Hundred Minus One Quotes

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If you live to be a hundred, I want to live to be a hundred minus one day so I never have to live without you.
Joan Powers (Pooh's Little Instruction Book)
-A Word On Statistics- Out of every hundred people, those who always know better: fifty-two. Unsure of every step: almost all the rest. Ready to help, if it doesn't take long: forty-nine. Always good, because they cannot be otherwise: fourwell, maybe five. Able to admire without envy: eighteen. Led to error by youth (which passes): sixty, plus or minus. Those not to be messed with: four-and-forty. Living in constant fear of someone or something: seventy-seven. Capable of happiness: twenty-some-odd at most. Harmless alone, turning savage in crowds: more than half, for sure. Cruel when forced by circumstances: it's better not to know, not even approximately. Wise in hindsight: not many more than wise in foresight. Getting nothing out of life except things: thirty (though I would like to be wrong). Balled up in pain and without a flashlight in the dark: eighty-three, sooner or later. Those who are just: quite a few, thirty-five. But if it takes effort to understand: three. Worthy of empathy: ninety-nine. Mortal: one hundred out of one hundred a figure that has never varied yet.
Wisława Szymborska
A.A. Milne’s Winnie-the-Pooh: “If you live to be a hundred, I want to live to be a hundred minus one day so I never have to live without you.
Robin S. Sharma (The 5AM Club: Own Your Morning. Elevate Your Life.)
It was a morning of gruesome cold — minus 30 degrees Celsius (minus 22 degrees Fahrenheit) says Stern. Even the exact Biberstein says that it was at least minus 20 degrees (minus 4 degrees Fahrenheit). Poldek Pfefferberg was summoned from his bunk, fetched his welding gear, and went out to the snowy siding to cut open the doors iced hard as iron. He too heard the unearthly complaints from within. It is hard to describe what they saw when the doors were at last opened. In each car, a pyramid of frozen corpses, their limbs madly contorted, occupied the centre of the floor. The hundred or more still living stank awesomely, were seared black by the cold, were skeletal. Not one of them would be found to weigh more than 34 kilos.
Thomas Keneally (Schindler’s List)
His lights blinked in binary read-out as he answered by voder, “Eleven thousand two hundred thirty-eight with uncertainty plus-minus eighty-one representing possible identities and nulls. Shall I start program?
Robert A. Heinlein (The Moon Is a Harsh Mistress)
The eye contact is strong and he’s biting his lip when he’s chatting to me, so I know he’s feeling me. But then I check his accounts: minus four hundred pounds in his current, six grand in debt on his credit card. Queenie, I just bid him a good day and let him pass— I stopped hacking at the thick string holding the weave in place. “But this could have been ‘the one’, Kyazike. What if you fell in love? You could have financially guided hi—” “Financially guides who? Excuse me, Queenie, I cannot be with someone in that much debt. I have a lifestyle that needs sustaining. My Mr. Right cannot have minus money.
Candice Carty-Williams (Queenie)
The King of England painfully climbed the two hundred and eight steps which led to Merlyn's tower room, and knocked on the door. The magician was inside, with Archimides sitting on the back of his chair, busily trying find the square root of minus one. He had forgotten how to do it. "Merlyn," said the King, panting. "I want to talk to you." He slammed his book with a bang, leaped to his feet, seized the wand of lignum vitae, and rushed at Arthur as if he were trying to shoo away a stray chicken. "Go away!" he shouted. "What are you doing here? Why do you mean by it? Aren't you the King of England? Go away and send for me! Get out of my room! I never heard of such a thing! Go away!" "But I am here." "No, you're not," retorted the old man resourcefully. And he pushed the King out of the door, slamming it in his face. "Well!" said Arthur, and he went off sadly down the two hundred and eight stairs.
