β
The more sand that has escaped from the hourglass of our life, the clearer we should see through it.
β
β
Jean-Paul Sartre
β
I'm living under water. Everything seems slow and far away. I know there's a world up there, a sunlit quick world where time runs like dry sand through an hourglass, but down here, where I am, air and sound and time and feeling are thick and dense.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
I don't know, there's something about you. Say there's an hourglass: the sand's about to run out. Someone like you can always be counted on to turn the thing over.
β
β
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
β
Most of what I say is complete truth. My edit button is broken.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Consider the black widow spider. It's a timid little beastie, useful and, for my taste, the prettiest of the arachnids, with its shiny, patent-leather finish and its red hourglass trademark. But the poor thing has the fatal misfortune of possessing enormously too much power for its size. So everybody kills it on sight.
β
β
Robert A. Heinlein (Stranger in a Strange Land)
β
Why had he assumed time was some sort of infinite resource? Now the hourglass had busted open, and what heβd always assumed was just a bunch of sand turned out to be a million tiny diamonds.
β
β
Tommy Wallach (We All Looked Up)
β
Good Soldiers don't sacrifice the cause for love - Lucas
If the cause isn't love then it isn't worth the sacrifice
β
β
Claudia Gray (Hourglass (Evernight, #3))
β
Aren't you just a knight in shining armor? ... Wherever do you keep your horse? And who scoops up the crap it leaves behind?
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
He dreamed of deserts and great empty cities and imagined he could feel the minutes and hours of his life running through him, as though he were nothing but an hourglass of flesh and bone.
β
β
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
β
Love is like an hourglass, with the heart filling up as the brain empties.
β
β
Jules Renard
β
People were... exhausting. They made her anxious. Leaving her apartment every morning was the turning over of a giant hourglass, the mental energy sheβd stored up overnight eroding grain by grain. She refueled during the day by grabbing moments of solitude and sometimes felt her life was a long-distance swim between islands of silence.
β
β
Abbi Waxman (The Bookish Life of Nina Hill)
β
It was good for a while, being empty. I didn't hurt anymore. But as time went on, it was like I could hear myself from far away, begging for permission to come back.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
I love you - broken in pieces, whole, however. No matter what the future brings, no matter what was in the past.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Offering to help me implies I'm in distress. I'm not currently.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
What if a demon were to creep after you one night, in your loneliest loneliness, and say, 'This life which you live must be lived by you once again and innumerable times more; and every pain and joy and thought and sigh must come again to you, all in the same sequence. The eternal hourglass will again and again be turned and you with it, dust of the dust!' Would you throw yourself down and gnash your teeth and curse that demon? Or would you answer, 'Never have I heard anything more divine'?
β
β
Friedrich Nietzsche
β
Be sure of your heart before you speak.
β
β
Lisa Mangum (The Hourglass Door (Hourglass Door, #1))
β
Somehow difficulties are easier to endure when you know your dream is waiting for you at the end.
β
β
Lisa Mangum (The Golden Spiral (Hourglass Door, #2))
β
The heaviest burden: βWhat, if some day or night, a demon were to steal after you into your loneliest loneliness and say to you: βThis life, as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sighβ¦ must return to youβall in the same succession and sequenceβeven this spider and this moonlight between the trees and even this moment and I myself. The eternal hourglass of existence is turned over again and againβand you with it, speck of dust!β Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus? Or have you once experienced a tremendous moment when you would have answered him: βYou are a god, and never have I heard anything more divine!β If this thought were to gain possession of you, it would change you as you are, or perhaps crush you. The question in each and every thing, βdo you want this once more and innumerable times more?β would lie upon your actions as the greatest weight. Or how well disposed would you have to become to yourself and to life to crave nothing more fervently than this ultimate eternal confirmation and seal?
β
β
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
β
One of the gravestones in the cemetery near the earliest church has an anchor on it and an hourglass, and the words In Hope.
In Hope. Why did they put that above a dead person? Was it the corpse hoping, or those still alive?
β
β
Margaret Atwood (The Handmaid's Tale)
β
I love you,β he murmured. βThat means Iβm not just here for the pretty parts. Iβm here no matter what.
