“
In friendship...we think we have chosen our peers. In reality a few years' difference in the dates of our births, a few more miles between certain houses, the choice of one university instead of another...the accident of a topic being raised or not raised at a first meeting--any of these chances might have kept us apart. But, for a Christian, there are, strictly speaking no chances. A secret master of ceremonies has been at work. Christ, who said to the disciples, "Ye have not chosen me, but I have chosen you," can truly say to every group of Christian friends, "Ye have not chosen one another but I have chosen you for one another." The friendship is not a reward for our discriminating and good taste in finding one another out. It is the instrument by which God reveals to each of us the beauties of others.
”
”
C.S. Lewis (The Four Loves)
“
Shit. . . this was a bad idea. A pure-blooded, bonded male vampire about to watch his shellan feed someone else. Holy hell, when the Scribe Virgin had suggested Beth come down, V had assumed it was for ceremonial purposes, not so she could be a vein. But what was the choice? Butch was going to suck Marissa dry and not have enough and there wasn't another female in the house who could do the job: Mary was still human and Bella was pregnant.
Besides, like dealing with Rhage or Z would be any easier? For the beast, they'd need a tranq gun the size of a cannon and Z. . . well, shit.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
But in Friendship, being free of all that, we think we have chosen our peers. In reality, a few years' difference in the dates of our births, a few more miles between certain houses, the choice of one university instead of another, posting to different regiments, the accident of a topic being raised or not raised at a first meeting—any of these chances might have kept us apart. But, for a Christian, there are, strictly speaking, no chances. A secret Master of the Ceremonies has been at work. Christ, who said to the disciples "Ye have not chosen me, but I have chosen you," can truly say to every group of Christian friends "You have not chosen one another but I have chosen you for one another." The Friendship is not a reward for our discrimination and good taste in finding one another out. It is the instrument by which God reveals to each the beauties of all the others. They are no greater than the beauties of a thousand other men; by Friendship God opens our eyes to them. They are, like all beauties, derived from Him, and then, in a good Friendship, increased by Him through the Friendship itself, so that it is His instrument for creating as well as for revealing.
”
”
C.S. Lewis (The Four Loves)
“
Never interrupt a faerie circle ceremony. And, if a faerie has appeared to you, visually, do not speak to it until it has spoken to you. These two transgressions are considered so rude, that the faeries may literally attack you, on the spot.
”
”
Alexei Maxim Russell (The New Homeowner's Guide to House Spirits)
“
What occurs under the public gaze with so much pomp and ceremony is often the conclusion, or mere ratification, of what has taken place over weeks or months within the walls of such houses.
”
”
Kazuo Ishiguro (The Remains of the Day)
“
Perhaps this war will make it simpler for us to go back to some of the old ways we knew before we came over to this land and made the Big Money. Perhaps, even, we will remember how to make good bread again.
It does not cost much. It is pleasant: one of those almost hypnotic businesses, like a dance from some ancient ceremony. It leaves you filled with peace, and the house filled with one of the world's sweetest smells. But it takes a lot of time. If you can find that, the rest is easy. And if you cannot rightly find it, make it, for probably there is no chiropractic treatment, no Yoga exercise, no hour of meditation in a music-throbbing chapel, that will leave you emptier of bad thoughts than this homely ceremony of making bread.
”
”
M.F.K. Fisher (How to Cook a Wolf)
“
The home is the most ritualized place in a society; each house is like a religious order with its own ceremonies.
”
”
Heather O'Neill (Lullabies for Little Criminals)
“
When my parents passed on, and we read their wills, we discovered something we didn’t at all expect, especially from our devoutly Catholic mother: they had both left instructions that their bodies be donated to science. We were bewildered and we were pissed. They wanted their cadavers to be used by medical students, they wanted their flesh to be cut into and their cancerous organs examined. We were breathless. They wanted no elaborate funerals, no expense incurred for such stuff – they hated wasting money or time on ceremony, on appearances. When they died there was little left – the house, the cars. And their bodies, and they gave those away. To offer them to strangers was disgusting, wrong, embarrassing. And selfish to us, their children, who would have to live with the thought of their cold weight sinking on silver tables, surrounded by students chewing gum and making jokes about the location of freckles. But then again: Nothing can be preserved. It’s all on the way out, from the second it appears, and whatever you have always has one eye on the exit, and so screw it. As hideous and uncouth as it is, we have to give it all away, our bodies, our secrets, our money, everything we know: All must be given away, given away every day, because to be human means:
1. To be good
2. To save nothing
”
”
Dave Eggers (A Heartbreaking Work of Staggering Genius)
“
That popular fable of the sot who was picked up dead drunk in the street, carried to the duke's house, washed and dressed and laid in the duke's bed, and, on his waking, treated with all obsequious ceremony like the duke, and assured that he had been insane, owes its popularity to the fact, that it symbolizes so well the state of man, who is in the world a sort of sot, but now and then wakes up, exercises his reason, and finds himself a true prince.
”
”
Ralph Waldo Emerson (Self-Reliance and Other Essays (Dover Thrift Editions: Philosophy))
“
I won't marry you."
"Of course you will," he said. "Why wouldn't you? You followed me around like a puppy dog all those years ago, which was pure misery, because I wanted nothing more than to toss you down in the straw and despoil you, and you were too damned young. Back then I had scruples. Fortunantly, nowadays I have none."
"Then why do you want to marry me?" She said, shoving her hair away from her face.
"I have no idea." He said idly. "I expect I love you. Nothing else could account for such bizarre behavior on my part. I expect the captain of the packet ship can perform a ceremony. Are you ready?"
She didn't move. She couldn't marry him, and she needed shoes, and she wasn't sure which was the most important to argue about.
”
”
Anne Stuart (The Wicked House of Rohan (The House of Rohan, #0.5))
“
At Bealltainn, or May Day, every effort was made to scare away the fairies, who were particularly dreaded at this season. In the West Highlands charms were used to avert their influence. In the Isle of Man the gorse was set alight to keep them at a distance. In some parts of Ireland the house was sprinkled with holy water to ward off fairy influence. These are only a mere handful out of the large number of references available, but they seem to me to reveal an effort to avoid the attentions of discredited deities on occasions of festival once sacred to them. The gods duly return at the appointed season, but instead of being received with adoration, they are rebuffed by the descendants of their former worshippers, who have embraced a faith which regards them as demons.
In like manner the fairies in Ireland were chased away from the midsummer bonfires by casting fire at them. At the first approach of summer, the fairy folk of Scotland were wont to hold a "Rade," or ceremonial ride on horseback, when they were liable to tread down the growing grain.
”
”
Lewis Spence (British Fairy Origins)
“
American Wedding
In america,
I place my ring
on your cock
where it belongs.
No horsemen
bearing terror,
no soldiers of doom
will swoop in
and sweep us apart.
They’re too busy
looting the land
to watch us.
They don’t know
we need each other
critically.
They expect us to call in sick,
watch television all night,
die by our own hands.
They don’t know
we are becoming powerful.
Every time we kiss
we confirm the new world coming.
What the rose whispers
before blooming
I vow to you.
I give you my heart,
a safe house.
I give you promises other than
milk, honey, liberty.
I assume you will always
be a free man with a dream.
In america,
place your ring
on my cock
where it belongs.
Long may we live
to free this dream.
”
”
Essex Hemphill (Ceremonies: Prose and Poetry)
“
I can see him now in his cart pulled by two deer, followed by a couple of servants. Once carried enough wine to kill Liu Ling, and the other carried a spade to bury him on the spot – so much for Confucian ceremony. When I came to call, he’d greet me stark naked and I can still hear him scream, “The universe is my dwelling place and my house is my only clothes! Why are you entering into my pants?
”
”
Barry Hughart
“
The master of ceremonies asked people to say what they thought the function of the novel might be in modern society, and one critic said, 'To provide touches of color in rooms with all white walls.'
Another one said, 'to describe blow-jobs artistically.' Another one said, 'to teach wives of junior executives what to buy next and how to act in a French restaurant.
”
”
Kurt Vonnegut Jr.
“
I do not like public ceremony, not graduations, not weddings; not pep rallies, nor church. Perhaps I simply do not understand trying to share one emotion (love, relief, faith, pep) with a quantity of strangers.
”
”
Elizabeth McCracken (The Giant's House)
“
Agnes Shay had the true spirit of a maid. Moistened with dishwater and mild eau de cologne, reared in narrow and sunless bedrooms, in back passages, back stairs, laundries, linen closets, and in those servants' halls that remind one of a prison, her soul had grown docile and bleak...Agnes loved the ceremonies of a big house. She drew the curtains in the living room at dark, lighted the candles on the table, and struck the dinner chimes like an eager altar boy. On fine evenings, when she sat on the back porch between the garbage pails and the woodbins, she liked to recall the faces of all the cooks she had known. It made her life seem rich.
”
”
John Cheever (The Stories of John Cheever)
“
That popular fable of the sot who was picked up dead drunk in the street, carried to the duke's house, washed and dressed and laid in the duke's bed, and, on his waking, treated with all obsequious ceremony like the duke, and assured that he had been insane, owes its popularity to the fact that it symbolizes so well the state of man, who is in the world a sort of sot, but now and then wakes up, exercises his reason and finds himself a true prince.
”
”
Ralph Waldo Emerson (Self Reliance (Illustrated))
“
Each year, we rent a house at the edge of the sea and drive there in the first of the summer—with the dog and cat, the children, and the cook—arriving at a strange place a little before dark. The journey to the sea has its ceremonious excitements, it has gone on for so many years now, and there is the sense that we are, as in our dreams we have always known ourselves to be, migrants and wanderers—travelers, at least, with a traveler’s acuteness of feeling." --from "“The Seaside Houses
”
”
John Cheever (The Stories of John Cheever)
“
Even the most traditional Indians, the ones who'd kept the old ceremonies alive in secret, either had Catholicism beaten into them in boarding school...or they had decided to hedge their bets by adding the saints to their love of the sacred pipe.
”
”
Louise Erdrich (The Round House)
“
Celebration is the sparkle in the eye of the one who glows. It is the song that plays in the house of freedom. Celebration is the dance of life, it’s the one dancing to the drumbeat of the heart, it’s your birthday cake, it’s you blowing out the trick candles, it’s you delighting in the fire of life.
”
”
Tehya Sky (A Ceremony Called Life: When Your Morning Coffee Is as Sacred as Holy Water)
“
Rather, debates are conducted, and crucial decisions arrived at, in the privacy and calm of the great houses of this country. What occurs under the public gaze with so much pomp and ceremony is often the conclusion, or mere ratification, of what has taken place over weeks or months within the walls of such houses.
”
”
Kazuo Ishiguro (The Remains of the Day)
“
As soon as the period of mourning for Dona Ester was over and the big house on the corner was finished, Esteban Trueba and Clara del Valle were married in a modest ceremony. Esteban gave his wife a set of diamond jewelry, which she thought beautiful. She packed it away in a shoe box and quickly forgot where she had put it. They spent their honeymoon in Italy and two days after they were on the boat. Esteban was as madly in love as an adolescent, despite the fact that the movement of the ship made Clara uncontrollably ill and the tight quarters gave her asthma. Seated by her side in the narrow cabin, pressing cold compress to her forehead and holding her while she vomited, he felt profoundly happy and desired her with unjust intensity considering the wretched state to which she was reduced. On the fourth day at sea, she woke up feeling better and they went out on deck to look at the sea. Seeing her with her wind-reddened nose, and laughing at the slightest provocation, Esteban swore that sooner or later she would come to love him as he needed to be loved, even if it meant he had to resort to extreme measures. He realized that Clara did not belong to him and that if she continued living in her world of apparitions, three-legged chairs that moved of their own volition, and cards that spelled out the future, she probably never would. Clara's impudent and nonchalant sensuality was also not enough for him. He wanted far more than her body; he wanted control over that undefined and luminous material that lay within her and that escaped him even in those moments when she appeared to be dying of pleasure. His hands felt very heavy, his feet very big, his voice very hard, his beard very scratchy, and his habits of rape and whoring very deeply ingrained, but even if he had to turn himself inside out like a glove, he was prepared to do everything in his power to seduce her.
