“
Only do not forget, if I wake up crying
it's only because in my dream I'm a lost child
hunting through the leaves of the night for your hands....
”
”
Pablo Neruda (100 Love Sonnets)
“
Yeah, I know you. I made you up. This is my dream. You're a mixture of Zac Efron and Johnny Depp.
”
”
P.C. Cast (Hunted (House of Night, #5))
“
if you’re reading this book, then you’re also that child reading by flashlight and dreaming of other worlds. Don’t be scared of her, that inner Beauty, or her dreams. Let her out. She’s you, and she’s me, and she’s magic. There’s
”
”
Meagan Spooner (Hunted)
“
I let myself feel good for no reason. I let joy happen right there and then, and it's inside me and around me, it's the lights on the road ahead, the clean black of the night, the cold air coming through the window. It's like hearing a song for the first time and being struck by it, haunted by it, wanting to hunt it down and catch it, because the song sums up something you didn't know you wanted to say, giving you chills and goose bumps. But even as you find out what it's called, and you're thinking you'll download it, you've already lost. Because the feeling was right then and there and it's already fading like a dream.
You just have to see those times for what they are: a chance to look down at your life. And when you do, you see it's a skin made up of shiny little moments.
”
”
Kirsty Eagar (Raw Blue)
“
Life was about making sense out of the insensible. A ball of fire out of a clear blue sky? Must’ve been a meteorite, maybe debris from an airplane. Random flashes of light and color at night? A transformer blew up, you must’ve been dreaming, you’re talking crazy, quiet down, take your meds.
”
”
Edward Williams
“
Wait," I say. "I think you're mistaken. Saying there is no dream is the same as saying everything is a dream. Isn't it? Everyone's a dreamer? Extraordinary things happen all the time even when we're awake. What I meant to suggest to you, if indeed that was me in your dream doing the suggesting, is that there is only one world. This one. The dream is real. The ordinary is the wonderful. The wonderful is the ordinary.
”
”
Samantha Hunt (The Invention of Everything Else)
“
Only do not forget, if I wake up crying, it’s only because in my dream I’m a lost child, hunting through the leaves of the night for your hands.
”
”
Katherine Center (Happiness for Beginners)
“
So while I dedicated this book to myself, it’s also dedicated to you. Male or female, young or old, if you’re reading this book, then you’re also that child reading by flashlight and dreaming of other worlds. Don’t be scared of her, that inner Beauty, or her dreams. Let her out. She’s you, and she’s me, and she’s magic.
There’s no such thing as living happily ever after—there’s only living. We make the choice to do it happily.
You are the Firebird. And above everything else, I’m most grateful for you.
”
”
Meagan Spooner (Hunted)
“
Goals are dreams with deadlines.
”
”
Diana Hunt (You, your stars and your partner)
“
The job you seek isn't out there in some job description, it's already inside you, aching to get out.
”
”
John Tarnoff (Boomer Reinvention: How to Create Your Dream Career Over 50)
“
When you stop relying on others or blaming others or waiting on others to go kill something and bring it back for you to eat, you realize you have to go hunt and kill for yourself. You don’t complain about what you lack or let setbacks get in the way of finding a way to make your dreams happen. You just go do it.
”
”
T.D. Jakes (Soar!: Build Your Vision from the Ground Up)
“
Now goes under, and I watch it go under, the sun
That will not rise again.
Today has seen the setting, in your eyes cold and senseless as the sea,
Of friendship better than bread, and of bright charity
That lifts a man a little above the beasts that run.
That this could be!
That I should live to see
Most vulgar Pride, that stale obstreperous clown,
So fitted out with purple robe and crown
To stand among his betters! Face to face
With outraged me in this once holy place,
Where Wisdom was a favoured guest and hunted
Truth was harboured out of danger,
He bulks enthroned, a lewd, an insupportable stranger!
I would have sworn, indeed I swore it:
The hills may shift, the waters may decline,
Winter may twist the stem from the twig that bore it,
But never your love from me, your hand from mine.
Now goes under the sun, and I watch it go under.
Farewell, sweet light, great wonder!
You, too, farewell,-but fare not well enough to dream
You have done wisely to invite the night before the darkness came.
”
”
Edna St. Vincent Millay
“
People may be trying to kill you, but your lives are not in danger. You will always be more dangerous than anyone who could ever dream of hunting you. You will always be the most dangerous person in the room.
”
”
Olivie Blake (The Atlas Complex (The Atlas, #3))
“
Use affirmations as statements of becoming, not statements of being.
”
”
John Tarnoff (Boomer Reinvention: How to Create Your Dream Career Over 50)
“
Hiding or lying about your age is giving in to ageism. Don't do it! Be proud of who you are, what you know and what you've accomplished.
”
”
John Tarnoff (Boomer Reinvention: How to Create Your Dream Career Over 50)
“
What’re you doing here?” I asked Tate after Ned tossed my bag in the backseat. “I’m your ride,” he replied and then we were off and I barely got a chance to wave at Ned and Betty who were both standing outside my room. “Whose SUV is this?” I asked once we were out of Carnal. “Mine,” he answered. I looked at him. “You drive a Harley.” “Not big on puttin’ bad guys on the back of my bike when I hunt them down, Ace. Fucks with my street cred.
”
”
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
“
Along with the concept of American Dream runs the notion that every man and woman is entitled to an opinion and to one vote, no matter how ridiculous that opinion might be or how uninformed the vote. It could be that the Borderer Presbyterian tradition of "stand up and say your rightful piece" contributed to the American notion that our gut-level but uninformed opinions are some sort of unvarnished foundational political truths. I have been told that this is because we redneck working-class Scots Irish suffer from what psychiatrists call "no insight".Consequently, we will never agree with anyone outside our zone of ignorance because our belligerent Borderer pride insists on the right to be dangerously wrong about everything while telling those who are more educated to "bite my ass!
”
”
Joe Bageant (Deer Hunting with Jesus: Dispatches from America's Class War)
“
There's a type of despair that is unique to those who are exiled on their own lands. When you are taken from your home and transported to a different place you can hold the dream of home in your heart. But, when your home is taken and you are hunted and killed on your own land, there is no home for you to dream about.
”
”
Sherri Mitchell Weh'na Ha'mu Kwasset
“
So, what do you go for in a girl?”
He crows, lifting a lager to his lips
Gestures where his mate sits
Downs his glass
“He prefers tits I prefer ass. What do you go for in a girl?”
I don’t feel comfortable
The air left the room a long time ago
All eyes are on me
Well, if you must know I want a girl who reads
Yeah. Reads.
I’m not trying to call you a chauvinist
Cos I know you’re not alone in this but…
I want a girl who reads
Who needs the written word & uses the added vocabulary
She gleans from novels and poetry
To hold lively conversation In a range of social situations
I want a girl who reads
Who’s heart bleeds at the words of Graham Greene Or even Heat magazine
Who’ll tie back her hair while reading Jane Eyre
And goes cover to cover with each water stones three for two offer but
I want a girl who doesn’t stop there
I want a girl who reads
Who feeds her addiction for fiction
With unusual poems and plays
That she hunts out in crooked bookshops for days and days and days
She’ll sit addicted at breakfast, soaking up the back of the cornflakes box
And the information she gets from what she reads makes her a total fox
Cos she’s interesting & unique & her theories make me go weak at the knees
I want a girl who reads
A girl who’s eyes will analyze
The menu over dinner
Who’ll use what she learns to kick my ass in arguments so she always ends the winner
But she’ll still be sweet and she’ll still be flirty
Cos she loves the classics and the classics are dirty
So late at night she’d always have me in a stupor
As she paraphrases the raunchier moments from the works of
Jilly Cooper See, some guys prefer asses
Some prefer tits
And I’m not saying that I don’t like those bits
But what’s more important
What supersedes
Is a girl with passion, wit and dreams
So I’d like a girl who reads.
”
”
Mark Grist
“
Selection starts even before the formal interview process.
”
”
Roopesh Tiwari (WHAT WON’T GET YOU YOUR DREAM JOB : STORY OF A JOB HUNT)
“
You hear a lot about "digital natives." Well, baby boomers are the "digital founders.
”
”
John Tarnoff (Boomer Reinvention: How to Create Your Dream Career Over 50)
“
Chase career relationships, not job postings.
”
”
John Tarnoff (Boomer Reinvention: How to Create Your Dream Career Over 50)
“
Getting fired is not shameful. It just means you need to find a better fit.
”
”
John Tarnoff (Boomer Reinvention: How to Create Your Dream Career Over 50)
“
Hey, I can shop. You hunt down your purchase, club it to death with a credit card and drag it out of the store, right?
”
”
Dana Marie Bell (Only in My Dreams (Halle Pumas, #5))
“
You’re not going to be able to hunt androids any longer,” she said calmly. “So don’t look sad. Please.
”
”
Philip K. Dick (Do Androids Dream of Electric Sheep?)
“
Yes, idiotic. You have high hopes. And anyone asking you to come down from your dreams isn’t worth your time. End of story.
”
”
Ivy Smoak (Best Year Ever (The Hunted, #1.5))
“
In order to create your future, you have to reconcile your past.
”
”
John Tarnoff (Boomer Reinvention: How to Create Your Dream Career Over 50)
“
Two nights ago, I fucked up and hurt a woman I’d come to care about. I been waiting for this morning, hopin’ you’d roll up to Ride and I wouldn’t have to hunt you down. But if you were really pissed at me in a way I couldn’t fix, this morning could have gone different. Thinkin’ on that and all the other shit swirling in my life, the last two nights I haven’t slept all that great. But I ate good, I just came hard, I’m in your bed, you like me here and you called me honey so I’m thinkin’ tonight’s my night. That is, if you’d shut up and let me sleep.
”
”
Kristen Ashley (Motorcycle Man (Dream Man, #4))
“
Hunt shook his head and quit writing. “I don’t understand. You can become this … messiah … by leaving your deathbed?” The pale oval of Keats’s face moved back and forth on the pillow in a motion which might have been a substitute for laughter. “We all could have, Hunt. Humankind’s folly and greatest pride. We accept our pain. We make way for our children. That earned us the right to become the God we dreamed of.
”
”
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
“
He’s just a good all-around horse. He aint a finished horse but I think he’ll make a cow horse.
I’m pleased to hear it. Of course your preference is for one that’ll bow up like a bandsaw and run head first into the barn wall.
John Grady smiled. Horse of my dreams, he said. It aint exactly like that.
How is it then?
I don’t know. I think it’s just somethin you like. Or don’t like. You can add up all of a horse’s good points on a sheet of paper and it still wont tell you whether you’ll like the horse or not.
What about if you add up all his bad ones?
I don’t know. I’d say you’d probably done made up your mind at that point.
You think there’s horses so spoiled you cant do nothin with em?
Yes I do. But probably not as many as you might think.
