttoned at the collar. It set off his golden-bronze skin and his brilliant white smile, making him positively lethal to any woman who might cross his path. I groaned inwardly.
He’s like…like James Bond, Antonio Banderas, and Brad Pitt all rolled into one.
I decided the safest thing to do would be to look at his shoes. Shoes were boring, right? Not attractive at all. Ah. Much better. His shoes were nice, of course-polished and black, just like I would expect. I smiled wryly when I realized that this was the first time I’d ever seen Ren in shoes.
He cupped my chin and made me look at his face. The jerk. Then it was his turn to appraise me. He looked me up and down. And not a quick look. He took it all in slowly. The kind of slow that made a girl’s face feel hot. I got mad at myself for blushing and glared at him.
Nervous and impatient, I asked, “Are you finished?”
“Almost.” He was now staring at my strappy shoes.
“Well, hurry up!”
His eyes drifted leisurely back up to my face and he smiled at me appreciatively, “Kelsey, when a man spends time with a beautiful woman, he needs to pace himself.”
I quirked an eyebrow at him and laughed. “Yeah, I’m a regular marathon alright.”
He kissed my fingers. “Exactly. A wise man never sprints…in a marathon.”
“I was being sarcastic, Ren.”
He ignored me and tucked my hand under his arm then led me over to a beautifully lit table. Pulling the chair out for me, he invited me to sit.
I stood there wondering if I could sprint for the nearest exit. Stupid strappy shoes, I’d never make it.
He leaned in close and whispered in my ear. “I know what you’re thinking, and I’m not going to let you escape again. You can either take a seat and have dinner with me like a normal date,” he grinned at his word choice, “or,” he paused thoughtfully then threatened, “you can sit on my lap while I force-feed you.”
I hissed, “You wouldn’t dare. You’re too much of a gentleman to force me to do anything. It’s an empty bluff, Mr. Asks-For-Permission.”
“Even a gentleman has his limits. One way or another, we’re going to have a civil conversation. I’m hoping I get to feed you from my lap, but it’s your choice.”
He straightened up again and waited. I unceremoniously plunked down in my chair and scooted in noisily to the table. He laughed softly and took the chair across from me. I felt guilty because of the dress and readjusted my skirt so it wouldn’t wrinkle.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
And so Emma Morley walked home in the evening light, trailing her disappointment behind her. The day was cooling off now, and she shivered as she felt something in the air, an unexpected shudder of anxiety that ran the length of her spine, and was so intense as to make her stop walking for a moment. Fear of the future, she thought. She found herself at the imposing junction of George Street and Hanover Street as all around her people hurried home from work or out to meet friends or lovers, all with a sense of purpose and direction. And here she was, twenty-two and clueless and sloping back to a dingy flat, defeated once again.
‘What are you doing to do with your life?’ In one way or another it seemed that people had been asking her this forever, teachers. her parents, friends at three in the morning, but the question had never seemed this pressing and still she was no nearer an answer. The future rose up ahead of her, a succession of empty days, each more daunting and unknowable than the one before her. How would she ever fill them all?
She began walking again, south towards The Mound. ‘Live each day as if it’s your last’, that was the conventional advice, but really, who had the energy for that? What if rained or you felt a bit glandy? It just wasn’t practical. Better by far to simply try and be good and be courageous and bold and to make a difference. Not change the world exactly, but the bit around you. Go out there with your passion and your electric typewriter and work hard at…something. Change lives through art maybe. Cherish your friends, stay true to your principles, live passionately and fully and well. Experience new things. Love and be loved, if you ever get the chance.
”
”
David Nicholls (One Day)
“
The energetic kender had already grabbed hold of the dwarf's boot and heaved, propelling Flint head first right into the hard-muscled body of the young bronze dragon. Hands flailing wildly, Flint caught hold of the harness on the dragon's neck and hung on for dear life, revolving slowly in the air like a sack on a hook.
"What are you doing?" Tas asked in disgust, gazing up at Flint. "This is no time to play! Here, let me help--"
"Stop it! Let go!" roared Flint, kicking at Tasselhoff's hands. "Get back! Get back, I say!"
"Get up yourself then," Tas said, hurt, backing up.
Puffing and red-faced, the dwarf dropped to the ground. "I'll get on in my own good time!" he said, glaring at the kender. "Without help from you!"
...The dwarf cast a glance back at the big bronze dragon and folded his arms across his chest stubbornly. "I've got to give this some thought--"
"Oh, come on, Flint!" Tas begged. "You're only stalling. I want to fly! Please, Flint, hurry!" The kender brightened. "I could go by myself..."
...
Khirsah, the dragon, gazed down at the two with amused impatience... yet, young as he was, the bronze dragon held a great reverence and respect for the elders of the world. Though vastly older than the dwarf in years, Khirsah saw in Flint one who had led a long, full, rich life; one worthy of respect. But, Khirsah thought with a sigh, if I don't do something, the kender's right--the battle will be over.
”
”
Margaret Weis
“
Good morning," said the little prince.
"Good morning," said the railway switchman.
"What do you do here?" the little prince asked.
"I sort out travelers, in bundles of a thousand," said the switchman.
"I send off the trains that carry them: now to the right, now to the left."
And a brilliantly lighted express train shook the switchman's cabin as it rushed by with a roar like thunder.
"They are in a great hurry," said the little prince. "What are they looking for?"
"Not even the locomotive engineer knows that," said the switchman.
And a second brilliantly lighted express thundered by, in the opposite direction.
"Are they coming back already?" demanded the little prince.
"These are not the same ones," said the switchman. "It is an exchange."
"Were they not satisfied where they were?" asked the little prince.
