Humidity And Hair Quotes

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Thanks to the humidity, my hair felt like it had tripled in size. I could feel it trying to devour my sunglasses like some sort of carnivorous jungle plant.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
Awesome," I murmured, sliding my sunglasses on top of my head. Thanks to the humidity, my hair felt like it had tripled in size. I could feel it trying to devour my sunglasses like some sort of carnivorous jungle plant. "I always wondered what it would be like to live in somebody's mouth.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
I sat up in bed. My T-shirt was soaking wet. My pillow was wet. My hair was wet. And my room was sticky and humid.
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
I can just imagine what the humidity has done to my hair. I'm going to meet your family looking like a poodle with a live wire shoved up its butt." - Paige Winterbourne
Kelley Armstrong (Industrial Magic (Women of the Otherworld, #4))
My hair is so scary that if you saw it walking down the street, you'd cross to the other side. This humidity is not helping. It's just an excuse for my hair to let its frizz flag fly.
Susane Colasanti (Keep Holding On)
Something is very wrong with Bunce. She's collapsed in the back seat like a dead rabbit. But I can't really focus on it because of the sun and also the wind and because I'm very busy making a list. Things I hate, a list: 1. The sun. 2. The wind. 3. Penelope Bunce, when she hasn't got a plan. 4. American sandwiches. 5. America. 6. The band, America. Which I didn't know about an hour ago. 7. Kansas, also a band I've recently become acquainted with. 8. Kansas, the state. Which isn't that far from Illinois, so it must be wretched. 9. The State of Illinois, for fucking certain. 10. The sun. In my eyes. 11. The wind in my hair. 12. Convertible automobiles. 13. Myself, most of all. 14. My soft heart. 15. My foolish optimism. 16. The words "road" and "trip" when said together with any enthusiasm. 17. Being a vampire, if we're being honest. 18. Being a vampire in a fucking convertible. 19. A deliriously thirsty vampire in a convertible at midday. In Illinois, which is apparently the brightest place on the planet. 20. The sun. Which hangs miles closer to Minooka, Illinois, than it does over London blessed England. 21. Minooka, Illinois. Which seems dreadful. 22. These sunglasses. Rubbish. 23. The fucking sun! We get it - you're very fucking bright! 24. Penelope Bunce, who came up with this idea. An idea not accompanied by a plan. Because all she cared about was seeing her rubbish boyfriend, who clearly cocked it all up. Which we all should have expected from someone from Illinois, land of the damned - a place that manages to be both hot and humid at the same time. You might well expect hell to be hot, but you don't expect it to also be humid. That's what makes it hell, the surprise twist! The devil is clever!
Rainbow Rowell (Wayward Son (Simon Snow, #2))
My hair curls like a yeti’s pubes in this humidity—I’m starting to figure out why product was invented!
Amy Lane (Clear Water)
She walks barefoot into the humid night, moonlight on her freckled shoulders. Near a huge, live oak tree on the edge of her father's cotton fields, Sidda looks up into the sky. In the crook of the crescent moon sits the Holy Lady, with strong muscles and a merciful heart. She kicks her splendid legs like the moon is her swing and the sky, her front porch. She waves down at Sidda like she has just spotted an old buddy. Sidda stands in the moonlight and lets the Blessed Mother love every hair on her six-year-old head. Tenderness flows down from the moon and up from the earth. For one fleeting, luminous moment, Sidda Walker knows there has never been a time when she has not been loved.
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
Fletch is back from Austin, and turns out what sounded great on paper didn't match up to reality. He says its so hot down there, I'd spontaneously combust the second I stepped off the plane. Plus with humidity turning the air as thick as oatmeal, my hair would always be a disaster. So, Austin's out.
Jen Lancaster
Ask me about my childhood, and I will tell you to walk to the edge of the woods with a choir of crickets chirping from every direction, a hot, humid breeze brushing through your hair, your feet, bare and callused. Stand there, unmoving, and watch the dance of ten thousand fireflies blinking on and off in the darkness. Inhale the scent of cured tobacco, freshly plowed southern soil, burning leaves, and honeysuckle. Swallow the taste of blackberries, picked straight from the bushes, and lick your teeth, the after-taste still sweet in your mouth. Now, stretch out on the ground and relax all your muscles. Watch nature's festival of flickering lights.
Brenda Sutton Rose
The humidity in the air from the sea being so close dampens my skin and flattens the little bit of curl in my hair, but it feels nice.
