“
Women are the bloodthirsty sex," said Ric sadly. "We get the reputation, but it is only because the women stand behind us, and say, 'Kill it. Squish it.
”
”
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
“
So...Mason, Eddie, and Mia went to Spokane to hunt Strigoi?"
"Yes."
"Holy shit. Why didn't you go with them? Seems like something you'd do."
I resisted the urge to smack him. "Because I'm not insane! But I'm going to go get them before they do something even stupider.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
One final paragraph of advice: do not burn yourselves out. Be as I am - a reluctant enthusiast....a part-time crusader, a half-hearted fanatic. Save the other half of yourselves and your lives for pleasure and adventure. It is not enough to fight for the land; it is even more important to enjoy it. While you can. While it’s still here. So get out there and hunt and fish and mess around with your friends, ramble out yonder and explore the forests, climb the mountains, bag the peaks, run the rivers, breathe deep of that yet sweet and lucid air, sit quietly for a while and contemplate the precious stillness, the lovely, mysterious, and awesome space. Enjoy yourselves, keep your brain in your head and your head firmly attached to the body, the body active and alive, and I promise you this much; I promise you this one sweet victory over our enemies, over those desk-bound men and women with their hearts in a safe deposit box, and their eyes hypnotized by desk calculators. I promise you this; You will outlive the bastards.
”
”
Edward Abbey
“
A good book was its own brand of magic, one I could safely indulge in without fear of getting caught by those who hunted. I loved escaping from reality, especially during times of trouble. Stories made everything possible.
”
”
Kerri Maniscalco (Kingdom of the Wicked (Kingdom of the Wicked, #1))
“
You have the skills,” Chaol said, “but some of your moves are still undisciplined.”
“That’s never stopped me from killing before,” she spat.
Chaol chuckled at her agitation and pointed his sword at the rack, allowing her to get to her feet.
“Pick another—something different. Make it interesting, too. Something that will make me sweat, please.”
“You’ll be sweating when I skin you alive and squish your eyeballs beneath my feet,” she muttered, picking up the rapier.
“That’s the spirit.”
She practically threw the rapier into place, and drew the hunting knives without hesitation.
My dear old friends.
A wicked smile spread across her face.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
I’m going to burn the entire fucking world down until I find her, and I don’t care who gets burnt.
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ
Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ
Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date.
ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ
ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri:
ʺLooking forward to our chat.ʺ
ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia."
"Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
I have never seen much point in getting heavy with stupid people or Jesus freaks, just as long as they don't bother me. In a world as weird and cruel as this one we have made for ourselves, I figure anybody who can find peace and personal happiness without ripping off somebody else deserves to be left alone. They will not inherit the earth, but then neither will I... And I have learned to live, as it were, with the idea that I will never find peace and happiness, either. But as long as I know there's a pretty good chance I can get my hands on either one of them every once in a while, I do the best I can between high spots.
”
”
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers, #1))
“
Mom! Mom. You have to smell him! It’s like… like… I don’t even know what it’s like! I was walking in the woods to scope out our territory so I could be like Dad and then it was like… whoa. And then he was all standing there and he didn’t see me at first because I’m getting so good at hunting. I was all like rawr and grr but then I smelled it again and it was him and it was all kaboom! I don’t even know! I don’t even know! You gotta smell him and then tell me why it’s all candy canes and pinecones and epic and awesome.
”
”
T.J. Klune (Wolfsong (Green Creek, #1))
“
I am so ready to hunt down those tiny adorable creatures and give them what for,” said Emma. “SO READY.”
“Emma . . .”
“I may even tie bows on their heads.”
“We have to interrogate them.”
“Can I get a selfie with one of them first?”
“Eat your toast, Emma.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
My father will hunt you for taking his power if he finds out,” he said into the frigid dark. “And kill you for learning how to wield it.” “He can get in line,” was all I said.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Our culture has become hooked on the quick-fix, the life hack, efficiency. Everyone is on the hunt for that simple action algorithm that nets maximum profit with the least amount of effort. There’s no denying this attitude may get you some of the trappings of success, if you’re lucky, but it will not lead to a calloused mind or self-mastery. If you want to master the mind and remove your governor, you’ll have to become addicted to hard work. Because passion and obsession, even talent, are only useful tools if you have the work ethic to back them up.
”
”
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
“
We get to choose who we let in to our weird little worlds.
”
”
Robin Williams
“
It's okay. You aren't my type.
What's your type?
Someone who gets into less trouble.
”
”
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
“
He found himself thinking that maybe stories don't just make us matter to each other - maybe they're also the only way to the infinite mattering he'd been after for so long.
And Colin thought: Because like say I tell someone about my feral hog hunt. Even if it's a dumb story, telling it changes other people just the slightest little bit, just as living the story changes me. An infinitesimal change. And that infinitesimal change ripples outward - ever smaller but everlasting. I will get forgotten, but the stories will last. And so we all matter - maybe less than a lot, but always more than some.
”
”
John Green (An Abundance of Katherines)
“
Want to count my abs when we get home from the ballet?
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
The first step to getting anywhere is believing you can.
”
”
Hafsah Faizal (We Hunt the Flame (Sands of Arawiya, #1))
“
Let me tell you about love, that silly word you believe is about whether you like somebody or whether somebody likes you or whether you can put up with somebody in order to get something or someplace you want or you believe it has to do with how your body responds to another body like robins or bison or maybe you believe love is how forces or nature or luck is benign to you in particular not maiming or killing you but if so doing it for your own good. Love is none of that. There is nothing in nature like it. Not in robins or bison or in the banging tails of your hunting dogs and not in blossoms or suckling foal. Love is divine only and difficult always. If you think it is easy you are a fool. If you think it is natural you are blind. It is a learned application without reason or motive except that it is God. You do not deserve love regardless of the suffering you have endured. You do not deserve love because somebody did you wrong. You do not deserve love just because you want it. You can only earn - by practice and careful contemplations - the right to express it and you have to learn how to accept it. Which is to say you have to earn God. You have to practice God. You have to think God-carefully. And if you are a good and diligent student you may secure the right to show love. Love is not a gift. It is a diploma. A diploma conferring certain privileges: the privilege of expressing love and the privilege of receiving it. How do you know you have graduated? You don't. What you do know is that you are human and therefore educable, and therefore capable of learning how to learn, and therefore interesting to God, who is interested only in Himself which is to say He is interested only in love. Do you understand me? God is not interested in you. He is interested in love and the bliss it brings to those who understand and share the interest. Couples that enter the sacrament of marriage and are not prepared to go the distance or are not willing to get right with the real love of God cannot thrive. They may cleave together like robins or gulls or anything else that mates for life. But if they eschew this mighty course, at the moment when all are judged for the disposition of their eternal lives, their cleaving won't mean a thing. God bless the pure and holy. Amen.
”
”
Toni Morrison (Paradise (Beloved Trilogy, #3))
“
I may own every breath in your body, but make no mistake, Adeline, you own mine, too. I am yours to command. To bend and break. To mold and manipulate. Do you think that makes me weak? Or do you think I'm strong enough to admit that even though my body can physically live on without you, I would never get my fucking soul back?
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
Amanda, still thinking more about Harry Mize than the issues before the committee, lunged forward and snatched the note from Kershing’s hand. After reading it, she stood up and walked out of the hearing, leaving the receipt on her chair. Rick glanced up as she walked out. Then, he picked up his receipt and read Kershing’s words. Get the trucks in position. It’s time to go.
”
”
Chad Boudreaux (Scavenger Hunt)
“
Meadows, baby. Our last name is Meadows.” “Yours. Don’t get ahead of yourself. You’ll be expected to beg.” There’s no stopping the savage grin from gracing my lips. “I love to beg.
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
And my parents made me want i am. So what? We get stuff from our parents, but we also get stuff from the world around us. From people around us. And at the end of the day, we're us.
”
”
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
“
Self-doubt is a persuasive mistress; careful not to shag her or you’ll never get your balls back.” - Simon Hunt
”
”
Dannika Dark (Twist (Mageri, #2; Mageriverse #2))
“
I was so frustrated with him. "I just want to be enough for you, but I never can be. This can never be enough for you. But this is all you get. You get me, and your family, and this world. This is your life. I'm sorry if it sucks. But you're not going to be the first man on Mars, and you're not going to be an NBA star, and you're not going to hunt Nazis.
