Hot Rods Quotes

He snorted. "They were probably scared." "Scared!" For some reason, that hurt, just a little. She felt her lower lip wobble. "I'm not that bad, am I?" "Worse," he said cheerfully. "You're hell on wheels. You're just lucky I like hot rods

All of a sudden America wasn't about hamburgers and hot rods anymore. It was about the Mayflower and Plymouth Rock. It was about something that had happened for two minutes four hundred years ago, instead of everything that had happened since. Instead of everything that was happening now!

Japan and Hong Kong are steadily whittling away at the last of the elephants, turning their tusks (so much more elegant left on the elephant) into artistic carvings. In much the same way, the beautiful furs from leopard, jaguar, Snow leopard, Clouded leopard and so on, are used to clad the inelegant bodies of thoughtless and, for the most part, ugly women. I wonder how many would buy these furs if they knew that on their bodies they wore the skin of an animal that, when captured, was killed by the medieval and agonizing method of having a red-hot rod inserted up its rectum so as not to mark the skin.

Can you hold a red-hot iron rod in your hand merely because some one wants you to do so? Then, will it be right on your part to ask others to do the same thing just to satisfy your desires? If you cannot tolerate infliction of pain on your body or mind by others' words and actions, what right have you to do the same to others through your words and deeds? Do unto others as you would like to be done by. Injury or violence done by you to any life in any form, animal or human, is as harmful as it would e if caused to your own self.

Street rods have a Chevy in front and a can of wax in the back; Hot Rods have a flathead in front and a box of tools in the back.

Formerly, a fixture of the summer, formerly a rather minor component to a hot July, but throughout his life, a man beloved by the children, and therefore a most important man.

America is the smart-aleck adolescent who’s “been around” and has his own hot rod.

...NBA basketall is coming up next and you gotta love it baby.

StocktontoMalone

With a gentle push and a mild arc the old cow hide globe hit home!

With a gentle push, and a mild arc, the old cowhide globe hits home.” Yo-yoing” Leapin’ leaner” Hippity-hop” Good if it goes!” Frozen rope” Belt-high dribble” It’s in the ol’ refrigerator.” Looking down the barrel” You gotta love it, baby!

Listen to Your Lover (Or Babe, Sweetie Cakes, Hot Rod, Honey, Dancing Queen, Dairy Queen, etc.) If she tells you she likes it when you bite her neck—do it! It doesn’t matter where she learned that she likes it or why she does, just be thankful you got the tip. Girls don’t always express what they want, so when she does say it, you really want to make sure you are paying attention. Also, learn her language (unless it is Mandarin, because that shit is impossible). If you start pulling her hair and she starts moaning, that’s her way of saying, “Ohmygod, please do this more, and by more I mean all the time.” And the more you please her, the more she’ll want to do it with you. It’s a win-win!

Not all things speak with a human tongue-an ability to speak the Languages of Creation. Communion in the body of silence-the voice of the Land is in our language. Coyote prayer says: 'Take it. I give it to you.

We writers aren't sculpting in DNA, or even clay or mud, but words, sentences, paragraphs, syntax, voice; materials issued by tongue or fingertips but which upon release dissolve into the atmosphere, into cloud, confection, specter. Language, as a vehicle, is a lemon, a hot rod painted with thrilling flames but crazily erratic to drive, riddled with bugs like innate self-consciousness, embedded metaphors and symbols, helpless intertextuality, and so forth. Despite being regularly driven on prosaic errands (interoffice memos, supermarket receipts, etc.), it tends to veer on its misaligned chassis into the ditch of abstraction, of dream.

All of a sudden America wasn’t about hamburgers and hot rods anymore. It was about the Mayflower and Plymouth Rock. It was about something that had happened for two minutes four hundred years ago, instead of everything that had happened since.

If one puts an iron rod in fire, the rod gradually becomes hotter and hotter, until it becomes red hot and it acquires the quality of fire itself. This is the state of Krishna consciousness.

His mouth claimed hers again, hotly and hungrily. It drew breath from her. As he kissed her, his hand moved to the front of her slacks. He fumbled with the button and zipper until they were undone. When his hand slid into the elastic waistband of her panties, Rusty gasped. She had thought there would be a sensual buildup, a flirtatious progression, extended foreplay. She didn't regret that there wouldn't be. His boldness, his impatience, was a powerful aphrodisiac. It set off explosions of desire deep within her. She tilted her hips forward and filled his palm with her softness. He muttered swearwords that were in themselves arousing because they explicitly expressed the height of his arousal. Like a Rod Stewart song, they were viscerally sexy, one couldn't hear them without thinking of a male and a female mating.

At work she became instant best friends with the Clinique girl, Susan, a Waynesboro muscle-car aficionado. She was fond of dispensinf wisdom along the lines or: "The bullshit stops when the green light pops!" I'd go to the mall to pick up Renee. take them both a couple of coffees, and hang out while they chattered in their hot white coats. Susan would take Renee to hot-rod shows and run-what-ya-brung drag races. She brought out sides of Renee I'd never gotten to see before, and it was a sight to behold. After a night out with Susan, Renee would always come back saying things like, "If it's got tits or tires, it's going to cost you money.

Until we came to Baker &Inglis my friends and I had always felt completely American. But now the Bracelets’ upturned noses suggested that there was another America to which we could never gain admittance. All of a sudden America wasn’t about hamburgers and hot rods anymore. It was about the Mayflower and Plymouth Rock. It was about something that had happened for two minutes four hundred years ago, instead of everything that had happened since. Instead of everything that was happening now!

Last Night’s Moon," “When will we next walk together under last night’s moon?” - Tu Fu March aspens, mist forest. Green rain pins down the sea, early evening cyanotype. Silver saltlines, weedy toques of low tide, pillow lava’s black spill indelible in the sand. Unbroken broken sea. — Rain sharpens marsh-hair birth-green of the spring firs. In the bog where the dead never disappear, where river birch drown, the surface strewn with reflection. This is the acid-soaked moss that eats bones, keeps flesh; the fermented ground where time stops and doesn’t; dissolves the skull, preserves the brain, wrinkled pearl in black mud. — In the autumn that made love necessary, we stood in rubber boots on the sphagnum raft and learned love is soil–stronger than peat or sea– melting what it holds. The past is not our own. Mole’s ribbon of earth, termite house, soaked sponge. It rises, keloids of rain on wood; spreads, milkweed galaxy, broken pod scattering the debris of attention. Where you are while your body is here, remembering in the cold spring afternoon. The past is a long bone. — Time is like the painter’s lie, no line around apple or along thigh, though the apple aches to its sweet edge, strains to its skin, the seam of density. Invisible line closest to touch. Lines of wet grass on my arm, your tongue’s wet line across my back. All the history in the bone-embedded hills of your body. Everything your mouth remembers. Your hands manipullate in the darkness, silver bromide of desire darkening skin with light. — Disoriented at great depths, confused by the noise of shipping routes, whales hover, small eyes squinting as they consult the magnetic map of the ocean floor. They strain, a thousand miles through cold channels; clicking thrums of distant loneliness bounce off seamounts and abyssal plains. They look up from perpetual dusk to rods of sunlight, a solar forest at the surface. Transfixed in the dark summer kitchen: feet bare on humid linoleum, cilia listening. Feral as the infrared aura of the snake’s prey, the bees’ pointillism, the infrasonic hum of the desert heard by the birds. The nighthawk spans the ceiling; swoops. Hot kitchen air vibrates. I look up to the pattern of stars under its wings.