Mary Elizabeth (Delinquents (Dusty, #2))
What are you doing here?" I whispered, smiling in the dark. "I had to see you," he breathed into my cheek as he wrapped his arms around me, pulling me down until we were lying side by side on the bed. "I have so much to tell you, Aspen." "Shhh, don't say a word. If anyone hears, there'll be hell to pay. Just let me look at you." And so I obeyed. I stayed there, quiet and still, while Aspen stared into my eyes. When he had his fill of that, he went to nuzzling his nose into my neck and hair. And then his hands were moving up and down the curve of my waist to my hip over and over and over. I heard his breathing get heavy, and something about that drew me in. His lips, hidden in my neck, started kissing me. I drew in sharp breaths. I couldn't help it. Aspen's lips traveled up my chin and covered my mouth, effectively silencing my gasps. I wrapped myself around him, our rushed grabbing and the humidity of the night covering us both in sweat. It was a stolen moment. Aspen's lips finally slowed, though I was nowhere near ready to stop. But we had to be smart. If we went any further, and there was ever evidence of it, we'd both be thrown in jail. Another reason everyone married young: Waiting is torture. "I should go," he whispered. "But I want you to stay." My lips were by his ears. I could smell his soap again. "America Singer, one day you will fall asleep in my arms every night. And you'll wake up to my kisses every morning. And them some." I bit my lip at the thought. "But now I have to go. We're pushing our luck." I sighed and loosened my grip. He was right. "I love you, America." "I love you, Aspen." These secret moments would be enough to get me through everything coming: Mom's disappointment when I wasn't chosen, the work I'd have to do to help Aspen save, the eruption that was coming when he asked Dad for my hand, and whatever struggles we'd go through once we were married. None of it mattered. Not if I had Aspen.
Kiera Cass (The Selection (The Selection, #1))
blurts out, “By the way, your hair is totally badass!” I know without looking that the curls springing out of my puff are wide-awake, reaching toward the sky in the night’s humidity. I bristle, because his tone is the one that feels less like a compliment and more like he’s happened upon a fun oddity—and that fun oddity is Black me with my Black hair. Wonderful.
Tracy Deonn (Legendborn (Legendborn, #1))
I look at you, Mrs. Emily. I see your eyes smile before your lips. Your hair has a curl that droops onto your forehead when the weather is humid . . . I look at you too, Sabine. I see you.
Phyllis H. Moore (Sabine, Book One of the Sabine Trilogy)
Warm water travels From my hair down to my toes Like your fingers caressing Me. Now I know how lonely Water must be: To posses Matter for a moment only to flow Slow to its death in the humid Air.
Ronald Baytan (The Queen Sings the Blues: Poems (1992 - 2002))
He handed the garments to her, and began to unknot his necktie. "Wait- take this too." Cassandra's eyes widened as he began on his shirt cuffs. "How much more clothing do you plan to remove?" she asked uneasily. Tom grinned, not missing the quick, interested flick of her gaze over him. "I'm only rolling up my sleeves." He paused, his hands going to the top button of his collar. "Although if you insist-" "No," she said quickly, blushing at his teasing. "That's quite enough." A warm mist had started to spread through the room, sweating the white tiles. Cassandra's skin was turning luminous from the humid air. Little wisps of hair at her forehead had drawn up into delicate curls he longed to play with.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Last Night’s Moon," “When will we next walk together under last night’s moon?” - Tu Fu March aspens, mist forest. Green rain pins down the sea, early evening cyanotype. Silver saltlines, weedy toques of low tide, pillow lava’s black spill indelible in the sand. Unbroken broken sea. — Rain sharpens marsh-hair birth-green of the spring firs. In the bog where the dead never disappear, where river birch drown, the surface strewn with reflection. This is the acid-soaked moss that eats bones, keeps flesh; the fermented ground where time stops and doesn’t; dissolves the skull, preserves the brain, wrinkled pearl in black mud. — In the autumn that made love necessary, we stood in rubber boots on the sphagnum raft and learned love is soil–stronger than peat or sea– melting what it holds. The past is not our own. Mole’s ribbon of earth, termite house, soaked sponge. It rises, keloids of rain on wood; spreads, milkweed galaxy, broken pod scattering the debris of attention. Where you are while your body is here, remembering in the cold spring afternoon. The past is a long bone. — Time is like the painter’s lie, no line around apple or along thigh, though the apple aches to its sweet edge, strains to its skin, the seam of density. Invisible line closest to touch. Lines of wet grass on my arm, your tongue’s wet line across my back. All the history in the bone-embedded hills of your body. Everything your mouth remembers. Your hands manipullate in the darkness, silver bromide of desire darkening skin with light. — Disoriented at great depths, confused by the noise of shipping routes, whales hover, small eyes squinting as they consult the magnetic map of the ocean floor. They strain, a thousand miles through cold channels; clicking thrums of distant loneliness bounce off seamounts and abyssal plains. They look up from perpetual dusk to rods of sunlight, a solar forest at the surface. Transfixed in the dark summer kitchen: feet bare on humid linoleum, cilia listening. Feral as the infrared aura of the snake’s prey, the bees’ pointillism, the infrasonic hum of the desert heard by the birds. The nighthawk spans the ceiling; swoops. Hot kitchen air vibrates. I look up to the pattern of stars under its wings.
Anne Michaels
walk along the gravel path that divides the back lawn, neatly, like a hair parting. It has rained during the night; the grass to either side is damp, the air humid. Here and there are worms, evidence of the fertility of the soil, caught by the sun, half dead; flexible and pink, like lips.
Margaret Atwood (The Handmaid's Tale)
Before the downpour, Al had thought Lou looked alluring in her pale pink T-shirt and simple flowered skirt. Her soft brown waves bounced around her shoulders with the humidity. She was simply beautiful. But with the addition of water, she evolved into a siren. Her thin cotton clothes clung to every curve. She slicked her hair away from her face, as if emerging from an enchanted lake.
