Hour Of The Witch Quotes

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Give me a man or woman who has read a thousand books and you give me an interesting companion. Give me a man or woman who has read perhaps three and you give me a very dangerous enemy indeed.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
Aziraphale collected books. If he were totally honest with himself he would have to have admitted that his bookshop was simply somewhere to store them. He was not unusual in this. In order to maintain his cover as a typical second-hand book seller, he used every means short of actual physical violence to prevent customers from making a purchase. Unpleasant damp smells, glowering looks, erratic opening hours - he was incredibly good at it.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
The witching hour, somebody had once whispered to her, was a special moment in the middle of the night when every child and every grown-up was in a deep deep sleep, and all the dark things came out from hiding and had the world all to themselves.
Roald Dahl (The BFG)
It has been said that civilization is twenty-four hours and two meals away from barbarism.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
He had heard about talking to plants in the early seventies, on Radio Four, and thought it was an excellent idea. Although talking is perhaps the wrong word for what Crowley did. What he did was put the fear of God into them. More precisely, the fear of Crowley. In addition to which, every couple of months Crowley would pick out a plant that was growing too slowly, or succumbing to leaf-wilt or browning, or just didn't look quite as good as the others, and he would carry it around to all the other plants. "Say goodbye to your friend," he'd say to them. "He just couldn't cut it. . . " Then he would leave the flat with the offending plant, and return an hour or so later with a large, empty flower pot, which he would leave somewhere conspicuously around the flat. The plants were the most luxurious, verdant, and beautiful in London. Also the most terrified.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
The day is made up of 24 hours and an infinite number of moments. We need to be aware of those moments and make the most of them regardless of whether we're busy doing something or contemplating life.
Paulo Coelho (The Witch of Portobello)
The witching hour, people used to call it, that dark time when restless spirits reached for freedom.
V.E. Schwab (This Savage Song (Monsters of Verity, #1))
For a witch stands on the very edge of everything, between the light and the dark, between life and death, making choices, making decisions so that others may pretend no decisions have even been needed. Sometimes they need to help some poor soul through the final hours, help them to find the door, not to get lost in the dark.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
May your glass always be full, may there always be a roof over your head, and may you dirty sinners be in heaven a half hour before the devil knows you're dead.
Jason Jack Miller (HELLBENDER)
That was my nature - going from temptation after temptation, not to sin, but to be redeemed.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
I resolved to move just a little bit more slowly through the world, to look around myself with greater care, and to try to remain conscious of all that was going on around me at all times.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
It draws it's strength, this big secret, from the same root from which I draw my strength, both the good and the bad, because in the end, they cannot be separated.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
Two a.m. is a terrible time for dwelling on legal issues. Worst of all the times. If midnight is witching hour, 2 a.m. is dwelling hour.
Beth O'Leary (The Flatshare)
a certain bohemian, good-witch sort of charm
Michael Cunningham (The Hours)
You were the vampire in my dream. My perfect one.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
Yes, this may be the hour of the witch. But the Devil? He most definitely wears breeches. The Devil can only be a man.
Chris Bohjalian (Hour of the Witch)
Some police forces would believe anything. Not the Metropolitan police, though. The Met was the hardest, most cynically pragmatic, most stubbornly down-to-earth police force in Britain. It would take a lot to faze a copper from the Met. It would take, for example, a huge, battered car that was nothing more nor less than a fireball, a blazing, roaring, twisted metal lemon from Hell, driven by a grinning lunatic in sunglasses, sitting amid the flames, trailing thick black smoke, coming straight at them through the lashing rain and wind at eighty miles an hour. That would do it every time.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
I kissed you! I witched you! I laugh at the afterlife’s dark.
Marina Tsvetaeva (In the Inmost Hour of the Soul (Vox Humana))
Jaime had never realised that trees made a sound when they grew, and no-one else had realised it either, because the sound is made over hundreds of years in waves of twenty-four hours from peak to peak. Speed it up, and the sound a tree makes is vrooom.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
The storm was really giving it everything it had. This was its big chance. It had spent years hanging around the provinces, putting in some useful work as a squall, building up experience, making contacts, occasionally leaping out on unsuspecting shepherds or blasting quite small oak trees. Now an opening in the weather had given it an opportunity to strut its hour, and it was building up its role in the hope of being spotted by one of the big climates.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Cold as a bitch’s tit.” “It’s ‘witch’s.’” “Why? Doesn’t matter,” Eve said quickly. “Neither way makes sense. If somebody’s a witch, why do they put up with cold tits? I’m a bitch, and twenty-four hours ago, my tits were plenty warm.
