“
I rub the ears of my dog, my stupid goddam ruddy great dog that I never wanted but who hung around anyway and who followed me thru the swamp and who bit Aaron when he was trying to choke me and who found Viola when she was lost and who's licking my hand with his little pink tongue and whose eye is still mostly squinted shut from where Mr. Prentiss Jr. kicked him and whose tail is way way shorter from where Matthew Lyle cut it off when my dog - my dog - went after a man with a machete to save me and who's right there when I need pulling back from the darkness I fall into and who tells me who I am whenever I forget.
”
”
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
“
He's my father!" she bellowed, pointing to Trevanion.
"Vestie!" Beatriss said firmly, stopping to stare up at her. "I'll snip at the tongue if I ever see it in such a way again! Trevanion, speak to her."
Vestie hung her head, shamefaced.
"Vestie," he said, his voice still gentle.
"Yes, Father."
"Shout it out louder, my love. Shout it out louder.
”
”
Melina Marchetta (Froi of the Exiles (Lumatere Chronicles, #2))
“
Ay, in the very temple of Delight
Veil'd Melancholy has her sovran shrine,
Though seen of none save him whose strenuous tongue
Can burst Joy's grape against his palate fine;
His soul shall taste the sadness of her might,
And be among her cloudy trophies hung.
”
”
John Keats (The Complete Poems)
“
Mrs. Spencer said that my tongue must be hung in the middle. But it isn't — it's firmly fastened at one end.
”
”
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
“
Words hung on the tip of my tongue, telling them that they were oversimplifying. That it was easier to judge a girl you knew nothing about than to allow someone the dignity of their process. That it was more convenient to not consider that there were things we didn’t know and things we’d never understand, because we were shallow and entitled and ignorant.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
The word goodbye stuck to her tongue. She wasn’t ready to say it. Because goodbye weighed more when forever hung off the end. And she wasn’t sure about forever. She wasn’t sure about anything. Except that, at that moment, she wanted to believe he would always be there. Even if it meant many years down the road. She needed to still have something to hold onto.
”
”
A. Lynn (Itsy's Ugly)
“
As Kingfishers Catch Fire
As kingfishers catch fire, dragonflies draw flame;
As tumbled over rim in roundy wells
Stones ring; like each tucked string tells, each hung bell's
Bow swung finds tongue to fling out broad its name;
Each mortal thing does one thing and the same:
Deals out that being indoors each one dwells;
Selves -- goes itself; _myself_ it speaks and spells,
Crying _What I do is me: for that I came_.
I say more: the just man justices;
Keeps grace: that keeps all his goings graces;
Acts in God's eye what in God's eye he is --
Christ. For Christ plays in ten thousand places,
Lovely in limbs, and lovely in eyes not his
To the Father through the features of men's faces.
”
”
Gerard Manley Hopkins
“
I often wish I'd got on better with your father,' he said.
But he never liked anyone who--our friends,' said Clarissa; and could have bitten her tongue for thus reminding Peter that he had wanted to marry her.
Of course I did, thought Peter; it almost broke my heart too, he thought; and was overcome with his own grief, which rose like a moon looked at from a terrace, ghastly beautiful with light from the sunken day. I was more unhappy than I've ever been since, he thought. And as if in truth he were sitting there on the terrace he edged a little towards Clarissa; put his hand out; raised it; let it fall. There above them it hung, that moon. She too seemed to be sitting with him on the terrace, in the moonlight.
”
”
Virginia Woolf (Mrs. Dalloway)
“
I was never more hated than when I tried to be honest. Or when, even as just now I've tried to articulate exactly what I felt to be the truth. No one was satisfied -- not even I. On the other hand, I've never been more loved and appreciated than when I tried to "justify" and affirm someone's mistaken beliefs; or when I've tried to give my friends the incorrect, absurd answers they wished to hear. In my presence they could talk and agree with themselves, the world was nailed down, and they loved it. They received a feeling of security. But here was the rub: Too often, in order to justify them, I had to take myself by the throat and choke myself until my eyes bulged and my tongue hung out and wagged like the door of an empty house in a high wind. Oh, yes, it made them happy and it made me sick. So I became ill of affirmation, of saying "yes" against the nay-saying of my stomach -- not to mention my brain.
”
”
Ralph Ellison (Invisible Man)
“
The weather had freshened almost to coldness, for the wind was coming more easterly, from the chilly currents between Tristan and the Cape; the sloth was amazed by the change; it shunned the deck and spent its time below. Jack was in his cabin, pricking the chart with less satisfaction than he could have wished: progress, slow, serious trouble with the mainmast-- unaccountable headwinds by night-- and sipping a glass of grog; Stephen was in the mizentop, teaching Bonden to write and scanning the sea for his first albatross. The sloth sneezed, and looking up, Jack caught its gaze fixed upon him; its inverted face had an expression of anxiety and concern. 'Try a piece of this, old cock,' he said, dipping his cake in the grog and proffering the sop. 'It might put a little heart into you.' The sloth sighed, closed its eyes, but gently absorbed the piece, and sighed again.
Some minutes later he felt a touch upon his knee: the sloth had silently climbed down and it was standing there, its beady eyes looking up into his face, bright with expectation. More cake, more grog: growing confidence and esteem. After this, as soon as the drum had beat the retreat, the sloth would meet him, hurrying toward the door on its uneven legs: it was given its own bowl, and it would grip it with its claws, lowering its round face into it and pursing its lips to drink (its tongue was too short to lap). Sometimes it went to sleep in this position, bowed over the emptiness.
'In this bucket,' said Stephen, walking into the cabin, 'in this small half-bucket, now, I have the population of Dublin, London, and Paris combined: these animalculae-- what is the matter with the sloth?' It was curled on Jack's knee, breathing heavily: its bowl and Jack's glass stood empty on the table. Stephen picked it up, peered into its affable bleary face, shook it, and hung it upon its rope. It seized hold with one fore and one hind foot, letting the others dangle limp, and went to sleep.
Stephen looked sharply round, saw the decanter, smelt to the sloth, and cried, 'Jack, you have debauched my sloth.
”
”
Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
“
What happened is, we grew lonely
living among the things,
so we gave the clock a face,
the chair a back,
the table four stout legs
which will never suffer fatigue.
We fitted our shoes with tongues
as smooth as our own
and hung tongues inside bells
so we could listen
to their emotional language,
and because we loved graceful profiles
the pitcher received a lip,
the bottle a long, slender neck.
Even what was beyond us
was recast in our image;
we gave the country a heart,
the storm an eye,
the cave a mouth
so we could pass into safety.
”
”
Lisel Mueller
“
Swift is her walk, more swift her winged haste: A monstrous phantom, horrible and vast. As many plumes as raise her lofty flight, So many piercing eyes inlarge her sight; Millions of opening mouths to Fame belong, And ev'ry mouth is furnish'd with a tongue, And round with list'ning ears the flying plague is hung. She fills the peaceful universe with cries; No slumbers ever close her wakeful eyes; By day, from lofty tow'rs her head she shews, And spreads thro' trembling crowds disastrous news; With court informers haunts, and royal spies; Things done relates, not done she feigns, and mingles truth with lies. Talk is her business, and her chief delight To tell of prodigies and cause affright.
”
”
Virgil (The Aeneid English)
“
There is an Eastern fable, told long ago, of a traveller overtaken on a plain by an enraged beast. Escaping from the beast he gets into a dry well, but sees at the bottom of the well a dragon that has opened its jaws to swallow him. And the unfortunate man, not daring to climb out lest he should be destroyed by the enraged beast, and not daring to leap to the bottom of the well lest he should be eaten by the dragon, seizes s twig growing in a crack in the well and clings to it. His hands are growing weaker and he feels he will soon have to resign himself to the destruction that awaits him above or below, but still he clings on. Then he sees that two mice, a black one and a white one, go regularly round and round the stem of the twig to which he is clinging and gnaw at it. And soon the twig itself will snap and he will fall into the dragon's jaws. The traveller sees this and knows that he will inevitably perish; but while still hanging he looks around, sees some drops of honey on the leaves of the twig, reaches them with his tongue and licks them. So I too clung to the twig of life, knowing that the dragon of death was inevitably awaiting me, ready to tear me to pieces; and I could not understand why I had fallen into such torment. I tried to lick the honey which formerly consoled me, but the honey no longer gave me pleasure, and the white and black mice of day and night gnawed at the branch by which I hung. I saw the dragon clearly and the honey no longer tasted sweet. I only saw the unescapable dragon and mice, and I could not tear my gaze from them. and this is not a fable but the real unanswerable truth intelligible to all. The deception of the joys of life which formerly allayed my terror of the dragon now no longer deceived me. No matter how often I may be told, "You cannot understand the meaning of life so do not think about it, but live," I can no longer do it: I have already done it too long. I cannot now help seeing day and night going round and bringing me to death. That is all I see, for that alone is true. All else is false. The two drops of honey which diverted my eyes from the cruel truth longer than the rest: my love of family, and of writing -- art as I called it -- were no longer sweet to me. "Family"... said I to myself. But my family -- wife and children -- are also human. They are placed just as I am: they must either live in a lie or see the terrible truth. Why should they live? Why should I love them, guard them, bring them up, or watch them? That they may come to the despair that I feel, or else be stupid? Loving them, I cannot hide the truth from them: each step in knowledge leads them to the truth. And the truth is death.
”
”
Leo Tolstoy (A Confession)
“
Too often, in order to justify them, I had to take myself by the throat and choke myself until my eyes bulged and my tongue hung out and wagged like the door of an empty house in a high wind. Oh, yes, it made them happy and it made me sick. So I became ill of affirmation, of saying “yes” against the nay-saying of my stomach—not to mention my brain.
”
”
Ralph Ellison (Invisible Man)
“
I wanted her so badly, my heart hung out of my chest like some hound-dog's tongue, pant, pant.
”
”
Michelle Tea (Valencia)
“
Has a mouth, but cannot drink. Has a head, but cannot think. Has a tongue, but not a lung. Some are held and some are hung.
”
”
Sef Daystrom (The Riddle Chest: 50 Original Riddles to Stump Your Brain)
“
I was hung on a tree, made of tongues of the weak. The branches and bone of the liars and thieves.
”
”
30 Seconds to Mars
“
His shorts hung low and his sweaty, cut to within an inch of its life, pelvic V muscle, was giving a silent but clear invitation to my tongue.
”
”
R.K. Lilley (Lovely Trigger (Tristan & Danika, #3))
“
When the zebra-striped lizards return, bulbous eyes twisting in every direction, they carry a platter garnished with dried fruit and something that resembles a duck. It’s plucked and roasted but still has its head intact. A warm, herbal scent tickles my nose. At least it’s cooked.
"May I introduce you all to the main course?” Morpheus spreads out an arm with dramatic flair. “Dinner, meet your worthy adversaries, the hungry guests.”
My tongue dries to sandpaper as the bird’s eyes pop open, and it hobbles to stand on webbed feet, flesh brown and glistening with glaze and oil. There’s a bell hung around its neck, and it jingles as the duck bows to greet everyone.
This cannot be happening.
Morpheus drags the heavy mallet from beside his chair and pounds it on the table like a judge’s gavel. “Now that we’re all acquainted, let the walloping begin.”
Gossamer launches from Morpheus’s shoulder and leaves the room with the other sprites as mass confusion erupts. All the guests leap to their feet, mallets in hand, to chase the jingling duck.
”
”
A.G. Howard (Splintered (Splintered, #1))
“
Luckily Shasta had lived all his life too far south in Calormen to have heard the tales that were whispered in Tashbaan about a dreadful Narnian demon that appeared in the form of a lion. And of course he knew none of the true stories about Aslan, the great Lion, the son of the Emperor-beyond-the-Sea, the HIgh King above all high kings in Narnia. But after one glance at the Lion's face he slipped out of the saddle and fell at its feet. He couldn't say anything but then he didn't want to say anything, and he knew he needn't say anything.
The High King above all kings stooped towards him. Its mane, and some strange and solemn perfume that hung about the mane, was all round him. It touched his forehead with its tongue. He lifted his face and their eyes met. Then instantly the pale brightness of the mist and fiery brightness of the Lion rolled themselves together into a swirling glory and gathered themselves up and disappeared. He was alone with the horse on a grassy hillside under a blue sky. And there were birds singing.
”
”
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #5))
“
They found the lost scouts hanging head downward from the limbs of a fireblacked paloverde tree. They were skewered through the cords of their heels with sharpened shuttles of green wood and they hung gray and naked above the dead ashes of the coals where they’d been roasted until their heads had charred and the brains bubbled in the skulls and steam sang from their noseholes. Their tongues were drawn out and held with sharpened sticks thrust through them and they had been docked of their ears and their torsos were sliced open with flints until the entrails hung down on their chests. Some of the men pushed forward with their knives and cut the bodies down and they left them there in the ashes.
”
”
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
“
The shirt hung to my knees.
He smirked. “You are tiny.”
I stuck out my tongue at him. “You’re just huge.”
He winked.
”
”
Cambria Hebert (Torch (Take It Off, #1))
“
Benjamin and I sat in the middle of one of the large canoes with our grandmother in the stern, directing us past shoals and through rapids and into magnificent stretches of water. One day the clouds hung low and light rain freckled the slate-grey water that peeled across our bow. The pellets of rain were warm and Benjamin and I caught them on our tongues as our grandmother laughed behind us. Our canoes skimmed along and as I watched the shoreline it seemed the land itself was in motion. The rocks lay lodged like hymns in the breast of it, and the trees bent upward in praise like crooked fingers. It was glorious. Ben felt it too. He looked at me with tears in his eyes, and I held his look a long time, drinking in the face of my brother.