Amy E. Reichert (The Coincidence of Coconut Cake)
The neon orange orb sat low in the sky, slowly breaking free of the horizon like the waking memory of a dream. The salty air smelled faintly of fish, and was thick with humidity and hung like a cloak over my body. The lavender sky at the horizon faded into cerulean above and behind me. The soft breeze whispered past my face, teasing my hair on its way to tickle the sawgrass that swayed in gratitude as if laughing like a child.
 I sat on the top plank of the boardwalk rail, the wood heavy with atmosphere and was damp and cool under my left palm. The surprising warmth of the winter air and the cool of the wood reminded me that yes, I am alive! Yes, I am grateful for this morning! And yes, I am glad to be here!
 The paper in my notebook as I wrote this began to feel sticky and moist within a few minutes. The ink from my pen seemed to grip the paper faster and firmer as if to say, I’m here, I’m happy, and I don’t want to lose this moment. Like my ink, I too wanted to cling to this morning.
 The sky started turning a peachy orange at the bottom and the ocean was sea foam green. The waves were breaking quietly, as if to give my thoughts amplitude so I could record and rejoice in the sea’s majesty. 
 The sand was gray and silky like a freshly pressed pair of slacks. The smooth beach seemed paved with sunlight. A jogger ran by, his knees probably grateful for the even stride the flat surface provided. 
 Chunks of sea foam lay strewn on the beach like remnants of Poseidon’s nightly bubble bath. A seagull circled low in the air, gliding in the sky with its streamlined body as the sun lit its white wings up like an angel’s halo.
Jarod Kintz (Gosh, I probably shouldn't publish this.)
Help," the working Account Representative called, feeling the stir of a tinily remembered humid wind and pausing, again, to look behind him, past the Brougham's black hood and the carelessly dropped safety helmet beside the white cycle, at the Ramp that spiraled up and out of sight toward a street, empty and bright, before the Building, empty and bright, dispossessed, autonomous and autonomic. Bent to what two lives required, below everything, he called for help again and again.
David Foster Wallace (Girl with Curious Hair)
You’re not wearing drawers,” he murmured, his hand wandering avidly over her bare limbs. “It’s too hot today,” she said breathlessly, wiggling to evade him, pushing ineffectually at the mound of his hand beneath her dress. “I most certainly did not discard them for your benefit, and… Nick, stop that. The maid is going to come in at any moment.” “Then I’ll have to be fast.” “You’re never fast. Nick… oh…” Her body curled against his as he reached the patch of hair between her thighs, the sweet cleft already rich with moisture as her well-tutored body responded to his touch. “I’m going to do this to you next week at the Markenfields’ ball,” he said softly, running his thumb along the humid seam of her sex. “I’m going to take you to some private corner… and pull up the front of your dress, and stroke and tease you until you come.” “No,” she protested faintly, her eyes closing as she felt his long middle finger slide inside her. “Oh, yes.” Nick withdrew his wet finger and ruthlessly tickled the softly straining crest until he felt her body tensing rhythmically in his lap. “I’ll keep you quiet with my mouth,” he whispered. “And I’ll be kissing you when you climax with my fingers inside you… like this…” He thrust his two middle fingers inside the warm, pulsing channel and covered her lips with his as she moaned and shuddered violently. When he had siphoned the last few shivers of pleasure from her body, Nick lifted his mouth and smiled smugly into her flushed face. “Was that fast enough for you?” -Nick & Lottie
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Our windows were open, and the radio had been playing continuously--not one but two Billy Joel songs had come on during our drive--and the air was dense with the humidity of a midwestern summer, weather that even then made me homesick, though it was hard to say for what. Maybe my homesickness was a form of prescience because when I look back, it's the circumstances of this very car ride that I recognize as irretrievable: the experience of driving nowhere in particular with my sister, both of us seventeen years old, the open windows causing our hair to blow wildly; that feeling of being unencumbered; that confidence that our futures would unfold the way we wanted them to and our real lives were just beginning.
Curtis Sittenfeld (Sisterland)
Anyway, I should probably get going.” That big, beautiful man leaned forward in his chair, his eyes sweeping over my face and the hair that had gotten pretty wavy because of the humidity. I had almost forgotten I’d put a silver glitter clip into it that morning to keep it out of my face. “You’re gonna leave me here alone?” “You really want me to keep you company?” His response was a long, long look. For some reason, it made me feel oddly vulnerable. He thought I was pathetic. I knew it. But pathetic or not, well, he was kind of hinting he wanted me to keep him company. “I can stay if you want.” He didn’t say he wanted me to, but… he just kept right on looking at me. So I took it as a yes. “Okay, I’ll stay.” It was the right answer. He took a sip of his drink. “Good.” Well, it looked like I was staying a little longer now. With our conversation still nipping at the back of my head, I asked him again, “So, you’ve really never had a girlfriend? Not in forty-one years?” “Nope.” “Not even in high school?” He shook his head. “Not once?” “Nope.” He gave me this face that almost seemed like a challenge. Like a dare. “I’ve got two numbers on my phone that don’t belong to somebody who’s got a dick. One’s the lady that cleans my place once a week…” “Who’s the other?” I asked, trying to ignore the edge of jealousy waiting around the corner of his answer. That got me another snicker. “You, who the hell else?” “Me?” I leaned forward then. “Since when? You’ve never called my cell.” “Since always. Just ’cause I don’t call you doesn’t mean I don’t have it.” I couldn’t help raising my hands up to my heart and settling them there, this huge smile coming over my face. “Does this mean… Boss, are we friends? Outside of work, of course.” His face went totally serious for a moment before he tossed his head back and laughed. “Get the fuck outta here, Luna. Christ.” We were. We were so totally friends. He was my boss too, but that didn’t mean we couldn’t be friends when we weren’t at the shop. Or during lunch. Or when my life tried to fall apart on me a little. Me and Rip. Friends. I’d take it. I’d take it every day of the year, forever.
