“
I read once that the ancient Egyptians had fifty words for sand & the Eskimos had a hundred words for snow. I wish I had a thousand words for love, but all that comes to mind is the way you move against me while you sleep & there are no words for that.
”
”
Brian Andreas (Story People)
“
The reason that the rich were so rich, Vimes reasoned, was because they managed to spend less money.
Take boots, for example. He earned thirty-eight dollars a month plus allowances. A really good pair of leather boots cost fifty dollars. But an affordable pair of boots, which were sort of OK for a season or two and then leaked like hell when the cardboard gave out, cost about ten dollars. Those were the kind of boots Vimes always bought, and wore until the soles were so thin that he could tell where he was in Ankh-Morpork on a foggy night by the feel of the cobbles.
But the thing was that good boots lasted for years and years. A man who could afford fifty dollars had a pair of boots that'd still be keeping his feet dry in ten years' time, while the poor man who could only afford cheap boots would have spent a hundred dollars on boots in the same time and would still have wet feet.
This was the Captain Samuel Vimes 'Boots' theory of socioeconomic unfairness.
”
”
Terry Pratchett (Men at Arms: The Play)
“
You know the reason The Beatles made it so big?...'I Wanna Hold Your Hand.' First single. Fucking brilliant. Perhaps the most fucking brilliant song ever written. Because they nailed it. That's what everyone wants. Not 24/7 hot wet sex. Not a marriage that lasts a hundred years. Not a Porsche...or a million-dollar crib. No. They wanna hold your hand. They have such a feeling that they can't hide. Every single successful song of the past fifty years can be traced back to 'I Wanna Hold Your Hand.' And every single successful love story has those unbearable and unbearably exciting moments of hand-holding.
”
”
David Levithan (Nick & Norah's Infinite Playlist)
“
The room fell quiet. And as I read down the list of over one hundred and fifty eight-grade boys, I realized that to me, there had only ever been one boy.
”
”
Wendelin Van Draanen (Flipped)
“
I may have been dead for the past hundred and fifty years, Susannah,...but that doesn't mean I don't know how people say good night. And generally, when people say good night, they keep their tongues to themselves.
”
”
Meg Cabot (Ninth Key (The Mediator, #2))
“
Life is such unutterable hell, solely because it is sometimes beautiful. If we could only be miserable all the time, if there could be no such things as love or beauty or faith or hope, if I could be absolutely certain that my love would never be returned: how much more simple life would be. One could plod through the Siberian salt mines of existence without being bothered about happiness. Unfortunately the happiness is there. There is always the chance (about eight hundred and fifty to one) that another heart will come to mine. I can't help hoping, and keeping faith, and loving beauty. Quite frequently I am not so miserable as it would be wise to be.
”
”
T.H. White (Ghostly, Grim and Gruesome)
“
For, though the room was silent, the silence of half a hundred cats is a peculiar thing, like fifty individual silences all piled one on top of another.
”
”
Susanna Clarke (Jonathan Strange & Mr Norrell)
“
The Quiet World
In an effort to get people to look
into each other’s eyes more,
and also to appease the mutes,
the government has decided
to allot each person exactly one hundred
and sixty-seven words, per day.
When the phone rings, I put it to my ear
without saying hello. In the restaurant
I point at chicken noodle soup.
I am adjusting well to the new way.
Late at night, I call my long distance lover,
proudly say I only used fifty-nine today.
I saved the rest for you.
When she doesn’t respond,
I know she’s used up all her words,
so I slowly whisper I love you
thirty-two and a third times.
After that, we just sit on the line
and listen to each other breathe.
”
”
Jeffrey McDaniel (Forgiveness Parade)
“
Of course you don't believe in fairies. You're fifteen. You think I believed in fairies at fifteen? Took me until I was at least a hundred and forty. Hundred and fifty, maybe. Anyway, he wasn't a fairy. He was a librarian. All right?
”
”
Neil Gaiman (The Sandman, Vol. 6: Fables & Reflections)
“
He’s five hundred for two hours!” Swinging her hand Ashton’s way, she adds, “Seven-fifty for him because he’s young. You should hear how he makes my sister scream!
”
”
K.A. Tucker (One Tiny Lie (Ten Tiny Breaths, #2))
“
I know this goes without saying, but Stonehenge really was the most incredible accomplishment. It took five hundred men just to pull each sarsen, plus a hundred more to dash around positioning the rollers. Just think about it for a minute. Can you imagine trying to talk six hundred people into helping you drag a fifty-ton stone eighteen miles across the countryside and muscle it into an upright position, and then saying, 'Right, lads! Another twenty like that, plus some lintels and maybe a couple of dozen nice bluestones from Wales, and we can party!' Whoever was the person behind Stonehenge was one dickens of a motivator, I'll tell you that.
”
”
Bill Bryson (Notes from a Small Island)
“
It is sound judgment to put on a bold face and play your hand for a hundred times what it is worth; forty-nine times out of fifty nobody dares to call it, and you roll in the chips.
”
”
Mark Twain
“
Ten thousand dollars." I hear Lily's gasp of disbelief behind me.
Oh fuck.
"Fifteen"
Twenty," counters Christian quietly.
Twenty-five," the stranger says.
"One hundred thousand dollars," he says his voice ringing clear and loud through the marquee.
"What the fuck?" Lily hisses audibly behind me, and a general gasp of dismay and amusement ripple through the crowd.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
Eleven thousand five hundred and fifty-one years old, and yes, I feel every day of it. (Acheron)
Wow, I had no idea. Hell, I didn’t even know we had people back then. (Nick)
Yeah, I was part of the original Bedrock crew who worked in the quarry on the back of dinosaurs and ran with the Flintstones. Barney Rubble was short, but he played a good game of stone-knuckle. (Acheron)
”
”
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
“
A hundred times have I thought New York is a catastrophe, and fifty times : It is a beautiful catastrophe.
”
”
Le Corbusier
“
Having reached 451 books as of now doesn't help the situation. If I were to be dying now, I would be murmuring, "Too bad! Only four hundred fifty-one." (Those would be my next-to-last words. The last ones will be: "I love you, Janet.") [They were. -Janet.]
”
”
Isaac Asimov (I. Asimov: A Memoir)
“
The horse seemed to bend time and space as he ran, blurring the landscape and making Frank feel like he'd just drunk a gallon of whole milk without his lactose-intolerance medicine: "Seven hundred and fifty miles per hour. Eight hundred. Eight hundred and three. Fast. very Fast.
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
“
Did you know", Matilda said suddenly, "that the heart of a mouse beats at the rate of six hundred and fifty times a second?"
I did not," Miss Honey said smiling. "How absolutely fascinating. Where did you read that?"
In a book from the library," Matilda said. "And that means it goes so fast that you can't even hear the separate beats. It must sound like a buzz."
It must," Miss Honey said.
”
”
Roald Dahl (Matilda)
“
I resist the urge to stroke the freckles beneath her eyes. The one hundred fifty-three of them. And yes, I counted them.
”
”
Rina Kent (God of Wrath (Legacy of Gods, #3))
“
One hundred and fifty years ago, the monster began, this country had become a place of industry. Factories grew on the landscape like weeds. Trees fell, fields were up-ended, rivers blackened. The sky choked on smoke and ash, and the people did, too, spending their days coughing and itching, their eyes turned forever toward the ground. Villages grew into town, towns into cities. And people began to live on the earth rather than within it.
”
”
Patrick Ness (A Monster Calls)
“
Look, if you say that science will eventually prove there is no God, on that I must differ. No matter how small they take it back, to a tadpole, to an atom, there is always something they can’t explain, something that created it all at the end of the search.
“And no matter how far they try to go the other way – to extend life, play around with the genes, clone this, clone that, live to one hundred and fifty – at some point, life is over. And then what happens? When the life comes to an end?”
I shrugged.
“You see?”
He leaned back. He smiled.
“When you come to the end, that’s where God begins.
”
”
Mitch Albom (Have a Little Faith: a True Story)
“
But Time, unfortunately, though it makes animals and vegetables bloom and fade with amazing punctuality, has no such simple effect upon the mind of man. The mind of man, moreover, works with equal strangeness upon the body of time. An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length; on the other hand, an hour may be accurately represented on the timepiece of the mind by one second.
”
”
Virginia Woolf (Orlando)
“
So I'm not crazy after all! I thought it looked good myself once I cut it all off. Not one guy likes it, though. They all tell me I look like a first grader or a concentration camp survivor. What's this thing that guys have for girls with long hair? Fascists, the whole bunch of them! Why do guys all think girls with long hair are the classiest, the sweetest, the most feminine? I mean, I myself know at least two hundred and fifty unclassy girls with long hair. Really.
”
”
Haruki Murakami (Norwegian Wood)
“
One million fifty-one thousand and
two hundred minutes
That's approximatley how many minutes
I've loved you
It's how many times i've thought about you
How many minutes i've worried about you
How many minutes i've thanked God for you
How many minutes i've thanked every deity in the universe for you.
