Hunger Games Best Quotes

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I turn and put my lips close to Peeta's and drop my eyelids in imitation... "He offered me sugar and wanted to know all my secrets," I say in my best seductive voice.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Fine. I'll train. But I'm going to the stinking capitol if I have to kill a crew and fly there myself." Says Johanna. "Probably best not to bring that up in training," I say. "But it's nice to know I'll have a ride.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
What was that you were saying just before the food arrived? Something about me... no competition... best thing that ever happened to you...
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Most of the Peacekeepers turn a blind eye to the few of us who hunt because they're as hungry as we are for fresh meat as anyone. In fact, they're among our best customers.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Why not? It's true. My best hope is to not disgrace myself and..." He hesitates. And what?" I say. I don't know how to say it exactly. Only... I want to die as myself. Does that make any sense?" he asks. I shake my head. How could he die as anyone but himself? "I don't want them to change me in there. Turn me into some kind of monster that I'm not." I bite my lip feeling inferior. While I've been ruminating on the availability of trees, Peeta has been struggling with how to maintain his identity. His purity of self. "Do you mean you won't kill anyone?" I ask. No, when the time comes, I'm sure I'll kill just like everybody else. I can't go down without a fight. Only I keep wishing I could think of a way to... to show the Capitol they don't own me. That I'm more than just a piece in their Games," says Peeta. But you're not," I say. "None of us are. That's how the Games work." Okay, but within that frame work, there's still you, there's still me," he insists. "Don't you see?" A little, Only... no offense, but who cares, Peeta?" I say. I do. I mean what else am I allowed to care about at this point?" he asks angrily. He's locked those blue eyes on mine now, demanding an answer.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
What was that you were saying just before the food arrived? Something about me...no competition...best thing that ever happened to you..." "I don't remember that last part," I say, hoping it's too dim in here for the cameras to pick up my blush. "Oh, that's right. That what I was thinking," he says.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Let them go, I tell myself. Say good-bye and forget them. I do my best, thinking of them one by one, releasing them like birds from the protective cages inside me, locking the doors against their return.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Agreed," I say. "It's going to be a long hour." "Maybe not that long," says Peeta." what was that you were saying just before the food arrived? Something about me ... no competition ... best thing that ever happened to you ... " " I don't remember that last part," I say, hoping it's too dim in here for the cameras to pick up my blush. " Oh, that's right. That's what I was thinking," he says " Scoot over, I'm freezing.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
What did Finnick Odair want?” he asks. I turn and put my lips close to Peeta's and drop my eyelids in imitation of Finnick. “He offered me sugar and wanted to know all my secrets,” I say in my best seductive voice. Peeta laughs. “Ugh. Not really.” “Really,” I say. “I'll tell you more when my skin stops crawling.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Coriolanus could see that Festus was falling for her. Did you tell your best friend his crush was a cannibal? Never a rule book when you needed one.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
My guess is that fearful events are the hardest to root out. They're the ones we naturally remember the best, after all.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I wish they were all dead and we were, too. It would be best." Well, there's no good response to that. I can hardly dispute it since I was walking around with a syringe to kill Peeta when I found them. Do I really want him dead? What I want...what I want is to have him back.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
The ability to control things. Yes, that was what he’d loved best of all.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
He offered me sugar and wanted to know all my secrets,” I say in my best seductive voice.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
It seems like everyone I know has very strong feelings about which boy is the best fit for Katniss, but also because the books themselves contain a commentary on the way audiences latch onto romance, even (and maybe especially) when lives are at stake.
Jennifer Lynn Barnes (The Girl Who Was on Fire: Your Favorite Authors on Suzanne Collins' Hunger Games Trilogy)
I waited at least two hours. I'd begun to think that he'd given up on me in the weeks that had passed. Or that he no longer cared about me. Hated me even. And the idea of losing him for ever, my best friend, the only person I'd ever trusted with my secrets, was so painful I couldn't stand it. Not on top of everything else that had happened. I could feel my eyes tearing up and my throat starting to close the way it does when I get upset. Then I look up and there he was, three metres away, just watching me. Without even thinking, I jumped up and threw my arms around him, making some weird sound that combined laughing, choking and crying.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
You stay alive, play your songs, love your people, live the best life you can. And I’ll be there in the Meadow waiting for you. It’s a promise. Okay?