"No one is ever satisfied where he is," said the switchman.
And they heard the roaring thunder of a third brilliantly lighted express.
"Are they pursuing the first travelers?" demanded the little prince.
"They are pursuing nothing at all," said the switchman.
"They are asleep in there, or if they are not asleep they are yawning.
Only the children are flattening their noses against the windowpanes."
"Only the children know what they are looking for," said the little prince.
"They waste their time over a rag doll and it becomes very important to them;
and if anybody takes it away from them, they cry . . ."
"They are lucky," the switchman said.
”
”
Antoine de Saint-Exupéry (The Little Prince)
“
Here, Kells. I brought you something,” he said unassumingly and held out three mangos.
“Thanks. Um, dare I ask where you got them?”
“Monkeys.”
I stopped in mid-brush. “Monkeys? What do you mean monkeys?”
“Well, monkeys don’t like tigers because tigers eat monkeys. So, when a tiger comes around, they jump up in the trees and pummel the tiger with fruit or feces. Lucky for me today they threw fruit.”
I gulped. “Have you ever…eaten a monkey?”
Ren grinned at me. “Well, a tiger does have to eat.”
I dug a rubber band out of the backpack so I could braid my hair. “Ugh, that’s disgusting.”
He laughed. “I didn’t really eat a monkey, Kells. I’m just teasing you. Monkeys are repellant. They taste like meaty tennis balls and they smell like feet.” He paused. “Now a nice juicy deer, that is delectable.” He smacked his lips together in an exaggerated way.
“I don’t think I really need to hear about your hunting.”
“Really? I quite enjoy hunting.”
Ren froze into place. Then, almost imperceptibly, he lowered his body slowly to a crouch and balanced on the balls of his feet. He placed a hand in the grass in front of him and began to creep closer to me. He was tracking me, hunting me. His eyes locked on mine and pinned me to the spot where I was standing. He was preparing to spring. His lips were pulled back in a wide grin, which showed his brilliant white teeth. He looked…feral.
He spoke in a silky, mesmerizing voice. “When you’re stalking your prey, you must freeze in place and hide, remaining that way for a long time. If you fail, your prey eludes you.” He closed the distance between us in a heartbeat.
Even though I’d been watching him closely, I was startled at how fast he could move. My pulse started thumping wildly at my throat, which was where his lips now hovered as if he were going for my jugular.
He brushed my hair back and moved up to my ear, whispering, “And you will go…hungry.” His words were hushed. His warm breath tickled my ear and made goose bumps fan out over my body.
I turned my head slightly to look at him. His eyes had changed. They were a brighter blue than normal and were studying my face. His hand was still in my hair, and his eyes drifted down to my mouth. I suddenly had the distinct impression that this was what it felt like to be a deer.
Ren was making my nervous. I blinked and swallowed dryly. His eyes darted back up to mine again. He must have sensed my apprehension because his expression changed. He removed his hand from my hair and relaxed his posture.
“I’m sorry if I frightened you, Kelsey. It won’t happen again.”
When he took a step back, I started breathing again. I said shakily, “Well, I don’t want to hear any more about hunting. It freaks me out. The least you could do is not tell me about it. Especially when I have to spend time with you outdoors, okay?”
He laughed. “kells, we all have some animalistic tendencies. I loved hunting, even when I was young.”
I shuddered. “Fine. Just keep your animalistic tendencies to yourself.”
He leaned toward me again and pulled on a strand of my hair. “Now, Kells, there are some of my animalistic tendencies that you seem to like.” He started making a rumbling sound in his chest, and I realized that he was purring.
“Stop that!” I sputtered.
He laughed, walked over to the backpack, and picked up the fruit. “So, do you want any of this mango or not? I’ll wash it for you.”
“Well, considering you carried it in your mouth all that way just for me. And taking into account the source of said fruit. Not really.”
His shoulders fell, and I hurried to add, “But I guess I could eat some of the inside.”
He looked up at me and smiled. “It’s not freeze-dried.”
“Okay. I’ll try some.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
One," said the recording secretary.
"Jesus wept," answered Leon promptly.
There was not a sound in the church. You could almost hear the butterflies pass. Father looked down and laid his lower lip in folds with his fingers, like he did sometimes when it wouldn't behave to suit him.
"Two," said the secretary after just a breath of pause.
Leon looked over the congregation easily and then fastened his eyes on Abram Saunders, the father of Absalom, and said reprovingly: "Give not sleep to thine eyes nor slumber to thine eyelids."
Abram straightened up suddenly and blinked in astonishment, while father held fast to his lip.
"Three," called the secretary hurriedly.
Leon shifted his gaze to Betsy Alton, who hadn't spoken to her next door neighbour in five years.
"Hatred stirreth up strife," he told her softly, "but love covereth all sins."
Things were so quiet it seemed as if the air would snap.
"Four."
The mild blue eyes travelled back to the men's side and settled on Isaac Thomas, a man too lazy to plow and sow land his father had left him. They were not so mild, and the voice was touched with command: "Go to the ant, thou sluggard, consider her ways and be wise."
Still that silence.
"Five," said the secretary hurriedly, as if he wished it were over. Back came the eyes to the women's side and past all question looked straight at Hannah Dover.
"As a jewel of gold in a swine's snout, so is a fair woman without discretion."
"Six," said the secretary and looked appealingly at father, whose face was filled with dismay.
Again Leon's eyes crossed the aisle and he looked directly at the man whom everybody in the community called "Stiff-necked Johnny."
I think he was rather proud of it, he worked so hard to keep them doing it.
"Lift not up your horn on high: speak not with a stiff neck," Leon commanded him.
Toward the door some one tittered.