β
β
Claudia Gray (Hourglass (Evernight, #3))
β
Your size makes you seem delicate, like a spiderweb. But the wise fly knows that delicate can also be strong.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
I'd rather be wrong to set you free than be right to do you harm (162).
β
β
Claudia Gray (Hourglass (Evernight, #3))
β
It's amazing what flipping a grown man over her shoulder does for a girl.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
If he wasn't already holding my heart in the palm of his hand, I would have taken it out and given it to him right then.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Crazy like he's a serial killer, or crazy like he attends Star Trek conventions in full costume?"
"That's only crazy if you dress like a Klingon," I pointed out.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
My heart stumbled a little, but the tenderness in his voice kept me from falling.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Dude, the place is filling up," I say. "It feels like we're living in the bottom half of an hourglass."
Like somehow we're running out of time.
β
β
Chuck Palahniuk (Choke)
β
My taste runs to hourglasses, maps, seventeenth-century typefaces, etymologies, the taste of coffee, and the prose of Robert Louis Stevenson.
β
β
Jorge Luis Borges (Labyrinths: Selected Stories & Other Writings)
β
And when the hourglass has run out, the hourglass of temporality, when the noise of secular life has grown silent and its restless or ineffectual activism has come to an end, when everything around you is still, as it is in eternity, then eternity asks you and every individual in these millions and millions about only one thing: whether you have lived in despair or not.
β
β
SΓΈren Kierkegaard
β
I smiled back as he walked away, but all the lovely butterflies in my stomach landed one by one in a cold, dead heap.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
If you were my child, I would staple you to your bedroom wall.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
I'm a bad ass. A bad ass who bakes when he's depressed.
β
β
Myra McEntire (Timepiece (Hourglass, #2))
β
Life's like an hourglass glued to the table.
β
β
Anna Nalick
β
There are things than cannot ever occur with any precision. They are too big and too magnificent to be contained in mere facts. They are merely trying to occur, they are checking whether the ground of reality can carry them. And they quickly withdraw, fearing to loose their integrity in the frailty of realization.
β
β
Bruno Schulz (Sanatorium Under the Sign of the Hourglass)
β
You know, Scarlett, Rhett didn't give a damn, and frankly, I don't either.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
He took my face into his hands, using them to control the intensity and depth of our kiss, which quickly moved from sweet to reckless. It was the most lovely of assaults.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Death is just the moment that your hourglass runs out of sand. Thatβs it. It happens to everyone eventually. All any of us gets to decide is where the sand falls.
β
β
Ryan Winfield (Jane's Melody (Jane's Melody, #1))
β
His head was an hour-glass; it could stow an idea, but it had to do it a grain at a time, not the whole idea at once.
β
β
Mark Twain (A Connecticut Yankee in King Arthur's Court)
β
Reality spills through her slim fingers like the sands of an hourglass. Thus time is by no means on her side
β
β
Haruki Murakami (After Dark)
β
For a chance with you, I can wait.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
You can always choose to change your future.
β
β
Lisa Mangum (The Forgotten Locket (Hourglass Door, #3))
β
I had a dilemma. I could find absolutely no good reason to slap the girl standing in the kitchen doorway. And I really wanted one.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Yesterday,β she began, speaking to his back, hurrying as though there was some element of him that was part hourglass.
β
β
Kelly Creagh (Nevermore (Nevermore, #1))
β
Funny, gorgeous, and a genius. What a package." He backed out of the parking space, smiling as he drove away.
I loved that he left crazy off the list.
I loved it even more that he would never think to add it.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
No matter what your reality looks like, you're the girl I'm in love with today, and the same girl I'll be in love with tomorrow and all the days after that. Not just because of who you are, but because of who you were.
It's all part of your story, Em. And I want to be a part of your story, too.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Think of your life as an hourglass. You know there are thousands of grains of sand in the top of the hourglass; and they all pass slowly and evenly through the narrow neck in the middle. Nothing you or I could do would make more than one grain of sand pass through this narrow neck without impairing the hourglass. You and I and everyone else are like this hourglass...if we do not take [tasks] one at a time and let them pass...slowly and evenly, then we are bound to break our own...structure.
β
β
Dale Carnegie (How to Stop Worrying and Start Living: Time-Tested Methods for Conquering Worry (Dale Carnegie Books))
β
Every person professes to love good and hate evil, but in his actions his real preferences emerges.
