Hot Pools Quotes

We've searched our database for all the quotes and captions related to Hot Pools. Here they are! All 100 of them:

Hey, a guy can hope. I mean, it’s not impossible that a car full of scantily clad sorority girls might break down outside and need my help.” “That’s true,” I said. “Maybe I can put a sign out front that says, ‘ATTENTION ALL GIRLS: FREE HELP HERE.’” “‘ATTENTION ALL HOT GIRLS,’” he corrected, straightening up. “Right,” I said, trying not to roll my eyes. “That’s an important distinction.” He pointed at me with the pool stick. “Speaking of hot, I like that uniform.” This time, I did roll my eyes.
Richelle Mead (Bloodlines (Bloodlines, #1))
Value yourself for what the media doesn't - your intelligence, your street smarts, your ability to play a kick-ass game of pool, whatever. So long as it's not just valuing yourself for your ability to look hot in a bikini and be available to men, it's an improvement.
Jessica Valenti (Full Frontal Feminism)
Didn't you know I was out here, just waiting for a friend like you?" "Of course I didn't know. I'd have been dancing on top of every bar in town, instead of studying, if I'd known that." "Tell me not to kiss you," he said, when his lips were a breath away from mine. "Don't kiss me," I told him, my voice a breathless rasp. "Mean it," he said, crowding me into the corner of the pool. He tilted my chin up with his finger. "I can't," I gasped. The words had barely left my lips before he was kissing me.
R.K. Lilley (Bad Things (Tristan & Danika, #1))
I want a homing beacon on your vehicle." "There will be." "No, I want one on before we leave the grounds in the morning. I'll see to it." Give and take, she reminded herself. Even when--maybe especially when--give and take was a pain in the ass. "Okay. But there go my plans to slip off and meet Pablo the pool boy for an hour of hot, sticky sex." "We all have to make sacrifices. Myself, I've had to reschedule my liaison with Vivien the French maid three times in the last couple of days." "Blows," Eve said as they slipped into bed. "She certainly does.
J.D. Robb (Creation in Death (In Death, #25))
She had never really seen a pair of eyes like this. It was like standing in the doorway to a dark room, like balancing on a threshold, holding a lantern up and watching how it kissed some things gold and left other things in shadow. It was the kind of dark that hid and held a lot of things. A hot fluid dark, a summer tide pool dark, a wild breathless dark.
Nina Varela (Crier's War (Crier's War, #1))
But if you take off your clothes, I’m sure I can get them dry.” My eyes went wide. “Are you trying tog et my naked?” His silvery gaze met mine. “Do you really need me to answer that?” A hot, sweet flush stole across my cheeks. When he was like this—open, flirty, and downright sexy—I was at my lamest. I wasn’t used to this side of him. I don’t think I ever would be, and there was something thrilling in that. But I stared at him, caught between the images playing out in my head and the very real man standing before me.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.
Luke Davies (Candy)
I was terrified. I was eleven years old, and though I'd been told my entire life that it was entirely natural for the recessive soul to fade away, I didn't want to go. I wanted twenty thousand more sunrises, three thousand more hot summer days at the pool. I wanted to know what it was like to have a first kiss. The other recessives were lucky to have disappeared at four or five. They knew less.
Kat Zhang (What's Left of Me (The Hybrid Chronicles, #1))
And Winterfell … grey granite, oak and iron, crows wheeling around the towers, steam rising off the hot pools in the godswood, the stone kings sitting on their thrones … how could Winterfell be gone?
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
His anger was as great as mine, but hot where mine was cold.
John Christopher (The Pool of Fire)
The joy's gone out of me like the pee from a small boy in a swimming pool on a hot day.
Neil Gaiman (American Gods (American Gods, #1))
But Gemma, you could change the world." "That should take far more than my power," I say. "True. But change needn't happen all at once. It can be small gestures." "Moments. Do you understand?" He's looking at me differently now, though I cannot say how. I only know I need to look away... We pass by the pools, where the mud larks sift. And for only a few seconds, I let the magic loose again. "Oi! By all the saints!" a boy cries from the river. "Gone off the dock?" an old woman calls. The mud larks break into cackles. "'S not a rock!" he shouts. He races out of the fog, cradling something in his palm. Curiosity gets the better of the others. They crowd about trying to see. In his palm is a smattering of rubies. "We're rich mates! It's a hot bath and a full belly for every one of us!" Kartik eyes me suspiciously. "That was a strange stroke of good fortune." "Yes it was." "I don't suppose that was your doing." "I'm not sure I don't know what you mean," I say. And that is how change happens. One gesture. One person. One moment at a time.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
I told her we were going to get married, and all she could talk about was frogs. She said there's these hills where it's hot and rains all the time, and in the rainforests there are these very tall trees and right in the top branches of the trees there are these like great big flowers called . . . bromeliads, I think, and water gets into the flowers and makes little pools and there's a type of frog that lays eggs in the pools and tadpoles hatch and grow into new frogs and these little frogs live their whole lives in the flowers right at the top of the trees and don't even know about the ground, and once you know the world is full of things like that, your life is never the same.