J.D. Robb (Devoted in Death (In Death, #41))
She had understood before she had ever dreamed of a city such as this, where every texture, every color, leapt out at you, where every fragrance was a drug, and the air itself was something alive and breathing.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
I would have done just about anything for him.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
Archbishop James Usher (1580-1656) published Annales Veteris et Novi Testaments in 1654, which suggested that the Heaven and the Earth were created in 4004 B.C. One of his aides took the calculation further, and was able to announce triumphantly that the Earth was created on Sunday the 21st of October, 4004 B.C., at exactly 9:00 A.M., because God liked to get work done early in the morning while he was feeling fresh. This too was incorrect. By almost a quarter of an hour. The whole business with the fossilized dinosaur skeletons was a joke the paleontologists haven't seen yet. This proves two things: Firstly, that God moves in extremely mysterious, not to say, circuitous ways. God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players, [ie., everybody.] to being involved in an obscure and complex version of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won't tell you the rules, and who smiles all the time. Secondly, the Earth's a Libra.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Eyes of blue and hair of fire Are the keys to your desire. Angel's voice and will of steel Shall force the dark witch to kneel. Death to bind and bind to break Sun and moon for all our sake. Prince of night, daughter of day, Bound as one the witch they'll slay. Same hour they their first breath drew, On her last, the witch will rue. Join the two named in this verse And see the end of the curse.
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
She had learnt a painful lesson, she thought – that as they die, the ones we love, we lose our witnesses, our watchers, those who know and understand the tiny little meaningless patterns, those words drawn in water with a stick. And there is nothing left but the endless flow.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
In every big-budget science fiction movie there's the moment when a spaceship as large as New York suddenly goes to light speed. A twanging noise like a wooden ruler being plucked over the edge of a desk, a dazzling refraction of light, and suddenly the stars have all been stretched out thin and it's gone. This was exactly like that, except that instead of a gleaming twelve-mile-long spaceship, it was an off-white twenty-year-old motor scooter. And you didn't have the special rainbow effects. And it probably wasn't going at more than two hundred miles an hour. And instead of a pulsing whine sliding up the octaves, it just went putputputputput ... VROOOOSH. But it was exactly like that anyway.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
I like you both! And that's better than loving you, for that's expected, you know. But liking you, what a curious surprise.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
Maybe that was all there ever will be just that one weekend and forever this unfinished feeling...
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
She would rather stay home and, in the witching hours, be immersed in a novel –reading being her way to connect with the universe.
Elif Shafak (Three Daughters of Eve)
In fact, the only things in the flat Crowley devoted any personal attention to were the houseplants. They were huge, and green, and glorious, with shiny, healthy, lustrous leaves. This was because, once a week, Crowley went around the flat with a green plastic plant mister spraying the leaves, and talking to the plants.... Although talking is perhaps the wrong word for what Crowley did. What he did was put the fear of God into them. More precisely, the fear of Crowley. In addition to which, every couple of months Crowley would pick out a plant that was growing too slowly, or succumbing to leaf-wilt, or browning, or just didn't look quite as good as the others, and he would carry it around to all the plants. "Say goodbye to your friend," he'd say to them. "He just couldn't cut it..." Then he would leave the flat with the offending plant, and return an hour or so later with a large empty flower pot, which he would leave somewhere conspicuously around the flat. The plants were the most luxurious, verdant, and beautiful in London. Also the most terrified.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
What women hate is when you turn cold to them. If you treat them like queens, they’ll let you have a concubine or two outside the palace.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
I feel the darkness near me; I feel the light shining. And more keenly I feel the contrast between the two.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
Because people don't believe it unless it happens to them.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
When the day's mistakes are too much to bear, when everything feels like devastation beyond repair, remind yourself: how mystical it is that every day, the clocks reset to 00:00 the reason they say midnight is the witching hour, is because a new day rises from the ashes of the old, embers breathe new life to its fire, giving us a chance to mend, a chance to restore, all that is broken and what you thought was lost.
Nikita Gill (Wild Embers: Poems of Rebellion, Fire and Beauty)
Don’t be a pawn in somebody’s game,” she said. “Find the attitude which gives you the maximum strength and the maximum dignity, no matter what else is going on.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
It's the witching hour once more- When the Muse comes out to play. He calls me through that magic door- Where galaxies of worlds await!