Mariana Zapata (Luna and the Lie)
I shake myself. What is wrong with me? I’ve seen pretty men before, I’ve been attracted to men before, and yet this one, this man who I hardly know at all, has me all tongue-tied. Reid takes a few tentative steps towards the elevator, leading me out the door and to the dark street below. The streetlights are dull behind the office building and the roads are almost completely absent of cars. The Michigan air is a bit thick tonight, the humidity sticking to my skin and making my already curled hair poof out even farther away from my head. I run a hand through it and Reid notices. “It’s fine.” I blush a little and shrug my shoulders. I wonder if that means he thinks my hair looks fine or if he likes it the way it is… Why do men have to be so vague? …Why do I care?
Allana Kephart (Best Thing I Never Had (Anthology))
Floating" Our canoe idles in the idling current Of the tree and vine and rush enclosed Backwater of a torpid midwestern stream; Revolves slowly, and lodges in the glutted Waterlilies. We are tired of paddling. All afternoon we have climbed the weak current, Up dim meanders, through woods and pastures, Past muddy fords where the strong smell of cattle Lay thick across the water; singing the songs Of perfect, habitual motion; ski songs, Nightherding songs, songs of the capstan walk, The levee, and the roll of the voyageurs. Tired of motion, of the rhythms of motion, Tired of the sweet play of our interwoven strength, We lie in each other's arms and let the palps Of waterlily leaf and petal hold back All motion in the heat thickened, drowsing air. Sing to me softly, Westron Wynde, Ah the Syghes, Mon coeur se recommend à vous, Phoebi Claro; Sing the wandering erotic melodies Of men and women gone seven hundred years, Softly, your mouth close to my cheek. Let our thighs lie entangled on the cushions, Let your breasts in their thin cover Hang pendant against my naked arms and throat; Let your odorous hair fall across our eyes; Kiss me with those subtle, melodic lips. As I undress you, your pupils are black, wet, Immense, and your skin ivory and humid. Move softly, move hardly at all, part your thighs, Take me slowly while our gnawing lips Fumble against the humming blood in our throats. Move softly, do not move at all, but hold me, Deep, still, deep within you, while time slides away, As the river slides beyond this lily bed, And the thieving moments fuse and disappear In our mortal, timeless flesh.
Kenneth Rexroth (The Complete Poems)
This Theresa maddened with her messages a scientist on our easily maddened planet; his anagram looking name, Sig Lemanski, had been partly derived by Van from that of Aqua's last doctor. When Leymanski's obsession turned into love, and one's sympathy got focused on his enchanting, melancholy, betrayed wife (nee Antilia Glems), our author found himself confronted with the distressful task of now stamping out in Antilia, a born brunette, all traces of Ada, thus reducing yet another character to a dummy with bleached hair. After beaming Sig a dozen communications from her planet, Theresa flies over to him, and he, in his laboratory, has to place her on a slide under a powerful microscope in order to make out the tiny, though otherwise perfect, shape of his minikin sweetheart, a graceful microorganism extending transparent appendages toward his huge humid eye. Alas, the testibulus (test tube - never to be confused with testiculus, orchid), with Theresa swimming inside like a micromermaid, is "accidentally" thrown away by Professor Leyman's (he had trimmed his name by that time) assistant, Flora, initially an ivory-pale, dark-haired funest beauty, whom the author transformed just in time into a third bromidic dummy with a dun bun.
Vladimimir Nabokov
She holds the remnants of slashed clothes around her, keeping her modesty. It's pitiable, really, that a creature so utterly owned clings to modesty. "Why?" she asks again. He shrugs again. "You needed help." "No one helps a windup." Her voice is flat. "You are a fool." She pushes damp hair away from her face. A surreal stutter-stop motion, the genetic bits of her unkinking. Her smooth skin shines between the edges of her slashed blouse, the gentle promise of her breasts. What would she feel like? Her skin gleams, smooth and inviting. She catches him staring. "Do you wish to use me?" "No." he looks away, uneasy. "It's not necessary." "I would not fight you," she says. Anderson feels a sudden revulsion at the acquiescence in her voice. On another day, at another time, he probably would have taken her for the novelty. Thought nothing of it. But the fact that she expects so little fills him with distaste. He forces a smile. "Thank you. No." She nods shortly. Looks out again at the humid night and the green glow of the street lamps. It's impossible to say if she is grateful or surprised, or if his decision even matters to her. However her mask might have slipped in the heat of terror and relief of escape, her thoughts are carefully locked away now.