”
”
Richard Wagamese (Indian Horse)
“
From eating at El Pollo Loco salsa bar to the Golden Globes buffet, I managed to stumble through this journey with the perseverance of an immigrant and the mindset of an American. I learned to thrive on being uncomfortable to pursue what I loved. The English language was uncomfortable, so I studied BET until it became my natural tongue. Doing stand-up was uncomfortable, so I hung out at the Comedy Palace until it became my second home. Auditions were uncomfortable, so I spent six hundred bucks a month on acting classes while I slept in some dude's living room for three hundred bucks until acting became my profession. I never looked at these challenges as barriers; I saw them as opportunities to grow. I'd rather try to pursue my dream knowing that I might fail miserably than to have never tried at all. That is How to American.
”
”
Jimmy O. Yang (How to American: An Immigrant's Guide to Disappointing Your Parents)
“
She dwells with Beauty—Beauty that must die;
And Joy, whose hand is ever at his lips
Bidding adieu; and aching Pleasure nigh,
Turning to poison while the bee-mouth sips:
Ay, in the very temple of Delight
Veil’d Melancholy has her sovran shrine,
Though seen of none save him whose strenuous tongue
Can burst Joy’s grape against his palate fine;
His soul shalt taste the sadness of her might,
And be among her cloudy trophies hung.
”
”
John Keats
“
She gazed around at all of us. “Prepare to meet your God!” “Prepare to meet shit,” Myron LaFleur said in a drunken snarl from the beer cooler. “Old woman, I believe your tongue must be hung in the middle so it can run on both ends.
”
”
Stephen King (Skeleton Crew: Stories)
“
He gave her one of his glares, the one normally reserved for other people. "Why do you even care?"
"Because you're..." The word mine hung on the tip of her tongue, shocking her. Heat flamed her cheeks and quickened her heart. She jumped to her feat. "I don't care!
”
”
Megan Bailey (There Are No Vampires in This Book)
“
They marched in silence. The Federation handiwork became more elaborate the deeper they traveled into the city. Close to the city square, the Federation had arrayed the corpses in states of incredible desecration, grotesque positions that defied human imagination. Corpses nailed to boards. Corpses hung by their tongues from hooks. Corpses dismembered in every possible way; headless, limbless, displaying mutilations that must have been performed while the victim was still alive. Fingers removed, then stacked in a small pile beside stubby hands.
”
”
R.F. Kuang (The Poppy War (The Poppy War, #1))
“
Once upon a time, there was a girl who was not afraid. The girl ran as people run who do not fear falling. Her small, strong, nimble feet sped over the rocks and stumps. On the soles of her feet, she felt the soft moss, the sun-warmed sand, the prickly pine needles, the dewy grass. She trusted that her legs would carry her wherever she wished to go. The girl laughed as those laugh who have not yet known humiliation. Her laughter started deep in her belly. It filled her chest, gurgled in her throat, and bubbled on her tongue. Finally, it wriggled out of her mouth, shot through the air, and burst into apple blossoms on the trees. Her laughter warmed and brightened all that surrounded her. Often it ended in hiccuping, but that did not matter because the hiccuping only made her laugh all the more. The girl trusted as those trust for whom the earth has never given way, whom no one has ever betrayed. She hung upside down and trusted that she would not fall. Or if she fell, someone would catch her before she hit the ground. Once upon a time, there was a girl who learned fear. Fairy tales do not begin this way. Other, darker stories do.
”
”
Salla Simukka (As Red as Blood (Lumikki Andersson, #1))
“
They found the lost scouts hanging head downward from the limbs of a fireblacked paloverde tree. They were skewered through the cords of their heels with sharpened shuttles of green wood and they hung gray and naked above the dead ashes of the coals where they’d been roasted until their heads had charred and the brains bubbled in the skulls and steam sang from their noseholes. Their tongues were drawn out and held with sharpened sticks thrust through them and they had been docked of their ears and their torsos were sliced open with flints until the entrails hung down on their chests.
”
”
Cormac McCarthy (Blood Meridian)
“
Non-being, i.e., distance from society—social distance—is the very heritage of the oppressed. Which means to the oppressor, social distance is a humiliation. It is to be something less than free, or worse, someone less-than-white.
For what does the Karen carry but her dwindling power, dying & desperate? Dangerous & dangling like a gun hung from a tongue?
”
”
Amanda Gorman (Call Us What We Carry)
“
Finally when he climbed below deck after dark, wondering where his dinner was, perhaps with a storm come up and rough seas and blinding rains, I'd sulk and lure him into the warm and steamy darkness and from the hairs of his warm body I'd breed a myriad smiling, sparkle-eyed one-year-olds, my broods, my flocks. In the churning seas, below the waves, together inside our hammock woven in coarse sailcloth by Unguentine's deft hands, a spherical webbed sack which hung and swivelled between the two walls of our bedroom, we would spin round and round with lapping tongues and the soft suction of lips, whirling, our amorous centrifuge, all night long, zipped inside against the elements. Now, years and years later, those nights, the thought and touch of them is enough to make me throw myself down on the ground and roll in the dust like a hen nibbled by mites, generating clouds, stars and all the rest.
”
”
Stanley Crawford (Log of the S.S. the Mrs. Unguentine)
“
Meanwhile the old Marquess, visibly moved, was charging Odo to respect his elders and superiors, while in the same breath warning him not to take up with the Frenchified notions of the court, but to remember that for a lad of his condition the chief virtues were a tight seat in the saddle, a quick hand on the sword and a slow tongue in counsel. "Mind your own business," he concluded, "and see that others mind theirs." The Marchioness thereupon, with many tears, hung a
”
”
Edith Wharton (Edith Wharton: Collection of 115 Works with analysis and historical background (Annotated and Illustrated) (Annotated Classics))
“
And I came to a hill that I never saw before. I was in a dismal thicket full of black twisted boughs that tore me as I went through them, and I cried out because I was smarting all over, and then I found that I was climbing, and I went up and up a long way, till at last the thicket stopped and I came out crying just under the top of a big bare place, where there were ugly grey stones lying all about on the grass, and here and there a little, twisted stunted tree came out from under a stone, like a snake. And I went up, right to the top, a long way. I never saw such big ugly stones before; they came out of the earth some of them, and some looked as if they had been rolled to where they were, and they went on and on as far as I could see, a long, long way. I looked out from them and saw the country, but it was strange. It was winter time, and there were black terrible woods hanging from the hills all round; it was like seeing a large room hung with black curtains, and the shape of the trees seemed quite different from any I had ever seen before. I was afraid. Then beyond the woods there were other hills round in a great ring, but I had never seen any of them; it all looked black, and everything had a voor over it. It was all so still and silent, and the sky was heavy and grey and sad, like a wicked voorish dome in Deep Dendo. I went on into the dreadful rocks. There were hundreds and hundreds of them. Some were like horrid-grinning men; I could see their faces as if they would jump at me out of the stone, and catch hold of me, and drag me with them back into the rock, so that I should always be there. And there were other rocks that were like animals, creeping horrible animals, putting out their tongues, and others were like words I could not say, and others were like dead people lying on the grass. I went on among them, though they frightened me, and my heart was full of wicked songs that they put into it; and I wanted to make faces and twist myself about in the way they did, and I went on and on a long way till at last I liked the rocks, and they didn't frighten me any more. I sang the songs I thought of; songs full of words that must not be spoken or written down. Then I made faces like the faces on the rocks, and I twisted myself about like the twisted ones, and I lay down flat on the ground like the dead ones, and I went up to one that was grinning, and put my arms round him and hugged him.
”
”
Arthur Machen (The Great God Pan and Other Horror Stories)
“
I would trust you with my life. I'm betting that something evil would appear pleasing but feel foul."
Gregori's glittering silver eyes settled on his face, a glimmer of warmth in them, a hint of humor. "You are already trusting me with your life."
Savannah leaned into Gregori. "I'm so proud of you. You're getting this humor thing down." She looked across the table at Gary, laughter dancing in her enormous blue eyes. "He has a little trouble with the concept of humor."
Gary found himself laughing with her. "I can believe that."
"Watch it,kid. There is no need to be disrespectful. Do not make the mistake of believing you can get away with it the way this one does." Gregori tugged at Savannah's long ebony hair. It hung to her waist, a fall of blue-black silk that moved with a life of its own, that tempted, invited men to touch it.
"So,what are you going to do about me?" Gary ventured painfully.
Savannah resisted the urge to touch him sympathetically. She was naturally demonstrative, naturally affectionate. When someone was upset, she needed to make things better.Gregori inhibited her normal tendency to comfort.
I cannot change what I am, ma petite,he whispered softly in her mind, a slow,soothing black-velvet drawl. His voice wrapped her up and touched her with tenderness. I can only promise to keep you safe and to try to make you as happy as I can to make up for my deficiencies.
I didn't say you had deficiencies, she returned softly, her voice a caress, fingers trailing over the back of his neck, down the muscles of his back.
Need slammed into him, low and wicked. His skin crawled with fire. His silver eyes slid slowly, possessively over her, touching her body with tongues of flame. Touching. Caressing. His urgent need exploded in him like a volcano. In his head a dull roar began. Abruptly he wished Gary gone. The cafe gone. The world gone.He wasn't altogether certain he could wait until he was home with her. The riverbank as suddenly looking very inviting.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
There was a scream from inside.
Drawing his sword, Haung crept up to the door and slid inside, merging with the shadows. The source of the scream was illuminated by the conjured light-ball in the centre of the room. Haung took in the scene and felt all strength flee from muscles. His arms fell limp by his side and the tip of his sword struck the tiled floor with a bright clink. From the rafters, two small bodies hung, rope tight round their necks, blackened tongues swelling from their mouths and sightless eyes staring into the void. Below the bodies of the two children, a naked woman, bruised body and bloody face sat staring at him. Blood pooled from between her knees and it was clear to Haung what had happened to her, and to her young children. She screamed again and again. Her eyes were desperate and disbelieving. Her claw fingered hands tore at her cheeks again and again. Ragged lines of blood dripped down her face, tears of madness and grief. Haung stared at her, unable to move.
”
”
G.R. Matthews (The Stone Road (The Forbidden List, #1))
“
Connor felt the bed shift. He could feel the steady stare, but he didn’t open his own eyes—he barely breathed, not wanting to give away the fact that he was awake. He wondered how long it’d take until she gave up on him and left the bed. He was too hung over to deal with it. A wet tongue dragged across his face. The bark that followed was so loud it made his ears ring. Then came more licking. He shoved his dog’s face away, groaning as the bright light pierced his eyeballs. “Fine, I’m up. I’m up.
”
”
Cindi Madsen (Resisting the Hero (Accidentally in Love, #3))
“
It [the charcuterie] was almost on the corner of the Rue Pirouette and was a joy to behold. It was bright and inviting, with touches of brilliant colour standing out amidst white marble. The signboard, on which the name QUENU-GRADELLE glittered in fat gilt letter encircled by leaves and branches painted on a soft-hued background, was protected by a sheet of glass. On the two side panels of the shop front, similarly painted and under glass, were chubby little Cupids playing in the midst of boars' heads, pork chops, and strings of sausages; and these still lifes, adorned with scrolls and rosettes, had been designed in so pretty and tender a style that the raw meat lying there assumed the reddish tint of raspberry jam. Within this delightful frame, the window display was arranged. It was set out on a bed of fine shavings of blue paper; a few cleverly positioned fern leaves transformed some of the plates into bouquets of flowers fringed with foliage. There were vast quantities of rich, succulent things, things that melted in the mouth. Down below, quite close to the window, jars of rillettes were interspersed with pots of mustard. Above these were some boned hams, nicely rounded, golden with breadcrumbs, and adorned at the knuckles with green rosettes. Then came the larger dishes--stuffed Strasbourg tongues, with their red, varnished look, the colour of blood next to the pallor of the sausages and pigs' trotters; strings of black pudding coiled like harmless snakes; andouilles piled up in twos and bursting with health; saucissons in little silver copes that made them look like choristers; pies, hot from the oven, with little banner-like tickets stuck in them; big hams, and great cuts of veal and pork, whose jelly was as limpid as crystallized sugar. Towards the back were large tureens in which the meats and minces lay asleep in lakes of solidified fat. Strewn between the various plates and sishes, on the bed of blue shavings, were bottles of relish, sauce, and preserved truffles, pots of foie gras, and tins of sardines and tuna fish. A box of creamy cheeses and one full of snails stuffed with butter and parsley had been dropped in each corner. Finally, at the very top of the display, falling from a bar with sharp prongs, strings of sausages and saveloys hung down symmetrically like the cords and tassels of some opulent tapestry, while behind, threads of caul were stretched out like white lacework. There, on the highest tier of this temple of gluttony, amid the caul and between two bunches of purple gladioli, the alter display was crowned by a small, square fish tank with a little ornamental rockery, in which two goldfish swam in endless circles.
”
”
Émile Zola
“
I looked back and forth between them, feeling the heat of their anger, the unspoken words swelling in the air like smoke. Jerry took a slow sip from his beer and lit another cigarette. "You don't know anything about that little girl," he told Nona. "You're just jealous because Cap belongs to her now."