β
β
Piers Anthony (Bearing an Hourglass (Incarnations of Immortality, #2))
β
Aren't I supposed to be brave, fearless? Isn't that what the world expects?"
"Screw what the world expects. Think about all the things you've faced. You cracked, but you didn't break. You're still standing. I'd call that fearless. You've already conquered so much.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Getting a full-body buzz with a guy I'd just met was as weird as seeing dead people. But much more enjoyable.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Hey, bro, do you think you can put Shorty back on her chain?"
I stepped forward with my hands on my hips, only slightly intimidated to find Kaleb almost eye level with me when he was seated and I was standing.
"First of all, no one is the boss of me but me. Secondly, if you ever reference my 'chain' again, I will kick your ass." I jabbed him hard in the chest with my finger. Possibly breaking it. "And thirdly, don't call me Shorty."
Kaleb sat silently for a second, his eyes wide as he looked at Michael. "Where did you get her? Can you get me one?"
I blew out a loud, frustrated sigh and dropped down beside Michael, who didn't even try to hide his smile. "You should probably apologize to Emerson."
"I am sorry." Kaleb grinned at me. "Sorry I didn't meet you first.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
We can't live our lives obsessing about the past or mourning the future. We have a responsibility to ourselves and to each other to live every moment of our lives the best we can.
β
β
Lisa Mangum (The Forgotten Locket (Hourglass Door, #3))
β
I wanted to be alone with him. Really alone. "Maybe we should take this back to my place." He lifted his head to look at me, a strange expression on his face. I let out a nervous giggle. "That sounded better in my head."
"It sounded pretty damn good out of it.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
It's a good thing to turn your mind upside down now and then, like an hour-glass, to let the particles run the other way.
β
β
Christopher Morley
β
Lots of unbelievable things happened. Every day. Things like gravity.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
From the depths of hell,
So far I fell,
A deal made with the devil,
After all the dust had settled,
There's an hourglass of time,
Counting down all of our lives,
And with every grain of sand,
Time is slipping through my hands.
β
β
falling in reverse
β
You are sweetness and light. Human cotton candy.
β
β
Myra McEntire (Timepiece (Hourglass, #2))
β
That hurts me in my feminism.
β
β
Myra McEntire (Timepiece (Hourglass, #2))
β
The world is full of impossibilities - some beautiful, some terrible - but sometimes, when you least expect it, they can become possible.
β
β
Lisa Mangum (The Forgotten Locket (Hourglass Door, #3))
β
Tuxedo Guy looked even better the closer he got to us- tall wide shoulders, smooth skin, those lips.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
My breath caught in my throat.
Buttered biscuits and honey.
"You're not what I expected.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
I'm simply reminding you that you're worth more than what you'll find at the bottom of a bottle.
β
β
Myra McEntire (Timepiece (Hourglass, #2))
β
I am sorry." Kaleb grinned at me. "Sorry I didn't meet you first.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Maybe it was because I didn't want to look at my life and see what is missing. Once you identify what you lack, then it's all you see anymore. Wanting something I couldn't have would only lead to unhappiness, so I tried to be content with what I had.
β
β
Lisa Mangum (The Forgotten Locket (Hourglass Door, #3))
β
The sand in the hourglass flows only one way. Donβt waste precious time chasing someone elseβs definition of success. Live your life with purpose now. Look for the things that inspire you, trouble you, make you feel most alive, and trust in those things to shape your future. They will give you all your heart could ever wish for.
β
β
Bill Strickland
β
He bent down burying his face in my neck. I reached back to grab onto the iron bars behind me to hold myself up. My jacket slipped off my shoulders. I was pretty sure I was on fire and at that moment I would have sworn that bursting into flame was a glorious way to go.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Iβd never touched alcoholβdoesnβt mix too well with crazy pillsβbut I knew at that moment what it must feel like to be drunk. Everything in my world shifted, and I knew I would trade every breath Iβd ever taken for more of him. In a heartbeat.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Vic pointed at him, two finger-guns of approval. βI like a man who knows the value of words, doesnβt spend βem too cheap.β Ranulf nodded. βThat is the manner in which I roll.