T.H. White (The Witch in the Wood (The Once and Future King, #2))
The next night was New Year’s Eve, and I made a secret plan with Shara to meet her outside the back door on the stroke of midnight. “Let’s take a walk,” I suggested. “Sure. It’s midnight, minus five degrees, and pitch black, but hey, let’s walk.” She paused. “But not up Loyal,” she added, smiling. And so we walked together along a moonlit track. Twenty yards and then I will make the move to kiss her, I told myself. But plucking up the courage with a girl this special was harder than I had thought. Twenty yards became two hundred yards. Then two thousand. Forty-five minutes later, she suggested that maybe we should turn around and head back to the house. “Yes. Good idea.” I replied. Do it, Bear, you old woman. Do it now! And so I did. A quick kiss on the lips, then a longer lingering one, and then I had to stop. It was sensory overload. Wow. That was worth the walk, I thought, smiling from ear to ear. “Let’s head back,” I confirmed, still smiling. I am not sure Shara was quite as impressed by the effort-to-reward ratio--long cold walk to short, hot kiss--but as far as I was concerned the sky and clouds had parted, and nothing would ever be the same again.
Bear Grylls (Mud, Sweat and Tears)
Dawkins’s advice shows that he didn’t understand probability. . . . Dawkins said that a creature the lives millions of years would have a different feeling for the meaning of the chance of an event than we have. If the alien lives a hundred million years, he could have played very many hands of bridge Then, Dawkins said, it would not be unusual for him to see a ‘perfect’ bridge hand where each player was dealt thirteen cards of the same suit. ‘They will expect to be dealt a perfect bridge hand from time to time, and will scarcely trouble to write home about it when it happens.’ He’s wrong. One can easily calculate the chance of Dawkins’s alien experiencing a perfect bridge hand at least once in his lifetime. The shance of getting such a hand in one deal is 4.47 x [10 to the minus 28th power]. If the alien plays 100 bridge hands every day of his life for 100 million years, he would play about 3.65 x [10 to the 12th power] hands. The chance of his seeing a perfect hand at least once in his life is then 1.63 x [10 to the minus 15th power], or about one chance in a quadrillion. That’s less than Dawkins’’ chance of coming to New York for two weeks and winning the lottery twice in a row. Would he bother to write home about it?
Lee Spetner
Oskar Schell: My father died at 9-11. After he died I wouldn't go into his room for a year because it was too hard and it made me want to cry. But one day, I put on heavy boots and went in his room anyway. I miss doing taekwondo with him because it always made me laugh. When I went into his closet, where his clothes and stuff were, I reached up to get his old camera. It spun around and dropped about a hundred stairs, and I broke a blue vase! Inside was a key in an envelope with black written on it and I knew that dad left something somewhere for me that the key opened and I had to find. So I take it to Walt, the locksmith. I give it to Stan, the doorman, who tells me keys can open anything. He gave me the phone book for all the five boroughs. I count there are 472 people with the last name black. There are 216 addresses. Some of the blacks live together, obviously. I calculated that if I go to 2 every Saturday plus holidays, minus my hamlet school plays, my minerals, coins, and comic convention, it's going to take me 3 years to go through all of them. But that's what I'm going to do! Go to every single person named black and find out what the key fits and see what dad needed me to find. I made the very best possible plan but using the last four digits of each phone number, I divide the people by zones. I had to tell my mother another lie, because she wouldn't understand how I need to go out and find what the key fits and help me make sense of things that don't even make sense like him being killed in the building by people that didn't even know him at all! And I see some people who don't speak English, who are hiding, one black said that she spoke to God. If she spoke to god how come she didn't tell him not to kill her son or not to let people fly planes into buildings and maybe she spoke to a different god than them! And I met a man who was a woman who a man who was a woman all at the same time and he didn't want to get hurt because he/she was scared that she/he was so different. And I still wonder if she/he ever beat up himself, but what does it matter? Thomas Schell: What would this place be if everyone had the same haircut? Oskar Schell: And I see Mr. Black who hasn't heard a sound in 24 years which I can understand because I miss dad's voice that much. Like when he would say, "are you up yet?" or... Thomas Schell: Let's go do something. Oskar Schell: And I see the twin brothers who paint together and there's