Housewives Opening Quotes

It was hidden inside another book. One Valentine was unlikely to ever open." Magnus smiled crookedly. "Simple Recipes for Housewives. No one can say your mother didn't have a sense of humor.

One minute it was Ohio winter, with doors closed, windows locked, the panes blind with frost, icicles fringing every roof, children skiing on slopes, housewives lumbering like great black bears in their furs along the icy streets. And then a long wave of warmth crossed the small town. A flooding sea of hot air; it seemed as if someone had left a bakery door open. The heat pulsed among the cottages and bushes and children. The icicles dropped, shattering, to melt. The doors flew open. The windows flew up. The children worked off their wool clothes. The housewives shed their bear disguises. The snow dissolved and showed last summer's ancient green lawns. Rocket summer. The words passed among the people in the open, airing houses. Rocket summer. The warm desert air changing the frost patterns on the windows, erasing the art work. The skis and sleds suddenly useless. The snow, falling from the cold sky upon the town, turned to a hot rain before it touched the ground. Rocket summer. People leaned from their dripping porches and watched the reddening sky. The rocket lay on the launching field, blowing out pink clouds of fire and oven heat. The rocket stood in the cold winter morning, making summer with every breath of its mighty exhausts. The rocket made climates, and summer lay for a brief moment upon the land....

I drew laughing, high-breasted girls aquaplaning without a care in the world, as a result of being amply protected against such national evils as bleeding gums, facial blemishes, unsightly hairs, and faulty or inadequate life insurance. I drew housewives who, until they reached for the right soap flakes, laid themselves wide open to straggly hair, poor posture, unruly children, disaffected husbands, rough (but slender) hands, untidy (but enormous) kitchens.

It happened all the time in this city that encompassed seven hills, two continents, three seas and fifteen million mouths. It happened behind closed doors and in open courtyards; in cheap motel rooms and five-star luxury suites; in the midst of the night or plain daylight. The brothels of this city could tell many a story had they only found ears willing to listen. Call girls and rent boys and aged prostitutes beaten, abused and threatened by clients looking for the smallest excuse to lose their temper. Transsexuals who never went to the police for they knew they could be assaulted a second time. Children scared of particular family members and new brides of their fathers- or brothers-in-law; nurses and teachers and secretaries harassed by infatuated lovers just because they had refused to date them in the past; housewives who would never speak a word for there were no words in this culture to describe marital rape. It happened all the time. Canopied under a mantle of secrecy and silence that shamed the victims and shielded the assailants. Istanbul was no stranger to sexual abuse. In this city where everyone feared outsiders, most assaults came from those who were too familiar, too close.

We’re everywhere now. We have taken over Orange County. Some of us are even rich housewives in Orange County. The takeaway from the crowd-pleasing opening scene in the novel and film Crazy Rich Asians is the following: if you discriminate against us, we’ll make more money than you and buy your fancy hotel that wouldn’t let us in. Capitalism as retribution for racism. But isn’t that how whiteness recruits us? Whether it’s through retribution or indebtedness, who are we when we become better than them in a system that destroyed us?

You know, it's such a peculiar thing--our idea of mankind in general. We all have a sort of vague, glowing picture when we say that, something solemn, big and important. But actually all we know of it is the people we meet in our lifetime. Look at them. Do you know any you'd feel big and solemn about? There's nothing but housewives haggling at pushcarts, drooling brats who write dirty words on the sidewalks, and drunken debutantes. Or their spiritual equivalent. As a matter of fact, one can feel some respect for people when they suffer. They have a certain dignity. But have you ever looked at them when they're enjoying themselves? That's when you see the truth. Look at those who spend the money they've slaved for--at amusement parks and side shows. Look at those who're rich and have the whole world open to them. Observe what they pick out for enjoyment. Watch them in the smarter speak-easies. That's your mankind in general. I don't want to touch it.

the Times says there's a heroin epidemic, Malone thinks, which is only an epidemic of course because now white people are dying. Whites started to get opium-based pills from their physicians: oxycodone, vicodin... But, it was expensive and doctors were reluctant to prescribe too much for exactly the fear of addiction. So the white folks went to the open market and the pills became a street drug. It was all very nice and civilized until the Sinoloa cartel down in Mexico made a corporate decision that it could undersell the big American pharmaceutical companies by raising production of its heroin thereby reducing price. As an incentive, they also increased its potency. The addicted white Americans found that Mexican ... heroin was cheaper and stronger than the pills, and started shooting it into their veins and overdosing. Malone literally saw it happening. He and his team busted more bridge-and-tunnel junkies, suburban housewives and upper Eastside madonnas than they could count....