"Seven," called the secretary hastily.
Leon glanced around the room.
"But how good and how pleasant it is for brethren to dwell together in unity," he announced in delighted tones as if he had found it out by himself.
"Eight," called the secretary with something like a breath of relief.
Our angel boy never had looked so angelic, and he was beaming on the Princess.
"Thou art all fair, my love; there is no spot in thee," he told her.
Laddie would thrash him for that.
Instantly after, "Nine," he recited straight at Laddie: "I made a covenant with mine eyes; why then should I think upon a maid?"
More than one giggled that time.
"Ten!" came almost sharply.
Leon looked scared for the first time. He actually seemed to shiver. Maybe he realized at last that it was a pretty serious thing he was doing. When he spoke he said these words in the most surprised voice you ever heard: "I was almost in all evil in the midst of the congregation and assembly."
"Eleven."
Perhaps these words are in the Bible. They are not there to read the way Leon repeated them, for he put a short pause after the first name, and he glanced toward our father: "Jesus Christ, the SAME, yesterday, and to-day, and forever!"
Sure as you live my mother's shoulders shook.
"Twelve."
Suddenly Leon seemed to be forsaken. He surely shrank in size and appeared abused.
"When my father and my mother forsake me, then the Lord will take me up," he announced, and looked as happy over the ending as he had seemed forlorn at the beginning.
"Thirteen."
"The Lord is on my side; I will not fear; what can man do unto me?" inquired Leon of every one in the church. Then he soberly made a bow and walked to his seat.
”
”
Gene Stratton-Porter (Laddie: A True Blue Story (Library of Indiana Classics))
“
In the beginning was the Word'. I have taken as my text this evening the almighty Word itself. Now get this: 'There was a man sent from God, whose name was John. The same came for a witness, to bear witness of the Light, that all men through him might believe.' Amen, brothers and sisters, Amen. And the riddle of the Word, 'In the beginning was the Word....' Now what do you suppose old John meant by that? That cat was a preacher, and, well, you know how it is with preachers; he had something big on his mind. Oh my, it was big; it was the Truth, and it was heavy, and old John hurried to set it down. And in his hurry he said too much. 'In the beginning was the Word, and the Word was with God, and the Word was God.' It was the Truth, all right, but it was more than the Truth. The Truth was overgrown with fat, and the fat was God. The fat was John's God, and God stood between John and the Truth. Old John, see, he got up one morning and caught sight of the Truth. It must have been like a bolt of lightning, and the sight of it made him blind. And for a moment the vision burned on the back of his eyes, and he knew what it was. In that instant he saw something he had never seen before and would never see again. That was the instant of revelation, inspiration, Truth. And old John, he must have fallen down on his knees. Man, he must have been shaking and laughing and crying and yelling and praying - all at the same time - and he must have been drunk and delirious with the Truth. You see, he had lived all his life waiting for that one moment, and it came, and it took him by surprise, and it was gone. And he said, 'In the beginning was the Word....' And man, right then and there he should have stopped. There was nothing more to say, but he went on. He had said all there was to say, everything, but he went on. 'In the beginning was the Word....' Brothers and sisters, that was the Truth, the whole of it, the essential and eternal Truth, the bone and blood and muscle of the Truth. But he went on, old John, because he was a preacher. The perfect vision faded from his mind, and he went on. The instant passed, and then he had nothing but a memory. He was desperate and confused, and in his confusion he stumbled and went on. 'In the beginning was the Word, and the Word was with God, and the Word was God.' He went on to talk about Jews and Jerusalem, Levites and Pharisees, Moses and Philip and Andrew and Peter. Don't you see? Old John had to go on. That cat had a whole lot at stake. He couldn't let the Truth alone. He couldn't see that he had come to the end of the Truth, and he went on. He tried to make it bigger and better than it was, but instead he only demeaned and encumbered it. He made it soft and big with fat. He was a preacher, and he made a complex sentence of the Truth, two sentences, three, a paragraph. He made a sermon and theology of the Truth. He imposed his idea of God upon the everlasting Truth. 'In the beginning was the Word....' And that is all there was, and it was enough.
”
”
N. Scott Momaday (House Made of Dawn)
“
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly.
The blond Red Sox girl looked me up and down. “Hello,” she said.
Conrad said, “With who?”
I pointed at Cam. “Him.”
“You’re not riding with someone you don’t even know,” he said flatly.
“I do so know him. He’s Sextus.”
He narrowed his eyes. “Sex what?”
“Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow.
“I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.”
I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go.
“I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before.
I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!”
He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!”
“I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.”
I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said.
He looked me dead in the eyes and said, “And you’re a four-year-old.”
As I walked away, I heard the girl ask, “Is she your girlfriend?”
I whirled around, and we both said “No!” at the same time.
Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in.
“No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse.
Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter?
I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers.
“Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it.
Red Sox girl frowned. “What is she talking about, Conrad?”
To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?”
Her pretty face twisted. “You little skank,” she hissed.
I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter.
Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly.
That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way.
“Your brother is a jerk,” I said. “That’s what’s going on.”
Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?”
I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.”
“Wait, are you guys brother and sister too?” the girl asked.
Conrad said, “Don’t even think about leaving with that guy.
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
“
His voice grew more remote. She wondered if he was calling from his condominium, where he’d lost his best friend, or from Avalon, where he’d lost himself. “I like you, Billie. You’re a nice person. Good company. But tonight was a mistake.”
She flung an arm over her eyes and swallowed the lump of tears that had lodged in her throat. “Oh? Which part? The part where you introduced me to your family and exposed yourself as coming from a perfectly average, wholesome background? Or the part where you touched me and turned me inside-out while swaying in a hammock in the rich, beautiful woods—one of the most searing sexual experiences of my life? Which part do you regret, Adrian?”