Watch," he whispered hoarsely. "Watch me make love to you." No power in the heavens could have made her look away as he withdrew- all the way so that she saw the passionate sheen of her body's juices glazing his rod. Her eyes widened. Coarse dark hair mingled with soft, chestnut curls, a sight that was incredibly erotic. Even more erotic was when he plunged again, gliding deeper this time, harder. She couldn't tear her gaze away. She was both amazed and stunned at the way male joined female, feeling the walls of her passage yield- soft tender flesh clinging tight and wanton to hard male steel.Everything inside her went wild. Every part of her was melting, every fiber of her being. With a helpless little moan she caught the sides of his head. She wanted to tell him how wonderful he made her feel. But the power of words had once again deserted her. The pleasure was climbing, spiraling high and fast, taking her by storm. Unable to hold back, her hands slipped to his shoulders. She clutched at him; sensation gathered there, in the very center of her body, the place he possessed so fully. Had she surrendered? Or had he? she wondered vaguely. Eyes closed, she flung her head back. Release was close. She could feel it coming, shivering throughout her body. His head dropped low. He kissed the arch of her throat. "Fionna," he said, his tone almost raw. "Fionna!" Her nails bit into his shoulders. The walls of her channel contracted around him, again and again and again, sending spasms of release hurtling through them both.

You should be thankful.” “Thankful? For what?” “For ridding the world of the most despicable, rotting scum scraped from the excrement of hell, that’s what. Men who need to hurt women to find their strength. Men who take the very women who give their bodies to them, and beat them with their iron fists, marking them with hot-knuckled branding rods, artfully displaying their inadequacies with purple-blue watermarks.

It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a couple of bottles of wine to take with us. When I came out the bus was crowded. Men and women were sitting on all the baggage and boxes on top, and the women all had their fans going in the sun. It certainly was hot. Robert climbed down and fitted into the place he had saved on the one wooden seat that ran across the top. Robert Cohn stood in the shade of the arcade waiting for us to start. A Basque with a big leather wine-bag in his lap lay across the top of the bus in front of our seat, leaning back against our legs. He offered the wine-skin to Bill and to me, and when I tipped it up to drink he imitated the sound of a klaxon motor-horn so well and so suddenly that spilled some of the wine, and everybody laughed. He apologized and made me take another drink. He made the klaxon again a little later, and it fooled me the second time. He was very good at it. The Basques liked it. The man next to Bill was talking to him in Spanish and Bill was not getting it, so he offered the man one of the bottles of wine. The man waved it away. He said it was too hot and he had drunk too much at lunch. When Bill offered the bottle the second time he took a long drink, and then the bottle went all over that part of the bus. Every one took a drink very politely, and then they made us cork it up and put it away. They all wanted us to drink from their leather wine-bottles. They were peasants going up into the hills.

Steele yanked on the pistol, but the front sight got snagged on the Frenchman’s belt. Jean-Luc’s right arm hit him in the wrist, a painful bone-on-bone collision that wrenched the Five-seven out of his grip. Steele could make out Burrows’s bodyguard posted up ahead, faithfully guarding his boss’s booth. Jean-Luc shouted a warning while trying to dodge the server who seemed to appear out of nowhere. The bodyguard turned to his left, reached into his jacket, and squared up to the threat. Steele’s instincts told him that he was too far behind the eight-ball to get the MP9 into action fast, so he improvised. He launched a kick at Jean-Luc’s ankle that would have made an NFL punter proud. His leg muscles pistoned his foot toward its target like a hot rod on a quarter-mile track. The impact snapped the fleeing Frenchman’s puny ankle, causing him to tumble into the server. Now.

At the time, I was driving a 1970 Ford truck that I’d bought for a thousand bucks. In my world, if a vehicle runs and has air in its tires, then it’s worth a thousand dollars! The price never changes. I abused that truck for several years, only to sell it for a thousand bucks for an upgrade. It had a rebuilt hot rod engine and was fast! When we cut firewood in the rain, my truck would slide all over dirt roads and occasionally bounce off trees, so both of the truck’s sides were badly dented. After a while, I couldn’t open either door. It was real-life Dukes of Hazzard! I remember the first time Missy approached the door and tried to open it. I told her the door wouldn’t open, and she started to go around to the other side. I informed her that the other door didn’t open, either. As she looked at me with a blank stare, I said, “Rule number one: if you want to go with me, you’ve got to crawl through the window.

An arm about her back, he guided his rod between soft, silken thighs, rubbing her cleft, letting her feel the rigidness of his erection. Her eyes widened; it was as if he could see her heart stop. Her legs went wide. Aidan groaned and clamped her against him. He was shaking with need. God help him, he couldn't stop. He couldn't stave off his desire. Not now. Not yet. And when he plunged deep, her silken heat and warmth surrounded him, sending him to a place where nothing existed but the two of them.

The Light I get a thud kick in pitch dark thick on belly and tumble Hands tied at the back on damp floor shack to humble Lights flash on face eyes blind in case I spin Then lights go off a boot or two rough on chin I feel blood drip snail down the lips in trickle The glare blinks on and off and on and off in ripple A hot metal rod scalds hard breast broad to snip flesh warm The lights hem in piercing-thin a ruthless swarm Red eyes get shut in blinding rut my vision erode Final blackout in grisly rout in ecliptic node I prepare my grit to encounter the hit as a fightback code. --Malay Roychoudhury

On this day, Eustace was heating iron rods to fix a broken piece on his antique mower. He had a number of irons cooking in his forge at the same time and, distracted by trying to teach me the basics of blacksmithing, he allowed several of them to get too hot, to the point of compromising the strength of the metal. When he saw this, he said, "Damn! I have too many irons in the fire." Which was the first time I had ever heard that expression used in its proper context. But such is the satisfaction of being around Eustace; everything suddenly seems to be in its proper context. He makes true a notion of frontier identity that has long since passed most men of his generation, most of whom are left with nothing but the vocabulary.

Sitting on his lap, their limbs all a-tangle, she splayed her hands wide across the dark fur on his chest, coasting them down his belly to tangle in the thick nest between his thighs. Her mouth followed, her lips hot on his naked skin. She sank to her knees on the floor. Aidan went very still. No. He could not believe that she would... His hands twisted in her hair. It was the most incredibly erotic sensation in his life. Her tongue danced and circled, down to the very root of him and back up, tasting and exploring that most sensitive part of him. He gritted his teeth until he could stand no more. He caught his hand in her hair and pulled her up and onto his rod. They were both frantic, twisting wildly in perfect union, until at last he exploded inside her, spurting wildly again and again and again.

A meltdown is when the core components (fuel, cladding, control rods etc.) of a reactor get so hot that they melt together and become a kind of radioactive magma. This can burn down through a containment vessel and potentially through the concrete foundations of the reactor building. If the molten core were to breach all containment and burn down to the water table in the earth below, there was a chance of triggering a colossal steam explosion, with results much the same as an explosion in the pressure suppression pool. Interestingly, modern Russian reactors have a safety feature designed specifically to deal with this eventuality: a solid pool of metallic alloy lying beneath the reactor. If a melting core breaches its containment vessel, the pool catches it and liquefies, creating currents that swirl the molten core against water-cooled steel walls to prevent it from burning through the foundations.

Her legs splayed wide as he dropped her onto the mattress, his big body settling between them, and she cried out as he slid back inside her, his hardness stretching her lusciously. He began to pump in a slow, steady motion that wouldn't alter no matter how she writhed and begged him to go harder, faster, deeper. His mouth went to her breast, sucking at a nipple, tugging sweetly in time to his thrusting. Her body contracted every time he pushed inward, clasping him hungrily, sensation building until a powerful climax began, wringing every inch of her body with raw force. She fell silent, her hips locked in a steep arch against his weight. Still the measured rhythm went on, extracting every last flicker of sensation. He was tireless, unhurried, using himself to satisfy her. At last Phoebe collapsed down on the bed, shivering uncontrollably. West plunged into her... once, twice, thrice... and pulled out to crush the thick wet rod of his sex against her stomach. He buried a savage growl in the bedclothes and clutched the mattress on either side of her so hard she thought he might gouge holes in it. As she felt the hot spill of his release, an unfamiliar croon came from her throat, a sound of primal satisfaction at having pleased her mate.