One million
Fifty-one Thousand
And
Two
Hundred
Minutes
One million fifty-one thousand amd two hundred times.
It's how many times you've made me smile.
How many times you've made me dream,
How many times you've made me believe,
How many times you've made me discover,
How many times you've made me adore,
How many times you've made me cheris,
My life.
....
And exactlly one million fifty-one thousand and two hundred minutes from now, i am going to propose to you, and ask that you share all the rest of the minutes
Of your life, with me.
”
”
Colleen Hoover (Slammed (Slammed, #1))
“
I need about one hundred fifty drafts of a poem to get it right, and fifty more to make it sound spontaneous.
”
”
James Dickey
“
people used to tell me that i had beautiful hands
told me so often, in fact, that one day i started to believe them until i asked my photographer father, “hey daddy could i be a hand model”
to which he said no way,
i dont remember the reason he gave me and i wouldve been upset,
but there were far too many stuffed animals to hold
too many homework assignment to write,
too many boys to wave at
too many years to grow,
we used to have a game, my dad and i about holding hands cus we held hands everywhere, and every time either he or i would whisper a great
big number to the other, pretending that we were keeping track of how many times we had held hands that we were sure, this one had to be 8 million 2 thousand 7 hundred and fifty three.
hands learn more than minds do,
hands learn how to hold other hands,
how to grip pencils and mold poetry,
how to tickle pianos and dribble a basketball,
and grip the handles of a bicycle
how to hold old people, and touch babies ,
i love hands like i love people,
they're the maps and compasses in which we navigate our way through life, some people read palms to tell your future,
but i read hands to tell your past,
each scar marks the story worth telling,
each calloused palm,
each cracked knuckle is a missed punch
or years in a factory,
now ive seen middle eastern hands clenched in middle eastern fists pounding against each other like war drums, each country sees theyre fists as warriors and others as enemies.
even if fists alone are only hands. but this is not about politics, no hands arent about politics, this is a poem about love, and fingers. fingers interlock like a beautiful zipper of prayer.
one time i grabbed my dads hands so that our fingers interlocked perfectly but he changed positions, saying no that hand hold is for your mom.
kids high five, but grown ups, we learn how to shake hands, you need a firm hand shake,but dont hold on too tight, but dont let go too soon, but dont hold down for too long,
but hands are not about politics, when did it become so complicated. i always thought its simple.
the other day my dad looked at my hands, as if seeing them for the first time, and with laughter behind his eye lids, with all the seriousness a man of his humor could muster, he said you know you got nice hands, you could’ve been a hand model, and before the laughter can escape me, i shake my head at him, and squeeze his hand, 8 million 2 thousand 7hundred and fifty four.
”
”
Sarah Kay
“
Then I said, “Matt’s got a big mouth.”
“They all got big mouths, girl, learn that quick. These boys talk more than a pack of women. I lost fifty bucks on you.”
I was stunned speechless again, this time it didn’t last as long.
“What?”
“See, Lee nailed Indy the first night they were together. Not nailed her nailed her but she was in his bed. Eddie, with Jet, it took a few days. Hank and Roxie, like, a day. Vance, like three, but Jules was a virgin and he had to interrupt the festivities once to go out and shoot someone.”
I was blinking rapidly and feeling kind of faint at the amount and sensitivity of information Shirleen was imparting, not to mention what it might mean to me.
“So we had a pool. Everyone threw down money on when they thought Luke would nail you. Mace won five hundred dollars.”
Ho-ly crap.
“So,” she went on. “Did he nail you nail you or did you two just sleep?”
For some reason, I answered her unbelievably nosy question. “We just slept.”
“New pool!” she shouted.
”
”
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
“
Boy, are you in trouble,” Dex said as he caught up with Sophie. “You’ll be lucky if Grady and Edaline let you out of the house before you turn two hundred and fifty.”
“Not helping, Dex.
”
”
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
“
This is ten percent luck, Twenty percent skill, Fifteen percent power of will, Five percent pleasure, Fifty percent pain, and a hundred percent reason to remember the name.
”
”
Mike Shinoda
“
One-hundred-and-fifty miles per hour. No brakes.”
His eyes redden. Our gazes are locked, all of our experiences together rushing through us, every moment where we kissed death but never tasted it. Every time we lived life so terribly— so fully.
And then he snatches my hairband, my brown locks tumbling out of a bun. His jaw glides across my cheek, his hand protectively on the back of my head, his breath warming my ear. And he says, “I’m right beside you, Calloway.
”
”
Krista Ritchie (Long Way Down (Calloway Sisters, #4))
“
.."consider this. It took the earth's population thousand of years-from the early dawn of man all the way to the early 1800s-to reach one billion people. Then astoundingly, it took only about a hundred years to double the population to two billion in the 1920s. After that, it took a mere fifty years for the population to double again to four billion in the 1970s. As you can imagine, we're well on track to reach eight billion very soon. Just today, the human race added another quarter-billion people to planet Earth. A quarter million. And this happens ever day-rain or shine. Currently every year er 're adding the equivalent of the entire country of Germany.
”
”
Dan Brown (Inferno (Robert Langdon, #4))
“
If you didn't figure it out, you weren't worthy of knowing." She huffs. "I waited six hundred and fifty years to hatch. Waited until your eighteenth summer, when I heard our elders talk of a weakling daughter of their general, the girl forecasted to become the head of the scribes, and I knew. You would have the mind of a scribe and the heart of a rider. You would be mine." She leans into my hand. "You are as unique as I am. We want the same things."
"You couldn't have known I would be a rider."
"And yet, here we are."
A thousand questions go through my head, none of which we have the time for, so I give her exactly what I wanted–to be seen for who and what she is.
"You are not a black dragon, or any of the six that we know of. You're a seventh breed."
"Yes." Her eyes widen in excitement.
”
”
Rebecca Yarros (Iron Flame (The Empyrean, #2))
“
We, or at least I, can have no conception of human life and human thought in a hundred years or fifty years. Perhaps my greatest wisdom is the knowledge that I do not know. The sad ones are those who waste their energy in trying to hold it back, for thy can only feel bitterness in loss and no joy in gain.
”
”
John Steinbeck (Travels with Charley: In Search of America)
“
I don't know when they first had feeds. Like maybe, fifty or a hundred years ago. Before that, they had to use their hands and their eyes. Computers were all outside the body. They carried them around outside of them, in their hands, like if you carried your lungs in a briefcase and opened it to breathe.
”
”
M.T. Anderson (Feed)
“
But then in middle school science, Mr. Martinez asked who among us had ever fantasized about living in the clouds, and everyone raised their hand. Then Mr. Martinez told us that up in the clouds the wind blew one hundred and fifty miles an hour and the temperature was thirty below zero and there was no oxygen and we’d all die within seconds.”
“Sounds like a nice guy.”
“He specialized in the murder of dreams, Hazel Grace.let me tell you. You think volcanoes are awesome? Tell that to the ten thousand screaming corpses at Pompeii. You still secretly believe that there is an element of magic to this world? It’s all just soulless molecules bouncing against each other randomly. Do you worry about who will take care of you if your parents die? As well you should, because they will be worm food in the fullness of time.
”
”
John Green (The Fault in Our Stars)
“
Fifty percent of something is better than than one hundred percent of nothing.
”
”
Chuck Barris (You and Me, Babe)
“
I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn't be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children's books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires.
”
”
Gabrielle Zevin (The Storied Life of A.J. Fikry)
“
Food is one of the best things about being alive.
Not just food. Good food. There is a chasm between sustenance and satisfaction, and while she spent the better part of three hundred years eating to stave off the pangs of hunger, she has spent the last fifty delighting in the discovery of flavor. So much of life becomes routine, but food is like music, like art, replete with the promise of something new.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
Could a being create the fifty billion galaxies
each with two hundred billion stars
then rejoice in the smell of burning goat flesh?
”
”
Ron Patterson
“
Everybody knows I was a millionaire. And from there to killing me because they think I'm carrying fifty or a hundred thousand francs around isn't a very long step.
”
”
Henri Charrière (Papillon)
“
That’s why everyone hates each other nowadays,’ he reckoned. ‘Because they are overloaded with non-friends friends. Ever heard about Dunbar’s number?’
And then he had told her about a man called Roger Dunbar at Oxford University, who had discovered that human beings were wired to know only a hundred and fifty people, as that was the average size of hunter-gatherer communities.
”
”
Matt Haig (The Midnight Library)
“
Sharks have everything a scientist dreams of. They're beautiful―God, how beautiful they are! They're like an impossibly perfect piece of machinery. They're as graceful as any bird. They're as mysterious as any animal on earth. No one knows for sure how long they live or what impulses―except for hunger―they respond to. There are more than two hundred and fifty species of shark, and everyone is different from every other one.
”
”
Peter Benchley (Jaws (Jaws, #1))
“
I’ll be real discreet,” Tank said.
As discreet as a six-foot-six, no-neck guy weighing three hundred and fifty pounds, all dressed in black SWAT clothes, with a Glock holstered at his side could be.