Belle Whittington
It would take a lot to faze a copper from the Met. It would take, for example, a huge, battered car that was nothing more nor less than a fireball, a blazing, roaring, twisted metal lemon from Hell, driven by a grinning lunatic in sunglasses, sitting amid the flames, trailing thick black smoke, coming straight at them through the lashing rain and the wind at eighty miles per hour. That would do it every time.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Nor had he, as far as he knew, ever believed in anything. It had been embarrassing, because he quite wanted to believe in something, since he recognized that belief was the lifebelt that got most people through the choppy waters of Life. He'd have liked to believe in a supreme God, although he'd have preferred a half-hour's chat with Him before committing himself, to clear up one or two points. He'd sat in all sorts of churches, waiting for that single flash of blue light, and it hadn't come. And then he'd tried to become an official Atheist and hadn't got the rock-hard, self-satisfied strength of belief even for that. And every single political party had seemed to him equally dishonest. And he'd give up on ecology...Then he'd tried believe in the Universe, which seemed sound enough until he'd innocently started reading books with words like Chaos and Time and Quantum in the titles. He'd found that even the people whose job of work was, so to speak, the Universe, didn't really believe in it and were actually quite proud of not knowing what or even if it could theoretically exist.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
And oh, how she pitched herself into things. She would draw pictures all day long for weeks on end, then throw out the pencils and never draw another thing. Then it was embroidery with her, she had to learn it, and she'd make the most beautiful thing, fussing at herself for the least little mistake, then throw down the needles and be done with that forevermore. I never saw a child so changeable. It was as though she was looking for something to which she could give herself, and she never found it. Least ways not while she was a little girl.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
(a) Are the skies you sleep under likely to open up for weeks on end? (b) Is the ground you walk on likely to tremble and split? (c) Is there a chance (and please check the box, no matter how small that chance seems) that the ominous mountain casting a midday shadow over your home might one day erupt with no rhyme or reason? Because if the answer is yes to one or all of these questions, then the life you lead is a midnight thing, always a hair's breadth from the witching hour; it is volatile, it is threadbare; it is carefree in the true sense of that term; it is light, losable like a key or a hair clip. And it is lethargy: why not sit all morning, all day, all year, under the same cypress tree drawing the figure eight in the dust? More than that, it is disaster, it is chaos: why not overthrow a government on a whim, why not blind the man you hate, why not go mad, go gibbering through the town like a loon, waving your hands, tearing your hair? There's nothing to stop you---or rather anything could stop you, any hour, any minute. That feeling. That's the real difference in a life.
Zadie Smith
4 is the worst time to wake up, as anyone with the normal human sensitivities will tell you. Far too late to make a cup of tea or go back to sleep. Far too early to get up and do something constructive. There's nothing on television but arrogant evangelists and people selling acne solutions and motivational tapes. For me, base 12 philosophy aside, midnight is not the witching hour. 4:00 is.
Toni Jordan (Addition)
It was sort of like Macbeth, thought Fat Charlie, an hour later; in fact, if the witches in Macbeth had been four little old ladies and if, instead of stirring cauldrons and intoning dread incantations, they had just welcomed Macbeth in and fed him turkey and rice and peas spread out on white china plates on a red-and-white patterned plastic tablecloth -- not to mention sweet potato pudding and spice cabbage -- and encouraged him to take second helpings, and thirds, and then, when Macbeth had declaimed that nay, he was stuffed nigh unto bursting and on his oath could truly eat no more, the witches had pressed upon him their own special island rice pudding and a large slice of Mrs. Bustamonte's famous pineapple upside-down cake, it would have been exactly like Macbeth.
Neil Gaiman (Anansi Boys)
That was the test of love, he thought dreamily, when you can’t bear to be this happy without the other person with you.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
Give me a man or woman who has read a thousand books and you give me an interesting companion. Give me a man or woman who has read perhaps three and you give me a very dangerous enemy indeed.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
I tell you, Richard, if you ever get ready to sell your soul, don’t bother to sell it to another human being. It’s bad business to even consider such a thing.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
She was sent to the scaffold because she had a sharper tongue and a shrewder mind than her accusers. It is always the case when men hang women.
Chris Bohjalian (Hour of the Witch)
She never sent the castle to sleep”, said Granny, “that’s just an old wife’s tale. She just stirred up time a little. It’s not as hard as people think, everyone does it all the time. It’s like rubber, is time, you can stretch it to suit yourself.” Magrat was about to say: That’s not right, time is time, every second lasts a second, that’s its job. Then she recalled weeks that had flown past and afternoons that had lasted forever. Some minutes had lasted hours, some hours had gone past so quickly she hadn’t been aware they’d gone past at all. “But that’s just people’s perception, isn’t it?” “Oh yes”, said Granny, “of course it is, it all is, what difference does that make?
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
Three very crowded hours went past. They involved quite a lot of phone calls, telexes, and faxes. Twenty-seven people were got out of bed in quick succession and they got another fifty-three out of bed, because if there is one thing a man wants to know when he’s woken up in a panic at 4:00 A.M., it's that he's not alone.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
The hour when you sit up in bed, sweating from nightmares. The hour when you awaken for no reason but to fear the future. The hour when you stare at the clock, willing yourself to sleep, knowing it isn’t going to happen, and weariness and despair beat upon the doors to the vaults of your mind with leaden clubs. That’s when an apocalypse begins: the witching hour.
Jim Butcher (Battle Ground (The Dresden Files, #17))
May you rise with the sun, ready to make hay. May the rains come at night to wash your cares away. May you sleep with the angels sittin' on your bed. May you be an hour in Heaven a'fore the Devil knows you're dead.
Ami McKay (The Witches of New York (Witches of New York, #1))
Come on, show me all you can do.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
She was innately suspicious of language because she could “hear” with remarkable accuracy what lay behind it, and also she just didn’t know how to talk very well.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
He’d have liked to believe in a supreme God, although he’d have preferred a half-hour’s chat with Him before committing himself, to clear up one or two points.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Parent time is magic: downtempo and supersonic all at once, witch’s time, sorcerer hours. Suddenly, while you aren’t paying attention, everything’s changed.