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
Gale didn't say, "Katniss will pick whoever it will break her heart to give up," or even "whoever she can't live without." Those would have implied I was motivated by a kind of passion. But my best friend predicts I will choose the person "I can't survive without." There's not the least indication that love, desire, or even compatibility will sway me. I'll just conduct an unfeeling assessment of what my potential mates can offer me. As if in the end, it will be the question of whether a baker or a hunter will extend my longevity the most. It's a horrible thing for Gale to say, for Peeta not to refute. Especially when every emotion I have has been taken or exploited by the Capitol or the rebels. At the moment, the choice would be simple. I can survive just fine without either of them.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
He knew this would be easier if he wasn’t such an exceptional person. The best and the brightest humanity had to offer. The youngest to pass the officer candidate test.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
We never really recover, just move on the best we can.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
Barristan Semly was not a bookish man, but he had often glanced through the pages of the White Book, where the deeds of his predecessors had been recorded. Some had been heroes, some weaklings, knaves, or cravens. Most were only men - quicker and stronger than most, more skilled with sword and shield, but still prey to pride, ambition, lust, love, anger, jealousy, greed for gold, hunger for power, and all the other failing that afflicted lesser mortals. The best of them overcame their flaws, did their duty, and died with their swords in their hands. The worst ... The worst were those who played the game of thrones.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
The Quitter When you're lost in the Wild, and you're scared as a child, And Death looks you bang in the eye, And you're sore as a boil, it's according to Hoyle To cock your revolver and . . . die. But the Code of a Man says: "Fight all you can," And self-dissolution is barred. In hunger and woe, oh, it's easy to blow... It's the hell-served-for-breakfast that's hard. "You're sick of the game!" Well, now, that's a shame. You're young and you're brave and you're bright. "You've had a raw deal!" I know — but don't squeal, Buck up, do your damnedest, and fight. It's the plugging away that will win you the day, So don't be a piker, old pard! Just draw on your grit; it's so easy to quit: It's the keeping-your-chin-up that's hard. It's easy to cry that you're beaten — and die; It's easy to crawfish and crawl; But to fight and to fight when hope's out of sight — Why, that's the best game of them all! And though you come out of each gruelling bout, All broken and beaten and scarred, Just have one more try — it's dead easy to die, It's the keeping-on-living that's hard.
Robert W. Service (Rhymes of a Rolling Stone)
I'd begun to think that he'd given up on me in the weeks that had passed. Or that he no longer cared about me. Hated me even. And the idea of losing him forever, my best friend, the only person I'd ever trusted with my secrets, was so painful I couldn't stand it.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
It's my new best friend, Claudius Templesmith, and as I expected it, he's inviting us to a feast.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Then it’s just Venia, whose skin is so pale her tattoos appear to be leaping off it. Almost rigid with determination, she does my hair and nails and makeup, fingers flying swiftly to compensate for her absent teammates. The whole time, she avoids my gaze. It’s only when Cinna shows up to approve me and dismiss her that she takes my hands, looks me straight in the eye, and says, “We would all like you to know what a…privilege it has been to make you look your best.” Then she hastens from the room.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
She shook her head in disbelief and laughed. “Okay, okay, everybody. This is . . . this is maybe the best night of my life.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Even if the rebel forces could somehow overthrow the Capitol, you can be sure President Snow’s last act would be to cut Peeta’s throat. No. I will never get him back. So then dead is best.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
My name is Katniss Everdeen. Why am I not dead? I should be dead. It would be best for everyone if I were dead. . . . When
Suzanne Collins (Mockingjay (The Hunger Games, #3))
My name is Katniss Everdeen. I am seventeen years old. My home is District 12. I was in the Hunger Games. I escaped. The Capitol hates me. Peeta was taken prisoner. He is thought to be dead. Most likely he is dead. It is probably best if he is dead. . . .