Moses Come. When? Now. This way. I will guide you. Wait! Not so fast. Hurry. You. I said you. Who am I? Certainly I will be with thee. Is nothing, then, what it is? I had rather the rod had stayed a rod and not become a serpent. Come. Quickly. While the blast of my breath opens the sea. Stop. I'm thirsty. Drink water from this rock. But the rock moves on before us. Go with it and drink. I'm tired. Can't you stop for a while? You have already tarried too long. But if I am to follow you I must know your name. I will be that I will be. You have set the mountain on fire. Come. Climb. I will be lost in the terror of your cloud. You are stiff-necked and of a stiff-necked people. YOUR poeple, Lord, Indubitably. Your wrath waxes hot. I burn. Thus to become great. Show me, then, they glory. No man may see my face and live. But I will cover you with my hand while I pass by. My people turn away and cry because the skin of my face shines Did you not expect this? I cannot enter the tent of the congregation while your cloud covers it and your glory fills the tabernacle. Look. It moves before us again. Can you not stay still? Come. Follow. But this river is death. The waters are dark and deep. Swim. Now will I see your face? Where are you taking me now? Up the mountain with me before I die. But death bursts into light. The death is what it will be. These men: they want to keep us here in three tabernacles. But the cloud moves. The water springs from a rock that journeys on. You are contained in me. But how can we contain you in ark or tabernacle or You cannot. Where, then? In your heart. Come. Still? I will be with thee. Who am I? You are that I will be. Come.

He was miffed because he hadn’t been the center of all my attention the night before. Pathetic. It would be enough to make me laugh, except he was also accusing me of dereliction of duty. I couldn’t let my own Source believe I wouldn’t do my duty. It would be difficult for him to do his job if he thought I wouldn’t be doing mine. Plus it was irritating. I drained the last of my coffee. Karish looked horrified. “Zaire, woman, how can you gulp it down like that when it’s still hot?” Because I was a Shield. I gestured at the waiter. “You’re left-handed,” I said as my mug was filled. “But you use your right when you eat. You drank three mugs of ale and ate two bowls of the stew. You enjoyed it very much, even though you don’t like turnip.” “Actually,” he interrupted me curtly, “I’m allergic to turnip.” I almost smiled. Was he trying to shake my confidence? Amateur. “If you were allergic to turnip you wouldn’t have touched the stew at all.” Wouldn’t want hives defiling that perfect skin. “You eat your bread like a woman—” “What the hell does that mean?” “You tear it off in chunks instead of biting into the whole slice. And you slather all sides with butter. That’s disgusting, by the way.” Butter was not icing and shouldn’t be treated as such. “You sat straight in your chair, as you are now, without touching the back, despite certain fatigue. I would guess you spent some of your formative years with a wooden rod up your spine.” He leaned back in his chair, then, crossing his arms. “But for much of the evening you had your right foot wrapped around one leg of your chair. Your mother wouldn’t approve.” Another slow sip of glorious coffee. He looked at me, frowning. And then the frown turned into a smile that I didn’t trust at all. “You’re staring,” I pointed out tartly.

The Mouse was not much heavier than a very large cat. Eustace had him off the rail in a trice and very silly he looked (thought Eustace) with his little limbs all splayed out and his mouth open. But unfortunately Reepicheep, who had fought for his life many a time, never lost his head even for a moment. Nor his skill. It is not very easy to draw one’s sword when one is swinging round in the air by one’s tail, but he did. And the next thing Eustace knew was two agonizing jabs in his hand which made him let go of the tail; and the next thing after that was that the Mouse had picked itself up again as if it were a ball bouncing off the deck, and there it was facing him, and a horrid long, bright, sharp thing like a skewer was waving to and fro within an inch of his stomach. (This doesn’t count as below the belt for mice in Narnia because they can hardly be expected to reach higher.) “Stop it,” spluttered Eustace, “go away. Put that thing away. It’s not safe. Stop it, I say. I’ll tell Caspian. I’ll have you muzzled and tied up.” “Why do you not draw your own sword, poltroon!” cheeped the Mouse. “Draw and fight or I’ll beat you black and blue with the flat.” “I haven’t got one,” said Eustace. “I’m a pacifist. I don’t believe in fighting.” “Do I understand,” said Reepicheep, withdrawing his sword for a moment and speaking very sternly, “that you do not intend to give me satisfaction?” “I don’t know what you mean,” said Eustace, nursing his hand. “If you don’t know how to take a joke I shan’t bother my head about you.” “Then take that,” said Reepicheep, “and that--to teach you manners--and the respect due to a knight--and a Mouse--and a Mouse’s tail--” and at each word he gave Eustace a blow with the side of his rapier, which was thin, fine, dwarf-tempered steel and as supple and effective as a birch rod. Eustace (of course) was at a school where they didn’t have corporal punishment, so the sensation was quite new to him. That was why, in spite of having no sea-legs, it took him less than a minute to get off that forecastle and cover the whole length of the deck and burst in at the cabin door--still hotly pursued by Reepicheep. Indeed it seemed to Eustace that the rapier as well as the pursuit was hot. It might have been red-hot by the feel.

The last time I saw Collin was in 1917, at the foot of Mort-Homme. Before the great slaughter, Collin’d been an avid angler. On that day, he was standing at the hole, watching maggots swarm among blow flies on two boys that we couldn’t retrieve for burial without putting our own lives at risk. And there, at the loop hole, he thought of his bamboo rods, his flies and the new reel he hadn’t even tried out yet. Collin was imaging himself on the riverbank, wine cooling in the current his stash of worms in a little metal box and a maggot on his hook, writhing like… Holy shit. Were the corpses getting to him? Collin. The poor guy didn’t even have time to sort out his thoughts. In that split second, he was turned into a slab of bloody meat. A white hot hook drilled right through him and churned through his guts, which spilled out of a hole in his belly. He was cleared out of the first aid station. The major did triage. Stomach wounds weren’t worth the trouble. There were all going to die anyway, and besides, he wasn’t equipped to deal with them. Behind the aid station, next to a pile of wood crosses, there was a heap of body parts and shapeless, oozing human debris laid out on stretchers, stirred only be passing rats and clusters of large white maggots. But on their last run, the stretcher bearers carried him out after all… Old Collin was still alive. From the aid station to the ambulance and from the ambulance to the hospital, all he could remember was his fall into that pit, with maggots swarming over the open wound he had become from head to toe… Come to think of it, where was his head? And what about his feet? In the ambulance, the bumps were so awful and the pain so intense that it would have been a relief to pass out. But he didn’t. He was still alive, writhing on his hook. They carved up old Collin good. They fixed him as best they could, but his hands and legs were gone. So much for fishing. Later, they pinned a medal on him, right there in that putrid recovery room. And later still, they explained to him about gangrene and bandages packed with larvae that feed on death tissue. He owed them his life. From one amputation and operation to the next – thirty-eight in all – the docs finally got him “back on his feet”. But by then, the war was long over.