”
”
Janet Evanovich (Plum Spooky (Stephanie Plum, #14.5))
“
This is best illustrated by looking up into the night sky at stars whose brilliance took fifty light-years to reach our eyes. Or five hundred. Or five billion. We’re not just looking into space, we’re looking back through time.
”
”
Blake Crouch (Dark Matter)
“
I possessed nearly five thousand volumes in my library at Rome; but after reading them over many times, I found out that with a hundred and fifty well-chosen books a man possesses a complete analysis of all human knowledge, or at least all that is either useful or desirable to be acquainted with. – Abbe Faria
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
When I make love to you,’ he said in a low whisper right by my ear, ‘I want to be able to give you one hundred percent of my attention. Right now, with the Unit on our tail, I’m going to be giving you less than fifty percent. I’ve got one eye on the door and one on you, not to mention a gun under the pillow. Not exactly the accessory I imagined.
”
”
Sarah Alderson (The Lila Collection)
“
Yes," Bitterblue said. "I suppose you could convert everything into minutes. Twelve times sixty is seven hundred twenty, and fifteen times fifty is seven hundred fifty. So our seven-hundred-twenty-minute half day equals its seven-hundred-fifty-minute half day. Let's see...Right now, the watch reads a time of nearly twenty-five past two. That's one hundred twenty-five total minutes, which, divided by seven hundred fifty, should equal our time in minutes divided by seven hundred twenty...so, seven hundred twenty times one hundred twenty-five is...give me a moment...ninety thousand...divided by seven hundred fifty...is one hundred twenty...which means...well! The numbers are quite neat, aren't they? It's just about two o'clock. I should go home.
”
”
Kristin Cashore (Bitterblue (Graceling Realm, #3))
“
The intensity in his gaze created a flutter low in my belly. When he spoke, his voice was rough, sending a series of chills up and down my spine. “I don’t know what made you change your sleeping attire, but I just want to let you know that I am a hundred and fifty-five percent behind it.” All I could think was that he liked what he saw and that was a good sign. “Actually, if you want to dress like that whenever we’re alone—to eat dinner, watch the TV, read a book or whatever, I also support that.
”
”
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
“
The end of the world. Let me tell you about the end of the world. It happened fifty years ago. Maybe a hundred. And since then it's been lovely. I mean it. Nobody tries to bother you. You can relax. You know what? I like the end of the world.
”
”
Thomas M. Disch (334)
“
Not everything in life is so black and white, but the authenticity of the Book of Mormon and its keystone role in our religion seem to be exactly that. Either Joseph Smith was the prophet he said he was, a prophet who, after seeing the Father and the Son, later beheld the angel Moroni, repeatedly heard counsel from Moroni's lips, and eventually received at his hands a set of ancient gold plates that he then translated by the gift and power of God, or else he did not. And if he did not, he would not be entitled to the reputation of New England folk hero or well-meaning young man or writer of remarkable fiction. No, nor would he be entitled to be considered a great teacher, a quintessential American religious leader, or the creator of great devotional literature. If he had lied about the coming forth of the Book of Mormon, he would certainly be none of these...
If Joseph Smith did not translate the Book of Mormon as a work of ancient origin, then I would move heaven and earth to meet the "real" nineteenth-century author. After one hundred and fifty years, no one can come up with a credible alternative candidate, but if the book were false, surely there must be someone willing to step forward-if no one else, at least the descendants of the "real" author-claiming credit for such a remarkable document and all that has transpired in its wake. After all, a writer that can move millions can make millions. Shouldn't someone have come forth then or now to cashier the whole phenomenon?
”
”
Jeffrey R. Holland
“
I do not see how it is possible for a man to die worth fifty million of dollars, or ten million of dollars, in a city full of want, when he meets almost every day the withered hand of beggary and the white lips of famine. How a man can withstand all that, and hold in the clutch of his greed twenty or thirty million of dollars, is past my comprehension. I do not see how he can do it. I should not think he could do it any more than he could keep a pile of lumber on the beach, where hundreds and thousands of men were drowning in the sea.
”
”
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
“
Concerning trees and leaves... there's a real power here. It is amazing that trees can turn gravel and bitter salts into these soft-lipped lobes, as if I were to bite down on a granite slab and start to swell, bud and flower. Every year a given tree creates absolutely from scratch ninety-nine percent of its living parts. Water lifting up tree trunks can climb one hundred and fifty feet an hour; in full summer a tree can, and does, heave a ton of water every day. A big elm in a single season might make as many as six million leaves, wholly intricate, without budging an inch; I couldn't make one. A tree stands there, accumulating deadwood, mute and rigid as an obelisk, but secretly it seethes, it splits, sucks and stretches; it heaves up tons and hurls them out in a green, fringed fling. No person taps this free power; the dynamo in the tulip tree pumps out even more tulip tree, and it runs on rain and air.
”
”
Annie Dillard
“
Stop it, girl. There’s no way he’s five-years-old. Or one hundred. He’s probably like every other CEO on the planet: Late twenties, handsome in that geeky sort of way, and just as awkward as you. I breathe a sigh of relief, because I know I’m probably right.
”
”
Andrew Shaffer (Fifty-one Shades: A Parody (First Three Chapters))
“
From around the age of six, I had the habit of sketching from life. I became an artist, and from fifty on began producing works that won some reputation, but nothing I did before the age of seventy was worthy of attention. At seventy-three, I began to grasp the structures of birds and beasts, insects and fish, and of the way plants grow. If I go on trying, I will surely understand them still better by the time I am eighty-six, so that by ninety I will have penetrated to their essential nature. At one hundred, I may well have a positively divine understanding of them, while at one hundred and thirty, forty, or more I will have reached the stage where every dot and every stroke I paint will be alive. May Heaven, that grants long life, give me the chance to prove that this is no lie.
”
”
Katsushika Hokusai
“
First single. Fucking brilliant. Perhaps the most fucking brilliant song ever written. Because they nailed it. That’s what everyone wants. Not 24-7 hot wet sex. Not a marriage that lasts a hundred years. Not a Porsche or a blow job or a million-dollar crib. No. They wanna hold your hand. They have such a feeling that they can’t hide. Every single successful love song of the past fifty years can be traced back to ‘I Wanna Hold Your Hand.’ And every single successful love story has those unbearable and unbearably exciting moments of hand-holding. Trust me. I’ve thought a lot about this.
About "I wanna hold your hand" by The Beatles
”
”
David Levithan
“
....one of those long, romantic novels, six hundred and fifty pages of small print, translated from French or German or Hungarian or something -- because few of the English ones have the exact feeling I mean. And you read one page of it or even one phrase of it, and then you gobble up all the rest and go about in a dream for weeks afterwards, for months afterwards -- perhaps all your life, who knows? -- surrounded by those six hundred and fifty pages, the houses, the streets, the snow, the river, the roses, the girls, the sun, the ladies' dresses and the gentlemen's voices, the old, wicked, hard-hearted women and the old, sad women, the waltz music -- everything. What is not there you put in afterwards, for it is alive, this book, and it grows in your head. 'The house I was living in when I read that book,' you think, or 'This colour reminds me of that book.
”
”
Jean Rhys (Tigers are Better-Looking: With a Selection from The Left Bank (Penguin Twentieth-Century Classics))
“
The reason that the rich were so rich, Vimes reasoned, was because they managed to spend less money. Take boots, for example. He earned thirty-eight dollars a month plus allowances. A really good pair of leather boots cost fifty dollars. But an affordable pair of boots, which were sort of OK for a season or two and then leaked like hell when the cardboard gave out, cost about ten dollars. Those were the kind of boots Vimes always bought, and wore until the soles were so thin that he could tell where he was in Ankh-Morpork on a foggy night by the feel of the cobbles. But the thing was that good boots lasted for years and years. A man who could afford fifty dollars had a pair of boots that’d still be keeping his feet dry in ten years’ time, while a poor man who could only afford cheap boots would have spent a hundred dollars on boots in the same time and would still have wet feet. This was the Captain Samuel Vimes “Boots” theory of socioeconomic unfairness.
”
”
Terry Pratchett
“
The mind of man works with strangeness upon the body of time. An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length; on the other hand, an hour may be accurately represented by the timepiece of the mind by one second. This extraordinary discrepancy between time on the clock and time in the mind is less known than it should be, and deserves fuller investigation.
”
”
Virginia Woolf (Orlando)
“
My shoulders sagged. Really, is it too much to ask that I be able to come home from a long day of work and relax? Oh, no. I have to come home and read a bunch of letters written to the love of my life by his fiancée, who, if I am correct, had him killed a hundred and fifty years ago.
Then, as if that is not bad enough, he wants me to explain the Vietnam War.
”
”
Meg Cabot
“
Fifty percent of Panga’s single continent was designated for human use; the rest was left to nature, and the ocean was barely touched at all. It was a crazy split, if you thought about it: half the land for a single species, half for the hundreds of thousands of others. But then, humans had a knack for throwing things out of balance. Finding a limit they’d stick to was victory enough.