Laurie Frankel (This Is How It Always Is)
Lucifer, why did so many human emotions feel like physical illness? It was a wonder humans didn’t visit the doctor on an hourly basis.
Sarah Hawley (A Witch's Guide to Fake Dating a Demon (Glimmer Falls, #1))
You, know, the only thing I can be is a writer. I'm absolutely unprepared for anything else. When you've lived the kind of life I have, you are good for nothing. Only writing can save you.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
midnight is the witching hour, is because a new day rises from the ashes of the old, embers breathe new life to its fire, giving us a chance to mend, a chance to restore all that is broken
Nikita Gill (Wild Embers)
The shelves were packed close together, and it felt like I was standing at the border of a forest--not a friendly Californian forest, either, but an old Transylvanian forest, a forest full of wolves and witches and dagger-wielding bandits all waiting just beyond moonlight's reach.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
It's almost the witching hour,' said Martha, and a bitter smile touched her lips. 'Perhaps that's what the Prophet should have named this wretched year. It's more fitting, don't you think? The Year of the Witching.
Alexis Henderson (The Year of the Witching (Bethel, #1))
It has been said that civilization is twenty-four hours and two meals away from barbarism.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
What have you seen with your eyes?" asked the old woman. "What have you seen that you knew should not be there?
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
She contemplated a mystery: How is it I am humiliated when I am alone? Does not humiliation demand an audience?
Chris Bohjalian (Hour of the Witch)
And so a ghost of him had been created by her hatred and her rage. It was fading, yet it still stalked her, even here in the safe hallways of her own domain.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
she appeared in a dashing fur coat and very high heels, with a bottle of bootleg whiskey in a brown paper bag from which she drank all during the meeting, erupting into wild laughter
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
In perfect understanding, it seemed, they looked at each other. Questions of failure, of haste, all the what if’s of life, did not matter. The quiet in her was talking to the quiet in him.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
I believe nothing, and therefore like many who believe nothing, I must make something, and that something is the meaning which I give to my life. The saving of witches, the study of the supernatural, these are my lasting pleasures; they make me forget that I do not know why we are born, or why we die, or why the world is here.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
Ivy still had her tree up in the living room, and we exchanged presents when we felt like it, not on a specific date. Usually that was about an hour after I got back from shopping. Delayed gratification was Ivy’s thing, not mine.
Kim Harrison (White Witch, Black Curse (The Hollows, #7))
Newton Pulsifer had never...as far as he knew, ever believed in anything. It had been embarrassing, because he quite wanted to believe in something, since he recognized that belief was the lifebelt that got most people through the choppy waters of Life. He'd have liked to believe in a supreme God, although he'd have preferred a half-hour's chat with Him before committing himself, to clear up one or two points. He'd sat in all sorts of churches, waiting for that single flash of blue light, and it hadn't come. And then he'd tried to become an official Atheist and hadn't got the rock-hard, self-satisfied strength of belief even for that. And every single political party had seemed to him equally dishonest. .... Then he'd tried believing in the Universe, which seemed sound enough until he'd innocently started reading new books with words like Chaos and Time and Quantum in the titles. He'd found that even the people whose job of work was, so to speak, the Universe, didn't really believe in it and were actually quite proud of not knowing what it really was or even if it could theoretically exist. To Newt's straightforward mind this was intolerable.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
You cast spells every day. Your makeup is glamor magic. Hiding and highlighting. The clothes you pick out to make your legs look longer, your waist smaller. The red you wear for confidence; the black when you’re sad, the blue for clarity. Your favorite bra. Your lucky socks. The way you take an hour on your hair. It’s a ritual. It’s never just about clothes, or makeup, or perfectly messy buns. It’s about magic.
Moïra Fowley-Doyle (Spellbook of the Lost and Found)
Lasher,’ she said, ‘for the wind which you send that lashes the grasslands, for the wind that lashes the leaves from the trees.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
Hell's only the flip side of Paradise. Sometimes it's hard to differentiate between the two.
Sara Craven (Witching Hour (Harlequin Presents, #459))
It was almost nine o’clock. The witching hour, the time the teenaged boys trickled back to the house from wherever they’d hung out during the day.
CeeCee James (Fear No More (Ghost No More #3))
She loves me all that she can, And her ways to my ways resign; But she was not made for any man, And she never will be all mine. —Edna St. Vincent Millay, “Witch-Wife
Cassandra Clare (Chain of Gold (The Last Hours, #1))
Remember me not for my weakness, for my sins, or for my poor judgment. But that I loved you.