I could see Nona's heartbeat flutter beneath her t-shirt, the cords tightening in her neck. "Her mommy and daddy might have paid for him," she whispered. "But he's mine."
I waited for Jerry to cave in to her, to apologize, to make things right between them. But he held her gaze, unwavering. "He's not."
Nona stubbed her cigarette out on the barn floor, then stood. "If you don't believe me," she whispered, "I'll show you."
My sister crossed the barn to Cap's stall and clicked her tongue at him. His gold head appeared in the doorway and Nona swung the stall door open. "Come on out." she told him.
Don't!" I said, but she didn't pause.
Cap took several steps forward until he was standing completely free in the barn. I jumped up, blocking the doorway so that he couldn't bolt. Jerry stood and widened himself beside me, stretching out his arms. "What the hell are you doing?" he asked.
Nona stood beside Cap's head and lifted her arms as though she was holding an invisible lead rope. When she began to walk, Cap moved alongside her, matching his pace to hers.
Whoa," Nona said quietly and Cap stopped. My sister made small noises with her tongue, whispering words we couldn't hear. Cap's ears twitched and his weight shifted as he adjusted his feet, setting up perfectly in showmanship form. Nona stepped back to present him to us, and Jerry and I dropped our arms to our sides.
Ta da!" she said, clapping her hands at her own accomplishment.
Very impressive," Jerry said in a low voice. "Now put the pony away."
Again, Nona lifted her hands as if holding a lead rope, and again, Cap followed. She stepped into him and he turned on his heel, then walked beside her through the barn and back into his stall. Once he was inside, Nona closed the door and held her hands out to us. She hadn't touched him once.
Now," she said evenly. "Tell me again what isn't mine."
Jerry sank back into his chair, cracking open a fresh beer. "If that horse was so important to you, maybe you shouldn't have left him behind to be sold off to strangers."
Nona's face constricted, her cheeks and neck darkening in splotches of red. "Alice, tell him," she whispered. "Tell him that Cap belongs to me."
Sheila Altman could practice for the rest of her life, and she would never be able to do what my sister had just done. Cap would never follow her blindly, never walk on water for her. But my eyes traveled sideways to Cap's stall where his embroidered halter hung from its hook. If the Altmans ever moved to a different town, they would take Cap with them. My sister would never see him again. It wouldn't matter what he would or wouldn't do for her.
My sister waited a moment for me to speak, and when I didn't, she burst into tears, her shoulders heaving, her mouth wrenching open. Jerry and I glanced at each other, startled by the sudden burst of emotion.
You can both go to hell," Nona hiccuped, and turned for the house. "Right straight to hell.
”
”
Aryn Kyle (The God of Animals)
“
Let’s go to town,” Jo said. “Take me to eat dinner at the hotel.”
I sucked in a breath and stared at her for a minute. Here she sat, her hair still wet although neatly braided, wearing an old Kiss sweatshirt, the one with the red mouth and tongue, red sweatpants, and ridiculous red pumps with black scuffs on the toes and heels.
And she wanted me to take her to the Hotel Wyoming, where the rich tourists hung out. I smiled. Because it was possibly the greatest thing I’d ever heard.
“Yeah, let’s go to the hotel. Grab your purse and I’ll find your coat.
”
”
Laura Anderson Kurk (Perfect Glass)
“
Despite all the admiration M. Swann might profess for these figures of Giotto, it was a long time before I could find any pleasure in seeing in our schoolroom (where the copies he had brought me were hung) Charity devoid of charity, that Envy who looked like nothing so much as a plate in some medical book, illustrating the compression of the glottis or uvula by a tumour in the tongue, or by the introduction of the operator's instrument, a Justice whose greyish and meanly regular features were the very same as those which adorned the faces of certain good and pious and slightly withered ladies of Combray whom I used to see at mass, many of whom had long been enrolled in the reserve forces of Injustice. But in later years I understood the arresting strangeness, the special beauty of these frescoes lay in the great part played in each of them by its symbols, while the fact that these were depicted, not as symbols (for the thought symbolized was nowhere expressed), but as real things, actually felt or materially handled, added something more precise and more literal to their meaning, something more concrete and more striking to the lesson they imparted.
”
”
Marcel Proust (Swann's Way: In Search of Lost Time #1)
“
same moment a large terrible dog passed quite near him. His jaws were open, his tongue hung from his mouth, and his eyes glared fearfully. He thrust his nose close to the duckling, showing his sharp teeth, and then, "splash, splash," he went into the water without touching him. "Oh," sighed the duckling, "how thankful I am for being so ugly. Even a dog will not bite me." And so he lay quite still, while the shot rattled through the rushes, and gun after gun was fired over him. It was late in the day before all became quiet, but even then the poor young thing did not dare to move. He waited quietly for several
”
”
Hans Christian Andersen (The Ugly Duckling)
“
Jumping into action, I chased after them to the bank of lifts. Sean pressed the button to go down as I caught up to them.
“Talk to me. Give me ten minutes.”
She turned to look at me, a galaxy of emotion in her eyes. “There’s nothing—”
“Please,” I urged, almost begging.
The lift doors slid open and she stepped inside. I followed suit, while Sean hung back. “Actually, I need to use the bathroom. I’ll meet you in the lobby, Eilish,” he said just as the doors closed.
“Sean!” she yelled, but he was already gone.
If looks could kill, Cassidy would be six feet under. Eilish glared at the smooth, polished metal with absolute murder in her eyes.
I, on the other hand, could’ve fucking kissed her cousin. With tongue.
”
”
L.H. Cosway (The Cad and the Co-Ed (Rugby, #3))
“
How very moving,” FitzSimon declared from the ramparts above, his tone full of rancor. “Now take your bastard and go, MacKinnon!” Iain hung his head back, peering up into the ramparts to meet FitzSimon’s gaze. “Aye,” he agreed. “You’ve kept your end o’ the bargain, FitzSimon, and now I’ll keep mine. Your daughter will be returned to you within the hour.” “Nay!” FitzSimon shook his head vehemently. “Keep the bloody bitch!” Iain was struck entirely dumb. Surely he didn’t mean that... He was but angry... “If you return her to me,” FitzSimon swore, “I’ll rip out her traitorous tongue for her betrayal!” Iain held his son in stunned disbelief. “I have no need of the lass,” he returned. “Surely you cannot mean...” “Keep her, or kill her!” FitzSimon declared. “I care not which—only get her the hell out of my sight!” And then he withdrew, ending the discourse, once and for all, leaving Iain and his men to stare after him in shock.
”
”
Tanya Anne Crosby (The MacKinnon's Bride (The Highland Brides #1))
“
Normally, Bentner would have beamed approvingly at the pretty portrait the girls made, but this morning, as he put out butter and jam, he had grim news to impart and a confession to make. As he swept the cover off the scones he gave his news and made his confession.
“We had a guest last night,” he told Elizabeth. “I slammed the door on him.”
“Who was it?”
“A Mr. Ian Thornton.”
Elizabeth stifled a horrified chuckle at the image that called to mind, but before she could comment Bentner said fiercely, “I regretted my actions afterward! I should have invited him inside, offered him refreshment, and slipped some of that purgative powder into his drink. He’d have had a bellyache that lasted a month!”
“Bentner,” Alex sputtered, “you are a treasure!”
“Do not encourage him in these fantasies,” Elizabeth warned wryly. “Bentner is so addicted to mystery novels that he occasionally forgets that what one does in a novel cannot always be done in real life. He actually did a similar thing to my uncle last year.”
“Yes, and he didn’t return for six months,” Bentner told Alex proudly.
“And when he does come,” Elizabeth reminded him with a frown to sound severe, “he refuses to eat or drink anything.”
“Which is why he never stays long,” Bentner countered, undaunted. As was his habit whenever his mistress’s future was being discussed, as it was now, Bentner hung about to make suggestions as they occurred to him. Since Elizabeth had always seemed to appreciate his advice and assistance, he found nothing odd about a butler sitting down at the table and contributing to the conversation when the only guest was someone he’d known since she was a girl.
“It’s that odious Belhaven we have to rid you of first,” Alexandra said, returning to their earlier conversation. “He hung about last night, glowering at anyone who might have approached you.” She shuddered. “And the way he ogles you. It’s revolting. It’s worse than that; he’s almost frightening.”
Bentner heard that, and his elderly eyes grew thoughtful as he recalled something he’d read about in one of his novels. “As a solution it is a trifle extreme,” he said, “but as a last resort it could work.”
Two pairs of eyes turned to him with interest, and he continued, “I read it in The Nefarious Gentleman. We would have Aaron abduct this Belhaven in our carriage and bring him straightaway to the docks, where we’ll sell him to the press gangs.”
Shaking her head in amused affection, Elizabeth said, “I daresay he wouldn’t just meekly go along with Aaron.”
“And I don’t think,” Alex added, her smiling gaze meeting Elizabeth’s, “a press gang would take him. They’re not that desperate.”
“There’s always black magic,” Bentner continued. “In Deathly Endeavors there was a perpetrator of ancient rites who cast an evil spell. We would require some rats’ tails, as I recall, and tongues of-“
“No,” Elizabeth said with finality.
“-lizards,” Bentner finished determinedly.
“Absolutely not,” his mistress returned.
“And fresh toad old, but procuring that might be tricky. The novel didn’t say how to tell fresh from-“
“Bentner!” Elizabeth exclaimed, laughing. “You’ll cast us all into a swoon if you don’t desist at once.”
When Bentner had padded away to seek privacy for further contemplation of solutions, Elizabeth looked at Alex. “Rats’ tails and lizards’ tongues,” she said, chuckling. “No wonder Bentner insists on having a lighted candle in his room all night.”
“He must be afraid to close his eyes after reading such things,” Alex agreed.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Inside, the air was warm, humid. A mist hung. As this husband and wife strolled the rows arm in arm, the plants seemed to take notice—their swiveling blossoms followed in our lovers’ wake, as if to drink in the full flavor of Sun Moon’s honor and modesty. The couple stopped, deep in the hothouse, to recumbently enjoy the splendor of North Korea’s leadership. An army of hummingbirds hovered above them, expert pollinators of the state, the buzzing thrum of their wing beats penetrating the souls of our lovers, all the while dazzling them with the iridescent flash of their throats and the way their long flower-kissing tongues flicked in delight. Around Sun Moon, blossoms opened, the petals spreading wide to reveal hidden pollen pots. Commander Ga dripped with sweat, and in his honor, groping stamens emanated their scent in clouds of sweet spoor that coated our lovers’ bodies with the sticky seed of socialism. Sun Moon offered her Juche to him, and he gave her all he had of Songun policy. At length, in depth, their spirited exchange culminated in a mutual exclaim of Party understanding. Suddenly, all the plants in the hothouse shuddered and dropped their blossoms, leaving a blanket upon which Sun Moon could recline as a field of butterflies ticklishly alighted upon her innocent skin. Finally, citizens, Sun Moon has shared her convictions with her husband!
”
”
Adam Johnson (The Orphan Master's Son)
“
There is an Eastern fable, told long ago, of a traveller overtaken on a plain by an enraged beast. Escaping from the beast he gets into a dry well, but sees at the bottom of the well a dragon that has opened its jaws to swallow him. And the unfortunate man, not daring to climb out lest he should be destroyed by the enraged beast, and not daring to leap to the bottom of the well lest he should be eaten by the dragon, seizes s twig growing in a crack in the well and clings to it. His hands are growing weaker and he feels he will soon have to resign himself to the destruction that awaits him above or below, but still he clings on. Then he sees that two mice, a black one and a white one, go regularly round and round the stem of the twig to which he is clinging and gnaw at it. And soon the twig itself will snap and he will fall into the dragon's jaws. The traveller sees this and knows that he will inevitably perish; but while still hanging he looks around, sees some drops of honey on the leaves of the twig, reaches them with his tongue and licks them. So I too clung to the twig of life, knowing that the dragon of death was inevitably awaiting me, ready to tear me to pieces; and I could not understand why I had fallen into such torment. I tried to lick the honey which formerly consoled me, but the honey no longer gave me pleasure, and the white and black mice of day and night gnawed at the branch by which I hung. I saw the dragon clearly and the honey no longer tasted sweet. I only saw the unescapable dragon and the mice, and I could not tear my gaze from them. and this is not a fable but the real unanswerable truth intelligible to all.
”
”
Leo Tolstoy (A Confession)
“
There is an Eastern fable, told long ago, of a traveller overtaken on a plain by an enraged beast. Escaping from the beast he gets into a dry well, but sees at the bottom of the well a dragon that has opened its jaws to swallow him. And the unfortunate man, not daring to climb out lest he should be destroyed by the enraged beast, and not daring to leap to the bottom of the well lest he should be eaten by the dragon, seizes s twig growing in a crack in the well and clings to it. His hands are growing weaker and he feels he will soon have to resign himself to the destruction that awaits him above or below, but still he clings on. Then he sees that two mice, a black one and a white one, go regularly round and round the stem of the twig to which he is clinging and gnaw at it. And soon the twig itself will snap and he will fall into the dragon's jaws. The traveller sees this and knows that he will inevitably perish; but while still hanging he looks around, sees some drops of honey on the leaves of the twig, reaches them with his tongue and licks them. So I too clung to the twig of life, knowing that the dragon of death was inevitably awaiting me, ready to tear me to pieces; and I could not understand why I had fallen into such torment. I tried to lick the honey which formerly consoled me, but the honey no longer gave me pleasure, and the white and black mice of day and night gnawed at the branch by which I hung. I saw the dragon clearly and the honey no longer tasted sweet. I only saw the unescapable dragon and the mice, and I could not tear my gaze from them. and this is not a fable but the real unanswerable truth intelligible to all.