”
”
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
“
One-way ticket to Las Vegas: three hundred fifty dollars. A week's stay at the
Bellagio while he convinced Nicki to give him this crazy job: eighteen hundred dollars.
Cost of pizza to bribe his way into her apartment: fifteen bucks. Seeing her reaction to his
claim that she didn't particularly affect him sexually: absolutely priceless.
”
”
Shayla Black (Strip Search (Sexy Capers, #2))
“
There are hundreds of reasons for Daniel and me
to be impossible. History has not been kind
to two boys who love each other like we do.
But putting that aside. And not even considering
the fact that a hundred and fifty years ago,
his family was in a small town in Russia
and my family was in a similarly small town
in Ireland- I can't imagine they could have
imagined us here, together. Forgetting our gender,
ignoring all the strange roads that led to us
being in the same time and place, there is still
the simple impossibility of love. That all of our
contradicting securities and insecurities,
interests and disinterests, beliefs and doubts,
could somehow translate into this common
uncommon affection should be as impossible
as walking to the moon. But instead, I love him.
”
”
David Levithan (The Realm of Possibility)
“
A hundred and fifty years before, when the parochial disagreements between Earth and Mars had been on the verge of war, the Belt had been a far horizon of tremendous mineral wealth beyond viable economic reach, and the outer planets had been beyond even the most unrealistic corporate dream. Then Solomon Epstein had built his little modified fusion drive, popped it on the back of his three-man yacht, and turned it on. With a good scope, you could still see his ship going at a marginal percentage of the speed of light, heading out into the big empty. The best, longest funeral in the history of mankind. Fortunately, he’d left the plans on his home computer. The Epstein Drive hadn’t given humanity the stars, but it had delivered the planets.
”
”
James S.A. Corey (Leviathan Wakes (The Expanse, #1))
“
Put him in there and chain him up," he ordered curtly. "Yes, that chain, you fool - do you see any other chain in that cell? Peaceable Sherwood? I'm tired of hearing about Peaceable Sherwood! Turn him loose in the cell for the night. - Which one of you said 'Where'll he be by morning?' Where does he look like he's going to be by morning, I ask you - a hundred and fifty miles away?"
I was, to be exact, only seven and a half miles away by morning...
”
”
Elizabeth Marie Pope (The Sherwood Ring)
“
What's the big idea?" Sabrina demanded.
"I declared war on you, remember?" Puck said.
Sabrina rolled her eyes. "Is this another one of your stupid pranks?"
Puck sniffed. "You have contaminated me with your puberty virus and you called my villainy into question."
"First of all, puberty isn't a virus," Sabrina said as she fought a tug of was with the Pegasus for her now rather damp pillow."Secondly, I'm sorry if I gave you the itty-bitty baby and boo-boo face. Do you wasnt me to give you a hug?"
Puck curled his lip in anger.
"Oh, now is the baby cranky. Perhaps we should put him down for a nap?"
"We'll see who's laughing soon enough," Puck said. "You see these flying horses?"
"Duh!"
"These horses have a very special diet," Puck said. "For the last two days they have eaten nothing but chili dogs and prune juice."
Sabrina heard a rumble coming from Puck's horse. It was so loud it drowned out the sound of its beating wings. Sabrina couldn't tell if the churn of the sound was worse for the Pegasus but it whined a bit and its eyes bulged nervously.
Puck continued. "Now, chili dogs and prune juice are a hard combination on a person's belly. It can keep a human being on the toilet for a week. Imagine what would happen if I fed chili dogs and prune juice to an eight-hundred-and-fifty-pound flying horse. Oh, wait a minute! You don't have to imagine it. I did feed chili dogs and prune juice to an eight-hundred-and-fifty-pound flying horse. In fact, I fed them all the same thing!
”
”
Michael Buckley (The Everafter War (The Sisters Grimm, #7))
“
You see Carter, people are two things: greedy and cruel. So we have a perfect set-up here. The greed part - a kid pays a buck for a chance to win a hundred. Plus fifty boxes of chocolates. The cruel part - watching two guys hitting each other, maybe hurting each other, while they're safe in the bleachers. That's why it works, Carter, because we're all bastards.
”
”
Robert Cormier (The Chocolate War (Chocolate War, #1))
“
The Rangers were founded over one hundred and fifty years ago, in King Herbert's reign. Do you know anything about him?" Halt looked sideways at the boy sitting beside him, tossing the question out quickly to see his response.
Will hesitated. He vaugely remembered the name from history lessons in the Ward, but he couldn't remember any details. Still, he decided he'd try to bluff his way through it...
"Oh ... yes," he said, "King Herbert. We learned about him."
"Really?" said the Ranger expansively. "Perhaps you could tell me a little about him?" He leaned back and crossed his legs, getting himself comfortable...
"He was ..." he hesitated, pretending to gather his thoughts. "The king." That much he was sure of. Halt merely smiled and made a rolling gesture with his hand that meant go on.
"He was the king ... a hundred and fifty years ago," Will said, trying to sound certain of his facts. The Ranger smiled at him, gesturing for him to continue yet again.
"Ummm ... well, I seem to recall that he was the one who founded the Ranger Corps," he said hopefully, and Halt raised his eyebrows in mock surprise.
"Really? You recall that, do you?
”
”
John Flanagan (The Ruins of Gorlan (Ranger's Apprentice, #1))
“
At this second appearing to take the oath of the Presidential office there is less occasion for an extended address than there was at the first. Then a statement somewhat in detail of a course to be pursued seemed fitting and proper. Now, at the expiration of four years, during which public declarations have been constantly called forth on every point and phase of the great contest which still absorbs the attention and engrosses the energies of the nation, little that is new could be presented. The progress of our arms, upon which all else chiefly depends, is as well known to the public as to myself, and it is, I trust, reasonably satisfactory and encouraging to all. With high hope for the future, no prediction in regard to it is ventured.
On the occasion corresponding to this four years ago all thoughts were anxiously directed to an impending civil war. All dreaded it, all sought to avert it. While the inaugural address was being delivered from this place, devoted altogether to saving the Union without war, insurgent agents were in the city seeking to destroy it without war--seeking to dissolve the Union and divide effects by negotiation. Both parties deprecated war, but one of them would make war rather than let the nation survive, and the other would accept war rather than let it perish, and the war came.
One-eighth of the whole population were colored slaves, not distributed generally over the Union, but localized in the southern part of it. These slaves constituted a peculiar and powerful interest. All knew that this interest was somehow the cause of the war. To strengthen, perpetuate, and extend this interest was the object for which the insurgents would rend the Union even by war, while the Government claimed no right to do more than to restrict the territorial enlargement of it. Neither party expected for the war the magnitude or the duration which it has already attained. Neither anticipated that the cause of the conflict might cease with or even before the conflict itself should cease. Each looked for an easier triumph, and a result less fundamental and astounding. Both read the same Bible and pray to the same God, and each invokes His aid against the other. It may seem strange that any men should dare to ask a just God's assistance in wringing their bread from the sweat of other men's faces, but let us judge not, that we be not judged. The prayers of both could not be answered. That of neither has been answered fully. The Almighty has His own purposes. "Woe unto the world because of offenses; for it must needs be that offenses come, but woe to that man by whom the offense cometh." If we shall suppose that American slavery is one of those offenses which, in the providence of God, must needs come, but which, having continued through His appointed time, He now wills to remove, and that He gives to both North and South this terrible war as the woe due to those by whom the offense came, shall we discern therein any departure from those divine attributes which the believers in a living God always ascribe to Him? Fondly do we hope, fervently do we pray, that this mighty scourge of war may speedily pass away. Yet, if God wills that it continue until all the wealth piled by the bondsman's two hundred and fifty years of unrequited toil shall be sunk, and until every drop of blood drawn with the lash shall be paid by another drawn with the sword, as was said three thousand years ago, so still it must be said "the judgments of the Lord are true and righteous altogether."
With malice toward none, with charity for all, with firmness in the right as God gives us to see the right, let us strive on to finish the work we are in, to bind up the nation's wounds, to care for him who shall have borne the battle and for his widow and his orphan, to do all which may achieve and cherish a just and lasting peace among ourselves and with all nations.
”
”
Abraham Lincoln (Great Speeches / Abraham Lincoln: with Historical Notes by John Grafton)
“
-A Word On Statistics-
Out of every hundred people,
those who always know better:
fifty-two.
Unsure of every step:
almost all the rest.
Ready to help,
if it doesn't take long:
forty-nine.
Always good,
because they cannot be otherwise:
fourwell, maybe five.
Able to admire without envy:
eighteen.
Led to error
by youth (which passes):
sixty, plus or minus.
Those not to be messed with:
four-and-forty.
Living in constant fear
of someone or something:
seventy-seven.
Capable of happiness:
twenty-some-odd at most.
Harmless alone,
turning savage in crowds:
more than half, for sure.