Anne Rice (The Mayfair Witches Series Bundle: Witching Hour, Lasher, Taltos (Lives of Mayfair Witches))
Once there was magic, wandering free in roads of sky and paths of sea and in that timeless long gone hour words of nonsense still had power doors still flew and birds still talked witches grinned and giants walked we had magic wands and magic wings and we lost our hearts to impossible things Unbelievable thoughts, unsensible ends for wizards and warriors might be friends. In a world where impossible things are true, I don't know why we forgot the spell when we lost the way how the forest fell but now we are old, we can vanish too. And I see once more the invisible track that will lead us home and take us back so find your wands and spread your wings I'll sing your love of impossible things and when you take my vanished hand, we'll both go back to that magic land where we lost our hearts several lifetimes ago when we were wizards, once.
Cressida Cowell (The Wizards of Once (The Wizards of Once, #1))
It may merely be apocryphal that when the Wizard saw the glass bottle he gasped, and clutched his heart. The story is told in so many ways, depending on who is doing the telling, and what needs to be heard at the time. It is a matter of history, however, that shortly thereafter, the Wizard absconded from the Palace. He left in the way he had first arrived-- a hot-air balloon-- just a few hours before seditious ministers were to lead a Palace revolt and to hold an execution without trial.
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
Come closer, my dears, let me give you a warning, Of the fate that befalls those who stay out past morning, In the darkest hours before the dawn, When witches roam and demons spawn, And children die with spirit gone, Magicked away in the gloaming.
Nenia Campbell (Wishing Stars: Space Opera Fairytales)
Não importava que Deus no céu fosse católico, protestante ou hindu. O que importava era uma coisa mais profunda, mais antiga e mais forte do que qualquer imagem dessas: um conceito do bem baseado na afirmação da vida, na repulsa à destruição, à perversidade, ao uso e abuso do homem pelo homem. Era a afirmação do humano e do natural.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
It was then between one o'clock in the morning and half-past that hour; the sky soon cleared a bit before me, and the lunar crescent peeped out from behind the clouds - that sad crescent of the last quarter of the moon. The crescent of the new moon, that which rises at four or five o'clock in the evening, is clear, bright and silvery; but that which rises after midnight is red, sinister and disquieting; it is the true crescent of the witches' Sabbath: all night-walkers must have remarked the contrast. The first, even when it is as narrow as a silver thread, projects a cheery ray, which rejoices the heart, and casts on the ground sharply defined shadows; while the latter reflects only a mournful glow, so wan that the shadows are bleared and indistinct. ("Who Knows?")
Guy de Maupassant (Ghostly By Gaslight)
And it isn’t only that I don’t believe it. I can’t. “I can’t believe it because my reason tells me that such a system, in which anyone dictates our every move—be it a god, or a devil, or our subconscious mind, or our tyrannical genesis simply impossible. “Life itself must be founded upon the infinite possibility for choice and accident. And if we cannot prove that it is, we must believe that it is. We must believe that we can change, that we can control, that we can direct our own destinies.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
I believe in Free Will, the Force Almighty by which we conduct ourselves as if we were the sons and daughters of a just and wise God, even if there is no such Supreme Being. And by free will, we can choose to do good on this earth, no matter that we all die, and do not know where we go when we die, or if a justice or explanation awaits us. I believe that we can, through our reason, know what good is, and in the communion of men and women, in which the forgiveness of wrongs will always be more significant than the avenging of them, and that in the beautiful natural world that surrounds us, we represent the best and the finest of beings, for we alone can see that natural beauty, appreciate it, learn from it, weep for it, and seek to conserve it and protect it. I believe finally that we are the only true moral force in the physical world, the makers of, ethics and moral ideas, and that we must be as good as the gods we created in the past to guide us. I believe that through our finest efforts, we will succeed finally in creating heaven on earth, and we do it every time that we love, every time that we embrace, every time that we commit to create rather than destroy, every time that we place life over death, and the natural over what is unnatural, insofar as we are able to define it. And I suppose I do believe in the final analysis that a peace of mind can be obtained in the face of the worst horrors and the worst losses. It can be obtained by faith in change and in will and in accident and by faith in ourselves, that we will do the right thing, more often than not, in the face of adversity. For ours is the power and the glory, because we are capable of visions and ideas which are ultimately stronger and more enduring than we are. That is my credo. That is my belief, for what it's worth, and it sustains me. And if I were to die right now, I wouldn't be afraid. Because I can't believe that horror or chaos awaits us. If any revelation awaits us at all, it must be as good as our ideals and our philosophy. For surely nature must embrace the visible and the invisible, and it couldn't fall short of us. The thing that makes the flowers open and the snowflakes fall must contain a wisdom and a final secret as intricate and beautiful as the blooming camellia or the clouds gathering above, so white and so pure in the blackness. If that isn't so, then we are in the grip of a staggering irony. And all the spooks of hell might as well dance. There could be a devil. People who burn other people to death are fine. There could be anything. But the world is simply to beautiful for that. At least it seems that way to me.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
The wind swoops over the tenements on Orchard Street, where some of those starry-eyed dreams have died and yet other dreams are being born into squalor and poverty, an uphill climb. It gives a slap to the laundry stretched on lines between tenements, over dirty, broken streets where, even at this hour, hungry children scour the bins for food. The wind has existed forever. It has seen much in this country of dreams and soap ads, old horrors and bloodshed. It has played mute witness to its burning witches, and has walked along a Trail of Tears; it has seen the slave ships release their human cargo, blinking and afraid, into the ports, their only possession a grief they can never lose.
