Hunger Games Catching Fire Quotes

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I wish I could freeze this moment, right here, right now and live in it forever.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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You know, you could live a thousand lifetimes and not deserve him.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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My nightmares are usually about losing you. I'm okay once I realize you're here.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Fire is catching! And if we burn, you burn with us!
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Suzanne Collins (Mockingjay (The Hunger Games, #3))
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So it's you and a syringe against the Capitol? See, this is why no one lets you make the plans.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I realize only one person will be damaged beyond repair if Peeta dies. Me.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I always channel my emotions into my work. That way, I don't hurt anyone but myself.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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At some point, you have to stop running and turn around and face whoever wants you dead.The hard thing is finding the courage to do it.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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The bird, the pin, the song, the berries, the watch, the cracker, the dress that burst into flames. I am the mockingjay. The one that survived despite the Capitol's plans. The symbol of the rebellion.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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We had to save you because you're the mockingjay, Katniss," says Plutarch. "While you live, the revolution lives.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Technically, I am unarmed. But no one should ever underestimate the harm that fingernails can do. Especially if the target is unprepared.
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Suzanne Collins (Mockingjay (The Hunger Games, #3))
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I really can't think about kissing when I've got a rebellion to incite.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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So I only say, "So what should we do with our last few days?" "I just want to spend every possible minute of the rest of my life with you," Peeta replies.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Aim higher in case you fall short.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Really, the combination of the scabs and the ointment looks hideous. I can't help enjoying his distress. "Poor Finnick. Is this the first time in your life you haven't looked pretty?" I say. "It must be. The sensation's completely new. How have you managed it all these years?" he asks. "Just avoid mirrors. You'll forget about it," I say. "Not if I keep looking at you," he says.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Gale is mine. I am his. Anything else is unthinkable.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Peeta, how come I never know when you're having a nightmare?” I say. β€œI don't know. I don't think I cry out or thrash around or anything. I just come to, paralyzed with terror,” he says. β€œYou should wake me,” I say, thinking about how I can interrupt his sleep two or three times on a bad night. About how long it can take to calm me down. β€œIt's not necessary. My nightmares are usually about losing you,” he says. β€œI'm okay once I realize you're here.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I guess this is a bad time to mention I hung a dummy and painted Seneca Crane's name on it...
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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So that's who Finnick loves, I think. Not his string of fancy lovers in the Capitol. But a poor, mad girl back home.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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It must be very fragile, if a handful of berries can bring it down.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Tick, tock.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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We star-crossed lovers of District 12, who suffered so much and enjoyed so little the rewards of our victory, do not seek our fans' favor, grace them with our smiles, or catch their kisses. We are unforgiving. And I love it. Getting to be myself at last.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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That if desperate times call for desperate measures, then I'm free to act as desperately as I wish.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Look, if you wanted to be babied you should have asked Peeta.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I'm going to wake Peeta," I say. "No, wait," says Finnick. "Let's do it together. Put our faces right in front of his." Well, there's so little opportunity for fun left in my life, I agree. We position ourselves on either side of Peeta, lean over until our faces are inches frim his nose, and give him a shake. "Peeta. Peeta, wake up," I say in a soft, singsong voice. His eyelids flutter open and then he jumps like we've stabbed him. "Aa!" Finnick and I fall back in the sand, laughing our heads off. Every time we try to stop, we look at Peeta's attempt to maintain a disdainful expression and it sets us off again.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I just want to spend every possible minute of the rest of my life with you.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I pull an arrow, whip the notch into place, and am about to let it fly when I'm stopped by the sight of Finnick kissing Peeta. And it's so bizarre, even for Finnick.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Remember, girl on fire,” he says, β€œI'm still betting on you.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I turn and put my lips close to Peeta's and drop my eyelids in imitation... "He offered me sugar and wanted to know all my secrets," I say in my best seductive voice.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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The idea of being strong for someone else having never entered their heads, I find myself in the position of having to console them. Since I'm the person going in to be slaughtered, this is somewhat annoying.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I can only form one clear thought. This is no place for a girl on fire.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Because I can count on my fingers the number of sunsets I have left, and I don't want to miss any of them.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I don't want you forgetting how different our circumstaces are. If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life." Peeta says. "I would never be happy again. It's different for you. I'm not saying it wouldn't be hard. But there are other people who'd make your life worth living." "No one really needs me," he says, and there's no selfpity in his voice. It's true his family doesn't need him. They will mourn him, as will a handfull of friends. But they will get on.... I realise only one person will be damaged beyond repair if Peeta dies. Me. "I do," I say. "I need you.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Whose is it, do you think?" I say finally. "No telling," says Finnick. "Why don't we let Peeta claim it, since he died today?