Maybe not. You think a horse can understand what a man says?
You mean like words?
I don’t know. Like can he understand what he says.
John Grady looked out the window. Water was beaded on the glass. Two bats were hunting in the barnlight. No, he said. I think he can understand what you mean.
”
”
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
“
One by one our skies go black. Stars are extinguished, collapsing into distances too great to breach. Soon, not even the memory of light will survive. Long ago, our manifold universes discovered futures would only expand. No arms of limit could hold or draw them back. Short of a miracle, they would continue to stretch, untangle and vanish – abandoned at long last to an unwitnessed dissolution. That dissolution is now. Final winks slipping over the horizons share what needs no sharing: There are no miracles. You might say that just to survive to such an end is a miracle in itself. We would agree. But we are not everyone. Even if you could imagine yourself billions of years hence, you would not begin to comprehend who we became and what we achieved. Yet left as you are, you will no more tremble before us than a butterfly on a windless day trembles before colluding skies, still calculating beyond one of your pacific horizons. Once we could move skies. We could transform them. We could make them sing. And when we fell into dreams our dreams asked questions and our skies, still singing, answered back. You are all we once were but the vastness of our strangeness exceeds all the light-years between our times. The frailty of your senses can no more recognize our reach than your thoughts can entertain even the vaguest outline of our knowledge. In ratios of quantity, a pulse of what we comprehend renders meaningless your entire history of discovery. We are on either side of history: yours just beginning, ours approaching a trillion years of ends. Yet even so, we still share a dyad of commonality. Two questions endure. Both without solution. What haunts us now will allways hunt you. The first reveals how the promise of all our postponements, ever longer, ever more secure – what we eventually mistook for immortality – was from the start a broken promise. Entropy suffers no reversals. Even now, here, on the edge of time’s end, where so many continue to vanish, we still have not pierced that veil of sentience undone. The first of our common horrors: Death. Yet we believe and accept that there is grace and finally truth in standing accountable before such an invisible unknown. But we are not everyone. Death, it turns out, is the mother of all conflicts. There are some who reject such an outcome. There are some who still fight for an alternate future. No matter the cost. Here then is the second of our common horrors. What not even all of time will end. What plagues us now and what will always plague you. War.
”
”
Mark Z. Danielewski (One Rainy Day in May (The Familiar, #1))
“
If you can deny your talents, if you can conceal them from others or, even better, persuade yourself that they weren’t even given to you, you’re off the hook.
And being off the hook is a key element of the industrialized school’s promise. It lets parents off the hook, certainly, since the institution takes over the teaching. It lets teachers off the hook, since the curriculum is preordained and the results are tested. And it lets students off the hook, because the road is clearly marked and the map is handed to everyone.
If you stay on the path, do your college applications through the guidance office and your job hunting at the placement office, the future is not your fault.
That’s the refrain we hear often from frustrated job seekers, frustrated workers with stuck careers, and frustrated students in too much debt. 'I did what they told me to do and now I’m stuck and it’s not my fault.'
What they’ve exchanged for that deniability is their dreams, their chance for greatness. To go off the path is to claim responsibility for what happens next.
”
”
Seth Godin
“
XXIV.
And more than that - a furlong on - why, there!
What bad use was that engine for, that wheel,
Or brake, not wheel - that harrow fit to reel
Men's bodies out like silk? With all the air
Of Tophet's tool, on earth left unaware
Or brought to sharpen its rusty teeth of steel.
XXV.
Then came a bit of stubbed ground, once a wood,
Next a marsh it would seem, and now mere earth
Desperate and done with; (so a fool finds mirth,
Makes a thing and then mars it, till his mood
Changes and off he goes!) within a rood -
Bog, clay and rubble, sand, and stark black dearth.
XXVI.
Now blotches rankling, coloured gay and grim,
Now patches where some leanness of the soil's
Broke into moss, or substances like boils;
Then came some palsied oak, a cleft in him
Like a distorted mouth that splits its rim
Gaping at death, and dies while it recoils.
XXVII.
And just as far as ever from the end!
Naught in the distance but the evening, naught
To point my footstep further! At the thought,
A great black bird, Apollyon's bosom friend,
Sailed past, not best his wide wing dragon-penned
That brushed my cap - perchance the guide I sought.
XXVIII.
For, looking up, aware I somehow grew,
Spite of the dusk, the plain had given place
All round to mountains - with such name to grace
Mere ugly heights and heaps now stolen in view.
How thus they had surprised me - solve it, you!
How to get from them was no clearer case.
XXIX.
Yet half I seemed to recognise some trick
Of mischief happened to me, God knows when -
In a bad dream perhaps. Here ended, then
Progress this way. When, in the very nick
Of giving up, one time more, came a click
As when a trap shuts - you're inside the den.
XXX.
Burningly it came on me all at once,
This was the place! those two hills on the right,
Crouched like two bulls locked horn in horn in fight;
While to the left a tall scalped mountain ... Dunce,
Dotard, a-dozing at the very nonce,
After a life spent training for the sight!
XXXI.
What in the midst lay but the Tower itself?
The round squat turret, blind as the fool's heart,
Built of brown stone, without a counterpart
In the whole world. The tempest's mocking elf
Points to the shipman thus the unseen shelf
He strikes on, only when the timbers start.
XXXII.
Not see? because of night perhaps? - why day
Came back again for that! before it left
The dying sunset kindled through a cleft:
The hills, like giants at a hunting, lay,
Chin upon hand, to see the game at bay, -
Now stab and end the creature - to the heft!'
XXXIII.
Not hear? When noise was everywhere! it tolled
Increasing like a bell. Names in my ears
Of all the lost adventurers, my peers -
How such a one was strong, and such was bold,
And such was fortunate, yet each of old
Lost, lost! one moment knelled the woe of years.
XXXIV.
There they stood, ranged along the hillsides, met
To view the last of me, a living frame
For one more picture! In a sheet of flame
I saw them and I knew them all. And yet
Dauntless the slug-horn to my lips I set,
And blew. 'Childe Roland to the Dark Tower came.
”
”
Robert Browning
“
Hunting in my experience—and by hunting I simply mean being out on the land—is a state of mind. All of one’s faculties are brought to bear in an effort to become fully incorporated into the landscape. It is more than listening for animals or watching for hoofprints or a shift in the weather. It is more than an analysis of what one senses. To hunt means to have the land around you like clothing. To engage in a wordless dialogue with it, one so absorbing that you cease to talk with your human companions. It means to release yourself from rational images of what something “means” and to be concerned only that it “is.” And then to recognize that things exist only insofar as they can be related to other things. These relationships—fresh drops of moisture on top of rocks at a river crossing and a raven’s distant voice—become patterns. The patterns are always in motion.
”
”
Barry Lopez (Arctic Dreams)
“
Infinite mercy flows continually
But you're asleep and can't see it.
The sleeper's robe goes on drinking river water
While he frantically hunts mirages in dreams
And runs continually here and there shouting,
"There'll be water further on, I know!"
It's this false thinking that blocks him
From the path that leads to himself,
By always saying, "Further on!"
He's become estranged from "here":
Because of a false fantasy
He's driven from reality.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
What if one were to want to hunt for these hidden presences? You can’t just rummage around like you’re at a yard sale. You have to listen. You have to pay attention. There are certain things you can’t look at directly. You need to trick them into revealing themselves. That’s what we’re doing with Walter, Jaz. We’re juxtaposing things, listening for echoes. It’s not some silly cybernetic dream of command and control, modeling the whole world so you can predict the outcome. It’s certainly not a theory of everything. I don’t have a theory of any kind. What I have is far more profound.’
‘What’s that?’
‘A sense of humor.’
Jaz looked at him, trying to find a clue in his gaunt face, in the clear gray eyes watching him with such - what? Amusement? Condescension? There was something about the man which brought on a sort of hermeneutic despair. He was a forest of signs.
‘We’re hunting for jokes.’ Bachman spoke slowly, as if to a child. ‘Parapraxes. Cosmic slips of the tongue. They’re the key to the locked door. They’ll help us discover it.’
‘Discover what?’
‘The face of God. What else would we be looking for?
”
”
Hari Kunzru (Gods Without Men)
“
Commitment can be expressed in many ways. Traditionally it is solidified through marriage, owning property, having kids or wearing certain types of jewelry, but legal, domestic, or ornamental undertakings are not the only ways to show dedication. In a 2018 talk on solo polyamory at the Boulder Non-Monogamy Talk series, Kim Keane offered the following ways that people practicing nonmonogamy can demonstrate commitment to their partners:
- Sharing intimate details (hopes, dreams, fears) and being vulnerable with each other.
- Introducing partners to people who are important to you.
- Helping your partners with moving, packing, homework, job hunting, shopping, etc.
- Having regular time together, both mundane and novel.
- Making the person a priority. (I suggest defining what 'being a priority' means to each of you.)
- Planning trips together.
- Being available to partners when they are sick or in need.
- Collaborating on projects together.
- Having frequent communication.
- Offering physical, logistical or emotional support (e.g. at doctor's appointments or hospital visits or by helping with your partners' family, pets, car, children, taxes, etc.).
”
”
Jessica Fern (Polysecure: Attachment, Trauma and Consensual Nonmonogamy)
“
I did dream about you," she confessed.
Derek smoothed his hand over her chestnut hair and brought her head closer to his. "What was I doing in your dreams?" he asked against her lips.
"Chasing me," she admitted in a mortified whisper.
A delicious grin curved his mouth. "Did I catch you?"
Before she could reply his lips were on hers. His mouth twisted gently, his tongue hunting for an intimate taste of her. Closing her eyes, Sara made no protest as he took her wrists in his hands and twined her arms around his neck. He stretched one of his legs out to rest his foot on the seat. Caught in the lee of his powerful thighs, she had no choice but to let her body rest on the hard length of his. Leisurely he fondled and kissed her, wringing succulent delight from every nerve. As he began to slide his hand into her bodice, the thick wool fabric of her gown resisted his efforts. Foiled in his attempt to reach her breasts, he pushed a lock of hair aside and dragged his mouth over her throat. She stiffened, unable to hold back a whimper of pleasure. The carriage swayed and jolted suddenly, forcing their bodies closer with the impact.
Derek felt himself approaching a flashpoint beyond which there was no return. With a tortured groan he pried Sara's voluptuous body away from his and held her away, while he struggled to emerge from a scarlet fog of desire. "Angel," he said hoarsely, nudging her toward the opposite seat. "You... you'd better go over there."
Bemused, Sara nearly toppled to the floor from his gentle push. "But why?"