Cruel
when forced by circumstances:
it's better not to know,
not even approximately.
Wise in hindsight:
not many more
than wise in foresight.
Getting nothing out of life except things:
thirty
(though I would like to be wrong).
Balled up in pain
and without a flashlight in the dark:
eighty-three, sooner or later.
Those who are just:
quite a few, thirty-five.
But if it takes effort to understand:
three.
Worthy of empathy:
ninety-nine.
Mortal:
one hundred out of one hundred
a figure that has never varied yet.
”
”
Wisława Szymborska
“
Pale, nervous girls with black-rimmed glasses and blunt-cut hair lolled around on sofas, riffling Penguin Classics provocatively… But it wasn’t just intellectual experiences. They were peddling emotional ones, too. For fifty bucks, I learned, you could ‘relate without getting close.’ For a hundred, a girl would lend you her Bartok records, have dinner, and then let you watch while she had an anxiety attack.
”
”
Woody Allen
“
And so their spirits soared
as they took positions own the passageways of battle
all night long, and the watchfires blazed among them.
Hundreds strong, as stars in the night sky glittering
round the moon's brilliance blaze in all their glory
when the air falls to a sudden, windless calm...
all the lookout peaks stand out and the jutting cliffs
and the steep ravines and down from the high heavens bursts
the boundless bright air and all the stars shine clear
and the shepherd's heart exults - so many fires burned
between the ships and the Xanthus' whirling rapids
set by the men of Troy, bright against their walls.
A thousand fires were burning there on the plain
and beside each fire sat fifty fighting men
poised in the leaping blaze, and champing oats
and glistening barley, stationed by their chariots,
stallions waited for Dawn to mount her glowing throne.
”
”
Homer (The Iliad)
“
We came from a mystery and it's to a mystery we go Maybe there's something there, but I'm betting it's not God as any church understands Him. Look at the babble of conflicting beliefs and you'll know that. They cancel each other out and leave nothing. If you want truth, a power greater than yourselves, look to the lightning - a billion volts in each strike, and a hundred thousand amperes of current, and temperatures of fifty thousand degrees Fahrenheit. There's a higher power in that, I grant you. But here in this building? No. Believe what you want, but I tell you this: behind Saint Paul's darkened glass, there is nothing but a lie.
”
”
Stephen King (Revival)
“
I like walking round London at night, I do it all the time. Not for no reason, just cos... it's home, innit? It's brilliant, you can't ever get bored of London cos even if you live here for like a hundred and fifty years you still won't ever know everything about it. There's always something new. Like, you're walking round somewhere you've known since you was born and you look up and there's an old clock on the side of a building you never seen before, or there's a little gargoyley face over a window or something. Don't you think it's cool?
”
”
Richard Rider (No Beginning, No End (Stockholm Syndrome, #3))
“
I was obviously born to draw better than most people, just as the widow Berman and Paul Slazinger were obviously born to tell stories better than most people can. Other people are obviously born to sing and dance or explain the stars in the sky or do magic tricks or be great leaders or athletes, and so on.
I think that could go back to the time when people had to live in small groups of relatives -- maybe fifty or a hundred people at the most. And evolution or God or whatever arranged things genetically to keep the little families going, to cheer them up, so that they could all have somebody to tell stories around the campfire at night, and somebody else to paint pictures on the walls of the caves, and somebody else who wasn't afraid of anything and so on.
That's what I think. And of course a scheme like that doesn't make sense anymore, because simply moderate giftedness has been made worthless by the printing press and radio and television and satellites and all that. A moderately gifted person who would have been a community treasure a thousand years ago has to give up, has to go into some other line of work, since modern communications put him or her into daily competition with nothing but the world's champions.
The entire planet can get along nicely now with maybe a dozen champion performers in each area of human giftedness. A moderately gifted person has to keep his or her gifts all bottled up until, in a manner of speaking, he or she gets drunk at a wedding and tapdances on the coffee table like Fred Astair or Ginger Rogers. We have a name for him or her. We call him or her an 'exhibitionist.'
How do we reward such an exhibitionist? We say to him or her the next morning, 'Wow! Were you ever _drunk_ last night!
”
”
Kurt Vonnegut Jr. (Bluebeard)
“
I knew I had an ugly life. I knew I was lonely and I was scared. I thought something might be wrong with my father, wrong in the worst possible way. I believed he might contain a pathology of the mind--an emptiness--a knocking hollow where his soul should have been. But I also knew that one day, I would grow up. One day, I would be twenty, or thirty, or forty, even fifty and sixty and seventy and eighty and maybe even one hundred years old. And all those years were mine, they belonged to nobody but me. So even if I was unhappy now, it could all change tomorrow. Maybe I didn't even need to jump off the cliff to experience that kind of freedom. Maybe the fact that I knew such a freedom existed in the world meant that I could someday find it.
Maybe, I thought, I don't need a father to be happy. Maybe, what you get from a father you can get somewhere else, from somebody else, later. Or maybe you can just work around what's missing, build the house of your life over the hole that is there and always will be.
”
”
Augusten Burroughs (A Wolf at the Table)
“
What is it that constitutes virtue, Mrs. Graham? Is it the circumstance of being able and willing to resist temptation; or that of having no temptations to resist? - Is he a strong man that overcomes great obstacles and performs surprising achievements, though by dint of great muscular exertion, and at the risk of some subsequent fatigue, or he that sits in his chair all day, with nothing to do more laborious than stirring the fire, and carrying his food to his mouth? If you would have your son to walk honourably through the world, you must not attempt to clear the stones from his path, but teach him to walk firmly over them - not insist upon leading him by the hand, but let him learn to go alone.'
'I will lead him by the hand, Mr. Markham, till he has strength to go alone; and I will clear as many stones from his path as I can, and teach him to avoid the rest - or walk firmly over them, as you say; - for when I have done my utmost, in the way of clearance, there will still be plenty left to exercise all the agility, steadiness, and circumspection he will ever have. - It is all very well to talk about noble resistance, and trials of virtue; but for fifty - or five hundred men that have yielded to temptation, show me one that has had virtue to resist. And why should I take it for granted that my son will be one in a thousand? - and not rather prepare for the worst, and suppose he will be like his - like the rest of mankind, unless I take care to prevent it?
”
”
Anne Brontë (The Tenant of Wildfell Hall)
“
I never got over that," he murmured, breaking away just long enough for a breath.
I slid my hands up his chest. "What?"
"How well you kiss. Over the last seven years," he went on, resting his forehead against mine, "I went on so many dates, I kissed so many people, I tried to fall in love again and again, and all I could think about was you."
I wasn't sure what to say. "All seven years?"
"Two thousand five hundred and fifty-five days. Not that I was counting," he added, because clearly he had been, and that made the butterflies in my stomach awfully happy. Seven years—seven whole years.
”
”
Ashley Poston (The Seven Year Slip)
“
Congratulations, now you know the single reason why the world is the way it is. You see the problem right away—everything we do requires cooperation in groups larger than a hundred and fifty. Governments. Corporations. Society as a whole. And we are physically incapable of handling it. So every moment of the day we urgently try to separate everyone on earth into two groups—those inside the sphere of sympathy and those outside. Black versus white, liberal versus conservative, Muslim versus Christian, Lakers fan versus Celtics fan. With us, or against us. Infected versus clean. “We simplify tens of millions of individuals down into simplistic stereotypes, so that they hold the space of only one individual in our limited available memory slots. And here is the key—those who lie outside the circle are not human. We lack the capacity to recognize them as such. This is why you feel worse about your girlfriend cutting her finger than you do about an earthquake in Afghanistan that kills a hundred thousand people. This is what makes genocide possible. This is what makes it possible for a CEO to sign off on a policy that will poison a river in Malaysia and create ten thousand deformed infants. Because of this limitation in the mental hardware, those Malaysians may as well be ants.
”
”
David Wong (This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It (John Dies at the End, #2))
“
Time can play all sorts of tricks on you. In the blink of an eye, babies appear in carriages, coffins disappear into the ground, wars are won and lost, and children transform, like butterflies, into adults. That's what happened to me. Once upon a time, I was a boy named Hugo Cabret, and I desperately believed that a broken automaton would save my life. Now that my cocoon has fallen away and I have emerged as a magician named Professor Alcofrisbas, I can look back and see that I was right. The automaton my father discovered did save me. But now I have built a new automaton. I spent countless hours designing it. I made every gear myself, carefully cut every brass disk, and fashioned every bt of machinery with my own hands. When you wind it up, it can do something I'm sure no other automaton in the world can do. It can tel you the incredible story of Georges Melies, his wife, their goddaughter, and a beloved clock maker whose son grew up to be a magician. The complicated machinery inside my automaton can produce one-hundred and fifty-eight different pictures, and it can wrote, letter, by letter, an entire book, twenty-six thousand one hundred and fifty-nine words. These words.