”
”
Leo Tolstoy (A Confession)
“
St. Lawrence River
May 1705
Temperature 48 degrees
The dancing began. Along with ancient percussion instruments that crackled and rattled, rasped and banged, the St. Francis Indians had French bells, whose clear chimes rang, and even a bugle, whose notes trumpeted across the river and over the trees.
“Mercy Carter!” exclaimed an English voice. “Joanna Kellogg! This is wonderful! I am so glad to see you!” An English boy flung his arms around the girls, embracing them joyfully, whirling them in circles.
Half his head was plucked and shiny bald, while long dark hair hung loose and tangled from the other half. His skin was very tan and his eyes twinkling black. He wore no shirt, jacket or cape: he was Indian enough to ignore the cold that had settled in once the sun went down.
“Ebenezer Sheldon,” cried Mercy. “I haven’t seen you since the march.”
He had been one of the first to receive an Indian name, when the snow thawed and the prisoners had had to wade through slush up to their ankles. Tannhahorens had changed Mercy’s moccasins now and then, hanging the wet pair on his shoulder to dry. But Ebenezer’s feet had frozen and he had lost some of his toes.
He hadn’t complained; in fact, he had not mentioned it. When his master discovered the injury, Ebenezer was surrounded by Indians who admired his silence. The name Frozen Leg was an honor. In English, the name sounded crippled. But in an Indian tongue, it sounded strong.
The boys in Deerfield who were not named John had been named Ebenezer. That wouldn’t happen in an Indian village. Each person must have a name exactly right for him; something that happened or that was; that reflected or appeared.
”
”
Caroline B. Cooney (The Ransom of Mercy Carter)
“
On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky.
Her skin was blue, her blood was red.
She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair.
Later, they would say these had been hummingbird hearts and not blossoms at all.
They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away.
That was true. Only that.
They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky.
Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead.
She was also blue.
Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky.
”
”
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
“
Then she bent her head over at the waist and tossed her head around to separate the curls.
The elevator stopped and she heard the door open. She straightened up to find some big guy in a ball cap and sunglasses right in her face, charging into the elevator before she could even get out of it. He had both hands full of carry-out bags—Mexican food, judging from the smell.
She looked at them, her mouth watering. Yep. Enrique’s. The best in town.
He whirled around to punch the door-close button.
“Hey,” she said. “I’m getting off here.”
Some girl outside in the lobby yelled, “We know it’s you, Chase. You shouldn’t lie to us.”
Startled, Elle looked at the guy’s face and saw, just before he reached for her, that it really was Chase Lomax in ragged shorts and flip-flops.
He grabbed her up off her feet and bent his head. Found her mouth with his.
“Wait for us,” another girl yelled. The sound of running feet echoed off the marble floor, slid to a stop. “Oh, no!”
Kissing her, without so much as a “Hi, there, Elle.” Burning her up. She tried to struggle but he had both her arms pinned to her sides.
And suddenly she wanted to stay right where she was forever because the shock was wearing off and she was starting to feel. A lot more than she ever had before.
The door slid closed. The girls began banging on it.
“We know your room number, Chase, honey,” they yelled. “See you there.”
Loud giggles.
“We’ll show you a real good time.”
The elevator moved up, the voices faded away. But Chase kept on kissing her.
She had to make him stop it. Right now. Who did he think he was, anyway?
Somebody who could send lightning right through her whole body, that’s who. Lightning so strong it shook her to her toes.
He had to stop this now. But she couldn’t move any part of her body. Except her lips. And her tongue . . .
When he finally let her go she pulled back and away, fighting to get a handle on her breathing.
“What’s the matter?” he demanded.
Her blood rushed through her so fast it made her dizzy.
“You’re asking me? It’s more like, what’s the matter with you? How’d you get the idea you could get away with kissing me like that without even bothering to say hello?”
She touched her lips. They were still on fire.
“You have got a helluva nerve, Chase Lomax.”
He grinned at her as he took off his shades. He hung them in the neck of his huge, baggy T-shirt that had a bucking bull and rider with Git’R’Done written above it. He wore ragged denim shorts and flip-flops, for God’s sake. Chase Lomax was known for always being starched and ironed, custom-booted and hatted.
“I asked if you’re all right because you were bent over double shaking your head when the doors opened,” he said. “Like you were in pain or something.”
“I was drying my hair.”
He stared, then burst out laughing. “Oh, well, then.”
His laugh was contagious but she wouldn’t let herself join in. He could not get away with this scot-free. He’d shaken her up pretty good.
“Oh. I see. You thought I needed help, so you just grabbed me and kissed me senseless. Is that how you treat somebody you think’s in pain?”
He grinned that slow, charming grin of his again. “It made you feel better. Didn’t it?”
He held her gaze and wouldn’t let it go. She must be a sight. She could feel heat in her cheeks, so her face must be red. Plus she was gasping, trying to slow her breathing. And her heart-beat.
“You nearly scared me to death to try to get rid of those girls. And it was all wasted. They’re coming to your room.”
Something flashed deep in his brown eyes.
“Now you’ve hurt my feelings. I don’t think it was wasted,” he drawled. “I liked that kiss.
”
”
Genell Dellin (Montana Gold)
“
In the half darkness, piles of fish rose on either side of him, and the pungent stink of fish guts assaulted his nostrils. On his left hung a whole tuna, its side notched to the spine to show the quality of the flesh. On his right a pile of huge pesce spada, swordfish, lay tumbled together in a crate, their swords protruding lethally to catch the legs of unwary passersby. And on a long marble slab in front of him, on a heap of crushed ice dotted here and there with bright yellow lemons, where the shellfish and smaller fry. There were ricco di mare---sea urchins---in abundance, and oysters, too, but there were also more exotic delicacies---polpi, octopus; aragosti, clawless crayfish; datteri di mare, sea dates; and grancevole, soft-shelled spider crabs, still alive and kept in a bucket to prevent them from making their escape. Bruno also recognized tartufo di mare, the so-called sea truffle, and, right at the back, an even greater prize: a heap of gleaming cicale.
Cicale are a cross between a large prawn and a small lobster, with long, slender front claws. Traditionally, they are eaten on the harbor front, fresh from the boat. First their backs are split open. Then they are marinated for an hour or so in olive oil, bread crumbs, salt, and plenty of black pepper, before being grilled over very hot embers. When you have pulled them from the embers with your fingers, you spread the charred, butterfly-shaped shell open and guzzle the meat col bacio----"with a kiss," leaving you with a glistening mustache of smoky olive oil, greasy fingers, and a tingling tongue from licking the last peppery crevices of the shell.
Bruno asked politely if he could handle some of the produce. The old man in charge of the display waved him on. He would have expected nothing less. Bruno raised a cicala to his nose and sniffed. It smelled of ozone, seaweed, saltwater, and that indefinable reek of ocean coldness that flavors all the freshest seafood. He nodded. It was perfect.
”
”
Anthony Capella (The Food of Love)
“
Now, there are a few dryadologists who could resist the opportunity to sample faerie food, the enchanted sort served at the tables of the courtly fae---I know several who have dedicated their careers to the subject and would hand over their eye teeth for the opportunity. I stopped at a stand offering toasted cheese---a very strange sort of cheese, threaded with glittering mold. It smelled divine, and the faerie merchant rolled it in crushed nuts before handing it over on a stick, but as soon as it touched my palm, it began to melt. The merchant was watching me, so I put it in my mouth, pantomiming my delight. The cheese tasted like snow and melted within seconds. I stopped next at a stand equipped with a smoking hut. The faerie handed me a delicate fillet of fish, almost perfectly clear despite the smoking. I offered it to Shadow, but he only looked at me with incomprehension in his eyes. And, indeed, when I popped it into my mouth, it too melted flavorlessly against my tongue.
I took a wandering course to the lakeshore, conscious of the need to avoid suspicion. I paused at the wine merchant, who had the largest stand. It was brighter than the others, snow piled up behind it in a wall that caught the lantern light and threw it back in a blinding glitter. I had to look down at my feet, blinking back tears, as one of the Folk pressed an ice-glass into my hand. Like the food, the wine smelled lovely, of sugared apples and cloves, but it slid eerily within the ice, more like oil than wine. Shadow kept growling at it, as he had not with the faerie food, and so I tipped it onto the snow.
Beside the wine merchant was a stand offering trinkets, frozen wildflowers that many of the Folk threaded through their hair or wove through unused buttonholes on their cloaks, as well as an array of jewels with pins in them. I could not compare them to any jewels I knew; they were mostly in shades of white and winter grey, hundreds of them, each impossibly different from the next. I selected one that I knew, without understanding how, was the precise color of the icicles that hung from the stone ledges of the Cambridge libraries in winter. But moments after I pinned it to my breast, all that remained was a patch of damp.
”
”
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
“
In My Prayer.
My silent niche. You incarnate in my prayer. Dawn is all dancing like a rainbow in your smile. Anxious to uncover dreams after morning. The desire to arrange sparkly beads in your hair. Reduce heartbeat, please at the tips of your fingers. I will pray together with
night just to keep remembering you. A never ending memory to always say your name. Silence that leads to longing for the rising of light. Horizon knocked on all the gates, which grabbed a reprehensible body, who hesitated to stop at the tip of the tongue. Lips murmuring, stringing questions hung at the end of time. The self that is always broken and dishonest, who is kufr and who is infidel. All beings submit to the most holy feet. Let silence accept everything that is magical.
Although the reflection of the moon's face is filled with wounds with lies in our mouths, betrayed by lust and unstoppable desires. May you soon incarnate so that a million flowers bloom in the heart of the most cursory. The eyes are altered, betraying a million flashes of light from the darkest night. The most beautiful gems are buried in mud puddles.
Even though the sky is still dark. Heavy rain that is redder than all blood. Which surpassed the fangs of the old snake. The endless cycle of the sun throws puzzles about the mysteries of the universe that are never answered. The beginning of all this sorrow in myself. If only you please, transform into a butterfly in my prayer tonight. A pair of wings that burned like a fire of longing in my heart. Who suddenly fidgeted and flew into your eyes. Then descend on the branch of the Khuldi tree, before breaking into my tears.
Suppose tonight, in my prayer, you incarnate like a thunderous storm. Like the sound of noisy thunder. The footsteps stepped hurriedly on the foggy road. Infiltrate the gaps of our thoughts and feelings. Shackle our arms, knees and breath.
If only, in my prayer tonight you will be transformed into murky tears. Who trembled, even though it would patiently take care of my sadness. The pain that somehow healed my soul. Beliefs that keep mysteries for my deepest secrets, which you endlessly hum, in order to be a comfort for my sad life.
My dear. Lady of my heart. My love. My soul. Bless me with all your generosity. With your mercy, with your endless love. With your infinite anger.
”
”
Titon Rahmawan
“
Sometimes we ate raw onions like apples, too, I wanted to tell her. Sometimes, the tin foil held shredded chicken petrified in aspic. A fish head to suck on! I was filled with shame and hateful glee: everything I was feeling turned out at the person next to me.
I was the one with an uncut cow's tongue uncoiling in the refrigerator of his undergraduate quad, my roommates' Gatorades and half-finished pad Thai keeping a nervous distance. I sliced it thinly, and down it went with horseradish and cold vodka like the worry of a long day sloughing off, those little dots of fat between the cold meet like garlic roasted to paste.
I am the one who fried liver. Who brought his own lunch in an old Tupperware to his cubicle in the Conde Nast Building; who accidentally warmed it too long, and now the scent of buckwheat, stewed chicken, and carrots hung like radiation over the floor, few of those inhabitants brought lunch from home, fewer of whom were careless enough to heat it for too long if they did, and none of whom brought a scent bomb in the first place. Fifteen floors below, the storks who staffed the fashion magazines grazed on greens in the Frank Gehry cafeteria.
I was the one who ate mashed potatoes and frankfurters for breakfast. Who ate a sandwich for breakfast. Strange? But Americans ate cereal for dinner. Americans ate cereal, period, that oddment. They had a whole thing called 'breakfast for dinner.' And the only reason they were right and I was wrong was that it was their country.
The problem with my desire to pass for native was that everything in the tinfoil was so f*****g good. When the world thinks of Soviet food, it thinks of all the wrong things. Though it was due to incompetence rather than ideology, we were local, seasonal, and organic long before Chez Panisse opened its doors. You just had to have it in a home instead of a restaurant, like British cooking after the war, as Orwell wrote. For me, the food also had cooked into it the memory of my grandmother's famine; my grandfather's black-marketeering to get us the 'deficit' goods that, in his view, we deserved no less than the political VIPs; all the family arguments that paused while we filled our mouths and our eyes rolled back in our heads. Food was so valuable that it was a kind of currency - and it was how you showed loved. If, as a person on the cusp of thirty, I wished to find sanity, I had to figure out how to temper this hunger without losing hold of what it fed, how to retain a connection to my past without being consumed by its poison.