β
β
Claudia Gray (Hourglass (Evernight, #3))
β
She was a woman who knew who she was and how she had gotten there.
β
β
Lisa Mangum (The Forgotten Locket (Hourglass Door, #3))
β
L'union libre [Freedom of Love]"
My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone
My wife with the eyelashes of strokes of a child's writing
With brows of the edge of a swallow's nest
My wife with the brow of slates of a hothouse roof
And of steam on the panes
My wife with shoulders of champagne
And of a fountain with dolphin-heads beneath the ice
My wife with wrists of matches
My wife with fingers of luck and ace of hearts
With fingers of mown hay
My wife with armpits of marten and of beechnut
And of Midsummer Night
Of privet and of an angelfish nest
With arms of seafoam and of riverlocks
And of a mingling of the wheat and the mill
My wife with legs of flares
With the movements of clockwork and despair
My wife with calves of eldertree pith
My wife with feet of initials
With feet of rings of keys and Java sparrows drinking
My wife with a neck of unpearled barley
My wife with a throat of the valley of gold
Of a tryst in the very bed of the torrent
With breasts of night
My wife with breasts of a marine molehill
My wife with breasts of the ruby's crucible
With breasts of the rose's spectre beneath the dew
My wife with the belly of an unfolding of the fan of days
With the belly of a gigantic claw
My wife with the back of a bird fleeing vertically
With a back of quicksilver
With a back of light
With a nape of rolled stone and wet chalk
And of the drop of a glass where one has just been drinking
My wife with hips of a skiff
With hips of a chandelier and of arrow-feathers
And of shafts of white peacock plumes
Of an insensible pendulum
My wife with buttocks of sandstone and asbestos
My wife with buttocks of swans' backs
My wife with buttocks of spring
With the sex of an iris
My wife with the sex of a mining-placer and of a platypus
My wife with a sex of seaweed and ancient sweetmeat
My wife with a sex of mirror
My wife with eyes full of tears
With eyes of purple panoply and of a magnetic needle
My wife with savanna eyes
My wife with eyes of water to he drunk in prison
My wife with eyes of wood always under the axe
My wife with eyes of water-level of level of air earth and fire
β
β
AndrΓ© Breton (Poems of AndrΓ© Breton: A Bilingual Anthology)
β
We still have time," Kell assured him, getting to his feet.
"How do you know?" asked Hastra. "We can't hear the bells down here, and there are no windows to gauge the light." "Magic," Kell said, and then, when Hastra's eyes widened, he gestured to the hourglass sitting on the table with his other tools. "And that.
β
β
Victoria E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
β
Spies should be able to endure torture and still keep their secrets. I spilled mine out like pennies from a broken piggy bank.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Screw what the world expects. Think about all the things youβve faced. You cracked, but you didnβt break. Youβre still standing. Iβd call that fearless.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Pawns are really queens in disguise.
β
β
Lisa Mangum (The Forgotten Locket (Hourglass Door, #3))
β
It's not my goal to freak you out."
"Too bad," I answered. "Because that one was so solid it didn't even touch the net." Swish.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Your future is your own again. And I consider that to be a happy ending to the story.
β
β
Lisa Mangum (The Forgotten Locket (Hourglass Door, #3))
β
Nina worried she liked being alone too much; it was the only time she ever fully relaxed. People were . . . exhausting. They made her anxious. Leaving her apartment every morning was the turning over of a giant hourglass, the mental energy sheβd stored up overnight eroding grain by grain. She refueled during the day by grabbing moments of solitude and sometimes felt her life was a long-distance swim between islands of silence. She enjoyed peopleβshe really didβshe just needed to take them in homeopathic doses; a little of the poison was the cure.
β
β
Abbi Waxman (The Bookish Life of Nina Hill)
β
Remember how I told you that the Vikings sacked my village and took me back with them?" Ranulf was speaking to Vic now; I'd never heard this story before. "All young men among the Vikings were taught to fight."
Vic slowly said, "This is why you kick so much ass at World of Warcraft, isn't it?
