Hour Of The Bees Quotes

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I wanted to go on sitting there, not talking, not listening to the others, keeping the moment precious for all time, because we were peaceful all of us, we were content and drowsy even as the bee who droned above our heads. In a little while it would be different, there would come tomorrow, and the next day and another year. And we would be changed perhaps, never sitting quite like this again. Some of us would go away, or suffer, or die, the future stretched away in front of us, unknown, unseen, not perhaps what we wanted, not what we planned. This moment was safe though, this could not be touched. Here we sat together, Maxim and I, hand-in-hand, and the past and the future mattered not at all. This was secure, this funny little fragment of time he would never remember, never think about again…For them it was just after lunch, quarter-past-three on a haphazard afternoon, like any hour, like any day. They did not want to hold it close, imprisoned and secure, as I did. They were not afraid.
Daphne du Maurier (Rebecca)
Biology The film turns out to be about bees. It is a film about a bee center. How crap is this going to be? An hour later That was the best thing I have seen for ages. We made Miss Wilson rewind the bit where the two queens were having a bitch fight.
Louise Rennison (Love Is a Many Trousered Thing (Confessions of Georgia Nicolson, #8))
Stories don't end," he says. "They just turn into new beginnings." (pg. 123)
Lindsay Eagar (Hour of the Bees)
They say that in the hour before an earthquake the clouds hang leaden in the sky, the winds slows to a hot breath, and the birds fall quiet in the trees of the town square. Yes but these are the same portents that precede lunchtime, frankly.
Chris Cleave (Little Bee)
Miracles do happen. You must believe this. No matter what else you believe about life, you must believe in miracles. Because we are all, every one of us, living on a round rock that spins around and around at almost a quarter of a million miles per hour in an unthinkably vast blackness called space. There is nothing else like us for as far as our telescopic eyes can see. In a universe filled with spinning, barren rocks, frozen gas, ice, dust, and radiation, we live on a planet filled with soft, green leaves and salty oceans and honey made from bees, which themselves live within geometrically complex and perfect structures of their own architecture and creation. In our trees are birds whose songs are as complex and nuanced as Beethoven’s greatest sonatas. And despite the wild, endless spinning of our planet and its never-ending orbit around the sun–itself a star on fire–when we pour water into a glass, the water stays in the glass. All of these are miracles.
Augusten Burroughs (This Is How: Proven Aid in Overcoming Shyness, Molestation, Fatness, Spinsterhood, Grief, Disease, Lushery, Decrepitude & More. For Young and Old Alike.)
It is a big world, full of things that steal your breath and fill your belly with fire...But where you go when you leave isn't as important as where you go when you come home.
Lindsay Eagar (Hour of the Bees)
Things are only impossible if you stop to think about them.
Lindsay Eagar (Hour of the Bees)
She'd call us her bee-utiful girls and take us for hot chocolate on Mondays, because Fridays didn't deserve all the attention. It was funny. I used to think of myself as a Monday and Ellen as a Friday. But Mondays and Fridays were just twenty-four-hour stretches of time with different names.
Julie Murphy (Dumplin' (Dumplin', #1))
What's scarier than death? Not living.
Lindsay Eagar (Hour of the Bees)
How doth the little busy bee Improve each shining hour, And gather honey all the day From every opening flower!
Isaac Watts (Divine and Moral Songs for Children)
Surely there was some divine trick to make the hours go faster. To let them slip past unseen, to sleep for years, so that when I woke again the world would be new. I closed my eyes. Through the window I heard the bees singing in the garden. My lion’s tail beat against the stones. An eternity later, when I opened my eyes, the shadows had not even moved.
Madeline Miller (Circe)
You inherit white heather, a bee's wing, Two suicides, the family wolves, Hours of blankness.
Sylvia Plath (Plath: Poems)
Do not be afraid to live and you will not be afraid to die.
Lindsay Eagar (Hour of the Bees)
What shall I give? and which are my miracles? 2. Realism is mine--my miracles--Take freely, Take without end--I offer them to you wherever your feet can carry you or your eyes reach. 3. Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at the table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sundown--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best--mechanics, boatmen, farmers, Or among the savans--or to the _soiree_--or to the opera. Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct and in its place. 4. To me, every hour of the light and dark is a miracle, Every inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every cubic foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?
Walt Whitman (Leaves of Grass)
Eternity is in love with the productions of time. The busy bee has no time for sorrow. The hours of folly are measur’d by the clock, but of wisdom: no clock can measure.
William Blake (Complete Works of William Blake)
The queen, for the most part, is the unifying force of the community, if she removed from the hive, the workers very quickly sense her absence. After a few hours, or even less, they show unmistakable signs of queenlessness.
Sue Monk Kidd (The Secret Life of Bees)
Do the bees know they make the honey for you? Or do they work tirelessly because they think it is their own choice? Have you never noticed that, after hearing a new word for the first time in your life, you’ll hear it again within twenty-four hours? Do you ever wonder why sometimes you’ll see a single shoe lying along the road?
David Wong (John Dies at the End (John Dies at the End #1))
The Telephone When I was just as far as I could walk From here today There was an hour All still When leaning with my head against a flower I heard you talk. Don't say I didn't for I heard you say You spoke from that flower on the window sill- Do you remember what it was you said ' 'First tell me what it was you thought you heard.' 'Having found the flower and driven a bee away I leaned my head And holding by the stalk I listened and I thought I caught the word What was it Did you call me by my name Or did you say Someone said "Come" I heard it as I bowed.' 'I may have thought as much but not aloud.' Well so I came.
Robert Frost (The Poetry of Robert Frost)
When a loved one is sick, the days are long, but the years are short.
Lindsay Eagar (Hour of the Bees)
We may not know what lies ahead of us in the future years, nor even in the days or hours immediately beyond. But for a few yards, or possibly only a few feet, the track is clear, our duty is plain, our course is illumined. For that short distance, for the next step, lighted by the inspiration of God, go on! ("Three Parables—The Unwise Bee, the Owl Express, and Two Lamps", Ensign, Feb. 2003, 8 - https://new.lds.org/ensign/2003/02/th...)
James E. Talmage
ALTERNATE UNIVERSE IN WHICH I AM UNFAZED BY THE MEN WHO DO NOT LOVE ME when the businessman shoulder checks me in the airport, i do not apologize. instead, i write him an elegy on the back of a receipt and tuck it in his hand as i pass through the first class cabin. like a bee, he will die after stinging me. i am twenty-four and have never cried. once, a boy told me he doesn’t “believe in labels” so i embroidered the word chauvinist on the back of his favorite coat. a boy said he liked my hair the other way so i shaved my head instead of my pussy. while the boy isn’t calling back, i learn carpentry, build a desk, write a book at the desk. i taught myself to cum from counting ceiling tiles. the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it. my mother says this is not the meaning of unfazed. when the boy says i curse too much to be pretty and i tattoo “cunt” on my inner lip, my mother calls this “being very fazed.” but left over from the other universe are hours and hours of waiting for him to kiss me and here, they are just hours. here, they are a bike ride across long island in june. here, they are a novel read in one sitting. here, they are arguments about god or a full night’s sleep. here, i hand an hour to the woman crying outside of the bar. i leave one on my best friend’s front porch, send my mother two in the mail. i do not slice his tires. i do not burn the photos. i do not write the letter. i do not beg. i do not ask for forgiveness. i do not hold my breath while he finishes. the man tells me he does not love me, and he does not love me. the man tells me who he is, and i listen. i have so much beautiful time.
Olivia Gatwood (New American Best Friend)
Twelve is the border between childhood and old.
Lindsay Eagar (Hour of the Bees)
The afternoon was dragging towards its mellow hour. The sun was deepening the gold of its lances, the bees were going home and the birds were flying past less often.
Frances Hodgson Burnett (The Secret Garden)
I marveled at how mixed up people got when it came to love. I myself, for instance. It seemed like I was now thinking of Zach forty minutes out of every hour, Zach, who was an impossibility. That's what I told myself five hundred times: impossibility. I can tell you this much: the word is a great big log throw on the fires of love.
Sue Monk Kidd (The Secret Life of Bees)
Last Will Prologue: We, Sacco and Vanzetti, sound of body and mind, Devise and bequeath to all we leave behind, The worldly wealth we inherited at our birth, Each one to share alike as we leave this earth. To Wit: To babies we will their mothers’ love, To youngsters we will the sun above. To spooners who wont to tryst the night, We give the moon and stars that shine so bright. To thrill them in their hours of joy, When boy hugs maid and maid hugs boy. To nature’s creatures we allot the spring and summer, To the doe, the bear, the gold-finch and the hummer. To the fishes we ascribe the deep blue sea, The honey we apportion to the bustling bee. To the pessimist—good cheer—his mind to sooth, To the chronic liar we donate the solemn truth. And Lastly: To those who judge solely seeking renown, With blaring trumpets of the fakir and clown; To the prosecutor, persecutor, and other human hounds, Who’d barter another’s honor, recognizing no bounds, To the Governor, the Jury, who another’s life they’d sell— We endow them with the fiery depths of HELL! (Industrial Worker, Aug. 20, 1927)
Nicola Sacco
The busy bee has no time for sorrow. The hours of folly are measur’d by the clock, but of wisdom: no
William Blake (Complete Works of William Blake)
Dad and I had only talked about boys once before when he said something about birds and bees and then he told me it was just natural and I asked what was just natural and he said s-e-x and I’d freaked out, run to my room, slammed the door, and watched PBS for three hours just so I could feel wholesome again.