Here is what I would like for you to know: In America, it is traditional to destroy the black body—it is heritage. Enslavement was not merely the antiseptic borrowing of labor—it is not so easy to get a human being to commit their body against its own elemental interest. And so enslavement must be casual wrath and random manglings, the gashing of heads and brains blown out over the river as the body seeks to escape. It must be rape so regular as to be industrial. There is no uplifting way to say this. I have no praise anthems, nor old Negro spirituals. The spirit and soul are the body and brain, which are destructible—that is precisely why they are so precious. And the soul did not escape. The spirit did not steal away on gospel wings. The soul was the body that fed the tobacco, and the spirit was the blood that watered the cotton, and these created the first fruits of the American garden. And the fruits were secured through the bashing of children with stovewood, through hot iron peeling skin away like husk from corn. It had to be blood. It had to be nails driven through tongue and ears pruned away. “Some disobedience,” wrote a Southern mistress. “Much idleness, sullenness, slovenliness…. Used the rod.” It had to be the thrashing of kitchen hands for the crime of churning butter at a leisurely clip. It had to be some woman “chear’d… with thirty lashes a Saturday last and as many more a Tuesday again.” It could only be the employment of carriage whips, tongs, iron pokers, handsaws, stones, paperweights, or whatever might be handy to break the black body, the black family, the black community, the black nation. The bodies were pulverized into stock and marked with insurance. And the bodies were an aspiration, lucrative as Indian land, a veranda, a beautiful wife, or a summer home in the mountains. For the men who needed to believe themselves white, the bodies were the key to a social club, and the right to break the bodies was the mark of civilization. “The two great divisions of society are not the rich and poor, but white and black,” said the great South Carolina senator John C. Calhoun. “And all the former, the poor as well as the rich, belong to the upper class, and are respected and treated as equals.” And there it is—the right to break the black body as the meaning of their sacred equality. And that right has always given them meaning, has always meant that there was someone down in the valley because a mountain is not a mountain if there is nothing below.*

God damn you!” Alfred said. “You belong in jail!” The turd wheezed with laughter as it slid very slowly down the wall, its viscous pseudopods threatening to drip on the sheets below. “Seems to me,” it said, “you anal retentive type personalities want everything in jail. Like, little kids, bad news, man, they pull your tchotchkes off your shelves, they drop food on the carpet, they cry in theaters, they miss the pot. Put ’em in the slammer! And Polynesians, man, they track sand in the house, get fish juice on the furniture, and all those pubescent chickies with their honkers exposed? Jail ’em! And how about ten to twenty, while we’re at it, for every horny little teenager, I mean talk about insolence, talk about no restraint. And Negroes (sore topic, Fred?), I’m hearing rambunctious shouting and interesting grammar, I’m smelling liquor of the malt variety and sweat that’s very rich and scalpy, and all that dancing and whoopee-making and singers that coo like body parts wetted with saliva and special jellies: what’s a jail for if not to toss a Negro in it? And your Caribbeans with their spliffs and their potbelly toddlers and their like daily barbecues and ratborne hanta viruses and sugary drinks with pig blood at the bottom? Slam the cell door, eat the key. And the Chinese, man, those creepy-ass weird-name vegetables like homegrown dildos somebody forgot to wash after using, one-dollah, one-dollah, and those slimy carps and skinned-alive songbirds, and come on, like, puppy-dog soup and pooty-tat dumplings and female infants are national delicacies, and pork bung, by which we’re referring here to the anus of a swine, presumably a sort of chewy and bristly type item, pork bung’s a thing Chinks pay money for to eat? What say we just nuke all billion point two of ’em, hey? Clean that part of the world up already. And let’s not forget about women generally, nothing but a trail of Kleenexes and Tampaxes everywhere they go. And your fairies with their doctor’s-office lubricants, and your Mediterraneans with their whiskers and their garlic, and your French with their garter belts and raunchy cheeses, and your blue-collar ball-scratchers with their hot rods and beer belches, and your Jews with their circumcised putzes and gefilte fish like pickled turds, and your Wasps with their Cigarette boats and runny-assed polo horses and go-to-hell cigars? Hey, funny thing, Fred, the only people that don’t belong in your jail are upper-middle-class northern European men. And you’re on my case for wanting

p2 I'd seen a photo of the actual red and white checked notebook that was Anne [Frank]'s first diary. I longed to own a similar notebook. Stationery was pretty dire back in the late fifties and early sixties. There was no such thing as Paperchase. I walked round and round the stationery counter in Woolworths and spent most of my pocket money on notebooks, but they weren't strong on variety. You could have shiny red sixpenny notebooks, lined inside, with strange maths details about rods and poles and perches on the back. (I never found out what they were!) Then you could have shiny blue sixpenny notebooks. That was your lot. I was enchanted to read in Dodie Smith's novel I Capture The Castle that the heroine, Cassandra, was writing her diary in a similar sixpenny notebook. She eventually progressed to a shilling notebook. My Woolworths rarely stocked such expensive luxuries. Then, two thirds of the way through the book, Cassandra is given a two-guinea red leather manuscript book. I lusted after that fictional notebook for years. I told my mother, Biddy. She rolled her eyes. It could have cost two hundred guineas - both were way out of our league... My dad, Harry, was a civil servant. One of the few perks of his job was that he had an unlimited illegal supply of notepads watermarked SO - Stationery Office. I'd drawn on these pads for years, I'd scribbled stories, I'd written letters. They were serviceable but unexciting: thin cream paper unreliably bound with glue at the top. You couldn't write a journal with these notepads; it would fall apart in days... My spelling wasn't too hot. It still isn't. Thank goodness for the spellcheck on my computer!

One former prisoner, Reza Baraheni, reported to AI the following: Not every prisoner goes through the same process, but generally, this is what happens to a prisoner of the first importance. First, he is beaten by several torturers at once, with sticks and clubs. If he doesn’t confess, he is hanged upside down and beaten; if this doesn’t work, he is raped; and if he still shows signs of resistance, he is given electric shock which turns him into a howling dog; and if he is still obstinate, his nails and sometimes all his teeth are pulled out; and in certain cases, a hot iron rod is put into one side of the face to force its way to the other side, burning his entire mouth and tongue. A young man was killed this way….24 And the United States, while trying to claim at times that it was unaware of the depths of depravity of the SAVAK, was quite aware in real time what it was up to. As one example, a State Department cable from December 5, 1978, matter-of-factly details the complaints of the bazaaris about the SAVAK: BAZAARIS EXPRESSED GENERAL COMPLAINTS AGAINST THE SHAH SIMILAR TO THOSE HEARD ELSEWHERE, I.E., CORRUPTION OF HIGH-LEVEL OFFICIALS, MURDER AND TORTURE OF OPPOSITIONISTS, OVER-CONCENTRATION OF POWER AND POOR ECONOMIC DECISIONMAKING. HOWEVER, BAZAARIS CONCENTRATED THEIR IRE ON SAVAK AND ITS FORMER CHIEF NEMATOLLAH NASSIRI. SAVAK UNDER NASSIRI, THEY SAID, HAS KILLED AND TORUTURED (sic.) THOUSANDS OF PEOPLE. DURING THE IMPRISONMENT OF THE AYATOLLAH TALEGHANI, SAVAK JAILORS HAD RAPED THE WOMEN IN HIM [His] HOME AND FORCED TALEGHANI TO DRINK HIS JAILORS’ URINE.25

It wasn’t until recently that he’d become aware of what his mother did to Mase when he wasn’t around, and it was only because he’d come home early from basketball practice one day and stumbled upon the sight of his mother holding Mase down while she laid a hot, steel rod across his penis, just long enough

Try to remember, you’re not a hot rod. You don’t ever need to “fill ’er up.” The difference between feeling “satisfied” and feeling “full” after a meal is about 1,000 calories. Then, even worse, there are about 2,500 calories between feeling full and feeling “stuffed”! So if you go to town on that all-you-can-eat Chinese buffet, and leave the place feeling stuffed, you may have wolfed down as many as 4,000 unneeded calories. A typical reaction is to do some cardio the next day to “burn off those calories.” But to burn that many calories with cardio would require, for example, jogging nonstop for 20 hours. The problem is not burning calories, which is done even while you sleep, but that we cram too many calories into our mouth. Get into the habit of eating until you are no longer hungry, not until you are completely stuffed. Remember, if you follow my advice, you’ll be eating again in 2.5 – 3.5 hours. Take your time, chew your food, and relax. It takes 15 – 20 minutes for the body to register how full it actually is. Eating fast and furious can be a hard habit to break. But you’ll very quickly notice improved energy and well-being once you make the change to frequent, smaller meals.