”
”
John Green (The Fault in Our Stars)
“
Aha, Yury, I wonder if they are getting more US military. I am very anxious to get the recording. We want to know what is taking place between these Americans and Iraqis.
”
”
Karl Braungart (Counter Identity (Remmich/Miller, #2))
“
But most of all, I'll remember how she loved me. I turn away, knowing that I might never get to see Julie Murphy again. But I will know her for the rest of my life.
”
”
Lynda Mullaly Hunt (One for the Murphys)
“
I told him the story of the day I'd been mending pottery with one of the maids in the kitchen at Keramzin, waiting for him to return from one of the hunting trips that had taken him from home more and more frequently. I'd been fifteen, standing at the counter, vainly trying to glue together the jagged pieces of a blue cup. When I saw him crossing the fields, I ran to the doorway and waved. He caught sight of me and broke into a jog.
I had crossed the yard to him slowly, watching him draw closer, baffled by the way my heart was skittering around in my chest. Then he'd picked me up and swung me in a circle, and I'd clung to him, breathing in his sweet, familiar smell, shocked by how much I'd missed him. Dimly, I'd been aware that I still had a shard of that blue cup in my hand, that it was digging into my palm, but I didn't want to let go.
When he finally set me down and ambled off into the kitchen to find his lunch, I had stood there, my palm dripping in blood, my head still spinning, knowing that everything had changed.
Ana Kuya had scolded me for getting blood on the clean kitchen floor. She'd bandaged my hand and told me it would heal. But I knew it would just go on hurting.
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
Hunt." The entire world went quiet. "I was waiting for you."
"Bryce, sweetheart, just get back to your apartment and give me an hour and-"
"No," she whispered, closing her eyes. She put her hand on her chest. Over her heart. "I was waiting for you- in here."
Hunt couldn't stop his own tears then. "I was waiting for you, too.
”
”
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
“
Why do you want to have a drink with me?”
“Because I like you. Because you’re fun. Because I want to get to know you better. Because I want you to see for yourself I’m not the kind of guy you think I am.
”
”
Helena Hunting (Pucked (Pucked, #1))
“
Trees shaped like deer should not be ridden like benches if they get stuck up in other trees. No hunting farming allowed. Fishing only.
”
”
Jarod Kintz (This Book is Not for Sale)
“
...called nine-one-one," Howie was saying, "and then I heard something in the alleyway, so I went back there and" --Howie coughed-- "and valiantly attacked his knife with my guts, to no avail."
"Did you get a good look at him? Could you describe him?"
Howie smiled wanly. "Yeah. He was about yay long" --he held up his hands, four inches apart-- "thin, made of steel. Pointy. Sharp.
”
”
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
“
And then Mircea finally let me down, only to get his hands inside the coat and push me against the wall.
“I’m dirty,” I protested.
He waggled his eyebrows. “Promise?”
“Mircea!” I laughed in spite of myself…
”
”
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
“
I'm the best," Elena muttered to herself the next morning s she got out of the taxi in front of the magnificient creation that was Archangel Tower.
"Hey, lady, you gonna pay me or just talk to yourself?"
"What? Oh.... Keep the change."
... "...you got a big hunt coming on?"
Elena didn't ask how he'd pegged her for a hunter. "No. But I do have a high chance of meeting a horrible death within the next few hours. Might as well do something good as up my shot at getting into heaven.
”
”
Nalini Singh (Angels' Blood (Guild Hunter, #1))
“
Manchee comes outta the bushes and sits down next to me cuz I’ve stopped right there in the middle of a trail. He looks around to see what I might be seeing and then he says, ”Good poo, Todd.”
”I’m sure it was, Manchee.”
I’d better not get another ruddy dog when my birthday comes. What I want this year is a hunting knife like the one Ben carries on the back of his belt. Now that’s a present for a man.
“Poo,” Manchee’s says quietly.
”
”
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
“
Where's your boyfriend, District 12? Still hanging on?" She asks.
Well, as long as we're talking I'm alive. "He's out there now. Hunting Cato," I snarl at her. Then I scream at the top of my lungs. "Peeta!"
Clove jams her fist into my windpipe, very effectively cutting off my voice. But her head's whipping from side to side, and I know for a moment she's at least considering I'm telling the truth. Since no Peeta appears to save me, she turns back to me.
"Liar," she says with a grin. "He's nearly dead. Cato knows where he cut him. You've probably got him strapped up in some tree while you try to keep his heart going. What's in the pretty little backpack? That medicine for Lover Boy? Too bad he'll never get it.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Finally, I sat up. "So, I suppose you should do something, wolfie. Hunt maybe?"
A grunt, the tone saying no.
"Run? Get some exercise?"
Another grunt, less decisive, more like a maybe.
He pushed to his feet, wobbly, still adjusting to his new center of gravity. He gingerly moved one fore paw, then the next, one rear paw, then the other. He picked up the pace, but still slow as he circled the clearing. A snort, like he'd figured it out, and broke into a lope, stumbled and plowed muzzle first into the undergrowth.
I stifled a laugh, but not very well, and he glowered at me.
"Forget running, a nice, leisurely stroll might be more your speed."
He snorted and turned fast. When I fell back, he gave a growling chuckle.
"Still cant resist throwing your weight around, can you?
”
”
Kelley Armstrong
“
Zealots are one-trick ponies. They love nothing so much as their own cause. Don’t get in their way without expecting to be hurt.
”
”
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
“
Why are you hunting down Noah?”
Without hesitation, he gave me an answer that made the world tilt under my feet.
“He took a piece of you. I’m gonna find
him and get it back.
”
”
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
“
'Found the sheep too easy to kill?' I ask. 'Where'd you get the weapon?'
'Born with them.' His fingernails are bloody.
”
”
Pierce Brown (Red Rising (Red Rising Saga, #1))
“
Even if things aren't going the way we want right now, we will always get through it.
”
”
Stacey T. Hunt (Most Wanted (Original Cascade Adventures, #3))
“
Rowan lifted his eyebrows. Are you all right?
She nodded. I just want to get through these two days and be done with it.
"That will never stop being strange," Aedion muttered.
"Deal with it," she told him, carrying the suit into the bedroom. "Let's go hunt ourselves a pretty little demon.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
You’re early.”
I give him a mutinous look. Of course he thinks my being early is about him. It’s not. Mac was at Chester’s last night at eight. I think she’s hunting me. Since I can’t be late to avoid her, I have to be early. “Watch broke. Thought I was on time.”
“You don’t wear a watch.”
“See? I knew I had a problem. I’ll just dash out and get one. Be back tomorrow. On time.
”
”
Karen Marie Moning (Iced (Fever, #6))
“
I’m sick of them. I never want to see them again. Except Aros; he smells nice. And Rome; because he’s so strong I’m pretty sure not even Rau can get past him. I don’t need the others. Except Siret. I’m pretty sure he hates me, but he’s really good at catching me like just before I face-plant into something. But the others, I don’t need them. Not at all.” I paused, my brow furrowing, my mouth pursing, and then I quickly blurted, “Except Coen and Yael. Coen is really good at making decisions, and if I leave out Yael he’ll probably hunt me down and haunt me-”
“That's all of them,” Emmy interrupted smoothly.
”
”
Jaymin Eve (Trickery (Curse of the Gods, #1))
“
WHEN IN DOUBT, GET THE HELL OUT!
”
”
Jason Hawes (Ghost Hunting: True Stories of Unexplained Phenomena from The Atlantic Paranormal Society)
“
No, I did not think of him. When a man is hunted like a wild beast he forgets there is a God, a heaven. He forgets every thing in his struggle to get beyond the reach of the bloodhounds.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl Written by Herself)
“
At heart, science is the quest for awesome - the literal awe that you feel when you understand something profound for the first time. It's a feeling we are all born with, although it often gets lost as we grow up and more mundane concerns take over our lives.
”
”
Sean Carroll (The Particle at the End of the Universe: How the Hunt for the Higgs Boson Leads Us to the Edge of a New World)
“
Fear can keep you alive. The trick is not to let it overwhelm you. Not to let it rule you. If you’re afraid, that’s the universe trying to tell you something. Get away. Don’t run; don’t panic. Just pick up and walk out, calm as you please. Panic makes you stupid.