The opening line of her last column was: You know you really don’t fit in with the other housewives you meet when the only way you can contribute to a discussion about babies is by saying, “Yes, that’s what my mother used to do.” It went on to talk about how a woman could climb Everest, teach schoolchildren in Cambodia and win the Booker Prize but some people would still think she had good news only when she produced progeny.

Everything I value about him seems to be physical: the rest is either unknown, disagreeable or ridiculous. I don’t care much for his temperament, which alternates between surliness and gloom, or for the overgrown pots he throws so skillfully on the wheel and then mutilates, cutting holes in them, strangling them, slashing them open. That’s unfair, he never uses a knife, only his fingers, and a lot of the time he only bends them, doubles them over; even so they have a disagreeable mutant quality. Nobody else admires them either: the aspiring housewives he teaches two evenings a week, Pottery and Ceramics 432-A, want to make ashtrays and plates with cheerful daisies on them instead, and the things don’t sell at all in the few handicraft shops that will even stock them. So they accumulate in our already cluttered basement apartment like fragmentary memories or murder victims. I can’t even put flowers in them, the water would run out through the rips. Their only function is to uphold Joe’s unvoiced claim to superior artistic seriousness: every time I sell a poster design or get a new commission he mangles another pot.

But actually all we know of it is the people we meet in our lifetime. Look at them. Do you know any you’d feel big and solemn about? There’s nothing but housewives haggling at pushcarts, drooling brats who write dirty words on the sidewalks, and drunken debutantes. Or their spiritual equivalents. As a matter of fact, one can feel some respect for people when they suffer. They have a certain dignity. But have you ever looked at them when they’re enjoying themselves? That’s when you see the truth. Look at those who spend the money they’ve slaved for—at amusement parks and side shows. Look at those who’re rich and have the whole world open to them. Observe what they pick out for enjoyment. Watch them in the smarter speak-easies. That’s your mankind in general. I don’t want to touch it.

COOKBOOK FOR THE MODERN HOUSEWIFE The cover was red with a subtle crosshatch pattern and distressed, the book's title stamped in black ink- all of it faded with age. Bordering the cookbook's cover were hints of what could be found inside. Alice tilted her head as she read across, down, across, and up the cover's edges. Rolls. Pies. Luncheon. Drinks. Jams. Jellies. Poultry. Soup. Pickles. 725 Tested Recipes. Resting the spine on her bent knees, the cookbook dense yet fragile in her hands, Alice opened it carefully. There was an inscription on the inside cover. Elsie Swann, 1940. Going through the first few, age-yellowed pages, Alice glanced at charts for what constituted a balanced diet in those days: milk products, citrus fruits, green and yellow vegetables, breads and cereals, meat and eggs, the addition of a fish liver oil, particularly for children. Across from it, a page of tips for housewives to avoid being overwhelmed and advice for hosting successful dinner parties. Opening to a page near the back, Alice found another chart, this one titled Standard Retail Beef Cutting Chart, a picture of a cow divided by type of meat, mini drawings of everything from a porterhouse-steak cut to the disgusting-sounding "rolled neck." Through the middle were recipes for Pork Pie, Jellied Tongue, Meat Loaf with Oatmeal, and something called Porcupines- ground beef and rice balls, simmered for an hour in tomato soup and definitely something Alice never wanted to try- and plenty of notes written in faded cursive beside some of the recipes. Comments like Eleanor's 13th birthday-delicious! and Good for digestion and Add extra butter. Whoever this Elsie Swann was, she had clearly used the cookbook regularly. The pages were polka-dotted in brown splatters and drips, evidence it had not sat forgotten on a shelf the way cookbooks would in Alice's kitchen.