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I had to do that. At least once.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Katniss," Gale says softly. I recognize that voice. It's the same one he uses to approach wounded animals before he delivers a deathblow. I Instinctively raise my hand to block his words but he catches it and holds on tightly. Don't," I whisper. But Gale is not one to keep secrets from me. Katniss, There is no District Twelve.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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You've got to go through it to get to the end of it.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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What about you?" "Not a clue. I keep wishing I could bake a cake or something.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Now he's [Cinna] arranging things around my living room: Clothing, fabrics, and sketchbooks with designs he's drawn. I pick one up and examine one of the dresses I supposedly created. You know, I think I show a lot of promise," I say. Get dressed, you worthless thing.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I don't care if you got knocked up. I can still rip your throat out
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Not like this. He wanted it to be real.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Oh, the fun we two have together.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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As the alcohol overcomes my mind, I hear the glass bottle shatter on the floor. This seems appropriate since I have obviously lost my grip on everything.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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But I have to confess, I'm glad you two had at least a few months of happiness together." I'm not glad," says Peeta. "I wish we had waited until the whole thing was done officially." This takes even Caesar aback. "Surely even a brief time is better than no time?" Maybe I'd think that, too, Caesar," says Peeta bitterly, "If it weren't for the baby.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I'm so sorry," I whisper. I lean forward and kiss him. His eyelashes flutter and he looks at me through a haze of opiates. "Hey, Catnip." "Hey, Gale," I say. "Thought you'd be gone by now," He says. My choices are simple. I can die like a quarry in the woods or I can die here beside Gale. "I'm not going anywhere. I'm going to stay right here and cause all kinds of trouble." "Me, too," Gale says. He just manages a smile before the drugs pull him back under.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Fine. Somebody else can arrange to get the stupid goat knocked up.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Remembering from last year how Haymitch's gifts are often timed to send a message, I make a note to myself. Be friends with Finnick. You'll get food.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I swear if you cry, I'll kill you here and now.' Cinna just smiles. 'Had a damp morning?' 'You could wring me out.' I reply
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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And to us, we're more married than any piece of paper or big party could make us.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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If I feel ragged, my prep team seems in worse condition, knocking back coffee and sharing brightly colored little pills. As far as I can tell, they never get up before noon unless there's some sort of national emergency, like my leg hair.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Sometimes things happen to people and they're not equipped to deal with them.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Because I'm selfish. I'm a coward. I'm the kind of girl who, when she might actually be of use, would run to stay alive and leave those who couldn't follow to suffer and die.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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What's going on down there, Katniss? Have they all joined hands? Taken a vow of nonviolence? Tossed the weapons in the sea in defiance of the Capitol?' Finnick asks. No,' I say. No,' Finnick repeats. 'Because whatever happened in the past is in the past. And no one in this arena was a victor by chance.' He eyes Peeta for a moment. 'Except maybe Peeta.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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You could do a lot worse.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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But Mockingjays were never a weapon," said Madge. "They’re just songbirds. Right?" "Yeah, I guess so,” I said, But it’s not true. A mockingbird is just a songbird. A mockingjay is a creature the capitol never intended to exist. They hadn’t counted on the highly controlled jabberjay having the brains to adapt to the wild, to thrive in a new form. They hadn’t anticipated its will to live.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Isn't it strange that I know you'd risk your life to save mine, but I don't even know what your favorite color is?