Suzanne Collins (Mockingjay (The Hunger Games, #3))
My name is Katniss Everdeen. I am seventeen years old. My home is District 12. I was in the Hunger Games. I escaped. The Capitol hates me. Peeta was taken prisoner. He is thought to be dead. Most likely he is dead. It is probably best if he is dead… “Katniss.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
After the Games comes the fallout from the Games. Spreading out like ripples in a pond when you toss in a rock. Concentric circles of damage, washing over the dead tributes’ families, their friends, their neighbors, to the ends of the district. Those in closest get hit the worst. White liquor and depression, broken families and violence and suicide. We never really recover, just move on the best we can.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
When I wake, I have a brief, delicious feeling of happiness that is somehow connected with Peeta. Happiness, of course, is a complete absurdity at this point, since at the rate things are going, I'll be dead in a day. And that's the best-case scenario, if I'm able to eliminate the rest of the field, including myself, and get Peeta crowned as the winner of the Quarter Quell. Still, the sensation's so unexpected and sweet I cling to it, if only for a few moments. Before the gritty sand, the hot sun, and my itching skin demand a return to reality.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
his brain spun with the repercussions of landing Lucy Gray Baird. She was a gift, he knew it, and he must treat her as such. But how best to exploit her showstopping entrance?
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Like an animal. He knew this would be easier if he wasn’t such an exceptional person. The best and the brightest humanity had to offer.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
It takes some adjusting from a bow to a gun, but by the end of the day, I’ve got the best score in my class.
Suzanne Collins (The Hunger Games Trilogy)
We would all like you to know what a . . . privilege it has been to make you look your best.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Did you tell your best friend his crush was a cannibal? Never a rule book when you needed one.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
You are the best ally I could ever hope for. Okay, sweetheart?
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
I wish she was dead,” he says. “I wish they were all dead and we were, too. It would be best.
Suzanne Collins (The Hunger Games Trilogy)
Effie does her best to keep me sober, but the train’s loaded with booze.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
No. I will never get him back. So then dead is best.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Besides, he’s our best chance of finding her.” It takes me a moment to register that the “her” they’re referring to is me.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
My love for these books, at its purest, is not really about Peeta or anything silly and girly. I love that a young woman character is fierce and strong but hum in ways I find believable, relatable. Katniss is clearly a heroine, but a heroine with issues. She intrigues me because she never seems to know her own strength. She isn't blandly insecure the way girls are often forced to be in fiction. She is brave but flawed. She is a heroine, but she is also a girl who loves two boys and can't choose which boy she loves more. She is not sure she is up to the task of leading a revolution, but she does her best, even as she doubts herself. Katniss endures the unendurable. She is damaged and it shows. At times, it might seem like her suffering is gratuitous, but life often presents unendurable circumstances people manage to survive. Only the details differ. The Hunger Games trilogy is dark and brutal, but in the end, the books also offer hope - for a better world and a better people and, for one woman, a better life, a life she can share with a man who understands her strength and doesn't expect her to compromise that strength, a man who can hold her weak places and love her through the darkest of her memories, the worst of her damage. Of course I love the Hunger Games. The trilogy offers the tempered hope that everyone who survives something unendurable hungers for.
Roxane Gay
Pull it together, Four-Five-One,” he says firmly. But you can see him suppressing a smile as he’s double-checking the next pod. Positioning the Holo to find the best light in the smoky air. Still facing us as his left foot steps back onto the orange paving stone. Triggering the bomb that blows off his legs.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Like bait?” I say to the ceiling. “Like how they’ll use Annie for bait, Finnick?” I can hear him weeping but I don’t care. They probably won’t even bother to question her, she’s so far gone. Gone right off the deep end years ago in her Games. There’s a good chance I’m headed in the same direction. Maybe I’m already going crazy and no one has the heart to tell me. I feel crazy enough. “I wish she was dead,” he says. “I wish they were all dead and we were, too. It would be best.
Suzanne Collins (Catching Fire (Hunger Games, #2))
Well, I can’t leave Mags behind,” says Finnick. “She’s one of the few people who actually likes me.” “I’ve got no problem with Mags,” I say. “Especially now that I see the arena. Her fishhooks are probably our best chance of getting a meal.” “Katniss wanted her on the first day,” says Peeta. “Katniss has remarkably good judgment,” says Finnick.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I do my best, thinking of them one by one, releasing them like birds from the protective cages inside me, locking the doors against their return.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Did you tell your best friend his crush was a cannibal?