The story of Cassius Clay’s lost bicycle would later be told as an indication of the boxer’s determination and the wonders of accidental encounters, but it carries broader meaning, too. If Cassius Clay had been a white boy, the theft of his bicycle and an introduction to Joe Martin might have led as easily to an interest in a career in law enforcement as boxing. But Cassius, who had already developed a keen understanding of America’s racial striation, knew that law enforcement wasn’t a promising option. This subject—what white America allowed and expected of black people—would intrigue him all his life. “At twelve years old I wanted to be a big celebrity,” he said years later. “I wanted to be world famous.” The interviewer pushed him: Why did he want to be famous? Upon reflection he answered from a more adult perspective: “So that I could rebel and be different from all the rest of them and show everyone behind me that you don’t have to Uncle Tom, you don’t have to kiss you-know-what to make it . . . I wanted to be free. I wanted to say what I wanna say . . . Go where I wanna go. Do what I wanna do.” For young Cassius, what mattered was that boxing was permitted, even encouraged, and that it gave him more or less equal status to the white boys who trained with him. Every day, on his way to the gym, Cassius passed a Cadillac dealership. Boxing wasn’t the only way for him to acquire one of those big, beautiful cars in the showroom window, but it might have seemed that way at the time. Boxing suggested a path to prosperity that did not require reading and writing. It came with the authorization of a white man in Joe Martin. It offered respect, visibility, power, and money. Boxing transcended race in ways that were highly unusual in the 1950s, when black Americans had limited control of their economic and political lives. Boxing more than most other sports allowed black athletes to compete on level ground with white athletes, to openly display their strength and even superiority, and to earn money on a relatively equal scale. As James Baldwin wrote in The Fire Next Time, many black people of Clay’s generation believed that getting an education and saving money would never be enough to earn respect. “One needed a handle, a lever, a means of inspiring fear,” Baldwin wrote. “It was absolutely clear the police would whip you and take you in as long as they could get away with it, and that everyone else—housewives, taxi

We're everywhere now. We have taken over Orange County. Some of us are even rich housewives in Orange County. The takeaway from the crowd-pleasing opening scene in the novel and film Crazy Rich Asians is the following: if you discriminate against us, we'll make more money than you and buy your fancy hotel that wouldn't let us in. Capitalism as retribution for racism. But isn't that how whiteness recruits us? Whether it's through retribution or indebtedness, who are we when we become better than them in a system that destroyed us?

I have always felt I had to try to prove to myself what I can do. It was also exhilarating riding on the tide of the women’s movement because it opened up so many possibilities for us. I remember feeling quite sorry for the guys because we women had a larger menu of choices: we could be full-time mothers and housewives, or a full-time career women, or a combination of both. The men’s choices were far more restricted and, of course, pressure on them to succeed was also greater. Whereas the pressure on women was partly self-generated, for men, it was the social expectations to be the main breadwinner.