”
”
Boris Fishman (Savage Feast: Three Generations, Two Continents, and a Dinner Table (A Memoir with Recipes))
“
On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky.
Her skin was blue, her blood was red.
She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair.
Later, they would say these had been hummingbird hearts and not blossoms at all.
They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away.
That was true. Only that.
They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky.
Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead.
She was also blue.
Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky.
Someone screamed. The scream drew others. The others screamed, too, not because a girl was dead, but because the girl was blue, and this meant something in the city of Weep. Even after the sky stopped reeling, and the earth settled, and the last fume spluttered from the blast site and dispersed, the screams went on, feeding themselves from voice to voice, a virus of the air.
The blue girl’s ghost gathered itself and perched, bereft, upon the spearpoint-tip of the projecting finial, just an inch above her own still chest. Gasping in shock, she tilted back her invisible head and gazed, mournfully, up.
The screams went on and on.
And across the city, atop a monolithic wedge of seamless, mirror-smooth metal, a statue stirred, as though awakened by the tumult, and slowly lifted its great horned head.
”
”
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
“
One of his hands tangled in my hair, tugging it to tip my chin back and eliciting another moan of pleasure from my lips. He swallowed it up, his tongue sinking into my mouth and making my heart find a rhythm it had never beat to before.
He kissed me like he wasn't allowed to kiss me, but if he didn't he'd die. I tangled myself around him with equal desire, the well of magic in my body spilling over and flooding my veins. A profound and unknown energy hummed within me, drawing to the edges of my skin. Orion seemed to sense it too as the hairs raised along my arms and static energy crackled everywhere our flesh met.
I was entirely lost to the deepest and most carnal desire I'd ever felt.
His hand found the slit in my dress and his fingers trailed onto my bare leg, making me gasp in response. Fire surged down my spine only to bounce back up again as he gripped my thigh and squeezed.
With so little clothes parting us, I felt every inch of his arousal pressing between my legs and I started to wonder how far this kiss was going to go. My fingers slid into the verge of his hair as I ground against him and my thoughts scattered again. He released a rumbling growl filled with nothing but need and his hand shifted between us, roaming deeper beneath my dress until he found the top of my panties. I nearly lost my mind as his fingers brushed the sensitive flesh there and skimmed the line of my underwear. My back arched as I tried to bring his hand closer to fulfil the promise of ecstasy I knew he could bring me.
Instead, he pulled his hand free and placed it on my hip with a heavy breath. It took everything I had, but with his fingers firmly away from the area of my body which was trying to run the show, I could think a little clearer.
He pulled back almost the same moment I did and I swallowed hard as I felt the lasting sensations of that kiss everywhere. My mouth tingled and my cheeks stung from the scrape of his stubble. My thigh muscles throbbed where they were still locked tightly around his waist and my heart seemed to bleed from the loss of contact with his mouth.
We remained breathless and silent, staring at each other like the reality waiting above us wasn't about to rip us apart. But I knew as well as he did, this was a one time only thing. Now I just had to convince my body of that.
I unwound my legs from him, bracing my hands on his shoulders as I dropped down. He steadied me for a moment then the air between us changed. His eyes darkened and he didn't need to speak to let me know what he was thinking. A vow hung solidly around us. This won't happen ever again.
He opened his mouth to speak but I spoke before he could, not wanting to be commanded into eternal silence. I already knew what would happen the second we left this magical place behind, I didn't need to be told. “Let's go.”
“We can stay a little longer...if you want.” His expression was that of a wounded man but I knew whatever pain lay in his body, would never be mine to heal.
I shook my head, lifting my chin to gaze up at the surface of the pool. “No, I think we should go back to reality now.” The longer I stay, the harder it will be to leave.
“Are you angry with me for bringing you here?” he asked and I was compelled to look down, falling into the intensity of his eyes as a strained line formed on his brow.
“No.”
He reached out to skate his fingers across the line of my jaw, feather light. “You know how it has to be.”
I nodded, leaning away from his touch which felt like forcing two magnets apart. “I know.”
What happens at the bottom of the pool, stays at the bottom of the pool.
“Come on then, Blue.” He held out his hand.
I took a shuddering breath, placing my hand in his. “I think it might be best if you don't call me that anymore.” I tugged at a lock of wet hair. “It's not blue anyway.”
(DARCY)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
Catherine drew out an object wrapped in soft cloth. Gently she unwrapped a new pair of spectacles made of silver... gleaming and perfect, the oval lenses sparkling. Marveling at the workmanship, she drew a finger along one of the intricate filigreed earpieces, all the way to the curved tip. "They're so beautiful," she said in wonder.
"If they please you, we'll have another pair made in gold. Here, let me help you..." Leo gently drew the old spectacles off her face, seeming to savor the gesture.
She put the new ones on. They felt light and secure on the bridge of her nose. As she looked around the room, everything was wonderfully detailed and in focus. In her excitement, she jumped up and hurried to the looking glass that hung over the entryway table. She inspected her own glowing reflection.
"How pretty you are," Leo's tall, elegant form appeared behind hers. "I do love spectacles on a woman."
Catherine's smiling gaze met his in the silvered glass. "Do you? What an odd preference."
"Not at all." His hands came to her shoulders, lightly fondling up to her throat and back again. "They emphasize your beautiful eyes. And they make you look capable of secrets and surprises- which, as much as we know, you are." His voice lowered. "Most of all I love the act of removing them- getting you ready for a tumble in bed."
She shivered at his bluntness, her eyes half closing as she felt him pull her back against him. His mouth went to the side of her neck.
"You like them?" Leo murmured, kissing her soft skin.
"Yes." Her head listed to the side as his tongue traced a subtle path along her throat. "I... I don't know why you went to such trouble. It was very kind."
Leo's dark head lifted, and he met her drowsy gaze in the looking glass. His fingers went to the side of her throat, stroking as if to rub the feel of his mouth into her skin. "I wasn't being kind," he murmured, a smile touching his lips. "I merely wanted you to see clearly."
I'm beginning to, she was tempted to tell him, but Poppy returned to the apartment before she was able.
”
”
Lisa Kleypas (Married by Morning (The Hathaways, #4))
“
Oversimplifying the cosmos just for a transaction of currency and holy spit, those heartless fucks with time to spare, with conceptual frameworks within the word becoming flesh once again upon remote islands our soul could never escape. So my question lies with my Spanish tongue, exploring the pitch black labyrinth where you listen to the deepest drums; hung on a single string wrapping up my skin in dead languages. Oversimplifying the 21st century with a single search, the awakening hatred boiling the oceans and cities; diving below the surface, witnessing underwater queens and goddesses drenched in my lovers scent and deadly sex untouched
by any depth.
”
”
Brandon Villasenor (Prima Materia (Radiance Hotter than Shade, #1))
“
A relationship between us would never work," Ísa blurted out, terrified of how fast she was falling for this gorgeous, driven man. The way he'd been with Catie, it was exactly>/i> how she'd imagined the man of her dreams would be with her baby sister. Comfortable, affectionate, amazing.
Catie was already half in love with him.
Just like Ísa.
"Why not?" he asked with a black scowl. "Are you still hung up on the age thing?"
"You're twenty-three. I'm ready to settle down, have a child, build a life with someone."
Tipping up her chin, he pressed his nose to hers. "Yeah? And who's this perfect man you're going to dump me for?" It was a growl of sound.
Ísa scowled back at him. "I haven't met him yet."
"So you're dumping me for an imaginary man?"
"You're deliberately misunderstanding." She glared. "How am I supposed to find him when I'm with you?"
A shrug. "I don't care. I'm not going to cooperate in your dump-Sailor-for-an-imaginary-man scheme."
"You're infuriating." Fisting her hands in his hair, she kissed him, releasing all her fear, all her need, all her worry.
His hands powerful and warm at her hips, he pulled her up against the hard length of his body and met her tongue lash for lash.
Heart pounding when it was over, she broke the kiss--and he said, "Want to hear my suggestion?"
"No." She folded her arms and drew her eyebrows together.
"Too bad." A kiss on the nose again, the affectionate act smashing her walls to tiny fragments. "I say we don't run, we don't hide. We try. No laughter in his expression now, only a passionate tenderness. "I'm no poet, Ísa. I can't give you fancy words. But I know what we have is special. It's worth a fight.
”
”
Nalini Singh
“
His inaugural essay on the President’s cocked hat was considered a miracle of erudition: and his account of the earliest application of gilding to gingerbread, a masterpiece of antiquarian research. His eldest daughter was of a kindred spirit: if her father’s mantle had not fallen upon her, it was only because he had not thrown it off himself; she had caught hold of its tail, however, while it yet hung upon his honoured shoulders. To souls so congenial, what a sight was the magnificent ruin of Bolsover! its broken arches, its mouldering pinnacles, and the airy tracery of its half-demolished windows. The party were in raptures; Mr. Simpkinson began to meditate an essay, and his daughter an ode: even Seaforth, as he gazed on these lonely relics of the olden time, was betrayed into a momentary forgetfulness of his love and losses: the widow’s eye-glass turned from her cicisbeo’s whiskers to the mantling ivy; Mrs. Peters wiped her spectacles; and ‘her P.’ supposed the central tower ‘had once been the county jail.’ The squire was a philosopher, and had been there often before, so he ordered out the cold tongue and chickens.
”
”
Thomas Ingoldsby (The Ingoldsby Legends (illustrated))
“
I knew you forever and you were always old,
soft white lady of my heart. Surely you would scold
me for sitting up late, reading your letters,
as if these foreign postmarks were meant for me.
You posted them first in London, wearing furs
and a new dress in the winter of eighteen-ninety.
I read how London is dull on Lord Mayor's Day,
where you guided past groups of robbers, the sad holes
of Whitechapel, clutching your pocketbook, on the way
to Jack the Ripper dissecting his famous bones.
This Wednesday in Berlin, you say, you will
go to a bazaar at Bismarck's house. And I
see you as a young girl in a good world still,
writing three generations before mine. I try
to reach into your page and breathe it back…
but life is a trick, life is a kitten in a sack.
This is the sack of time your death vacates.
How distant your are on your nickel-plated skates
in the skating park in Berlin, gliding past
me with your Count, while a military band
plays a Strauss waltz. I loved you last,
a pleated old lady with a crooked hand.
Once you read Lohengrin and every goose
hung high while you practiced castle life
in Hanover. Tonight your letters reduce
history to a guess. The count had a wife.
You were the old maid aunt who lived with us.
Tonight I read how the winter howled around
the towers of Schloss Schwobber, how the tedious
language grew in your jaw, how you loved the sound
of the music of the rats tapping on the stone
floors. When you were mine you wore an earphone.
This is Wednesday, May 9th, near Lucerne,
Switzerland, sixty-nine years ago. I learn
your first climb up Mount San Salvatore;
this is the rocky path, the hole in your shoes,
the yankee girl, the iron interior
of her sweet body. You let the Count choose
your next climb. You went together, armed
with alpine stocks, with ham sandwiches
and seltzer wasser. You were not alarmed
by the thick woods of briars and bushes,
nor the rugged cliff, nor the first vertigo
up over Lake Lucerne. The Count sweated
with his coat off as you waded through top snow.
He held your hand and kissed you. You rattled
down on the train to catch a steam boat for home;
or other postmarks: Paris, verona, Rome.
This is Italy. You learn its mother tongue.
I read how you walked on the Palatine among
the ruins of the palace of the Caesars;
alone in the Roman autumn, alone since July.
When you were mine they wrapped you out of here
with your best hat over your face. I cried
because I was seventeen. I am older now.
I read how your student ticket admitted you
into the private chapel of the Vatican and how
you cheered with the others, as we used to do
on the fourth of July. One Wednesday in November
you watched a balloon, painted like a silver abll,
float up over the Forum, up over the lost emperors,
to shiver its little modern cage in an occasional
breeze. You worked your New England conscience out
beside artisans, chestnut vendors and the devout.
Tonight I will learn to love you twice;
learn your first days, your mid-Victorian face.
Tonight I will speak up and interrupt
your letters, warning you that wars are coming,
that the Count will die, that you will accept
your America back to live like a prim thing
on the farm in Maine. I tell you, you will come
here, to the suburbs of Boston, to see the blue-nose
world go drunk each night, to see the handsome
children jitterbug, to feel your left ear close
one Friday at Symphony. And I tell you,
you will tip your boot feet out of that hall,
rocking from its sour sound, out onto
the crowded street, letting your spectacles fall
and your hair net tangle as you stop passers-by
to mumble your guilty love while your ears die.
”
”
Anne Sexton
“
I shut my eyes and let myself drift back to Australia, the warm sun, the tropical nights, and the huge fruit bats flying across star-studded skies.
Once again, the jangle of the phone jolted me upright. Not again! Now what did she want? Reluctantly I picked up the receiver.
“G’day, mate,” said the voice on the other end of the line. “It’s Stevo calling from Australia. How you going?”
Well, for starters, I was going without breathing for a few moments. “Good,” I stammered. Luckily, I didn’t have to talk, because Steve started right in on what was going on with the zoo.
“The weather is heating up and the crocs will be laying soon,” he said, and I could barely hear him over the pounding of my heart.
“I’ve got a chance to take a little time before summer hits,” he added.
I waited for what seemed like a long beat, still breathless.
“I’m coming to Oregon in ten days,” he said. “I’d really love to see you.”