Derek lowered his head and tunneled his fingers into his black hair. He started as he felt her hand brush the nape of his neck. "Don't touch me," he said, more roughly than he intended. Raising his head, he stared into Sara's perplexed face with a crooked smile. "Sorry," he muttered. "But if you don't move away, sweet, you're going to be lifting your heels for me right here.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
only do not forget, if i wake up crying
it's only because in my dream i'm a lost child
hunting through the leaves of the night for your hands
and there is nothing but shadows
where you accompany me in your dreams
and tell me the hour of light
”
”
Pablo Neruda
“
I love you, Blue. Have I always? Haven’t I? When did it happen? Or has it always happened? Like your victory, love spreads back through time. It claims our earliest association, our battles and losses. Assassinations become assignations. There was, I am sure, a time I did not know you. Or did I dream that me, as I’ve so often dreamed of you? Have we always fulfilled one another in the chase? I remember hunting you through Samarkand, thrilling to think I might touch the loosening strands of your hair.
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
“
The world was different before the war,' he said. 'We didn't have this instantaneous access to information that your generation has. The world was a bigger, more mysterious place - we still dreamed of secret caves in the Mountains of the Moon, and tiger hunting in the Punjab.
”
”
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
“
Insight, then. Wisdom. The quest for knowledge, the derivation of theorems, science and technology and all those exclusively human pursuits that must surely rest on a conscious foundation. Maybe that's what sentience would be for— if scientific breakthroughs didn't spring fully-formed from the subconscious mind, manifest themselves in dreams, as full-blown insights after a deep night's sleep. It's the most basic rule of the stymied researcher: stop thinking about the problem. Do something else. It will come to you if you just stop being conscious of it...
Don't even try to talk about the learning curve. Don't bother citing the months of deliberate practice that precede the unconscious performance, or the years of study and experiment leading up to the gift-wrapped Eureka moment. So what if your lessons are all learned consciously? Do you think that proves there's no other way? Heuristic software's been learning from experience for over a hundred years. Machines master chess, cars learn to drive themselves, statistical programs face problems and design the experiments to solve them and you think that the only path to learning leads through sentience? You're Stone-age nomads, eking out some marginal existence on the veldt—denying even the possibility of agriculture, because hunting and gathering was good enough for your parents.
Do you want to know what consciousness is for? Do you want to know the only real purpose it serves? Training wheels. You can't see both aspects of the Necker Cube at once, so it lets you focus on one and dismiss the other. That's a pretty half-assed way to parse reality. You're always better off looking at more than one side of anything. Go on, try. Defocus. It's the next logical step.
”
”
Peter Watts (Blindsight (Firefall, #1))
“
You like being hunted, little thing?” he hummed. “You like knowing you bring out the animal in me? That I get hard as steel imagining ripping a hole in these tight little shorts big enough for my cock to slot through straight into your wet cunt? I wouldn’t even have to prep you. You’re probably soaking wet for me already.
”
”
Giana Darling (Dangerous Temptation (Dark Dream, #1))
“
Must you keep up that wretched beat, Thomas?" I asked. "It's driving me as mad as one of Poe's unfortunate characters. Plus, poor Mrs. Harvey must be dreaming awful things. "
"Poe? Will you carve my heart out and place it beneath your bed, then, Wadsworth? I must admit, it's not an ideal way of ending up in your sleeping quarters.
”
”
Kerri Maniscalco (Hunting Prince Dracula (Stalking Jack the Ripper, #2))
“
Every pregnancy results in roughly two years of lost menstruation. If you are a manufacturer of menstrual pads, this is bad for business. So you ought to know about, and be so happy about, the drop in babies per woman across the world. You ought to know and be happy too about the growth in the number of educated women working away from home. Because these developments have created an exploding market for your products over the last few decades among billions of menstruating women now living on Levels 2 and 3. But, as I realized when I attended an internal meeting at one of the world’s biggest manufacturers of sanitary wear, most Western manufacturers have completely missed this. Instead, when hunting for new customers they are often stuck dreaming up new needs among the 300 million menstruating women on Level 4. “What if we market an even thinner pad for bikinis? What about pads that are invisible, to wear under Lycra? How about one pad for each kind of outfit, each situation, each sport? Special pads for mountain climbers!” Ideally, all the pads are so small they need to be replaced several times a day. But like most rich consumer markets, the basic needs are already met, and producers fight in vain to create demand in ever-smaller segments. Meanwhile, on Levels 2 and 3, roughly 2 billion menstruating women have few alternatives to choose from. These women don’t wear Lycra and won’t spend money on ultrathin pads. They demand a low-cost pad that will be reliable throughout the day so they don’t have to change it when they are out at work. And when they find a product they like, they will probably stick to that brand for their whole lives and recommend it to their daughters.
”
”
Hans Rosling (Factfulness: Ten Reasons We're Wrong About The World - And Why Things Are Better Than You Think)
“
What about—not sex—but love?”
“Love is another name for sex.”
“Like love of country,” Rick said. “Love of music.”
“If it’s love toward a woman or an android imitation, it’s sex. Wake up and face yourself, Deckard. You wanted to go to bed with a female type of android—nothing more, nothing less. I felt that way, on one occasion. When I had just started bounty hunting. Don’t let it get you down; you’ll heal. What’s happened is that you’ve got your order reversed. Don’t kill her—or be present when she’s killed—and then feel physically attracted. Do it the other way.”
Rick stared at him. “Go to bed with her first—”
“—and then kill her,” Phil Resch said succinctly. His grainy, hardened smile remained.
”
”
Philip K. Dick (Do Androids Dream of Electric Sheep?)
“
Aldo Leopold had a dream. He dreamt of a time when people accepted their roles as citizens of the natural world rather than its conquerors, a time when the land was not viewed as a commodity to be exploited but as the source of our continued existence. He longed for a time when people appreciated and respected wilderness, not just as a hunting ground or a recreational playground, but as a truly awesome and unimaginably complex machine that required all of its parts to function well.
”
”
Douglas W. Tallamy (Nature's Best Hope: A New Approach to Conservation That Starts in Your Yard)
“
She stared at him, at his face. Simply stared as the scales fell from her eyes. "Oh, my God," she whispered, the exclamation so quiet not even he would hear. She suddenly saw-saw it all-all that she'd simply taken for granted.
Men like him protected those they loved, selflessly, unswervingly, even unto death.
The realization rocked her. Pieces of the jigsaw of her understanding of him fell into place. He was hanging to consciousness by a thread. She had to be sure-and his shields, his defenses were at their weakest now.
Looking down at her hands, pressed over the nearly saturated pad, she hunted for the words, the right tone. Softly said, "My death, even my serious injury, would have freed you from any obligation to marry me. Society would have accepted that outcome, too."
He shifted, clearly in pain. She sucked in a breath-feeling his pain as her own-then he clamped the long fingers of his right hand about her wrist, held tight.
So tight she felt he was using her as an anchor to consciousness, to the world.
His tone, when he spoke, was harsh. "Oh, yes-after I'd expended so much effort keeping you safe all these years, safe even from me, I was suddenly going to stand by and let you be gored by some mangy bull." He snorted, soft, low. Weakly. He drew in a slow, shallow breath, lips thin with pain, but determined, went on, "You think I'd let you get injured when finally after all these long years I at last understand that the reason you've always made me itch is because you are the only woman I actually want to marry? And you think I would stand back and let you be harmed?"
A peevish frown crossed his face. "I ask you, is that likely? Is it even vaguely rational?"
He went on, his words increasingly slurred, his tongue tripping over some, his voice fading. She listened, strained to catch every word as he slid into semi delirium, into rambling, disjointed sentences that she drank in, held to her heart.
He gave her dreams back to her, reshaped and refined. "Not French Imperial-good, sound, English oak. You can use whatever colors you like, but no gilt-I forbid it."
Eventually he ventured further than she had. "And I want at least three children-not just an heir and a spare. At least three-if you're agreeable. We'll have to have two boys, of course-my evil ugly sisters will found us to make good on that. But thereafter...as many girls as you like...as long as they look like you. Or perhaps Cordelia-she's the handsomer of the two uglies."
He loved his sisters, his evil ugly sisters. Heather listened with tears in her eyes as his mind drifted and his voice gradually faded, weakened.
She'd finally got her declaration, not in anything like the words she'd expected, but in a stronger, impossible-to-doubt exposition.
He'd been her protector, unswerving, unflinching, always there; from a man like him, focused on a lady like her, such actions were tantamount to a declaration from the rooftops. The love she'd wanted him to admit to had been there all along, demonstrated daily right before her eyes, but she hadn't seen.
Hadn't seen because she'd been focusing elsewhere, and because, conditioned as she was to resisting the same style of possessive protectiveness from her brothers, from her cousins, she hadn't appreciated his, hadn't realized that that quality had to be an expression of his feelings for her.
Until now.
Until now that he'd all but given his life for hers.
He loved her-he'd always loved her. She saw that now, looking back down the years. He'd loved her from the time she'd fallen in love with him-the instant they'd laid eyes on each other at Michael and Caro's wedding in Hampshire four years ago.
He'd held aloof, held away-held her at bay, too-believing, wrongly, that he wasn't an appropriate husband for her.
In that, he'd been wrong, too.
She saw it all. And as the tears overflowed and tracked down her cheeks, she knew to her soul how right he was for her. Knew, embraced, and rejoiced.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
Look you," Pandora told him in a businesslike tone, "marriage is not on the table."
Look you? Look you? Gabriel was simultaneously amused and outraged. Was she really speaking to him as if he were an errand boy?
"I've never wanted to marry," Pandora continued. "Anyone who knows me will tell you that. When I was little, I never liked the stories about princesses waiting to be rescued. I never wished on falling stars, or pulled the petals off daisies while reciting 'he loves me, he loves me not.' At my brother's wedding, they handed out slivers of wedding cake to all the unmarried girls and said if we put it under our pillows, we would dream of our future husbands. I ate my cake instead. Every crumb. I've made plans for my life that don't involve becoming anyone's wife."
"What plans?" Gabriel asked. How could a girl of her position, with her looks, make plans that didn't include the possibility of marriage?
"That's none of your business," she told him smartly.
"Understood," Gabriel assured her. "There's just one thing I'd like to ask: What the bloody hell were you doing at the ball in the first place, if you don't want to marry?"
"Because I thought it would be only slightly less boring than staying at home."
"Anyone as opposed to marriage as you claim to be has no business taking part in the Season."
"Not every girl who attends a ball wants to be Cinderella."
"If it's grouse season," Gabriel pointed out acidly, "and you're keeping company with a flock of grouse on a grouse-moor, it's a bit disingenuous to ask a sportsman to pretend you're not a grouse."
"Is that how men think of it? No wonder I hate balls." Pandora looked scornful. "I'm so sorry for intruding on your happy hunting grounds."
"I wasn't wife-hunting," he snapped. "I'm no more interested in marrying than you are."
"Then why were you at the ball?"
"To see a fireworks display!"
After a brief, electric silence, Pandora dropped her head swiftly. He saw her shoulders tremble, and for an alarming moment, he thought she had begun to cry. But then he heard a delicate snorting, snickering sound, and he realized she was... laughing?