β
β
Claudia Gray (Hourglass (Evernight, #3))
β
The greatest weight.-- What, if some day or night a demon were to steal after you into your loneliest loneliness and say to you: "This life as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh and everything unutterably small or great in your life will have to return to you, all in the same succession and sequence - even this spider and this moonlight between the trees, and even this moment and I myself. The eternal hourglass of existence is turned upside down again and again, and you with it, speck of dust!"
Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus?... Or how well disposed would you have to become to yourself and to life to crave nothing more fervently than this ultimate eternal confirmation and seal?
β
β
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
β
Emerson, you just shared your deepest secret with me. I value that. Don't make light of it."
If he wasn't already holding my heart in the palm of his hand, I would have taken it out and given it to him.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Nothing is going on."
"Hey, you're the one who tried to knock a security camera off the side of a building. That's a lot of pent-up frustration.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Ah, my old friend, anxiety-throwing itself into the blender with sheer terror and embarrassment.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
In the darkness of night,
Demons strut, taunting, goading.
In the light of day,
Angels sing glorious songs.
In the time in between,
We live our lives alone and searching.
And sometimes, softly,
You understand damnation.
All is forgotten, all is lost,
All but forgiveness
And the memory of her kiss.
β
β
Lisa Mangum (The Hourglass Door (Hourglass Door, #1))
β
My legs feel full of sand and stapled together, my mind overflowing with grains of indecision, choices unmade and impatient as time runs out of my body. The small hand of a clock taps me at one and two, three and four, whispering hello, get up, stand up, it's time to
wake up
wake up
"Wake up," he whispers.
β
β
Tahereh Mafi (Ignite Me (Shatter Me, #3))
β
Didn't I just ask you to stop asking questions?"
"You asked me to stop for one second. You should have been more specific if you wanted longer." Having a big brother taught me quite a bit about arguing with the intent to wear down my opponent.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
His unlived life worried him, tortured him, turning round and round inside him like an animal in a cage. In Dodo's body, the body of a half-wit, somebody was growing old, although he had not lived; somebody was maturing to a death that had no meaning at all.
β
β
Bruno Schulz (Sanatorium Under the Sign of the Hourglass)
β
Are you really reading that, or are you just trying to show off?" I asked, lowering myself into the seat.
He looked over the paper, opened his mouth, and a torrent of foreign words flew out.
"Okay, sorry, just asking. Wait, how many of those were curse words?
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Once, heβd been the Seducer, the Executioner, the High Priest of the Hourglass, the Prince of the Darkness, the High Lord of Hell.
Once, heβd been Consort to Cassandra, the great Black-Jeweled, Black Widow Queen, the last Witch to walk the Realms.
Once, heβd been the only Black-Jeweled Warlord Prince in the history of the Blood, feared for his temper and the power he wielded.
Once, heβd been the only male who was a Black Widow.
Once, heβd ruled the Dhemlan Territory in the Realm of Terreille and her sister Territory in Kaeleer, the Shadow Realm. Heβd been the only male ever to rule without answering to a Queen and, except for Witch, the only member of the Blood to rule Territories in two Realms.
Once, heβd been married to Hekatah, an aristo Black Widow Priestess from one of Hayllβs Hundred Families.
Once, heβd raised two sons, Mephis and Peyton. Heβd played games with them, told them stories, read to them, healed their skinned knees and broken hearts, taught them Craft and Blood Law, showered them with his love of the land as well as music, art, and literature, encouraged them to look with eager eyes upon all that the Realms had to offerβnot to conquer but to learn. Heβd taught them to dance for a social occasion and to dance for the glory of Witch. Heβd taught them how to be Blood.
But that was a long, long time ago.
β
β
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
β
There are four kinds of readers. The first is like the hourglass; and their reading being as the sand, it runs in and runs out, and leaves not a vestige behind. A second is like the sponge, which imbibes everything, and returns it in nearly the same state, only a little dirtier. A third is like a jelly bag, allowing all that is pure to pass away, and retaining only the refuse and dregs. And the fourth is like the slaves in the diamond mines of Golconda, who, casting aside all that is worthless, retain only pure gems.
β
β
Samuel Taylor Coleridge
β
Michael put the paper down and leaned across the table toward me, unexpectedly intense. "What do you want?"
"I already ordered an espresso," I answered, reflexively leaning back.
"No, I mean what do you want from life?"
"Good morning to you, too. Isn't it a little early for philosophy?