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
fearful events are the hardest to root out. They’re the ones we naturally remember the best, after all.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
my best friend predicts I will choose the person who I think I “can’t survive without.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
O, mijn beste juffrouw Everdeen toch. Ik dacht dat we hadden afgesproken dat we niet tegen elkaar zouden liegen.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Katniss, it's just hunting. You're the best hunter I know." Gale "It's not just hunting. They're armed, they think." --Katniss "So do you. And you've had more practice. Real practice. You know how to kill." --Gale "Not people." --Katniss "How different can it be, really?" --Gale The awful thing is that if I can forget they're people, it will be no different at all. --Katniss
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
He’d loved the unfamiliar sense of safety that their defeat had brought. The security that could only come with power. The ability to control things. Yes, that was what he’d loved best of all.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Fine. I’ll train. But I’m going to the stinking Capitol if I have to kill a crew and fly there myself,” says Johanna. “Probably best not to bring that up in training,” I say. “But it’s nice to know I’ll have a ride.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
My name is Katniss Everdeen. I am seventeen years old. My home is District 12. I was in the Hunger Games. I escaped. The Capitol hates me. Peeta was taken prisoner. He is thought to be dead. Most likely he is dead. It is probably best if he is dead. .
Suzanne Collins (Mockingjay (The Hunger Games, #3))
that cold and calculating? Gale didn’t say, “Katniss will pick whoever it will break her heart to give up,” or even “whoever she can’t live without.” Those would have implied I was motivated by a kind of passion. But my best friend predicts I will choose the
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Best. Ik train wel. Maar ik ga naar dat klote-Capitool, al moet ik er een team voor afslachten en er zelf heen vliegen,' zegt Johanna. 'Misschien beter om daar niet over te beginnen tijdens de training,' zeg ik. 'Maar het is goed om te weten dat ik een lift heb.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
My name is Katniss Everdeen. I am seventeen years old. My home is District 12. I was in the Hunger Games. I escaped. The Capitol hates me. Peeta was taken prisoner. He is thought to be dead. Most likely he is dead. It is probably best if he is dead. . . . “Katniss.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
The Quitter When you're lost in the Wild, and you're scared as a child, And Death looks you bang in the eye, And you're sore as a boil, it's according to Hoyle To cock your revolver and . . . die. But the Code of a Man says: "Fight all you can," And self-dissolution is barred. In hunger and woe, oh, it's easy to blow . . . It's the hell-served-for-breakfast that's hard. "You're sick of the game!" Well, now, that's a shame. You're young and you're brave and you're bright. "You've had a raw deal!" I know -- but don't squeal, Buck up, do your damnedest, and fight. It's the plugging away that will win you the day, So don't be a piker, old pard! Just draw on your grit; it's so easy to quit: It's the keeping-your-chin-up that's hard. It's easy to cry that you're beaten -- and die; It's easy to crawfish and crawl; But to fight and to fight when hope's out of sight -- Why, that's the best game of them all! And though you come out of each gruelling bout, All broken and beaten and scarred, Just have one more try -- it's dead easy to die, It's the keeping-on-living that's hard.
Robert W. Service
It’s still the best day of the week, but it’s not like it used to be before, when we could tell each other anything. The Games have spoiled even that. I keep hoping that as time passes we’ll regain the ease between us, but part of me knows it’s futile. There’s no going back.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
On the Hunger Games Fan Race fail and the portrayal of POC in fantasy literature: It is as if the POC in the text are walking around with a great big red sign over them for some editors and it reads I AM NOT A REAL CHARACTER. I AM A PROBLEM YOU MUST DEAL WITH. The white characters are permitted to saunter about with their physical descriptions hanging out all over the place, but best not make mention of dark skin or woolly/curly hair or dark eyes (Unless, of course, that character is white. None of my white-skinned dark-eyed characters had any problem being described as such. And I’m pretty sure that Sól’s curly hair never gave anyone a single pause for thought.) As I said, I understand the desire not to define a POC simply by their physical attributes, and I understand cutting physical descriptions if no other character is described physically – but pussyfooting about in this manner with POC is doing nothing but white wash the characters themselves. It’s already much too hard to get readers to latch onto the fact that some characters may not be caucasian, why must we dance about their physical description as if it were some kind of shameful dirty little secret. You know what it reminds me of? It reminds me of the way homosexuality used to only ever be hinted at in texts. It was up to the reader to ‘read between the lines’ or ‘its there if you look for it’ and all that total bullshit which used to be the norm.