Megan Jean Sovern (The Meaning of Maggie: A Novel)
A Faint Music by Robert Hass Maybe you need to write a poem about grace. When everything broken is broken, and everything dead is dead, and the hero has looked into the mirror with complete contempt, and the heroine has studied her face and its defects remorselessly, and the pain they thought might, as a token of their earnestness, release them from themselves has lost its novelty and not released them, and they have begun to think, kindly and distantly, watching the others go about their days— likes and dislikes, reasons, habits, fears— that self-love is the one weedy stalk of every human blossoming, and understood, therefore, why they had been, all their lives, in such a fury to defend it, and that no one— except some almost inconceivable saint in his pool of poverty and silence—can escape this violent, automatic life’s companion ever, maybe then, ordinary light, faint music under things, a hovering like grace appears. As in the story a friend told once about the time he tried to kill himself. His girl had left him. Bees in the heart, then scorpions, maggots, and then ash. He climbed onto the jumping girder of the bridge, the bay side, a blue, lucid afternoon. And in the salt air he thought about the word “seafood,” that there was something faintly ridiculous about it. No one said “landfood.” He thought it was degrading to the rainbow perch he’d reeled in gleaming from the cliffs, the black rockbass, scales like polished carbon, in beds of kelp along the coast—and he realized that the reason for the word was crabs, or mussels, clams. Otherwise the restaurants could just put “fish” up on their signs, and when he woke—he’d slept for hours, curled up on the girder like a child—the sun was going down and he felt a little better, and afraid. He put on the jacket he’d used for a pillow, climbed over the railing carefully, and drove home to an empty house. There was a pair of her lemon yellow panties hanging on a doorknob. He studied them. Much-washed. A faint russet in the crotch that made him sick with rage and grief. He knew more or less where she was. A flat somewhere on Russian Hill. They’d have just finished making love. She’d have tears in her eyes and touch his jawbone gratefully. “God,” she’d say, “you are so good for me.” Winking lights, a foggy view downhill toward the harbor and the bay. “You’re sad,” he’d say. “Yes.” “Thinking about Nick?” “Yes,” she’d say and cry. “I tried so hard,” sobbing now, “I really tried so hard.” And then he’d hold her for a while— Guatemalan weavings from his fieldwork on the wall— and then they’d fuck again, and she would cry some more, and go to sleep. And he, he would play that scene once only, once and a half, and tell himself that he was going to carry it for a very long time and that there was nothing he could do but carry it. He went out onto the porch, and listened to the forest in the summer dark, madrone bark cracking and curling as the cold came up. It’s not the story though, not the friend leaning toward you, saying “And then I realized—,” which is the part of stories one never quite believes. I had the idea that the world’s so full of pain it must sometimes make a kind of singing. And that the sequence helps, as much as order helps— First an ego, and then pain, and then the singing
Robert Hass (Sun under Wood)
The roots of a tree stretch deeper than you think...No matter how far away you are when you bloom, you are always tied to your roots.
Lindsay Eagar (Hour of the Bees)
Oh that it were with me As with the flower; Blooming on its own tree For butterfly and bee Its summer morns: That I might bloom mine hour A rose in spite of thorns.
Christina Rossetti
Over the years, I’d seen a lot of sweet, amiable, biddable patients, who succumbed within hours to their ailments. The angry, irascible, difficult sons of bitches (of either sex) almost always survived.
Diana Gabaldon (Go Tell the Bees that I Am Gone (Outlander, #9))
The Awakening I dreamed that I was a rose That grew beside a lonely way, Close by a path none ever chose, And there I lingered day by day. Beneath the sunshine and the show’r I grew and waited there apart, Gathering perfume hour by hour, And storing it within my heart, Yet, never knew, Just why I waited there and grew. I dreamed that you were a bee That one day gaily flew along, You came across the hedge to me, And sang a soft, love-burdened song. You brushed my petals with a kiss, I woke to gladness with a start, And yielded up to you in bliss The treasured fragrance of my heart; And then I knew That I had waited there for you.
James Weldon Johnson (Complete Poems (Penguin Twentieth-Century Classics))
Robin Hood. To a Friend. No! those days are gone away, And their hours are old and gray, And their minutes buried all Under the down-trodden pall Ofthe leaves of many years: Many times have winter's shears, Frozen North, and chilling East, Sounded tempests to the feast Of the forest's whispering fleeces, Since men knew nor rent nor leases. No, the bugle sounds no more, And the twanging bow no more; Silent is the ivory shrill Past the heath and up the hill; There is no mid-forest laugh, Where lone Echo gives the half To some wight, amaz'd to hear Jesting, deep in forest drear. On the fairest time of June You may go, with sun or moon, Or the seven stars to light you, Or the polar ray to right you; But you never may behold Little John, or Robin bold; Never one, of all the clan, Thrumming on an empty can Some old hunting ditty, while He doth his green way beguile To fair hostess Merriment, Down beside the pasture Trent; For he left the merry tale, Messenger for spicy ale. Gone, the merry morris din; Gone, the song of Gamelyn; Gone, the tough-belted outlaw Idling in the "grene shawe"; All are gone away and past! And if Robin should be cast Sudden from his turfed grave, And if Marian should have Once again her forest days, She would weep, and he would craze: He would swear, for all his oaks, Fall'n beneath the dockyard strokes, Have rotted on the briny seas; She would weep that her wild bees Sang not to her---strange! that honey Can't be got without hard money! So it is; yet let us sing Honour to the old bow-string! Honour to the bugle-horn! Honour to the woods unshorn! Honour to the Lincoln green! Honour to the archer keen! Honour to tight little John, And the horse he rode upon! Honour to bold Robin Hood, Sleeping in the underwood! Honour to maid Marian, And to all the Sherwood clan! Though their days have hurried by Let us two a burden try.
John Keats
Snake's Lullaby Brother, sister, flick your tongue and taste the flakes of autumn sun. Use these last few hours of gold to travel, travel toward the cold. Before your coils grow stiff and dull, your heartbeat slows to winter's lull, seek the sink of sheltered stones that safely cradle sleeping bones. Brother, sister, find the ways back to the deep and tranquil bays, and 'round each other twist and fold to weave a heavy cloak of cold.
Joyce Sidman (Winter Bees & Other Poems of the Cold)
Tuesday had come down through Dundrum and Foster Avenue, brine-fresh from sea-travel, a corn-yellow sun-drench that called forth the bees at an incustomary hour to their day of bumbling. Small house-flies performed brightly in the embrasures of the windows, whirling without fear on imaginary trapezes in the lime-light of the sun-slants.
Flann O'Brien (At Swim-Two-Birds)
When we lament the decline of time spent on cooking, we need to be clear what it is that we are lamenting. Many of the female cooks who devoted so many hours to preparing food in the past did so because they did not think their own time was worth much.
Bee Wilson (The Way We Eat Now: Strategies for Eating in a World of Change)
Busie olde foole, unruly Sunne; Why dost thou thus, Through windowes, and through curtaines call on us? Must to they motions lovers seasons run? Sawcy pedantique wretch, goe chide Late schoole boyes, and sowre prentices, Goe tell Court-huntsmen, that the King will ride, Call countrey ands to harvest offices; Love, all alike, no season knows, nor clyme, Nor houres, dayes, months, which are the rags of time. Thy beames, so reverend, and strong Why shouldst thou thinke? I could eclipse and cloud them with a winke, But that I would not lose her sight so long: If her eyes have not blinded thine Looke, and tomorrow late, tell mee, Whether both the India's of spice and Myne Be where thou leftst them, or lie here with mee. Aske for those Kings whom thou saw'st yesterday, And thou shalt heare, All here in one bed lay. She'is all States, and all Princes, I, Nothing else is; Princes doe but play us; compar'd to this, All honor's mimique; All wealth alchimie, Thou sunne art halfe as happy'as wee, In that the world's contracted thus; Thine ages askes ease, and since thy duties bee To warme the world, that's done in warming us. Shine here to us, and thou art every where; This bed thy center is, these walls, thy spheare.
John Donne
The empty hours of the night do not pass unnoticed, because in their unrelenting cruelty, they do not allow one to rest; they force one to think, and they demand a great deal. Because it is at night that fear is most frightening, yes, but it is also when sorrow becomes deeper and one regrets what one did or did not do more.
Sofía Segovia (The Murmur of Bees)
I intend to extract a kiss from those bee-stung lips of yours for every minute of that time—when the time is right. I will kiss you till you beg for mercy. Then I’ll kiss you elsewhere, right between your legs. I intend to eat you for hours, until you beg for my cock. And then I will fuck you until you pass out from screaming my name. And if you think those are just words, that I don’t intend to rock your fucking world, then I feel sorry for you. Because the reality will blow your goddamn mind.