718 A vivid memory of mine is a 1979 viewing of a late night rerun of the ABC TV movie Hot Rod (a.k.a. Rebel of the Road). It’s the story of an outcast rodder, his struggles with a corrupt small-town police force, and an eventual drag strip showdown with an Olds 4-4-2 sponsored by the Munn’s Root Beer company. At the beginning of the flick, the hero drives a 1965 Coronet sedan, presumably an A990. After the cops force him off the road, totaling the Dodge, he swaps the Hemi into a 1941 Willys. You probably remember the movie now. But has anyone noticed that he steals a replacement Hemi out of an AMC Matador cop car? I sure did! It stands as yet another tribute to the mythical legacy of Hemi-powered cop cars on TV and in the movies.

Interesting evidence of the essential link between Yahweh and copper metallurgy is provided by the story of the first 'encounter' between Moses and Yahweh on Mt Horeb, near the 'burning bush' (Exod. 3), where it is related that Moses is involved in the mission to deliver the sons of Israel from Egyptian tyranny. It is also stressed that Moses had to perform a 'prodigy' in order to demonstrate that he acts in the name of Yahweh (Exod. 4.5). This prodigy is depicted as the reversible transformation of a matteh into a nahash (Exod. 4.2-5). The term matteh is generally understood as designating a wood-made staff, but this meaning is probably secondary. From Isa. 10.15 and Ezek. 19.13-14 it appears that a matteh was formerly a copper scepter hung up on a wooden staff.&sup32; The term nahash is generally translated as 'serpent'. However, the closeness existing in Hebrew between nahash ('serpent') and nehoshet ('copper') suggests that nahash may also designate copper.&sup33; Accordingly, the prodigy performed 'in the name of Yahweh' becomes the transformation of a copper artifact (matteh, the scepter) into melted copper (nahash, the serpent). It is interesting to notice that such a 'prodigy' (occuring not so far from the camp of Jethro the Kenite) happens after Moses threw his matteh on a hot source, the 'burning bush', which may be a poetic evocation of live charcoal. If the reversible matteh-nahash conversion is considered in the book of Exodus as a specific sign of Yahweh, this implies that this deity was intimately associated with copper melting, at least in the period prior to the Israelite Alliance. (pp. 395-396) from 'Yahweh, the Canaanite God of Metallurgy?', JSOT 33.4 (2009): 387-404 [32]: The term matteh is explicitly used to designate the wooden staff in Exod. 17.16-23. But the initial meaning is revealed in Isa. 10.15, when it is asked, 'Shall the axe vaunt itself over the one who wields it, or the saw magnify itself against the one who handles it? As if a rod should raise the one who lifts it up, or as of a staff should lift the one who is not wood!' It a matteh cannot be hung up without a wooden staff, it is clear that it is not the wooden staff itself but something that is fitted with it. Furthermore, in his lamentation about the destruction of Israel, Ezekiel mentions the fact that the staff supporting the matteh will burn and will provoke a qeyna (Ezek. 19.13-14), a term designating the smelting of copper (and by extension its melting). This strongly suggests that the matteh is a copper-scepter. In some cases, traces of wood have been found in the inner space of the scepter, confirming that such items were probably borne upon wooden staffs. [33]: The term nahash is also used to designate copper in languages closely related to Hebrew (Ugaritic, Aramaic, Arabic). In the book of Chronicles, the term nahash is used once to designate copper: Ir Nahash was a town founded by a descendant of Celoub (Caleb), a clan of metalworkers (1 Chron 4.11-12), so that it designates the town where copper was smelted or worked.

Interesting evidence of the essential link between Yahweh and copper metallurgy is provided by the story of the first 'encounter' between Moses and Yahweh on Mt Horeb, near the 'burning bush' (Exod. 3), where it is related that Moses is involved in the mission to deliver the sons of Israel from Egyptian tyranny. It is also stressed that Moses had to perform a 'prodigy' in order to demonstrate that he acts in the name of Yahweh (Exod. 4.5). This prodigy is depicted as the reversible transformation of a matteh into a nahash (Exod. 4.2-5). The term matteh is generally understood as designating a wood-made staff, but this meaning is probably secondary. From Isa. 10.15 and Ezek. 19.13-14 it appears that a matteh was formerly a copper scepter hung up on a wooden staff.&sup32 The term nahash is generally translated as 'serpent'. However, the closeness existing in Hebrew between nahash ('serpent') and nehoshet ('copper') suggests that nahash may also designate copper.&sup33 Accordingly, the prodigy performed 'in the name of Yahweh' becomes the transformation of a copper artifact (matteh, the scepter) into melted copper (nahash, the serpent). It is interesting to notice that such a 'prodigy' (occuring not so far from the camp of Jethro the Kenite) happens after Moses threw his matteh on a hot source, the 'burning bush', which may be a poetic evocation of live charcoal. If the reversible matteh-nahash conversion is considered in the book of Exodus as a specific sign of Yahweh, this implies that this deity was intimately associated with copper melting, at least in the period prior to the Israelite Alliance. (pp. 395-396) from 'Yahweh, the Canaanite God of Metallurgy?', JSOT 33.4 (2009): 387-404 [32]: The term matteh is explicitly used to designate the wooden staff in Exod. 17.16-23. But the initial meaning is revealed in Isa. 10.15, when it is asked, 'Shall the axe vaunt itself over the one who wields it, or the saw magnify itself against the one who handles it? As if a rod should raise the one who lifts it up, or as of a staff should lift the one who is not wood!' It a matteh cannot be hung up without a wooden staff, it is clear that it is not the wooden staff itself but something that is fitted with it. Furthermore, in his lamentation about the destruction of Israel, Ezekiel mentions the fact that the staff supporting the matteh will burn and will provoke a qeyna (Ezek. 19.13-14), a term designating the smelting of copper (and by extension its melting). This strongly suggests that the matteh is a copper-scepter. In some cases, traces of wood have been found in the inner space of the scepter, confirming that such items were probably borne upon wooden staffs. [33]: The term nahash is also used to designate copper in languages closely related to Hebrew (Ugaritic, Aramaic, Arabic). In the book of Chronicles, the term nahash is used once to designate copper: Ir Nahash was a town founded by a descendant of Celoub (Caleb), a clan of metalworkers (1 Chron 4.11-12), so that it designates the town where copper was smelted or worked.