Celine Kiernan
In the last moments, she releases her grip enough to lock her pinkie around mine. Looking, I think, for a final confirmation of the promise we made to each other. I nod so she knows I understand and that I will try my best to bring the Capitol down, although I have never felt so powerless in my entire life.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
Effie takes both of us by the hand and, with actual tears in her eyes, wishes us well. Thanks us for being the best tributes it has ever been her privilege to sponsor. And then, because it’s Effie and she’s apparently required by law to say something awful, she adds “I wouldn’t be at all surprised if I finally get promoted to a decent district next year!
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
No wonder I won the Games. No decent person ever does. I wish she was dead, he says. I wish they were all dead and we were, too. It would be best. While the fire catches, I sweep out the snow that has accumulated under the empty windows, My mother has to save the strongest for the worst pain, but what is the worst pain? To me, it's always the pain that is present.
Susanne Collins
Heavy, dark clouds rolled in, providing some relief from the beating sun but adding to his oppression. This was his life now. Digging for worms and being at the mercy of the weather. Elemental. Like an animal. He knew this would be easier if he wasn't such an exceptional person. The best and the brightest humanity had to offer. The youngest to pass the officer candidate test.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
I’d begun to think that he’d given up on me in the weeks that had passed. Or that he no longer cared about me. Hated me even. And the idea of losing him forever, my best friend, the only person I’d ever trusted with my secrets, was so painful I couldn’t stand it. Not on top of everything else that had happened. I could feel my eyes tearing up and my throat starting to close the way it does when I get upset.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
his deep relief on winning the war, and the grim satisfaction of seeing the Capitol's enemies, who'd treated him so cruelly, who'd cost his family so much, brought to their knees. Hobbled. Impotent. Unable to hurt him anymore. He'd loved the unfamiliar sense of safety that their defeat had brought. The security that could only come with power. The ability to control things. Yes, that was what he'd loved best of all.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Coriolanus acted engrossed in the show as 8, 6, and 11 called their tributes, but his brain spun with the repercussions of landing Lucy Gray Baird. She was a gift, he knew it, and he must treat her as such. But how best to exploit her showstopping entrance? How to wrangle some success from a dress, a snake, a song? The tributes would be given precious little time with the audience before the Games began. How could he get the audience to invest in her and, by extension, him, in just an interview? He half registered the other tributes, mostly pitiful creatures, and took note of the stronger ones. Sejanus got a towering fellow from District 2, and Livia’s District 1 boy looked like he could be a contender as well. Coriolanus’s girl seemed fairly healthy, but her slight build was more suited to dancing than hand-to-hand combat. He bet she could run fast enough, though, and that was important. As the reaping drew to a close, the smell of food from the buffet wafted over the audience
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
I realize that the best chance I’ll have to do the sawing without drawing notice will be during the anthem. That could begin any time. I drag myself out of my bag, make sure my knife is secured in my belt, and begin to make my way up the tree. This in itself is dangerous since the branches are becoming precariously thin even for me, but I persevere. When I reach the limb that supports the nest, the humming becomes more distinctive. But it’s still oddly subdued if these are tracker jackers. It’s the smoke, I think. It’s sedated them. This was the one defense the rebels found to battle the wasps. The seal of the Capitol shines above me and the anthem blares out. It’s now or never, I think, and begin to saw. Blisters burst on my right hand as I awkwardly
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