Zara Cox (High (Indigo Lounge, #1))
More word salad. Even when he seems just fine, the dementia simmers underneath, waiting to burst out.
Lindsay Eagar (Hour of the Bees)
The patchy starlight gives every one of his bee-sting scars its own shadow, so his face mirrors the desert landscape: bursts of scrub and rocks, miles of flat.
Lindsay Eagar (Hour of the Bees)
You want to apologize now that I'm dying. But death is not a reason to do anything. Life, mi cielo. Life is the reason to do everything.
Lindsay Eagar (Hour of the Bees)
The empty hours of the night do not pass unnoticed, because in their unrelenting cruelty, they do not allow one to rest; they force one to think, and they demand a great deal.
Sofía Segovia (The Murmur of Bees)
Some things that fly there be, — Birds, hours, the bumble-bee:
Emily Dickinson (The Poems of Emily Dickinson)
To Autumn" Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For summer has o'er-brimm'd their clammy cells. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drows'd with the fume of poppies, while thy hook Spares the next swath and all its twined flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings hours by hours. Where are the songs of spring? Ay, Where are they? Think not of them, thou hast thy music too,— While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies.
John Keats (To Autumn)
THERE IS ONE type of honey you should avoid at all costs. Mad honey comes from bees that forage on rhododendrons and mountain laurel, and it’s full of poisonous grayanotoxins. It causes dizziness, nausea and vomiting, convulsions, cardiac disorders, and more. Symptoms last for twenty-four hours, and although rarely, if left untreated, can be fatal. It has been used in biological warfare as far back as 399
Jodi Picoult (Mad Honey)
The queen, for her part, is the unifying force of the community; if she is removed from the hive, the workers very quickly sense her absence. After a few hours, or even less, they show unmistakable signs of queenlessness.
Sue Monk Kidd (The Secret Life of Bees: The stunning multi-million bestselling novel about a young girl's journey; poignant, uplifting and unforgettable)
This secluded spot was the haunt of thousands of honey bees that zimmed all through the warm days at their business. I could sit amongst the bees for hours on end and feel happy, although why they pleased me so I cannot tell.
Leonora Carrington (The Hearing Trumpet)
The queen, for her part, is the unifying force of the community; if she is removed from the hive, the workers very quickly sense her absence. After a few hours, or even less, they show unmistakable signs of queenlessness. —Man and Insects
Sue Monk Kidd (The Secret Life of Bees)
There is one hour in his life when we see a flash of utter physical action on Christ's part, an hour when this most curious of men must have experienced the sheer joyous exuberance of a young mammal in full flight: when he lets himself go and flings over the first money changer's table in the Temple at Jerusalem, coins flying, doves thrashing into the air, oxen bellowing, sheep yowling, the money changer going head-over-teakettle, all heads turning, what the...? You don't think Christ got a shot of utter childlike physical glee at that moment? Too late to stop now, his rage rushing to his head, his veiny carpenter's-son wiry arms and hard feet milling as he whizzes through the Temple overturning tables, smashing birdcages, probably popping a furious money-changer here and there with a quick left jab or a well-placed Divine Right Elbow to the money-lending teeth, whipping his scourge of cords against the billboard-size flank of an ox, men scrambling to get out of the way, to grab some of the flying coins, to get a punch in on this nutty rube causing all the ruckus... In all this holy rage and chaos, don't you think there was a little absolute boyish mindless physical jittery joy in the guy?
Brian Doyle (Credo: Essays on Grace, Altar Boys, Bees, Kneeling, Saints, the Mass, Priests, Strong Women, Epiphanies, a Wake, and the Haun)
Oh well,' said Jack: and then, 'Did you ever meet Bach?' 'Which Bach?' 'London Bach.' 'Not I.' 'I did. He wrote some pieces for my uncle Fisher, and his young man copied them out fair. But they were lost years and years ago, so last time I was in town I went to see whether I could find the originals: the young man has set up on his own, having inherited his master's music-library. We searched through the papers — such a disorder you would hardly credit, and I had always supposed publishers were as neat as bees — we searched for hours, and no uncle's pieces did we find. But the whole point is this: Bach had a father.' 'Heavens, Jack, what things you tell me. Yet upon recollection I seem to have known other men in much the same case.' 'And this father, this old Bach, you understand me, had written piles and piles of musical scores in the pantry.' 'A whimsical place to compose in, perhaps; but then birds sing in trees, do they not? Why not antediluvian Germans in a pantry?' 'I mean the piles were kept in the pantry. Mice and blackbeetles and cook-maids had played Old Harry with some cantatas and a vast great passion according to St Mark, in High Dutch; but lower down all was well, and I brought away several pieces, 'cello for you, fiddle for me, and some for both together. It is strange stuff, fugues and suites of the last age, crabbed and knotted sometimes and not at all in the modern taste, but I do assure you, Stephen, there is meat in it. I have tried this partita in C a good many times, and the argument goes so deep, so close and deep, that I scarcely follow it yet, let alone make it sing. How I should love to hear it played really well — to hear Viotti dashing away.
Patrick O'Brian (The Ionian Mission (Aubrey & Maturin #8))
Siesta becomes a ritual. We pull in the shutters, leaving the windows open. All over the house, ladders of light fall across the floor. If I am mad enough to take a walk after one-thirty, no one is out, not even a dog. The word torpor comes to mind. All shops close during the sacred three hours. If you need something for bee sting or allergy, too bad. Siesta is prime time for sex, too. Maybe this accounts for the Mediterranean temperament versus the northern; children conceived in the light and children conceived in the dark.
Frances Mayes (Under the Tuscan Sun: At Home in Italy)
(I know, it's a poem but oh well). Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sun-down--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best-- mechanics, boatmen, farmers, Or among the savans--or to the soiree--or to the opera, Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct, and in its place. To me, every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?
Walt Whitman
Not that parents are alone in their extreme behavior. That have more than enough company among school boards and high-ranking politicians who think if you "fix the schools, they'll fix the kids." So, in Gadsden, Alabama, school officials eliminated kindergarten nap time in 2003 so the children would have more test-prep time. Two hours away in Atlanta, school officials figured that if you eliminated recess, the kids will study more. And just in case those shifty teachers try to sneak it in, Atlanta started building schools without playgrounds. "We are intent on improving academic performance," said the superintendent. "You don't do that by having kids hanging on the monkey bars." Meanwhile, Georgia's governor wanted the state to give Mozart CDs to newborns because research showed Mozart improved babies' IQs (which later proved to be mythical research). Right behind him is Lincoln, Rhode Island, where they canceled the district spelling bee because only one child would win, leaving all others behind, thus violating the intent of No Child Left Behind--or, as they might say in Lincoln, no child gets ahead.
Jim Trelease (The Read-Aloud Handbook)
Dr. Cantú’s day had improved immeasurably. He was under no illusions: he knew that the miracle of Lázaro the Survivor did not mean the end of the infection and the deaths, especially after the hours the crowd had spent gathered together, talking and coexisting in close proximity.
Sofía Segovia (The Murmur of Bees)
It was, all in all, a grand example of interspecies lack of cooperation and the further illustration that might makes right. I stayed in the rest area, in my car, for another half an hour, until everything had settled down, and saw who emerged as the victor. The bees kept the water fountain.
Gary Paulsen (This Side of Wild: Mutts, Mares, and Laughing Dinosaurs)
There was once a town in the heart of America where all life seemed to live in harmony with its surroundings. The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines. Then foxes barked in the hills and deer silently crossed the fields, half hidden in the mists of the fall mornings. Along the roads, laurel, viburnum, and alder, great ferns and wildflowers delighted the traveler's eye through much of the year. Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them. Others came to fish the streams, which flowed clear and cold out of the hills and contained shady pools where trout lay. So it had been from the days many years ago when the first settlers raised their homes, sank their wells, and built their barns. Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens, the cattle, and sheep sickened and died. Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients. There had been sudden and unexplained deaths, not only among adults but even among children whoe would be stricken suddently while at play and die within a few hours. There was a strange stillness. The birds, for example--where had they gone? Many people spoke of them, puzzled and disturbed. The feeding stations in the backyards were deserted. The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was no sound; only silence lay over the fields and woods and marsh. On the farms the hens brooded, but no chicks hatched. The farmers complained that they were unable to raise any pigs--the litters were small and the young survived only a few days. The apple trees were coming into bloom but no bees droned among the blossoms, so there was no pollination and there would be no fruit. The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire. These, too, were silent, deserted by all living things. Even the streams were not lifeless. Anglers no longer visited them, for all the fish had died. In the gutters under the eaves and between the shingles of the roofs, a white granular powder still showed a few patches; some weeks before it had fallen like snow upon the roofs and the lawns, the fields and streams. No witchcraft, no enemy action had silenced the rebirth of life in this stricken world. The people had done it to themselves.
Rachel Carson
The night people, people like her, had melted back into their hiding places. Now the city was ruled by the day people. The sun was only just beginning to light up the world but already there were busy bees everywhere. Buzz, buzz, buzz out of my way, I have a life to live. I am important. I am someone special. People need me. The world needs me. Buzz, buzz, buzz. The people who had somewhere to go and something to do took brisk steps through the station. They walked with their elbows out, making sure no one got in their way. They were all talking into their phones, even at such an early hour. Making plans and exchanging ideas.