a shed that has to be clue, but it's just a shed! Another black drew the same drawing of the same person over and over and over again! Forest black, the doorman, was a school teacher in Russia but now says his brain is dying! Seamus black who has a coin collection, but doesn't have enough money to eat everyday! You see olive black was a gate guard but didn't have the key to it which makes him feel like he's looking at a brick wall. And I feel like I'm looking at a brick wall because I tried the key in 148 different places, but the key didn't fit. And open anything it hasn't that dad needed me to find so I know that without him everything is going to be alright. Thomas Schell: Let's leave it there then. Oskar Schell: And I still feel scared every time I go into a strange place. I'm so scared I have to hold myself around my waist or I think I'll just break all apart! But I never forget what I heard him tell mom about the sixth borough. That if things were easy to find... Thomas Schell: ...they wouldn't be worth finding. Oskar Schell: And I'm so scared every time I leave home. Every time I hear a door open. And I don't know a single thing that I didn't know when I started! It's these times I miss my dad more than ever even if this whole thing is to stop missing him at all! It hurts too much. Sometimes I'm afraid I'll do something very bad.
Eric Roth
Roper shrugged, cleared his throat and then swallowed the phlegm. ‘Never liked fish anyway.’ ‘Just pick it up,’ she muttered. ‘Throw it in a damn bin.’ He looked at her for a few seconds, licked his bottom lip, and then turned towards the river and walked away, leaving it there. Jamie stared at it, weighing up whether to pick it up and prove Roper right, or to leave it and admit to herself that it wasn’t that important. She didn’t like the idea of touching something that had been in his mouth, so she left it and followed him. This morning, they did have bigger fish to fry. Whether Roper liked them or not. There was a police cordon set up around the area and three squad cars and an ambulance parked at odd angles on the street. It ran parallel to the water, with a pavement separating the road from the grassy bank that led down to the body.  A bridge stretched overhead and iron grates spanned the space between the support struts, stopping debris from washing into the Thames. It looked like the body had got caught on one and then dragged to shore.  Some bystanders had gathered on the bridge and were looking down, at a loss for anything else to do than hang around, hoping for a look at a corpse.  Jamie dragged her eyes away from them and looked around. The buildings lining the river were mostly residential. Blocks of apartments. No wonder the body had been seen quickly.  There were six uniformed officers on scene, two of whom were standing guard in front of the privacy tent that had been set up on the bank. It looked like they’d fished the body out onto the grass. Jamie was a little glad she didn’t have to wade into the water.  To the right, a man in his sixties was being interviewed by one of the officers. He was wrapped in a foil blanket and his khaki trousers were still soaked through. Had he been the one to pull the body out? It took a certain kind of person to jump into a river to help someone rather than call it in. Especially in November. That made three officers. She continued to search. She could see another two in the distance, checking the river and talking to pedestrians. The conversations were mostly comprised of them saying the words, ‘I can’t tell you that, sorry,’ to people who kept asking what had happened in a hundred different ways. Jamie was glad her days of crowd control were over. She’d been a uniformed officer for seven years. The day she’d graduated to plainclothes was one of the happiest of her life. For all the shit her father did, he was one hell of a detective, and she’d always wanted to be one — minus the liver cirrhosis and gonorrhoea, of course. She was teetotal. The sixth officer was filling out a report and talking to the paramedics. If the victim had washed up in the river in November then there would have been nothing they could do.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
Oh no, they are very well supported empirically, they are very precise, very accurate.” “Both precise and accurate?” “Well, what, they’re the same, no?” “No. In estimates of a value, accuracy means how far away you are from the true value. Precision refers to the window size of the estimate. A hundred plus or minus fifty isn’t very precise. But if your estimate is a hundred plus or minus fifty, and the true value is a hundred and one, it’s quite accurate, while still being not very precise. Often true values aren’t really determinable, of course.” Michel had a curious expression on his face. “You’re a very accurate person, Sax.” “It’s just statistics,” Sax said defensively. “Every once in a while language allows you to say things precisely.