Paolo Bacigalupi (The Windup Girl)
Change Your Look With These Top Notch Fashion Tips In fashion, there aren't any set rules. There is no one right way to be fashionable. Read a lot of different sources and then take what you've learned, pick it apart and use the tips that are best for you. Continue reading to learn great advice that you can tailor to your own wants and needs. If you like a shirt or skirt think about getting it in more than one color. Because clothes come in so many varying cuts and styles, you're likely find it difficult to find clothes that fit well for your body type. When you do just get more than one so that you can feel great more often. If you have thick or very curly hair, using a gel product will help you to create the style you desire. Work the product into towel-dried hair and then style it as you want. You can allow it to dry naturally, or use a hair drier. This is especially helpful in humid weather. In today's business world, it is imperative that men be well dressed. Therefore, it is essential to shop for top drawer clothing when buying clothes for your next interview. To begin your search, look through today's business magazines to ensure your wardrobe matches the top executives. Look for whether men are wearing cuffed pants or hemmed pants, ties with designs or solid ties as well as what type of shoe is currently in style. Skimpy tops are comfortable to wear in hot weather, but be careful if you are a big busted gal. Your figure needs good support, and you will feel more secure if you wear a sports bra under a lightweight top that has skinny straps and no shape of its own. Don't overstock your beauty kit with makeup. Just choose a few colors that match the season. Consider your needs for day and evening applications. Makeup can go bad if it's opened, just like other products. Bacteria can build on it, too. Have yourself professionally fitted for a bra. An ill-fitting brassiere is not only unflattering, but it affects how your clothing fits. Once you know your true size, buy a few bras in different styles and cuts. A plunge or demi-cup bra, a strapless bra, and a convertible bra give you versatile options. The thing about fashion is that it's a very easy topic once you get to know a little bit about it. Use the ideas you like and ignore the rest. It's okay not to follow every trend. Breaking away from the trends is better if you desire to be unique.
David (Hum® Político (Humor Político, #1))
Christine's heart is thumping wildly. She lets herself be led (her aunt means her nothing but good) into a tiled and mirrored room full of warmth and sweetly scented with mild floral soap and sprayed perfumes; an electrical apparatus roars like a mountain storm in the adjoining room. The hairdresser, a brisk, snub-nosed Frenchwoman, is given all sorts of instructions, little of which Christine understands or cares to. A new desire has come over her to give herself up, to submit and let herself be surprised. She allows herself to be seated in the comfortable barber's chair and her aunt disappears. She leans back gently, and, eyes closed in a luxurious stupor, senses a mechanical clattering, cold steel on her neck, and the easy incomprehensible chatter of the cheerful hairdresser; she breathes in clouds of fragrance and lets aromatic balms and clever fingers run over her hair and neck. Just don't open your eyes, she thinks. If you do, it might go away. Don't question anything, just savor this Sundayish feeling of sitting back for once, of being waited on instead of waiting on other people. Just let our hands fall into your lap, let good things happen to you, let it come, savor it, this rare swoon of lying back and being ministered to, this strange voluptuous feeling you haven't experienced in years, in decades. Eyes closed, feeling the fragrant warmth enveloping her, she remembers the last time: she's a child, in bed, she had a fever for days, but now it's over and her mother brings some sweet white almond milk, her father and her brother are sitting by her bed, everyone's taking care of her, everyone's doing things for her, they're all gentle and nice. In the next room the canary is singing mischievously, the bed is soft and warm, there's no need to go to school, everything's being done for her, there are toys on the bed, though she's too pleasantly lulled to play with them; no, it's better to close her eyes and really feel, deep down, the idleness, the being waited on. It's been decades since she thought of this lovely languor from her childhood, but suddenly it's back: her skin, her temples bathed in warmth are doing the remembering. A few times the brisk salonist asks some question like, 'Would you like it shorter?' But she answers only, 'Whatever you think,' and deliberately avoids the mirror held up to her. Best not to disturb the wonderful irresponsibility of letting things happen to you, this detachment from doing or wanting anything. Though it would be tempting to give someone an order just once, for the first time in your life, to make some imperious demand, to call for such and such. Now fragrance from a shiny bottle streams over her hair, a razor blade tickles her gently and delicately, her head feels suddenly strangely light and the skin of her neck cool and bare. She wants to look in the mirror, but keeping her eyes closed in prolonging the numb dreamy feeling so pleasantly. Meanwhile a second young woman has slipped beside her like a sylph to do her nails while the other is waving her hair. She submits to it all without resistance, almost without surprise, and makes no protest when, after an introductory 'Vous etes un peu pale, Mademoiselle,' the busy salonist, employing all manner of pencils and crayons, reddens her lips, reinforces the arches of her eyebrows, and touches up the color of her cheeks. She's aware of it all and, in her pleasant detached stupor, unaware of it too: drugged by the humid, fragrance-laden air, she hardly knows if all this happening to her or to some other, brand-new self. It's all dreamily disjointed, not quite real, and she's a little afraid of suddenly falling out of the dream.