Nicole Trope (The Boy Under the Table)
I am a shadow now, alas! alas! Upon the skirts of human-nature dwelling Alone: I chant alone the holy mass, While little sounds of life are round me knelling, And glossy bees at noon do fieldward pass, And many a chapel bell the hour is telling, 310 Paining me through: those sounds grow strange to me, And thou art distant in Humanity.
John Keats (Complete Works of John Keats)
I have hated you in every hour that has gone by, I hate you so that I would happily give my life for your death, and happily go to my own doom if only I could witness yours, take you with me into the depths. When I let this hate free, I am almost overcome by it, but I cannot change this and do not really know how it could be otherwise. Let no one deprecate this, nor fool himself about the power of such hatred. Hate drives to reality. Hate is the father of the action. The way out of our defiled and desecrated house is through the command to hate Satan. Only so will be earn the right to search in the darkness for the way of love. In our hatred, we are like bees who must pay with their lives for the use of their stingers.
Friedrich Reck-Malleczewen
What a great temptation she felt to escape from the cruelty of the empty nights, the darkness, the loneliness, the cold bed, the sheets that gradually lost the aroma of the beloved body that had been wrapped in them for so many years. But time does not stop. Despite the painful absence beside her, the sun came up and set each day, though as a veteran of loss, this fact no longer surprised her so much. The empty hours of the night do not pass unnoticed, because in their unrelenting cruelty, they do not allow one to rest; they force one to think, and they demand a great deal. Because it is at night that fear is most frightening, yes, but it is also when sorrow becomes deeper and one regrets what one did or did not do more.
Sofía Segovia (The Murmur of Bees)
It was a happy day when I discovered that in the English of Chaucer's day - which was also the time of the Black Death - the word "silly" meant "blessed." I am not sure when we strayed away from its original meaning, when blessedness took on a churchy aura and silliness became the realm of Monty Python and fourth-grade eschatological humor. As hard-working adults we too often lose the gift for letting go, for delight in simply being. We persuade ourselves that every moment must be lived productively; like the busy little bee, we feel a holy obligation to improve each shining hour. We would do well to take very small children or big silly dogs as our teachers. I have learned much about holy uselessness form Perry, the dog...
Margaret Guenther (At Home in the World: A Rule of Life for the Rest of Us)
The chamber was more like a cave than the rest of the Priory, dimmed to calm the mind. Passage from one womb to another - that was how she had seen it then, in the first clouded hour of holding him close. After the clearing, in her dreams, she remembered this room not as womb, but as tomb, as comb. No honey in a womb. No bees. She had brought him from the darkness to his end.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos #0))
It was that halcyon hour when the Angelus falls like a benediction upon the waning day. Far off the notes were sounding gently, and nature, now that she listened, seemed to have paused also. A scarlet–breasted robin was hopping in short spaces upon the grass before her. A humming bee hummed, a cow–bell tinkled, while some suspicious cracklings told of a secretly reconnoitering squirrel.
Theodore Dreiser (Jennie Gerhardt)
Technology is neither good nor bad; nor is it neutral.” This is certainly true in the kitchen. Tools are not neutral objects. They change with changing social context. A mortar and pestle was a different thing for the Roman slave forced to pound up highly amalgamated mixtures for hours on end for his master’s enjoyment than it is for me: a pleasing object with which I make pesto for fun, on a whim.
Bee Wilson (Consider the Fork: A History of How We Cook and Eat)
THERE IS ONE type of honey you should avoid at all costs. Mad honey comes from bees that forage on rhododendrons and mountain laurel, and it’s full of poisonous grayanotoxins. It causes dizziness, nausea and vomiting, convulsions, cardiac disorders, and more. Symptoms last for twenty-four hours, and although rarely, if left untreated, can be fatal. It has been used in biological warfare as far back as 399 b.c., to make Xenophon and the Greek army retreat from Persia. During the Third Mithridatic War in 65 b.c., citizens of Pontus placed mad honey on the route taken by Pompey’s soldiers, and when the enemy helped themselves to the treat, they were easily conquered. The secret weapon of mad honey, of course, is that you expect it to be sweet, not deadly. You’re deliberately attracted to it. By the time it messes with your head, with your heart, it’s too late.
Jodi Picoult (Mad Honey)
But that evening, driving back to the plant in the little underground train, I firmly believed my bad luck was over. One of the cars I had admired that morning took me back to the city. Fortunately some shops were still open here and there; I could buy myself a new suit. For Teresa I bought a nice summer dress with red stripes, which reminded me of the one in which I had seen her for the first time. It fitted to perfection – I knew her measurements. She had shared many hours with me, mainly bitter ones. We went out for dinner; it was one of the days one never forgets. Quite soon the happenings in Zapparoni's garden began to fade in my memory. There is much that is illusory in techniques. But I never forgot Teresa's words, and her smile when she spoke. Now she was happy about me. This smile was more powerful than all the automatons – it was a ray of reality.
Ernst Jünger (The Glass Bees)
If you’re a fly, you keep flying and being a nuisance. If you lived in Linares at that time, you could never stop going out to the fields or ranches to tend to your crops or animals. You might close the store for a few days because of the initial shock, but you would open it again because, even if your relatives were sick or dead, your needs and the needs of others—those who sold to you and those who bought from you—persisted. If you lived at that time, you could not avoid having to go out to buy food, and not a day could pass without washing diapers or underpants, even if you sent your mother to the cemetery two hours earlier. In the midst of this crisis, you had tooth decay, infected toenails, and stomach upsets—slight or severe—that you put up with for a while before having to seek help from a doctor, if you could find one. Others went out to sell goat milk, or whistles, yo-yos, and spinning tops in the square, in the hope that there were still children alive to buy them.
Sofía Segovia (The Murmur of Bees)
But time does not stop. Despite the painful absence beside her, the sun came up and set each day, though as a veteran of loss, this fact no longer surprised her so much. The empty hours of the night do not pass unnoticed, because in their unrelenting cruelty, they do not allow one to rest; they force one to think, and they demand a great deal. Because it is at night that fear is most frightening, yes, but it is also when sorrow becomes deeper and one regrets what one did or did not do more.
Sofía Segovia (The Murmur of Bees)
His breath fell in a warm, even rhythm on the curve of her cheek. “Some people think of the bee as a sacred insect,” he said. “It’s a symbol of reincarnation.” “I don’t believe in reincarnation,” she muttered. There was a smile in his voice. “What a surprise. At the very least, the bees’ presence in your home is a sign of good things to come.” Her voice was buried in the fine wool of his coat. “Wh-what does it mean if there are thousands of bees in one’s home?” He shifted her higher in his arms, his lips curving gently against the cold rim of her ear. “Probably that we’ll have plenty of honey for teatime. We’re going through the doorway now. In a moment I’m going to set you on your feet.” Amelia kept her face against him, her fingertips digging into the layers of his clothes. “Are they following?” “No. They want to stay near the hive. Their main concern is to protect the queen from predators.” “She has nothing to fear from me!” Laughter rustled in his throat. With extreme care, he lowered Amelia’s feet to the floor. Keeping one arm around her, he reached with the other to close the door. “There. We’re out of the room. You’re safe.” His hand passed over her hair. “You can open your eyes now.” Clutching the lapels of his coat, Amelia stood and waited for a feeling of relief that didn’t come. Her heart was racing too hard, too fast. Her chest ached from the strain of her breathing. Her lashes lifted, but all she could see was a shower of sparks. “Amelia … easy. You’re all right.” His hands chased the shivers that ran up and down her back. “Slow down, sweetheart.” She couldn’t. Her lungs were about to burst. No matter how hard she worked, she couldn’t get enough air. Bees … the sound of buzzing was still in her ears. She heard his voice as if from a great distance, and she felt his arms go around her again as she sank into layers of gray softness. After what could have been a minute or an hour, pleasant sensations filtered through the haze. A tender pressure moved over her forehead. The gentle brushes touched her eyelids, slid to her cheeks. Strong arms held her against a comfortingly hard surface, while a clean, salt-edged scent filled her nostrils. Her lashes fluttered, and she turned into the warmth with confused pleasure. “There you are,” came a low murmur. Opening her eyes, Amelia saw Cam Rohan’s face above her. They were on the hallway floor—he was holding her in his lap. As if the situation weren’t mortifying enough, the front of her bodice was gaping, and her corset was unhooked. Only her crumpled chemise was left to cover her chest. Amelia stiffened. Until that moment she had never known there was a feeling beyond embarrassment, that made one wish one could crumble into a pile of ashes. “My … my dress…” “You weren’t breathing well. I thought it best to loosen your corset.” “I’ve never fainted before,” she said groggily, struggling to sit up. “You were frightened.” His hand came to the center of her chest, gently pressing her back down. “Rest another minute.” His gaze moved over her wan features. “I think we can conclude you’re not fond of bees.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Among the women, a spontaneous cheer went up, which Liz was surprised to find herself joining, and this was when (she was on her fifth drink) she realized both that she was completely drunk--not just tipsy, not merely buzzed--and also that she was much happier than she'd been an hour or two before. She felt a retroactive remorse for all the Eligible contestants she'd deemed trashy and idiotic from the comfort of her living room; apparently, like teriyaki pizza and bee venom facials, getting wasted on a reality-TV show was not to be knocked until tried.