"Well," she muttered, "it seems you succeeded."
Before Gabriel even realized what he was doing, he reached out to lift her chin with his fingers. She struggled to hold back her amusement, but it slipped out nonetheless. Droll, sneaky laughter, punctuated with vole-like squeaks, while sparks danced in her blue eyes like shy emerging stars. Her grin made him lightheaded.
Damn it.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Look at me—listen to what I say—do you suppose there are really any such things as time and magnitude? Do you fancy there are such things as form or matter? I tell you, I have struck depths that your little brain can’t picture. I have seen beyond the bounds of infinity and drawn down daemons from the stars…. I have harnessed the shadows that stride from world to world to sow death and madness…. Space belongs to me, do you hear? Things are hunting me now—the things that devour and dissolve—but I know how to elude them.
”
”
H.P. Lovecraft (Dreams of Terror and Death)
“
If you weren’t an android,” Rick interrupted, “if I could legally marry you, I would.”
Rachael said, “Or we could live in sin, except that I’m not alive.”
“Legally you’re not. But really you are. Biologically. You’re not made out of transistorized circuits like a false animal; you’re an organic entity.” And in two years, he thought, you’ll wear out and die. Because we never solved the problem of cell replacement, as you pointed out. So I guess it doesn’t matter anyhow.
This is my end, he said to himself. As a bounty hunter. After the Batys there won’t be any more. Not after this, tonight.
“You look so sad,” Rachael said.
Putting his hand out, he touched her cheek.
“You’re not going to be able to hunt androids any longer,” she said calmly. “So don’t look sad. Please.”
He stared at her.
“No bounty hunter ever has gone on,” Rachael said. “After being with me. Except one. A very cynical man. Phil Resch. And he’s nutty; he works out in left field on his own.”
“I see,” Rick said. He felt numb. Completely. Throughout his entire body.
“But this trip we’re taking,” Rachael said, “won’t be wasted, because you’re going to meet a wonderful, spiritual man.
”
”
Philip K. Dick (Do Androids Dream of Electric Sheep?)
“
Venison stinks when you chew it, it stinks in your gullet. The putrid meat expands in your bowels, it constricts the intestines, it constricts the appetite—it murders you slowly, clogging your organs with its horrifying stink. It constricts the spirit, nothing but a foul and rotten meat that constricts the soul. But, of course, there is no soul, there can be nothing holy in us—there cannot be anything of heaven in us, because we are depraved, because we are no better than the foul venison. We are the meat that rots, the rotten meat on the bone, and we stink from birth until death, from when no soul is wrought to when no soul escapes.
”
”
Zac Smith (Everything Is Totally Fine)
“
Swift came to the table and bowed politely. “My lady,” he said to Lillian, “what a pleasure it is to see you again. May I offer my renewed congratulations on your marriage to Lord Westcliff, and…” He hesitated, for although Lillian was obviously pregnant, it would be impolite to refer to her condition. “…you are looking quite well,” he finished.
“I’m the size of a barn,” Lillian said flatly, puncturing his attempt at diplomacy.
Swift’s mouth firmed as if he was fighting to suppress a grin. “Not at all,” he said mildly, and glanced at Annabelle and Evie.
They all waited for Lillian to make the introductions.
Lillian complied grudgingly. “This is Mr. Swift,” she muttered, waving her hand in his direction. “Mrs. Simon Hunt and Lady St. Vincent.”
Swift bent deftly over Annabelle’s hand. He would have done the same for Evie except she was holding the baby.
Isabelle’s grunts and whimpers were escalating and would soon become a full-out wail unless something was done about it.
“That is my daughter Isabelle,” Annabelle said apologetically. “She’s teething.”
That should get rid of him quickly, Daisy thought. Men were terrified of crying babies.
“Ah.” Swift reached into his coat and rummaged through a rattling collection of articles. What on earth did he have in there? She watched as he pulled out his pen-knife, a bit of fishing line and a clean white handkerchief.
“Mr. Swift, what are you doing?” Evie asked with a quizzical smile.
“Improvising something.” He spooned some crushed ice into the center of the handkerchief, gathered the fabric tightly around it, and tied it off with fishing line. After replacing the knife in his pocket, he reached for the baby without one trace of self-consciusness.
Wide-eyed, Evie surrendered the infant. The four women watched in astonishment as Swift took Isabelle against his shoulder with practiced ease. He gave the baby the ice-filled handkerchief, which she proceeded to gnaw madly even as she continued to cry.
Seeming oblivious to the fascinated stares of everyone in the room, Swift wandered to the window and murmured softly to the baby. It appeared he was telling her a story of some kind. After a minute or two the child quieted.
When Swift returned to the table Isabelle was half-drowsing and sighing, her mouth clamped firmly on the makeshift ice pouch.
“Oh, Mr. Swift,” Annabelle said gratefully, taking the baby back in her arms, “how clever of you! Thank you.”
“What were you saying to her?” Lillian demanded.
He glanced at her and replied blandly, “I thought I would distract her long enough for the ice to numb her gums. So I gave her a detailed explanation of the Buttonwood agreement of 1792.”
Daisy spoke to him for the first time. “What was that?”
Swift glanced at her then, his face smooth and polite, and for a second Daisy half-believed that she had dreamed the events of that morning. But her skin and nerves still retained the sensation of him, the hard imprint of his body.
“The Buttonwood agreement led to the formation of the New York Stock and Exchange Board,” Swift said. “I thought I was quite informative, but it seemed Miss Isabelle lost interest when I started on the fee-structuring compromise.”
“I see,” Daisy said. “You bored the poor baby to sleep.”
“You should hear my account of the imbalance of market forces leading to the crash of ’37,” Swift said. “I’ve been told it’s better than laudanum.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
But your last letter… I am so good at missing things. At making myself not see. I stand at a cliff’s edge, and–hell.
I love you, Blue.
Have I always? Haven’t I?
When did it happen? Or has it always happened? Like your victory, love spreads back through time. It claims our earliest association, our battles and losses. Assassinations become assignations. There was, I am sure, a time I did not know you. Or did I dream that me, as I’ve so often dreamed of you? Have we always fulfilled one another in the chase? I remember hunting you through Samarkand, thrilling to think I might touch the loosening strands of your hair.
I want to be a body for you.
I want to chase you, find you, I want to be eluded and teased and adored; I want to be defeated and victorious–I want you to cut me, sharpen me. I want to drink tea beside you in ten years or a thousand.
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
“
Poet's Note: Kindly do not use my poem without giving me due credit. Do not use bits and pieces to suit your agenda of Kashmir whatever it may be. I, Srividya Srinivasan as the creator of this poem own the right to what I have chosen to feel about the issue and have represented all sides to a complex problem that involves people. I do not believe in war or violence of any kind and this is my compassionate side speaking from all angles to human beings thinking they own only their side to the story. THIS POEM IS THE ORIGINAL WORK OF SRIVIDYA SRINIVASAN and any misuse by you shall be considered as a violation of my copyrights and legally actionable. This poem is dedicated to all those who have suffered in Kashmir and through Kashmir and to not be sliced and interpreted to each one's convenience.
----------------------------
Weep softly O mother,
the walls have ears you know...
The streets are awash o mother!
I cannot go searching for him anymore.
The streets are awash o mother
with blood and tears, pellets and screams.
that silently remain locked in the air,
while they seal our soulless dreams.
The guns are out, O mother,
while our boys go armed with stones,
I cannot go looking for him O mother,
I have no courage to face what I will find.
For, I need to tend to this little one beside,
with bound eyes that see no more.
-----
Weep for the home we lost O mother,
Weep for the valley we left behind,
the hills that once bore our names,
where shoulder to shoulder,
we walked the vales,
proud of our heritage.
Hunted out of our very homes,
flying like thieves in the night,
abandoning it all,
fearful for the lives of our men,
fearful of our being raped,
our children killed,
Kafirs they called us O mother,
they marked our homes to kill.
We now haunt the streets of other cities,
refugees in a country we call our own,
belonging nowhere,
feeling homeless without the land
we once called home.
-------------
Weep loudly O mother,
for the nation hears our pain.
As the fresh flag moulds his cold body,
I know his sacrifice was not in vain.
We need to put our chins up, O mother
and face this moment with pride.
For blood is blood, and pain is pain,
and death is final,
The false story we must tell ourselves
is that we are always the right side,
and forget the pain we inflict on the other side.
Until it all stops, it must go on,
the dry tears on either side,
Every war and battle is within and without,
and must claim its wounds and leave its scars,
And, if we need to go on O mother,
it matters we feel we are on the right side.
We need to tell ourselves
we are always the right sight...
We need to repeat it a million times,
We are always the right side...
For god forbid, what if we were not?
---
Request you to read the full poem on my website.
”
”
Srividya Srinivasan
“
Demons first. We don't know how Athena's dream compares to reality. It could have already happened or might not happen for another few days."
"Who the hell is Athena?" Cillian asks.
I raise my hand.
"Oh, that makes so much more sense. I had questioned your mother's intelligence, naming one of you Artemis and the other Nina. The whole point to having twins is to give them matching names."
"Yes," Artemis deadpans. "That's why our parents had us."
Artemis was the goddess of the hunt; a protector. It fits my sister perfectly. Athena was the goddess of wisdom and war. It's never escape my notice that everyone thought Nina fit me better than my real name.
Everyone except Leo.
"If we have twins someday," Rhys says, "we'll give them matching names."
Cillian nods in agreement, then claps his hands together. "Little Sonny and Cher will be so adorable."
"Jane and Austen," Rhys says.
"Meryl and Streep," Leo offers without looking back.
"That's the one!" Rhys shouts.
"You can be their godfather." Cilllian beams.
”
”
Kiersten White (Slayer (Slayer, #1))
“
Cat's Dream"
How neatly a cat sleeps,
sleeps with its paws and its posture,
sleeps with its wicked claws,
and with its unfeeling blood,
sleeps with all the rings--
a series of burnt circles--
which have formed the odd geology
of its sand-colored tail.
I should like to sleep like a cat,
with all the fur of time,
with a tongue rough as flint,
with the dry sex of fire;
and after speaking to no one,
stretch myself over the world,
over roofs and landscapes,
with a passionate desire
to hunt the rats in my dreams.
I have seen how the cat asleep
would undulate, how the night
flowed through it like dark water;
and at times, it was going to fall
or possibly plunge into
the bare deserted snowdrifts.
Sometimes it grew so much in sleep
like a tiger's great-grandfather,
and would leap in the darkness over
rooftops, clouds and volcanoes.
Sleep, sleep cat of the night,
with episcopal ceremony
and your stone-carved moustache.
Take care of all our dreams;
control the obscurity
of our slumbering prowess
with your relentless heart
and the great ruff of your tail.