“All of it. I can’t have those things with you. You know what I am.”
“Yes, Adrian, I know what you are. A gentle man. A likable one. Smart. Cultured. Sexy. I know what you are.”
“But the other part—”
“What about the other part? You hide behind the other part.” She yanked the pillow out from beneath her head and winged it across the bedroom, furious suddenly. “Did you call to tell me I’m not going to see you anymore? Because if that’s the case, hurry up and say it. Then hang up and go back to work, and don’t worry one bit about me. I’ve been on my own a long time, and I’m tougher than you think. I won’t cling to any man who’d rather be a-a—” She stumbled, bit back the ugly words rushing to her lips.
“A what?” he countered softly. “A whore? A gigolo? Go ahead and say it, Billie. If you’re going to waste your time caring about me, then you’d better get used to the idea, because I can’t change. I won’t. Not for you or anyone.”
She bit back a sound of pure derision. “How about for you? Think you could walk the straight and narrow for yourself?”
He didn’t reply. He didn’t have to. Billie already knew the answer. “You’re afraid.” She sat up among the sheets as cold realization washed through her. “Afraid to live without women clambering to pay top dollar for you. All that money…it’s a measure of your value, right? It’s your self-esteem. What would happen if you were paid in love instead of cash? Would the world end? My God, Adrian. You’re running scared.”
The half-whispered accusation seemed to permeate his impassivity. “I was fine before you.” His voice came low and furious. Finally, finally. True emotion. “Damn it, Billie. I want my life back.”
“Then hang up and don’t call me again, because I’m not going to pay you for sex, Adrian. What I offer is a worthless currency in your world.
”
”
Shelby Reed (The Fifth Favor)
“
Will you just tell me, Brian.I need you to tell me you love me."
"I'm getting to it." He turned back. "I never thought I wanted family.I want to make children with you,Keeley.I want ours. Please don't cry."
"I'm trying not to.Hurry up."
"I can't be rushed at such a time.Sniffle those back or I'll blunder it.That's the way." He moved to her. "I don't want to own horses, but I can make an exception for the gift you gave me today.As a kind of symbol of things. I didn't have faith in him, not pure faith, that he'd run to win.I didn't have faith in you, either.Give me your hand."
She held it out, clasping his. "Tell me."
"I've never said the words to another woman. You'll be my first, and you'll be my last.I loved you from the first instant, in a kind of blinding flash. Over time the love I have for you has strengthened, and deepened until it's like something alive inside me."
"That's everything I needed to hear." She brought his hand to her cheek. "Marry me, Brian."
"Bloody hell.Will you let me do the asking?"
She had to bite her lip to hold off the watery chuckle. "Sorry."
With a laugh, he plucked her off her feet. "Well, what the hell.Sure, I'll marry you."
"Right away."
"Right away." He brushed his lips over her temple. "I love you,Keeley, and since you're birdbrain enough to want to marry a hardheaded Irish horse's ass, I believe it was, I'll go up now and ask your father."
"As my-Brian, really."
"I'll do this proper. But maybe I'll take you with me,in case he's found that shotgun."
She laughed, rubbed her cheek against his. "I'll protect you."
He set her on her feet.They began to walk together past the sharply colored fall flowers, the white fences and fields where horses raced their shadows.
When he reached to take her hand, Keeley gripped his firmly.And had everything.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
Mine was, probably, the easiest imaginable kind of arrest. It did not tear me from the embrace of kith and kin, nor wrench me from a deeply cherished home life. One pallid European February it took me from our narrow salient on the Baltic Sea, where, depending on one's point of view, either we had surrounded the Germans or they had surrounded us, and it deprived me only of my familiar artillery battery and the scenes of the last three months of war.
The brigade commander called me to his headquarters and asked me for my pistol; I turned it over without suspecting any evil intent, when suddenly, from a tense, immobile suite of staff officers in the corner, two counterintelligence officers stepped forward hurriedly, crossed the room in a few quick bounds, their four hands grabbed simultaneously at the star on my cap, my shoulder boards, my officer's belt, my map case, and they shouted theatrically: "You are under arrest!"
Burning and prickling from head to toe, all I could explain was, "Me? What for?"
Across the sheer gap separating me from those left behind, across that quarantine line not event a sound dared penetrate, came the unthinkable magic words of the brigade commander: "Sholzhenitsyn. Come back here."
"You have ..." he asked weightily, "a friend on the First Ukrainian Front?"
I knew instantly I had been arrested because of my correspondence with a school friend and understood what direction to expect danger.
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
“
More recently, Dallas Willard put it this way: Desire is infinite partly because we were made by God, made for God, made to need God, and made to run on God. We can be satisfied only by the one who is infinite, eternal, and able to supply all our needs; we are only at home in God. When we fall away from God, the desire for the infinite remains, but it is displaced upon things that will certainly lead to destruction.5 Ultimately, nothing in this life, apart from God, can satisfy our desires. Tragically, we continue to chase after our desires ad infinitum. The result? A chronic state of restlessness or, worse, angst, anger, anxiety, disillusionment, depression—all of which lead to a life of hurry, a life of busyness, overload, shopping, materialism, careerism, a life of more…which in turn makes us even more restless. And the cycle spirals out of control. To make a bad problem worse, this is exacerbated by our cultural moment of digital marketing from a society built around the twin gods of accumulation and accomplishment. Advertising is literally an attempt to monetize our restlessness. They say we see upward of four thousand ads a day, all designed to stoke the fire of desire in our bellies. Buy this. Do this. Eat this. Drink this. Have this. Watch this. Be this. In his book on the Sabbath, Wayne Muller opined, “It is as if we have inadvertently stumbled into some horrific wonderland.”6 Social media takes this problem to a whole new level as we live under the barrage of images—not just from marketing departments but from the rich and famous as well as our friends and family, all of whom curate the best moments of their lives. This ends up unintentionally playing to a core sin of the human condition that goes all the way back to the garden—envy. The greed for another person’s life and the loss of gratitude, joy, and contentment in our own.