Jack and Caleb stood in the driveway, the cars’ engines revving, and talked about their new toys. The lights from the porch spilled down to them. Jenna stood, leaning against the post, watching, enjoying seeing their bond and appreciation of the cars. “Boys with toys.” She smiled from the top step. “You guys look happy.” “What’s not to be happy about? These are the coolest cars ever,” Caleb said with the exuberance of a teen with his very own custom hot rod. “You owe me a ride, Jack.” “Honey, I aim to give you the ride of your life as soon as this one goes home to his wife.” Jack gave her a wicked grin and closed the hood of his car. Jenna laughed and smiled. “You have a one-track mind.” When was the last time she felt this light? “Honey, my mind hasn’t been off you since I saw you in the diner.” “I got the hint. I’m going.” Caleb closed the hood of his car, still purring like a really big kitten. He walked over to Jenna as she came down the porch steps to the gravel drive. He wrapped his arms around her, careful of her healing back, and she wrapped hers around him. So easy to do now that she’d opened herself to him, the whole family. He bent and whispered into her ear, “Thank you. Thank you for what you gave to my wife, my children, and me. I’ll never be able to repay you. If you ever need me, I’ll be there for you, no matter what. You can count on me. You’re an angel, an absolute angel.” “Get your hands off my woman. You have one of your own at home.” Jack watched his brother-in-law with Jenna. They’d created a close bond, the same as with his sister. She didn’t shy away from him when he embraced her; instead she held him and drew on his strength. Caleb would be like a big brother to her. He would protect her. Caleb drew Jenna away just enough to look into her eyes. He put his hand to her cheek, his other arm still wrapped around her. “Thank you.” “You’re welcome, Caleb. You’re a good man.” “You make me want to be a better one.” “I just want you and your family to have a happy life.” “We will, thanks in part to you and Jack. You’re part of that family now, too. Don’t ever forget that.” “Thank you.” “Don’t thank me. You’re a wonderful person. The best I’ve ever met.” He kissed her cheek and released her, turning back toward Jack. “I already punched you for kissing my sister. I guess I have to punch you for kissing her now, too,” Jack teased. Caleb didn’t rise to the bait. “You hurt her, and I’ll be the one throwing the punches.” He smiled back at Jack, then walked over and gave him a big bear hug. “Thanks for what you did for me, Summer, and the kids. It means everything to us. I’ll see you tomorrow.” He smacked Jack on the back before getting into his car. Caleb revved the engine, beamed them an excited smile, and took off like a rocket toward home. “You going to hurt me, Jack?” “Not if I can help it. I’ll spend the rest of my life and yours trying to make you happy. How’s that sound?” “Like heaven. Take me for a ride.” -Jenna, Caleb, & Jack

takes a moment to change everything. Savannah glanced at Jane, then smiled at Hunter. “I see you found my car.” “It’s just the hot rod

If you want to get off, watch me eat you. As long as you watch, I eat. The minute you stop, I stop. Simple, right? And when we’re done there, I’m going to fill your hot, wet, tight little pussy with the divining rod you’ve created. Now shut the hell up, because I’m fuckin’ hungry.

Bile rose in Micah’s throat along with burning hot tears at the brutal memory. She’d tried so hard not to scream. But they wanted her screams and Micah sobbed and screamed for her as they whipped her relentlessly until blood flowed over her naked body. His heart had burned like lava in his chest until he couldn’t breathe. And then she fucking broke when they… A fresh sob burst from Micah as the memory ripped apart his soul of her screeching wails and stop, stop, stop, stop, when they burned his tattooed name from over her heart. With a fucking branding rod. 

That's what I want to be when I grow up--caring and gentle,' I said, because that's what all good men should be like. Even if you don't have money to buy swanky dinners in flashy restaurants like Applebee's or T.G.I. Friday's or wear trendy clothes or have a shit-hot hot-rod car, you can still be gentle and caring.

Imagine trying to jerry-rig a Volkswagen Beetle to travel at speeds of 150 miles per hour. In 1933, Adolf Hitler commissioned Dr. Ferdinand Porsche to develop a cheap car that could get 40 miles per gallon of gas and provide a reliable form of transportation for the average German family. The result was the VW Beetle. This history, Hitler’s plan, places constraints on the ways we can modify the Beetle today; the engineering can be tweaked only so far before major problems arise and the car reaches its limit. In many ways, we humans are the fish equivalent of a hot-rod Beetle. Take the body plan of a fish, dress it up to be a mammal, then tweak and twist that mammal until it walks on two legs, talks, thinks, and has superfine control of its fingers—and you have a recipe for problems. We can dress up a fish only so much without paying a price. In a perfectly designed world—one with no history—we would not have to suffer everything from hemorrhoids to cancer.

April 30 MORNING “And all the children of Israel murmured.” — Numbers 14:2 THERE are murmurers amongst Christians now, as there were in the camp of Israel of old. There are those who, when the rod falls, cry out against the afflictive dispensation. They ask, “Why am I thus afflicted? What have I done to be chastened in this manner?” A word with thee, O murmurer! Why shouldst thou murmur against the dispensations of thy heavenly Father? Can He treat thee more hardly than thou deservest? Consider what a rebel thou wast once, but He has pardoned thee! Surely, if He in His wisdom sees fit now to chasten thee, thou shouldst not complain. After all, art thou smitten as hardly as thy sins deserve? Consider the corruption which is in thy breast, and then wilt thou wonder that there needs so much of the rod to fetch it out? Weigh thyself, and discern how much dross is mingled with thy gold; and dost thou think the fire too hot to purge away so much dross as thou hast? Does not that proud rebellious spirit of thine prove that thy heart is not thoroughly sanctified? Are not those murmuring words contrary to the holy submissive nature of God’s children? Is not the correction needed? But if thou wilt murmur against the chastening, take heed, for it will go hard with murmurers. God always chastises His children twice, if they do not bear the first stroke patiently. But know one thing — “He doth not afflict willingly, nor grieve the children of men.” All His corrections are sent in love, to purify thee, and to draw thee nearer to Himself. Surely it must help thee to bear the chastening with resignation if thou art able to recognize thy Father’s hand. For “whom the Lord loveth He chasteneth, and scourgeth every son whom He receiveth. If ye endure chastening, God dealeth with you as with sons.” “Murmur not as some of them also murmured and were destroyed of the destroyer.

So this was passion, these intense sensations centered below her belly that made her feel boneless as satin and…and hot as… Faith, she couldn’t think what. Her knees were open and her bosom bare, and she just wanted more. More. More heat, more stroking, more… A keening began low in her throat that matched the building intensity between her legs. His fingers inside her fell into a provocative, rushing rhythm that was like…like… “That’s it, my lovely Jane,” Dom whispered against her breast. “Give yourself to the dance.” Ah, yes, like dancing. Only better. Because the music rising inside her came from her pounding heart and beating blood, from Dom’s devilish playing upon her privates, from the crescendo…of her own…quickening…gasps… Someone screamed. Her, apparently, for Dom uttered an oath seconds before he swallowed her cry with his kiss. And just like that, she vaulted out of the dance into heaven. Her body shook and her hand gripped his neck hard enough to leave marks, and it was marvelous. Every inch of her felt alive, from bones to flesh to skin. She wanted to shout, but Dom’s mouth wouldn’t leave hers. His tongue slid silkily in and out, slowing, softening, bringing her down from wherever it was she’d been. After a while, his kiss gentled to a tender sweetness that made her ache in a different way. In her heart. Her stupid, foolish heart. Regretfully, she drew her lips from his, and he let her, though his gaze didn’t leave her face. He drew up her bodice, pulled down her skirts, and lifted her until she was sitting straight up on his lap. His thing felt like a rod of iron beneath her bottom, but he made no move to have her touch it again. Which was good because at the moment, she could only sit there, limp and panting. He briefly kissed her forehead. “That, sweeting, is passion,” he said in a throttled voice. She nodded. It was all she could manage. “And if you wish to leave this room an innocent, you’d best go without delay.” That startled her. But she was grateful for the warning. Because now that their encounter was done, and she was returning to reality, she realized how mad this was. If she still meant to marry Edwin… No, she couldn’t think about that. Not right now, when she had Dom’s taste in her mouth and his scent engulfing her senses. Blushing, she rose from his lap and straightened her clothes, sure that if she came across anyone in the halls, they would guess at once what she’d been doing. Thank heaven the servants had probably already retired to their quarters. She would die if any of them saw her and guessed she’d been playing the wanton. “Dom…” she began, not sure what to say. Thank you? That was lovely? When may we do it again? Not that. If they ever did this again, she wouldn’t rest until he made her his. And she still wasn’t sure she wanted that. “It’s all right, Jane,” he said tightly, as if he could read the conflict inside her. “Get some sleep. We’ll talk tomorrow.” She bobbed her head and fled.