”
”
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
“
Marriage is a sort of tacit hunting in couples. The world all in couples, each couple in its own little house, watching its own little interests and stewing in its own little privacy - it's the most repulsive thing in the world. One's got to get rid of the exclusiveness of married love.
”
”
Susan Sontag (Reborn: Journals and Notebooks, 1947-1963)
“
Imagine if we had a food system that actually produced wholesome food. Imagine if it produced that food in a way that restored the land. Imagine if we could eat every meal knowing these few simple things: What it is we’re eating. Where it came from. How it found its way to our table. And what it really cost. If that was the reality, then every meal would have the potential to be a perfect meal. We would not need to go hunting for our connection to our food and the web of life that produces it. We would no longer need any reminding that we eat by the grace of nature, not industry, and that what we’re eating is never anything more or less than the body of the world. I don’t want to have to forage every meal. Most people don’t want to learn to garden or hunt. But we can change the way we make and get our food so that it becomes food again—something that feeds our bodies and our souls. Imagine it: Every meal would connect us to the joy of living and the wonder of nature. Every meal would be like saying grace.
”
”
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
“
Freuchen tells how one day, after coming home hungry from an unsuccessful walrus-hunting expedition, he found one of the successful hunters dropping off several hundred pounds of meat. He thanked him profusely. The man objected indignantly:
"Up in our country we are human!" said the hunter. "And since we are human we help each other. We don't like to hear anybody say thanks for that. What I get today you may get tomorrow. Up here we say that by gifts one makes slaves and by whips one makes dogs.
... The refusal to calculate credits and debits can be found throughout the anthropological literature on egalitarian hunting societies. Rather than seeing himself as human because he could make economic calculations, the hunter insisted that being truly human meant refusing to make such calculations, refusing to measure or remember who had given what to whom, for the precise reason that doing so would inevitably create a world where we began "comparing power with power, measuring, calculating" and reducing each other to slaves or dogs through debt. It's not that he, like untold millions of similar egalitarian spirits throughout history, was unaware that humans have a propensity to calculate. If he wasn't aware of it, he could not have said what he did. Of course we have a propensity to calculate. We have all sorts of propensities. In any real-life situation, we have propensities that drive us in several different contradictory directions simultaneously. No one is more real than any other. The real question is which we take as the foundation of our humanity, and therefore, make the basis of our civilization.
”
”
David Graeber (Debt: The First 5,000 Years)
“
Guys, gals, now hear this: No one wants to take away your hunting rifles. No one wants to take away your shotguns. No one wants to take away your revolvers, and no one wants to take away your automatic pistols, as long as said pistols hold no more than ten rounds. If you can't kill a home invader (or your wife, up in the middle of the night to get a snack from the fridge) with ten shots, you need to go back to the local shooting range.
”
”
Stephen King (Guns)
“
It's like this," he'd explained once to Connie. "If someone gave you a single rose, you'd be happy, right?"
"Okay," he went on, "Now imagine someone gives you ten thousand roses."
"That is a whole lotta roses," she said. "That's too much."
"Right. Too much. But more than that, it makes each individual rose much less special, right? It makes it hard to pick one out and say, 'That's the good one.' And it makes you want to just get rid of them all because none of them seem special now."
Connie had narrowed her eyes. "Are you saying when you're at school you just want to get rid of everyone?
”
”
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
“
Let me give you a word of the philosophy of reform. The whole history of the progress of human liberty shows that all concessions yet made to her august claims, have been born of earnest struggle. The conflict has been exciting, agitating, all-absorbing, and for the time being, putting all other tumults to silence. It must do this or it does nothing. If there is no struggle there is no progress. Those who profess to favor freedom and yet depreciate agitation, are men who want crops without plowing up the ground, they want rain without thunder and lightening. They want the ocean without the awful roar of its many waters."
"This struggle may be a moral one, or it may be a physical one, and it may be both moral and physical, but it must be a struggle. Power concedes nothing without a demand. It never did and it never will. Find out just what any people will quietly submit to and you have found out the exact measure of injustice and wrong which will be imposed upon them, and these will continue till they are resisted with either words or blows, or with both. The limits of tyrants are prescribed by the endurance of those whom they oppress. In the light of these ideas, Negroes will be hunted at the North, and held and flogged at the South so long as they submit to those devilish outrages, and make no resistance, either moral or physical. Men may not get all they pay for in this world; but they must certainly pay for all they get. If we ever get free from the oppressions and wrongs heaped upon us, we must pay for their removal. We must do this by labor, by suffering, by sacrifice, and if needs be, by our lives and the lives of others.
”
”
Frederick Douglass
“
She approaches me slowly. “Let’s run some scenarios. What do you do when a man asks you to get on your knees for him?”
“Get on my knees,” I answer, my voice hoarse.
“And when he tells you to unfasten his pants and take out his cock?”
“Do as he says.”
She nods, studying me closely.
“And then what?”
Bite his dick off.
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
I just want to be enough for you, but I never can be. This can never be enough for you. But this is all you get. You get me, and your family, and this world. This is your life. I'm sorry if it sucks. But you're not going to be the first man on Mars and you're not going to be an NBA star, and you're not going to hunt Nazis.
”
”
John Green (The Fault in Our Stars)
“
Aren’t you going to ask me how it went, Kitten?"
“You walked in and took the stairs one at a time,” I answered. “And you haven’t barked at me to get in the car, so I take it Majestic didn’t tell you our asses were trophies for hunting season. Am I wrong?
”
”
Jeaniene Frost (Destined for an Early Grave (Night Huntress, #4))
“
He poked his finger into my chest again. “Well, I have something to tell you: don’t let the sun set on you in this county, because…”
I grabbed his wrist and yanked him forward, tripping him with my foot. He went down back first and I caught him by his throat, three feet above the ground, lifted him up a bit and bent down to his face. My eyes glowed with murderous red. My voice turned rough with an animal growl. “Listen well, because I won’t be repeating myself, you racist prick. If you make any trouble for me or my people, I’ll hunt you down like the pig you are and carve a second mouth across your gut. They’ll find you hanging by your own intestines. The next time you hear something laugh and howl in the night, hug your family, because you won’t see the sunrise.”
I opened my fingers. He crashed on the ground, his face white as a sheet. He scrambled backward, rolled to his feet, and took off.
The three shapeshifters stared at me, openmouthed.
“That’s how you intimidate people. No witnesses and not a mark on him. Get your asses to the car.
”
”
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
“
So I found myself telling my own stories. It was strange: as I did it I realised how much we get shaped by our stories. It's like the stories of our lives make us the people we are. If someone had no stories, they wouldn't be human, wouldn't exist. And if my stories had been different I wouldn't be the person I am.
”
”
John Marsden (The Night Is for Hunting (Tomorrow, #6))
“
Knock, knock. You have the day to hide. Come nightfall, we hunt. (Desiderius)
Yeah, yeah...you and your little dog, too. (Kyrian)
You're not scared of his threats? (Amanda)
Chere, the day I fear something like him is the day I lie down at his feet and hand him the knife to cut my heart out. The only fear I have is getting you back to your sister and convincing High Queen Hard Head to leave off this matter until I can locate Desiderius and send his soul into oblivion where it belongs. (Kyrian)
”
”
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
“
Some people, given just the right amount of pressure, taken out of their usual, comfortable environments, don’t need much encouragement at all to become monsters. And sometimes you just get a strong sense about people, and you can’t explain it; you simply know it, in some deeper part of yourself.
”
”
Lucy Foley (The Hunting Party)
“
And even then, it's not like you did all that much," I said, talking over him, because it was the only way to get a word in edgeways with Pritkin sometimes.
He had filched the bottle back to take a drink, but at that he lowered it and looked at me, his eyes very green next to the amber liquor. "What?"
"I just meant, it wasn't all that and a bag of chips. You know?"
He blinked at me.
"No offense," I added, because he was looking kind of poleaxed. Like maybe he hadn't had a whole lot of complaints before. Which was, frankly, pretty damn understandable. But I feigned indifference. "I mean, it couldn't have been that bad if -"
"Bad?"
"Well, not bad bad."
He just looked at me.