”
”
John Mark Comer (The Ruthless Elimination of Hurry: How to Stay Emotionally Healthy and Spiritually Alive in the Chaos of the Modern World)
“
Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations.
The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out my garbage gcan, surely a prosaic occupation, but I enjoy my part, my little clang, as the junior droves of junior high school students walk by the center of the stage dropping candy wrapper. (How do they eat so much candy so early in the morning?)
While I sweep up the wrappers I watch the other rituals of the morning: Mr Halpert unlocking the laundry's handcart from its mooring to a cellar door, Joe Cornacchia's son-in-law stacking out the empty crates from the delicatessen, the barber bringing out his sidewalk folding chair, Mr. Goldstein arranging the coils of wire which proclaim the hardware store is open, the wife of the tenement's super intendent depositing her chunky three-year-old with a toy mandolin on the stoop, the vantage point from which he is learning English his mother cannot speak. Now the primary childrren, heading for St. Luke's, dribble through the south; the children from St. Veronica\s cross, heading to the west, and the children from P.S 41, heading toward the east. Two new entrances are made from the wings: well-dressed and even elegant women and men with brief cases emerge from doorways and side streets. Most of these are heading for the bus and subways, but some hover on the curbs, stopping taxis which have miraculously appeared at the right moment, for the taxis are part of a wider morning ritual: having dropped passengers from midtown in the downtown financial district, they are now bringing downtowners up tow midtown. Simultaneously, numbers of women in housedresses have emerged and as they crisscross with one another they pause for quick conversations that sound with laughter or joint indignation, never, it seems, anything in between. It is time for me to hurry to work too, and I exchange my ritual farewell with Mr. Lofaro, the short, thick bodied, white-aproned fruit man who stands outside his doorway a little up the street, his arms folded, his feet planted, looking solid as the earth itself. We nod; we each glance quickly up and down the street, then look back at eachother and smile. We have done this many a morning for more than ten years, and we both know what it means: all is well.
The heart of the day ballet I seldom see, because part off the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks. But from days off, I know enough to know that it becomes more and more intricate. Longshoremen who are not working that day gather at the White Horse or the Ideal or the International for beer and conversation. The executives and business lunchers from the industries just to the west throng the Dorgene restaurant and the Lion's Head coffee house; meat market workers and communication scientists fill the bakery lunchroom.
”
”
Jane Jacobs (The Death and Life of Great American Cities)
“
Now come on, we’re off.”
He marched out of the room. They heard the front door open, but Dudley did not move and after a few faltering steps Aunt Petunia stopped too.
“What now?” barked Uncle Vernon, reappearing in the doorway.
It seemed that Dudley was struggling with concepts too difficult to put into words. After several moments of apparently painful internal struggle he said, “But where’s he going to go?”
Aunt Petunia and Uncle Vernon looked at each other. It was clear that Dudley was frightening them. Hestia Jones broke the silence.
“But…surely you know where your nephew is going?” she asked, looking bewildered.
“Certainly we know,” said Vernon Dursley. “He’s off with some of your lot, isn’t he? Right, Dudley, let’s get in the car, you heard the man, we’re in a hurry.”
Again, Vernon Dursley marched as far as the front door, but Dudley did not follow.
“Off with some of our lot?”
Hestia looked outraged. Harry had met this attitude before: Witches and wizards seemed stunned that his closest living relatives took so little interest in the famous Harry Potter.
“It’s fine,” Harry assured her. “It doesn’t matter, honestly.”
“Doesn’t matter?” repeated Hestia, her voice rising ominously. “Don’t these people realize what you’ve been through? What danger you are in? The unique position you hold in the hearts of the anti-Voldemort movement?”
“Er--no, they don’t,” said Harry. “They think I’m a waste of space, actually, but I’m used to--”
“I don’t think you’re a waste of space.”
If Harry had not seen Dudley’s lips move, he might not have believed it. As it was, he stared at Dudley for several seconds before accepting that it must have been his cousin who had spoken; for one thing, Dudley had turned red. Harry was embarrassed and astonished himself.
“Well…er…thanks, Dudley.”
Again, Dudley appeared to grapple with thoughts too unwieldy for expression before mumbling, “You saved my life.”
“Not really,” said Harry. “It was your soul the dementor would have taken…”
He looked curiously at his cousin. They had had virtually no contact during this summer or last, as Harry had come back to Privet Drive so briefly and kept to his room so much. It now dawned on Harry, however, that the cup of cold tea on which he had trodden that morning might not have been a booby trap at all. Although rather touched, he was nevertheless quite relieved that Dudley appeared to have exhausted his ability to express his feelings. After opening his mouth once or twice more, Dudley subsided into scarlet-faced silence.
Aunt Petunia burst into tears. Hestia Jones gave her an approving look that changed to outrage as Aunt Petunia ran forward and embraced Dudley rather than Harry.
“S-so sweet, Dudders…” she sobbed into his massive chest. “S-such a lovely b-boy…s-saying thank you…”
“But he hasn’t said thank you at all!” said Hestia indignantly. “He only said he didn’t think Harry was a waste of space!”