Yes! I was floored. Ten days. That would be…Thanksgiving.
“Steve,” I said, “do you know about the American holiday of Thanksgiving?”
“Too right,” he said cheerfully, but it was obvious that he didn’t.
“We all get together as a family,” I explained. “We eat our brains out and take walks and watch a lot of football--American football, you know, gridiron, not your rugby league football.”
I was babbling. “Do you want to come and share Thanksgiving with my family?”
Steve didn’t seem to notice my fumbling tongue. “I’d be happy to,” he answered. “That’d be brilliant.”
“Great,” I said.
“Great,” he said.
“Send me all the details, your flight and everything,” I said.
“I will,” he promised. Then he hung up. As suddenly as he was there, he was gone.
I sat on the edge of my bed for a long time that night, trying to convince myself that it hadn’t been a dream. Steve had called, and now he was coming to see me.
This was going to be fabulous.
”
”
Terri Irwin (Steve & Me)
“
A small brownish-gray terrier had been sitting on the brick, but he hopped to his feet as soon as he saw Bridget and gave one sharp emphatic bark.
"Now hush," she said to him- not that he seemed to care. She set the tin plate down and uncovered it, revealing the scraps that Mrs. Bram had saved for her.
The terrier immediately began gobbling the food as if he was starving which, sadly, he might be.
"You'll choke," Bridget said sternly. The terrier didn't listen. He never did, no matter how businesslike she made her voice. Grown men- footmen- might jump to obey her, but this scrawny waif defied her.
Bridget bit her lip. If she was forced to leave Hermes House, who would feed the terrier? Mrs. Bram might- if she remembered to do so- but the cook was a busy woman with other matters on her mind.
The dog finished his meal and licked the plate so enthusiastically that he overturned it with a clatter.
Bridget tutted and bent to pick it up.
The dog thrust his short snout under her hand as she did so and she found herself stroking his head. His fur was wiry rather than silky, almost greasy, but the dog had liquid brown eyes and seemed to smile as his mouth hung open, tongue lolling out. He was very, very sweet. She'd never been allowed a pet dog as a child. Her foster father was a shepherd and had considered dogs farm animals. A pet dog wasn't even to be thought of, especially for her, the cuckoo.
Housekeepers, and indeed servants of any kind, weren't allowed pets. Sometimes a cat might be kept to catch mice in the kitchens, but it was a working animal. Dogs were dirty things and required food and space that, technically, she didn't own.
Bridget stood and frowned down at the dog. "Shoo now."
The dog sat and slowly wagged his tail, sweeping the bricks. One of his triangular ears stood up while the other lay down.
”
”
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
“
As we slipped along over the hard-crusted snow, I watched my little gang of eight. Their furry ears turned backward to help keep the wind out. Their thick, bushy tails hung loosely, and their tough little padded feet moved lightly along. Even at twenty below, their coats keep them comfortably warm. Their tongues hung out just a tad to help them cool off. They where relaxed and happy, and watching them work was a beautiful sight.
”
”
Pam Flowers (Alone Across the Arctic: One Woman's Epic Journey by Dog Team)
“
Getting It Right"
Your ankles make me want to party,
want to sit and beg and roll over
under a pair of riding boots with your ankles
hidden inside, sweating beneath the black tooled leather;
they make me wish it was my birthday
so I could blow out their candles, have them hung
over my shoulders like two bags
full of money. Your ankles are two monster-truck engines
but smaller and lighter and sexier
than a saucer with warm milk licking the outside edge;
they make me want to sing, make me
want to take them home and feed them pasta,
I want to punish them for being bad
and then hold them all night long and say I’m sorry, sugar, darling,
it will never happen again, not
in a million years. Your thighs make me quiet. Make me want to be
hurled into the air like a cannonball
and pulled down again like someone being pulled into a van.
Your thighs are two boats burned out
of redwood trees. I want to go sailing. Your thighs, the long breath of them under the blue denim of your high-end jeans,
could starve me to death, could make me cry and cry.
Your ass is a shopping mall at Christmas,
a holy place, a hill I fell in love with once
when I was falling in love with hills.
Your ass is a string quartet,
the northern lights tucked tightly into bed
between a high-count-of-cotton sheets.
Your back is the back of a river full of fish;
I have my tackle and tackle box. You only have to say the word.
Your back, a letter I have been writing for fifteen years, a smooth stone,
a moan someone makes when his hair is pulled, your back
like a warm tongue at rest, a tongue with a tab of acid on top; your spine
is an alphabet, a ladder of celestial proportions.
I am navigating the North and South of it.
Your armpits are beehives, they make me want
to spin wool, want to pour a glass of whiskey, your armpits dripping their honey, their heat, their inexhaustible love-making dark.
I am bright yellow for them.
I am always thinking about them,
resting at your side or high in the air when I’m pulling off your shirt. Your arms of blue and ice with the blood running
to make them believe in God. Your shoulders
make me want to raise an arm and burn down the Capitol. They sing
to each other underneath your turquoise slope-neck blouse.
Each is a separate bowl of rice
steaming and covered in soy sauce. Your neck
is a skyscraper of erotic adult videos, a swan and a ballet
and a throaty elevator
made of light. Your neck
is a scrim of wet silk that guides the dead into the hours of Heaven.
It makes me want to die, your mouth, which is the mouth of everything worth saying. It’s abalone and coral reef. Your mouth,
which opens like the legs of astronauts
who disconnect their safety lines and ride their stars into the billion and one voting districts of the Milky Way.
Darling, you’re my President; I want to get this right!
Matthew Dickman, The New Yorker: Poems | August 29, 2011 Issue
”
”
Matthew Dickman
“
He seemed surprised to hear from me now, his tone holding a note of shock. “Saint, how are you? What can I do for you?”
“Kenneth. I just heard about the new volunteer counselor. I was hoping to get a copy of his credentials. As you know, the situation with some of the kids is pretty tenuous and new people scare them,” I said.
“Oh! Didn’t you know he was coming? He said he had been approved months ago but he had delayed his start date due to traveling out of state for a family death. His name is Roland Cunningham. He’s been a high school counselor for fifteen years and now he’s semi-retired and wants to give back. He says that he saw so many gay kids who needed an ear.”
I rolled my eyes so hard I almost hurt myself and Rio frowned at me questioningly. I shook my head and pulled in one deep breath before I spoke. “No, he hasn’t been approved for months. I’ve never heard of him. I suspect he’s a spy who belongs to Clay Greene.”
I could hear Kenneth suck air, then chuckle disbelievingly. “Oh, no, Saint. That’s impossible. He had a copy of a volunteer application that you signed and dated in January. You probably just forgot, I know you’ve had a lot on your mind with your sister and everything.” I heard him click his tongue and had to work to not reach through the phone and wring his neck. “He’s going to make sure the kids have someone else to talk to. Don’t worry about it, I’m taking care of everything.”
Rio’s frown had morphed into mild alarm, and I wasn’t sure what my face was doing that was causing it but whatever it was must have been interesting. He edged closer as I took several deep breaths. “Kenneth. Listen to me. You need to be cautious. Have you seen the security reports from Mr. Rao? Did make sure you let him know about this Cunningham? Did you run the background check?”
“I glanced through the reports, yes, but no, I didn’t tell him about Roland. Mr. Rao is the night guard and Roland is scheduled for afternoons.” He chuckled lightly. “I didn’t see the overlap.”
I did not grind my teeth, but it was a near thing. Rio hovered, not touching me, which I was grateful for. Once I got off this phone I was going to go off. “What about the background check, Ken? You know the background check policy.”
“Oh, yes,” Kenneth said. “We did the background check. Completely clean, exemplary record with several awards from his career. Really, you need to calm down. I have it all under control.”
“Right,” I said. “Well, I’ll let you get back to it then, Ken. Thank you.” I hung up before Kenneth could reply and Rio looked at me warily. “I am going to have him kicked off the board so fast his fucking head is going to spin. Shouldn’t be too hard, it’s full of ball bearings and broken gravel,” I snarled.
“So that didn’t go well,” Rio observed quietly. He was still hovering, clearly unsure of how best to handle me.
”
”
Joy Danvers (Saint's Shelter (Alden Security #4))
“
Deprive a cat of sleep and it would die in two weeks. Deprive a human and he would become psychotic.
His work was killing people. How was he supposed to frighten these guys? Run up behind them in a halloween mask and shout boo?
He never saw the point of views -- what did it matter if it was an ocean or a brick wall you were looking at? People travelled hundreds, sometimes thousands of miles to commit suicide someplace with a beautiful view. Did a view matter when oblivion beckoned? They could put him in a garbage bin after he was gone, for all he cared. That's all the human race was anyway. Garbage with attitude.
A cutting word is worse than a bowstring. A cut may heal but a cut of the tongue does not.
The Sakawa students were all from poor, underprivileged backgrounds. Sakawa was a mix of religious juju and modern internet technology. They were taught, in structured classes, the art of online fraud as well as arcane African rituals -- which included animal sacrifice -- to have a voodoo effect on their victims, ensuring the success of each fraud. of which there was a wide variety.
The British Empire spend five hundred years plundering the world.
The word is 'thanks'.
'That's what it is, Roy! He won't come out, he has locked the doors! What if he self-harms, Roy! I mean -- what if he kills himself?'
'I will have to take him off my Christmas list.'
"Any chance you can recover any of it?'
'You sitting near a window, Gerry?'
'Near a window? Sure, right by a window?'
'Can you see the sky?'
'Uh-huh. Got a clear view.'
'See any pigs flying past?'
To dream of death is good for those in fear, for the death have no more fears.
'...Cleo took me to the opera once. I spent the whole time praying for a fat lady to come on stage and start singing. Or a heart attack --whichever come sooner.'
'..there is something strongly powerful -- almost magnetic -- about internet romances. A connection that is far stronger than a traditional meeting of two people. Maybe because on the internet you can lie all the time, each person gives the other their good side. It's intoxicating. That's one of the things which makes it so dangerous -- and such easy pickings for fraudsters.'
He was more than a little pleased that he was about to ruin his boss's morning -- and, with a bit of luck, his entire day.
..a guy who had been born angry and had just got even angrier with each passing year.
'...Then at some point in the future, I'll probably die in an overcrowded hospital corridor with some bloody hung-over medical student jumping up and down on my chest because they couldn't find a defibrillator.
'Give me your hand, bro,' the shorter one said. 'That one, the right one, yeah.'
On the screen the MasterChef contestant said, 'Now with a sharp knife...'
Jules de Copland drove away from Gatwick Airport in.a new car, a small Kia, hired under a different name and card, from a different rental firm, Avis.
'I was talking about her attitude. But I'll tell you this, Roy. The day I can't say a woman -- or a man -- is plug ugly, that's the day I want to be taken out and shot.'
It seems to me the world is in a strange place where everyone chooses to be offended all the time.
'But not too much in the way of brains,' GlennBranson chipped in. 'Would have needed the old Specialist Search Unite to find any trace of them.'
'Ever heard of knocking on a door?'
'Dunno that film -- was it on Netflix?'
'One word, four letters. Begins with an S for Sierra, ends with a T for Tango. Or if you'd like the longest version, we've been one word, six letters, begins with F for Foxtrot, ends with D for Delta.'
No Cop liked entering a prison. In general there was a deep cultural dislike of all police officers by the inmates. And every officer entering.a prison, for whatever purposes, was always aware that if a riot kicked off while they were there, they could be both an instant hostage and a prime target for violence.
”
”
Peter James
“
Deprive a cat of sleep and it would die in two weeks. Deprive a human and he would become psychotic.
His work was killing people. How was he supposed to frighten these guys? Run up behind them in a halloween mask and shout boo?
He never saw the point of views -- what did it matter if it was an ocean or a brick wall you were looking at? People travelled hundreds, sometimes thousands of miles to commit suicide someplace with a beautiful view. Did a view matter when oblivion beckoned? They could put him in a garbage bin after he was gone, for all he cared. That's all the human race was anyway. Garbage with attitude.
A cutting word is worse than a bowstring. A cut may heal but a cut of the tongue does not.
The Sakawa students were all from poor, underprivileged backgrounds. Sakawa was a mix of religious juju and modern internet technology. They were taught, in structured classes, the art of online fraud as well as arcane African rituals -- which included animal sacrifice -- to have a voodoo effect on their victims, ensuring the success of each fraud. of which there was a wide variety.
The British Empire spend five hundred years plundering the world.
The word is 'thanks'.
'That's what it is, Roy! He won't come out, he has locked the doors! What if he self-harms, Roy! I mean -- what if he kills himself?'
'I will have to take him off my Christmas list.'
"Any chance you can recover any of it?'
'You sitting near a window, Gerry?'
'Near a window? Sure, right by a window?'
'Can you see the sky?'
'Uh-huh. Got a clear view.'
'See any pigs flying past?'
To dream of death is good for those in fear, for the death have no more fears.
'...Cleo took me to the opera once. I spent the whole time praying for a fat lady to come on stage and start singing. Or a heart attack --whichever come sooner.'
'..there is something strongly powerful -- almost magnetic -- about internet romances. A connection that is far stronger than a traditional meeting of two people. Maybe because on the internet you can lie all the time, each person gives the other their good side. It's intoxicating. That's one of the things which makes it so dangerous -- and such easy pickings for fraudsters.'