THE END
”
”
Brian Selznick (The Invention of Hugo Cabret)
“
For the last fifty years or so, The Novel’s demise has been broadcast on an almost weekly basis. Yet it strikes me that whatever happens, however else the geography of the imagination might modify in the future in, say, the digital ether, The Novel will continue to survive for some long time to come because it is able to investigate and cherish two things that film, music, painting, dance, architecture, drama, podcasts, cellphone exchanges, and even poetry can’t in a lush, protracted mode. The first is the intricacy and beauty of language—especially the polyphonic qualities of it to which Bakhtin first drew our attention. And the second is human consciousness. What other art form allows one to feel we are entering and inhabiting another mind for hundreds of pages and several weeks on end?
”
”
Lance Olsen
“
The Sam Vimes "Boots" Theory of Economic Injustice runs thus:
At the time of Men at Arms, Samuel Vimes earned thirty-eight dollars a month as a Captain of the Watch, plus allowances. A really good pair of leather boots, the sort that would last years and years, cost fifty dollars. This was beyond his pocket and the most he could hope for was an affordable pair of boots costing ten dollars, which might with luck last a year or so before he would need to resort to makeshift cardboard insoles so as to prolong the moment of shelling out another ten dollars.
Therefore over a period of ten years, he might have paid out a hundred dollars on boots, twice as much as the man who could afford fifty dollars up front ten years before. And he would still have wet feet.
Without any special rancour, Vimes stretched this theory to explain why Sybil Ramkin lived twice as comfortably as he did by spending about half as much every month.
”
”
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
“
I'm quickly approaching the moment of discovery: of myself by myself, which was something I knew all along and yet didn't know; and the discovery by poor half-blind Dr. Philobosian of what he'd failed to notice at my birth and continued to miss during every annual physical thereafter; and the discovery by my parents of what kind of child they'd given birth to (answer: the same child, only different); and finally, the discovery of the mutated gene that had lain buried in our bloodline for two hundred and fifty years, biding its time, waiting for Ataturk to attack, for Hajienestis to turn into glass, for a clarinet to play seductively out a back window, until, comint together with its recessive twin, it started the chain of events that led to me, here, writing in Berlin.
”
”
Jeffrey Eugenides (Middlesex)
“
Dante was standing near the Ponte Vecchio, a bridge that crosses the Arno River in Florence. It was just before 1300… Dante saw Beatrice standing on the bridge. He was a young man, she even younger, and that vision contained the whole of eternity for him.
Dante did not speak to her and saw her very little. And then Beatrice died, carried off by plague. Dante was stricken with the loss of his vision. She was the connection between his soul and Heaven itself, and from it the Divine Comedy was born.
Six hundred fifty years later, during World War II, the Americans were chasing the German army up the Italian peninsula. The Germans were blowing up everything of aid to the progression of the American army, including the bridges across the Arno River. But no one wanted to blow up the Ponte Vecchio, because Beatrice had stood on it and Dante had written about her. So the German commandant made radio contact with the Americans and, in plain language, said they would leave the Ponte Vecchio intact if the Americans would promise not to use it. The promise was held. The bridge was not blown up, and not one American soldier or piece of equipment went across it. We’re such hard bitten people that we need hard bitten proof of things, and this is the most hard bitten fact I know to present to you. The bridge was spared, in a modern, ruthless war, because Beatrice had stood upon it.
”
”
Robert A. Johnson (Inner Gold: Understanding Psychological Projection)
“
Fatima went back to her tent, and, when daylight came, she went out to do the chores she had done for years. But everything had changed. The boy was no longer at the oasis, and the oasis would never again have the same meaning it had had only yesterday. It would no longer be a place with fifty thousand palm trees and three hundred wells, where the pilgrims arrived, relieved at the end of their long journeys. From that day on, the oasis would be an empty place for her.
From that day on, it was the desert that would be important. She would look to it everyday, and would try to guess which star the boy was following in search of his treasure. She would have to send her kisses on the wind, hoping that the wind would touch the boy's face, and would tell him that she was alive. That she was waiting for him, a woman awaiting a courageous man in search of his treasure. From that day on, the desert would represent only one thing to her: the hope for his return.
”
”
Paulo Coelho (The Alchemist)
“
Starting in 1792 with George Washington, there were financial crises every ten to fifteen years. Panics, bank runs, credit freezes, crashes, depressions. People lost their farms, families were wiped out. This went on for more than a hundred years, until the Great Depression, when Oklahoma turned to dust. "We can do better than this." Americans said. "We don't need to go back to the boom-and-bust cycle." The Great Depression produced three regulations:
The FDIC-your bank deposits were safe.
Glass-Steagall-banks couldn't go crazy with your money.
The SEC-stock markets would be tightly controlled.
For fifty years, these rules kept America from having another financial crisis. Not one panic or meltdown or freeze. They gave Americans security and prosperity. Banking was dull. The country produced the greatest middle class the world had ever seen.
”
”
Elizabeth Warren
“
A daffodil bulb will divide and redivide endlessly. That's why, like the peony, it is one of the few flowers you can find around abandoned farmhouses, still blooming and increasing in numbers fifty years after the farmer and his wife have moved to heaven, or the other place, Boca Raton. If you dig up a clump when no one is nearby and there is no danger of being shot, you'll find that there are scores of little bulbs in each clump, the progeny of a dozen or so planted by the farmer's wife in 1942. If you take these home, separate them, and plant them in your own yard, within a couple of years, you'll have a hundred daffodils for the mere price of a trespassing fine or imprisonment or both. I had this adventure once, and I consider it one of the great cheap thrills of my gardening career. I am not advocating trespassing, especially on my property, but there is no law against having a shovel in the trunk of your car.
”
”
Cassandra Danz (Mrs. Greenthumbs: How I Turned a Boring Yard into a Glorious Garden and How You Can, Too)
“
At least I’ve got football .
It’s been my life since I was seven, but sometimes Henry says I need to spend less time focusing and start “living life like I’m going to hell tomorrow.”
But I feel like a normal teenager. Wel , as normal as I can be. I mean, obviously I think Justin Timberlake is a mega-hunk, but I’m also over six feet tal and can launch a footbal fifty yards.
Other ways I’m not normal?
A girl who hangs with an entire football team must hook up all the time, right?
Nope.
I’ve never had a boyfriend. Hell , I’ve never even kissed a guy. The closest I’ve ever come to a kiss happened just this past summer, but it was a joke. At a party, one of those cheerleaders suggested we all play a game of seven minutes in heaven, you know, the game where you go into a closet and kiss? Somehow Henry and I got sent into the closet together, and of course we didn’t kiss, but we ended up in a mad thumb-wrestling match. Which turned into a shoving match. Which turned into everyone thinking we’d hooked up in the closet. Yeah, right. He’s like my brother.
”
”
Miranda Kenneally (Catching Jordan (Hundred Oaks, #1))
“
And it was never but once a year that they were brought together anyway, and that was on the neutral, dereligionized ground of Thanksgiving, when everybody gets to eat the same thing, nobody sneaking off to eat funny stuff--no kugel, no gefilte fish, no bitter herbs, just one colossal turkey for two hundred and fifty million people--one colossal turkey feeds all. A moratorium on the three-thousand-year-old nostalgia of the Jews, a moratorium on Christ and the cross and the crucifixion of the Christians, when everyone in New Jersey and elsewhere can be more passive about their irrationalities than they are the rest of the year. A moratorium on all the grievances and resentments, and not only for the Dwyers and the Levovs but for everyone in America who is suspicious of everyone else. It is the American pastoral par excellence and it lasts twenty-four hours.
”
”
Philip Roth (American Pastoral)
“
The Beatles.”
“What about The Beatles?”
“They nailed it.”
“Nailed what?”
“Everything.”
“What do you mean?”
Dev takes his arm and puts it right against mine, skin to skin, sweat on sweat, touch on touch. Then he glides his hand into mine and intertwines our fingers.
“This,” he says. “This is why The Beatles got it.”
“I’m afraid I’m not following…”
“Other bands, it’s about sex. Or pain. Or some fantasy. But The Beatles, they knew what they were doing.You know the reason The Beatles made it so big?”
“What?”
‘I Wanna Hold Your Hand.’ First single. Fucking brilliant. Perhaps the most fucking brilliant song ever written. Because they nailed it. That’s what everyone wants. Not 24-7 hot wet sex. Not a marriage that lasts a hundred years. Not a Porsche or a blow job or a million-dollar crib. No. They wanna hold your hand. They have such a feeling that they can’t hide. Every single successful love song of the past fifty years can be traced back to ‘I Wanna Hold Your Hand.’ And every single successful love story has those unbearable and unbearably exciting moments of hand-holding.