Kim Stanley Robinson (Blue Mars (Mars Trilogy, #3))
He pulled out the little pink pig and handed him to her with an identical card to the ones she’d been carrying. She opened the card and read it out loud. ‘Pooh, promise you won’t forget about me, ever. Not even when I’m a hundred.’ [Pooh thought for a little.] ‘How old shall I be then?’ ‘Ninety-nine.’ [Pooh nodded.] ‘I promise. If you live to be 100, I want to live to be 100 minus one day so I never have to live without you.’ “Promise me,” Noah said. Arie looked up. “Promise me that you will allow me to live to be one hundred minus one day with you so that I never have to live without you.” Arie looked down at the card, and then down at Piglet, and then at Noah. And then at Piglet again. What is tied to Piglet’s bow? “Oh my goodness,” she gasped. “Marry me, Arie. I’m asking you again. Please. Be my wife.
N.A. Leigh (Mr. Hinkle's Verum Ink: the navy blue book (Mr. Hinkle's Verium Ink 1))
Winnie-the-Pooh: “If you live to be a hundred, I want to live to be a hundred minus one day so I never have to live without you.
Robin S. Sharma (The 5AM Club: Own Your Morning. Elevate Your Life.)
In the words of a great philosopher, ‘If you live to be a hundred, I want to live to be a hundred minus one day, so I never have to live without you.
Eden Finley (Final Play (Fake Boyfriend, #6))
If you live to be a hundred, I want to live to be a hundred minus one day, so I never have to live without you,” he said. “What?” she said, startled. “Who said that?” “Should I be hurt that you didn’t think it was me?” he said, laughing. “It’s A. A. Milne. From Winnie-the-Pooh, if you can believe it.
Diana Gabaldon (Go Tell the Bees that I Am Gone (Outlander, #9))
If you live to be a hundred, I want to live to be a hundred minus one day so I never have to live without you.
Richard Happer (100 Greatest Love Poems: All-Time Classic Love Poems by the World's Best-Loved Poets)
How many women have you been with?” I snapped. “I’m sure I’d need to have a one-night stand every day for ten years to match your number.” He smiled. “Three thousand six hundred and fifty-two is a sum I could only aspire to meet—that is, if we’re taking leap days into account. If not, minus two, and I may have a better shot.
Danielle Lori (The Darkest Temptation (Made, #3))
If you live to be a hundred, I want to live to be a hundred minus one day, so I never have to live without you,
Diana Gabaldon (Go Tell the Bees that I Am Gone (Outlander, #9))
The King of England painfully climbed the two hundred and eight steps which led to Merlyn’s tower room, and knocked on the door. The magician was inside, with Archimedes sitting on the back of his chair, busily trying to find the square root of minus one. He had forgotten how to do it. ‘Merlyn,’ said the King panting, ‘I want to talk to you.’ He closed his book with a bang, leaped to his feet, seizing his wand of lignum vitae, and rushed at Arthur as if he were trying to shoo away a stray chicken. ‘Go away!’ he shouted. ‘What are you doing here? What do you mean by it? Aren’t you the King of England? Go away and send for me! Get out of my room! I never heard of such a thing! Go away at once and send for me!’ ‘But I’m here.’ ‘No, you’re not,’ retorted the old man resourcefully. And he pushed the King out of the door, slamming it in his face.
T.H. White (The Once and Future King (The Once and Future King, #1-5))
If you live to be a hundred, I want to live to be a hundred minus one day so I never have to live without you.
A.A. Milne
She had nine hundred thirty-one viewers at the moment. Another sixty-nine, and sponsorships would kick in.
Will McIntosh (Love Minus Eighty)
And, at minus one hundred and fifty degrees,
George Wallace (Dangerous Grounds (Hunter Killer #2))