Curtis Sittenfeld (Eligible: A Modern Retelling of Pride & Prejudice)
Newton Pulsifer had never had a cause in his life. Nor had he, as far as he knew, ever believed in anything. It had been embarrassing, because he quite wanted to believe in something, since he recognized that belief was the lifebelt that got most people through the choppy waters of Life. He’d have liked to believe in a supreme God, although he’d have preferred a half-hour’s chat with Him before committing himself, to clear up one or two points. He’d sat in all sorts of churches, waiting for that single flash of blue light, and it hadn’t come. And then he’d tried to become an official Atheist and hadn’t got the rock-hard, self-satisfied strength of belief even for that. And every single political party had seemed to him equally dishonest. And he’d given up on ecology when the ecology magazine he’d been subscribing to had shown its readers a plan of a self-sufficient garden, and had drawn the ecological goat tethered within three feet of the ecological beehive. Newt had spent a lot of time at his grandmother’s house in the country and thought he knew something about the habits of both goats and bees, and concluded therefore that the magazine was run by a bunch of bib-overalled maniacs. Besides, it used the word “community” too often; Newt had always suspected that people who regularly used the word “community” were using it in a very specific sense that excluded him and everyone he knew. Then he’d tried believing in the Universe, which seemed sound enough until he’d innocently started reading new books with words like Chaos and Time and Quantum in the titles. He’d found that even the people whose job of work was, so to speak, the Universe, didn’t really believe in it and were actually quite proud of not knowing what it really was or even if it could theoretically exist. To Newt’s straightforward mind this was intolerable. Newt had not believed in the Cub Scouts and then, when he was old enough, not in the Scouts either. He was prepared to believe, though, that the job of wages clerk at United Holdings [Holdings] PLC, was possibly the most boring in the world. This is how Newton Pulsifer looked as a man: if he went into a phone booth and changed, he might manage to come out looking like Clark Kent.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
All next day in the house and store she thought resisting thoughts about Tea Cake. She even ridiculed him in her mind and was a little ashamed of the association. But every hour or two the battle had to be fought all over again. She couldn’t make him look just like any other man to her. He looked like the love thoughts of women. He could be a bee to a blossom—a pear tree blossom in the spring. He seemed to be crushing scent out of the world with his footsteps. Crushing aromatic herbs with every step he took. Spices hung about him. He was a glance from God.
Zora Neale Hurston (Their Eyes Were Watching God)
I . . . hurried to the city library to find out the true age of Chicago. City library! After all, it cannot be anything but Chicagoesque. His is the richest library, no doubt, as everything in Chicago is great in size and wealth. Its million books are filling all the shelves, as the dry goods fill the big stores. Oh, librarian, you furnished me a very good dinner, even ice cream, but—where is the table? The Chicago city library has no solemnly quiet, softly peaceful reading-room; you are like a god who made a perfect man and forgot to put in the soul; the books are worth nothing without having a sweet corner and plenty of time, as the man is nothing without soul. Throw those books away, if you don't have a perfect reading-room! Dinner is useless without a table. I want to read a book as a scholar, as I want to eat dinner as a gentleman. What difference is there, my dearest Chicago, between your honourable library and the great department store, an emporium where people buy things without a moment of selection, like a busy honey bee? The library is situated in the most annoyingly noisy business quarter, under the overhanging smoke, in the nearest reach of the engine bells of the lakeside. One can hardly spend an hour in it if he be not a Chicagoan who was born without taste of the fresh air and blue sky. The heavy, oppressive, ill-smelling air of Chicago almost kills me sometimes. What a foolishness and absurdity of the city administrators to build the office of learning in such place of restaurants and barber shops! Look at that edifice of the city library! Look at that white marble! That's great, admirable; that means tremendous power of money. But what a vulgarity, stupid taste, outward display, what an entire lacking of fine sentiment and artistic love! Ah, those decorations with gold and green on the marble stone spoil the beauty! What a shame! That is exactly Chicagoesque. O Chicago, you have fine taste, haven't you?
Yoné Noguchi (The Story Of Yone Noguchi: Told By Himself)
No more noisy, loud words from me---such is my master's will. Henceforth I deal in whispers. The speech of my heart will be carried on in murmurings of a song. Men hasten to the King's market. All the buyers and sellers are there. But I have my untimely leave in the middle of the day, in the thick of work. Let then the flowers come out in my garden, though it is not their time; and let the midday bees strike up their lazy hum. Full many an hour have I spent in the strife of the good and the evil, but now it is the pleasure of my playmate of the empty days to draw my heart on to him; and I know not why is this sudden call to what useless inconsequence!
Rabindranath Tagore (Gitanjali)
Absence " Then the birds stitching the dawn with their song have patterned your name. Then the green bowl of the garden filling with light is your gaze. Then the lawn lengthening and warming itself is your skin. Then a cloud disclosing itself overhead is your opening hand. Then the first seven bells from the church pine on the air. Then the sun's soft bite on my face is your mouth. Then a bee in a rose is your fingertip touching me here. Then the trees bending and meshing their leaves are what we would do. Then my steps to the river are text to a prayer printing the ground. Then the river searching its bank for your shape is desire. Then a fish nuzzling for the water's throat has a lover's ease. Then a shawl of sunlight dropped in the grass is a garment discarded. Then a sudden scatter of summer rain is your tongue. Then a butterfly paused on a trembling leaf is your breath. Then the gauzy mist relaxed on the ground is your pose. Then the fruit from the cherry tree falling on grass is your kiss, your kiss. Then the day's hours are theatres of air where I watch you entranced. Then the sun's light going down from the sky is the length of your back. Then the evening bells over the rooftops are lovers' vows. Then the river staring up, lovesick for the moon, is my long night. Then the stars between us are love urging its light.
Carol Ann Duffy (Rapture)
It’s relatively easy to agree that only Homo sapiens can speak about things that don’t really exist, and believe six impossible things before breakfast. You could never convince a monkey to give you a banana by promising him limitless bananas after death in monkey heaven. But why is it important? After all, fiction can be dangerously misleading or distracting. People who go to the forest looking for fairies and unicorns would seem to have less chance of survival than people who go looking for mushrooms and deer. And if you spend hours praying to non-existing guardian spirits, aren’t you wasting precious time, time better spent foraging, fighting and fornicating? But fiction has enabled us not merely to imagine things, but to do so collectively. We can weave common myths such as the biblical creation story, the Dreamtime myths of Aboriginal Australians, and the nationalist myths of modern states. Such myths give Sapiens the unprecedented ability to cooperate flexibly in large numbers. Ants and bees can also work together in huge numbers, but they do so in a very rigid manner and only with close relatives. Wolves and chimpanzees cooperate far more flexibly than ants, but they can do so only with small numbers of other individuals that they know intimately. Sapiens can cooperate in extremely flexible ways with countless numbers of strangers. That’s why Sapiens rule the world, whereas ants eat our leftovers and chimps are locked up in zoos and research laboratories. The
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I can remember starving in a small room in a strange city shades pulled down, listening to classical music I was young I was so young it hurt like a knife inside because there was no alternative except to hide as long as possible- not in self-pity but with dismay at my limited chance: trying to connect. the old composers-Mozart, Bach, Beethoven, Brahms were the only ones who spoke to me and they were dead. finally, starved and beaten, I had to go into the streets to be interviewd for low-paying and monotonous jobs by strange men behind desks men without eyes men without faces who would take my hours break them piss on them. now I work for the editors the readers the critics but still hang around and drink with Mozart, Bach, Brahms and the Bee some buddies some men sometimes all we need to be able to continue alone are the dead rattling the walls that close us in.
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
Once Bee was settled into kindergarten, Bernadette showed no interest in fixing up the house, or in any kind of work. All the energy she had once channeled so fearlessly into architecture, she turned toward fulminating about Seattle, in the form of wild rants that required no less than an hour to fully express. Take five-way intersections. The first time Bernadette commented on the abundance of five-way intersections in Seattle, it seemed perfectly relevant. I hadn’t noticed it myself, but indeed there were many intersections with an extra street jutting out, and which required you to wait through an extra traffic light cycle. Certainly worthy of a conversation between a husband and wife. But the second time Bernadette went off on the same topic, I wondered, Is there something new she wishes to add? But no. She was just complaining with renewed vehemence. She asked me to ask Bill Gates why he’d still live in a city with so many ridiculous intersections
Maria Semple (Where'd You Go, Bernadette)
Neither do I express well nor do I know how to write perfectly charming like writers do yet here I sit every night under the stars hoping one to break away so I could wish for the missing peace of my puzzle of life .. * Selfish isn't it wishing something to break so we can join ourselves  maybe thats the law of nature. One always has to give up for something to live. Tree dies  leaving the seed for a new bud behind.  Crazy! The sacrifice for one becomes the breath for the other one without even  him realizing what suffering something went through for its precious life * It gets cold fast once you decide to swim deep into your thoughts . Every thing from a star to even the buzzing of bees tell you a story about what your existence might be for but the city's lights and sound never let you realize how small yet how fascinating your existence is . We tend to forget the meaning of life even after preaching the same for others ourselves. . It feels good and at peace with nobody to bother you anymore . You can think and imagine stuff that might never be but this wonderful brain imagines  it . If not forever Atleast for sometime   you can feel the feeling you forever lust for.  Sure the usual disturbances try to lure my mind away from things but I'm used to it now . The gloominess  inside doesn't let them affect inside anymore. * The sky gets dark it really does . Maybe like the night sky's supposed to be so are my thoughts with a beating heart to support them and keep the flame of fight lit like the moon lights up the sky even if that means reflecting the harsh rays of sun. * The time flies and so do the body shivers for warmth but I feel like staying. Sure the exposed sky gives peace but it comes at a cost so I try to bargain with  it every night. She's a good at negotiating though only gives me some hours before she signal that time's over. * Hesitantly I move my numb body using the last remaining gas in  the dying  shell known as body. How much i try it won't let me stay so here I leave heartbroken once again like every other night.