”
”
Rachel Cohn
“
All those summer drives, no matter where I was going, to a person, a project, an adventure, or home, alone in the car with my social life all before and behind me, I was suspended in the beautiful solitude of the open road, in a kind of introspection that only outdoor space generates, for inside and outside are more intertwined than the usual distinctions allow. The emotion stirred by the landscape is piercing, a joy close to pain when the blue is deepest on the horizon or the clouds are doing those spectacular fleeting things so much easier to recall than to describe. Sometimes I thought of my apartment in San Francisco as only a winter camp and home as the whole circuit around the West I travel a few times a year and myself as something of a nomad (nomads, contrary to current popular imagination, have fixed circuits and stable relationships to places; they are far from beign the drifters and dharma bums that the word nomad often connotes nowadays). This meant that it was all home, and certainly the intense emotion that, for example, the sequence of mesas alongside the highway for perhaps fifty miles west of Gallup, N.M., and a hundred miles east has the power even as I write to move me deeply, as do dozens of other places, and I have come to long not to see new places but to return and know the old ones more deeply, to see them again. But if this was home, then I was both possessor of an enchanted vastness and profoundly alienated.
”
”
Rebecca Solnit (A Field Guide to Getting Lost)
“
The answer was obvious. Life had no meaning. On the earth, satellite of a star speeding through space, living things had arisen under the influence of conditions which were part of the planet's history; and as there had been a beginning of life upon it so, under the influence of other conditions, there would be an end: man, no more significant than other forms of life, had come not as the climax of creation but as a physical reaction to the environment. Philip remembered the story of the Eastern King who, desiring to know the history of man, was brought by a sage five hundred volumes; busy with affairs of state, he bade him go and condense it; in twenty years the sage returned and his history now was in no more than fifty volumes, but the King, too old then to read so many ponderous tomes, bade him go and shorten it once more; twenty years passed again and the sage, old and gray, brought a single book in which was the knowledge the King had sought; but the King lay on his death-bed, and he had no time to read even that; and then the sage gave him the history of man in a single line; it was this: he was born, he suffered, and he died. There was no meaning in life, and man by living served no end. It was immaterial whether he was born or not born, whether he lived or ceased to live. Life was insignificant and death without consequence. Philip exulted, as he had exulted in his boyhood when the weight of a belief in God was lifted from his shoulders: it seemed to him that the last burden of responsibility was taken from him; and for the first time he was utterly free. His insignificance was turned to power, and he felt himself suddenly equal with the cruel fate which had seemed to persecute him; for, if life was meaningless, the world was robbed of its cruelty. What he did or left undone did not matter. Failure was unimportant and success amounted to nothing. He was the most inconsiderate creature in that swarming mass of mankind which for a brief space occupied the surface of the earth; and he was almighty because he had wrenched from chaos the secret of its nothingness.
”
”
W. Somerset Maugham (Of Human Bondage)
“
Write poorly.
Suck
Write
awful
Terribly
Frightfully
Don't
care
Turn off the inner editor
Let yourself
write
Let it
flow
Let yourself
fail
Do something
crazy
Write fifty thousand words in the month of
November.
I did it.
It was
fun
, it was
insane
, it was
one thousand six
hundred and sixty-seven words a day.
It was
possible.
But you have to turn off your inner critic.
Off completely.
Just
write.
Quickly.
In
bursts.
With
joy.
If you can't write, run away for a few.
Come
back.
Write
again.
Writing is like anything else.
You won't get good at it immediately.
It's a craft, you have to keep getting better.
You don't get to Juilliard unless you practice.
If you want to get to Carnegie Hall,
practice, practice, practice.
...Or give them a lot of money.
Like anything else, it takes ten thousand hours to master.
Just like Malcolm Gladwell says.
So
write.
Fail.
Get your
thoughts
down.
Let it
rest.
Let it
marinate.
Then
edit.
But don't edit as you type,
that just slows the brain down.
Find a daily practice,
for me it's blogging every day.
And it's
fun.
The
more
you write, the
easier
it gets. The more it is a
flow,
the less a
worry.
It's not for
school,
it's not for a
grade,
it's just to get your thoughts
out there.
You
know
they want to come
out.
So
keep at it.
Make it a practice. And write
poorly,
write
awfully,
write with
abandon
and it may end up being
really
really
good.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Children write essays in school about the unhappy, tragic, doomed life of Anna Karenina. But was Anna really unhappy? She chose passion and she paid for her passion—that's happiness! She was a free, proud human being. But what if during peacetime a lot of greatcoats and peaked caps burst into the house where you were born and live, and ordered the whole family to leave house and town in twenty-four hours, with only what your feeble hands can carry?... You open your doors, call in the passers-by from the streets and ask them to buy things from you, or to throw you a few pennies to buy bread with... With ribbon in her hair, your daughter sits down at the piano for the last time to play Mozart. But she bursts into tears and runs away. So why should I read Anna Karenina again? Maybe it's enough—what I've experienced. Where can people read about us? Us? Only in a hundred years?
"They deported all members of the nobility from Leningrad. (There were a hundred thousand of them, I suppose. But did we pay much attention? What kind of wretched little ex-nobles were they, the ones who remained? Old people and children, the helpless ones.) We knew this, we looked on and did nothing. You see, we weren't the victims."
"You bought their pianos?"
"We may even have bought their pianos. Yes, of course we bought them."
Oleg could now see that this woman was not yet even fifty. Yet anyone walking past her would have said she was an old woman. A lock of smooth old woman's hair, quite incurable, hung down from under her white head-scarf.
"But when you were deported, what was it for? What was the charge?"
"Why bother to think up a charge? 'Socially harmful' or 'socially dangerous element'—S.D.E.', they called it. Special decrees, just marked by letters of the alphabet. So it was quite easy. No trial necessary."
"And what about your husband? Who was he?"
"Nobody. He played the flute in the Leningrad Philharmonic. He liked to talk when he'd had a few drinks."
“…We knew one family with grown-up children, a son and a daughter, both Komsomol (Communist youth members). Suddenly the whole family was put down for deportation to Siberia. The children rushed to the Komsomol district office. 'Protect us!' they said. 'Certainly we'll protect you,' they were told. 'Just write on this piece of paper: As from today's date I ask not to be considered the son, or the daughter, of such-and-such parents. I renounce them as socially harmful elements and I promise in the future to have nothing whatever to do with them and to maintain no communication with them.
”
”
Aleksandr Solzhenitsyn (Cancer Ward)
“
When I woke, I was nestled on top of Ren’s chest. His arms were wrapped around me, and my legs were entwined with his. I was surprised I could breathe all night since my nose was smashed against his muscular torso. It had gotten cold, but my quilt covered both of us and his body, which maintained a warmer-than-average temperature, had kept me toasty all night.
Ren was still asleep, so I took the rare opportunity to study him. His powerful frame was relaxed and his face was softened by sleep. His lips were full, smooth, and utterly kissable, and for the first time, I noticed how long his sooty lashes were. His glossy dark hair fell softly over his brow and was mussed in a way that made him look even more irresistible.
So this is the real Ren. He doesn’t seem real. He looked like an archangel who fell to the earth. I’d been with Ren night and day for the past four weeks, but the time he was a man was such a small fraction of each day that he seemed almost like a dream guy, a real life Prince Charming.
I traced a black eyebrow, following its arch with my finger, and lightly brushed the silky dark hair away from his face. Hoping not to disturb him, I sighed, shifted slowly, and tried to move away, but his arms tensed, restraining me.
He sleepily mumbled, “Don’t even think about moving” and pulled me back to snuggle me close again. I rested my cheek against his chest, felt his heartbeat, and contented myself with listening to its rhythm.
After a few minutes, he stretched and rolled to his side, pulling me with him. He kissed my forehead, blinked open his eyes, and smiled at me. It was like watching the sun come up. The handsome, sleeping man was potent enough, but when he turned his dazzling white smile on me and blinked open his cobalt blue eyes, I was dumbstruck.
I bit my lip. Alarm bells started going off in my head.
Ren’s eyes fluttered open, and he tucked some loose hair behind my ear. “Good morning, rajkumari. Sleep well?”
I stammered, “I…you…I…slept just fine, thank you.”
I closed my eyes, rolled away from him, and stood up. I could deal with him a lot better if I didn’t think about him much, or look at him, or talk to him, or hear him.