”
”
Pablo Neruda (The House in the Sand (Spanish Edition))
“
The anthropologist Rane Willerslev once lived for a year in a Yukaghir community in north-eastern Siberia and became fascinated by how their hunters saw the relationship between humans and animals. The hunters, he wrote, think ‘humans and animals can turn into each other by temporarily taking on one another’s bodies’.1 If you want to hunt elk, you dress in elkskins, walk like an elk, take on an elk’s alien consciousness. If you do this, elk will recognise you as one of their own and walk towards you. But, Willerslev explained, Yukaghir hunters consider these transformations very dangerous, because they can make you lose sight of your ‘original species identity and undergo an invisible metamorphosis’. Turning into an animal can imperil the human soul. Willerslev included the story of a hunter who’d been tracking reindeer for many hours and ended up in an unfamiliar camp, where women he did not know gave him lichen to eat and he started forgetting things. He remembered his wife but could not remember her name. Confused, he fell asleep, and it was only when he dreamed he was surrounded by reindeer urging him to leave that he saw what he had done.
”
”
Helen Macdonald (H is for Hawk)
“
ANITA,
I KNEW THAT MOMENT IN THE CAVE THAT YOU WOULD THINK AS I DID. I FELT THAT YOU WOULD KNOW WHERE I WOULD GO TO HUNT. NOW HERE YOU ARE. I AM NEARBY.
I HAVE WATCHED YOU COME TO THE GOOD PROFESSOR'S RESCUE. I WATCHED YOU TAKE THE ENVELOPE, AND I KNOW YOU ARE READING IT NOW. I BELITTLED EDWARD WHEN HE SPOKE OF SOUL MATES. I OWE HIM AN APOLOGY. WHEN I SAW YOU TAKE HIS HEART, SO PRACTICED, I KNEW THAT YOU WERE AS I AM. HOW MANY HAVE YOU KILLED? HOW MANY HEARTS HAVE YOU RIPPED OUT? HOW MANY HEADS HAVE YOU TAKEN? YOU'LL ARGUE WITH YOURSELF THAT YOU ARE NOT AS I AM. MAYBE YOU DON'T TAKE TROPHIES, BUT YOU STILL LIVE FOR THE KILL, ANITA. YOU WOULD WITHER AND DIE WITHOUT THE VIOLENCE. WHAT TRICK OF FATE HAS MADE YOU PHYSICALLY THE WOMAN I KILL OVER AND OVER AGAIN, AND YET PUT INSIDE THAT TINY BODY THE OTHER HALF OF MY SOUL? ARE MOST OF THE VAMPIRES YOU KILL MEN? DO YOU HAVE YOUR VICTIM PREFERENCE, ANITA?
I WOULD LOVE TO HUNT WITH YOU AT MY SIDE. I WOULD HUNT YOUR VICTIMS BECAUSE I KNOW YOU WILL NOT HUNT MINE. BUT WE WOULD STILL KILL TOGETHER AND CUT THE BODIES UP, AND THAT WOULD BE MORE THAN I EVER DREAMED OF SHARING WITH A WOMAN.
"What does the note say?" Bernardo asked.
I handed it to him.
Bernardo read faster than I would have thought, "Jesus, Anita, Olaf has a crush on you."
"A crush," I said, "a crush, God, there's got to be another word for it.
”
”
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
“
Life as an Enron employee was good. Prestwood’s annual salary rose steadily to sixty-five thousand dollars, with additional retirement benefits paid in Enron stock. When Houston Natural and Internorth had merged, all of Prestwood’s investments were automatically converted to Enron stock. He continued to set aside money in the company’s retirement fund, buying even more stock. Internally, the company relentlessly promoted employee stock ownership. Newsletters touted Enron’s growth as “simply stunning,” and Lay, at company events, urged employees to buy more stock. To Prestwood, it didn’t seem like a problem that his future was tied directly to Enron’s. Enron had committed to him, and he was showing his gratitude. “To me, this is the American way, loyalty to your employer,” he says. Prestwood was loyal to the bitter end. When he retired in 2000, he had accumulated 13,500 shares of Enron stock, worth $1.3 million at their peak. Then, at age sixty-eight, Prestwood suddenly lost his entire Enron nest egg. He now survives on a previous employer’s pension of $521 a month and a Social Security check of $1,294. “There aint no such thing as a dream anymore,” he says. He lives on a three-acre farm north of Houston willed to him as a baby in 1938 after his mother died. “I hadn’t planned much for the retirement. Wanted to go fishing, hunting. I was gonna travel a little.
”
”
Richard H. Thaler (Nudge: Improving Decisions About Health, Wealth, and Happiness)
“
I’m very glad,” Jones continued fervently, sounding like a card-carrying Colin Firth impersonator. “So very glad. You can’t know how glad . . .” He cleared his throat. “I hate to be the bearer of more bad tidings, but your . . . friend was something of a criminal, the way I heard it. He had a price on his head—millions—from some druglord who wanted him dead. Chased him mercilessly, for years. I guess this Jones fellow used to work for him—it’s all very sordid, I’m afraid. And dangerous. He had to be on the move constantly. It was risky just to have a drink with Jones—you might’ve gotten killed in the crossfire. Of course, the big irony here is that the druglord died two weeks before Jones. He never knew it, but he was finally free.”
As he looked at her with those eyes that she’d dreamed about for so many months, Molly understood. Jones was here, now, only because the druglord known as Chai, a dangerous and sadistic bastard who’d spent years hunting him, was finally dead.
“It’s entirely possible that whoever’s taken over business for this druglord,” he continued, “would’ve gone after this Jones, too. Of course, he probably wouldn’t have searched to the ends of the earth for him . . . Although, when dealing with such dangerous types, it pays to be cautious, I suppose.”
Message received.
“Not that that’s anything Jones needs to worry about,” he added. “Considering he’s left his earthly cares behind. Still, I suspect it’s rather hot where he’s gone.”
Yes, it certainly was hot in Kenya right now. Molly covered her mouth, pretending to sob instead of laugh.
“Shhh,” Helen admonished him, thinking, of course, that he was referring to an unearthly heat. “Don’t say such a thing. She loved him.” She turned back to Molly. “This Jones is the man that you spoke of so many times?”
Molly could see from the expression on Jones’s face that Helen had given her away. She might as well go big with the truth.
She wipes her eyes with a handkerchief that Helen had at the ready, then met his gaze.
“I loved him very much. I’ll always love him,” she told this man who’d traveled halfway around the world for her, who apparently had waited years for it to be safe enough for him to join her, who had actually thought that, once he arrived, she might send him away.
If you don’t want me here—and I don’t blame you if you don’t—just say the word . . .
“He was a good man,” Molly said, “with a good heart.” Her voice shook, because, dear Lord, there were now tears in his eyes, too. “He deserved forgiveness—I’m positive he’s in heaven.”
“I don’t think it’s going to be that easy for him,” he whispered. “It shouldn’t be . . .” He cleared his throat, put his glasses back on. “I’m so sorry to have distressed you, Miss Anderson. And I haven’t even properly introduced myself. Where are my manners?” He held out his hand to her. “Leslie Pollard.”
Even with his glasses on, she could see quite clearly that he’d far rather be kissing her.
But that would have to wait for later, when he came to her tent . . . No, wait, Gina would be there. Molly would have to go to his.
Later, she told him with her eyes, as she reached out and, for the first time in years, touched the hand of the man that she loved.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
You?” Crowfeather decided he was still in some weird dream. “Like ‘Hey, you’?” “No, flea-brain,” the tabby tom responded, with an exasperated twitch of his whiskers. “Yew, like the tree.” “Oh, sorry,” Crowfeather mewed, then added after a moment, “I’m Crowfeather. Thanks for helping me.” “You’re welcome. I’ve learned a bit about patching up injured cats in my time, and I like to help out when I can.” Yew finished his massage and stood back, rubbing his paw in the snow to clean off the juices. “Try sitting up.” Crowfeather obeyed; his head swam, and every one of his muscles shrieked in protest, but he managed to stay upright. He found himself in the lee of a large, jutting outcrop of rocks, with only a thin powdering of snow covering the tough moorland grass. Beyond the shelter, all the hills were hidden in a thick layer of snow, the white expanse stretching in all directions as far as Crowfeather could see. More flakes were slowly drifting down. Though clouds hid the sun, he guessed that sunhigh would be long past. “How did you find me, in all this?” he asked. Yew looked thoughtful. “That was strange,” he replied. “I was hunting, down there on the edge of the forest. Then I saw a gray she-cat—the prettiest cat I ever laid eyes on. She beckoned me to follow her, and she brought me up here. But when we got here, I couldn’t find her . . . only you, half buried in the snow and looking just about dead.” For a moment his bold amber gaze softened. “Her fur glittered like stars. . . .” Feathertail! Warmth spread through Crowfeather from ears to tail-tip, as if he were basking in the sun of greenleaf. She saved me! Injured and unconscious in the snow, he would have frozen to death if no cat had found him.
”
”
Erin Hunter (Crowfeather’s Trial (Warriors Super Edition, #11))
“
GET MOVING
People are often scared of the word exercise. We associate the word with pain, and we think of it as a chore. (And it can be--who likes going to the gym at 6 A.M.?) If that’s how you’re thinking, then you need to change your psychology. I don’t think of my body in terms of exercise; I think in terms of movement. Look at the actual word--I see it as “meant to move.” As human beings, going back to the beginning of civilization, we’ve had to move to survive. We had to throw spears to hunt, we had to prepare land to plant seeds, we had to gather firewood. Our bodies are hardwired to move. Not even TiVo can rewire those thousands of years of DNA. This isn’t a new idea, but it’s easy to forget: your body is connected to your mind and spirit.
People say, “I’m miserable because I’m overweight” or “I’m overweight because I’m miserable,” but these two go hand in hand. I know when I drink to excess or put poisons in my body, the next day I’m not going to feel happy or inspired. The body is the vehicle that can help you reach your dreams. Keeping it moving, strong, and healthy paves the way to overall well-being. You can’t say you love yourself when you abuse yourself physically, and by not using your body, you’re abusing it.
But here’s the first piece of good news: you don’t have to be in the gym to exercise. You just need to move--and keep moving. It can be anywhere, at any time. Sometimes I’ll do push-ups during a commercial break while watching TV. Sometimes I take a short walk, even around the block with my dog, just to break up my day. Your body wants to move; your body was created to move. You have to feed that. When you’re feeling miserable, your body is telling you to get on your feet. Moving makes you feel good. It helps you slay the demon of procrastination that lurks in the shadow of every human being. Most of us sleepwalk through life because we’re waiting for the perfect time, the perfect place, and the perfect opportunity to improve ourselves. Stop waiting. Start moving and keep moving.