Stefan Zweig (The Post-Office Girl)
Thick, humid air cut with the salty funk of low tide and flip-flops smacking against hardened soles and hair drifting around you like seaweed as the ocean lifts you up toward a cloudless sky and the feeling that you will never be anything but young.
Meg Donohue (All the Summer Girls)
after they interviewed the owner, then she’d need the change in the cupholder in her car to loosen their lips. Giving it away now would only throw that chance away later.  Roper paused at the door and proffered it to her. ‘After you,’ he said. She knew he just didn’t want to touch the handle. She took hold of it and pulled back, wondering for a second if she should open it just enough to slip through so that Roper would have to grab it to let himself in.  She decided that was too petty for the morning of a murder investigation. Inside, the interior was cool. A short reception area led into the main hall — a double-height function room with a hard rubberised floor filled with sleeping bags and other homeless people. There were at least twenty, maybe thirty. It was difficult to tell at a glance. At the back of the room, a woman in her fifties with a long fleece vest on, the pockets heavy and sagging with keys and who knows what else, was filling cups of coffee from a big stainless steel dispenser, handing them to a line of people queuing silently, their heads bowed.  The air was humid inside and the low murmurings of the people talking around them created a soft background din that swallowed their footsteps. Roper looked around, not hiding his disdain very well.  But with the nights getting colder, these people deserved somewhere warm to hole up. The winter was vicious and it was closing in fast this year, bearing down on the city in waves of rain and frost.  The woman serving coffee leaned around the line and looked at them, squinting a little to make them out. Her cheeks were rosy from the cold and her reddish hair was curled back up over her head, spilling around her ears. Big and cheap gold earrings clung to her stretched lobes and shook a little as she looked them up and down, her face a mixture of trepidation and worry. Police turning up at a homeless shelter never meant anything good. She smiled warmly at the person at the front of the line, told him to help himself to coffee, and then walked around the table towards Roper and Jamie.  She held her hands wide and then clasped them together, raising her eyebrows and shaking her head. Her earlobes wobbled and her heavy earrings caught the halogen strip lights overhead, glinting. ‘Can I, uh, help you?’ she asked.  Jamie and Roper flashed their badges to get it out of the way. ‘My name is Detective Sergeant Paul Roper, and this is my associate, Detective Sergeant Jamie Johansson.’ ‘Mary Cartwright,’ she answered diligently. ‘Are you the owner of this — er — establishment, Mary?’ Roper asked less than tactfully.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
Women are by nature blithely content to allow others to deceive them. You know full well these tales have only the slightest connection to reality, and yet you let your heart be moved by trivial words and get so caught up in the plots that you copy them out without giving a thought to the tangled mess your hair has become in this humid weather.
Murasaki Shikibu (The Tale of Genji)
I forget where I am, why I’m in a twin bed instead of my California king. Where is the musty smell of old wood beams? The sound of surf crashing? And that acrid scent that Dad emitted as he grew sicker and sicker? You can still sometimes smell it in parts of our house when it’s humid. Instead I’m in a cramped rectangular room, swimming in sweat, my legs slick, my armpits, face, and scalp—hair twisted and matted. The A/C unit is rattling, but no cool air is coming out. I shut it off and reset it. I feel around until my eyes adjust, until I realize there is a moon, big and yellow. It is not actually that dark. I can make out the daisies in their turquoise vase, the dresser, the writing desk with my laptop setup. It is bright enough to see the far wall, to make out the photograph Hannah has taken and Paul has framed. The Ponte Sisto at night, buzzing silver and gold.
Liska Jacobs (The Worst Kind of Want)
The man liked really cold days, particularly the way they made his senses more aware and awake, the way they made his skin tingle and his nose hairs stick together after a deep breath. It was a feeling of life or survival, not like those stupefying, humid days of summer that zapped his strength, draining his will to do anything.
Drew Hayden Taylor (Chasing Painted Horses)
This wasn't a feeling, this was a veritable, definite fact and she knew, sure as her hair frizzled in humidity, sure as magic ran through her veins, and sure as the sky was blue, that her soul cried out to only ever be connected with his.
HeyJude19 (Remain Nameless)
You look like I feel," Vianne said as her friend neared. Rachel's dark hair had responded to the humidity and doubled in size. "That can't be a compliment but I'm desperate, so I'm taking it as one...
Kristin Hannah (The Nightingale)
She possessed that odd blousy quality that is independent of good clothes and well-dressed hair and skilful maquillage. Her figure was full but good and she held herself well; her dress was probably expensive, her thick, dark hair looked as though it had spent the past two hours in the hands of a hairdresser. Yet she remained, unmistakably and irrevocably, a slattern. There was something temporary, an air of suspended animation, about her. It seemed as if at any moment the hair should begin to straggle, the dress slip down negligently over one soft, creamy shoulder, the hand with the diamond cluster ring which now hung loosely at her side reach up to pluck at pink shoulder straps and pat abstractly at the hair. You saw it in her dark eyes. The mouth was firm and good-humoured in the loose, raddled flesh about it; but the eyes were humid with sleep and of the carelessness of sleep. They made you think of things you had forgotten, of clumsy gilt hotel chairs strewn with discarded clothes and of grey dawn light slanting through closed shutters, of attar of roses and the musty smell of heavy curtains on brass rings, of the sound of the warm, slow breathing of a sleeper against the ticking of a clock in the darkness. Yet now the eyes were open and watchful, moving about while the mouth smiled a greeting here and there. Latimer watched her turn suddenly and go towards the bar.