Reading wasn't an attempt to educate myself. It was my chief escape from a world that, although gorgeous in landscape and rich with mountain culture, didn't provide what I needed—the promise of adventure, a life beyond the perimeter of hills. I often fantasized that I'd been adopted and had mysterious powers such as flying or teleportation. Books offered the promise of a world in which misfits like me could flourish. Within the pages of a novel, I was unafraid: of my father, of dogs, snakes, and the bully across the creek; of older boys who drove hot rods close enough to make me jump in the ditch; of armed men parked near the bootlegger.

the buzz is that the general shape of the car is dead-on.” So wrote Hot Rod editor (and my former boss) David Freiburger in the March 2003 issue. His words supported a “sneak peek” cover story on the 2005 Mustang. Looking back, we now know the prototypes shown

After all these weeks, after all of this, I feel that I am finally going to pieces, and I find, stunningly, that as I turn about in the street, I am praying, a habit of my childhood, when I would try to cover my bets with a God in whom I knew I did not much believe. And now, dear God, I think, dear God in whom I do not believe, I pray you to stop this, for I am deathly frightened. Dear God, I smell my fear, with an oder as distinct as ozone on the air after a lightening flash. I feel fear so palpable it has a color, an oozing fiery red, and I feel it pitifully in my bones, which ache. My pain is so extreme that I can barely move down this hot avenue, and for a moment cannot, as my backbone bows with fear, as if a smelted rod, red-hot and livid, had been laid there. Dear God, dear God, I am in agony and fear, and whatever I may have done to make you bring this down upon me, release me, please, I pray, release me. Release me. Dear God in whom I do not believe, dear God, let me go free.

Away deep in the aim to study himself in the school of the land his ancestors' gravestones flowered, Rip planned to burn his oil on the journey for growth by the hike, the thumb, the hitch, the rod, the freight, the rail, and he x'd New York on a map and pencilled his way to and into and through and under and up and between and over and across states and capitals and counties and cities and towns and villages and valleys and plains and plateaus and prairies and mountains and hills and rivers and roadways and railways and waterways and deserts and islands and reservations and titanic parks and shores and, ocean across to ocean and great lakes down to gulfs, Rip beheld the west and the east and the north and the south of the Brobdingnagian and, God and Christ and Man, it was a pretty damn good grand big fat rash crass cold hot pure mighty lovely ugly hushed dark lonely loud lusty bitchy tender crazy cruel gentle raw sore dear deep history-proud precious place to see, and he sure would, he thought, make the try to see it and smell it and walk and ride and stop and talk and listen in it and go on in it and try to find and feel and hold and know the beliefs in it and the temper and the talents in it and the omens and joys and hopes and frights and lies and laughs and truths and griefs and glows and gifts and glories and glooms and wastes and profits and the pulse and pitch and the music and the magic and the dreams and facts and the action and the score and the scope and span of the mind and the heart and spine and logic and ego and spirit in the soul and the goal of it.

There are halibut as big as doors in the ocean down below the town, flapskimming on the murky ocean floor with vast skates and rays and purple crabs and black cod large as logs, and sea lions slashing through the whip-forests of bull kelp and eelgrass and sugar wrack, and seals in the rockweed and giant perennial kelp and iridescent kelp and iridescent fish and luminous shrimp too small to see with the naked eye but billions of which feed the gray whales which slide hugely slowly by like rubbery zeppelins twice a year, north in spring and south in fall. Salmonberries, thimbleberries, black raspberries, gooseberries, bearberries, snowberries, salal berries, elderberries, blackberries along the road and by the seasonal salt marshes north and south. The ground squirrels burrow along the dirt banks of the back roads, their warren of mysterious holes, the thick scatter of fine brown soil before their doorsteps, the flash of silver-gray on their back fur as they rocket into the bushes; the bucks and does and fawns in the road in the morning, their springy step as they slip away from the gardens they have been eating; the bobcat seen once, at dusk, its haunches jacked up like a teenager's hot-rodding car; the rumor of cougar in the hills; the coyotes who use the old fire road in the hills; the tiny mice and bats one sometimes finds long dead and leathery like ancient brown paper; the little frenetic testy chittering skittering cheeky testy chickaree squirrels in the spruces and pines - Douglas squirrels, they are, their very name remembering that young gentleman botanist who wandered near these hills centuries ago. The herons in marshes and sinks and creeks and streams and on the beach sometimes at dusk; and the cormorants and pelicans and sea scoters and murres (poor things so often dead young on the beach after the late-spring fledging) and jays and crows and quorking haunted ravens (moaning Poe! Poe! at dusk) especially over the wooded hills, and the goldfinches mobbing thistles in the meadowed hills, and sometimes a falcon rocketing by like a gleeful murderous dream, and osprey of all sizes all along the Mink like an osprey police lineup, and the herring gulls and Caspian terns and arctic terns, and the varied thrushes in wet corners of thickets, and the ruffed grouse in the spruce by the road, and the quail sometimes, and red-tailed hawks floating floating floating; from below they look like kites soaring brownly against the piercing blue sky, which itself is a vast creature bluer by the month as summer deepens into crispy cold fall.

When Mom says “bong,” she means her nebulizer. It turns water into vapor, and she huffs it all day like a singer breathing hot mist before a performance. Except Mom’s machine is handheld. I’m surprised she doesn’t carry it in a gun sling. But my mom is not just inhaling water. “Let’s get some colloidal silver in those lungs,” she says. Second to prayer, colloidal silver is Mom’s insurance policy on life. She makes her own, soaking two silver rods in a glass vat of water that sits next to her kitchen sink. I’ll let her explain it. This is from one of her emails telling me how to live forever: “I use distilled water and 99% pure silver rods. The rods are connected to a positive and negative charge (think of a jumper cable for your car) and they are immersed in the distilled water. Some people leave the rods in the water 2–4 hours. I leave mine in for 8–12 hours so my silver water is extra strength and powerful…I drink ¼ cup colloidal silver in a glass of water before bed, and have for years and years. RARELY am I ever sick. I take a bottle of colloidal silver on every trip (especially overseas) in case I pick up a stomach bug or am around anyone who is sick. I use it on wounds, use it for pink eye, ear infections, the flu, and more because it kills over 600 viruses and most bacteria, including MRSA. There are also studies that show the benefits of colloidal silver against cancer.” Every time I’m home, she gives me a bottle of the stuff to take back to Los Angeles. I, like a good millennial, googled its effectiveness. The scientific establishment seems to believe that colloidal silver does approximately nothing good, and in large quantities, some bad. Perhaps you’ve seen the viral meme of the old blue man? He consumed so much colloidal silver that his skin dyed blue from the inside. He looks like a Smurf with a white beard. Well, he looked like a Smurf. He’s dead. Maybe from something common like heart failure, but… When I told my mother this, she wouldn’t hear it. “I know it works. I’ve been using it for years. I don’t care what those articles say. I’ve read hundreds of articles about it.

French fries are America’s vegetable of choice, and the average American eats the fat equivalent of one whole stick of butter each day. This has forced airlines to add more fuel to planes to compensate for heavier passengers, manufacturers increase the size of car seats for children while selling seat belt extenders for adults, and curved shower curtain rods are creating space for those needing extra room while bathing. There is no way one size can possibly fit all. Time reports, “As Americans have grown physically larger, brands have shifted their metrics to make shoppers feel skinnier—so much so that a women’s size 12 in 1958 is now a size 6.” Disguising this doubling in size is called vanity sizing but has been derided as “insanity sizing”.

The creature scrambled closer, walking on long legs that were of polished metal. Its tall and thin torso, an amalgamation of metal rods and black, pulsing organic parts, was bent and grated against the ceiling, while its head looked like a flat iron with eyes. Short and stubby steel teeth lined its long jaws. The entire room smelled of hot metal and molten rubber.

hot-rodding lasted until the 1980s when, as Matthew Crawford observes, electronic engine management made everything under the bonnet ‘a little opaque’. It is hard to rod a computer.