Libba Bray (The Diviners (The Diviners, #1))
Christmas Day has come and gone, the New Year lies ahead. Strange things happen Between the Years, in the days outside of time. Minutes go wild, hours vanish. Idleness becomes a clever thief, stealing the names of the days of the week, muting the steady tick of watches and clocks. These are the hours when angels, ghosts, demons and meddlers ride howling wind and flickering candlelight, keen to stir unguarded hearts and restless minds.
Ami McKay (Half Spent Was the Night (Witches of New York, #2))
He got away with those affairs because he was never inattentive to Ellie. Some of the other guys around here should take a lesson from that. What women hate is when you turn cold to them. If you treat them like queens, they’ll let you have a concubine or two outside the palace.
Anne Rice (The Mayfair Witches Series Bundle: Witching Hour, Lasher, Taltos (Lives of Mayfair Witches))
But to think there was meaning, a scheme to things, well, that was quite beyond her philosophical reach. She feared as she always had, that all that was ever meant was loneliness, hard work, striving to make a difference when no difference could possibly be made. It was like dipping a stick into the ocean and trying to write something – all the little people of the world spinning out little patterns that lasted no more than a few years, and meant nothing at all.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
She was someone who heard each grain in the hour-glass, she felt the passing seconds like sandpaper against her softest skin. Time actually seemed to hurt her, and people helped her get through it. [..] Sometimes it seemed to Nathan that her life was just that, a feat of held breath, just another ten seconds, just another five, and then death would flood her lungs like water, a string of glass bubbles to the surface and then nothing. She was scared in a way that he could understand. The kind of fear that sends you running across a six-lane highway or jumping into rapids. She was someone who ran towards her fear, screaming. Who tried to frighten it. Who, in another period of history, would have been worshipped as a saint or burned as a witch.
Rupert Thomson (The Five Gates of Hell)
All over the world there are human beings with exceptional powers,” Aaron was saying, “but you are one of the rarest because you have found a way to use your power for good. You don’t gaze into a crystal ball for dollar bills, Rowan. You heal. Can you bring him into that with you? Or will he take you away from it forever? Will he draw your power off into the creation of some mutant monster that the world does not want and cannot abide? Destroy him, Rowan. For your own sake. Not for mine. Destroy him for what you know is right.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
The Constitution? What, exactly, do you think the Constitution is? A magic spell? A dragon, perhaps, that will swoop down to defend you in your most desperate hour?” Cleo straightens in her seat. Juniper doesn’t think she’s ever seen a face so full of scorn. “I assure you it has only ever been a piece of paper, and it has only ever applied to a very few persons.
Alix E. Harrow (The Once and Future Witches)
I heard the first raindrops strike the porch roof beneath her. I felt them on my face: I saw the trees begin to move in their fury. And I heard the wind, wailing as if he were wailing, lashing the trees and crying in his grief as he had on the death of my mother, and on the death of her mother. Yes, it was a storm for the death of the witch, and I was the witch. And it was my death and my storm.
Anne Rice (Lasher (Lives of the Mayfair Witches, #2))
When he speaks into your ear so that no one can hear, he will say he is your slave, that he’s passed to you from Deirdre. But it’s a lie, my dear, a vicious lie. He’ll make you his and drive you mad if you refuse to do his will. That is what he’s done to them all.’ She stopped, her wrinkled brows tightening, her eyes drifting off across the dusty surface of the table. ‘Except for those who were strong enough to rein him in and make him the slave he claimed to be, and use him for their own ends… ’ Her voice trailed off. ‘Their own endless wickedness.
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
Dad was standing in front of the big windows when I got to the library, his hands clasped behind his back in the classic "I am so disappointed in my offspring" pose. "Dad? Um,Lara said you wanted to see me." He turned around, his mouth a hard line. "Yes.Did you have a nice time with Daisy and Nick last night?" I fought the urge to reach into my pocket and touch the coin. "Not particularly." He didn't say anything, so we just stared at each other until I started feeling fidgety. "Look, if you're going to punish me, I'd really rather just get it over with." Dad kept staring. "Would you like to know how I spent my evening? Well, not evening, really, so much as very early morning hours." Inwardly, I groaned. Mrs. Casnoff sometimes pulled this maneuver: she'd say she wasn't mad, and then proceeded to list all the ways my screwup had inconvenience her. Maybe they taught it at those fancy schools nonreject Prodigium got to go to. "Sure." "I spent those hours on the phone. Do you know with whom?" "One of those psychic hotlines?" Dad gritted his teeth. "If only. No, I was busy assuring no less than thiry influential witches, warlocks, shifters, and faeries that surely, my daughter-the future head of the Council, I should add-had not injured over a dozen innocent Prodigum while attempting to escape a nightclub during a raid by L'Occhio di Dio." "I didn't hurt them!" I exclaimed. Then I remembered just how hard they had hit the wall, and winced. "Well, not on purpose," I amended.