Eric Ambler (The Mask of Dimitrios)
Into thick Texas heat, I emerged. I had acclimated to LA’s embalmed air, the wind leached dry and dangerous. But humidity, Houston, my every gland, pore, hair follicle opened to absorb them.
Allie Rowbottom (Aesthetica)
The long drive to work gave me time to apply my makeup in the car and for my hair to air dry, providing it wasn’t humid enough to give me the frizzies.
J.A. Konrath (Jack Daniels Boxset, #4-6 (Jack Daniels Mystery, #4-6))
Cell Salts are very important for the human body as they provide the basic nutrition to the body at the cellular level. They combine with other vital components and helps maintain the millions of cell which form the body. When there is an imbalance of these important salts at the cellular level and imbalance is created. This loss of balance gives rise to several types of diseases. These diseases can be cured by restoring the lost balance of the cell salts in the body. There are 12 cell salts in homeopathy which are derived from human tissue. These salts are Calc Fluor, Cal Phos, Calc Sulph, FerrumPhos, Kail Mur, Kali Phos, Kali Sulph, Mag Phos, Nat Mur, Nat Phos, Nat Sulph and Silicea. Each and every cell salt has an important impact on human body and help cure a range of diseases. In homeopathy it is believed that their impact is also dependent on the nature of the person. Calc Fluor is helpful in maintaining health of bones, teeth, tissues and joints. Flexible and healthy tissues can be maintained with the health of this tissue salt. It is usually applied on the loose teeth,cracks on the skin, and administered in the cases wherever there is loss of energy due to poor blood circulation. CalcPhos is extremely helpful aiding good health in malnourished children, strengthens muscles, and helps in the development of strong bones and cures rickets. Calc Sulph is great for maintaining healthy skin. It helps eliminate impurities in the blood and cures acne, common cold and sore throat. FerrumPhos is the iron of homeopathy. This tissue salt is administered to the patients who suffer from weakness due to lack of hemoglobin, inflammation of joints, fast pulse, congestion and fever. This salt helps maintain nerves, blood, hair, muscles in good condition. Kali Mur can cure conditions related to blood, salaiva and muscles. It is given to patients suffering from indigeston, cough and cold, sore throat and helps purify blood. Kali Phos gives nourishment to nerves, eases breathing, sharpens brain. It helps remedy headaches, skin ailments, bad temper, timidity and insomnia. Kali Salph can take care of the problems related to inflammation of joints, stomach catarrh, shifting pains, skin eruptions, etc. It helps in carrying oxygen, perspiration, respiration and improves health of skin and hair. Mag Phos helps make strong bones, nerves and muscles. It eliminates menstrual pains, stomach cramps, sciatica, neuralgia, headaches, and flatulence. Nat Mur helps in the distribution of water which helps in the distribution of water which is the basis of glandular activity, growth of cells, nutrition and promotes digestion. Nat Phos neutralizes acid and helps in the digestion of nutrients and fats. It is prescribed in the cases of rheumatism, swellings of joints, flatulence and lumbago. Nat Sulph is a promoter of digestive system and strong liver. This tissue salt removes excess water from body and helps cure rheumatic ailments. Influenza, malaria, humid asthma, liver can be treated with this salt. Silicea is capable of promoting healthy connective tissues and problem-free skin. It can treat conditions like pus formation, tonsillitis, boils, brittle nails, smelly armpits and feet and stomach pains are conditions in which Silicea is prescribed.
Cell Salts Tissue Salts World
As we stepped outside, the first thing I noticed was the heavy humidity. The temperature had to be in the eighties, which was fitting since my hair would soon look like it was, too.