”
”
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
“
Hunting in my experience—and by hunting I simply mean being out on the land—is a state of mind. All of one’s faculties are brought to bear in an effort to become fully incorporated into the landscape. It is more than listening for animals or watching for hoofprints or a shift in the weather. It is more than an analysis of what one senses. To hunt means to have the land around you like clothing. To engage in a wordless dialogue with it, one so absorbing that you cease to talk with your human companions. It means to release yourself from rational images of what something “means” and to be concerned only that it “is.” And then to recognize that things exist only insofar as they can be related to other things. These relationships—fresh drops of moisture on top of rocks at a river crossing and a raven’s distant voice—become patterns. The patterns are always in motion. Suddenly the pattern—which includes physical hunger, a memory of your family, and memories of the valley you are walking through, these particular plants and smells—takes in the caribou. There is a caribou standing in front of you. The release of the arrow or bullet is like a word spoken out loud. It occurs at the periphery of your concentration. The mind we know in dreaming, a nonrational, nonlinear comprehension of events in which slips in time and space are normal, is, I believe, the conscious working mind of an aboriginal hunter. It is a frame of mind that redefines patience, endurance, and expectation. The focus of a hunter in a hunting society was not killing animals but attending to the myriad relationships he understood bound him into the world he occupied with them. He tended to those duties carefully because he perceived in them everything he understood about survival. This does not mean, certainly, that every man did this, or that good men did not starve. Or that shamans whose duty it was to intercede with the forces that empowered these relationships weren’t occasionally thinking of personal gain or subterfuge. It only means that most men understood how to behave.
”
”
Barry Lopez (Arctic Dreams)
“
I am a Carpathian male, long in the world of darkness. It is true that I feel very little, that my nature revels in the hunt, in the kill. To overcome the wild beast we have to find our one mate, our other half, the light to our darkness. You are my light, Raven, my very life. That does not take away my obligations to my people. I must hunt those who prey on mortals, those who prey on our people. I cannot feel while I do so, or madness would be my fate. Kiss me and merge your mind with mine. Love me for who I am.”
Raven’s body ached and burned. Needed. Hungered. His heart beat so strongly. His skin felt so temptingly hot, his muscles hard against her softness. Every touch of his lips sent a jolt of electricity sizzling through her.
“I cannot lie to you,” he whispered. “You know my thoughts. You know the beast that dwells inside. I try to be gentle with you, to listen to you. Always that wildness breaks free, but you tame me. Raven, please, I need you. And you need me. Your body is weak, I can feel your hunger. Your mind is fragmented--allow me to heal you. Your body cries out for mine as mine does for yours. Kiss me, Raven. Do not give up on us.”
Her blue eyes continued to search his face and then came to rest on his sensual mouth. A small sigh escaped. His lips hovered over hers, waited for her answer.
It was in her eyes first, that moment of complete recognition. Tenderness rushed over her, and she caught his head in her hands. “I think I’m afraid I made you up, Mikhail. That something so much a part of me, so perfect, can’t be real. I don’t want you to be what I dreamed of and the nightmare to be real.”
She brought his face the inch separating them and fastened her mouth to his. Thunder pounded in her ears, in his. White-hot heat streaked and danced, consumed her, consumed him. His hand touched hers gently, tentatively, found no resistance, and he merged them together so that his burning need became hers, so that the wild, unbridled passion in him fed hers. So that she knew he was real and would never leave her alone, could never leave her alone.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
We may have to mask your scent.” He looked at her soberly. “Did Olivia tell you anything about scent marking?” “Scent marking?” Sophie wracked her brain, trying to remember. It seemed vaguely familiar though she couldn’t remember exactly what it involved. Still, how bad could it be? “Oh, uh, sure. Scent marking.” She nodded. “Good. Because in the last extremity, if I hear the sniffers around this cabin, I may have to scent mark you—to mask your scent with my own.” “Can you do that? I mean, is your scent that much stronger than mine, especially when they’re focused on me?” Sylvan looked down at his hands. “Normally it isn’t but right now…ever since the trip we took in the transport tube…” Sophie thought of the warm, spicy scent that seemed to go to her head, the way it made her react to him… “It’s your mating scent, isn’t it?” she asked in a low voice, not daring to look at him. “Yes.” He sounded ashamed. “But why…” She risked a sidelong glance at him. “Why is it coming out now? I, uh, thought it only happened during the claiming period. But you’re not, um, claiming me or anything. I mean, we’re not… you know.” “I know.” He shook his head. “I don’t understand what’s going on either. We haven’t even been dream sharing. Well, that is, I mean…” He cleared his throat. “I’ve had a few dreams of you. But nothing out of the ordinary.” He glanced at her. “Have you…had any strange dreams?” “No.” Sophie shook her head and a look of mingled disappointment and relief passed over his stern features. “I have been, uh, having problems with my art, though,” she admitted in a low voice. “Problems with your art?” He frowned. “What do you mean?” “I paint,” Sophie explained. “You know—with a paintbrush and easel?” She made a painting motion in the air and his eyes widened. “That was what I dreamed. That you were painting a picture of…of me.” Sophie nearly choked. “But I have been! You’re all I’ve been able to paint lately. Even when I try not to, you always sneak in there. It’s so annoying.” Then she realized what she’d said. “Uh, I mean—” “It doesn’t matter.” Sylvan cut her off, shaking his head. “So we have been dream sharing, in a way.” Sophie
”
”
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
“
Our team’s vision for the facility was a cross between a shooting range and a country club for special forces personnel. Clients would be able to schedule all manner of training courses in advance, and the gear and support personnel would be waiting when they arrived. There’d be seven shooting ranges with high gravel berms to cut down noise and absorb bullets, and we’d carve a grass airstrip, and have a special driving track to practice high-speed chases and real “defensive driving”—the stuff that happens when your convoy is ambushed. There would be a bunkhouse to sleep seventy. And nearby, the main headquarters would have the feel of a hunting lodge, with timber framing and high stone walls, with a large central fireplace where people could gather after a day on the ranges. This was the community I enjoyed; we never intended to send anyone oversees. This chunk of the Tar Heel State was my “Field of Dreams.” I bought thirty-one hundred acres—roughly five square miles of land, plenty of territory to catch even the most wayward bullets—for $900,000. We broke ground in June 1997, and immediately began learning about do-it-yourself entrepreneurship. That land was ugly: Logging the previous year had left a moonscape of tree stumps and tangled roots lorded over by mosquitoes and poisonous creatures. I killed a snake the first twelve times I went to the property. The heat was miserable. While a local construction company carved the shooting ranges and the lake, our small team installed the culverts and forged new roads and planted the Southern pine utility poles to support the electrical wiring. The basic site work was done in about ninety days—and then we had to figure out what to call the place. The leading contender, “Hampton Roads Tactical Shooting Center,” was professional, but pretty uptight. “Tidewater Institute for Tactical Shooting” had legs, but the acronym wouldn’t have helped us much. But then, as we slogged across the property and excavated ditches, an incessant charcoal mud covered our boots and machinery, and we watched as each new hole was swallowed by that relentless peat-stained black water. Blackwater, we agreed, was a name. Meanwhile, within days of being installed, the Southern pine poles had been slashed by massive black bears marking their territory, as the animals had done there since long before the Europeans settled the New World. We were part of this land now, and from that heritage we took our original logo: a bear paw surrounded by the stylized crosshairs of a rifle scope.
”
”
Anonymous
“
We may have to mask your scent.” He looked at her soberly. “Did Olivia tell you anything about scent marking?” “Scent marking?” Sophie wracked her brain, trying to remember. It seemed vaguely familiar though she couldn’t remember exactly what it involved. Still, how bad could it be? “Oh, uh, sure. Scent marking.” She nodded. “Good. Because in the last extremity, if I hear the sniffers around this cabin, I may have to scent mark you—to mask your scent with my own.” “Can you do that? I mean, is your scent that much stronger than mine, especially when they’re focused on me?” Sylvan looked down at his hands. “Normally it isn’t but right now…ever since the trip we took in the transport tube…” Sophie thought of the warm, spicy scent that seemed to go to her head, the way it made her react to him… “It’s your mating scent, isn’t it?” she asked in a low voice, not daring to look at him. “Yes.” He sounded ashamed. “But why…” She risked a sidelong glance at him. “Why is it coming out now? I, uh, thought it only happened during the claiming period. But you’re not, um, claiming me or anything. I mean, we’re not… you know.” “I know.” He shook his head. “I don’t understand what’s going on either. We haven’t even been dream sharing. Well, that is, I mean…” He cleared his throat. “I’ve had a few dreams of you. But nothing out of the ordinary.” He glanced at her. “Have you…had any strange dreams?” “No.” Sophie shook her head and a look of mingled disappointment and relief passed over his stern features. “I have been, uh, having problems with my art, though,” she admitted in a low voice. “Problems with your art?” He frowned. “What do you mean?” “I paint,” Sophie explained. “You know—with a paintbrush and easel?” She made a painting motion in the air and his eyes widened. “That was what I dreamed. That you were painting a picture of…of me.” Sophie nearly choked. “But I have been! You’re all I’ve been able to paint lately. Even when I try not to, you always sneak in there. It’s so annoying.” Then she realized what she’d said. “Uh, I mean—” “It doesn’t matter.” Sylvan cut her off, shaking his head. “So we have been dream sharing, in a way.” Sophie felt herself go cold all over. “Does…does that mean you’re going to try to…to claim me? The way Baird claimed Liv?” Oh my God, if he does, if he claims me, then he’ll want to bite me! That’s the way his people do it. She had horror-movie visions of being held down under his muscular bulk, held down and pierced multiple times and in multiple ways. God, his teeth in my throat at the same time he’s inside me, filling me, holding me down and biting and thrusting. He’s so big, so strong—I’d never be able to get away. The horror she felt must have showed on her face, because Sylvan’s voice was rough when he spoke. “Don’t worry, Sophia. Even if I wanted to claim you, I couldn’t.” “Oh right.” She felt a small measure of relief. “Your vow.” “My vow,” he agreed. “Sylvan,
”
”
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
“
stairs and broke her leg. The school wants to wait until he gets back before you start teaching. Check your cell phone. He said he’d leave you a message.” Hunting through her carry-on,
”
”
Leeanna Morgan (Forever Dreams (Montana Brides, #1))
“
When the company had passed on, Rising Hawk laid the deer carcass on the ground at her feet. “This is for Polly,” he said shyly. “It is unthinkable for a bridegroom to claim his bride without proof of his hunting skill. The deer around here are not well. Your winter must have been bad, like ours. This was the best I could find.” His eyes finally met hers. He was the same, a little haggard. She was older. Neither of them was sure that they read anything in the looks they gave each other. “Gideon gave you my message? I was afraid it would not get here before I did.”
“He told me yesterday,” she said, “but he didn’t tell me you were bringing a wedding party.” She was cool, without anger, very polite--as if she were addressing an acquaintance, and a distant one at that. Rising Hawk felt his confidence melting away.