Dharma Master Cheng Yen is a Buddhist nun living in Hualien County, a mountainous region on the east coast of Taiwan. Because the mountains formed barriers to travel, the area has a high proportion of indigenous people, and in the 1960s many people in the area, especially indigenous people, were living in poverty. Although Buddhism is sometimes regarded as promoting a retreat from the world to focus on the inner life, Cheng Yen took the opposite path. In 1966, when Cheng Yen was twenty-nine, she saw an indigenous woman with labor complications whose family had carried her for eight hours from their mountain village to Hualien City. On arriving they were told they would have to pay for the medical treatment she needed. Unable to afford the cost of treatment they had no alternative but to carry her back again. In response, Cheng Yen organized a group of thirty housewives, each of whom put aside a few cents each day to establish a charity fund for needy families. It was called Tzu Chi, which means “Compassionate Relief.” Gradually word spread, and more people joined.6 Cheng Yen began to raise funds for a hospital in Hualien City. The hospital opened in 1986. Since then, Tzu Chi has established six more hospitals. To train some of the local people to work in the hospital, Tzu Chi founded medical and nursing schools. Perhaps the most remarkable feature of its medical schools is the attitude shown to corpses that are used for medical purposes, such as teaching anatomy or simulation surgery, or for research. Obtaining corpses for this purpose is normally a problem in Chinese cultures because of a Confucian tradition that the body of a deceased person should be cremated with the body intact. Cheng Yen asked her volunteers to help by willing their bodies to the medical school after their death. In contrast to most medical schools, here the bodies are treated with the utmost respect for the person whose body it was. The students visit the family of the deceased and learn about his or her life. They refer to the deceased as “silent mentors,” place photographs of the living person on the walls of the medical school, and have a shrine to each donor. After the course has concluded and the body has served its purpose, all parts are replaced and the body is sewn up. The medical school then arranges a cremation ceremony in which students and the family take part. Tzu Chi is now a huge organization, with seven million members in Taiwan alone—almost 30 percent of the population—and another three million members associated with chapters in 51 countries. This gives it a vast capacity to help. After a major earthquake hit Taiwan in 1999, Tzu Chi rebuilt 51 schools. Since then it has done the same after disasters in other countries, rebuilding 182 schools in 16 countries. Tzu Chi promotes sustainability in everything it does. It has become a major recycler, using its volunteers to gather plastic bottles and other recyclables that are turned into carpets and clothing. In order to promote sustainable living as well as compassion for sentient beings all meals served in Tzu Chi hospitals, schools, universities, and other institutions are vegetarian.

Rather, the society was wide open to popular Western culture at the very time when it was being drawn towards conservatism and increased religiosity. The Cairene and Alexandrian middle-class family would watch the afternoon lesson of Sheikh Al-Sharaawi only to switch channels later to watch the evening episode of Dallas or Dynasty, and later Grey's Anatomy or Desperate Housewives. As large segments of society became participants in the new consumerist waves,13 they were also presented with archaic, debilitated views of ‘a return to Islam’.

was like the Satanic American dream: girls with bare shoulders hitch-hiked and climbed happily into the cars of strangers, housewives left their back doors unlocked, slept with their windows wide open and welcoming. But that was then. The golden age of serial killing was over, and the chances of me finding one to marry were slim. Sam, with his chiselled echoes of Ramirez, would have to do.

At first glance it appeared little different from all the others. A quick in-and-out job with seventy-nine pounds in cash being taken. The thieves always took cash – it was instantly negotiable, it couldn’t be traced and it made the task of the police almost impossible. Frost sniffed. He knew Lil Carey. She was an unregistered money lender, lending out small sums of money, usually to housewives, at exorbitant interest rates. She’d never miss seventy-nine pounds. He wished the thieves had got away with more. But then he realized the ‘£’ had been scratched through by the reporting officer and the word ‘sovereigns’ added. Seventy-nine sovereigns! Frost wasn’t sure of the current rate for sovereigns, but that quantity must surely be worth much more than four thousand pounds for the gold content alone; even more if they were Victorian and in mint condition. He stuffed the report in his pocket. They would call on old mother Carey this morning without fail. The door was kicked open and Webster entered with the two cups of tea, his expression making it quite clear how much he relished being asked to perform these menial tasks. ‘Thanks, son,’ muttered Frost, who had learned that it was best to ignore the constable’s repertoire of frowns, scowls, and grimaces. He disturbed the mud of sugar with his ballpoint pen and took a sip. ‘Tastes like cat’s pee.’ He swivelled in his chair. ‘Something important we had to do this morning. For the life of me I can’t remember what it was.’ ‘The dead man in the toilets. You had to break the news.’ ‘That was it!’ exclaimed Frost. ‘Mr Dawson phoned,’ Webster told him. ‘Dawson?’ Frost screwed up his face. ‘Who’s he?’ ‘The father of the missing schoolgirl. He wanted to know if there was

When at last an elevator arrived, the doors opened to reveal a solitary passenger, a thin-shouldered and neurasthenic young masseuse who lived with her mother on the 5th floor. Laing immediately recognized her as one of the ‘vagrants’, of whom there were many in the high-rise, bored apartment-bound housewives and stay-at-home adult daughters who spent a large part of their time riding the elevators and wandering the long corridors of the vast building, migrating endlessly in search of change or excitement. Alarmed

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