”
”
Isabel Allende (The House of the Spirits)
“
The voice welling up out of this little man is terrific, Harry had noticed it at the house, but here, in the nearly empty church, echoing off the walnut knobs and memorial plaques and high arched rafters, beneath the tall central window of Jesus taking off into the sky with a pack of pastel apostles for a launching pad, the timbre is doubled, richer, with a rounded sorrowful something Rabbit hadn't noticed hitherto, gathering and pressing the straggle of guests into a congregation, subduing any fear that this ceremony might be a farce. Laugh at ministers all you want, they have the words we need to hear, the ones the dead have spoken.
”
”
John Updike (Rabbit Is Rich (Rabbit Angstrom, #3))
“
MICHELLE, MA BELLE Paul McCartney had been awarded the Gershwin Prize for Popular Song in a ceremony in the East Room. For most of the evening, other artists performed his songs. But for the conclusion, McCartney went onstage to sing some classics. Then he sang “Michelle” to Michelle Obama. I didn’t realize how special the moment was until the next day, when I was talking to the President. What were the odds, he said to me, that an African-American girl from the South Side of Chicago would one day be sitting in the front row of the White House, as the First Lady of the United States, while a member of the Beatles sang her name? Wow, just wow, I thought. June 2, 2010
”
”
Pete Souza (Obama: An Intimate Portrait)
“
She repainted the house to resonate year round with a summertime oasis in floral colors from the backyard garden—her ceremonial grounds—keeping her in her roots of greenness.
”
”
Jazz Feylynn (Colorado State of Mind (Colorado Springs Fiction Writers Group Anthology, #3))
“
Laura was silent again. Then she summoned all her courage and said, “Almanzo, I must ask you something. Do you want me to promise to obey you?”
Soberly he answered, “Of course not. I know it is in the wedding ceremony, but it is only something that women say. I never knew one that did it, nor any decent man that wanted her to.”
“Well, I am not going to say I will obey you,” said Laura. "I cannot make a promise that I will not keep, and, Almanzo, even if I tried, I do not think I could obey anybody against my better judgement.”
“I’d never expect you to,” he told her. “And there will be no difficulty about the ceremony, because Reverend Brown does not believe in using the word ‘obey.
”
”
Laura Ingalls Wilder (These Happy Golden Years (Little House, #8))
“
I had a sense of preparation for a love to come. Like the extension of canopies, the unrolling of ceremonial carpets, as if I must first create a marvelous world in which to house it, in which to receive adequately this guest of honor.
”
”
Anaïs Nin (The Diary of Anais Nin Volume 1 1931-1934)
“
Brought up, as Mahomet was, in the house of the guardian of the Caaba, the ceremonies and devotions connected with the sacred edifice may have given an early bias to his mind, and inclined it to those speculations in matters of religion by which it eventually became engrossed. Though his Moslem biographers would fain persuade us his high destiny was clearly foretold in his childhood by signs and prodigies, yet his education appears to have been as much neglected as that of ordinary Arab children ; for we find that he was not taught either to read or write. He was a thoughtful child, however ; quick to observe, prone to meditate on all that he observed, and possessed of an imagination fertile, daring, and expansive. The yearly influx of pilgrims from distant parts made Mecca a receptacle for all kinds of floating knowledge, which he appears to have imbibed with eagerness and retained in a tenacious memory ; and as he increased in years, a more extended sphere of observation was gradually opened to him.
”
”
Washington Irving (Life of Mohammed)
“
Yet though Americans have been driving up to their houses for decades and entering through backdoors, side doors, kitchen doors, and especially doors through garages, architects keep designing houses with ceremonial front doors that are nowhere near any car or driveway.
”
”
Akiko Busch (Geography of Home)
“
Why did people do it? Why this herd curiosity about a street, a house, windows, doors? He was a public servant, the Inspector mused, but there were times when he would enjoy loading all the rubbernecks onto barges and towing them out to sea to be served, with ceremony, to sharks.
”
”
Ellery Queen (The Player on the Other Side (Ellery Queen Detective, #27))
“
this house is quite literally on the beach and has one-hundred-eighty-degree ocean views from every floor, that it’s something in entertainment. There is a bonfire scheduled for late tonight and a lobster bake picnic scheduled for after the ceremony. Drinks and dancing are on the roof deck.
”
”
Taylor Jenkins Reid (After I Do)
“
The reality was that all manner of instructions could be given, but people needed to eat and they needed supplies. Some considered feeding the soul as important as feeding the body, so they, too, disregarded the order to not attend Mass. Father Pedro himself had refused to accept that the illness was capable of entering the church, much less spread and grow during the sacred ceremony. But this disease did not respect holy places, rituals, or people, as the pig-headed and dead Father Pedro must now know, wherever he was. Nor did the disease respect medical personnel. The town’s already limited hospital, founded by the ladies of high society, had closed its doors after the death or desertion of its nurses and the rest of its staff. Now Linares’s doctors and any surviving medical staff who dared do so roamed the town, like Cantú, visiting houses where they were not welcome.
”
”
Sofía Segovia (The Murmur of Bees)
“
I didn’t know anything about “made men” back then. That’s a special status in the alleged mob where you go through a ceremony and after that you are then untouchable. Nobody can whack you without approval. You get extra respect wherever you go. You are part of the “in” crowd, the inner circle. It only applies to Italians. Later on I got so close to Russell that I was higher up than a made man. Russell even said that to me. He said, “Nobody can ever touch you because you are with me.” I can still feel him gripping my cheek with that strong grip of his and telling me, “You should have been an Italian.” If
”
”
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
“
Here the word ritual doesn’t mean something full-blown and complicated; instead, it means an intuitive ceremony or something set apart from everyday action by mindfulness and conscious intent. Also, the word magic means the conscious and directed attempt to effect change by combining and directing energy toward a positive goal.
”
”
Arin Murphy-Hiscock (The House Witch: Your Complete Guide to Creating a Magical Space with Rituals and Spells for Hearth and Home (House Witchcraft, Magic, & Spells Series))
“
West Country novelist Thomas Hardy almost did not survive his birth in 1840 because everyone thought he was stillborn. He did not appear to be breathing and was put to one side for dead. The nurse attending the birth only by chance noticed a slight movement that showed the baby was in fact alive. He lived to be 87 and gave the world 18 novels, including some of the most widely read in English literature. When he did die, there was controversy over where he should be laid to rest. Public opinion felt him too famous to lie anywhere other than in Poets’ Corner in Westminster Abbey, the national shrine. He, however, had left clear instructions to be buried in Stinsford, near his birthplace and next to his parents, grandparents, first wife and sister. A compromise was brokered. His ashes were interred in the Abbey. His heart would be buried in his beloved home county. The plan agreed, his heart was taken to his sister’s house ready for burial. Shortly before, as it lay ready on the kitchen table, the family cat grabbed it and disappeared with it into the woods. Although, simultaneously with the national funeral in Westminster Abbey, a burial ceremony took place on 16 January 1928, at Stinsford, there is uncertainty to this day as to what was in the casket: some say it was buried empty; others that it contained the captured cat which had consumed the heart.
”
”
Phil Mason (Napoleon's Hemorrhoids: ... and Other Small Events That Changed History)
“
Through portico of my elegant house you stalk
With your wild furies, disturbing garlands of fruit
And the fabulous lutes and peacocks, rending the net
Of all decorum which holds the whirlwind back.
Now, rich order of walls is fallen; rooks croak
Above the appalling ruin; in bleak light
Of your stormy eye, magic takes flight
Like a daunted witch,
quitting castle when real days break.
Fractured pillars frame prospects of rock;
While you stand heroic in coat and tie, I sit
Composed in Grecian tunic and psyche-knot,
Rooted to your black look, the play turned tragic:
Which such blight wrought on our bankrupt estate,
What ceremony of words can patch the havoc?
"Conversation Among the Ruins
”
”
Sylvia Plath (The Collected Poems)
“
It as mathematical, marriage, not, as one might expect, additional; it was exponential. This one man, nervous in a suite a size too small for his long, lean self, this woman, in a green lace dress cut to the upper thigh, with a white rose behind her ear. Christ, so young. The woman before them was a unitarian minister, and on her buzzed scalp, the grey hairs shone in a swab of sun through the lace in the window. Outside, Poughkeepsie was waking. Behind them, a man in a custodian's uniform cried softly beside a man in pajamas with a Dachshund, their witnesses, a shine in everyone's eye. One could taste the love on the air, or maybe that was sex, or maybe that was all the same then.
'I do,' she said.
'I do,' he said.
They did. They would.
Our children will be so fucking beautiful, he thought, looking at her.
Home, she thought, looking at him.
'You may kiss,' said the officiant.
They did, would.
Now they thanked everyone and laughed, and papers were signed and congratulations offered, and all stood for a moment, unwilling to leave this gentile living room where there was such softness.
The newlyweds thanked everyone again, shyly, and went out the door into the cool morning. They laughed, rosy. In they'd come integers, out they came, squared.
Her life, in the window, the parakeet, scrap of blue midday in the London dusk, ages away from what had been most deeply lived. Day on a rocky beach, creatures in the tide pool. All those ordinary afternoons, listening to footsteps in the beams of the house, and knowing the feeling behind them. Because it was so true, more than the highlights and the bright events, it was in the daily where she'd found life. The hundreds of time she'd dug in her garden, each time the satisfying chew of spade through soil, so often that this action, the pressure and release and rich dirt smell delineated the warmth she'd felt in the cherry orchard.
Or this, each day they woke in the same place, her husband waking her with a cup of coffee, the cream still swirling into the black. Almost unremarked upon this kindness, he would kiss her on the crown of her head before leaving, and she'd feel something in her rising in her body to meet him.
These silent intimacies made their marriage, not the ceremonies or parties or opening nights or occasions, or spectacular fucks. Anyway, that part was finished. A pity...
”
”
Lauren Groff (Fates and Furies)
“
On May 28, 1830, President Andrew Jackson unlawfully signed the Indian Removal Act to force move southeastern peoples from our homelands to the West. We were rounded up with what we could carry. We were forced to leave behind houses, printing presses, stores, cattle, schools, pianos, ceremonial grounds, tribal towns, churches. We witnessed immigrants walking into our homes with their guns, Bibles, household goods and families, taking what had been ours, as we were surrounded by soldiers and driven away like livestock at gunpoint.
There were many trails of tears of tribal nations all over North America of indigenous peoples who were forcibly removed from their homelands by government forces.
The indigenous peoples who are making their way up from the southern hemisphere are a continuation of the Trail of Tears.
May we all find the way home.
”
”
Joy Harjo (An American Sunrise)
“
What I remember most clearly is how it felt. I’d just finished painting a red fire engine-like the one I often walked past near my grandparents’ house. Suddenly the teachers, whose names I've long forgotten, closed in on my desk. They seemed unusually impressed, and my still dripping fire engine was immediately and ceremoniously pinned up. I don’t know what they might have said, but their unexpected attention and having something I’d made given a place of honor on the wall created an overwhelming and totally unfamiliar sense of pride inside me. I loved that feeling, and I wanted to feel it again and again. That desire, I suppose, was the beginning of my career.