romantic between us, but when he opens his arms I don’t hesitate to go into them. His body is familiar to me — the way it moves, the smell of wood smoke, even the sound of his heart beating I know from quiet moments on a hunt — but this is the first time I really feel it, lean and hard-muscled against my own. “Listen,” he says. “Getting a knife should be pretty easy, but you’ve got to get your hands on a bow. That’s your best chance.” “They don’t always have bows,” I say, thinking of the year there were only horrible spiked maces that the tributes had to bludgeon one another to death with. “Then make one,” says Gale. “Even a weak bow is better than no bow at all.” I have tried copying my father’s bows with poor results. It’s not that easy. Even he had to scrap his own work sometimes. “I don’t even know if there’ll be wood,” I say. Another year, they tossed everybody into a landscape of nothing but boulders and sand and scruffy bushes. I particularly hated that year. Many contestants were bitten by venomous snakes or went insane from thirst. “There’s almost always some wood,” Gale says. “Since that year half of them died of cold. Not much entertainment in that.” It’s true. We spent one Hunger Games watching the players freeze to death at night. You could hardly see them because they were just huddled in balls and had no wood for fires or torches or anything. It was considered very anticlimactic in the Capitol, all those quiet, bloodless deaths. Since then, there’s usually been wood
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Making the most of an experience: Living fully is extolled everywhere in popular culture. I have only to turn on the television at random to be assailed with the following messages: “It’s the best a man can get.” “It’s like having an angel by your side.” “Every move is smooth, every word is cool. I never want to lose that feeling.” “You look, they smile. You win, they go home.” What is being sold here? A fantasy of total sensory pleasure, social status, sexual attraction, and the self-image of a winner. As it happens, all these phrases come from the same commercial for razor blades, but living life fully is part of almost any ad campaign. What is left out, however, is the reality of what it actually means to fully experience something. Instead of looking for sensory overload that lasts forever, you’ll find that the experiences need to be engaged at the level of meaning and emotion. Meaning is essential. If this moment truly matters to you, you will experience it fully. Emotion brings in the dimension of bonding or tuning in: An experience that touches your heart makes the meaning that much more personal. Pure physical sensation, social status, sexual attraction, and feeling like a winner are generally superficial, which is why people hunger for them repeatedly. If you spend time with athletes who have won hundreds of games or with sexually active singles who have slept with hundreds of partners, you’ll find out two things very quickly: (1) Numbers don’t count very much. The athlete usually doesn’t feel like a winner deep down; the sexual conqueror doesn’t usually feel deeply attractive or worthy. (2) Each experience brings diminishing returns; the thrill of winning or going to bed becomes less and less exciting and lasts a shorter time. To experience this moment, or any moment, fully means to engage fully. Meeting a stranger can be totally fleeting and meaningless, for example, unless you enter the individual’s world by finding out at least one thing that is meaningful to his or her life and exchange at least one genuine feeling. Tuning in to others is a circular flow: You send yourself out toward people; you receive them as they respond to you. Notice how often you don’t do that. You stand back and insulate yourself, sending out only the most superficial signals and receive little or nothing back. The same circle must be present even when someone else isn’t involved. Consider the way three people might observe the same sunset. The first person is obsessing over a business deal and doesn’t even see the sunset, even though his eyes are registering the photons that fall on their retinas. The second person thinks, “Nice sunset. We haven’t had one in a while.” The third person is an artist who immediately begins a sketch of the scene. The differences among the three are that the first person sent nothing out and received nothing back; the second allowed his awareness to receive the sunset but had no awareness to give back to it—his response was rote; the third person was the only one to complete the circle: He took in the sunset and turned it into a creative response that sent his awareness back out into the world with something to give. If you want to fully experience life, you must close the circle.
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
Power has a way of corrupting, even those with the best intentions.
Suzanne Collins (The Ballad of Songbirds and Snakes & The Hunger Games Mockingjay By Suzanne Collins 2 Books Collection Set)
Our conformity and brainwashing cause us to compete for bragging rights in these corporate hunger games. “I worked till two a.m. last night.” “I don’t need a lunch break.” Vast portions of the workforce simply steel themselves for a painful inevitability: Work is just going to get busier, heavier, and more filled with frustration . . . forever.