"I mean, I came and everything, so that has to count for some -"
I cut off because I was suddenly enveloped in a strong pair of arms, and my head was crushed to a hard chest. A chest that appeared to be vibrating. It took me a few moments to get it, and even then I wasn't so sure, because Pritkin's face was buried in my hair. But I kind of thought - as impossible as it seemed - that he might be ... laughing?
”
”
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
“
Where were you? What happened?” I carved a chunk out of another lizard’s face.
“I just took the kids to fight some ghouls,” Curran said.
Oh, so it was fine, then . . . Wait. “You did what?”
He kicked a lizard. It flew into the others like a cannonball. “I called Jim before we left the house to talk about ghouls, and he said they found some in the MARTA tunnels. So I grabbed the kids and did a little hunting.”
I would kill him. “Just so I get it right, Jim calls you and says, ‘Hey, we found a horde of ghouls in the MARTA tunnels,’ and your first thought was, ‘Great, I’ll take the kids’?”
“They had fun.” A careful note crept into his voice. Curran saw the shark fin in the water but wasn’t sure where the bite would be coming from.
“You even took the dog.”
Grendel chose that moment to try to shove past me. I shoved him back into the Guild and he began running back and forth behind us, growling.
“He had fun, too. Look at him. He’s still excited.
”
”
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
“
God Sophie... If there were any chance we could be together... If there were any woman I'd want to be the mother of my... Shit, this is so hard."
"No, Hunt, it's simple. If right now is all we have, if this is all we get, then I'll grab it with both hands and take all I can.
”
”
Pamela Clare (Unlawful Contact (I-Team, #3))
“
Okay, don't get mad." She pulled out my stake --- or at least something that looked like my stake,only the hilt of it was now covered in bright blue crystals and diamond-like gems.
"You Bedazzled my stake?"
"Um ... Surprise," April said, "Just because you're hunting nasty stuff doesn't mean you can't do it in style.
”
”
Bree Despain (The Lost Saint (The Dark Divine, #2))
“
I opened the bag and packed the boots in; and then, just as I was going to close it, a horrible idea occurred to me. Had I packed my tooth-brush? I don’t know how it is, but I never do know whether I’ve packed my tooth-brush.
My tooth-brush is a thing that haunts me when I’m travelling, and makes my life a misery. I dream that I haven’t packed it, and wake up in a cold perspiration, and get out of bed and hunt for it. And, in the morning, I pack it before I have used it, and have to unpack again to get it, and it is always the last thing I turn out of the bag; and then I repack and forget it, and have to rush upstairs for it at the last moment and carry it to the railway station, wrapped up in my pocket-handkerchief.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
Why hunt the sea whip if you only meant to turn it over to Alina?”
“I wasn’t hunting the sea whip. I was hunting you.”
“That’s why you raised a mutiny against the Darkling?” I asked. “To get at me?”
“You can’t very well mutiny on your own ship.”
“Call it what you like,” I said, exasperated. “Just explain yourself.”
Sturmhond leaned back and rested his elbows on the rail, surveying the deck. “As I would have explained to the Darkling had he bothered to ask—which, thankfully, he didn’t—the problem with hiring a man who sells his honor is that you can always be outbid.”
I gaped at him. “You betrayed the Darkling for money?”
“‘Betrayed’ seems a strong word. I hardly know the fellow.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
Humans hunt for love. We feel that we need that love because we believe we don’t have love, because we don’t love ourselves. We hunt for love in other humans just like us, expecting to get love from them when these humans are in the same condition as we are. They don’t love themselves either, so how much love can we get from them? We merely create a bigger need that isn’t real; we keep hunting and hunting, but in the wrong place, because other humans don’t have the love we need.
”
”
Miguel Ruiz (The Mastery of Love: A Practical Guide to the Art of Relationship)
“
This is an ode to all of those that have never asked for one.
A thank you in words to all of those that do not do
what they do so well for the thanking.
This is to the mothers.
This is to the ones who match our first scream
with their loudest scream; who harmonize in our shared pain
and joy and terrified wonder when life begins.
This is to the mothers.
To the ones who stay up late and wake up early and always know
the distance between their soft humming song and our tired ears.
To the lips that find their way to our foreheads and know,
somehow always know, if too much heat is living in our skin.
To the hands that spread the jam on the bread and the mesmerizing
patient removal of the crust we just cannot stomach.
This is to the mothers.
To the ones who shout the loudest and fight the hardest and sacrifice
the most to keep the smiles glued to our faces and the magic
spinning through our days. To the pride they have for us
that cannot fit inside after all they have endured.
To the leaking of it out their eyes and onto the backs of their
hands, to the trails of makeup left behind as they smile
through those tears and somehow always manage a laugh.
This is to the patience and perseverance and unyielding promise
that at any moment they would give up their lives to protect ours.
This is to the mothers.
To the single mom’s working four jobs to put the cheese in the mac
and the apple back into the juice so their children, like birds in
a nest, can find food in their mouths and pillows under their heads.
To the dreams put on hold and the complete and total rearrangement
of all priority. This is to the stay-at-home moms and those that
find the energy to go to work every day; to the widows and the
happily married.
To the young mothers and those that deal with the unexpected
announcement of a new arrival far later than they ever anticipated.
This is to the mothers.
This is to the sack lunches and sleepover parties, to the soccer games
and oranges slices at halftime. This is to the hot chocolate
after snowy walks and the arguing with the umpire
at the little league game. To the frosting ofbirthday cakes
and the candles that are always lit on time; to the Easter egg hunts,
the slip-n-slides and the iced tea on summer days.
This is to the ones that show us the way to finding our own way.
To the cutting of the cord, quite literally the first time
and even more painfully and metaphorically the second time around.
To the mothers who become grandmothers and great-grandmothers
and if time is gentle enough, live to see the children of their children
have children of their own. To the love.
My goodness to the love that never stops and comes from somewhere
only mothers have seen and know the secret location of.
To the love that grows stronger as their hands grow weaker
and the spread of jam becomes slower and the Easter eggs get easier
to find and sack lunches no longer need making.
This is to the way the tears look falling from the smile lines
around their eyes and the mascara that just might always be
smeared with the remains of their pride for all they have created.
This is to the mothers.
”
”
Tyler Knott Gregson
“
Ah, Belikov," said Abe, shaking Dimitri's hand. "I'd been hoping we'd run into each other. I'd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. That's what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. I've certainly got a lot of question to ask you. A lot of things I'd like to tell you."
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
"Actually," said my mum casually."I'd like to come along. I also have a number of questions-especially about when you two were back at St. Vladimir's."
"Don't you guys have somewhere to be?" I asked hastily. "We're about to start."
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. "of course," said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. "I'm glad you're back." Then, with a wink, he said to Dimitri:"Looking forward to our chat."
"Run," I said when they were gone. "If you slip out now, maybe they won't notice. Go back to Siberia.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
Some days you go bear hunting and you get eaten. Some days you come home with a nice rug to roll around on, and bear steaks. What they don't tell you as a kid is that sometimes you get the rug and steaks, but you also get some nice scars to go with them. As a child you don't understand that you can win, but that's it's not always worth the price. Once you understand and accept that possibility you become a real grown up, and the world becomes a much more serious place. Not less fun, but once you realize what can go wrong, it's a lot scarier to go hunting "bears".
”
”
Laurell K. Hamilton
“
I don’t like big weddings.” Her panic is clear. “All those people make me nervous. I’ll mess up the vows and say something inappropriate.”
“It doesn’t have to be big. It can be just the two of us if you want. We can wait until next summer—or the one after if a year isn’t long enough. We can get married up here by a justice of the peace on the end of the dock at sunset. A damn Rastafarian can perform the ceremony if that’s what you want. I don’t care about the wedding part. All I want to be is connected to you in the most significant way possible. I want you as my wife.
”
”
Helena Hunting (Pucked (Pucked, #1))
“
In a werewolf pack, you cannot interfere with the mate choice of a clan fellow. You cannot intentionally harm that werewolf’s chosen mate. You are not, however, required to help that person should he find himself in a life - threatening situation.
Somehow, Zeb had managed to stumble into several such situations in the few months since he ’d been engaged to Jolene. He’d had several hunting “accidents” while visiting the McClaine farm, even though he didn’t hunt. The brakes on his car had failed while he was driving home from the farm—twice. Also, a running chainsaw mysteriously fell on him from a hayloft.