I have no idea where my fire engine painting ended up, but I never forgot the basic layout. Several decades later, it served as the inspiration for this sketch for an illustration in a book called Why the chicken crossed the Road.
”
”
David Macaulay
“
I dream that someone in space says to me: So let us rush, then, to see the world. It is shaped like an egg, covered with seas and continents, warmed and lighted by the sun. It has churches of indescribable beauty, raised to gods that have never been seen; cities whose distant roofs and smokestacks will make your heart leap; ballparks and comfortable auditoriums in which people listen to music of the most serious import; to celebrate life is recorded. Here the joy of women’s breasts and backsides, the colors of water, the shapes of trees, athletes, dreams, houses, the shapes of ecstasy and dismay, the shape even of an old shoe, are celebrated. Let us rush to see the world. They serve steak there on jet planes, and dance at sea. They have invented musical instruments to express love, peaceableness; to stir the finest memories and aspirations. They have invented games to catch the hearts of young men. They have ceremonies to exalt the love of men and women. They make their vows to music and the sound of bells. They have invented ways to heat their houses in the winter and cool them in the summer. They have even invented engines to cut their grass. They have free schools for the pursuit of knowledge, pools to swim in, zoos, vast manufactories of all kinds. They explore space and the trenches of the sea. Oh, let us rush to see this world.
”
”
John Cheever (The Journals of John Cheever)
“
And one day, out of Heaven knows what material, he spun the beast a wonderful name, and from that moment it grew into a god and a religion. The Woman indulged in religion once a week at a church near by, and took Conradin with her, but to him the church service was an alien rite in the House of Rimmon. Every Thursday, in the dim and musty silence of the tool-shed, he worshipped with mystic and elaborate ceremonial before the wooden hutch where dwelt Sredni Vashtar, the great ferret.
”
”
Jeff VanderMeer (The Weird: A Compendium of Strange and Dark Stories)
“
a top hat—a deliberate act of rebellion on Ike’s part that shocked the protocol mavens. For their part, the Eisenhowers had refused to enter the White House for a pre-inauguration cup of coffee, choosing instead to wait in the car that would take both the president and president-elect to the ceremony. At least Ike didn’t meet Truman at the Capitol steps, as he’d threatened. But it was a very uncomfortable car ride. “I’m glad I wasn’t in that car,” head White House usher J. B. West said.
”
”
Bret Baier (Three Days in January: Dwight Eisenhower's Final Mission (Three Days Series))
“
Why do we bury our dead?” His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident.
I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. “Because it’s respectful?”
He shook his head. “That’s true, but that’s not the reason we do it.”
But that was the reason we buried people, wasn’t it? After gazing at him in confusion, I raised my hand, determined to get the right answer. “Because leaving people out in the open is unsanitary.”
Mr. B. shook his head and scratched the stubble on his neck.
I glared at him, annoyed at his ignorance and certain that my responses were correct. “Because it’s the best way to dispose of a body?”
Mr. B. laughed. “Oh, but that’s not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone.”
Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I’d heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn’t know what burials meant? I’d watched them bury my parents, hadn’t I? “Because that’s just what we do,” I blurted out. “We bury people when they die. Why does there have to be a reason for everything?”
“Exactly!” Mr. B. grabbed the pencil from behind his ear and began gesticulating with it. “We’ve forgotten why we bury people.
“Imagine you’re living in ancient times. Your father dies. Would you randomly decide to put him inside a six-sided wooden box, nail it shut, then bury it six feet below the earth? These decisions aren’t arbitrary, people. Why a six-sided box? And why six feet below the earth? And why a box in the first place? And why did every society throughout history create a specific, ritualistic way of disposing of their dead?”
No one answered.
But just as Mr. B. was about to continue, there was a knock on the door. Everyone turned to see Mrs. Lynch poke her head in. “Professor Bliss, the headmistress would like to see Brett Steyers in her office. As a matter of urgency.”
Professor Bliss nodded, and Brett grabbed his bag and stood up, his chair scraping against the floor as he left.
After the door closed, Mr. B. drew a terrible picture of a mummy on the board, which looked more like a hairy stick figure. “The Egyptians used to remove the brains of their dead before mummification. Now, why on earth would they do that?”
There was a vacant silence.
“Think, people! There must be a reason. Why the brain? What were they trying to preserve?”
When no one answered, he answered his own question.
“The mind!” he said, exasperated. “The soul!”
As much as I had planned on paying attention and participating in class, I spent the majority of the period passing notes with Eleanor. For all of his enthusiasm, Professor Bliss was repetitive and obsessed with death and immortality. When he faced the board to draw the hieroglyphic symbol for Ra, I read the note Eleanor had written me.
Who is cuter?
A. Professor Bliss
B. Brett Steyers
C. Dante Berlin
D. The mummy
I laughed. My hand wavered between B and C for the briefest moment. I wasn’t sure if you could really call Dante cute. Devastatingly handsome and mysterious would be the more appropriate description. Instead I circled option D. Next to it I wrote Obviously! and tossed it onto her desk when no one was looking.
”
”
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
“
First-century discipleship was expressed as a servant-master relationship (see Matthew 10:24). Once accepted as a disciple, a young man started as a talmidh, or beginner, who sat in the back of the room and could not speak. Then he became a distinguished student, who took an independent line in his approach or questioning. At the next level, he became a disciple-associate, who sat immediately behind the rabbi during prayer time. Finally he achieved the highest level, a disciple of the wise, and was recognized as the intellectual equal of his rabbi.'"
2. Memorizing the teacher's words: Oral tradition provided the basic way of studying. Disciples learned the teacher's words verbatim to pass along to the next person. Often disciples learned as many as
four interpretations of each major passage in the Torah.
3. Learning the teacher's way of ministry: A disciple learned how his teacher kept God's commands, including how he practiced the Sabbath, fasted, prayed, and said blessings in ceremonial situations. He would also learn his rabbi's teaching methods and the many traditions his master followed.
4. Imitating the teacher's life and character: Jesus said that when a disciple is fully taught, he "will be like his teacher" (Luke 6:40). The highest calling of a disciple was to imitate his teacher. Paul called on Timothy to follow his example (see 2 Timothy 3:10-14), and he didn't hesitate to call on all believers to do the same (see 1 Corinthians 4:14-16; 1 1:1; Philippians 4:9). One story in ancient tradition tells of a rabbinical student so devoted to his teacher that he hid in the teacher's bedchamber to discover the mentor's sexual technique. To be sure, this is a bit extreme, yet it demonstrates the level of commitment required to be a disciple.
5. Raising up their own disciples: When a disciple finished his training, he was expected to reproduce what he'd learned by finding and training his own apprentices. He would start his own school and call it after his name, such as the House of Hillel.
”
”
Bill Hull (The Complete Book of Discipleship: On Being and Making Followers of Christ (The Navigators Reference Library 1))
“
The abbe of Perigord offered his service to introduce him to her at her own house. Candide, who was brought up in Germany, desired to know what might be the ceremonial used on those occasions, and how a queen of England was treated in France. “There is a necessary distinction to be observed in these matters,” said the abbe. “In a country town we take them to a tavern; here in Paris, they are treated with great respect during their lifetime, provided
they are handsome, and when they die we throw their bodies upon a
dunghill.
”
”
Voltaire (Candide)
“
We who are called royal are those who speak for our people to the powers of the earth and sky, as those powers transmit their will through us to the people. We are go-betweens. The chief duty of a king is to perform the rites of praise and placation as they should be performed, to observe care and ceremony and so understand and make known the will of the powers that are greater than we are. It is the king who tells the farmer when to plow, when to plant, when to harvest, when the cattle should go up to the hills and when they should return to the valleys, as he learns these things from his experience and his service at the altars of earth and sky. In the same way it is the mother of the family who tells her household when to rise, what work to do, what food to prepare and cook, and when to sit to eat it, having learned these things from her experience and her service at the altars of her Lares and Penates. So peace is maintained and things go well, in the kingdom and in the house. Both Aeneas and I had grown up in this responsibility, and it was dear to us both.
”
”
Ursula K. Le Guin (Lavinia)
“
Isn't she doing this too? Connecting and disconnecting. Facing grief then turning from it. One minute she is caught up in minutiae. Will her feet get sore standing in heels at the church? Have they made enough food? Will the kitten get scared by dozens of strangers in the house? Should she shut him in a room upstairs? The next moment she is weeping uncontrollably, taken over by pain so profound she can barely move. Then there was the salad bowl incident; her own fury scared her. But maybe these are different ways of dealing with events for all of them. Molly and Luke are infantile echos of her, their emotions paired down, their reactions simpler but similar. For if they have difficulty taking in what has happened, then so too does she. Why is she dressing up, for instance? Why can't she wear clothes to reflect the fact that she is at her lowest end? A tracksuit, a jumper full of holes, dirty jeans? Why can't she leave her hair a mess, her face unmade up? The crazed and grieving Karen doesn't care about her appearance. Yet she must go through with this charade, polish herself and her children to perfection. She, in particular, must hold it together. Oh, she can cry, yes, that's allowed. People expect that. They will sympathize. But what about screaming, howling, and hurling plates like she did yesterday? She imagines the shocked faces as she shouts and swears and smashes everything. But she is so angry, surely others must feel the same. Maybe a plate throwing ceremony would be a more fitting ritual than church, then everyone could have a go...smashing crockery up against the back garden wall.
”
”
Sarah Rayner (One Moment, One Morning)
“
According to the law of karma, souls reincarnate in environments befitting their spiritual attainments. Good people (even those who have veered from the spiritual path) go, when they die, to the heaven of those who do good deeds. They dwell there for a number of years and then take birth again, this time into a home that is pure and prosperous. A few of them will be born into a family that is spiritually advanced, but such births are difficult to obtain. When this happens, the good environment draws out their latent spirituality and leads them rapidly toward liberation.
The ones born into the pure and prosperous houses have the opportunity at first to enjoy the relatively tame desires they held in their former bodies. But as soon as those pleasures are done they feel irresistibly drawn to spirituality by the force of the good habits they strove for in the previous life.
Even those who showed only a faint interest, merely inquiring about spiritual matters, progress further than the ones who merely follow the rites and ceremonies of their belief systems unthinkingly, and thus stall their true spiritual advancement.
”
”
Krishna-Dwaipayana Vyasa
“
He arranged the ceremony for two o'clock in the afternoon a week before she was to leave. The exam had gone well and she was almost certain that she would qualify. Because other couples to be married came with family and friends, their ceremony seemed brisk and over quickly and caused much curiosity among those waiting because they had come alone.
On their journey to Coney Island on the train that afternoon Tony raised the question for the first time of when they might marry in church and live together.
'I have money saved,' he said, 'so we could get an apartment and then move to the house when it's ready.'
'I don't mind,' she said. 'I wish we were going home together now.'
He touched her hand.
'So do I,' he said. 'And the ring looks great on your finger.'
She looked down at the ring.
'I'd better remember to take it off before Mrs Kehoe sees it.'
The ocean was rough and grey and the wind blew white billowing clouds quickly across the sky. They moved slowly along the boardwalk and down the pier, where they stood watching the fishermen. As they walked back and sat eating hot dogs at Nathan's, Eilis spotted someone at the next table checking out her wedding ring. She smiled at herself.
'Will we ever tell our children that we did this?' she asked.
”
”
Colm Tóibín (Brooklyn (Eilis Lacey, #1))
“
Those who seek to glorify biblical womanhood have forgotten that the concubine of Bethlehem, the raped princess of David's house, the daughter of Jephtah, and the countless unnamed women who lived and died between the lines of Scripture exploited, neglected, ravaged, and crushed at the hand of patriarchy are as much a part of our shared narrative as Deborah, Esther, Rebekah, and Ruth. We may not have a ceremony through which to grieve them, but it is our responsibility as women of faith to guard the dark stories for our own daughters, and when they are old enough, to hold their faces between our hands and make them promise to remember.