Juliet Funt (A Minute to Think: Reclaim Creativity, Conquer Busyness, and Do Your Best Work)
The idea of losing him forever, my best friend, the only person I'd ever trusted with my secrets, was so painful I couldn't stand it.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Twilight is the best and only stupid people like the hunger games
Maria Twilight
like to make practices stimulating, fun, and, most of all, efficient. Coach Al McGuire once told me that his secret was not wasting anybody’s time. “If you can’t it get done in eight hours a day,” he said, “it’s not worth doing.” That’s been my philosophy ever since. Much of my thinking on this subject was influenced by the work of Abraham Maslow, one of the founders of humanistic psychology who is best known for his theory of the hierarchy of needs. Maslow believed that the highest human need is to achieve “self-actualization,” which he defined as “the full use and exploitation of one’s talents, capacities and potentialities.” The basic characteristics of self-actualizers, he discovered in his research, are spontaneity and naturalness, a greater acceptance of themselves and others, high levels of creativity, and a strong focus on problem solving rather than ego gratification. To achieve self-actualization, he concluded, you first need to satisfy a series of more basic needs, each building upon the other to form what is commonly referred to as Maslow’s pyramid. The bottom layer is made up of physiological urges (hunger, sleep, sex); followed by safety concerns (stability, order); love (belonging); self-esteem (self-respect, recognition); and finally self-actualization. Maslow concluded that most people fail to reach self-actualization because they get stuck somewhere lower on the pyramid. In his book The Farther Reaches of Human Nature, Maslow describes the key steps to attaining self-actualization: experiencing life “vividly, selflessly, with full concentration and total absorption”; making choices from moment to moment that foster growth rather than fear; becoming more attuned to your inner nature and acting in concert with who you are; being honest with yourself and taking responsibility for what you say and do instead of playing games or posing; identifying your ego defenses and finding the courage to give them up; developing the ability to determine your own destiny and daring to be different and non-conformist; creating an ongoing process for reaching your potential and doing the work needed to realize your vision. fostering the conditions for having peak experiences, or what Maslow calls “moments of ecstasy” in which we think, act, and feel more clearly and are more loving and accepting of others.
Phil Jackson (Eleven Rings: The Soul of Success)
The Hunger Games. Kill or die, a difficult choice. This type books are the best
Suzanne Collins
[Katniss'] authenticity got the best of her
Dereck Coatney
It’s in fretting about how to keep abreast of constantly fluctuating fashions - such as whether feathers or beads are the best way to put one’s own spin on a new trend - that the hungers of the Capitol citizens for belonging, for meaning, and for self-expression are expressed.
Christina Van Dyke
I wish she was dead, he says. I wish they were all dead and we were, too. It would be best.
Susanne Collins
I slide my knife into his belt, muss his hair like I do Sid’s, and say, “Best ally ever.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
It’s from Snow, this milky death. The fate I have been trying to defy ever since I saw that perverse birthday cake on the train has come home to roost like the raven in the poem, forever perched above my chamber door. I am completely in Snow’s power and his to manipulate. His puppet. His pawn. His plaything. It is his poster I am painting. His propaganda. I am trapped into doing his bidding in the Hunger Games, the best propaganda the Capitol has.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
Like in one of your songs, my ghost will hunt down your ghost and never give it a moment’s rest.” “Promise?” She sounds a little more hopeful. “Because if I could count on that, I think I could bear it. But what I can’t bear is . . . what if we’re never together again?” “We will be together always,” I say with conviction. “I don’t know how, and I don’t know where, I don’t know anything, but I feel that in my heart. You and me, we will find each other, as many times as it takes.” “You think?” “I do. But not if you do something stupid like getting yourself killed on purpose. I feel like that could throw the whole thing out of whack. You stay alive, play your songs, love your people, live the best life you can. And I’ll be there in the Meadow waiting for you. It’s a promise. Okay?” “Okay,” she whispers. “I’ll try. That’s my promise back.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
I am completely in Snow's power and his to manipulate. His puppet. His pawn. His plaything. It is his poster I am painting. His propaganda. I am trapped into doing his bidding in the Hunger Games, the best propaganda the Capitol has.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
If North Korea were The Hunger Games, Pyongyang would be the Capitol: a place reserved for the elite to enjoy good food, nice clothes, and electricity. Out in the districts, the people have nothing.
Andrew McCarthy (The Best American Travel Writing 2015 (The Best American Series))
What a luxury trash would be. He remembered, or thought he did, being very small and watching garbage trucks operated by Avoxes — tongueless workers made the best workers, or so his grandmother said — humming down the streets, emptying large bags of discarded food, containers, worn household items. Then came the time when nothing was disposable, no calorie unwanted, and no item unable to be traded, or burned for heat, or tucked against a wall for insulation. Everyone had learned to despise waste. It was creeping back into fashion, though. A sign of prosperity, like a decent shirt.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
for the first time the tributes were to be assigned mentors. Twenty-four of the Academy’s best and brightest seniors had been tapped for the job.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
You missed the best part. Delly lost her temper at Peeta over how he treated you. She got very squeaky. It was like someone stabbing a mouse with a fork repeatedly. The whole dining hall was riveted.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
The security that could only come with power. The ability to control things. Yes, that was what he’d loved best of all.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
do my best, thinking of them one by one, releasing them like birds from the protective cages inside me, locking the doors against their return.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
up. “Look at me,” I say. “In every way, you are a thousand times better than anybody in the Capitol. You are loved better, raised better, and a whole lot better company. You are the best ally I could ever hope for. Okay, sweetheart?