PANKAJ SARPAL
He continued. “It has some severe side effects, tardive dyskinesia being the worst. Tardive dyskinesia is characterized by uncontrollable grimacing, tongue protrusion, lip smacking…” “You’ve seen those people,” the Flying Nun gravely added. She held a contorted hand up to her face, cocked her head, then shut one eye. “You obviously don’t get seasick,” I said. “Because a couple of hours of that is a day at the beach by comparison.” “Tardive dyskinesia can last forever,” he said. “Forever?” I said weakly. “The likelihood of tardive dyskinesia is about four percent,” he said. “It increases to ten percent for older women.” I blew out really hard. “Oh, man.” “I spoke to your doctor. He wrote you a prescription for a scopolamine patch for motion sickness, and Xanax for anxiety.” Xanax, I had! Bee’s battalion of doctors had always sent me home with Xanax or some sleeping pill. (Have I mentioned? I don’t sleep.) I never took them, because the one time I did, they left me nauseous and not feeling like myself. (I know, that should have been a selling point. What can I say?
Maria Semple (Where'd You Go, Bernadette)
BEE’S KNEES COCKTAIL ½ ounce honey simple syrup (recipe follows) 1 ounce lemon juice (about ½ medium lemon) 2 ounces gin Lemon peel Fill a cocktail shaker with ice. Add ingredients (except peel) and shake; strain into a martini glass. Twist the lemon peel and set inside glass. HONEY SIMPLE SYRUP In a small saucepan combine ⅓ cup honey and ⅓ cup water. Over low heat stir the mixture until honey starts to dissolve. Let cool and pour into a squeeze bottle or glass container. Will keep for several weeks. PORK WITH HONEY-LIME MARINADE (Serves 4) Juice of two limes ¼ cup honey ¼ cup olive oil 1 garlic clove, grated 1 teaspoon hot sauce (you can use red pepper flakes for less heat) Pork tenderloin, trimmed (1 pound) Whisk first five ingredients together. Pour half of marinade into a ziplock bag and add pork tenderloin. Marinate for at least 1 hour. Preheat gas or charcoal grill for indirect grilling. Brush grate with canola or vegetable oil. Cook pork indirectly 4 to 6 minutes per side until a meat thermometer registers 145 degrees. Remove from grill and brush with remaining marinade. Let meat rest for 10 minutes before slicing.
Jodi Picoult (Mad Honey)
Why, who makes much of a miracle? As to me I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love, or sleep in the bed at night with any one I love, Or sit at table at dinner with the rest, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive of a summer forenoon, Or animals feeding in the fields, Or birds, or the wonderfulness of insects in the air, Or the wonderfulness of the sundown, or of stars shining so quiet and bright, Or the exquisite delicate thin curve of the new moon in spring; These with the rest, one and all, are to me miracles, The whole referring, yet each distinct and in its place. To me every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same. To me the sea is a continual miracle, The fishes that swim–the rocks–the motion of the waves–the ships with men in them, What stranger miracles are there?
Walt Whitman
You could never convince a monkey to give you a banana by promising him limitless bananas after death in monkey heaven. But why is it important? After all, fiction can be dangerously misleading or distracting. People who go to the forest looking for fairies and unicorns would seem to have less chance of survival than people who go looking for mushrooms and deer. And if you spend hours praying to non-existing guardian spirits, aren’t you wasting precious time, time better spent foraging, fighting and fornicating? But fiction has enabled us not merely to imagine things, but to do so collectively. We can weave common myths such as the biblical creation story, the Dreamtime myths of Aboriginal Australians, and the nationalist myths of modern states. Such myths give Sapiens the unprecedented ability to cooperate flexibly in large numbers. Ants and bees can also work together in huge numbers, but they do so in a very rigid manner and only with close relatives. Wolves and chimpanzees cooperate far more flexibly than ants, but they can do so only with small numbers of other individuals that they know intimately. Sapiens can cooperate in extremely flexible ways with countless numbers of strangers. That’s why Sapiens rule the world.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
The Garden" How vainly men themselves amaze To win the palm, the oak, or bays, And their uncessant labours see Crown’d from some single herb or tree, Whose short and narrow verged shade Does prudently their toils upbraid; While all flow’rs and all trees do close To weave the garlands of repose. Fair Quiet, have I found thee here, And Innocence, thy sister dear! Mistaken long, I sought you then In busy companies of men; Your sacred plants, if here below, Only among the plants will grow. Society is all but rude, To this delicious solitude. No white nor red was ever seen So am’rous as this lovely green. Fond lovers, cruel as their flame, Cut in these trees their mistress’ name; Little, alas, they know or heed How far these beauties hers exceed! Fair trees! wheres’e’er your barks I wound, No name shall but your own be found. When we have run our passion’s heat, Love hither makes his best retreat. The gods, that mortal beauty chase, Still in a tree did end their race: Apollo hunted Daphne so, Only that she might laurel grow; And Pan did after Syrinx speed, Not as a nymph, but for a reed. What wond’rous life in this I lead! Ripe apples drop about my head; The luscious clusters of the vine Upon my mouth do crush their wine; The nectarine and curious peach Into my hands themselves do reach; Stumbling on melons as I pass, Ensnar’d with flow’rs, I fall on grass. Meanwhile the mind, from pleasure less, Withdraws into its happiness; The mind, that ocean where each kind Does straight its own resemblance find, Yet it creates, transcending these, Far other worlds, and other seas; Annihilating all that’s made To a green thought in a green shade. Here at the fountain’s sliding foot, Or at some fruit tree’s mossy root, Casting the body’s vest aside, My soul into the boughs does glide; There like a bird it sits and sings, Then whets, and combs its silver wings; And, till prepar’d for longer flight, Waves in its plumes the various light. Such was that happy garden-state, While man there walk’d without a mate; After a place so pure and sweet, What other help could yet be meet! But ’twas beyond a mortal’s share To wander solitary there: Two paradises ’twere in one To live in paradise alone. How well the skillful gard’ner drew Of flow’rs and herbs this dial new, Where from above the milder sun Does through a fragrant zodiac run; And as it works, th’ industrious bee Computes its time as well as we. How could such sweet and wholesome hours Be reckon’d but with herbs and flow’rs!
Andrew Marvell (Miscellaneous Poems)
Newton Pulsifer had never had a cause in his life. Nor had he, as far as he knew, ever believed in anything. It had been embarassing, because he quite wanted to believe in something, since he recognized that belief was the lifebelt that got most people through the choppy waters of Life. He'd have liked to believe in a supreme God, although he'd have preferred a half-hour's chat with Him before committing himself, to clear up one or two points. He'd sat in all sorts of churches, waiting for that single flash of blue light, and it hadn't come. And then he'd tried to become an official Atheist and hadn't got the rock-hard, self-satisfied strenght of belief even for that. And every single political party had seemed to him equally dishonest. And he'd given up on ecology when the ecology magazine he'd been subscribing to had shown its readers a plan of a self-suficient garden, and had drawn the ecological goat tethered within three feet of the ecological beehive. Newt had spent a lot of time at his grandmother's house in the country and thought he knew something about the habits of both goats and bees, and concluded therefore that the magazine was run by a bunch of bib-overalled maniacs. Besides, it used the word 'community' too often; Newton had always suspected that people who regularly used the word 'community' were using it in a very specific sense that excluded him and everyone he knew.