”
”
Rachel Held Evans
“
Even today, every night of the year, the Queen’s Keys are carried in great ceremony to lock up the gates of the Tower. The Chief Yeoman Warder at 9:53 meets his escort warders and they walk to the gates. They arrive at 10:00 p.m. exactly and are challenged by a sentry with a bayonet who cries loudly, “Who comes here?” The reply by the Chief is, “The Keys.” “Whose keys?” “Queen Elizabeth’s keys.” “Pass, Queen Elizabeth’s keys, and all is well.” The party passes through the Bloody Tower Archway into the fortress and halts at the Broadway Steps. At the top of the stairs, the Tower Guard presents arms and the Chief Warder raises his hat and proclaims, “God preserve Queen Elizabeth.” The sentry replies, “Amen!” Afterward, the keys are taken to the Queen’s House for safekeeping and the Last Post is sounded. This ancient ceremony was interrupted only once since the 14th century. During World War II there was an air raid on London. Bombs fell on the Victorian guardroom just as the party was coming through the Bloody Tower Archway. The noise knocked down the Chief Yeoman and one of the Warder escorts. In the Tower is a letter from the Officer of the Guard in which he apologizes to King George VI for the ceremony finishing late, as well as a reply from the King which states that the officer is not to be punished since the delay was due to enemy action.
”
”
Debra Brown (Castles, Customs, and Kings: True Tales by English Historical Fiction Authors)
“
Those who seek to glorify biblical womanhood have forgotten the dark stories. They have forgotten that the concubine of Bethlehem, the raped princess of David’s house, the daughter of Jephthah, and the countless unnamed women who lived and died between the lines of Scripture exploited, neglected, ravaged, and crushed at the hand of patriarchy are as much a part of our shared narrative as Deborah, Esther, Rebekah, and Ruth. We may not have a ceremony through which to grieve them, but it is our responsibility as women of faith to guard the dark stories for our own daughters, and when they are old enough, to hold their faces between our hands and make them promise to remember.
”
”
Rachel Held Evans (A Year of Biblical Womanhood)
“
One August morning at Blair House, he read in the papers that the body of an American soldier killed in action, Sergeant John Rice, had been brought home for burial in Sioux City, Iowa, but that at the last moment, as the casket was to be lowered into the grave, officials of the Sioux City Memorial Park had stopped the ceremony because Sergeant Rice, a Winnebago Indian, was not “a member of the Caucasian race” and burial was therefore denied. Outraged, Truman picked up the phone. Within minutes, by telephone and telegram, it was arranged that Sergeant Rice would be buried in Arlington National Cemetery with full military honors and that an Air Force plane was on the way to bring his widow and three children to Washington. That, as President, was the least he could do.
”
”
David McCullough (Truman)
“
The cascading terrorist attacks emanating from PLO-controlled areas did not cease for a moment. This blunted the effect on public opinion of the White House signing ceremony of the Oslo Accords, in which Rabin was clearly seen uncomfortably shaking Arafat’s hand. Equally, Palestinian terrorism cast a dark shadow over the august ceremony in Sweden, where Rabin, Arafat and Peres were given the Nobel Peace Prize. The Peace Prize was greatly devalued when, after Oslo, the arch-jihadist recipient of the prize, Arafat, steadfastly continued to foster terrorism. In my long tenure as prime minister I could never be tempted with a Nobel Prize to do things that I thought would endanger Israel. Posterity is a better judge of historic achievement than politically correct committees meeting in Scandinavia.
”
”
Benjamin Netanyahu (Bibi: My Story)
“
The sun goes down and it's night-time in New Orleans. The moon rises, midnight chimes from St. Louis cathedral, and hardly has the last note died away than a gruesome swampland whistle sounds outside the deathly still house. A fat Negress, basket on arm, comes trudging up the stairs a moment later, opens the door, goes in to the papaloi, closes it again, traces an invisible mark on it with her forefinger and kisses it. Then she turns and her eyes widen with surprise. Papa Benjamin is in bed, covered up to the neck with filthy rags. The familiar candles are all lit, the bowl for the blood, the sacrificial knife, the magic powders, all the paraphernalia of the ritual are laid out in readiness, but they are ranged about the bed instead of at the opposite end of the room as usual.
The old man's head, however, is held high above the encumbering rags, his beady eyes gaze back at her unflinchingly, the familiar semicircle of white wool rings his crown, his ceremonial mask is at his side. 'I am a little tired, my daughter,' he tells her. His eyes stray to the tiny wax image of Eddie Bloch under the candles, hairy with pins, and hers follow them. 'A doomed one, nearing his end, came here last night thinking I could be killed like other men. He shot a bullet from a gun at me. I blew my breath at it, it stopped in the air, turned around, and went back in the gun again. But it tired me to blow so hard, strained my voice a little.'
A revengeful gleam lights up the woman's broad face. 'And he'll die soon, papaloi?'
'Soon,' cackles the weazened figure in the bed. The woman gnashes her teeth and hugs herself delightedly. ("Papa Benjamin" aka "Dark Melody Of Madness")
”
”
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
“
In the symbolic, economic, and familial spheres the Iroquois were matriarchal, that is, female dominated. Iroquoian women headed the family long-house, and much of the economic and ceremonial life centered on the agricultural activities of women. Men were responsible for hunting, war, and intertribal affairs. Although women appointed men to League positions and could veto their decisions, men dominated League deliberations. This tension between male and female spheres, in which females dominated village life and left intertribal life to men, suggests that the sexes were separate but equal, at least during the confederacy. Before the confederacy, when the individual nations stood alone and consisted of a set of loosely organized villages subsisting on the horticultural produce of women, females may have overshadowed the importance of males.35
”
”
David E. Stannard (American Holocaust: Columbus and the Conquest of the New World)
“
The grate had been removed from the wide overwhelming fireplace to make way for a fire of wood, in the midst of which was an enormous log glowing and blazing, and sending forth a vast volume of light and heat: this, I understood, was the Yule-clog, which the squire was particular in having brought in and illumined on a Christmas Eve, according to ancient custom.* * The Yule-clog is a great log of wood, sometimes the root
of a tree, brought into the house with great ceremony on
Christmas Eve, laid in the fireplace, and lighted with the
brand of last year's clog. While it lasted there was great
drinking, singing, and telling of tales. Sometimes it was
accompanied by Christmas candles; but in the cottages the
only light was from the ruddy blaze of the great wood fire.
The Yule-clog was to burn all night; if it went out, it was
considered a sign of ill luck.
”
”
Washington Irving (The Washington Irving Anthology: The Complete Fiction and Collected Non-Fiction Works)
“
Every nine years nine men enter the house so that I may deliver them from evil. I hear
their steps or their voices in the depths of the stone galleries and I run joyfully to find
them. The ceremony lasts a few minutes. They fall one after another without my having
to bloody my hands. They remain where they fell and their bodies help distinguish one
gallery from another. I do not know who they are, but I know that one of them
prophesied, at the moment of his death, that some day my redeemer would come. Since
then my loneliness does not pain me, because I know my redeemer lives and he will
finally rise above the dust. If my ear could capture all the sounds of the world, I should
hear his steps. I hope he will take me to a place with fewer galleries fewer doors. What
will my redeemer be like? I ask myself. Will he be a bull or a man? will he perhaps be a
bull with the face of a man? or will he be like me?
”
”
Jorge Luis Borges (The House of Asterion)
“
In Sri Lanka, the people you lived amongst, the people you went to school with, the people in whose houses you ate, whose jokes you shared: these were not the people you married. Quite possibly they were not your religion. More to the point they were probably not your caste. This word with its fearsome connotations was never, hardly ever used. But it was ever present: it muddied the waters of Sri Lanka's politics, it perfumed the air of her bed-chambers; it lurked, like a particularly noxious relative, behind the poruwa of every wedding ceremony. It was the c-word. People used its synonym, its acronym, its antonym-indeed any other nym that came to mind - in the vain hope its meaning would somehow go away. It didn't. But if the people you chose to associate with were the very ones you could not marry, then the ones you did marry were quite often people you wouldn't dream of associating with if you had any choice in the matter.
”
”
Ashok Ferrey (The Good Little Ceylonese Girl)
“
Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Svabo The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami Books for Banned Love Sea of Poppies, by Amitav Ghosh The English Patient, by Michael Ondaatje Euphoria, by Lily King The Red and the Black, by Stendahl Luster, by Raven Leilani Asymmetry, by Lisa Halliday All the Pretty Horses, by Cormac McCarthy Middlesex, by Jeffrey Eugenides The Vixen, by Francine Prose Legends of the Fall, by Jim Harrison The Winter Soldier, by Daniel Mason
”
”
Louise Erdrich (The Sentence)
“
But what one finds in the New World os not just a collection of houses and buildings, which might have had the same common ancestor in the mesolithic hamlet. One discovers, rather, a parallel collection of cultural traits: highly developed fertility ceremonies, a pantheon of cosmic deities, a magnified ruler and central authority who personifies the whole community, great temples whose forms recall such functionally different structures as the pyramid and the ziggurat, along with the same domination of a peasantry by an original hunter-warrior group, or (among the early Mayas) an even more ancient priesthood. Likewise the same division of castes and specialization of vocational groups, and the beginnings of writing, time measuring, and the calendar-including an immense extension of time perspectives among the Mayas, which surpasses in complexity and accuracy even what we know of the cosmic periods of the Babylonians and the Egyptians. These traits seem too specific to have been spontaneously repeated in a whole constellation.
”
”
Lewis Mumford (The City in History: Its Origins, Its Transformations, and Its Prospects)
“
No, certainly. We shall not have to explore our way into a hall dimly lighted by the expiring embers of a wood fire—nor be obliged to spread our beds on the floor of a room without windows, doors, or furniture. But you must be aware that when a young lady is (by whatever means) introduced into a dwelling of this kind, she is always lodged apart from the rest of the family. While they snugly repair to their own end of the house, she is formally conducted by Dorothy, the ancient housekeeper, up a different staircase, and along many gloomy passages, into an apartment never used since some cousin or kin died in it about twenty years before. Can you stand such a ceremony as this? Will not your mind misgive you when you find yourself in this gloomy chamber—too lofty and extensive for you, with only the feeble rays of a single lamp to take in its size—its walls hung with tapestry exhibiting figures as large as life, and the bed, of dark green stuff or purple velvet, presenting even a funereal appearance? Will not your heart sink within you?” “Oh! But this will not happen to me, I am sure.” “How fearfully will you examine the furniture of your apartment! And what will you discern? Not tables, toilettes, wardrobes, or drawers, but on one side perhaps the remains of a broken lute, on the other a ponderous chest which no efforts can open, and over the fireplace the portrait of some handsome warrior, whose features will so incomprehensibly strike you, that you will not be able to withdraw your eyes from it. Dorothy, meanwhile, no less struck by your appearance, gazes on you in great agitation, and drops a few unintelligible hints. To raise your spirits, moreover, she gives you reason to suppose that the part of the abbey you inhabit is undoubtedly haunted, and informs you that you will not have a single domestic within call. With this parting cordial she curtsies off—you listen to the sound of her receding footsteps as long as the last echo can reach you—and when, with fainting spirits, you attempt to fasten your door, you discover, with increased alarm, that it has no lock.