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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They can pump whatever they want into my arm but it takes more than that to keep a person going once she's lost the will to live.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Shame isn't a strong enough word for what I feel. "You could live a hundred lifetimes and not deserve him, you know," Haymitch says.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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My time in the arena made me realize how I needed to stop punishing [my mother] for something she couldn't help, specifically the crushing depression she fell into after my father's death. Because sometimes things happen to people and they're not equipped to deal with them.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Great. Now I have to go back and tell Haymitch I want an eighty-year-old and Nuts and Volts for my allies. He'll love that.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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but it's not safe and I can feel him slipping away, so I just get out one more sentence. "Stay with me." As the tendrils of sleep syrup pull me down, I hear him whisper a word back but I don't catch it.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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But I feel as if I did know Rue, and she'll always be with me. Everything beautiful brings her to mind. I see her in the yellow flowers that grow in the Meadow by my house. I see her in the Mockingjays that sing in the trees. But most of all, I see her in my sister, Prim.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I look at Peeta and he gives me a sad smile. I hear Haymitch's voice. "You could do a lot worse." At this moment, it's impossible to imagine how I could do any better. The gift...it is perfect. So when I rise up on my tiptoe to kiss him, it doesn't seem forced at all.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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A spark could be enough to set them ablaze.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Instead of satisfying me, the kisses have the opposite effect, of make my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I do think you're mad and I'll still go with you.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Maybe I'd think that, too, Caesar," says Petta bitterly, "if it weren't for the baby." There. He's done it again.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I knew it. In this way, Peeta's not hard to predict. While I was wallowing around on the floor of that cellar, thinking only of myself, he was here, thinking of me. Shame isn't a strong enough word for what I feel.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I go to the saltwater and wash off the blood, trying to decide which I hate more, pain or itching. Fed up, I stomp back onto the beach, turn my face upward and snap, "Hey, Haymitch, if you're not too drunk, we could use a little something for our skin." It's almost funny how quickly the parachute appears above me. I reach up and the tube lands squarely in my open hand. "About time" I say, but I can't keep the scowl on my face. Haymitch. What I wouldn't give for five minutes of conversation with him.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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In that one slight motion, I see the end of hope, beginning of destruction of everything I hold dear in the world. I can't guess what form my punishment will take, how wide the net will be cast, but when it is finished there most likely be nothing left. So you would think that at this moment, I would be in utter despair.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I don't know what it is with Finnick and bread, but he seems obsessed with handling it.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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And so I'm stupid for thinking they might be useful. Because of something Johanna Mason said while she was oiling her breasts for wrestling.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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what is the worst pain? To me, it's always the pain that is present.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Well, I can't leave Mags behind," says Finnick. "She's one of the few people who actually likes me.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Beetee is still messing round the tree, doing I don't know what. At one point he snaps off a sliver of bark, joins us, and throws it against the force field. It bounces back and lands on the ground, glowing. In a few moments it returns to its original color. "Well, that explains a lot," says Beetee. I look at Peeta and can't help biting my lip to keep from laughing since it explains absolutely nothing to anyone but Beetee.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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hey. I just wanted to make sure you got home," I say. "Katniss, I live three houses away from you," he says.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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He tilts his forehead down to rest against mine and pulls me closer. His skin, his whole being radiates heat from being so near the fire, and I close my eyes, soaking in his warmth. I breathe in the smell of snow-dampened leather and smoke and apples, the smell of all those wintry days we shared before the Games. I don't try to move away. Why should I anyway? His voice drops to a whisper. "I love you." That's why.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Orange? Like Effie's hair?" I say. "A bit more muted," he says. "More like sunset.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Katniss, there is no District Twelve...
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Beauty that arose out of pain.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I thought he wanted it, anyway," I say. "Not like this," Haymitch says. "He wanted it to be real.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Whatever it takes to break you.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Because, sometimes, things happen to people and they're not equipped to deal with them.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Katniss Everdeen, the girl who was on fire, you have provided a spark that, left unattended, may grow to an inferno that destroys Panem," he says.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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You and me Haymitch.Very cozy.Picnics, birthdays, long winter nights sitting around the fire retelling old Hunger Games tale. -Peeta Mellark
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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The sun persists in rising, so I make myself stand
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Don't want that, do they?” She throws back her head and shouts, β€œWhole country in rebellion? Wouldn't want anything like that!
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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By late afternoon I lie with my head in Peeta’s lap making a crown of flowers while he fiddles with my hair claiming he is practicing knots. After awhile his hands go still. β€œWhat?” I ask. β€œI wish I could freeze this moment, right here, right now, and live in it forever,” he says. Usually this sort of comment, the kind that hints his undying love for me, makes me feel guilty and awful. But I’m so relaxed and beyond worrying about a future I’ll never have, I just let the word slip out. β€œOkay,” I say. I can hear the smile in his voice. β€œThen you’ll allow it?” β€œI’ll allow it.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I can hear President Snow's voice in my head. 'On the seventy-fifth anniversary, as a reminder to the rebels that even the strongest among them cannot overcome the power of the capital, the male and female tributes will be reaped from their existing pool of victors.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I say we try it,' says Peeta. 'Katniss is right.' Finnick looks at Johanna and raises his eyebrows. He will not go forward without her. 'All right,' she says finally. 'It's better than hunting them down in the jungle, anyway. And I doubt they'll figure out our plan, since we can barely understand it ourselves.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Want a sugar cube? [...] They're supposed to be for the horses, but who cares? They've got years to eat sugar, whereas you and I . . . well, if we see something sweet we better grab it quick. [...] You're absolutely terrifying me in that get-up. What happened to the pretty little-girl dresses?