Rachel Hawkins (Demonglass (Hex Hall, #2))
He’ll take from your mind the answer best suited to lead you on, to enthrall you. He’ll weave a web of deceits so thick you won’t see the world through it. He wants your strength and he’ll say what he must say to get it. Break the chain, child! You’re the strongest of them all! Break the chain and he’ll go back to hell for he has no other place to go in all the wide world to find strength like yours. Don’t you see? He’s created it. Bred sister to brother, and uncle to niece, and son to mother, yes, that too, when he had to do it, to make an ever more powerful witch, only faltering now and then, and gaining what he lost in one generation by even greater strength in the next. What was the cost of Antha and Deirdre if he could have a Rowan!
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
What is important is not what is said, but that some talk be continually going on. Silence is the great crime, for silence is lonely and frightening. One shouldn’t feel much, nor put much meaning into what one says: what you say seems to have more effect if you don’t try to understand. One has the strange impression that these people are all afraid of something—what is it? It is as if the “yatata” were a primitive tribal ceremony, a witch dance calculated to appease some god. There is a god, or rather a demon, they are trying to appease: it is the specter of loneliness which hovers outside like the fog drifting in from the sea. One will have to meet this specter’s leering terror for the first half-hour one is awake in the morning anyway, so let one do everything possible to keep it away now.
Rollo May (Man's Search for Himself)
We were born and brought up with the maxim that 'time is money'. We know exactly what money is, but what does the word time mean? The day is made up of twenty-four hours and an infinite number of moments. We need to be aware of those moments and to make the most of them regardless of whether we're busy doing something or merely contemplating life. If we slow down, everything lasts much longer. Of course, that means that washing the dishes might last longer, as might totting up the debits and credits on a balance sheet or checking promissory notes, but why not use that time to think about pleasant things and to feel glad simply to be alive?
Paulo Coelho (The Witch of Portobello)
This quick foray onto the toilet has been no different an endeavor than any other time I’ve used the restroom in my adult life. Try then to imagine my surprise when instead of the waste going down the u-bend like the thousands of times previous, the bowl’s contents go not gentle into that good night. Instead, they shoot directly up at me . . . at approximately 80 miles an hour. As I leap backward, slamming into the glass shower door, the only thought going through my now-banged head is, When did I eat corn?" Pretty in Plaid: A Life, a Witch, and a Wardrobe, or, the Wonder Years Before the Condescending, Egomanical, Self-Centered Smart-Ass Phase
Jen Lancaster
The Gypsy’S Song* Come, cross my hand! My art surpasses All that did ever Mortal know; Come, Maidens, come! My magic glasses* Your future Husband’s form can show: For ’tis to me the power is given Unclosed the book of Fate to see; To read the fixed resolves of heaven, And dive into futurity. I guide the pale Moon’s silver waggon; The winds in magic bonds I hold; I charm to sleep the crimson Dragon, Who loves to watch o’er buried gold: Fenced round with spells, unhurt I venture Their sabbath strange where Witches keep; Fearless the Sorcerer’s circle enter, And woundless tread on snakes asleep. Lo! Here are charms of mighty power! This makes secure an Husband’s truth; And this composed at midnight hour Will force to love the coldest Youth: If any Maid too much has granted, Her loss this Philtre* will repair; This blooms a cheek where red is wanted, And this will make a brown girl fair! Then silent hear, while I discover What I in Fortune’s mirror view; And each, when many a year is over, Shall own the Gypsy’s sayings true.
Matthew Gregory Lewis (The Monk)
So these Kings and Queens entered the thicket, and before they had gone a score of paces, they all remembered that the thing they had seen was called a lamppost, and before they had gone twenty more, they noticed that they were making their way not through branches but through coats. And next moment they all came tumbling out of a wardrobe door into the empty room, and they were no longer Kings and Queens in their hunting array but just Peter, Susan, Edmund, and Lucy in their old clothes. It was the same day and the same hour of the day on which they had all gone into the wardrobe to hide. Mrs. Macready and the visitors were still talking I the passage; but luckily they never came into the empty room and so the children weren’t caught. And that would have been the very end of the story if it hadn’t been that they felt they really must explain to the Professor why four of the coats out of his wardrobe were missing. And the Professor, who was a very remarkable man, didn’t tell them not to be silly or not to tell lies, but believed the whole story. “No,” he said, “I don’t think it will be any good trying to go back through the wardrobe door to get the coats. You won’t get into Narnia again by that route. Nor would the coats be much use by now if you did! Eh? What’s that? Yes, of course you’ll get back to Narnia again someday. Once a King in Narnia, always a King in Narnia. But don’t go trying to use the same route twice. Indeed, don’t try to get there at all. It’ll happen when you’re not looking for it. And don’t talk too much about it even among yourselves. And don’t mention it to anyone else unless you find that they’ve had adventures of the same sort themselves. What’s that? How will you know? Oh, you’ll know all right. Odd things they say--even their looks--will let the secret out. Keep your eyes open. Bless me, what do they teach them at these schools?” And that is the very end of the adventures of the wardrobe. But if the Professor was right, it was only the beginning of the adventures of Narnia.