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
We live in a modern society. Husbands and wives don't
grow on trees, like in the old days. So where
does one find love? When you're sixteen it's easy,
like being unleashed with a credit card
in a department store of kisses. There's the first kiss.
The sloppy kiss. The peck.
The sympathy kiss. The backseat smooch. The we
shouldn't be doing this kiss. The but your lips
taste so good kiss. The bury me in an avalanche of tingles kiss.
The I wish you'd quit smoking kiss.
The I accept your apology, but you make me really mad
sometimes kiss. The I know
your tongue like the back of my hand kiss. As you get
older, kisses become scarce. You'll be driving
home and see a damaged kiss on the side of the road,
with its purple thumb out. If you
were younger, you'd pull over, slide open the mouth's
red door just to see how it fits. Oh where
does one find love? If you rub two glances, you get a smile.
Rub two smiles, you get a warm feeling.
Rub two warm feelings and presto-you have a kiss.
Now what? Don't invite the kiss over
and answer the door in your underwear. It'll get suspicious
and stare at your toes. Don't water the kiss with whiskey.
It'll turn bright pink and explode into a thousand luscious splinters,
but in the morning it'll be ashamed and sneak out of
your body without saying good-bye,
and you'll remember that kiss forever by all the little cuts it left
on the inside of your mouth. You must
nurture the kiss. Turn out the lights. Notice how it
illuminates the room. Hold it to your chest
and wonder if the sand inside hourglasses comes from a
special beach. Place it on the tongue's pillow,
then look up the first recorded kiss in an encyclopedia: beneath
a Babylonian olive tree in 1200 B.C.
But one kiss levitates above all the others. The
intersection of function and desire. The I do kiss.
The I'll love you through a brick wall kiss.
Even when I'm dead, I'll swim through the Earth,
like a mermaid of the soil, just to be next to your bones.
β
β
Jeffrey McDaniel
β
I walked in without knocking. The screen door banged to a close behind me announcing my presence. I followed my nose to the kitchen and found Kaleb standing by the stove. He stirred something that smelled absolutely delicious a wooden spoon in one hand and a huge chefβs knife in the other.
βAre you sober?β I asked from the doorway.
He turned and leveled a smile at me that made me a little wobbly. βI am."
βGood. Because if not I was going to take the deadly kitchen utensil away from you.β I crossed the room and pulled myself up to sit on the counter beside the stove. A cutting board full of green peppers and two uncut stalks of celery waited for attention from the knife. Melted butter and diced onions bubbled in a sautΓ© pan on the stove. βYou cook."
Kaleb was so pretty I was jealous. Pretty with ripped muscles and a tattoo of a red dragon covering most of his upper body. βYes,β he said. βI cook.β
βDo you usually wear a wife beater and,β I pushed him back a little by his shoulder βan apron that says βKiss the Cookβ while youβre doing it? β
He leaned so close to me my heart skipped a couple of beats. βIβll wear it all the time if youβll consider it.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
I remember a little girl...
But how can that be...
Once I was that little Resi,
and then one day I became an old woman?
...If God wills it so, why allow me to see it?
Why doesn't he hide it from me?
Everything is a mystery, such a deep mystery...
I feel the fragility of things in time.
From the bottom of my heart, I feel we should
cling to nothing.
Everything slips through our fingers.
All that we seek to hold on to dissolves.
Everything vanishes, like mist and dreams...
Time is a strange thing.
When we don't need it, it is nothing.
Then, suddenly, there is nothing else.
It is everywhere around us. Also within us.
It seeps into our faces.
It seeps into the mirror, runs through my temples...
Between you and I it runs silently, like an hourglass.
Oh, Quin Quin.
Sometimes I feel it flowing inexorably.
Sometimes I get up in the middle of the night
and stop all the clocks...
β
β
Carlo Rovelli (L'ordine del tempo)
β
Would you like to try this again then, another time?"
"I'd very much like to try this again, another time." He grinned, but it carried a touch of sadness. "I'll give you a second to...uh...fix your hair."
"My hair?"
"I'll give you a second to fix my hair. I mean, I'll give you a second while I go fix my hair." He let out a sigh. "I mean, I'll see you downstairs."