He would never get that pinkie toe back.
”
”
Molly Harper (Nice Girls Don't Date Dead Men (Jane Jameson, #2))
“
Rose,
I’m sorry I had to leave so quickly, but when the Alchemists tell me to jump … well, I jump. I’ve hitched a ride back to that farm town we stayed in so that I can pick up the Red Hurricane, and then I’m off to Saint Petersburg. Apparently, now that you’ve been delivered to Baia, they don’t need me to stick around anymore.
I wish I could tell you more about Abe and what he wants from you. Even if I was allowed to, there isn’t much to say. In some ways, he’s as much a mystery to me as he is to you. Like I said, a lot of the business he deals in is illegal—both among humans and Moroi. The only time he gets directly involved with people is when something relates to that business—or if it’s a very, very special case. I think you’re one of those cases, and even if he doesn’t intend you harm, he might want to use you for his own purposes. It could be as simple as him wanting to contract you as a bodyguard, seeing as you’re rogue. Maybe he wants to use you to get to others. Maybe this is all part of someone else’s plan, someone who’s even more mysterious than him. Maybe he’s doing someone a favor. Zmey can be dangerous or kind, all depending on what he needs to accomplish.
I never thought I’d care enough to say this to a dhampir, but be careful. I don’t know what your plans are now, but I have a feeling trouble follows you around. Call me if there’s anything I can help with, but if you go back to the big cities to hunt Strigoi, don’t leave any more bodies unattended!
All the best,
Sydney
P.S. “The Red Hurricane” is what I named the car.
P.P.S. Just because I like you, it doesn’t mean I still don’t think you’re an evil creature of the night. You are.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
I don’t fool you, do I? Those others”—he waved a vague hand to indicate their
missing comrades—“they think I’m all that—but you know better, don’t you.”
“Know what?” she’d asked.
He leaned forward, smelling of beer and cigarettes. “You know I’m a fraud. I can
feel the beast inside me, screaming to get out. And if I loose it, it will pull me up to greatness despite myself.”
“So why not let it free?” She hadn’t been a werewolf then. The world had been a gentler place, the monsters safely in their closets, and she had been brave in her ignorance.
His eyes were old and weary, his voice slurring a bit. “Because then everyone would
see,” he told her.
“See what?”
“Me.
”
”
Patricia Briggs (Hunting Ground (Alpha & Omega, #2))
“
It was called evolutionary biology. Under its sway, the sexes were separated again, men into hunters and women into gatherers. Nurture no longer formed us; nature did. Impulses of hominids dating from 20,000 B.C. were still controlling us. And so today on television and in magazines you get the current simplifications. Why can't men communicate? (Because they had to be quiet on the hunt.) Why do women communicate so well? (Because they had to call out to one another where the fruits and berries were.) Why can men never find things around the house? (Because they have a narrow field of vision, useful in tracking prey.) Why can women find things so easily? (Because in protecting the nest they were used to scanning a wide field.) Why can't women parallel-park? (Because low testosterone inhibits spatial ability.) Why won't men ask for directions? (Because asking for directions is a sign of weakness, and hunters never show weakness.) This is where we are today. Men and women, tired of being the same, want to be different again.
”
”
Jeffrey Eugenides (Middlesex)
“
I started to get up, but that hand tightened on my foot. I wanted to pace, needed to let off some of the nervous energy that kept me from eating half the time, kept me from sleeping. And just when I told myself I was being paranoid and everything would be fine, something tried to drown me in the goddamned bathtub.
But I didn't get up. Because then I'd lose that bried, human connection. A connection that shouldn;t have been there, because Priktin wasn't the touchy-feely type. He touched me in training, when he had to, and grabbed me in the middle of crises. But I actually couldn't recall him ever touching me just ... because.
”
”
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
“
I didn't really want to talk. I'd wanted him there, but I asn't sure why. Maybe just to have someone to drink with. Actually, that sounded pretty good at the moment. I sat on the seat of the chaise and he sat on the foot, and we just drank at each other for a while.
After a few minutes, he leaned back against the railing, like maybe he wanted a backrest, and I shifted my feet over to make room. But I guess I didn't shift far enough, because a large, warm hand covered my right foot, adjusting it slightly. And then it just stayed there, like he'd forgotten to remove it.
I looked at it. Pritkin's hands were oddly refined compared to the rest of him: strong but long fingered, with elegant bones and short-clipped nails. They always looked like they'd wandered off from some fine gentleman, one they'd probably like to get back to, because God knew they weren't getting a manicure while attached to him.
”
”
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
“
I glanced up at Zay, then walked over to stand next to him.
"You look good with a baby in your arms," he murmured.
I took his hand, careful with his fingers that were still wrapped in tape.
"Don't get your hopes up, Jones. I'm not the settling-down type."
"Want to bet on that?" he asked.
"Sure." I made a fist; so did he. We pumped three times.
I threw paper. Zayvion threw scissors.
I'd lost. Startled, I looked up at him. "Two out of three?"
Zay grinned. So did I.
”
”
Devon Monk (Magic on the Hunt (Allie Beckstrom, #6))
“
I am she who lifts the mountains
When she goes to hunt,
Who wears mamba for a headband
And a lion for a belt.
Beware!
I swallow elephants whole
And pick my teeth with rhinoceros horns,
I drink up rivers to get at the hippos.
Let them hear my words!
Nhamo is coming
And her hunger is great.
I am she who tosses trees
Instead of spears.
The ostrich is my pillow
And the elephant is my footstool!
I am Nhamo
Who makes the river my highway
And sends crocodiles scurrying into the reeds!
”
”
Nancy Farmer (A Girl Named Disaster)
“
Simon laughed heartily. “I’m afraid the rest of us have to find talents to get our women into bed. Of course once they’re there, I have other talents that keep them right where they are.”
“Handcuffs hardly count,” Christian said offhandedly.
“If you mean the ladies cuffing me to the bed so they can explore Hunt Island,” he said, rubbing his chest, “…then point taken. These hands are capable of making any female climax by the mere brush of a pinky across her bare breast.”
“I must have gone to the wrong island,” I said with a private laugh.
”
”
Dannika Dark (Impulse (Mageri, #3))
“
We don’t like to think of ourselves as prey—it is a lessening thought—but the truth is that in our arrogance and so-called knowledge we forget that we are not unique. We are part of nature as much as other animals, and some animals—sharks, fever-bearing mosquitoes, wolves and bear, to name but a few—perceive us as a food source, a meat supply, and simply did not get the memo about how humans are superior.
It can be shocking, humbling, painful, very edifying and sometimes downright fatal to run into such an animal.
”
”
Gary Paulsen (Brian's Hunt (Brian's Saga, #5))
“
Thomas Edison said in all
seriousness: "There is no expedient to which a man will not resort to avoid the labour of
thinking"-if we bother with facts at all, we hunt like bird dogs after the facts that
bolster up what we already think-and ignore all the others! We want only the facts that
justify our acts-the facts that fit in conveniently with our wishful thinking and justify
our preconceived prejudices!
As Andre Maurois put it: "Everything that is in agreement with our personal desires
seems true. Everything that is not puts us into a rage."
Is it any wonder, then, that we find it so hard to get at the answers to our problems?
Wouldn't we have the same trouble trying to solve a second-grade arithmetic problem, if
we went ahead on the assumption that two plus two equals five? Yet there are a lot of
people in this world who make life a hell for themselves and others by insisting that two
plus two equals five-or maybe five hundred!
”
”
Dale Carnegie (How to Stop Worrying and Start Living: Time-Tested Methods for Conquering Worry (Dale Carnegie Books))
“
I love books down to the full stops. I love them in a way that’s beyond logic and reason. That’s just the way it is. I love them the way those people in the Letter Library love them. It’s not enough to read, I want to talk through the pages to get to the other side, to get to the person who read them before me. I want to spend my life hunting them, reading them, selling them. I want to serve customers and put the right book in their hands. I want it all. And I want it to go on forever. And if it can’t last then I want to want it right up to the very final second. And I want a girl who wants me the same way. Dust and all.