C.S. Lewis (The Chronicles of Narnia The Lion, the Witch & the Wardrobe)
Newton Pulsifer had never had a cause in his life. Nor had he, as far as he knew, ever believed in anything. It had been embarrassing, because he quite wanted to believe in something, since he recognized that belief was the lifebelt that got most people through the choppy waters of Life. He’d have liked to believe in a supreme God, although he’d have preferred a half-hour’s chat with Him before committing himself, to clear up one or two points. He’d sat in all sorts of churches, waiting for that single flash of blue light, and it hadn’t come. And then he’d tried to become an official Atheist and hadn’t got the rock-hard, self-satisfied strength of belief even for that. And every single political party had seemed to him equally dishonest. And he’d given up on ecology when the ecology magazine he’d been subscribing to had shown its readers a plan of a self-sufficient garden, and had drawn the ecological goat tethered within three feet of the ecological beehive. Newt had spent a lot of time at his grandmother’s house in the country and thought he knew something about the habits of both goats and bees, and concluded therefore that the magazine was run by a bunch of bib-overalled maniacs. Besides, it used the word “community” too often; Newt had always suspected that people who regularly used the word “community” were using it in a very specific sense that excluded him and everyone he knew. Then he’d tried believing in the Universe, which seemed sound enough until he’d innocently started reading new books with words like Chaos and Time and Quantum in the titles. He’d found that even the people whose job of work was, so to speak, the Universe, didn’t really believe in it and were actually quite proud of not knowing what it really was or even if it could theoretically exist. To Newt’s straightforward mind this was intolerable. Newt had not believed in the Cub Scouts and then, when he was old enough, not in the Scouts either. He was prepared to believe, though, that the job of wages clerk at United Holdings [Holdings] PLC, was possibly the most boring in the world. This is how Newton Pulsifer looked as a man: if he went into a phone booth and changed, he might manage to come out looking like Clark Kent.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
I didn’t answer, occupied in dissolving the penicillin tablets in the vial of sterile water. I selected a glass barrel, fitted a needle, and pressed the tip through the rubber covering the mouth of the bottle. Holding it up to the light, I pulled back slowly on the plunger, watching the thick white liquid fill the barrel, checking for bubbles. Then pulling the needle free, I depressed the plunger slightly until a drop of liquid pearled from the point and rolled slowly down the length of the spike. “Roll onto your good side,” I said, turning to Jamie, “and pull up your shirt.” He eyed the needle in my hand with keen suspicion, but reluctantly obeyed. I surveyed the terrain with approval. “Your bottom hasn’t changed a bit in twenty years,” I remarked, admiring the muscular curves. “Neither has yours,” he replied courteously, “but I’m no insisting you expose it. Are ye suffering a sudden attack of lustfulness?” “Not just at present,” I said evenly, swabbing a patch of skin with a cloth soaked in brandy. “That’s a verra nice make of brandy,” he said, peering back over his shoulder, “but I’m more accustomed to apply it at the other end.” “It’s also the best source of alcohol available. Hold still now, and relax.” I jabbed deftly and pressed the plunger slowly in. “Ouch!” Jamie rubbed his posterior resentfully. “It’ll stop stinging in a minute.” I poured an inch of brandy into the cup. “Now you can have a bit to drink—a very little bit.” He drained the cup without comment, watching me roll up the collection of syringes. Finally he said, “I thought ye stuck pins in ill-wish dolls when ye meant to witch someone; not in the people themselves.” “It’s not a pin, it’s a hypodermic syringe.” “I dinna care what ye call it; it felt like a bloody horseshoe nail. Would ye care to tell me why jabbing pins in my arse is going to help my arm?” I took a deep breath. “Well, do you remember my once telling you about germs?” He looked quite blank. “Little beasts too small to see,” I elaborated. “They can get into your body through bad food or water, or through open wounds, and if they do, they can make you ill.” He stared at his arm with interest. “I’ve germs in my arm, have I?” “You very definitely have.” I tapped a finger on the small flat box. “The medicine I just shot into your backside kills germs, though. You get another shot every four hours ’til this time tomorrow, and then we’ll see how you’re doing.” I paused. Jamie was staring at me, shaking his head. “Do you understand?” I asked. He nodded slowly. “Aye, I do. I should ha’ let them burn ye, twenty years ago.
Diana Gabaldon (Voyager (Outlander, #3))