He was more than a little pleased that he was about to ruin his boss's morning -- and, with a bit of luck, his entire day.
..a guy who had been born angry and had just got even angrier with each passing year.
'...Then at some point in the future, I'll probably die in an overcrowded hospital corridor with some bloody hung-over medical student jumping up and down on my chest because they couldn't find a defibrillator.
'Give me your hand, bro,' the shorter one said. 'That one, the right one, yeah.'
On the screen the MasterChef contestant said, 'Now with a sharp knife...'
Jules de Copland drove away from Gatwick Airport in.a new car, a small Kia, hired under a different name and card, from a different rental firm, Avis.
'I was talking about her attitude. But I'll tell you this, Roy. The day I can't say a woman -- or a man -- is plug ugly, that's the day I want to be taken out and shot.'
It seems to me the world is in a strange place where everyone chooses to be offended all the time.
'But not too much in the way of brains,' GlennBranson chipped in. 'Would have needed the old Specialist Search Unite to find any trace of them.'
'Ever heard of knocking on a door?'
'Dunno that film -- was it on Netflix?'
'One word, four letters. Begins with an S for Sierra, ends with a T for Tango. Or if you'd like the longest version, we've been one word, six letters, begins with F for Foxtrot, ends with D for Delta.'
No Cop liked entering a prison. In general there was a deep cultural dislike of all police officers by the inmates. And every officer entering.a prison, for whatever purposes, was always aware that if a riot kicked off while they were there, they could be both an instant hostage and a prime target for violence.
”
”
Peter James (Dead at First Sight (Roy Grace, #15))
“
Flanked by Warren and Tanu, Kendra started forward. As she neared the peninsula, her companions hung back. She felt generally peaceful about proceeding, and decided the absence of an identifiable warning meant the Fairy Queen would welcome her visit. A pair of tall women stepped out from behind the trees, blocking her path. One had flowers braided into her auburn hair; the other had leafy vines twisted into her dark plaits. Their layered gowns reminded Kendra of springtime foliage shimmering with dew. Each woman held a heavy wooden staff. “Where did you come from?” asked the woman with dark hair, her voice a resonant alto. “You tread on sacred ground,” warned the other. Warren and Tanu hustled up beside Kendra. Tanu was a large man, but these women stood half a head taller. The woman with dark hair arched an eyebrow. “Would you threaten us with weapons?” From both sides and behind, other dryads emerged from the trees. “We are friends,” Kendra said. “I have urgent business with the Fairy Queen.” “This one has a queer aspect,” whispered the dryad with the auburn hair. “Indeed,” the other dryad whispered back, “and she speaks our tongue.” “I speak many languages,” Kendra said. The dryads looked stricken. “Even our secret dialect?” asked the one with auburn hair. Kendra stared up at them, hoping her eyes displayed more confidence than she felt. “I am fairykind, a servant of the Fairy Queen. These are my companions.” The dryad with the dark hair narrowed her green eyes. After a moment, her posture became less threatening. “I apologize for our abrupt greeting. These are troubled times, and it has long been our task to protect this shrine. We’ve heard of you, but did not recognize you. We have never encountered a mortal quite like you. We now see that you belong among us.” “Thank you,” Kendra said. “My friends can’t come to the shrine with me.” The
”
”
Brandon Mull (Fablehaven: The Complete Series (Fablehaven, #1-5))
“
Tell me, does it seem worth it to you to suffer this punishment for a rag?”
“Without question,” Steldor forcefully answered, and cheers rolled like thunder through the Hytanicans who had gathered to watch, sending chills down my spine.
Rava’s lip curled into a sneer and she walked behind him, motioning to the Cokyrians holding the ropes to pull them tight, spreading his arms wide. With a swift and practiced motion, she raised the whip and brought it down hard upon his broad back, drawing blood with her first stroke, and gasps reverberated almost as loudly as had the cheers.
“Is it worth it?” she demanded.
“Yes,” he managed to answer, gritting his teeth against the pain.
She struck him twice more, and though I could hardly bear it, I forced myself to watch, the muscles of my back spasming as each stroke landed.
“Is it worth it?”
“Yes!”
Once more she struck, and again, until the ragged flesh and sinew of Steldor’s back was coated with blood--blood that flowed so heavily it ran down his sides. Women in the crowd now wept openly, while men cursed and shouted. I took in a shaky breath, knowing only one lash remained. Steldor would survive, and so would I. So would we all.
Rava brought the whip down on Steldor for the sixth time, and his head hung forward. Was he still conscious? Or were the ropes around his wrists the only things keeping him from collapsing? Evidently wondering the same, Rava approached him and reached down, grasping a handful of his nearly black hair to pull his head up. His eyes were open, but barely focused.
“Tell me, boy. Is it worth it?” she said in a near whisper.
He smiled, revealing teeth smeared with blood from biting his tongue to hold back screams.
“Yes.”
Rage marred Rava’s face at her inability to break him, and she brutally shoved his head down. Backing up, she uncoiled the whip that was supposed to have retired, and flayed him again, more viciously than before. Steldor cried out this time, the sound tearing at my heart, and when the soldiers dropped the ropes, he crumpled forward. Knowing he had to be in tremendous pain, I was thankful for the respite the darkness would provide. Silence now reigned around us--no voices, no movements, hardly any breathing. It felt like the world had temporarily been turned to stone.
Rava handed the whip to another soldier and stalked back toward the Bastion without a glance or word for anyone. She was cruel and heartless and arrogant, and hatred for her boiled within me as I watched the Cokyrians remove the ropes from Steldor’s wrists. They hauled him up by his arms and dragged him inside, leaving a crimson trail on the white walk.
The rest of us followed, and I glanced at Cannan, who had managed more stoicism during the proceeding than had I. He had been witness to greater brutality during both wars with Cokyri, but I knew he would have willingly taken his son’s punishment in his stead. After seeing him in the cave, holding and protecting Steldor when we’d all feared the King’s death, I knew that beneath his strength and bravery, he ached.
”
”
Cayla Kluver (Sacrifice (Legacy, #3))
“
Make sure Mom gets home.” I swallowed. “She won’t want details. Just—let her make up her own mind about what happened to me. If you hung around for a while…after…that would be good too.” His tongue rasped against the tip of my nose. “She will want for nothing, and no harm will come to her so long as I live.” I wiped the backs of my hands under my eyes. “You’re not half bad for a cat.” “If I had found you as a pup,” he said on a chuckle, “I might not have drowned you either.
”
”
Hailey Edwards (Heir of the Dog (Black Dog, #1))
“
Slowly, Dex entered the workshop, biting down on his tongue to keep quiet. Sloane stood in the middle of the workshop, arms high above his head, a couple of thick chains hanging from the ceiling binding his wrists, another around his neck to keep him from shifting to his Therian form. If he shifted, he’d end up breaking his neck. His ankles were bound by duct tape, and he was bare-chested, his black T-shirt on the floor. There were cuts and lacerations spread over his torso and arms, along with small burn marks. That son of a bitch had tortured him. Dex couldn’t tell if Sloane was breathing. His head hung low, his black hair falling in disarray. “Sloane?
”
”
Charlie Cochet (Hell & High Water (THIRDS, #1))
“
Psalm 137 (or for the Second Scrutiny: Psalm 23) R. Let my tongue be silenced, if I ever forget you! By the streams of Babylon we sat and wept when we remembered Zion. On the aspens of that land we hung up our harps. R. For there our captors asked of us the lyrics of our songs, and our despoilers urged us to be joyous: “Sing for us the songs of Zion!” R. How could we sing a song of the Lord in a foreign land? If I forget you, Jerusalem, may my right hand be forgotten! R. May my tongue cleave to my palate if I remember you not, if I place not Jerusalem ahead of my joy. R.
”
”
Anonymous
“
What have you got in the truck? What’s that awful smell?” “A bear. Wanna see?” he asked, smiling. “A bear? Why on earth…?” “He was really pissed,” Jack said. “Come and see—he’s huge.” “Who shot him?” she asked. “Who’s taking credit or who actually shot him? Because I think everyone is taking credit.” He slipped an arm around her waist and walked her the rest of the way. She began to pick up the voices. “I swear, I heard Preacher scream,” someone said. “I didn’t scream, jag-off. That was a battle cry.” “Sounded like a little girl.” “More holes in that bear than in my head.” “He didn’t like that repellant so much, did he?” “I never saw one go through that stuff before. They usually just rub their little punkin eyes and run back in the woods.” “I’m telling you, Preacher screamed. Thought he was gonna cry like a baby.” “You wanna eat, jag-off?” There was laughter all around. A carnival-like atmosphere ensued. The serious group that had left town in the morning had come back like soldiers from war, elated, victorious. Except this war turned out to be with a bear. Mel glanced in the back of the truck and jumped back. The bear not only filled the bed, he hung out the end. The claws on his paws were terrifying. He was tied in, tied down, even though he was dead. His eyes were open but sightless and his tongue hung out of his mouth. And he stunk to high heaven. “Who’s calling Fish and Game?” “Aw, do we have to call them? You know they’re gonna take the frickin’ bear. That’s my bear!” “It ain’t your bear, jag-off. I shot the bear,” Preacher insisted loudly. “You screamed like a girl and the rest of us shot the bear.” “Who really shot the bear?” Mel asked Jack. “I think Preacher shot the bear when he came at him. Then so did everybody else. And yeah, I think he screamed. I would have. That bear got so damn close.” But as he said this, he grinned like a boy who had just made a touchdown. Preacher stomped over to Jack and Mel. He bent down and whispered to Mel, “I did not scream.” He turned and stomped off. “Honey,
”
”
Robyn Carr (Virgin River (Virgin River #1))
“
The engorged moon hung full and low in the sky like a yellow skull. Misshapen clouds stretched across the floating orb with elongated hands and bony fingers grasping. As they neared the docks, the gas lamps grew fewer and the streets gloomier. The cobblestones blackened as they passed the deserted brickfields. Bottle-shaped kilns spat their outrage with orange tongues of fire into the cooling air. Mangy dogs snarled in hunger and wandering sea-gulls screamed their displeasure at the hansom’s passage.
”
”
Brian S. Ference (The Wolf of Dorian Gray: A Werewolf Spawned by the Evil of Man (The Wolf of Dorian Gray #1))
“
She smirked as she rolled over onto her back and hung her head off the bed. Opening her mouth, she stuck her tongue out and guided my dick down her throat.
”
”
Kimberly Brown (Rhythm's Blues)
“
As she spoke, she felt something move by her foot. She glanced down and saw a small kitten. It crouched by her foot, biting her shoelace, and lashing its tail from side to side. Laura did not like cats; but this creature, so small, so intent, and so ferocious, amused her into kindly feelings. “How did you come here? Did you come in through the keyhole?” she asked, and bent down to stroke it. Scarcely had she touched its hard little head when it writhed itself round her hand, noiselessly clawing and biting, and kicking with its hind legs. She felt frightened by an attack so fierce and irrational, and her fears increased as she tried to shake off the tiny weight. At last she freed her hand, and looked at it. It was covered with fast-reddening scratches, and as she looked she saw a bright round drop of blood ooze out from one of them. Her heart gave a violent leap, and seemed to drop dead in her bosom. She gripped the back of a chair to steady herself and stared at the kitten. Abruptly pacified, it had curled itself into a ball and fallen asleep. Its lean ribs heaved with a rhythmic tide of sleep. As she stared she saw its pink tongue flicker for one moment over its lips. It slept like a suckling. Not for a moment did she doubt. But so deadly, so complete was the certainty that it seemed to paralyze her powers of understanding, like a snake-bite in the brain. She continued to stare at the kitten, scarcely knowing what it was that she knew. Her heart had begun to beat once more, slowly, slowly; her ears were dizzied with a shrill wall of sound, and her flesh hung on her clammy and unreal. The animal smell that she had noticed when first she entered the room now seemed overwhelmingly rank. It smelt as if walls and floor and ceiling had been smeared with the juice of bruised fennel. She, Laura Willowes, in England, in the year 1922, had entered into a compact with the Devil. The compact was made, and affirmed, and sealed with the round red seal of her blood.
”
”
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
“
I need to find out why my grandfather is . . . acting strange.’ ‘Can’t you ask him?’ ‘He won’t tell me!’ ‘Does he throw up a lot?’ ‘I shouldn’t think so. He doesn’t often eat. The occasional curry, once or twice a month.’ ‘He must be pretty thin.’ ‘You’ve no idea.’ ‘Well, then . . . Does he often stare at himself in the mirror and say “Arrgh”? Or stick out his tongue and wonder why it’s gone yellow? You see, it’s possible I might have some measure of influence over people who are hung over. If he’s been drinking a lot, I might be able to find him.’ ‘I can’t see him doing any of those things. I think I’d better tell you . . . My grandfather is Death.’ ‘Oh, I’m sorry to hear that.’ ‘I said Death.’ ‘Sorry?’ ‘Death. You know . . . Death?’ ‘You mean the robes, the—’ ‘—scythe, white horse, bones . . . yes. Death.’ ‘I just want to make sure I’ve got this clear,’ said the oh god in a reasonable tone of voice. ‘You think your grandfather is Death and you think he’s acting strange?
”
”
Terry Pratchett (Hogfather (Discworld, #20))
“
You’re the only person I ever spent time with, went out or stayed in for dinner with, hung out with. Hell, we even went with each other when visiting our families. That’s like… the most committed relationship I’ve ever been in.