Terry Pratchett
It’s relatively easy to agree that only Homo sapiens can speak about things that don’t really exist, and believe six impossible things before breakfast. You could never convince a monkey to give you a banana by promising him limitless bananas after death in monkey heaven. But why is it important? After all, fiction can be dangerously misleading or distracting. People who go to the forest looking for fairies and unicorns would seem to have less chance of survival than people who go looking for mushrooms and deer. And if you spend hours praying to non-existing guardian spirits, aren’t you wasting precious time, time better spent foraging, fighting and fornicating? However, fiction has enabled us not merely to imagine things, but to do so collectively. We can weave common myths such as the biblical creation story, the Dreamtime myths of Aboriginal Australians, and the nationalist myths of modern states. Such myths give Sapiens the unprecedented ability to cooperate flexibly in large numbers. Ants and bees can also work together in huge numbers, but they do so in a very rigid manner and only with close relatives. Wolves and chimpanzees cooperate far more flexibly than ants, but they can do so only with small numbers of other individuals that they know intimately. Sapiens can cooperate in extremely flexible ways with countless numbers of strangers. That’s why Sapiens rule the world, whereas ants eat our leftovers and chimps are locked up in zoos and research laboratories.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
In his mind's eye, he saw the terrible look on her face when she thought he was rejecting her earlier, and knew he had to say something honest. If he wanted this, wanted her, then he was going to have to go all in. Maybe she loved him, maybe she wasn't there yet. How she felt wasn't going to change what he did, and there was something freeing in that realization. "Anne, I've wanted you since before I knew what it was to want someone," Gil said, leaning forward to catch her gaze with his own. "Even when the only time you ever looked at me was when we were fighting, all I could see was you. So, when you ask me if it's too late, believe me when I tell you that's not possible." Her breath left her in a rush. "I really thought you might tell me to go." The thing about Anne was this: Gil had loved her for so long, he thought he knew all of her expressions. The ones she wore when she was surprised, or angry, or had just won the regional spelling bee. There was nothing left for him to discover in her tired frown or the way she chewed the inside of her cheek when she was nervous. He knew what her face did when she looked at her first boyfriend or her best friend, or her family. But this half smile, immeasurably soft and just a bit shaky, wasn't anything he'd seen before, and it fascinated him. He wanted to study it for hours. If she left now, if Gil let her go again, he'd have to chase after her, broken leg or not. How many more second chances would the universe give him? It wasn't worth finding out. "I want you to stay.
Brina Starler (Anne of Manhattan)
And for the four remaining days - the ninety-six remaining hours - we mapped out a future away from everything we knew. When the walls of the map were breached, we gave one another courage to build them again. And we imagined our home an old stone barn filled with junk and wine and paintings, surrounded by fields of wildflowers and bees. I remember our final day in the villa. We were supposed to be going that evening, taking the sleeper back to England. I was on edge, a mix of nerves and excitement, looking out to see if he made the slightest move toward leaving, but he didn’t. Toiletries remained on the bathroom shelves, clothes stayed scattered across the floor. We went to the beach as usual, lay side by side in our usual spot. The heat was intense and we said little, certainly nothing of our plans to move up to Provence, to the lavender and light. To the fields of sunflowers. I looked at my watch. We were almost there. It was happening. I kept saying to myself, he’s going to do it. I left him on the bed dozing, and went out to the shop to get water and peaches. I walked the streets as if they were my new home. Bonjour to everyone, me walking barefoot, oh so confident, free. And I imagined how we’d go out later to eat, and we’d celebrate at our bar. And I’d phone Mabel and Mabel would say, I understand. I raced back to the villa, ran up the stairs and died. Our rucksacks were open on the bed, our shoes already packed away inside. I watched him from the door. He was silent, his eyes red. He folded his clothes meticulously, dirty washing in separate bags. I wanted to howl. I wanted to put my arms around him, hold him there until the train had left the station. I’ve got peaches and water for the journey, I said. Thank you, he said. You think of everything. Because I love you, I said. He didn’t look at me. The change was happening too quickly. Is there a taxi coming? My voice was weak, breaking. Madame Cournier’s taking us. I went to open the window, the scent of tuberose strong. I lit a cigarette and looked at the sky. An airplane cast out a vivid orange wake that ripped across the violet wash. And I remember thinking, how cruel it was that our plans were out there somewhere. Another version of our future, out there somewhere, in perpetual orbit. The bottle of pastis? he said. I smiled at him. You take it, I said. We lay in our bunks as the sleeper rattled north and retraced the journey of ten days before. The cabin was dark, an occasional light from the corridor bled under the door. The room was hot and airless, smelled of sweat. In the darkness, he dropped his hand down to me and waited. I couldn’t help myself, I reached up and held it. Noticed my fingertips were numb. We’ll be OK, I remember thinking. Whatever we are, we’ll be OK. We didn’t see each other for a while back in Oxford. We both suffered, I know we did, but differently. And sometimes, when the day loomed gray, I’d sit at my desk and remember the heat of that summer. I’d remember the smells of tuberose that were carried by the wind, and the smell of octopus cooking on the stinking griddles. I’d remember the sound of our laughter and the sound of a doughnut seller, and I’d remember the red canvas shoes I lost in the sea, and the taste of pastis and the taste of his skin, and a sky so blue it would defy anything else to be blue again. And I’d remember my love for a man that almost made everything possible./
Sarah Winman (Tin Man)
Awake ye muses nine, sing me a strain divine, Unwind the solemn twine, and tie my Valentine! Oh the Earth was made for lovers, for damsel, and hopeless swain, For sighing, and gentle whispering, and unity made of twain. All things do go a courting, in earth, or sea, or air, God hath made nothing single but thee in His world so fair! The bride, and then the bridegroom, the two, and then the one, Adam, and Eve, his consort, the moon, and then the sun; The life doth prove the precept, who obey shall happy be, Who will not serve the sovereign, be hanged on fatal tree. The high do seek the lowly, the great do seek the small, None cannot find who seeketh, on this terrestrial ball; The bee doth court the flower, the flower his suit receives, And they make merry wedding, whose guests are hundred leaves; The wind doth woo the branches, the branches they are won, And the father fond demandeth the maiden for his son. The storm doth walk the seashore humming a mournful tune, The wave with eye so pensive, looketh to see the moon, Their spirits meet together, they make their solemn vows, No more he singeth mournful, her sadness she doth lose. The worm doth woo the mortal, death claims a living bride, Night unto day is married, morn unto eventide; Earth is a merry damsel, and heaven a knight so true, And Earth is quite coquettish, and beseemeth in vain to sue. Now to the application, to the reading of the roll, To bringing thee to justice, and marshalling thy soul: Thou art a human solo, a being cold, and lone, Wilt have no kind companion, thou reap'st what thou hast sown. Hast never silent hours, and minutes all too long, And a deal of sad reflection, and wailing instead of song? There's Sarah, and Eliza, and Emeline so fair, And Harriet, and Susan, and she with curling hair! Thine eyes are sadly blinded, but yet thou mayest see Six true, and comely maidens sitting upon the tree; Approach that tree with caution, then up it boldly climb, And seize the one thou lovest, nor care for space, or time! Then bear her to the greenwood, and build for her a bower, And give her what she asketh, jewel, or bird, or flower — And bring the fife, and trumpet, and beat upon the drum — And bid the world Goodmorrow, and go to glory home!
Emily Dickinson (The Complete Poems from Emily Dickinson: (Annotated Edition))
The most poignant lesson, which proved to be the last, was held a few days before the wedding. Diana’s thoughts were on the profound changes ahead. Miss Snipp noted: “Lady Diana rather tired--too many late nights. I delivered silver salt-cellars--present from West Heath school--very beautiful and much admired. Lady Diana counting how many days of freedom are left to her. Rather sad. Masses of people outside of Palace. We hope to resume lessons in October. Lady Diana said: “In 12 days time I shall no longer be me.’” Even as she spoke those words Diana must have known that she had left behind her bachelor persona as soon as she had entered the Palace portals. In the weeks following the engagement she had grown in confidence and self-assurance, her sense of humour frequently bubbling to the surface. Lucinda Craig Harvey saw her former cleaning lady on several occasions during her engagement, once at the 30th birthday party of her brother-in-law, Neil McCorquodale. “She had a distance to her and everyone was in awe of her,” she recalls. It was a quality also noticed by James Gilbey. “She has always been seen as a typical Sloane Ranger. That’s not true. She was always removed, always had a determination about her and was very matter-of-fact, almost dogmatic. That quality has now developed into a tremendous presence.” While she was in awe of Prince Charles, deferring to his every decision, she didn’t appear to be overcome by her surroundings. Inwardly she may have been nervous, outwardly she appeared calm, relaxed and ready to have fun. At Prince Andrew’s 21st birthday party which was held at Windsor Castle she was at her ease among friends. When her future brother-in-law asked where he could find the Duchess of Westminster, the wife of Britain’s richest aristocrat, she joked: “Oh Andrew, do stop name dropping.” Her ready repartee, cutting but not vicious, was reminiscent of her eldest sister Sarah when she was the queen bee of the Society circuit. “Don’t look so serious it’s not working,” joked Diana as she introduced Adam Russell to the Queen, Prince Charles and other members of the royal family in the receiving line at the ball held at Buckingham Palace two days before her wedding. Once again she seemed good humoured and relaxed in her grand surroundings. There wasn’t the slightest sign that a few hours earlier she had collapsed in paroxysms of tears and seriously considered calling the whole thing off.