“Why didn’t you send word sooner?” she asked, her voice accusing.
“I tried, but there was no one to take my message, once I had the courage to try. Anyway, there seemed to be no words for my sorrow that you had not heard before.”
“Oh.”
He was beginning to think he had made a mistake. This was shaping up as a refusal. And after all the persuading he had wasted on his uncle and grandmother. He glanced down at the deer. It was humiliating, but he hadn’t come all this way to stand here dumb, like a chastened twelve-year-old. Without raising his eyes he said, “I missed you so much my soul was sick. My only dreams were of you. On the winter hunt my aim was terrible, like an old man with fading sight. My friends pitied me. I could listen to stories in the longhouse, but I could not tell any afterward because my heart held no memory of them.” He paused, ashamed to admit it. “I tried drinking for a while.”
He saw her start slightly and she said, less harshly, “Me too.”
“What happened between us was my fault.”
“No, it wasn’t. I said I wouldn’t marry you. What else could I expect? Your only fault was in leaving without saying good-bye. That made it terrible.”
“I’m sorry, Livy. I behaved like a spiteful boy.”
“Yes, you did.”
She agreed much too easily, he thought. She might be more gracious about it.
”
”
Betsy Urban (Waiting for Deliverance)
“
Why didn’t you send word sooner?” she asked, her voice accusing.
“I tried, but there was no one to take my message, once I had the courage to try. Anyway, there seemed to be no words for my sorrow that you had not heard before.”
“Oh.”
He was beginning to think he had made a mistake. This was shaping up as a refusal. And after all the persuading he had wasted on his uncle and grandmother. He glanced down at the deer. It was humiliating, but he hadn’t come all this way to stand here dumb, like a chastened twelve-year-old. Without raising his eyes he said, “I missed you so much my soul was sick. My only dreams were of you. On the winter hunt my aim was terrible, like an old man with fading sight. My friends pitied me. I could listen to stories in the longhouse, but I could not tell any afterward because my heart held no memory of them.” He paused, ashamed to admit it. “I tried drinking for a while.”
He saw her start slightly, and she said, less harshly, “Me, too.”
“What happened between us was my fault.”
“No, it wasn’t. I said I wouldn’t marry you. What else could I expect? Your only fault was in leaving without saying good-bye. That made it terrible.”
“I’m sorry, Livy. I behaved like a spiteful boy.”
“Yes, you did.”
She agreed much too easily, he thought. She might be more gracious about it.
”
”
Betsy Urban (Waiting for Deliverance)
“
Chase your dreams eagerly. Hunt them down with the claws you gave yourself. - The Malwatch
”
”
Scaylen Renvac
“
Are you Mr. Bronson? We've come to teach you your manners.” Zachary flashed a grin at Holly. “I didn't realize when we struck our bargain that I was getting two of you.” Cautiously Rose reached up for her mother's gloved hand. “Is this where we're going to live, Mama? Is there a room for me?” Zachary sat on his haunches and stared into the little girl's face with a smile. “I believe a room right next to your mother's has been prepared for you,” he told her. His gaze fell to the mass of sparkling objects in Rose's hands. “What is that, Miss Rose?” “My button string.” The child let some of the length fall to the ground, displaying a line of carefully strung buttons… picture buttons etched with flowers, fruit or butterflies, ones made of molded black glass and a few of painted enamel and paper. “This one is my perfume button,” Rose said proudly, fingering a large one with velvet backing. She lifted it to her nose and inhaled deeply. “Mama puts her perfume on it for me, to make it smell nice.” As Rose extended it toward him, Zachary ducked his head and detected a faint flowery fragrance that he recognized instantly. “Yes,” he said softly, glancing up at Lady Holly's blushing face. “That smells just like your mama.” “Rose,” Holly said, clearly perturbed, “come with me—ladies do not remain talking on the drive-” “I don't have any buttons like that,” Rose told Zachary, ignoring her mother's words as she stared at one of the large solid gold buttons that adorned his coat. Gazing in the direction of the child's dainty finger, Zachary saw that a miniature hunting landscape was engraved on the surface of his top button. He had never looked closely enough to notice before. “Allow me the honor of adding to your collection, Miss Rose,” he said, reaching inside his coat to extract a small silver folding knife. Deftly he cut the threads holding the button to his coat and handed the object to the excited little girl. “Oh, thank you, Mr. Bronson,” Rose exclaimed. “Thank you!
”
”
Lisa Kleypas (Where Dreams Begin)
“
I will sing of Night, the mother of gods
and of humans. Nyx, the source of all things,
whom we may also call Kypris, hear me,
blessed goddess shining in the dark sky,
filled with bright stars, rejoicing in silent
nights of sleeping peace; mirthful and happy,
you love all-night vigils, mother of dreams.
You banish care, gently push away pains;
giver of sleep, friend to all, night shining
you lead your horses forth, and half the time,
you wander the earth; and then, the heavens, wheeling about in your air-haunting hunt.
You send forth light into the depths, then flee
to Hades; for dreadful necessity
governs all. Now I call on you, happy,
much beloved, hearing my supplicating voice,
kindly come, and drive back the fears of night.
”
”
Patrick Dunn (The Orphic Hymns)
“
When in doubt, do what is bold, and you will never lose in the long run
”
”
Roopesh Tiwari (WHAT WON’T GET YOU YOUR DREAM JOB : STORY OF A JOB HUNT)
“
a typical student tries to impress the recruiter with the skill or theory he or she knows best, without realising the need of the recruiter. As a result, unknowingly they end up giving the message ‘I do not know what you need’ and hence get rejected
”
”
Roopesh Tiwari (WHAT WON’T GET YOU YOUR DREAM JOB : STORY OF A JOB HUNT)
“
There is a weakness in the thinking pattern of the brain due to which the source of information fades faster than the information itself.
”
”
Roopesh Tiwari (WHAT WON’T GET YOU YOUR DREAM JOB : STORY OF A JOB HUNT)
“
A person is hired either to perform a job in a company or to make the job of his or her boss easier
”
”
Roopesh Tiwari (WHAT WON’T GET YOU YOUR DREAM JOB : STORY OF A JOB HUNT)
“
Help the recruiter so that the recruiter can help you
”
”
Roopesh Tiwari (WHAT WON’T GET YOU YOUR DREAM JOB : STORY OF A JOB HUNT)
“
An employer would expect his employee to be easy to handle. Easy to handle means that a person needs minimum guidance, takes initiative and gets the job done, is intelligent enough to anticipate things and is well organised to get things done on time
”
”
Roopesh Tiwari (WHAT WON’T GET YOU YOUR DREAM JOB : STORY OF A JOB HUNT)
“
A résumé is the most important document in your journey to get a job, more important than your degree.
”
”
Roopesh Tiwari (WHAT WON’T GET YOU YOUR DREAM JOB : STORY OF A JOB HUNT)
“
A résumé is like a ticket to the job journey; without it, you are not in.
”
”
Roopesh Tiwari (WHAT WON’T GET YOU YOUR DREAM JOB : STORY OF A JOB HUNT)
“
A good résumé is very dynamic and changes with every company. It is like an advertisement of a solution to the problem faced by the company. As problems can vary from company to company, so should the résumé
”
”
Roopesh Tiwari (WHAT WON’T GET YOU YOUR DREAM JOB : STORY OF A JOB HUNT)
“
Consider all recruiters to be lazy and short of time.
”
”
Roopesh Tiwari (WHAT WON’T GET YOU YOUR DREAM JOB : STORY OF A JOB HUNT)
“
When in doubt, paraphrase
”
”
Roopesh Tiwari (WHAT WON’T GET YOU YOUR DREAM JOB : STORY OF A JOB HUNT)
“
Don’t misunderstand me, little thing. I’m not playing a game with you. The stakes are much higher than that. I’m hunting more than just your body now. I’m a greedy man, and I won’t stop until I have your soul.
”
”
Giana Darling (Beautiful Nightmare (Dark Dream, #2))
“
Don’t misunderstand me, little thing. I’m not playing a game with you. The stakes are much higher than that. I’m hunting more than just your body now. I’m a greedy man, and I won’t stop until I have your soul.” I breathed deeply, trying to keep my equilibrium. “Well, that’s not easily won or bought.” “It wouldn’t be worth anything if it was.
”
”
Giana Darling (Beautiful Nightmare (Dark Dream, #2))
“
As you explore these DreamMaker stories, I invite you to join the conversation and to contribute your ideas, talents, and energy to making our world a better place.
”
”
Michele Hunt (DreamMakers: Innovating for the Greater Good)
“
I never thought I’d envy you,” she said. “Never in a million years. You’re so composed, so serious. So cold.” His hands balled into fists. How dare she? How dare she burst into his room and kiss him and dive into a river and invade his dreams and make him go shopping and throw herself headlong into danger and lean back against a pear tree in a dress the exact color of her hair kissed by fading sunlight? How dare she make him forget? Damn it all. Damn her for making him care. “I want to go cold,” she said. “All these feelings—they’re like flames inside me. I’m tired of getting burnt. I don’t want them anymore. I want to put out the fire and just go cold. I never imagined I’d envy you, but today …” Her voice wavered. “Today, I do.
”
”
Tessa Dare (Goddess of the Hunt (The Wanton Dairymaid Trilogy, #1))
“
I feel like retching at his feet. I trusted you. I believed you. I did what you wanted. And now my fears will come to life for my trouble. Hunting Elias—killing him—that’s not even the worst part of the nightmares. It’s the feeling inside as I do it. That’s what makes the dreams so potent—the emotions that roll through me: satisfaction as I torment my friend, pleasure at the laughter of Marcus, who stands beside me, looking on in approval. “Do not let despair take you.” Cain’s voice softens. “Hold true to your heart, and the Empire will be well served.” “The Empire.” Always the Empire. “What about Elias? What about me?” “Elias’s fate is in his own hands. Come now, Blood Shrike.” Cain lifts a hand to my head, as if offering a blessing. “This is what it means to have faith, to believe in something greater than yourself.” A sigh escapes me, and I wipe the tears from my face. This is what it means to believe. I wish it weren’t so hard.
”
”
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
“
The shadow smiled at him. So Hunt smiled back. And then the shadow spoke. “You would do well in Hel.” Too drugged with agony, Hunt didn’t even quiver at the familiar male voice. One he’d already heard in another dream, another life. “Apollion,” he grunted. Not Death at all, then. He tried not to let disappointment sink in his gut. “What a sorry state you’re in,” the Prince of the Pit purred. He remained hidden in the shifting shadows. The demon prince inhaled, as if tasting the air. “What delicious pain you feel.” “I’d be happy to share.” A terrifyingly soft laugh. “Your good humor, it seems, remains intact. Even with the halo inked anew upon your brow.” Hunt smiled savagely. “I had the honor of having it done by Rigelus’s hand this time.” “Interesting that he would do it himself, rather than employ an imperial hag. Do you detect a difference?” Hunt’s chin dipped. “This one … stings. The hag’s halo felt like cold iron. This burns like acid.” He’d just finished voicing the last word when a thought slammed into him. “Bryce. Is she … is she with you?” If they’d hurt her, if Apollion gave one suggestion that— “No.” The shadow seemed to blink. “Why?