“Yeah, but coming from Dudley that’s like ‘I love you,’” said Harry, torn between annoyance and a desire to laugh as Aunt Petunia continued to clutch at Dudley as if he had just saved Harry from a burning building.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
You’d think someone as resourceful as Rachel would know whether or not Toraf was the identical twin of a known terrorist. But nooooo. So we wait by our guard in the corridor of the security office of LAX airport while about a dozen people work to verify our identity.
My identity comes back fine and clean and boring.
Toraf’s identity doesn’t come back for a few hours. Which is not cool, because he’s been puking in the trash can next to our bench seats and it’s got to be almost full by now. Because of the regional storms in Jersey, we’d had a rough takeoff. Coupled with the reaction Toraf had to the Dramamine-excitability, no less-it was all I could do to coax him out of the tiny bathroom to get him to sit still and not puke while doing so.
His fingerprints could not be matched and his violet eyes were throwing them for a loop, since they physically verified that they aren’t contacts. A lady security officer asked us several times in several different ways why our tickets would be one-way to Hawaii if we lived in Jersey and only had a carry-on bag full of miscellaneous crap that you don’t really need. Where were we going? What were we doing?
I’d told them we were going to Honolulu to pick a place to get married and weren’t in a hurry to come back, so we only purchased one-way tickets and blah blah blah. It’s a BS story and they know it, but sometimes BS stories can’t be proven false. Finally, I asked for an attorney, and since they hadn’t charged us with anything, and couldn’t charge us with anything, they decided to let us go. For crying out loud.
I can’t decide if I’m relieved or nervous that Toraf’s seat is a couple of rows back on our flight to Honolulu. On the plus side, I don’t have to be bothered every time he goes to the bathroom to upchuck. Then again, I can’t keep my eye on him, either, in case he doesn’t know how to act or respond to nosy strangers who can’t mind their own business. I peek around my seat and roll my eyes.
He’s seated next to two girls, about my age and obviously traveling together, and they’re trying nonstop to start a conversation with him. Poor, poor Toraf. It must be a hard-knock life to have inherited the exquisite Syrena features. It’s all he can do not to puke in their laps. A small part of me wishes that he would, so they’d shut up and leave him alone and I could maybe close my eyes for two seconds. From here I can hear him squirm in his seat, which is about four times too small for a built Syrena male. His shoulder and biceps protrude into the aisle, so he’s constantly getting bumped. Oy.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
She was a hunchback with a sweet smile. She smiled sweetly at anything; she couldn't help it; the trees, me, the grass, anything. The basket pulled her down, dragging her toward the ground. She was such a tiny woman, with a hurt face, as if slapped forever. She wore a funny old hat, an absurd hat, a maddening hat, a hat to make me cry, a hat with faded red berries on the brim. And there she was, smiling at everything, struggling across the carpet with a heavy basket containing Lord knew what, wearing a plumed hat with red berries.
I got up. It was so mysterious. There I was, like magic, standing up, my two feet on the ground, my eyes drenched.
I said, "Let me help."
She smiled again and gave me the basket. We began to walk. She led the way. Beyond the trees it was stifling. And she smiled. It was so sweet it nearly tore my head off. She talked, she told me things I never remembered. It didn't matter. In a« dream she held me, in a dream I followed under the blinding sun. For blocks we went forward. I hoped it would never end. Always she talked in a low voice made of human music. What words! What she said! I remembered nothing. I was only happy. But in my heart I was dying. It should have been so. We stepped from so many curbs, I wondered why she did not sit upon one and hold my head while I drifted away. It was the chance that never came again.
That old woman with the bent back! Old woman, I feel so joyfully your pain. Ask me a favor, you old woman you! Anything. To die is easy. Make it that. To cry is easy, lift your skirt and let me cry and let my tears wash your feet to let you know I know what life has been for you, because my back is bent too, but my heart is whole, my tears are delicious, my love is yours, to give you joy where God has failed. To die is so easy and you may have my life if you wish it, you old woman, you hurt me so, you did, I will do anything for you, to die for you, the blood of my eighteen years flowing in the gutters of Wilmington and down to the sea for you, for you that you might find such joy as is now mine and stand erect without the horror of that twist.
I left the old woman at her door.
The trees shimmered. The clouds laughed. The blue sky took me up. Where am I? Is this Wilmington, California? Haven't I been here before? A melody moved my feet. The air soared with Arturo in it, puffing him in and out and making him something and nothing. My heart laughed and laughed. Goodbye to Nietzsche and Schopenhauer and all of you, you fools, I am much greater than all of you! Through my veins ran music of blood. Would it last? It could not last. I must hurry. But where? And I ran toward home. Now I am home. I left the book in the park. To hell with it. No more books for me. I kissed my mother. I clung to her passionately. On my knees I fell at her feet to kiss her feet and cling to her ankles until it must have hurt her and amazed her that it was I.
”
”
John Fante (The Road to Los Angeles (The Saga of Arturo Bandini, #2))
“
Goggles but no bathing suit?" she asked.
Daniel blushed. "I guess that was stupid. But I was in a hurry, only thinking about what you would need to get the halo." He drove the paddle back into the water, propelling them more quickly than a speedboat. "You can swim in your underwear, right?"
Now Luce blushed. Under normal circumstances, the question might have seemed thrilling, something they both would have giggled at. Not these nine days. She nodded. Eight days now. Daniel was deadly serious. Luce just swallowed hard and said, "Of course."
The pair of green-gray spires grew larger, more detailed, and then they were upon them. They were tall and conical, made of rusted slats of copper. They had once been capped by small teardrop-shaped copper flags sculpted to look like they were rippling in the wind, but one weathered flag was pocked with holes, and the other had broken off completely. In the open water, the spires' protrusion was bizarre, suggesting a cavernous cathedral of the deep. Luce wondered how long ago the church had sunk, how deep it sat below.