”
”
Cath Crowley (Words in Deep Blue)
“
Republican or Democrat, this nation's affluent urban and suburban classes understand their bread is buttered on the corporate side. The primary difference between the two parties is that the Republicans pretty much admit that they grasp and even endorse some of the nastiest facts of life in America. Republicans honestly tell the world: "Listen in on my phone calls, piss-test me until I'm blind, kill and eat all of my neighbors right in front of my eyes, but show me the money! Let me escape with every cent I can kick out of the suckers, the taxpayers, and anybody else I can get a headlock on, legally or otherwise." Democrats, in contrast, seem content to catalog the GOP's outrages against the Republic, showing proper indignation while laughing at episodes of The Daily Show. But they stand behind the American brand: imperialism. They "support our troops," though you will be hard put to find any of them who have served alongside them or who would send one of their own kids off to lose an eye or an arm in Iraq. They play the imperial game, maintain their credit ratings, and plan to keep the beach house and the retirement investments if it means sacrificing every damned Lynndie England in West Virginia.
”
”
Joe Bageant (Deer Hunting with Jesus: Dispatches from America's Class War)
“
Past the flannel plains and blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the A.M. heat: shattercane, lamb's-quarter, cutgrass, sawbrier, nutgrass, jimsonweed, wild mint, dandelion, foxtail, muscadine, spinecabbage, goldenrod, creeping charlie, butter-print, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads gently nodding in a morning breeze like a mother's soft hand on your cheek. An arrow of starlings fired from the windbreak's thatch. The glitter of dew that stays where it is and steams all day. A sunflower, four more, one bowed, and horses in the distance standing rigid and still as toys. All nodding. Electric sounds of insects at their business. Ale-colored sunshine and pale sky and whorls of cirrus so high they cast no shadow. Insects all business all the time. Quartz and chert and schist and chondrite iron scabs in granite. Very old land. Look around you. The horizon trembling, shapeless. We are all of us brothers.
Some crows come overhead then, three or four, not a murder, on the wing, silent with intent, corn-bound for the pasture's wire beyond which one horse smells at the other's behind, the lead horse's tail obligingly lifted. Your shoes' brand incised in the dew. An alfalfa breeze. Socks' burrs. Dry scratching inside a culvert. Rusted wire and tilted posts more a symbol of restraint than a fence per se. NO HUNTING. The shush of the interstate off past the windbreak. The pasture's crows standing at angles, turning up patties to get at the worms underneath, the shapes of the worms incised in the overturned dung and baked by the sun all day until hardened, there to stay, tiny vacant lines in rows and inset curls that do not close because head never quite touches tail. Read these.
”
”
David Foster Wallace (The Pale King)
“
Reading these stories, it's tempting to think that
the arts to be learned are those of tracking, hunting,
navigating, skills of survival and escape. Even in the
everyday world of the present, an anxiety to survive
manifests itself in cars and clothes for far more rugged
occasions than those at hand, as though to express some
sense of the toughness of things and of readiness to face
them. But the real difficulties, the real arts of survival,
seem to lie in more subtle realms. There, what's called
for is a kind of resilience of the psyche, a readiness to
deal with what comes next. These captives lay out in a
stark and dramatic way what goes on in every life: the
transitions whereby you cease to be who you were. Seldom
is it as dramatic, but nevertheless, something of
this journey between the near and the far goes on in
every life. Sometimes an old photograph, an old friend,
an old letter will remind you that you are not who you
once were, for the person who dwelt among them, valued
this, chose that, wrote thus, no longer exists. Without
noticing it you have traversed a great distance; the
strange has become familiar and the familiar if not
strange at least awkward or uncomfortable, an outgrown
garment. And some people travel far more than
others. There are those who receive as birthright an adequate
or at least unquestioned sense of self and those
who set out to reinvent themselves, for survival or for
satisfaction, and travel far. Some people inherit values
and practices as a house they inhabit; some of us have to
burn down that house, find our own ground, build from scratch, even as a psychological metamorphosis.
”
”
Rebecca Solnit (A Field Guide to Getting Lost)
“
I would love to say that I wrote (Good Will Hunting). Here is the truth. In my obit it will say that I wrote it. People don't want to think those two cute guys wrote it. What happened was, they had the script. It was their script. They gave it to Rob [Reiner] to read, and there was a great deal of stuff in the script dealing with the F.B.I. trying to use Matt Damon for spy work because he was so brilliant in math. Rob said, "Get rid of it." They then sent them in to see me for a day - I met with them in New York - and all I said to them was, "Rob's right. Get rid of the F.B.I. stuff. Go with the family, go with Boston, go with all that wonderful stuff." And they did. I think people refuse to admit it because their careers have been so far from writing, and I think it's too bad. I'll tell you who wrote a marvelous script once, Sylvester Stallone. Rocky's a marvelous script. God, read it, it's wonderful. It's just got marvelous stuff. And then he stopped suddenly because it's easier being a movie star and making all that money than going in your pit and writing a script. But I did not write [Good Will Hunting], alas. I would not have written the "It's not your fault" scene. I'm going to assume that 148 percent of the people in this room have seen a therapist. I certainly have, for a long time. Hollywood always has this idea that it's this shrink with only one patient. I mean, that scene with Robin Williams gushing and Matt Damon and they're hugging, "It's not your fault, it's not your fault." I thought, Oh God, Freud is so agonized over this scene. But Hollywood tends to do that with therapists.
(from 2003 WGA seminar)
”
”
William Goldman
“
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter.
He leaned out the archway and glanced at the grand staircase.
Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane.
The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway.
The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone.
John's cry for help came out as a mute, sustained rush of air--
Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness.
Meanwhile, John's heart pounded from shock...then pumped fast for a different reason.
Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal.
"You like to be chased, nalla, " Z said in a voice so deep it distorted.
Bella's smile got even wider as she backed up into a corner. "Maybe."
"So run some more, why don't you." The words were dark and even John caught the erotic threat in them.
Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan.
At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk.
Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing.
He'd caught her.
......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile.
There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time.
God, John wanted that kind of connection.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
Um, what's cooking in that sadistic brain of yours?" Jen asked nervously.
Sally's eyes snapped open. "I was just thinking that maybe if you met someone else then you could get past your furry problem."
"My furry problem? Really? You make it sound like I have abnormal leg hair growth or something." Jen rolled her eyes.
"Look." Sally stopped Jen before she could walk out of the room. "Let's just give it a go. You, me, and Jacque – tonight. We'll get Sorin to take us somewhere where there are going to be guys. Then you can do your thing."
"My thing?" Jen asked, raising her eyebrows.
"Yeah. You know, your thing. The hottie hunting thing."
Jen laughed. "Man, it sounded like such a good idea at the time."
Sally groaned. "Oh, come on, Jen."
Jen interrupted her before Sally could continue. "Don’t. Don't do that whiny voice."
"Then say you will go tonight," Sally challenged. "Or are you chicken?"
"You really like living on the edge, don't you, Thelma?"
"Hey, I'm just calling it how I see it.
”
”
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
“
I had gone to no place where the roads were frozen and hard as iron, where it was clear cold and dry and the snow was dry and powdery and hare-tracks in the snow and the peasants took off their hats and called you Lord and there was good hunting. I had gone to no such place but to the smoke of cafés and nights when the room whirled and you needed to look at the wall to make it stop, nights in bed, drunk, when you knew that that was all there was, and the strange excitement of waking and not knowing who it was with you, and the world all unreal in the dark and so exciting that you must resume again unknowing and not caring in the night, sure that this was all and all and all and not caring. Suddenly to care very much and to sleep to wake with it sometimes morning and all that had been there gone and everything sharp and hard and clear and sometimes a dispute about the cost. Sometimes still pleasant and fond and warm and breakfast and lunch. Sometimes all niceness gone and glad to get out on the street but always another day starting and then another night. I tried to tell about the night and the difference between the night and the day and how the night was better unless the day was very clean and cold and I could not tell it; as I cannot tell it now
”
”
Ernest Hemingway (A Farewell to Arms)
“
The big problem with pornography is defining it. You can't just say it's pictures of people naked. For example, you have these primitive African tribes that exist by chasing the wildebeest on foot, and they have to go around largely naked, because, as the old tribal saying goes: "N'wam k'honi soit qui mali," which means, "If you think you can catch a wildebeest in this climate and wear clothes at the same time, then I have some beach front property in the desert region of Northern Mali that you may be interested in."