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
You stay alive, play your songs, love your people, live the best life you can. And I’ll be there in the Meadow waiting for you. It’s a promise.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
When Plutarch goes, Snow peruses the wall of books before him. “Look at them all. Survivors. During the Dark Days, people burned books to stay alive. We certainly did. But not the Heavensbees. They remained stinking rich, even when the best families were reduced to squalor.” He removes a small bottle from his pocket, uncorks it, and swallows the contents, shuddering as it settles. “Classmate of mine, Hilarius, was one of them. Useless whiner.” He blots his puffy lips on his cuff. “At least Plutarch comes in handy occasionally, don’t you think?” Plutarch handy to me? What does Snow know? “I think he believes you catch more flies with honey than with vinegar,” I respond. Snow snorts. “Ah, the homey aphorisms of District Twelve are alive and well.” I don’t know what an aphorism is — some sort of saying?
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
So, of course, they gave her to us. We always get the leftovers. Filthy costumes, broken-down nags, and now her. I try to roll with it, but it pisses me off. I don’t want Wiress for a mentor. She’s just another bizarre person to deal with when I’m already scraped raw. How can a girl who follows light beams help me anyway? How can a girl who left the arena without a scratch teach me how to protect myself? How can a girl who has fought no one, killed no one, mentored no one, mentor me? She can’t, that’s all. I’m fixing to say as much when a second woman arrives. It takes a moment to place her. She’s older, probably near Hattie’s age. Then I remember a Games from when I was little, and a hysterical boy dressed in a suit made of seashells, who’d just been crowned in front of the entire nation of Panem. The hysteria had triggered when they’d played the recap of the Games, showing all twenty-three of his competitors’ deaths. And this woman had held the boy and done her best as his mentor to shield him from the cameras, which were devouring every awful bit of it. It’s Mags, a victor from District 4. She looks at me sadly, knowingly, and then opens up her arms and says, “I’m so sorry about Louella, Haymitch.” For a moment, I teeter between anger and grief. But the dam finally breaks. I step into her embrace, drop my head on her shoulder, and begin to cry.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
My name is Katniss Everdeen. Why am I not dead? I should be dead. It would be best for everyone if I were dead. . . .
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I’m hoping to finish my work before the ceremony so I can devote the afternoon to the two things I love best — wasting time and being with my girl, Lenore Dove.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
I pull Louella up. “Look at me,” I say. “In every way, you are a thousand times better than anybody in the Capitol. You are loved better, raised better, and a whole lot better company. You are the best ally I could ever hope for. Okay, sweetheart?
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
Look at me,” I say. “In every way, you are a thousand times better than anybody in the Capitol. You are loved better, raised better, and a whole lot better company. You are the best ally I could ever hope for. Okay, sweetheart?
Suzanne Collins (Sunrise on the Reaping (The Hunger Games, #0.5))
For Dr. Gaul’s class. Which I was failing, since my loathing of her made participation impossible. We paired off for the final project, so I was with my best friend — Crassus, of course. The assignment was to create a punishment for one’s enemies so extreme that they would never be allowed to forget how they had wronged you. It was like a puzzle, which I excel at, and like all good creations, absurdly simple at its core. The Hunger Games. The evilest impulse, cleverly packaged into a sporting event. An entertainment. I was drunk and your father got me drunker still, playing on my vanity as I fleshed the thing out, assuring me it was just a private joke. The next morning, I awoke, horrified by what I’d made, meaning to rip it to shreds, but it was too late. Without my permission, your father had given it to Dr. Gaul. He wanted the grade, you see. I never forgave him.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
Her eyes followed Maude Ivory’s finger until they landed on him. A look of confusion crossed her face, then recognition, and then joy. She shook her head in disbelief and laughed. “Okay, okay, everybody. This is . . . this is maybe the best night of my life. Thanks to everybody here for showing up. How about one more song to send you off to sleep? You might’ve heard me do this before, but it took on a whole new meaning for me in the Capitol. Guess you’ll figure out why.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))