The thought of diving down there in ridiculous goggles and mom-bought underwear made her shudder.
"This church must be huge," she said. She meant I don't think I can do this. I can't breathe underwater. How are we going to find one small halo sunk in the middle of the sea?
"I can take you down as far as the chapel itself, but only that far. So long as you hold on to my hand." Daniel extended a warm hand to help Luce stand up in the gondola. "Breathing will not be a problem. But the church will still be sanctified, which means I'll need you to find the halo and bring it out to me."
Daniel yanked his T-shirt off over his head, dropping it to the bench of the gondola. He stepped out of his pants quickly, perfectly balanced on the boat, then kicked off his tennis shoes. Luce watched, feeling something stir inside her, until she realized she was supposed to be stripping down, too. She kicked off her boots, tugged off her socks, stepped out of her jeans as modestly as she could. Daniel held her hand to help her balance; he was watching her but not the way she would have expected. He was worried about her, the goose bumps rising on her skin. He rubbed her arms when she slipped off he sweater and stood freezing in her sensible underwear n the gondola in the middle of the Venetian lagoon.
Again she shivered, cold and fear an indecipherable mass inside her. But her voice sounded brave when she tugged the goggles, which pinched, down over her eyes and said, "Okay, let's swim."
They held hands, just like they had the last time they'd swum together at Sword & Cross. As their feet lifted off the varnished floor of the gondola, Daniel's hand tugged her upward, higher than she ever could have jumped herself-and then they dove.
Her body broke the surface of the sea, which wasn't as cold as she'd expected. In fact, the closer she swam beside Daniel, the warmer the wake around them grew.
He was glowing.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
Suddenly with a single bound he leaped into the room. Winning a way past us before any of us could raise a hand to stay him. There was something so pantherlike in the movement, something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eyeteeth long and pointed. But the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organized plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker's arm, ere his blow could fall, and grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the "ting" of the gold, as some of the sovereigns fell on the flagging. We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us. "You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!" With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor. Realizing the difficulty of following him through the stable, we moved toward the hall. "We have learnt something… much! Notwithstanding his brave words, he fears us. He fears time, he fears want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of the wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he returns.
”
”
Bram Stoker (Dracula)
“
Violet didn’t realize that she’d pressed herself so tightly against the door until it opened from the inside and she stumbled backward.
She fell awkwardly, trying to catch herself as her feet slipped and first she banged her elbow, and then her shoulder-hard-against the doorjamb. She heard her can of pepper spray hit the concrete step at her feet as she flailed to find something to grab hold of.
Her back crashed into something solid. Or rather, someone. And from behind, she felt strong, unseen arms catch her before she hit the ground. But she was too stunned to react right away.
“You think I can let you go now?” A low voice chuckled in her ear.
Violet was mortified as she glanced clumsily over her shoulder to see who had just saved her from falling.
“Rafe!” she gasped, when she realized she was face-to-face with his deep blue eyes. She jumped up, feeling unexpectedly light-headed as she shrugged out of his grip. Without thinking, and with his name still burning on her lips, she added, “Umm, thanks, I guess.” And then, considering that he had just stopped her from landing flat on her butt, she gave it another try. “No…yeah, thanks, I mean.”
Flustered, she bent down, trying to avoid his eyes as she grabbed the paper spray that had slipped from her fingers. She cursed herself for being so clumsy and wondered why she cared that he had been the one to catch her. Or why she cared that he was here at all.
She stood up to face him, feeling more composed again, and quickly hid the evidence of her paranoia-the tiny canister-in her purse. She hoped he hadn’t noticed it.
He watched her silently, and she saw the hint of a smile tugging at his lips. Violet waited for him to say something or to move aside to let her in. His gaze stripped away her defenses, making her feel even more exposed than when she had been standing alone in the empty street.
She shifted restlessly and finally sighed impatiently. “I have an appointment,” she announced, lifting her eyebrows. “With Sara.”
Her words had the desired effect, and Rafe shrugged, still studying her as he stepped out of her way. But he held the door so she could enter. She brushed past him, stepping into the hallway, as she tried to ignore the fact that she was suddenly sweltering inside her own coat.
She told herself it was just the furnace, though, and had nothing to do with her humiliation over falling. Or with the presence of the brooding dark-haired boy.
When they reached the end of the long hallway, Rafe pulled out a thick plastic card from his back pocket. As he held it in front of the black pad mounted on the wall beside a door, a small red light flickered to green and the door clicked. He pushed it open and led the way through.
Security, Violet thought. Whatever it is they do here, they need security.
Violet glanced up and saw a small camera mounted in the corner above the door. If she were Chelsea, she would have flashed the peace sign-or worse-a message for whoever was watching on the other end.