So it's not considered pornographic when National Geographic publishes color photographs of these people hunting the wildebeest naked, or pounding one rock onto another rock for some primitive reason naked, or whatever. But if National Geographic were to publish an article entitled "The Girls of the California Junior College System Hunt the Wildebeest Naked," some people would call it pornography. But others would not. And still others, such as the Spectacularly Rev. Jerry Falwell, would get upset about seeing the wildebeest naked.
”
”
Dave Barry
“
There's one way. Only one. Mine." Balthazar stepped closer, using every inch he had on Lucas, who was tall but not that tall. "Charity is a person. The same as you, the same as me."
"You and me aren't the same."
Balthazar cocked his head. "Then let's say the same as Bianca. Will that make you listen?"
"Bianca's no killer! She didn't have a choice about what she is."
"Guys, don't do this," I pleaded, but they paid no attention.
"A choice? You think we all get a choice?" Although Balthazar spoke softly, there was a roughness to his voice I'd never heard before. It sent chills down my spine. "Try being hunted down in the night. Try running as far and as fast as you can and finding out their faster. Try coming to in a stable, with your parents' dead bodies on the ground in front of you, your hands roped above your head and a dozen hungry vampires arguing with each other about who gets you next. See how much choice you have then."
Lucas just stared at him. Obviously he'd never imagined anything like that; neither had I.
Even more quietly, Balthazar continued, "Try watching your baby sister die, and then tell me that you wouldn't spend the rest of eternity trying to make up for it. When you've done all that, Lucas, then you can talk to me about choices. Until that time, tell me what I need to know and then shut your mouth.
”
”
Claudia Gray (Stargazer (Evernight, #2))
“
A Match
If love were what the rose is,
And I were like the leaf,
Our lives would grow together
In sad or singing weather,
Blown fields or flowerful closes,
Green pasture or gray grief;
If love were what the rose is,
And I were like the leaf.
If I were what the words are,
And love were like the tune,
With double sound and single
Delight our lips would mingle,
With kisses glad as birds are
That get sweet rain at noon;
If I were what the words are,
And love were like the tune.
If you were life, my darling,
And I your love were death,
We'd shine and snow together
Ere March made sweet the weather
With daffodil and starling
And hours of fruitful breath;
If you were life, my darling,
And I your love were death.
If you were thrall to sorrow,
And I were page to joy,
We'd play for lives and seasons
With loving looks and treasons
And tears of night and morrow
And laughs of maid and boy;
If you were thrall to sorrow,
And I were page to joy.
If you were April's lady,
And I were lord in May,
We'd throw with leaves for hours
And draw for days with flowers,
Till day like night were shady
And night were bright like day;
If you were April's lady,
And I were lord in May.
If you were queen of pleasure,
And I were king of pain,
We'd hunt down love together,
Pluck out his flying-feather,
And teach his feet a measure,
And find his mouth a rein;
If you were queen of pleasure,
And I were king of pain.
”
”
Algernon Charles Swinburne
“
As they were speaking, a dog that had been lying asleep raised his head and pricked up his ears. This was Argos, whom Odysseus had bred before setting out for Troy, but he had never had any enjoyment from him. In the old days he used to be taken out by the young men when they went hunting wild goats, or deer, or hares, but now that his master was gone he was lying neglected on the heaps of mule and cow dung that lay in front of the stable doors till the men should come and draw it away to manure the great close; and he was full of fleas. As soon as he saw Odysseus standing there, he dropped his ears and wagged his tail, but he could not get close up to his master. When Odysseus saw the dog on the other side of the yard, dashed a tear from his eyes without Eumaeus seeing it, and said:
'Eumaeus, what a noble hound that is over yonder on the manure heap: his build is splendid; is he as fine a fellow as he looks, or is he only one of those dogs that come begging about a table, and are kept merely for show?'
'This dog,' answered Eumaeus, 'belonged to him who has died in a far country. If he were what he was when Odysseus left for Troy, he would soon show you what he could do. There was not a wild beast in the forest that could get away from him when he was once on its tracks. But now he has fallen on evil times, for his master is dead and gone, and the women take no care of him. Servants never do their work when their master's hand is no longer over them, for Zeus takes half the goodness out of a man when he makes a slave of him.'
So saying he entered the well-built mansion, and made straight for the riotous pretenders in the hall. But Argos passed into the darkness of death, now that he had fulfilled his destiny of faith and seen his master once more after twenty years…
”
”
Homer (The Odyssey)
“
NOW this is the Law of the Jungle — as old and as true as the sky;
And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die.
As the creeper that girdles the tree-trunk the Law runneth forward and back —
For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack.
Wash daily from nose-tip to tail-tip; drink deeply, but never too deep;
And remember the night is for hunting, and forget not the day is for sleep.
The Jackal may follow the Tiger, but, Cub, when thy whiskers are grown,
Remember the Wolf is a Hunter — go forth and get food of thine own.
Keep peace withe Lords of the Jungle — the Tiger, the Panther, and Bear.
And trouble not Hathi the Silent, and mock not the Boar in his lair.
When Pack meets with Pack in the Jungle, and neither will go from the trail,
Lie down till the leaders have spoken — it may be fair words shall prevail.
When ye fight with a Wolf of the Pack, ye must fight him alone and afar,
Lest others take part in the quarrel, and the Pack be diminished by war.
The Lair of the Wolf is his refuge, and where he has made him his home,
Not even the Head Wolf may enter, not even the Council may come.
The Lair of the Wolf is his refuge, but where he has digged it too plain,
The Council shall send him a message, and so he shall change it again.
If ye kill before midnight, be silent, and wake not the woods with your bay,
Lest ye frighten the deer from the crop, and your brothers go empty away.
Ye may kill for yourselves, and your mates, and your cubs as they need, and ye can;
But kill not for pleasure of killing, and seven times never kill Man!
If ye plunder his Kill from a weaker, devour not all in thy pride;
Pack-Right is the right of the meanest; so leave him the head and the hide.
The Kill of the Pack is the meat of the Pack. Ye must eat where it lies;
And no one may carry away of that meat to his lair, or he dies.
The Kill of the Wolf is the meat of the Wolf. He may do what he will;
But, till he has given permission, the Pack may not eat of that Kill.
Cub-Right is the right of the Yearling. From all of his Pack he may claim
Full-gorge when the killer has eaten; and none may refuse him the same.
Lair-Right is the right of the Mother. From all of her year she may claim
One haunch of each kill for her litter, and none may deny her the same.
Cave-Right is the right of the Father — to hunt by himself for his own:
He is freed of all calls to the Pack; he is judged by the Council alone.
Because of his age and his cunning, because of his gripe and his paw,
In all that the Law leaveth open, the word of your Head Wolf is Law.
Now these are the Laws of the Jungle, and many and mighty are they;
But the head and the hoof of the Law and the haunch and the hump is — Obey!
”
”
Rudyard Kipling (The Jungle Book (Jungle Book, #1))
“
The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.