Andrew Morton (Diana: Her True Story in Her Own Words)
Ad – Add               Ail – Ale               Air – Heir               Are - R               Ate - Eight               Aye - Eye - I                 B                            B – Be - Bee               Base - Bass               Bi – Buy - By – Bye               Bite - Byte               Boar - Bore               Board - Bored                 C               C – Sea - See               Capital – Capitol               Chord – Cord               Coarse - Course               Core - Corps               Creak – Creek               Cue – Q - Queue                 D               Dam - Damn               Dawg – Dog               Days – Daze               Dew – Do – Due               Die – Dye               Dual - Duel                 E               Earn – Urn               Elicit – Illicit               Elude - Illude               Ex – X                 F               Fat – Phat               Faze - Phase               Feat - Feet               Find – Fined               Flea – Flee               Forth - Fourth                 G               Gait – Gate               Genes – Jeans               Gnawed - Nod               Grate – Great                 H               Hair - Hare               Heal - Heel               Hear - Here               Heard - Herd               Hi - High               Higher – Hire               Hoarse - Horse               Hour - Our                 I               Idle - Idol               Ill – Ill               In – Inn               Inc – Ink               IV – Ivy                 J               Juggler - Jugular                 K               Knead - Need               Knew - New               Knight - Night               Knot – Naught - Not               Know - No               Knows - Nose                 L               Lead – Led               Lie - Lie               Light – Lite               Loan - Lone                 M               Mach – Mock               Made - Maid               Mane – Main               Meat - Meet               Might - Mite               Mouse - Mouth                 N               Naval - Navel               None - Nun                 O               Oar - Or – Ore               One - Won                 P               Paced – Paste               Pail – Pale                            Pair - Pear               Peace - Piece               Peak - Peek               Peer - Pier               Pray - Prey                 Q               Quarts - Quartz                 R               Rain - Reign               Rap - Wrap               Read - Red               Real - Reel               Right - Write               Ring - Wring                 S               Scene - Seen               Seas – Sees - Seize               Sole – Soul               Some - Sum               Son - Sun               Steal – Steel               Suite - Sweet                 T               T - Tee               Tail – Tale               Team – Teem               Their – There - They’re               Thyme - Time               To – Too - Two                 U               U - You                 V               Vale - Veil               Vain – Vane - Vein               Vary – Very               Verses - Versus                 W               Waive - Wave               Ware – Wear - Where               Wait - Weight               Waist - Waste               Which - Witch               Why – Y               Wood - Would                 X                 Y               Yoke - Yolk               Yore - Your – You’re                 Z
Gio Willimas (Hip Hop Rhyming Dictionary: The Extensive Hip Hop & Rap Rhyming Dictionary for Rappers, Mcs,Poets,Slam Artist and lyricists: Hip Hop & Rap Rhyming Dictionary And General Rhyming Dictionary)
It doesn't match anything you have." Exactly, I think. This bracelet matches nothing in my wardrobe . . . Nothing in my life. The bracelet isn't anything like who I am; it's a bracelet for who I want to be. Carolina on p. 189 of HOUR OF THE BEES by Lindsay Eagar
Lindsay Eagar (Hour of the Bees)
When a loved one is sick the days are long, but the years are short." From Hour of the Bees
Lindsay Eager
Steve had tried to reach us after our Father’s Day phone call. There was no way I could have realized that, because I didn’t have any mobile phone reception at the cottage. He was back on Croc One and trying to get hold of us via satellite phone. I didn’t know. I wouldn’t be in range again until the next day. We enjoyed our dinner, built a huge fire, and snuggled down for the night. We didn’t hurry ourselves the next day. We meandered west, stopping at a raspberry farm and at the Honey Factory in Chudleigh. They featured a beehive behind glass, and we loved watching as the bees worked on their honeycomb. They never stopped to say, “I wonder what the meaning of life is.” They just kept building. The Honey Factory also featured a plethora of bee-themed products: bee gum boots, bee back massagers, bee umbrellas, and a bee trolley for the kids to ride on. Bindi sampled every single flavor of honey that they had. She bought a wristwatch with a bee on it. Robert picked out a backpack. “Robert,” I said, “that backpack is great. It has bees on it.” “It has one bee on it,” he said, correcting me. “Oh, okay, one bee,” I said, amused at my son’s seriousness. We spent the last hour of the morning at the Honey Factory. As we walked out the door, Bindi looked at her newly purchased watch and said, “It’s twelve o’clock.” We all stopped for a moment and considered that it was twelve o’clock. Then we got into the car and left.
Terri Irwin (Steve & Me)
Tiger, what are you doing out here hitting balls at three a.m.?” “It doesn’t rain very often in Northern California,” replied the kid who went on to become one of the most successful golfers in history. “It’s the only chance I have to practice hitting in the rain.” You might expect this kind of diligence from the best athlete in his field. What is fascinating is how narrow the exercise’s scope was. He wasn’t practicing putting or hitting from a sand bunker. He spent four hours standing in the rain, hitting the same shot from the same spot, pursuing perfection in an intensely specific skill. It turns out that’s the best way to learn. K. Anders Ericsson, a professor of psychology at Florida State University, has studied the acquisition of expert-level skill for decades. The conventional wisdom is that it takes ten thousand hours of effort to become an expert. Ericsson instead found that it’s not about how much time you spend learning, but rather how you spend that time. He finds evidence that people who attain mastery of a field, whether they are violinists, surgeons, athletes,144 or even spelling bee champions,145approach learning in a different way from the rest of us. They shard their activities into tiny actions, like hitting the same golf shot in the rain for hours, and repeat them relentlessly. Each time, they observe what happens, make minor—almost imperceptible—adjustments, and improve. Ericsson refers to this as deliberate practice: intentional repetitions of similar, small tasks with immediate feedback, correction, and experimentation.
Laszlo Bock (Work Rules!: Insights from Inside Google That Will Transform How You Live and Lead)
Healthy eating should not preclude the odd cake. But it’s good to be able to wait: if not for a while year, at least for an hour or two.
Bee Wilson (First Bite: How We Learn to Eat)
It was a whimsical cliché come to life. Meanwhile, I was the bee in the honeycomb, untouched by the gentle breeze stirring the new leaves. The interview was only supposed to last half an hour, but my whole body was already humming with a painful self-awareness. Every line in my expression, every twitch of an eyebrow, felt poised to impart a poor impression.
Cameron Dick (Head of the Hyena: Volume 1)
As the next page loaded with another set of 25 emails, his eyes were drawn to the bottom of the screen, where for the first time previously-read messages stood out beneath the bold-type unread ones.  There was something powerfully sentimental, almost tangible, about the realization that his dad had sat before a computer somewhere ten years earlier and had clicked on these same messages.  The most recent one, received just hours before his parents’ death, was from his mom with the subject line, “re: Li’l Ryan’s Bday”. With a lump developing in his throat, he clicked on the message.  His mom had written: “That’s something dads should talk to their sons about ;)”  Hmm.  Didn’t make sense without context. Below the end of the message he found the option to “show quoted text,”  which he clicked on to reveal the entire exchange in reverse chronological order.  She had been responding to his dad’s message: “I’m sure he’ll get it.  I like the idea, but you better be prepared to have a discussion about the birds and bees.  You know how his mind works.  He’ll want to know how that baby got in there.” Ryan’s palms grew sweaty as he began to infer what was coming next.  Not entirely sure he wanted to continue, but certain he couldn’t stop, he scrolled to the end. The thread had started with his mother’s message, “I’m already showing big-time.  Sweaters only get so baggy, and it’s going to be warming up soon.  I think tonight would be the perfect time to tell Ryan.  I wrapped up a T-shirt for him in one of his presents that says ‘Big Brother’ on it.  A birthday surprise!  You think he’ll get it?” Having trouble taking in a deep breath, he rose to a stand and slowly backed away from his computer.  It wasn’t his nature to ask fate “Why?” or to dwell on whether or not something was “fair.”  But this was utterly overwhelming – a knife wound on top of an old scar that had never sufficiently healed. ~~~ Corbett Hermanson peered around the edge of Bradford’s half-open door and knocked gently on the frame.  Bradford was sitting at his desk, leafing through a thick binder.  He had to have heard the knock, Corbett thought, peeking in, but his attention to the material in the binder remained unbroken. Now regretting his timid first knock, Corbett anxiously debated whether he should knock again, which could be perceived as rude, or try something else to get Bradford’s attention.  Ultimately he decided to clear his throat loudly, while standing more prominently in the doorway. Still, Bradford kept his nose buried in the files in front of him. Finally, Corbett knocked more confidently on the door itself. “What!” Bradford demanded.  “If you’ve got something to say, just say it!” “Sorry, sir.  Wasn’t sure you heard me,” Corbett said, with a nervous chuckle. “Do you think I’m deaf and blind?” Bradford sneered.  “Just get on with it already.” “Well sir, I’m sure you recall our conversation a few days back about the potential unauthorized user in our system?  It turns out...” “Close the door!” Bradford whispered emphatically, waving his arms wildly for Corbett to stop talking and come all the way into his office. “Sorry, sir,” Corbett said, his cheeks glowing an orange-red hue to match his hair.  After self-consciously closing the door behind him, he picked up where he’d left off.  “It turns out, he’s quite good at keeping himself hidden.  I was right about his not being in Indiana, but behind that location, his IP address bounces
Dan Koontz (The I.P.O.)
Marriage is just another kind of sameness.
Lindsay Eagar (Hour of the Bees)