He turned to walk out of the room, but unfortunately, he forgot to open the door first. I managed to hold my laughter until he got it right.
β
β
Myra McEntire (Hourglass (Hourglass, #1))
β
Oh, child! Somewhere inside you, your future has already unfurled like one of those coiled-up party streamers, once shiny, shaken loose, floating gracefully for a brief moment, now trampled underfoot after the party is over. The future youβre capable of imagining is already a thing of the past. Who did you think you would grow up to become? You could never have dreamt yourself up. Sit down. Let me tell you everything thatβs happened. You can stop running now. You are alive in the woman who watches you as you vanish.
β
β
Dani Shapiro (Hourglass: Time, Memory, Marriage)
β
The Death of Allegory
I am wondering what became of all those tall abstractions
that used to pose, robed and statuesque, in paintings
and parade about on the pages of the Renaissance
displaying their capital letters like license plates.
Truth cantering on a powerful horse,
Chastity, eyes downcast, fluttering with veils.
Each one was marble come to life, a thought in a coat,
Courtesy bowing with one hand always extended,
Villainy sharpening an instrument behind a wall,
Reason with her crown and Constancy alert behind a helm.
They are all retired now, consigned to a Florida for tropes.
Justice is there standing by an open refrigerator.
Valor lies in bed listening to the rain.
Even Death has nothing to do but mend his cloak and hood,
and all their props are locked away in a warehouse,
hourglasses, globes, blindfolds and shackles.
Even if you called them back, there are no places left
for them to go, no Garden of Mirth or Bower of Bliss.
The Valley of Forgiveness is lined with condominiums
and chain saws are howling in the Forest of Despair.
Here on the table near the window is a vase of peonies
and next to it black binoculars and a money clip,
exactly the kind of thing we now prefer,
objects that sit quietly on a line in lower case,
themselves and nothing more, a wheelbarrow,
an empty mailbox, a razor blade resting in a glass ashtray.
As for the others, the great ideas on horseback
and the long-haired virtues in embroidered gowns,
it looks as though they have traveled down
that road you see on the final page of storybooks,
the one that winds up a green hillside and disappears
into an unseen valley where everyone must be fast asleep.
β
β
Billy Collins
β
O for a Muse of fire, that would ascend
The brightest heaven of invention,
A kingdom for a stage, princes to act
And monarchs to behold the swelling scene!
Then should the warlike Harry, like himself,
Assume the port of Mars; and at his heels,
Leash'd in like hounds, should famine, sword and fire
Crouch for employment. But pardon, and gentles all,
The flat unraised spirits that have dared
On this unworthy scaffold to bring forth
So great an object: can this cockpit hold
The vasty fields of France? or may we cram
Within this wooden O the very casques
That did affright the air at Agincourt?
O, pardon! since a crooked figure may
Attest in little place a million;
And let us, ciphers to this great accompt,
On your imaginary forces work.
Suppose within the girdle of these walls
Are now confined two mighty monarchies,
Whose high upreared and abutting fronts
The perilous narrow ocean parts asunder:
Piece out our imperfections with your thoughts;
Into a thousand parts divide on man,
And make imaginary puissance;
Think when we talk of horses, that you see them
Printing their proud hoofs i' the receiving earth;
For 'tis your thoughts that now must deck our kings,
Carry them here and there; jumping o'er times,
Turning the accomplishment of many years
Into an hour-glass: for the which supply,
Admit me Chorus to this history;
Who prologue-like your humble patience pray,
Gently to hear, kindly to judge, our play.
β
β
William Shakespeare (Henry V)
β
The other one, the one called Borges, is the one things happen to. I walk through the streets of Buenos Aires and stop for a moment, perhaps mechanically now, to look at the arch of an entrance hall and the grillwork on the gate. I know of Borges from the mail and see his name on a list of professors or in a biographical dictionary. I like hourglasses, maps, eighteenth-century typography, the taste of coffee and the prose of Stevenson; he shares these preferences, but in a vain way that turns them into the attributes of an actor. It would be an exaggeration to say that ours is a hostile relationship. I live, let myself go on living, so that Borges may contrive his literature, and this literature justifies me. It is no effort for me to confess that he has achieved some valid pages, but those pages cannot save me, perhaps because what is good belongs to no one, not even to him, but rather to the language and to tradition. Besides I am destined to perish, definitively, and only some instant of myself can survive in him. Little by little, I am giving over everything to him, though I am quite aware of his perverse custom of falsifying and magnifying things. Spinoza knew that all things long to persist in their being; the stone eternally wants to be a stone, and the tiger a tiger. I shall remain in Borges, not in myself (if it is true that I am someone), but I recognize myself less in his books than in many others or in the laborious strumming of a guitar. Years ago I tried to free myself from him and went from the mythologies of the suburbs to the games with time and infinity, but those games belong to Borges now and I shall have to imagine other things. Thus my life is a flight and I lose everything and everything belongs to oblivion, or to him.