”
”
Jane Austen (Northanger Abbey)
“
Cat's Dream"
How neatly a cat sleeps,
sleeps with its paws and its posture,
sleeps with its wicked claws,
and with its unfeeling blood,
sleeps with all the rings--
a series of burnt circles--
which have formed the odd geology
of its sand-colored tail.
I should like to sleep like a cat,
with all the fur of time,
with a tongue rough as flint,
with the dry sex of fire;
and after speaking to no one,
stretch myself over the world,
over roofs and landscapes,
with a passionate desire
to hunt the rats in my dreams.
I have seen how the cat asleep
would undulate, how the night
flowed through it like dark water;
and at times, it was going to fall
or possibly plunge into
the bare deserted snowdrifts.
Sometimes it grew so much in sleep
like a tiger's great-grandfather,
and would leap in the darkness over
rooftops, clouds and volcanoes.
Sleep, sleep cat of the night,
with episcopal ceremony
and your stone-carved moustache.
Take care of all our dreams;
control the obscurity
of our slumbering prowess
with your relentless heart
and the great ruff of your tail.
”
”
Pablo Neruda (The House in the Sand (Spanish Edition))
“
Welcome to Hogwarts,’ said Professor McGonagall. ‘The start-of-term banquet will begin shortly, but before you take your seats in the Great Hall, you will be sorted into your houses. The Sorting is a very important ceremony because, while you are here, your house will be something like your family within Hogwarts. You will have classes with the rest of your house, sleep in your house dormitory and spend free time in your house common room. ‘The four houses are called Gryffindor, Hufflepuff, Ravenclaw and Slytherin. Each house has its own noble history and each has produced outstanding witches and wizards. While you are at Hogwarts, your triumphs will earn your house points, while any rule-breaking will lose house points. At the end of the year, the house with the most points is awarded the House Cup, a great honour. I hope each of you will be a credit to whichever house becomes yours. ‘The Sorting Ceremony will take place in a few minutes in front of the rest of the school. I suggest you all smarten yourselves up as much as you can while you are waiting.’ Her
”
”
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
“
Such good relations we had that if there was any function that we had, then we used to call Musalmaans to our homes, they would eat in our houses, but we would not eat in theirs and this is a bad thing, which I realize now. If they would come to our houses we would have two utensils in one corner of the house, and we would tell them, pick these up and eat in them; they would then wash them and keep them aside and this was such a terrible thing. This was the reason Pakistan was created. If we went to their houses and took part in their weddings and ceremonies, they used to really respect and honour us. They would give us uncooked food, ghee, atta, dal, whatever sabzis they had, chicken and even mutton, all raw. And our dealings with them were so low that I am even ashamed to say it. A guest comes to our house and we say to him, bring those utensils and wash them, and if my mother or sister have to give him food, they will more or less throw the roti from such a distance, fearing that they may touch the dish and become polluted ... We don’t have such low dealings with our lower castes as Hindus and Sikhs did with Musalmaans.
”
”
Urvashi Butalia (Other Side Of Silence: Voices from the Partition of India)
“
In Mrs. Dimble’s hands the task of airing the little house and making the bed for Ivy Maggs and her jailbird husband became something between a game and a ritual. It woke in Jane vague memories of helping at Christmas or Easter decorations in church when she had been a small child. But it also suggested to her literary memory all sorts of things out of sixteenth-century epithalamiums: age-old superstitions, jokes, and sentimentalities about bridal beds and marriage bowers, with omens at the threshold and fairies upon the hearth. It was an atmosphere extraordinarily alien to that in which she had grown up. A few weeks ago she would have disliked it. Was there not something absurd about that stiff, twinkling archaic world—the mixture of prudery and sensuality, the stylised ardours of the groom and the conventional bashfulness of the bride, the religious sanction, the permitted salacities of Fescennine song, and the suggestion that everyone except the principals might be expected to be rather tipsy? How had the human race ever come to imprison in such a ceremony the most unceremonious thing in the world? But she was no longer sure of her reaction.
”
”
C.S. Lewis (That Hideous Strength (The Space Trilogy #3))
“
From outside the shelter came children's voices. The shrill squeals brought the excitement of their unseen game into the opaque quiet of Setsuko's world and made her smile. "No war can go on forever. And human beings are the toughest creatures on earth, you know. There's no sense in being in a hurry to die. You MUST LIVE, whatever happens." Shoichi Wakui had squeezed her hand and told her this with an almost violent urgency, though his grasp was weak and his voice halting. Were those the Sugiwaras' children she could hear? The barber had had the presence of mind to rescue his kit when he fled through the flames of his burning shop, and now he was doing a brisk trade, seating his customers on cushions atop piled stones from the foundations. To house his family he'd put a lean-to against the railway embankment, barely enough to keep out the weather, but at least the children were no longer starving. Even in defeat the locally garrisoned soldiers all had some supplies of food, and while waiting to board trains for their hometowns from Yokohama Station they'd sit on the stone seat of the Sugawara Barbershop and have a good shave, leaving the children something to eat as payment.
Setsuko no longer felt the rage that had overwhelmed her at the disbanding ceremony. If they had fought on home ground, one hundred million Japanese sworn to die before they would surrender, those children would have had to die too. Those young lives and spirits would have been extinguished in terror and pain and they wouldn't even have understood why. They have a right to go on living, and the strength to do it, Setsuko thought. For their sakes, if no one else's, I should rejoice that the war ended before an invasion reached the home front. Shoichi Wakui's words came back clearly: "Even when a war is lost, people's lives still go on." And Naomis, in the gray notebook: "Every war comes to an end, and when peace is restored Paris rises like a phoenix." But what about those who'd already died? It was agony to think of those who would not rise: the dead would be left where they fell at the ends of the earth while the living would come home with their knapsacks of clothing and food. Whether they had gone to the front or stayed at home, the people had staked their lives for country and Emperor, and after they had lost, the country and the Emperor were still there. Then what had it all meant? Adrift and floundering in despair, Setsuko slipped back into a restless sleep.
”
”
Shizuko Gō (Requiem)
“
Therefore Flora said, though still not without a certain boastfulness and triumph in her legacy, that Mr F.'s Aunt was 'very lively to-day, and she thought they had better go.' But Mr F.'s Aunt proved so lively as to take the suggestion in unexpected dudgeon and declare that she would not go; adding, with several injurious expressions, that if 'He'--too evidently meaning Clennam--wanted to get rid of her, 'let him chuck her out of winder;' and urgently expressing her desire to see 'Him' perform that ceremony.
In this dilemma, Mr Pancks, whose resources appeared equal to any emergency in the Patriarchal waters, slipped on his hat, slipped out at the counting-house door, and slipped in again a moment afterwards with an artificial freshness upon him, as if he had been in the country for some weeks. 'Why, bless my heart, ma'am!' said Mr Pancks, rubbing up his hair in great astonishment, 'is that you?
How do you do, ma'am? You are looking charming to-day! I am delighted to see you. Favour me with your arm, ma'am; we'll have a little walk together, you and me, if you'll honour me with your company.' And so escorted Mr F.'s Aunt down the private staircase of the counting-house with great gallantry and success.
— Little Dorrit, Charles Dickens
”
”
Charles Dickens (Little Dorrit: Volume 1)
“
I am here because I worked too hard and too long not to be here. But although I told the university that I would walk across the stage to take my diploma, I won’t. At age fifty-seven, I’m too damned old, and I’d look ridiculous in this crowd. From where I’m standing in the back of the hall, I can see that I am at least two decades older than most of the parents of these kids in their black caps and gowns.
So I’ll graduate with this class, but I won’t walk across the stage and collect my diploma with them; I’ll have the school send it to my house. I only want to hear my name called. I’ll imagine what the rest would have been like. When you’ve had a life like mine, you learn to do that, to imagine the good things.
The ceremony is about to begin. It’s a warm June day and a hallway of glass doors leading to the parking lot are open, the dignitaries march onto the stage, a janitor slams the doors shut, one after the other.
That banging sound.
It’s Christmas Day 1961 and three Waterbury cops are throwing their bulk against our sorely overmatched front door. They are wearing their long woolen blue coats and white gloves and they swear at the cold.
They’ve finally come for us, in the dead of night, to take us away, just as our mother said they would.
”
”
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care.)
“
My dwelling was small, and I could hardly entertain an echo in it; but it seemed larger for being a single apartment and remote from neighbors. All the attractions of a house were concentrated in one room; it was kitchen, chamber, parlor, and keeping-room; and whatever satisfaction parent or child, master or servant, derive from living in a house, I enjoyed it all. Cato says, the master of a family (patremfamilias) must have in his rustic villa "cellam oleariam, vinariam, dolia multa, uti lubeat caritatem expectare, et rei, et virtuti, et gloriae erit," that is, "an oil and wine cellar, many casks, so that it may be pleasant to expect hard times; it will be for his advantage, and virtue, and glory." I had in my cellar a firkin of potatoes, about two quarts of peas with the weevil in them, and on my shelf a little rice, a jug of molasses, and of rye and Indian meal a peck each. I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude, substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head—useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace, some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse, and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil, and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping. A house whose inside is as open and manifest as a bird's nest, and you cannot go in at the front door and out at the back without seeing some of its inhabitants; where to be a guest is to be presented with the freedom of the house, and not to be carefully excluded from seven eighths of it, shut up in a particular cell, and told to make yourself at home there—in solitary confinement. Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you. I am aware that I have been on many a man's premises, and might have been legally ordered off, but I am not aware that I have been in many men's houses. I might visit in my old clothes a king and queen who lived simply in such a house as I have described, if I were going their way; but backing out of a modern palace will be all that I shall desire to learn, if ever I am caught in one.
”
”
Henry David Thoreau (Walden)
“
While the picture houses were struggling to maintain their audiences, things were not going terribly well on the production side of the business either. The previous November unions representing the craft trades—painters, carpenters, electricians, and the like—had secured something called the Studio Basic Agreement, which granted them important and costly concessions. The studios were now terrified of being squeezed similarly by actors and writers. With this in mind, thirty-six people from the creative side of the industry met for dinner at the Ambassador Hotel in Los Angeles in January 1927 and formed a kind of executive club to promote—but even more to protect—the studios. It was a reflection of their own sense of self-importance that they called it the International Academy of Motion Picture Arts and Sciences, elevating the movies from popular entertainment to something more grandly artistic, scientific, and literally academic. In the second week of May, while the world fretted over the missing airmen Nungesser and Coli, the academy was formally inaugurated at a banquet at the Biltmore Hotel in Los Angeles. (The idea of having an awards ceremony was something of an afterthought, and wasn’t introduced until the academy’s second anniversary dinner in 1929.)
”
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Bill Bryson (One Summer: America, 1927)
“
It is my impression that our generation was the first to recognize something which had passed the notice of all earlier generations: namely that the great decisions of the world are not, in fact, arrived at simply in the public chambers, or else during a handful of days given over to an international conference under the full gaze of the public and the press. Rather, debates are conducted, and crucial decisions arrived at, in the privacy and calm of the great houses of this country. What occurs under the public gaze with so much pomp and ceremony is often the conclusion, or mere ratification, of what has taken place over weeks or months within the walls of such houses. To us, then, the world was a wheel, revolving with these great houses at the hub, their mighty decisions emanating out to all else, rich and poor, who revolved around them. It was the aspiration of all those of us with professional ambition to work our way as close to this hub as we were each of us capable. For we were, as I say, an idealistic generation for whom the question was not simply one of how well one practised one’s skills, but to what end one did so; each of us harboured the desire to make our own small contribution to the creation of a better world, and saw that, as professionals, the surest means of doing so would be to serve the great gentlemen of our times in whose hands civilization had been entrusted.