Characterizations are quick but precise; Stevenson's people are sketched but never caricatured. Mood is implied rather than belabored. The narrative is as chopped and lowered as a kid's hot rod.

Sir, please lie down. I’m not finished.” He grabs for me—one hand closing on my wrist, the other pawing at my dress and neck. His mouth presses against my face. Panic tears at me. “Your Highness.” I push him away. “I want to know what you taste like. If being born with color changes the way you feel.” He rips one of my skirts and tries to untie my waist-sash. “You must all be different. I visited one of your sisters. The white-haired one—Edelweiss, yes, that was it—and she was lovely.” I scream out. His hands find their way under my skirts. We knock into the trays, scattering Belle-products across the floor. “I like screaming.” He hisses at me like an animal. I kick him and escape to the opposite side of the treatment table. He jumps at me again and presses me against the wall. He kisses my neck and smells my hair. I reach for the tools in my belt, grab a metal smoothing rod, and stab him with it. The rod pierces his belly. He grunts, but still pushes forward, trying to sandwich me between his body and the treatment table. I shove the rod in harder and finally make the space to slip away. “Get back here!” he bellows. “Just one kiss.” He yanks the rod out of his flesh and tosses it aside, like it’s nothing more than a splinter. He chases me around the table and catches me by the waist. I use my arcana to call the Belle-roses in the teapot back to their younger forms. They surge; the teapot explodes. The porcelain shatters. Liquid splatters all over, and he flinches as the hot droplets sting his back. I uncoil the flowers, stretching out their petals and stems. They bloom into thorny chains that I use to press Prince Alfred’s arms and legs against the wall. He fights against the restraints. “I like you. You’re feisty,” he says. Blood trickles down his arms and legs. I push the thorns deeper into his skin, then let a vine hook around his neck. He makes a kissing noise at me.

The internal combustion engine evolved from the steam engine. Both use hot gases expanding within an enclosed cylinder to supply power. The gas in a steam engine is steam, generated externally by heating water in a boiler and introduced through a valve into the cylinder, where it expands and pushes on a piston connected to a rod that transfers the motion outside the engine to turn a pair of wheels.

Got it,” Tara said. “No playing human lightning rod.” “Hey, if you get struck by lightning at least you would be smokin’ hot,” Paige joked. The other girls groaned and shot her a hard stare. “Well, on that note, I think I’m going to go help the others,” I chuckled as I shook my head.

Hot air expands, causing high pressure. Cold air contracts, causing low pressure. See?

I always preferred the part of him that was into hot-rod cars and playing heavy metal and rocking out as opposed to the fascist stuff. Then there’s a part of him that’s this weird quasi-Amish beet farmer. Again, they don’t make sense together but sometimes that’s what gives people dimension, these contrasting characteristics.

When it comes to survival, maybe what’s most important is simple fidelity: not by evangelizing people directly but by developing honest relations with one another—not looking for whether one is good or bad, or judging them by their ideology,” says Kęska. “He was constantly observed by the secret police, parked right in front of his home. During the severely cold winters, he would bring them hot tea to warm them up. Because they were people, just like that.

No harm, no foul

The setting of our urgent lives is an intricate maze whose blind corridors we learn one by one—village street, ocean vessel, forested slope—without remembering how or where they connect in space. You travel, settle, move on, stay put, go. You point your car down the riverside road to the blurred foot of the mountain. The mountain rolls back from the floodplain and hides its own height in its trees. You get out, stand on gravel, and cool your eyes watching the river move south. You lean on the car’s hot hood and look up at the old mountain, up the slope of its green western flank. It is September; the golden-rod is out, and the asters. The tattered hardwood leaves darken before they die. The mountain occupies most of the sky. You can see where the route ahead through the woods will cross a fire scar, will vanish behind a slide of shale, and perhaps reemerge there on that piny ridge now visible across the hanging valley—that ridge apparently inaccessible, but with a faint track that fingers its greenish spine. You don’t notice starting to walk; the sight of the trail has impelled you along it, as the sight of the earth moves the sun.

Well, now what?” he asked. “I have them in my coldbar.”  Kate and Jack exploded in laughter. “It’s a HOTbar Dad!” Jack said, barely able to breathe. Dad shrugged. “Hot bar, cold bar, taco bar, ice cream bar... I just want to know how to make a fishing rod!

Mr. Keir MacRae Lady Merritt Sterling The names had been typed... but why?... what for?... Bits and pieces of memory whirled in his head... thoughts wheeling just beyond reach. As he struggled blindly to catch hold of something, make sense of the tumult, he heard Merritt's voice... stay for one night just one... and there was the smell of rain and the cool darkness of night, and the warmth of a bed... the tender plump curves of a woman's breasts, and the hot clasp of her body pulling at him, squeezing in voluptuous pulsation, and the sweet, wracking culmination as she cried out his name. And there was the sight of her in candlelight, flames dancing in guttering pools of wax, catching glimmers from her eyes, hair, skin... and the glorious freedom of yielding everything, telling her everything, while inexhaustible delight welled around them. And the despair of leaving, the physical pain of putting distance between them, the sensation of being pulled below the surface of the sea, looking up from airless depths to an unreachable sky. Lady Merritt's fingertips pressing a typewriter key. Tap. Tap. Tiny metal rods flicked at a spool of inked ribbon, and letters emerged. Keir was panting now, clutching the slip of paper, while his brain sorted and spun, and pin tumblers aligned, a key turned, and something unlocked. "Merry," he said aloud, his voice unsteady. "My God... Merry.

Carelessness. I lost my one true love. I started drinking. The first thing I know, I’m in a card game. Then I’m in a crap game. I wake up in a pool hall. Then this big Mexican lady drags me off the table, takes me to Philadelphia. She leaves me alone in her house, and it burns down. I wind up in Phoenix. I get a job as a Chinaman. I start working in a dime store, and move in with a 13-year-old girl. Then this big Mexican lady from Philadelphia comes in and burns the house down. I go down to Dallas. I get a job as a “before” in a Charles Atlas “before and after” ad. I move in with a delivery boy who can cook fantastic chili and hot dogs. Then this 13-year-old girl from Phoenix comes and burns the house down. The delivery boy—he ain’t so mild: He gives her the knife, and the next thing I know I’m in Omaha. It’s so cold there, by this time I’m robbing my own bicycles and frying my own fish. I stumble onto some luck and get a job as a carburetor out at the hot-rod races every Thursday night. I move in with a high school teacher who also does a little plumbing on the side, who ain’t much to look at, but who’s built a special kind of refrigerator that can turn newspaper into lettuce. Everything’s going good until that delivery boy shows up and tries to knife me. Needless to say, he burned the house down, and I hit the road. The first guy that picked me up asked me if I wanted to be a star. What could I say?

I think there's characters like Knock-Out where, at the beginning, when we were first designing him, that they said let's make him this hot rod, all into his paint and how it looks but I think eventually he became a lot more comedic than when we designed him but the idea was always he's like this hot car, he's in love with himself. He just thinks he looks good and wants to keep his body in shape. -Jose Lopez

For there, tattooed along the shaft of the victim's penis, ran brilliant flames of orange, blue, and red. "Redefines the term hot rod," one of the paramedics offered. "Smokin' good time." The med nurse snorted. "Probably closer to flaming dick, you ask me." "It's better

Though I did not shed a single tear, I felt defeated. I had had enough. I wanted to curl up and die. The sense of loss I felt when I saw the letters burn was oppressive. It felt like someone had heated upa hot iron rod and singed me again and again on the raw exposed skin.