I do not know which of us has written this page.
β
β
Jorge Luis Borges (Labyrinths: Selected Stories & Other Writings)
β
Even though she was still so tired she felt glued to the matress, the yelling made Helen's eyes open. She saw Ariadne, Cassandra, and Noel standing over her bed. Correction, they were standing over Lucas's bed and Helen was in it. Her eyes snapped open and her head whipped around to look at Lucas. He was frowning himself awake and starting to make some gravelly noise in the back of his throat.
"Go argue someplace else," he groaned as he rolled over onto Helen. He tucked himself up against her, awkwardly fighting the drag of the casts on his legs as he tried to bury his face in Helen's neck. She nudged him and looked up at Noel, Ariadne, and a furious Cassandra.
"I came to see how he was and then I couldn't get back to my bed," Helen tried to explain, absolutely mortified.
She gasped involuntarily as one of Lucas's hands ran up the length of her thigh and latched on to the sloping dip from her hip to her waist. Then she felt him tense, as if he'd just realized that pillows weren't shaped like hourglasses. His head jerked up and he looked around, alert for a fight.
"Oh, yeah," he said to Helen as he remembered. His eyes relaxed back into a sleepy daze. He smiled up at his family and stretched until he winced, then rubbed at his sore chest, no longer in a good mood.
"Little privacy?" he asked. His mother, sister, and cousin all either crossed their arms or put their hands on their hips.
β
β
Josephine Angelini (Starcrossed (Starcrossed, #1))
β
He told me that from now on, everything I did and everything he did was of the utmost importance: any word spoken, the slightest gesture, would take on a meaning, and everything that happened between us would change us continually. 'For that reason,'he said,'I wish I were able to suspend time at this moment and keep things exactly at this point, because I feel this instant is a true beginning. We have a definite but unknown quantity of experience at our disposal. As soon as the hourglass is turned, the sand will begin to run out and once it starts, it cannot stop until it's all gone. That's why I wish I could hold it back at the start. We should make a minimum of gestures, pronounce a minimum of words, even see each other as seldom as possible, if that would prolong things. We don't know how much of everything we have ahead of us so we have to take the greatest precautions not to destroy the beauty of what we have. Everything exists in limited quantity-especially happiness. If a love is to come into being, it is all written down somewhere, and also its duration and content. If you could arrive at the complete intensity the first day, it would be ended the first day. And so if it's something you want so much that you'd like to have it prolonged in time, you must be extremely careful not to make the slightest excessive demand that might prevent it from developing to the greatest extent over the longest period...If the wings of the butterfly are to keep their sheen, you mustn't touch them. We mustn't abuse something which is to bring light into both our lives. Everything else in my life only weighs me down and shuts out the light. This thing wih you seems like a window that is opening up. I want it to remain open...
β
β
Françoise Gilot (Life With Picasso)
β
In a matter of a moment the amount of sand in the upper part of the hour-glass had dwindled dramatically, the tiny grains were rushing through the opening, each grain more eager to leave then the last, time is just like people, sometimes itβs all it can do to drag itself along, but at others, it runs like a deer and leaps like a young goat, which, when you think about it, is not saying much, since the cheetah is the fastest of all the animals, and yet it has never occurred to anyone to say of another person He runs and jumps like a cheetah, perhaps because that first comparison comes from the magical late middle ages, when gentlemen went deer-hunting and no one had ever seen a cheetah running or even heard of its existence. Languages are conservative, they always carry their archives with them and hate having to be updated.
β
β
JosΓ© Saramago (Seeing)