”
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Kazuo Ishiguro (The Remains of the Day)
“
The traditional Roman wedding was a splendid affair designed to dramatize the bride’s transfer from the protection of her father’s household gods to those of her husband. Originally, this literally meant that she passed from the authority of her father to her husband, but at the end of the Republic women achieved a greater degree of independence, and the bride remained formally in the care of a guardian from her blood family. In the event of financial and other disagreements, this meant that her interests were more easily protected. Divorce was easy, frequent and often consensual, although husbands were obliged to repay their wives’ dowries. The bride was dressed at home in a white tunic, gathered by a special belt which her husband would later have to untie. Over this she wore a flame-colored veil. Her hair was carefully dressed with pads of artificial hair into six tufts and held together by ribbons. The groom went to her father’s house and, taking her right hand in his, confirmed his vow of fidelity. An animal (usually a ewe or a pig) was sacrificed in the atrium or a nearby shrine and an Augur was appointed to examine the entrails and declare the auspices favorable. The couple exchanged vows after this and the marriage was complete. A wedding banquet, attended by the two families, concluded with a ritual attempt to drag the bride from her mother’s arms in a pretended abduction. A procession was then formed which led the bride to her husband’s house, holding the symbols of housewifely duty, a spindle and distaff. She took the hand of a child whose parents were living, while another child, waving a hawthorn torch, walked in front to clear the way. All those in the procession laughed and made obscene jokes at the happy couple’s expense. When the bride arrived at her new home, she smeared the front door with oil and lard and decorated it with strands of wool. Her husband, who had already arrived, was waiting inside and asked for her praenomen or first name. Because Roman women did not have one and were called only by their family name, she replied in a set phrase: “Wherever you are Caius, I will be Caia.” She was then lifted over the threshold. The husband undid the girdle of his wife’s tunic, at which point the guests discreetly withdrew. On the following morning she dressed in the traditional costume of married women and made a sacrifice to her new household gods. By the late Republic this complicated ritual had lost its appeal for sophisticated Romans and could be replaced by a much simpler ceremony, much as today many people marry in a registry office. The man asked the woman if she wished to become the mistress of a household (materfamilias), to which she answered yes. In turn, she asked him if he wished to become paterfamilias, and on his saying he did the couple became husband and wife.
”
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Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
“
There is a story that illustrates this view. A long time ago in China there lived a very greedy monk. Whenever there was some temple donation, or a distribution of money from a rich layman, this monk was always the first in line. He officiated at many ceremonies, accumulating enough money to buy even the nicest house in town! He was so greedy for money, it seemed he took pleasure only in the joy of collecting it, and never spent any of it. He never even bothered to spend it on himself. His clothes were still quite shabby despite the fact that everyone knew he had a lot of money. “There’s the greedy monk in his ragged clothes,” the laypeople would say. “He’s so cheap he won’t even buy something for himself.” Then one day, it started to rain, and the rain did not stop for several weeks. The little town below the temple was washed out. Houses were destroyed, farms were submerged weeks before the big harvest, and cattle perished. The whole town faced a terrible winter without food or housing. The villagers were very sad and frightened. Then one day, the villagers woke up to find a great number of carts filling the village square. The carts were loaded with many bags of rice and beans, blankets, clothing, and medicine. There were several new ploughs, and four sturdy oxen to pull them! Standing in the middle was the “greedy monk,” in his shabby, patched clothes. He used half his money to buy these supplies, and he gave the rest to the mayor of the town. “I am a meditation monk,” he told the mayor. “Many years ago I perceived that in the future this town would experience a terrible disaster. So ever since then I have been getting money for this day.” When the villagers saw this, they were ashamed of their checking minds. “Waaah, what a great bodhisattva he is!” This is the story of the greedy monk.
”
”
Seung Sahn (The Compass of Zen (Shambhala Dragon Editions))
“
[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images, fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing.
He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered.
He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities, besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens.
His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat, to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.
”
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Suetonius (The Twelve Caesars)
“
Am I right in thinking you’re deliberately keeping me here?”
Mikhail shrugged his broad shoulders. “Yes and no. I do not want to force you against your will, but as to my wanting you to stay, I believe us to be lifemates, bound more irrevocably than by your marriage ceremony. I would be extremely uncomfortable without you here, both in body and mind. I do not know how I would react to your contact with another man, and quite frankly, I fear it.”
“We really are from two different worlds, aren’t we?” she asked sadly.
He brought her hand to the warmth of his mouth. “There is such a thing as compromise, little one. We can move between the two worlds or create our own.”
Her blue eyes slid over him, a faint smile touching her mouth. “That sounds so good, Mikhail, so twentieth-first century, but somehow I think it’s more likely I would be the one compromising.”
With his strange Old World courtesy, Mikhail held up a branch for her to pass beneath. The path was a large oval leading back to his home. “Perhaps you are right”--male amusement again--“but then, it has always been my nature to control and protect. I have no doubt you are more than a match for me.”
“Then why are we back at your house instead of at the inn?” she asked, one hand on her hip and a smile dancing in her blue eyes.
“What would you do there so late at night, anyway?” His voice was pure velvet, more enticing than ever. “Stay with me tonight. You can read while I work, and I will teach you how to build better shields to protect yourself from the unwanted emotions of those around you.”
“What can you do for my hearing? Your little medicinal concoctions have increased my hearing to the point of absurdity.” She arched an eyebrow at him. “Do you have any idea what else is going to happen to me?”
His teeth grazed the back of her neck, his fingers brushed across her breast possessively. “I have all kinds of ideas, little one.
”
”
Christine Feehan (Dark Prince (Dark, #1))
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Hunsford, near Westerham, Kent, 15th October. “Dear Sir,— “The disagreement subsisting between yourself and my late honoured father always gave me much uneasiness, and since I have had the misfortune to lose him, I have frequently wished to heal the breach; but for some time I was kept back by my own doubts, fearing lest it might seem disrespectful to his memory for me to be on good terms with anyone with whom it had always pleased him to be at variance.—’There, Mrs. Bennet.’—My mind, however, is now made up on the subject, for having received ordination at Easter, I have been so fortunate as to be distinguished by the patronage of the Right Honourable Lady Catherine de Bourgh, widow of Sir Lewis de Bourgh, whose bounty and beneficence has preferred me to the valuable rectory of this parish, where it shall be my earnest endeavour to demean myself with grateful respect towards her ladyship, and be ever ready to perform those rites and ceremonies which are instituted by the Church of England. As a clergyman, moreover, I feel it my duty to promote and establish the blessing of peace in all families within the reach of my influence; and on these grounds I flatter myself that my present overtures are highly commendable, and that the circumstance of my being next in the entail of Longbourn estate will be kindly overlooked on your side, and not lead you to reject the offered olive-branch. I cannot be otherwise than concerned at being the means of injuring your amiable daughters, and beg leave to apologise for it, as well as to assure you of my readiness to make them every possible amends—but of this hereafter. If you should have no objection to receive me into your house, I propose myself the satisfaction of waiting on you and your family, Monday, November 18th, by four o’clock, and shall probably trespass on your hospitality till the Saturday se’nnight following, which I can do without any inconvenience, as Lady Catherine is far from objecting to my occasional absence on a Sunday, provided that some other clergyman is engaged to do the duty of the day.—I remain, dear sir, with respectful compliments to your lady and daughters, your well-wisher and friend, “William Collins
”
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Jane Austen (Pride and Prejudice)
“
Slavery became a huge, international business, and of course would remain one down to the present moment. It’s estimated that at the midpoint of the fifth century every third or fourth person in Athens was a slave. When Carthage fell to Rome in 146 B.C.E., fifty thousand of the survivors were sold as slaves. In 132 B.C.E. some seventy thousand Roman slaves rebelled; when the revolt was put down, twenty thousand were crucified, but this was far from the end of Rome’s problems with its slaves. But new signs of distress appeared in this period that were far more relevant to our purpose here tonight. For the first time in history, people were beginning to suspect that something fundamentally wrong was going on here. For the first time in history, people were beginning to feel empty, were beginning to feel that their lives were not amounting to enough, were beginning to wonder if this is all there is to life, were beginning to hanker after something vaguely more. For the first time in history, people began listening to religious teachers who promised them salvation. It's impossible to overstate the novelty of this idea of salvation. Religion had been around in our culture for thousands of years, of course, but it had never been about salvation as we understand it or as the people of this period began to understand it. Earlier gods had been talismanic gods of kitchen and crop, mining and mist, house-painting and herding, stroked at need like lucky charms, and earlier religions had been state religions, part of the apparatus of sovereignty and governance (as is apparent from their temples, built for royal ceremonies, not for popular public devotions). Judaism, Brahmanism, Hinduism, Shintoism, and Buddhism all came into being during this period and had no existence before it. Quite suddenly, after six thousand years of totalitarian agriculture and civilization building, the people of our culture—East and West, twins of a single birth—were beginning to wonder if their lives made sense, were beginning to perceive a void in themselves that economic success and civil esteem could not fill, were beginning to imagine that something was profoundly, even innately, wrong with them.
”
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Daniel Quinn (The Teachings: That Came Before & After Ishmael)
“
The archaeologist attached to the Bayard Dominick’s Marquesan team had reported in 1925 that the Marquesas offered “few opportunities for archaeological research.” But in 1956, a new expedition set out to reexamine the possibilities in these islands at the eastern edge of the Polynesian Triangle. An energetic Columbia University graduate student named Robert Suggs was sent ahead to reconnoiter, and he quickly discovered that the previous generation had gotten it all wrong. Everywhere he looked, he saw archaeological potential. “We were seldom out of sight of some relic of the ancient Marquesan culture,” he writes. “Through all the valleys were scattered clusters of ruined house platforms. . . . Overgrown with weeds, half tumbled down beneath the weight of toppled trees and the pressure of the inexorable palm roots, these ancient village sites were sources of stone axes, carved stone pestles, skulls, and other sundry curios.” There were ceremonial plazas “hundreds of feet long” and, high on the cliffs above the deep valleys, “burial caves containing the remains of the population of centuries past.” The coup de grâce came when Suggs and his guide followed up on a report of a large number of “pig bones” in the dunes at a place called Ha‘atuatua. This windswept expanse of scrub and sand lies on the exposed eastern corner of Nuku Hiva. A decade earlier, in 1946, a tidal wave had cut away part of the beach, and since then bones and other artifacts had been washing out of the dunes. Not knowing quite what to expect, Suggs and his guide rode over on horseback. When they came out of the “hibiscus tangle” at the back of the beach and “caught sight of the debris washing down the slope,” he writes, “I nearly fell out of the saddle.” The bones that were scattered all along the slope and on the beach below were not pig bones but human bones! Ribs, vertebrae, thigh bones, bits of skull vault, and innumerable hand and foot bones were everywhere. At the edge of the bank a bleached female skull rested upside down, almost entirely exposed. Where the bank had been cut away, a dark horizontal band about two feet thick could be seen between layers of clean white sand. Embedded in this band were bits of charcoal and saucers of ash, fragments of pearl shell, stone and coral tools, and large fitted stones that appeared to be part of a buried pavement. They had discovered the remains of an entire village, complete with postholes, cooking pits, courtyards, and burials. The time was too short to explore the site fully, but the very next year, Suggs and his wife returned to examine it. There
”
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Christina Thompson (Sea People: The Puzzle of Polynesia)
“
When we arrived at the wedding at Marlboro Man’s grandparents’ house, I gasped. People were absolutely everywhere: scurrying and mingling and sipping champagne and laughing on the lawn. Marlboro Man’s mother was the first person I saw. She was an elegant, statuesque vision in her brown linen dress, and she immediately greeted and welcomed me. “What a pretty suit,” she said as she gave me a warm hug. Score. Success. I felt better about life. After the ceremony, I’d meet Cousin T., Cousin H., Cousin K., Cousin D., and more aunts, uncles, and acquaintances than I ever could have counted. Each family member was more gracious and welcoming than the one before, and it didn’t take long before I felt right at home. This was going well. This was going really, really well.