But she was Violet, so instead she hurried after Rafe before the door closed and she was locked out.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
Sisyphus cheated death,” Nico explained. “First he chained up Thanatos, the reaper of souls, so no one could die. Then when Thanatos got free and was about to kill him, Sisyphus told his wife to do incorrect funeral rites so he wouldn’t rest in peace. Sisy here—May I call you Sisy?” “No!” “Sisy tricked Persephone into letting him go back to the world to haunt his wife. And he didn’t come back.” The old man cackled. “I stayed alive another thirty years before they finally tracked me down!” Thalia was halfway up the hill now. She gritted her teeth, pushing the boulder with her back. Her expression said Hurry up! “So that was your punishment,” I said to Sisyphus. “Rolling a boulder up a hill forever. Was it worth it?” “A temporary setback!” Sisyphus cried. “I’ll bust out of here soon, and when I do, they’ll all be sorry!” “How would you get out of the Underworld?” Nico asked. “It’s locked down, you know.” Sisyphus grinned wickedly. “That’s what the other one asked.” My stomach tightened. “Someone else asked your advice?” “An angry young man,” Sisyphus recalled. “Not very polite. Held a sword to my throat. Didn’t offer to roll my boulder at all.” “What did you tell him?” Nico said. “Who was he?” Sisyphus massaged his shoulders. He glanced up at Thalia, who was almost to the top of the hill. Her face was bright red and drenched in sweat. “Oh . . . it’s hard to say,” Sisyphus said. “Never seen him before. He carried a long package all wrapped up in black cloth. Skis, maybe? A shovel? Maybe if you wait here, I could go look for him. . . .” “What did you tell him?” I demanded. “Can’t remember.” Nico drew his sword. The Stygian iron was so cold it steamed in the hot dry air of Punishment. “Try harder.” The old man winced. “What kind of person carries a sword like that?” “A son of Hades,” Nico said. “Now answer me!” The color drained from Sisyphus’s face. “I told him to talk to Melinoe! She always has a way out!” Nico lowered his sword. I could tell the name Melinoe bothered him. “Are you crazy?” he said. “That’s suicide!” The old man shrugged. “I’ve cheated death before. I could do it again.” “What did this demigod look like?” “Um . . . he had a nose,” Sisyphus said. “A mouth. And one eye and—” “One eye?” I interrupted. “Did he have an eye patch?” “Oh . . . maybe,” Sisyphus said. “He had hair on his head. And—” He gasped and looked over my shoulder. “There he is!” We fell for it. As soon as we turned, Sisyphus took off down the hill. “I’m free! I’m free! I’m—ACK!” Ten feet from the hill, he hit the end of his invisible leash and fell on his back. Nico and I grabbed his arms and hauled him up the hill. “Curse you!” He let loose with bad words in Ancient Greek, Latin, English, French, and several other languages I didn’t recognize. “I’ll never help you! Go to Hades!” “Already there,” Nico muttered. “Incoming!” Thalia shouted. I looked up and might have used a few cuss words myself. The boulder was bouncing straight toward us. Nico jumped one way. I jumped the other. Sisyphus yelled, “NOOOOOOO!” as the thing plowed into him. Somehow he braced himself and stopped it before it could run him over. I guess he’d had a lot of practice. “Take it again!” he wailed. “Please. I can’t hold it.” “Not again,” Thalia gasped. “You’re on your own.” He treated us to a lot more colorful language. It was clear he wasn’t going to help us any further, so we left him to his punishment.
”
”
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
“
her power now that she had lost the hair. So when the bride had finished drinking, and would have got upon Falada again, the maid said, "I shall ride upon Falada, and you may have my horse instead;" so she was forced to give up her horse, and soon afterwards to take off her royal clothes, and put on her maid's shabby ones. At last, as they drew near the end of the journey, this treacherous servant threatened to kill her mistress if she ever told anyone what had happened. But Falada saw it all, and marked it well. Then the waiting-maid got upon Falada, and the real bride was set upon the other horse, and they went on in this way till at last they came to the royal court. There was great joy at their coming, and the prince hurried to meet them, and lifted the maid from her horse, thinking she was the one who was to be his wife; and she was led upstairs to the royal chamber, but the true princess was told to stay in the court below. However, the old king happened to be looking out of the window, and saw her in the yard below; and as she looked very pretty, and too delicate for a waiting-maid, he went into the royal chamber to ask the bride whom it was she had brought with her, that was thus left standing in the court below. "I brought her with me for the sake of her company on the road," said she. "Pray give the girl some work to do, that she may not be idle." The old king could not for some time think of any work for her, but at last he said, "I have a lad who takes care of my geese; she may go and help him." Now the name of this lad, that the real bride was to help in watching the king's geese, was Curdken. Soon after, the false bride said to the prince, "Dear husband, pray do me one piece of kindness." "That I will," said the prince. "Then tell one of your slaughterers to cut off the head of the horse I rode upon, for it was very unruly, and plagued me sadly on the road." But the truth was, she was very much afraid lest Falada should speak, and tell all she had done to the princess. She carried her point, and the faithful Falada was killed; but when the true princess heard of it she wept, and begged the man to nail up Falada's head against a large dark gate in the city through which she had to pass every morning and evening, that there she might still see him sometimes. Then the slaughterer said he would do as she wished, so he cut off the head and nailed it fast under the dark gate. Early the next morning, as the princess and Curdken went out through the gate, she said sorrowfully— "Falada, Falada, there thou art hanging!" and the head answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then they went out of the city, driving the geese. And when they came to the meadow, the princess sat down upon a bank there and let down her waving locks of hair, which were all of pure gold; and when Curdken saw it glitter in the sun, he ran up, and would have pulled some of the locks out; but she cried— "Blow, breezes, blow! Let Curdken's hat go! Blow breezes, blow! Let him after it go! "O'er hills, dales, and rocks, Away be it whirl'd, Till the golden locks Are all comb'd and curl'd!" Then there came a wind, so strong that it blew off Curdken's hat, and away it flew over the hills, and he after it; till, by the time he came back, she had done combing and curling her hair, and put it up again safely. Then he was very angry and sulky, and would not speak to her at all; but they watched the geese until it grew dark in the evening, and then drove them homewards. The next morning, as they were going through the dark gate, the poor girl looked up at Falada's head, and cried— "Falada, Falada, there thou art hanging!" and it answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then she drove on the geese and sat down again in the meadow, and began to comb
”
”
Jacob Grimm (Grimm's Fairy Stories)