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Yes,” I whisper. The red blinking light on one of the cameras catches my eye. I know I’m being recorded. β€œYes,” I say more forcefully. Everyone is drawing away from meβ€”Gale, Cressida, the insectsβ€”giving me the stage. But I stay focused on the red light. β€œI want to tell the rebels that I am alive. That I’m right here in District Eight, where the Capitol has just bombed a hospital full of unarmed men, women, and children. There will be no survivors.” The shock I’ve been feeling begins to give way to fury. β€œI want to tell people that if you think for one second the Capitol will treat us fairly if there’s a cease-fire, you’re deluding yourself. Because you know who they are and what they do.” My hands go out automatically, as if to indicate the whole horror around me. β€œThis is what they do! And we must fight back!” I’m moving in toward the camera now, carried forward by my rage. β€œPresident Snow says he’s sending us a message? Well, I have one for him. You can torture us and bomb us and burn our districts to the ground, but do you see that?” One of the cameras follows as I point to the planes burning on the roof of the warehouse across from us. The Capitol seal on a wing glows clearly through the flames. β€œFire is catching!” I am shouting now, determined that he will not miss a word. β€œAnd if we burn, you burn with us!
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Suzanne Collins (Mockingjay (The Hunger Games, #3))
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The main thing I feel is a sense of relief. That I can give up this game. That the question of whether I can succeed in this venture has been answered, even if that answer is a resounding no. That if desperate times call for desperate measures, I am free to act as desperately as I want.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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As we curve around into the loop of the City Circle, I can see that a couple of other stylists have tried to steal Cinna and Portia's idea of illuminating their tributes. The electric-light-studded outfits from District 3, where they make electronics, at least make sense. But what are the livestock keepers from Distric 10, who are dressed as cows, doing with flaming belts? Broiling themselves? Pathetic.
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Suzanne Collins
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No one really needs me," he says, and there's no self pity in his voice. It's true his family doesn't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. "I do," I say. "I need you." he looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, i stop his lips with a kiss.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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When Peeta holds out his arms, I walk straight into them. It's the first time since they announced the Quarter Quell that he's offered me any sort of affection. He's been more like a very demanding trainer, always pushing, always insisting Haymitch and I run faster, eat more, know our enemy better. Lovers? Forget about that. He abandoned any pretense of even being my friend. I wrap my arms tightly around his neck before he can order me to do push-ups or something. Instead he pulls me in close and buries his face in my hair. Warmth radiates from the spot where his lips just touch my neck, slowly spreading through the rest of me. It feels so good, so impossibly good, that I know I will not be the first to let go. And why should I?
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I know my own reasons for keeping Peeta alive. He's my friend, and this is my way to defy the Capitol, to subvert its terrible Games. But if I had no real ties to him, what would make me want to save him, to choose him over myself? Certainly he is brave, but we have all been brave enough to survive a Games. There is that quality of goodness that's hard to overlook, but stil... and then I think of it, what Peeta can do so much better than the rest of us. He can use words. He obliterated the rest of the field at both interviews. And maybe it's because of that underlying goodness that he can move a crowd--no, a country--to his side with the turn of a simple sentence. I remember thinking that was the gift the leader of our revolution should have. Has Haymitch convinced the others of this? That Peeta's tongue would have far greater power against the Capitol than any physical strength the rest of us could claim? I don't know. It still seems like a really long leap for some of the tributes. I mean, we're talking about Johanna Mason here. But what other explanation can there be for their decided efforts to keep him alive?
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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The beauty of this idea is that my decision to keep Peeta alive at the expense of my own life is itself an act of defiance. A refusal to play the Hunger Games by the Capitol's rules. My private agenda dovetails completely with my public one. And if I really could save Peeta... in terms of a revolution, this would be ideal. Because I will be more valuable dead. They can turn me into some kind of martyr for the cause and paint my face on banners, and it will do more to rally people than anything I could do if I was living. But Peeta would be more valuable alive, and tragic, because he will be able to turn his pain into words that will transform people.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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I like to watch his hands as he works, making a blank page bloom with strokes of ink, adding touches of color to our previously black and yellowish book. His face takes on a special look when he concentrates. His usual easy expression is replaced by something more intense and removed that suggests an entire world locked away inside him. I've seen flashes of this before: in the arena, or when he speaks to a crowd, or that time he shoved the Peacekeepers' guns away from me in District 11. I don't know quite what to make of it. I also become a little fixated on his eyelashes, which ordinarily you don't notice much because they're so blond. But up close, in the sunlight slanting in from the window, they're a light golden color and so long I don't see how they keep from getting all tangled up when he blinks.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his. ... After a while I rest my head against his shoulder. Feel his hand caress my hair. "Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again." I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says. My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it. Everithing. That's what Peeta wants me to take from him. ... "No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. "I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss. I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down. This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))