It was hot, though, and humid, and suddenly my lightweight wool suit didn’t feel so lightweight anymore. I was deep in conversation with a group of ladies--smiling and laughing and making small talk--when a trickle of perspiration made its way slowly down my back. I tried to ignore it, tried to will the tiny stream of perspiration away, but one trickle soon turned into two, and two turned into four. Concerned, I casually excused myself from the conversation and disappeared into the air-conditioned house. I needed to cool off.
I found an upstairs bathroom away from the party, and under normal circumstances I would have taken time to admire its charming vintage pedestal sinks and pink hexagonal tile. But the sweat profusely dripping from all pores of my body was too distracting. Soon, I feared, my jacket would be drenched. Seeing no other option, I unbuttoned my jacket and removed it, hanging it on the hook on the back of the bathroom door as I frantically looked around the bathroom for an absorbent towel. None existed. I found the air vent on the ceiling, and stood on the toilet to allow the air-conditioning to blast cool air on my face.
Come on, Ree, get a grip, I told myself. Something was going on…this was more than simply a reaction to the August humidity. I was having some kind of nervous psycho sweat attack--think Albert Brooks in Broadcast News--and I was being held captive by my perspiration in the upstairs bathroom of Marlboro Man’s grandmother’s house in the middle of his cousin’s wedding reception. I felt the waistband of my skirt stick to my skin. Oh, God…I was in trouble. Desperate, I stripped off my skirt and the stifling control-top panty hose I’d made the mistake of wearing; they peeled off my legs like a soggy banana skin. And there I stood, naked and clammy, my auburn bangs becoming more waterlogged by the minute. So this is it, I thought. This is hell. I was in the throes of a case of diaphoresis the likes of which I’d never known. And it had to be on the night of my grand entrance into Marlboro Man’s family. Of course, it just had to be. I looked in the mirror, shaking my head as anxiety continued to seep from my pores, taking my makeup and perfumed body cream along with it.
Suddenly, I heard the knock at the bathroom door.
“Yes? Just a minute…yes?” I scrambled and grabbed my wet control tops.
“Hey, you…are you all right in there?”
God help me. It was Marlboro Man.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
It may be cheap, but it should also be sturdy. What must be avoided at all costs is dishonest, distorted and ornate work. What must be sought is the natural, direct, simple, sturdy and safe.
Confining beauty to visual appreciation and excluding the beauty of practical objects has proven to be a grave error on the part of modern man. A true appreciation of beauty cannot be fostered by ignoring practical handicrafts. After all, there is no greater opportunity for appreciating beauty than through its use in our daily lives, no greater opportunity for coming into direct contact with the beautiful. It was the tea masters who first recognized this fact. Their profound aesthetic insight came as a result of their experience with utilitarian objects.
If life and beauty are treated as belonging to different realms, our aesthetic sensibilities will gradually wither and decline.
It is said that someone living in proximity to a flowering garden grows insensitive to its fragrance. Likewise, when one becomes too familiar with a sight, one loses the ability to truly see it. Habit robs us of the power to perceive anew, much less the power to be moved. Thus it has taken us all these years, all these ages, to detect the beauty in common objects.
The world of utility and the world of beauty are not separate realms.
Users and the used have exchanged a vow: the more an object is used the more beautiful it will become and the more the user uses an object, the more the object will be used.
When machines are in control, the beauty they produce is cold and shallow. It is the human hand that creates subtlety and warmth.
Weakness cannot withstand the rigors of daily use.
The true meaning of the tea ceremony is being forgotten. The beauty of the way of tea should be the beauty of the ordinary, the beauty of honest poverty.
Equating the expensive with the beautiful cannot be a point of pride.
Under the snow's reflected light creeping into the houses, beneath the dim lamplight, various types of manual work are taken up. This is how time is forgotten; this is how work absorbs the hours and days. yet there is work to do, work to be done with the hands. Once this work begins, the clock no longer measures the passage of time.
The history of kogin is the history of utility being transformed into beauty.
Through their own efforts, these people made their daily lives more beautiful. This is the true calling, the mission, of handicrafts. We are drawn by that beauty and we have much to learn from it.
As rich as it is, America is perhaps unrivalled for its vulgar lack of propriety and decorum, which may account for its having the world's highest crime rate.
The art of empty space seen in the Nanga school of monochrome painting and the abstract, free-flowing art of calligraphy have already begun to exert considerable influence on the West.
Asian art represents a latent treasure trove of immense and wide-reaching value for the future and that is precisely because it presents a sharp contrast to Western art.
No other country has pursued the art of imperfection as eagerly as Japan.
Just as Western art and architecture owe much to the sponsorship of the House of Medici during the Reformation, tea and Noh owe much to the protection of the shogun Ashikaga Yoshimasa ( 1436-1490 ).
The most brilliant era of Japanese culture, the Higashiyama period ( 1443-1490 ).
Literally, sabi commonly means "loneliness" but as a Buddhist term it originally referred to the cessation of attachment.
The beauty of tea is the beauty of sabi. It might also be called the beauty of poverty or in our day it might be simply be called the beauty of simplicity. The tea masters familiar with this beauty were called sukisha-ki meaning "lacking". The sukisha were masters of enjoying what was lacking.
”
”
Soetsu Yanagi (The Beauty of Everyday Things)
“
Among Trump’s first moves as president was to have a series of inspirational photographs in the West Wing replaced with images of big crowd scenes at his inaugural ceremony.
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Michael Wolff (Fire and Fury: Inside the Trump White House)
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The Oval Office itself had been used by prior occupants as the ultimate power symbol, a ceremonial climax. But as soon as Trump arrived, he moved in a collection of battle flags to frame him sitting at his desk, and the Oval immediately became the scene of a daily Trump cluster-fuck. It’s likely that more people had easy access to this president than any president before. Nearly all meetings in the Oval with the president were invariably surrounded and interrupted by a long list of retainers—indeed, everybody strove to be in every meeting. Furtive people skulked around without clear purpose: Bannon invariably found some reason to study papers in the corner and then to have a last word; Priebus kept his eye on Bannon; Kushner kept constant tabs on the whereabouts of the others. Trump liked to keep Hicks, Conway, and, often, his old Apprentice sidekick Omarosa Manigault—now with a confounding White House title—in constant hovering presence. As always, Trump wanted an eager audience, encouraging as many people as possible to make as many attempts as possible to be as close to him as possible. In time, however, he would take derisive notice of those who seemed most eager to suck up to him.
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Michael Wolff (Fire and Fury: Inside the Trump White House)
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I don’t fit in, Rising Hawk. They think I’m odd.” She looked down at her lap. “And maybe I am, but I just…can’t…breathe there. Can you understand that? There are too many people, watching all the time. At least in a white village we don’t have to share a house with the neighbors. Besides, what are we arguing about? I’ve realized over the past few days that you are my best friend in the world, and nothing will change that.”
Rising Hawk spoke very quietly. “We’re arguing because I want to make love to you, and I probably shouldn’t.”
“It was my fault, Rising Hawk. I’m sorry. I started it. I didn’t realize--”
“Livy, stop. You never used to talk at all, and now you talk too much. Listen to me for a moment. There is a medicine ceremony where you must dip water from the water road…the river, you understand? When you dip into the current, you must not dip against it, or the water spirits are disturbed and the medicine will not work. But this is just what you do. You always dip against the current. The medicine works when you accept what life gives you.”
“I’m never getting married. To you or anyone. It’s not safe.”
Rising Hawk smiled gently and leaned forward, taking hold of the medallion he had given her. “Livy, you are very young and very, very stubborn. But someday, in two, maybe three, years, you will lose this fear you have and you will marry a man, and we will both be very disappointed if that man is not me.” He pulled a little on the necklace, making her lean toward him. “Life is so simple, Livy. We will take care of each other, that’s all.”
Livy sat very still. “It’s not that simple,” she said quietly. “If they had caught us, would you have gone against them? Your uncle and father and everyone?”
He stared at her. After what seemed an eternity, he averted his eyes and very slowly released the necklace.
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Betsy Urban (Waiting for Deliverance)
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It had been often commented upon that Vibe offspring tended to be crazy as bedbugs. ‘Fax’s brother Cragmont had run away with a trapeze girl, then brought her back to New York to get married, the wedding being actually performed on trapezes, groom and best man, dressed in tails and silk opera hats held on with elastic, swinging upside down by their knees in perfect synchrony across the perilous Æther to meet the bride and her father, a carnival “jointee” or concessionaire, in matched excursion from their own side of the ring, bridesmaids observed at every hand up twirling by their chins in billows of spangling, forty feet above the faces of the guests, feathers dyed a deep acid green sweeping and stirring the cigar smoke rising from the crowd. Cragmont Vibe was but thirteen that circus summer he became a husband and began what would become, even for the day, an enormous family. The third brother, Fleetwood, best man at this ceremony, had also got out of the house early, fast-talking his way onto an expedition heading for Africa. He kept as clear of political games as of any real scientific inquiry, preferring to take the title of “Explorer” literally, and do nothing but explore. It did not hurt Fleetwood’s chances that a hefty Vibe trust fund was there to pick up the bills for bespoke pith helmets and meat lozenges and so forth. Kit met him one spring weekend out at the Vibe manor on Long Island. “Say, but you’ve never seen our cottage,” ‘Fax said one day after classes. “What are you doing this weekend? Unless there’s another factory girl or pizza princess or something in the works.” “Do I use that tone of voice about the Seven Sisters material you specialize in?” “I’ve nothing against the newer races,” ‘Fax protested. “But you might like to meet Cousin Dittany anyway.” “The one at Smith.” “Mount Holyoke, actually.” “Can’t wait.” They arrived under a dourly overcast sky. Even in cheerier illumination, the Vibe mansion would have registered as a place best kept clear of—four stories tall, square, unadorned, dark stone facing looking much older than the known date of construction. Despite its aspect of abandonment, an uneasy tenancy was still pursued within, perhaps by some collateral branch of Vibes . . . it was unclear. There was the matter of the second floor. Only the servants were allowed there. It “belonged,” in some way nobody was eager to specify, to previous occupants. “Someone’s living there?” “Someone’s there.” . . . from time to time, a door swinging shut on a glimpse of back stairway, a muffled footfall . . . an ambiguous movement across a distant doorframe . . . a threat of somehow being obliged to perform a daily search through the forbidden level, just at dusk, so detailed that contact with the unseen occupants, in some form, at some unannounced moment, would be inevitable . . . all dustless and tidy, shadows in permanent possession, window-drapes and upholstery in deep hues of green, claret, and indigo, servants who did not speak, who would or could not meet one’s gaze . . . and in the next room, the next instant, waiting . . . “Real nice of you to have me here, folks,” chirped Kit at breakfast. “Fellow sleeps like a top. Well, except . . .” Pause in the orderly gobbling and scarfing. Interest from all around the table. “I mean, who came in the room in the middle of the night like that?” “You’re sure,” said Scarsdale, “it wasn’t just the wind, or the place settling.” “They were walking around, like they were looking for something.” Glances were exchanged, failed to be exchanged, were sent out but not returned. “Kit, you haven’t seen the stables yet,” Cousin Dittany offered at last. “Wouldn’t you like to go riding?