He wrapped his arms around me from behind, and I felt his smile as he pressed his lips to the soft spot behind my ear. “Best night of sleep I’ve had in about three hundred and fifty years.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Bellatrix was still fighting too, fifty yards away from Voldemort, and like her master she dueled three at once: Hermione, Ginny, and Luna, all battling their hardest, but Bellatrix was equal to them, and Harry’s attention was diverted as a Killing Curse shot so close to Ginny that she missed death by an inch — He changed course, running at Bellatrix rather than Voldemort, but before he had gone a few steps he was knocked sideways. “NOT MY DAUGHTER, YOU BITCH!” Mrs. Weasley threw off her cloak as she ran, freeing her arms. Bellatrix spun on the spot, roaring with laughter at the sight of her new challenger. “OUT OF MY WAY!” shouted Mrs. Weasley to the three girls, and with a swipe of her wand she began to duel. Harry watched with terror and elation as Molly Weasley’s wand slashed and twirled, and Bellatrix Lestrange’s smile faltered and became a snarl. Jets of light flew from both wands, the floor around the witches’ feet became hot and cracked; both women were fighting to kill. “No!” Mrs. Weasley cried as a few students ran forward, trying to come to her aid. “Get back! Get back! She is mine!” Hundreds of people now lined the walls, watching the two fights, Voldemort and his three opponents, Bellatrix and Molly, and Harry stood, invisible, torn between both, wanting to attack and yet to protect, unable to be sure that he would not hit the innocent. “What will happen to your children when I’ve killed you?” taunted Bellatrix, as mad as her master, capering as Molly’s curses danced around her. “When Mummy’s gone the same way as Freddie?” “You — will — never — touch — our — children — again!” screamed Mrs. Weasley. Bellatrix laughed, the same exhilarated laugh her cousin Sirius had given as he toppled backward through the veil, and suddenly Harry knew what was going to happen before it did. Molly’s curse soared beneath Bellatrix’s outstretched arm and hit her squarely in the chest, directly over her heart. Bellatrix’s gloating smile froze, her eyes seemed to bulge: For the tiniest space of time she knew what had happened, and then she toppled, and the watching crowd roared, and Voldemort screamed.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Seventeen more days,” Jessi breathed wonderingly. “God, you must be climbing the . . . er, walls . . . or whatever’s in there, huh?”
“Aye.”
“So, just what is in there, anyway?” She tested the glass by shaking it gently, and deemed it secure enough. It shouldn’t slide now.
“Stone,” he said flatly.
“And what else?”
“Stone. Gray. Of varying sizes.” His voice dropped to a colorless monotone. “Fifty-two thousand nine hundred and eighty-seven stones. Twenty-seven
thousand two hundred and sixteen of them
are a slightly paler gray than the rest. Thirty-six thousand and four are more rectangular than square. There are nine hundred and eighteen that have a
vaguely hexagonal shape. Ninety-two of
them have a vein of bronze running through the face. Three are cracked. Two paces from the center is a stone that protrudes slightly above the rest, over which I tripped for the first few
centuries. Any other questions?”
Jessi flinched as his words impacted her, taking her breath away. Her chest and throat felt suddenly tight. Uh, yeah, like, how did you stay sane in
there? What kept you from going stark raving mad? How did you survive over a thousand years in such a hell?
She didn’t ask because it would have been like asking a mountain why it was still standing, as it had been since the dawn of time, perhaps reshaped in subtle ways, but there, always there. Barring cataclysmic planetary upheaval, forever there. The man was strong—not just physically, but mentally and
emotionally. A rock of a man, the kind
a woman could lean on through the worst of times and never have to worry that things might fall apart, because a man like him simply wouldn’t let them.
”
”
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
“
Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.
”
”
Joyce Cary (The Horse's Mouth)
“
...the presence of others has become even more intolerable to me, their conversation most of all. Oh, how it all annoys and exasperates me: their attitudes, their manners, their whole way of being! The people of my world, all my unhappy peers, have come to irritate, oppress and sadden me with their noisy and empty chatter, their monstrous and boundless vanity, their even more monstrous egotism, their club gossip... the endless repetition of opinions already formed and judgments already made; the automatic vomiting forth of articles read in those morning papers which are the recognised outlet of the hopeless wilderness of their ideas; the eternal daily meal of overfamiliar cliches concerning racing stables and the stalls of fillies of the human variety... the hutches of the 'petites femmes' - another worn out phrase in the dirty usury of shapeless expression!
Oh my contemporaries, my dear contemporaries...
Their idiotic self-satisfaction; their fat and full-blown self-sufficiency: the stupid display of their good fortune; the clink of fifty- and a hundred-franc coins forever sounding out their financial prowess, according their own reckoning; their hen-like clucking and their pig-like grunting, as they pronounce the names of certain women; the obesity of their minds, the obscenity of their eyes, and the toneless-ness of their laughter! They are, in truth, handsome puppets of amour, with all the exhausted despondency of their gestures and the slackness of their chic...
Chic! A hideous word, which fits their manner like a new glove: as dejected as undertakers' mutes, as full-blown as Falstaff...
Oh my contemporaries: the ceusses of my circle, to put it in their own ignoble argot. They have all welcomed the moneylenders into their homes, and have been recruited as their clients, and they have likewise played host to the fat journalists who milk their conversations for the society columns. How I hate them; how I execrate them; how I would love to devour them liver and lights - and how well I understand the Anarchists and their bombs!
”
”
Jean Lorrain (Monsieur de Phocas)
“
TJ frowns; she can’t write about willing wind and water in the official report. Voicing elements is a rumor. However, she remembers what her grandmother said five decades ago when she was a child; (it was shortly after the war): “Anyone who trains hard can be a Grade A by the time they’re forty or fifty. But it takes decades more to become strong enough to voice one element.”
“One element?” TJ asked.
“Do you want to voice the entire universe then?”
“Can’t I?”
Grandmother didn’t answer, not directly anyway, as most great masters do. They never say you can’t do this or no one can do that or that thing is impossible just because they couldn’t do it, or because they hadn’t found it yet. True masters answer differently. Wisely. Like her grandmother answered that day.
“Do you know why we evolve, Tirity?”
“Because we’re supposed to?” TJ replied.
“Yes. It’s in the grand design. We’re ‘supposed to’ evolve. Not just in body, but also in mind,” she said. “In time. You see, time is the key. If given infinite time, you can evolve your mind infinitely. But we live only for a hundred years or so.”
“A hundred years is ‘only’?”
“You’re so young, Tirity! But yes, it is little for a complete cognitive evolution. Most hard trainers can prolong it to a couple of hundred years. They even get to call the wind or grow a giant plant that could touch the clouds. But voicing everything in the universe? I think only God can do it, the God who created everything with only words. And if God created the world so that he could see how far the humans can evolve, then I’d say, yes, even a human could get godly power. Godlier than voicing one or two elements. If. Given. The. Time.”
“How much time?”
“More than thousands of years, maybe. Could even need millions, who knows? …”
TJ smiles drily; she remembers how her eyes sparkled at the thought of becoming a goddess who could voice everything. She dreamed of flying in the air or walking in space. She thought of making her own garden full of giant flowers where only enormous butterflies would dance. Some days, when she played video games in VR, she even dreamed of voicing the thunder and lightning to join her wooden sword. She thought time could help her do it.
But she didn’t know then, time only makes you grow up.
Time steals your dreams.
Time only turns you into an adult.
”
”
Misba (The High Auction (Wisdom Revolution, #1))
“
New Rule: Now that liberals have taken back the word "liberal," they also have to take back the word "elite." By now you've heard the constant right-wing attacks on the "elite media," and the "liberal elite." Who may or may not be part of the "Washington elite." A subset of the "East Coast elite." Which is overly influenced by the "Hollywood elite." So basically, unless you're a shit-kicker from Kansas, you're with the terrorists. If you played a drinking game where you did a shot every time Rush Limbaugh attacked someone for being "elite," you'd be almost as wasted as Rush Limbaugh.
I don't get it: In other fields--outside of government--elite is a good thing, like an elite fighting force. Tiger Woods is an elite golfer. If I need brain surgery, I'd like an elite doctor. But in politics, elite is bad--the elite aren't down-to-earth and accessible like you and me and President Shit-for-Brains.
Which is fine, except that whenever there's a Bush administration scandal, it always traces back to some incompetent political hack appointment, and you think to yourself, "Where are they getting these screwups from?" Well, now we know: from Pat Robertson. I'm not kidding. Take Monica Goodling, who before she resigned last week because she's smack in the middle of the U.S. attorneys scandal, was the third-ranking official in the Justice Department of the United States. She's thirty-three, and though she never even worked as a prosecutor, was tasked with overseeing the job performance of all ninety-three U.S. attorneys. How do you get to the top that fast? Harvard? Princeton? No, Goodling did her undergraduate work at Messiah College--you know, home of the "Fighting Christies"--and then went on to attend Pat Robertson's law school.
Yes, Pat Robertson, the man who said the presence of gay people at Disney World would cause "earthquakes, tornadoes, and possibly a meteor," has a law school. And what kid wouldn't want to attend? It's three years, and you have to read only one book. U.S. News & World Report, which does the definitive ranking of colleges, lists Regent as a tier-four school, which is the lowest score it gives. It's not a hard school to get into. You have to renounce Satan and draw a pirate on a matchbook. This is for the people who couldn't get into the University of Phoenix.
Now, would you care to guess how many graduates of this televangelist diploma mill work in the Bush administration? On hundred fifty. And you wonder why things are so messed up? We're talking about a top Justice Department official who went to a college founded by a TV host. Would you send your daughter to Maury Povich U? And if you did, would you expect her to get a job at the White House? In two hundred years, we've gone from "we the people" to "up with people." From the best and brightest to dumb and dumber. And where better to find people dumb enough to believe in George Bush than Pat Robertson's law school? The problem here in America isn't that the country is being run by elites. It's that it's being run by a bunch of hayseeds. And by the way, the lawyer Monica Goodling hired to keep her ass out of jail went to a real law school.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)