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
I’m hunting more than just your body now. I’m a greedy man, and I won’t stop until I have your soul.
”
”
Giana Darling (Beautiful Nightmare (Dark Dream, #2))
“
Daisy has a unique spirit,” Westcliff said. “A warm and romantic nature. If she is forced into a loveless marriage, she will be devastated. She deserves a husband who will cherish her for everything she is, and who will protect her from the harsher realities of the world. A husband who will allow her to dream.” It was surprising to hear such sentiment from Westcliff, who was universally known as a pragmatic and level-headed man.
“What is your question, my lord?” Matthew asked.
“Will you give me your word that you will not marry my sister-in-law?”
Matthew held the earl’s cold black gaze. It would not be wise to cross a man like Westcliff, who was not accustomed to being denied. But Matthew had endured years of Thomas Bowman’s thunder and bluster, standing up to him when other men would flee in fear of his wrath. Although Bowman could be a ruthless, sarcastic bully there was nothing he respected more than a man who was willing to go toe-to-toe with him. And so it had quickly become Matthew’s lot in the company to be the bearer of bad tidings and deliver the hard truths that everyone else was afraid to give him.
That had been Matthew’s training, which was why Westcliff’s attempt at domination had no effect on him.
“I’m afraid not, my lord,” Matthew said politely.
Simon Hunt dropped his cigar.
“You won’t give me your word?” Westcliff asked in disbelief.
“No.” Matthew bent swiftly to retrieve the fallen cigar and returned it to Hunt, who regarded him with a glint of warning in his eyes as if he were silently trying to prevent him from jumping off a cliff.
“Why not?” Westcliff demanded. “Because you don’t want to lose your position with Bowman?”
“No, he can’t afford to lose me right now.” Matthew smiled slightly in an attempt to rob the words of arrogance. “I know more about production, administration, and marketing than anyone else at Bowman’s…and I’ve earned the old man’s trust. So I won’t be dismissed even if I refuse to marry his daughter.”
“Then it will be quite simple for you to put the entire matter to rest,” the earl said. “I want your word, Swift. Now.”
A lesser man would have been intimidated by Westcliff’s authoritative demand.
“I might consider it,” Matthew countered coolly, “if you offered the right incentive. For example, if you promise to endorse me as the head of the entire division and guarantee the position for at least, say…three years.”
Westcliff gave him an incredulous glance.
The tense silence was broken as Simon Hunt roared with laughter. “By God, he has brass ballocks,” he exclaimed. “Mark my words, Westcliff, I’m going to hire him for Consolidated.”
“I’m not cheap,” Matthew said, which caused Hunt to laugh so hard that he nearly dropped his cigar again.
Even Westcliff smiled, albeit reluctantly. “Damn it,” he muttered. “I’m not going to endorse you so readily—not with so much at stake. Not until I am convinced you’re the right man for the position.”
“Then it seems we’re at an impasse.” Matthew made his expression friendly. “For now.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
Birds of the Western Front
Your mess-tin cover's lost. Kestrels hover
above the shelling. They don't turn a feather
when hunting-ground explodes in yellow earth,
flickering star-shells
and flares from the Revelation of St John.
You look away
from artillery lobbing roar and suck and snap
against one corner of a thicket
to the partridge of the war zone
making its nest in shattered clods.
History
floods into subsoil to be blown apart. You cling
to the hard dry stars of observation.
How you survive. They were all at it:
Orchids of the Crimea
nature notes from the trench
leaving everything unsaid - hell's cauldron
with souls pushed in, demons stoking flames beneath -
for the pink-flecked wings of a chaffinch
flashed like mediaeval glass.
You replace gangrene and gas mask
with a dream of alchemy: language of the birds
translating human earth
to abstract and divine. While machine-gun
tracery gutted that stricken wood
you watched the chaffinch flutter to and fro
through splintered branches, breaking buds
and never a green bough left.
Hundreds lay in there wounded.
If any, you say, spotted one bird
they may have wondered why a thing with wings
would stay in such a place.
She must have, sure, had chicks
she was too terrified to feed, too loyal to desert.
Like roots clutching at air
you stick to the lark singing fit to burst at dawn
sounding insincere
above the burning bush: plough-land
latticed like folds of brain
with shell-ravines where nothing stirs
but black rats, jittery sentries and the lice
sliding across your faces every night.
Where every elixir's gone wrong
you hold to what you know.
A little nature study. A solitary magpie
blue and white
spearing a strand of willow.
One for sorrow. One for Babylon,
Ninevah and Northern France,
for mice and desolation, the burgeoning
barn-owl population
and never a green bough left.
”
”
Ruth Padel
“
his attention to jerk up in a quick second. He stopped and searched around trying to spot the source. There, beyond a patch of Elderberry, something fat and filthy waddled down a muddy path. His heart pounded and jumped at the sight. This was it. Tensing his muscles, he bent low, stalking after the animal. He glanced at Mara, and sent her a victorious grin. It was a big, burly boar. He followed after the tromping creative until it reached the stream and grunted at a wallow surrounded by a circle of mossy rocks, finally settling into the mud. This was his first chance at hunting a boar. But when he really got a good look at the fat beast a jolt of fear shot through him. Those are some massive tusks, he thought. But by now Mara had already nocked an arrow. Their plan all along had been to weaken the boar at range and switch to spears and daggers to stop its advance. Seemed like a bloody stupid plan now staring at the powerful creature. Part of the plan always included dragging the boar back to Mother’s kitchen for a fine roast. And seeing Father’s proud eyes as he said, “You’re a fine hunter, son.” An unlikely dream. At Mara’s questioning look he quickly nocked an arrow and nodded at her. She turned back to face the boar, but her eyes remained wary and fearful. This would be a tricky shot. He leaned to the side and felt the tension strain his arms as he pulled the string back, aimed, and released the arrow straight at the boar. It was a good shot, but the arrow caught a thicket's branch and droned off past the creature. Damned! How could he miss? The boar jerked its head up and glared at Talis. He barely had a second to think before the beast sloshed in the stream, bounding towards him. He ducked as Mara’s arrow flew past him and slammed into the boar's chest. Why was he just stupidly standing instead of
”
”
John Forrester (Fire Mage (Blacklight Chronicles, #1))
“
The Christmas Key
The key hangs untouched
For 364 days
For the day after Christmas
Is the day I put it away
It’s getting on to the Yule Tide
The one that comes every year
Where smiling eyes are all around
And hearts that count are here
Each year is more of a struggle
Still we reach the journeys end
To find that we’re not just family
We are also the best of friends
The holiday gift is not a package
No price tag to cut and hide
It’s a celebration of a birthday
Shared with loved ones by your side
We remember the unforgettable
Give thanks to all that’s new
Once again, savor the innocence
Of a child’s dream come true
One more memory to add to the last
Of love, warmth, and joy
One more feeling of what was
That still touches this little boy
When the day is over
The memories are locked away
And the key put back in its place
”
”
Thomas K. Hunt
“
followed after the tromping creative until it reached the stream and grunted at a wallow surrounded by a circle of mossy rocks, finally settling into the mud. This was his first chance at hunting a boar. But when he really got a good look at the fat beast a jolt of fear shot through him. Those are some massive tusks, he thought. But by now Mara had already nocked an arrow. Their plan all along had been to weaken the boar at range and switch to spears and daggers to stop its advance. Seemed like a bloody stupid plan now staring at the powerful creature. Part of the plan always included dragging the boar back to Mother’s kitchen for a fine roast. And seeing Father’s proud eyes as he said, “You’re a fine hunter, son.” An unlikely dream. At Mara’s questioning look he quickly
”
”
John Forrester (Fire Mage (Blacklight Chronicles, #1))
“
How are you doing this? How did you get into my dream?” “Your mind is tired, Will. You’re exhausted. When was the last time you had a good night’s sleep that lasted more than a few hours? Hard to remember? That’s because it’s been a while. You’re tired, Will. Very, very tired. And you should be, because you’re right. We are hunting you.” “You’re hunting me.
”
”
Sam Sisavath (The Gates of Byzantium (Purge of Babylon, #2))
“
Why are you so eager, anyway? We just met this girl—this Kat. What makes her so special that you’re already thinking of claiming her?” Lock ran a hand through his dark blond hair. “Because she is, as you said, gorgeous. But it isn’t just that—she’s special, Deep. Couldn’t you feel it when you spoke to her?” “I didn’t feel a damn thing and there’s no way you could have either,” Deep growled. “Our minds aren’t even aligned with hers—we haven’t shared a single dream.” “But we could.” Lock glared at his twin in frustration. Deep had always been a pessimist, but ever since Miranda he’d closed himself off almost entirely. It was like he thought if he didn’t allow himself to feel anything he could never be hurt again. “Kat has potential,” he told his twin. “If you don’t scare her off, that is.” Deep narrowed his eyes. “Define potential.” “She’s beautiful, single, and she can stand up to you. The way she slapped you when you scented her…” Lock shook his head, laughing softly. “If that’s not potential, I don’t know what is.” “She does have spirit, I’ll give you that.” Deep smiled grudgingly and Lock felt something loosen in his heart. He seldom saw a genuine smile on his twin’s face anymore. “But Brother,” Deep continued, “If you don’t want to scare her off, you shouldn’t have agreed to let her act as our focus. If there’s anything more frightening than having two males inside her body, it would have to be having two males inside her mind. She’ll have to have a will of iron to withstand our joining.” Lock nodded, feeling troubled. “You’re right. But you saw her, Deep—she wouldn’t be denied.” He went and dropped down onto the extra long couch which was standard for all Twin Kindred suites. “And she’s right—she may make the difference between finding Sylvan in time or losing him and the Earth female he was with forever.” “True.” Deep seated himself beside his twin and put an arm over the other man’s shoulders in a rare gesture of affection. “Take heart, Brother. If she survives the joining and still comes back for more, I’ll admit she has potential.” “Very
”
”
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
“
I want to talk about everything with you,” Sylvan told her, kissing her hair. “I want to know everything there is to know. Your past, your dreams, your secrets…” She stiffened against him. “Uh, there’s really nothing very interesting to tell. Just normal Earth girl stuff, that’s all.” Sylvan frowned. She was hiding something—he was sure of it—something he needed to know. Because if what he suspected was true, he needed to avenge her. She may only be under my protection for a little while but I’m going to do everything in my power to make sure she’s well taken care of, he thought grimly. Any that have hurt her will answer to me. “Sophie,
”
”
Evangeline Anderson (Hunted (Brides of the Kindred, #2))