”
”
Becca Seymour (No More Secrets (Zone Defense, #2))
“
I always felt a little weird saying it. Dad. The word felt foreign on my tongue, wrong. It didn’t feel right to call him that. He hadn’t earned the title. He didn’t deserve it. But I didn’t know what else to call him, so I just hung up and did my best to forget our conversation, like I always did.
”
”
James Ramos (The Wrong Kind of Weird)
“
Amren said to her, 'I'm surprised you didn't take the king's head back to have stuffed and hung on your wall.'
Nesta's eyes shot to her.
Mor clicked her tongue. 'Some would consider that joke to be in bad taste, Amren.'
'I saved your asses. I'm entitled to say what I want.'
And with that Amren stalked out of the house and into the city streets.
'The new Amren is even crankier than the old one,' Elain said softly.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
She hung with hoodlums. So-called ‘rappers’ who really only write barely coherent poems about violence and debauchery.”… Hypocrite hovered over my tongue. Poems about violence and debauchery? Like he didn’t grow up in the ‘80s and ‘90s singing along to rhythmic revolutionaries, proud gangsters, and player presidents. Those songs only told what people were really going through. They were journalism, not instructions.
”
”
Lamar Giles (Spin)
“
Jesse was moaning in her sleep. She was a delicate woman of thirty-five with long curly red hair. She lay deep in a shapeless feather mattress, cradled in a wooden bed which hung from the ceiling on four rusted chains. Somewhere in the big rambling house a clock chimed. She must wake up. Two hours until the Vampire Lestat’s concert. But she could not leave the twins now.
This was new to her, this part unfolding so rapidly, and the dream was maddeningly dim as all the dreams of the twins had been. Yet she knew the twins were in the desert kingdom again. The mob surrounding the twins was dangerous. And the twins, how different they looked, how pale. Maybe it was an illusion, this phospherescent luster, but they appeared to glow in the semidarkness, and their movements were languid, almost as if they were caught in the rhythm of a dance. Torches were thrust at them as they embraced one another; but look, something was wrong, very wrong. One of them was now blind. Her eyelids were shut tight, the tender flesh wrinkled and sunken. Yes, they have plucked out her eyes.
And the other one, why she make those terrible sounds?
“Be still, don’t fight anymore,” said the blind one, in the ancient language which was always understandable in the dreams. And out of the other win came a horrid, gutteral moaning. She couldn’t speak. They’d cut out her tongue!
I don’t want to see any more, I want to wake up. But the soldiers were pushing their way through the crowd, something dreadful was to happen, and the twins became suddenly very still. The soldiers took hold of them, dragged them apart.
Don’t separate them! Don’t you know what this means to them? Get the torches away. Don’t set them on fire! Don’t burn their red hair.
The blind twin reached out for her sister, screaming her name: “Mekare!” And Mekare, the mute one, who could not answer, roared like a wounded beast.
The crowd was parting, making way for two immense stone coffins, each carried in a great heavy bier. Crude these sarcophagi, yet the lids had the roughened shape of human faces, limbs. What have the twins done to be put in these coffins? I can’t stand it, the biers being set down, the twins dragged towards the coffins, the crude stone lids being lifted. Don’t do it! The blind one is fighting as if she can see it, yet they are overpowering her, lifting her and putting her inside the stone box. In mute terror, Mekare is watching, though she herself is being dragged to the bier. Don’t lower the lid, or I will scream for Mekare! For both of them-
Jesse sat up, her eyes opened. She had screamed.
Alone in the house, with no one to hear her, she’d screamed and she could feel the echo still. Then nothing but the quiet settling around her, and the faint creaking of the bed as it moved on its chains. The song of the birds outside in the forest, the deep forest; and her own curious awareness that the clock had struck six.
”
”
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
“
He comes to bedsides, icy bridges, battlefronts, and crumbling ridges. When he comes, he comes alone, taps a shoulder, then is gone. 28. Has a mouth, but cannot drink. Has a head, but cannot think. Has a tongue, but not a lung. Some are held and some are hung. 29. Blow for blow, they matched each other. Neither would fall to the other. In the eyes of the crowd, they were this. 30. Anyone can take it as long as it's on someone. 31. It stalks the countryside with ears that cannot hear. 32. I am what remains of what was once a living whole, dug in deep, protruding, though, and unobtainable. 33. It's a surprise party, so to speak, without any cause for celebration.
”
”
Sef Daystrom (The Riddle Chest: 50 Original Riddles to Stump Your Brain)
“
After Jonathan, wearing only his pajamas, jumped out of his bedroom window in the middle of the night & met with Leopold, who awaited him in the garden, the two went to the stable and put a three-meter-long hemp rope in a bricklayer's bag splattered with quicklime. On a September night, under the light of the moon, they walked with the rope up the village street, passing the calvary, not noticing the devil's red wings, which were stretched to the point of tearing—Lucifer was sweating blood—and then up the hill of the parish house into the barn. In the empty barn full of dusty cobwebs—the parish house was unoccupied at the time—they climbed a wooden ladder to the crossbeam. The two boys tied the two ends of rope behind their ears and jumped into the emptiness, weeping and embracing, a few meters from the armless Christ who had once been rescued from a stream bed by the priest and painter of prayer cards and who now stood in the entranceway of the parish house, gasping and smelling the blood sweated out by the devil in the calvary. With their tongues out, their sexes stiff, their semen-flecked pants dripping urine, Jonathan in pajamas and Leopold in his quicklime-splattered bricklayer's clothes, they hung in the barn of the parish house until they were found by Jonathan's sixteen-year-old cousin, who shined the beam of his flashlight across their four dangling legs twenty-four hours later, and were cut down with a butcher's knife by Adam the Third.
”
”
Josef Winkler (When the Time Comes)
“
She couldn’t help eyeing the Christmas decorations that hung from nearly every square inch of available space. “It’s so Christmasy in here! You two weren’t playing when you said you were going to do it up this year.”
“Thanks. There’s mistletoe in every room.” Keira shrugged, sticking out her tongue. “All the spontaneous smooching helps keep my mind off.
”
”
Rebekah Weatherspoon (Wrapped (Fit Trilogy, #3.5))
“
In last month’s photo, a front tooth dangled over her bottom lip and Iris laughed out loud, wanting to reach into the picture and yank the loose tooth from her daughter’s mouth. She wondered about the conversations she missed with the child—the fights they must have had over Melody’s need to keep that tooth a day, a week, a month, longer. Why hadn’t Aubrey snuck into her room in the middle of the night and yanked it the way her own father had done—Iris waking in the morning with that new space in her mouth and a crisp dollar bill beneath her pillow. But now the tooth was gone. Had Melody gotten a dollar for it too? Iris studied the space—the pink half circle of gum beside a tiny front tooth that hung at a slight angle as though it too was loose now. Iris shivered. Ran her tongue along her own straight teeth. She had missed the child’s birthday but had called, only to have Melody say, It’s my birthday and it’s party day. Bye! Daddy got me a bicycle. Bye again. And when she reminded the child that the bicycle was from both of them, Melody said, But Daddy put it together. And Daddy’s gonna teach me to ride. Always the phone calls were Daddy, Daddy, Daddy, and TV shows she’d watched. When she tried to ask Melody what she was reading, the child laughed. Everything, she said. I read everything. Now, staring at the picture of her daughter, she remembered again how her own mother had said more than once that there was nothing at all maternal about Iris and wondered if the maternal gene kicked in later. Iris wondered if it would happen in her twenties or thirties. And if it did, would she want more children?
”
”
Jacqueline Woodson (Red at the Bone)
“
Sometimes its brave to see females play as lazy, cozy wine drops,loosely hung to the tongue of taste,yet they can often have the power of sizzling fire like explanation to break the wishers hearts.
”
”
Nithin Purple
“
Mikhail crossed the room to hold out his hand for the cape. The bedchamber was warm and smelled of nature--wood and meadow.
Reluctantly Raven slipped the cape from her shoulders. Mikhail frowned when he saw that she was clad only in his crisp white shirt. Although the tails reached her knees and covered her bottom, a generous portion of her thighs was exposed, right up to her hips. The effect was incredibly sexy, with her long, wild mane of hair cascading in waves down to the bed, framing her slender form.
“O köd belső--darkness take it,” Mikhail swore softly, a few choice words in his own language, thankful he hadn’t realized she was wearing nothing but his shirt beneath his cape. He probably would have torn out Romanov’s throat. The thought of Raven approaching the young man, smiling at him, mesmerizing him with her siren’s eyes, bending her head to his throat, touching him with her mouth, her tongue, her teeth…His gut clenched in total rebellion at the picture.
He raked a hand through his hair, hung the cape in his closet, and filled the old-fashioned pitcher and basin with warm water. Once he had his imagination under firm control, he could answer her with his usual gentleness. “No, little one, after giving it thought, I cannot say I would have been happy had you been feeding.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
As kingfishers catch fire, dragonflies draw flame; As tumbled over rim in roundy wells Stones ring; like each tucked string tells, each hung bell’s Bow swung finds tongue to fling out broad its name; Each mortal thing does one thing and the same: Deals out that being indoors each one dwells; Selves—goes itself; myself it speaks and spells, Crying What I do is me: for that I came. I say more: the just man justices; Keeps grace: that keeps all his goings graces; Acts in God’s eye what in God’s eye he is— Christ—for Christ plays in ten thousand places, Lovely in limbs, and lovely in eyes not his To the Father through the features of men’s faces.
”
”
Rudolph Amsel (The Best of Poetry: Thoughts that Breathe and Words that Burn: In Two Hundred Poems)
“
Let me pray for you," my mother said. I said okay. Her voice steeled up a bit, and she asked God to protect me and walk with me. I didn't close my eyes, just tucked the receiver against my ear and looked out the window. A laughing couple threw snowballs at each other in the quad. When I finally hung up the phone, longing and shame tightened around my stomach like a belt. I thought of something my father had told me last summer. Apparently he'd walked into the kitchen to make himself a plate of something and he found my mother crying near the sink. She was crying over me and my future, as she had before and would again. She could only guess at what made up my life, far away in New England, but she knew it wasn't the life she would have chosen for me. My father could be tender when he needed to be and he said he had calmed her down, poured her a glass of iced tea. When she was feeling better he asked her what she thought I'd do when I finished school. He said she fixed him with those ice-blue eyes of hers and said, “Well, I guess she'll come home and be one of us again.
”
”
Jessica Wilbanks (When I Spoke in Tongues: A Story of Faith and Its Loss)
“
Is Mr. Huntley safe?” Bethany’s composed voice sounded through the connection.
“He is. Are you?”
“I’m fine. Jeff and I went for a drive around the block. I had to tell him to stay to the left twice.”
Liev laughed in spite of himself.
“Did you keep him close?”
Bethany’s question sent tight ropes of tension through Liev’s chest. “I did.”
“Why didn’t you answer the phone when I first rang?”
Because I was tongue-fucking our boss against a door.
The confession played through Liev’s mind like a wicked taunt. “I was dealing with the situation.”
“I want details later.”
He snorted at Bethany’s calm demand. “Tough. You’re not going to get them.”
Bethany chuckled. “Yes, I will,” she said, and then hung up.
Suppressing a growl, Liev shoved his phone back into his pocket. Chris’s P.A. was an enigma. A frustrating, feisty enigma who seemed to have an agenda regarding their boss that Liev couldn’t decipher but somehow seemed to be a part of.
Which made her his new favourite woman in the world.
Or his least.
”
”
Lexxie Couper (Guarded Desires (Heart of Fame, #3))
“
Kira almost sighed at the sensations running through her. He didn’t even need to kiss her for her to feel aroused. Just being near him was enough to make her want him. She traced her free hand along Mencheres’s arm. “How long do we have until we’re supposed to meet those people?” So much more than a question about their appointment hung in her words. His mouth slid along her neck again, making her shiver at the additional tingles. “You deserve better than this,” he said softly. Kira could feel his lust battling with his sense of honor—and she wanted his honor to lose. “Dingy equipment room it may be, but for once, we’re alone,” she whispered back. “Let’s not waste that.” His mouth teased her skin while more tingling ripples traveled over her body. She let out a short moan. She knew it was his power caressing her with a thousand invisible strokes, some of the touches shockingly intimate. Her fangs extended of their own volition, and a shudder went through her. “Is that a yes?” Kira managed. His lips slanted over hers in reply. Her mouth opened at once, stroking his tongue with hers and matching the urgency in his kiss. She moaned again as those phantom touches increased, the sensations fueled by the feel of his hands beginning to travel over her as well. She reached for the buttons on his shirt, ripping them because she forgot to tone down her new strength.
”
”
Jeaniene Frost (Eternal Kiss of Darkness (Night Huntress World, #2))
“
It was dark outside, and a spring chill was in the evening air. He breathed deeply and felt his body tingle in the coolness. Beyond the jagged outline of the apartment houses the town lights glowed upon a thin mist that hung in the air. At the corner a street light pushed feebly against the darkness that closed around it; from the darkness beyond it the sound of laughter broke abruptly into the silence, lingered and died. The smell of smoke from trash burning in back yards was held by the mist; and as he walked slowly through the evening, breathing the fragrance and tasting upon his tongue the sharp night-time air, it seemed to him that the moment he walked in was enough and that he might not need a great deal more.
”
”
John Williams (Stoner)