Elle Vanzandt (Back in Beantown (Boston Belles, #2))
I looked them over. Teka, her blond hair made frizzy by the Ogran humidity. Yssa had glowing bracelets up to one elbow, and she had lined her eyes in luminous pencil, so they glowed oddly. Ettrek waggled his dark eyebrows at me. Was this the crew I would march back into Voa with, triumphant? Well. It was the best I was going to get.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
Having a fair idea of how well Gentry received Sir Ross's attempts to reform him, Lottie bit the inside of her lower lip to suppress a sudden smile. Seeing the twitch of her lips, Gentry gave her a glance of mock warning. "That amuses you, does it?" "Yes," she admitted, and yelped in surprise as he nudged a sensitive spot beneath her ribs. "Oh, don't! I'm ticklish there. Please." He moved over her with easy grace, his thighs straddling her hips, his hands catching at her wrists to pull them over her head. Lottie's amusement disappeared at once. She felt a pang of fear, as well as a confusing rush of excitement, as she stared at the large male above her. She was stretched beneath him in a primal position of submission, helpless to prevent him from doing whatever he wanted. Despite her anxiety, however, she did not ask him to release her, only waited tensely with her gaze locked on his dark face. His grip on her wrists loosened, and his thumbs dipped gently into the humid cups of her palms. "Shall I come to you tonight?" he whispered. Lottie had to lick her dry lips before she could answer. "Are you posing a question to me or yourself?" A smile flickered in his eyes. "You, of course. I already know what I want." "I'd rather you stayed away, then." "Why prolong the inevitable? One more night isn't going to make a difference." "I would prefer to wait until after we are married." "Principle?" he mocked, his thumbs tracing slowly along her inner arms. "Practicality," Lottie countered, unable to prevent a gasp as he touched the delicate creases inside her elbows. How was it that he could elicit sensation from such ordinary parts of her body? "If you think I might change my mind about marrying you after one night of lovemaking... you're wrong. My appetite isn't satisfied nearly that easily. In fact, having you once is only going to make me want you more. It's a pity that you're a virgin. That will limit the number of things I can do with you... for a while, at least." Lottie scowled. "I'm so sorry for the inconvenience." Gentry grinned at her annoyance. "That's all right. We'll do the best we can, in light of the circumstances. Perhaps it will be less of a hindrance than I expect. Never having had a virgin before, I won't know until I try one." "Well, you will have to wait until tomorrow night," she said firmly, wriggling beneath him in an effort to free herself. For some reason he froze and caught his breath at the movement of her hips beneath his. Lottie frowned. "What is it? Did I hurt you?" Shaking his head, Gentry rolled away from her. He dragged a hand through his gleaming brown hair as he sat up. "No," he muttered, sounding a bit strained. "Although I may be permanently debilitated if I don't get some relief soon." "Relief from what?" she asked, while he left the bed and fumbled with the front of his trousers. "You'll find out." He glanced over his shoulder, his blue eyes containing both a threat and a delicious promise.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
In the usual iconography of the temple or the local Wok you would never see him doing such a thing, tossing the dry snow over the mountain of his bare, round shoulder, his hair tied in a knot, a model of concentration. Sitting is more his speed, if that is the word for what he does, or does not do. Even the season is wrong for him. In all his manifestations, is it not warm and slightly humid? Is this not implied by his serene expression, that smile so wide it wraps itself around the waist of the universe? But here we are, working our way down the driveway. one shovelful at a time. We toss the light powder into the clean air. We feel the cold most on our faces. And with every heave we disappear and become lost to each other in these sudden clouds of our own making, these fountain-bursts of snow. This is so much better than a sermon in church, I say out loud, bud Buddha keeps on shoveling. This is the true religion, the religion of snow, and sunlight and winter geese barking in the sky, I say, but he is too busy to hear me He has thrown himself into shoveling snow as if it were the purpose of existence, as if the sign of a perfect life were a clear driveway you could back the car down easily and drive off into the vanities of the world with a broken heater fan and a song on the radio. All morning long we work side by side, me with my commentary and he is inside the generous pocket of his silence, until the house is nearly noon and the snow is piled high all around us; then, I hear him speak. After this, he asks, can we go inside and play cards? Certainly, I reply, and I will heat some milk and bring cups of hot chlorate to the table while you shuffle the deck, and our boots stand dripping by the door. Aaah, says the Buddha, lifting his eyes and leaning for a moment on his shovel before he drives the fun blade again deep into the glittering white snow.
Billy Collins (Sailing Alone Around the Room: New and Selected Poems)
The humidity keeps the hills a rich green and means that a wildfire won’t burn, but it can be hard on pudding-headed sorts overly concerned with the texture of their hair. Like me. Redheads are vulnerable to such worries. We’re conditioned to believe that there’s only a few flyaway hairs’ difference between siren and Pippi Longstocking, Little Orphan Annie, or Witchiepoo.
Diana Marcum (The Tenth Island: Finding Joy, Beauty, and Unexpected Love in the Azores)
It couldn’t be. Devon was supposed to be in London! It was a trick of her imagination…a hallucination. Except that the air was hot and humid, spiced with the fragrance that was unmistakably his…a spicy, clean incense of skin and soap. Apprehensively Kathleen parted her fingers just enough to peek through them. Devon was reclining in the copper tub, looking at her in sardonic inquiry. Hot mist rose around him in a smoke-colored veil. Droplets of water clung to the tautly muscled slopes of his arms and shoulders, and sparkled in the dark fleece of hair on his chest. Kathleen whirled to face the door, her thoughts scattering like the pins in a game of skittles. “What are you doing here?” she managed to ask. His tone was caustic. “I received your summons.” “My…my…you mean the telegram?” It was difficult to pull a coherent thought from the wreckage of her brain. “That wasn’t a summons.” “It read like one.” “I didn’t expect to see you so soon. Certainly not so much of you!” She went crimson as she heard his low laugh.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
His hair had changed: he still wore it long and layered, but the night’s humidity had given it volume. He had obviously shaved for the party; there was no five o’clock shadow darkening his jawline. Long sideburns narrowed his face.
Kristin Hannah (The Women)