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Thomas Pynchon (Against the Day)
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Then, as they crossed over one of the largest bridges, Emperor Moctezuma appeared with his personal retinue. Cortés described the meeting in a letter to King Charles: We were received by Moctezuma with about two hundred chiefs, all barefooted and dressed in a kind of very rich livery. They approached in two processions along the walls of the street, which is very broad and straight and very beautiful. Montezuma came in the middle of the street with two lords, one on each side of him. . . . All were dressed in the same manner except that Montezuma was shod and the other lords were barefooted. As we approached each other I descended from my horse and was about to embrace him, but the two lords in attendance intervened so that I should not touch him, and then they, and he also, made the ceremony of kissing the ground. Having done this, he ordered his brother to take me by the arm, and the other attendant walked a little ahead of us. After he spoke to me, all the other lords who formed the two processions saluted me one after the other and then returned to the procession. As I approached to speak to Montezuma, I took off a collar of pearls and glass diamonds that I wore and put it on his neck. After we had gone through some of the streets, one of his servants came with two collars which were made of colored shells. From each of the collars hung eight golden shrimps executed with great perfection and a span long. He took the collars from the servant and put them on my neck, and we continued on through the streets until we came to a large and handsome house, which he had prepared for our reception.
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Irwin R. Blacker (Cortés and the Aztec Conquest)
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That is the normal succession of things in this part of the world; you can see the various stages all over Scratch Flat. There is, for example, a small red maple swamp above my house on the northwest side of the drumlin. The swamp was probably a pond sixty years ago, but now in summer, unless you know your trees, you cannot distinguish it from the surrounding woodlands. It is only in spring, when the groundwater levels are high, that the remnant of the ice sheet makes itself apparent. Then the waters rise around the trunks of the red maple trees and, after reaching a critical level, run down across the small meadow to the north of my house.
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John Hanson Mitchell (Ceremonial Time: Fifteen Thousand Years on One Square Mile)
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Yet for Henriette, towards whom the curious and watchful looks of the family were directed on this occasion, as on every other in the twelve years of her life under their roof, the time of puzzles was past. Everything had become crystal clear. “The only mistake is life itself,” Rudolf had asserted. How right he had been! For when one understood life, as she believed she did, and knew it so well that she was no longer capable of any illusions, it was not worth living. Henriette could not forgive Franz. No matter if her reason told her a hundred times that he had had nothing at all to do with Rudolf's death, that his suicide on her wedding day had been a pure coincidence, still her feelings whispered to her a thousand times the opposite. In any case, he had murdered Count Traun out of hatred, out of jealousy for the tiny bit of happiness which at last had fallen to her lot. “Where the house, which thou inhabitest, knows no rejoicing except that which comes from duty, and no joy except that from grace,” the suffragan bishop had said in his first address. That much Christl could have had at Number 10 too. Number 10 Seilerstatte knew no rejoicing, and it murdered happiness.
As her eyes rested on the girl who had renounced happiness, she knew that there was a connection between them. Some took the veil; others married men like Franz. Christl, too, had felt herself betrayed and bartered, and why? Because she simply could not forgive her, Henriette, the happiness she had sensed in her at the time of her own distress, when Hans had brought her from the ball to the colonel's deathbed. “I was frivolous enough to be happy at the wrong time,” Henriette thought. And during the “Veni, Creator Spiritus,” it occurred to her, How remarkable is the love human beings bear to one another! If Christl's love for me had been really great then must she not have said to herself: “I do not begrudge her this bit of rejoicing?”
The tenderness she had felt for the novice since the Jarescu days was now submerged by her conviction that the ceremony before the high altar was nothing else than a demonstration against her. “I believed in you and you destroyed my faith in human beings!” the girl in her white veil kept crying to her. Oh, she heard it well!
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Ernst Lothar (The Vienna Melody)
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ceremony rehearsal, and one of the groomsmen dared to suggest that Evan might want to take a small sedative before the real wedding, which, as you can imagine, did not go over well. Oh, and Francois threatened to quit halfway through the final menu tasting.” Harmony cringed. “Yikes.” “I think if Francois would have quit, I would have too.” I sighed. “I believe it. I’ve never seen you use the coffee table as an ottoman before.” I smiled and wiggled my toes. “I don’t know why not.” “Well, as you explained to me, this here is an authentic Jason Partillo design,” Harmony replied, a lilt in her voice as she gently needled me with her elbow. I laughed softly. “Are you trying to say that those of us who live in diva houses shouldn’t throw shoes?” She barked a laugh. “No. This Evan guy sounds like he left diva in the dust a long time ago and plowed straight into narcissistic jerk land.” “Can’t argue with that.” I closed my eyes, my head leaning against the back of the sofa. “Two days and then it’s over and they won’t be my problem anymore. I have fifteen weddings between now and June. That’s going to feel like a walk in the park compared to this nonsense.” “And in the meantime, you get the rest of the night off to spend with me and your bestie!” Harmony said. “Assuming I can stay awake, that is,” I replied, peeling my eyes open. “I should have left room in the schedule for a pre-dinner nap.” Harmony laughed and sprang off the sofa to continue getting ready. “Do you think I should wear my black tights with the red sweater dress, or can I get away with jeans? Is the place we’re going fancy fancy or fancy-ish?” I smiled at my sister’s nervous musings. She wasn’t one to ask for my fashion advice, mostly because I preferred my clothes hole-free and didn’t own anything with spikes or studs on it. While she could dress up when the situation warranted, Harmony tended toward a certain grunge-chic aesthetic with colorful streaks in her otherwise bleached-blonde hair, four piercings in each ear, and a penchant for artfully torn clothing and bomber jackets. And she’d recently added a small crystal stud to her nose. “It’s fancy-adjacent,” I told her. “Go with the leggings and dress.” Harmony nodded, even as her teeth worked nervously at her lower lip. I smiled. “She’s going to love you, Harmony. Stop stressing.” Holly Boldt, my good friend and fellow witch, was coming into the Seattle Haven to speak at a potion making conference, and we’d made plans
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Danielle Garrett (Wedding Bells and Deadly Spells (A Touch of Magic Mysteries #3))
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I knew that if the subject were to arise, I would once again speak words that would cut my friend, little ceremonial slashes to his soul, not to cause a mortal wound, just to draw blood and to relieve myself of a nameless burden.
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Nomi Eve (Henna House)
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Circumcision was the sign of the promise, i.e., it was the sign of the gospel. When the law of Moses came, hundreds of years after Abraham, it came in partial fulfillment of the covenant with Abraham (Exod. 2:24–25). It was a temporary administration of shadows, ceremonies, and types, all designed, when rightly understood, to prepare the way for the fulfillment of the promise to Abraham. Abraham had been shown the blueprints of a great house, and he believed that God would in fact build it (Gal. 3:6, 8).
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Douglas Wilson (To a Thousand Generations: Infant Baptism - Covenant Mercy to the Children of God)
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Fire on the Mountain, by Anita Desai Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Szabó The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami
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Louise Erdrich (The Sentence)
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Then, shrouded in chinchilla, she walked without further ceremony out the great wide gap in the opera-house wall, and up Seventh Avenue through the all-but-deserted Rialto alone, followed at a distance by her retainers, like a star.
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James McCourt (Mawrdew Czgowchwz)
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In judging of the Russian priesthood of the present time, we must call to mind this severe school through which it has passed, and we must also take into consideration the spirit which has been for centuries predominant in the Eastern Church—I mean the strong tendency both in the clergy and in the laity to attribute an inordinate importance to the ceremonial element of religion. Primitive mankind is everywhere and always disposed to regard religion as simply a mass of mysterious rites which have a secret magical power of averting evil in this world and securing felicity in the next. To this general rule the Russian peasantry are no exception, and the Russian Church has not done all it might have done to eradicate this conception and to bring religion into closer association with ordinary morality. Hence such incidents as the following are still possible: A robber kills and rifles a traveller, but he refrains from eating a piece of cooked meat which he finds in the cart, because it happens to be a fast-day; a peasant prepares to rob a young attache of the Austrian Embassy in St. Petersburg, and ultimately kills his victim, but before going to the house he enters a church and commends his undertaking to the protection of the saints; a housebreaker, when in the act of robbing a church, finds it difficult to extract the jewels from an Icon, and makes a vow that if a certain saint assists him he will place a rouble's-worth of tapers before the saint's image!
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Donald Mackenzie Wallace (Russia)
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In October MacGowan received the Q Merit Award. Held at the Grosvenor House Hotel in London, the press called it the most prestigious award ceremony of the year. Sponsored by Greenpeace, Q Magazine picked the winner. Bono did the presentation. Backstage after the program, Shane was reportedly goofing off, dancing around the dressing room balancing the award on his head when somehow he accidentally caught Bono’s hair on fire. It was not the only mishap involved in the event.
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Robert Mamrak (Rake at the Gates of Hell: Shane MacGowan in Context)
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The crippled old man in leggings and white ceremonial trousers shuffled out into the late afternoon. He dried his eyes on his sleeve and whimpered one last time in his throat. He was grown too old, he thought. He could not understand what had happened. But even his sorrow was feeble now; it had withered, like his leg, over the years, and only once in a while, when something unusual happened to remind him of it, did it take on the edge and point of pain.
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N. Scott Momaday (House Made of Dawn)
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In 1844 the 10th US president, John Tyler, invited members of his cabinet aboard a new warship called the Princeton for a cruise on the Potomac, the river that runs through Washington and leads out into the Chesapeake Bay. The ship had a 12-inch cannon aboard, which someone had seen fit to call the Peacemaker. And throughout this happy little voyage, the big gun was fired ceremoniously to the delight of onlookers lining the banks of the river. Drink was consumed, and there was an atmosphere of celebration. After several hours, and several toasts, the captain of the ship, one Robert F. Stockton, was persuaded to fire the cannon one last time – only for the gun to explode, sending white hot metal scattering across the deck and killing eight people including two cabinet members, Secretary of State Abel Upshur and Navy Secretary Thomas Gilmer. Tyler, who was below deck at the time, was unhurt. Well, that’s one way to create the need for a cabinet reshuffle.
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Jon Sopel (A Year At The Circus: Inside Trump's White House)
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If you have been in the street in Paris or Rouen, and seen a mother pull her child by the hand, and say, “Stop that squalling, or I’ll fetch an Englishman,” you are inclined to believe that any accord between the countries is formal and transient. The English will never be forgiven for the talent for destruction they have always displayed when they get off their own island. English armies laid waste to the land they moved through. As if systematically, they performed every action proscribed by the codes of chivalry, and broke every one of the laws of war. The battles were nothing; it was what they did between the battles that left its mark. They robbed and raped for forty miles around the line of their march. They burned the crops in the fields, and the houses with the people inside them. They took bribes in coin and in kind and when they were encamped in a district they made the people pay for every day on which they were left unmolested. They killed priests and hung them up naked in the marketplaces. As if they were infidels, they ransacked the churches, packed the chalices in their baggage, fueled their cooking fires with precious books; they scattered relics and stripped altars. They found out the families of the dead and demanded that the living ransom them; if the living could not pay, they torched the corpses before their eyes, without ceremony, without a single prayer, disposing of the dead as one might the carcasses of diseased cattle.
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Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
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This unclean person had broken through the regulations of the ceremonial law and pressed into the house, but Jesus so far from chiding him broke through the law himself in order to meet him. He made an interchange with the leper, for while he cleansed him, he contracted by that touch a Levitical defilement. Even so Jesus Christ was made sin for us, although in himself he knew no sin, that we might be made the righteousness of God in him.
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Charles Haddon Spurgeon (Morning and Evening)
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wedding ceremony indicated a closeness between John and her. The old woman quite obviously doted upon her only grandchild. Had she made similar allowances for her wayward son?
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Cheryl Bolen (Countess by Coincidence (House of Haverstock, #3))