”
”
Toni Morrison (Tar baby)
“
I had recently read to my dismay that they have started hunting moose again in New England. Goodness knows why anyone would want to shoot an animal as harmless and retiring as the moose, but thousands of people do—so many, in fact, that states now hold lotteries to decide who gets a permit. Maine in 1996 received 82,000 applications for just 1,500 permits. Over 12,000 outof-staters happily parted with a nonrefundable $20 just to be allowed to take part in the draw. Hunters will tell you that a moose is a wily and ferocious forest creature. Nonsense. A moose is a cow drawn by a three-year-old. That’s all there is to it. Without doubt, the moose is the most improbable, endearingly hopeless creature ever to live in the wilds. Every bit of it—its spindly legs, its chronically puzzled expression, its comical oven-mitt antlers—looks like some droll evolutionary joke. It is wondrously ungainly: it runs as if its legs have never been introduced to each other. Above all, what distinguishes the moose is its almost boundless lack of intelligence. If you are driving down a highway and a moose steps from the woods ahead of you, he will stare at you for a long minute (moose are notoriously shortsighted), then abruptly try to run away from you, legs flailing in eight directions at once. Never mind that there are several thousand square miles of forest on either side of the highway. The moose does not think of this. Clueless as to what exactly is going on, he runs halfway to New Brunswick before his peculiar gait inadvertently steers him back into the woods, where he immediately stops and takes on a startled expression that says, “Hey—woods. Now how the heck did I get here?” Moose are so monumentally muddle-headed, in fact, that when they hear a car or truck approaching they will often bolt out of the woods and onto the highway in the curious hope that this will bring them to safety. Amazingly, given the moose’s lack of cunning and peculiarly-blunted survival instincts, it is one of the longest-surviving creatures in North America. Mastodons, saber-toothed tigers, wolves, caribou, wild horses, and even camels all once thrived in eastern North America alongside the moose but gradually stumbled into extinction, while the moose just plodded on. It hasn’t always been so. At the turn of this century, it was estimated that there were no more than a dozen moose in New Hampshire and probably none at all in Vermont. Today New Hampshire has an estimated 5,000 moose, Vermont 1,000, and Maine anywhere up to 30,000. It is because of these robust and growing numbers that hunting has been reintroduced as a way of keeping them from getting out of hand. There are, however, two problems with this that I can think of. First, the numbers are really just guesses. Moose clearly don’t line up for censuses. Some naturalists think the population may have been overstated by as much as 20 percent, which means that the moose aren’t being so much culled as slaughtered. No less pertinent is that there is just something deeply and unquestionably wrong about killing an animal that is so sweetly and dopily unassuming as a moose. I could have slain this one with a slingshot, with a rock or stick—with a folded newspaper, I’d almost bet—and all it wanted was a drink of water. You might as well hunt cows.
”
”
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
“
I was extremely curious about the alternatives to the kind of life I had been leading, and my friends and I exchanged rumors and scraps of information we dug from official publications. I was struck less by the West's technological developments and high living standards than by the absence of political witch-hunts, the lack of consuming suspicion, the dignity of the individual, and the incredible amount of liberty. To me, the ultimate proof of freedom in the West was that there seemed to be so many people there attacking the West and praising China. Almost every other day the front page of Reference, the newspaper which carded foreign press items, would feature some eulogy of Mao and the Cultural Revolution. At first I was angered by these, but they soon made me see how tolerant another society could be. I realized that this was the kind of society I wanted to live in: where people were allowed to hold different, even outrageous views. I began to see that it was the very tolerance of oppositions, of protesters, that kept the West progressing.
Still, I could not help being irritated by some observations. Once I read an article by a Westerner who came to China to see some old friends, university professors, who told him cheerfully how they had enjoyed being denounced and sent to the back end of beyond, and how much they had relished being reformed. The author concluded that Mao had indeed made the Chinese into 'new people' who would regard what was misery to a Westerner as pleasure.
I was aghast. Did he not know that repression was at its worst when there was no complaint? A hundred times more so when the victim actually presented a smiling face? Could he not see to what a pathetic condition these professors had been reduced, and what horror must have been involved to degrade them so? I did not realize that the acting that the Chinese were putting on was something to which Westerners were unaccustomed, and which they could not always decode.
I did not appreciate either that information about China was not easily available, or was largely misunderstood, in the West, and that people with no experience of a regime like China's could take its propaganda and rhetoric at face value. As a result, I assumed that these eulogies were dishonest. My friends and I would joke that they had been bought by our government's 'hospitality." When foreigners were allowed into certain restricted places in China following Nixon's visit, wherever they went the authorities immediately cordoned off enclaves even within these enclaves. The best transport facilities, shops, restaurants, guest houses and scenic spots were reserved for them, with signs reading "For Foreign Guests Only." Mao-tai, the most sought-after liquor, was totally unavailable to ordinary Chinese, but freely available to foreigners. The best food was saved for foreigners. The newspapers proudly reported that Henry Kissinger had said his waistline had expanded as a result of the many twelve-course banquets he enjoyed during his visits to China. This was at a time when in Sichuan, "Heaven's Granary," our meat ration was half a pound per month, and the streets of Chengdu were full of homeless peasants who had fled there from famine in the north, and were living as beggars. There was great resentment among the population about how the foreigners were treated like lords. My friends and I began saying among ourselves: "Why do we attack the Kuomintang for allowing signs saying "No Chinese or Dogs" aren't we doing the same?
Getting hold of information became an obsession. I benefited enormously from my ability to read English, as although the university library had been looted during the Cultural Revolution, most of the books it had lost had been in Chinese. Its extensive English-language collection had been turned upside down, but was still largely intact.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
Ultimately, the roast turkey must be regarded as a monument to Boomer's love.
Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards.
See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy.
The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage.
Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird?
And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted?
The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together.
And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering.
Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe.
Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder.
Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs.
Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.
”
”
Tom Robbins (Skinny Legs and All)
“
What's Toraf's favorite color?"
She shrugs. "Whatever I tell him it is."
I raise a brow at her. "Don't know, huh?"
She crosses her arms. "Who cares anyway? We're not painting his toenails."
"I think what's she's trying to say, honey bunches, is that maybe you should paint your nails his favorite color, to show him you're thinking about him," Rachel says, seasoning her words with tact.
Rayna sets her chin. "Emma doesn't paint her nails Galen's favorite color."
Startled that Galen has a favorite color and I don't know it, I say, "Uh, well, he doesn't like nail polish." That is to say, he's never mentioned it before.
When a brilliant smile lights up her whole face, I know I've been busted. "You don't know his favorite color!" she says, actually pointing at me.
"Yes, I do," I say, searching Rachel's face for the answer. She shrugs.
Rayna's smirk is the epitome of I know something you don't know. Smacking it off her face is my first reflex, but I hold back, as I always do, because of the kiss I shared with Toraf and the way it hurt her. Sometimes I catch her looking at me with that same expression she had on the beach, and I feel like fungus, even though she deserved it at the time.
Refusing to fold, I eye the buffet of nail polish scattered before me. Letting my fingers roam over the bottles, I shop the paints, hoping one of them stands out to me. To save my life, I can't think of any one color he wears more often. He doesn't have a favorite sport, so team colors are a no-go. Rachel picked his cars for him, so that's no help either. Biting my lip, I decide on an ocean blue.
"Emma! Now I'm just ashamed of myself," he says from the doorway. "How could you not know my favorite color?"
Startled, I drop the bottle back on the table. Since he's back so soon, I have to assume he didn't find what or who he wanted-and that he didn't hunt them for very long. Toraf materializes behind him, but Galen's shoulders are too broad to allow them both to stand in the doorway. Clearing my throat, I say, "I was just moving that bottle to get to the color I wanted."
Rayna is all but doing a victory dance with her eyes. "Which is?" she asks, full of vicious glee. Toraf pushes past Galen and plops down next to his tiny mate. She leans into him, eager for his kiss. "I missed you," she whispers.
"Not as much as I missed you," he tells her.
Galen and I exchange eye rolls as he walks around to prop himself on the table beside me, his wet shorts making a butt-shaped puddle on the expensive wood. "Go ahead, angelfish," he says, nodding toward the pile of polish.
If he's trying to give me a clue, he sucks at it. "Go" could mean green, I guess. "Ahead" could mean...I have no idea what that could mean. And angelfish come in all sorts of colors. Deciding he didn't encode any messages for me, I sigh and push away from the table to stand. "I don't know. We've never talked about it before."
Rayna slaps her knee in triumph. "Ha!"
Before I can pass by him, Galen grabs my wrist and pulls me to him, corralling me between his legs. Crushing his mouth to mine, he moves his hand to the small of my back and presses me into him. Since he's still shirtless and I'm in my bikini, there's a lot of bare flesh touching, which is a little more intimate than I'm used to with an audience. Still, the fire sears through me, scorching a path to the furthest, deepest parts of me. It takes every bit of grit I have not to wrap my arms around his neck.
Gently, I push my hands against his chest to end the kiss, which is something I never thought I'd do. Giving him a look that I hope conveys "inappropriate," I step back. I've spent enough time in their company to know without looking that Rayna's eyes are bugging out of their sockets and Toraf is grinning like a nutcracker doll. With any luck, Rachel didn't even see the kiss. Stealing a peek at her, she meets my gaze with openmouthed shock.
Okay, it looked as bad as I thought it did.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))