Terry Pratchett (Wings (Bromeliad Trilogy, #3))
Honestly, I'm not sure how much longer I can keep doing this. It's like there are seven candles lit in my stomach. One, two, three, four, five, six, seven. Seven candles burning and smoking - lit - seven flames of doubt, fear, sorrow, pain, waste, hopelessness, despair. They turn my insides black with soot and ash. There is something at the back of my eyes- a pressure building, building, building - hot like the flames of seven candles, which no amount of breath can extinguish. I imagine drinking glasses of water. One, two, three four, five, six, seven. I dive into the clearest pool. I drown myself in the coarse, dry sand. I swallow handfuls of crushed white salt, but the flames burn still - brighter, hotter, deeper. Sweat runs in delicate patterns down my back, over my crooked spine and jutting hips. I scratch at the wounds these last weeks have left, but I can't break free of them. The flies gather and vultures circle overhead. The fire eats away my flesh. The fire spreads. The fire runs through my veins. The fire courses beneath my muscles - my tendons - the marrow of my bones. I sit rocking on the street corner. No, I can't keep doing this. I just can't.
Nic Sheff (Tweak: Growing Up On Methamphetamines)
He was wearing a scuba mask and snorkel set pushed off his handsome face . . . a set of flippers that slapped over the slick floor as he approached the pool’s edge . . . a slingshot bathing suit that was hot pink . . . and a children’s
J.R. Ward (Blood Kiss (Black Dagger Legacy, #1))
Day followed day, and night followed night, until Dany knew she could not endure a moment longer. She would kill herself rather than go on, she decided one night... Yet when she slept that night, she dreamt the dragon dream again. Viserys was not in it this time. There was only her and the dragon. Its scales were black as night, wet and slick with blood. Her blood, Dany sensed. Its eyes were pools of molten magma and when it opened its mouth, the flame came roaring out in a hot jet. She could hear it singing to her. She opened her arms to the fire, embraced it, let it swallow her whole, let it cleanse her and temper her and scour her clean. She could feel her flesh sear and blacken and slough away, could feel her blood boil and turn to steam, and yet there was no pain. She felt strong and new and fierce. And the next day, strangely, she did not seem to hurt quite as much.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Just try to keep your mind in the present. Whatever arises in the mind, just watch it and let go of it. Don't even wish to be rid of thoughts. Then the mind will return to its natural state. No discriminating between good and bad, hot and cold, fast and slow. No me and no you, no self at all—just what there is. When you walk there is no need to do anything special. Simply walk and see what is there. No need to cling to isolation or seclusion. Wherever you are, know yourself by being natural and watching. If doubts arise, watch them come and go. It's very simple. Hold on to nothing. It's as though you are walking down a road. Periodically you will run into obstacles. When you meet defilements, just see them and overcome them by letting them go. Don't think about the obstacles you've already passed; don't worry about those you have not yet seen. Stick to the present. Don't be concerned about the length of the road or the destination. Everything is changing. Whatever you pass, don't cling to it. Eventually the mind will reach its natural balance where practice is automatic. All things will come and go of themselves.
Ajahn Chah (A Still Forest Pool: The Insight Meditation of Achaan Chah (Quest Book Book 0))
It’s too hot to do anything outside but go to a pool or watch stuff melt.
James Rallison (The Odd 1s Out: How to Be Cool and Other Things I Definitely Learned from Growing Up)
We retaliate instead of reflect, and we burn hot in the flames of revenge rather than cool our heels in the pool of patience.
Craig D. Lounsbrough
I’d once again see that bob of blonde hair back on my pillow, that pink hot smile beaming toward me as I heroically win her heart in some kind of Count of Monte Cristo or Great Gatsby-esque gesture… you know minus the long imprisonment or swimming pool death!
Tom Conrad
What happened felt more like chemistry than a kiss. Pure liquid heat on my lips, dissolving into me, trailing a hot line down my chest and pooling in my stomach. My heels rose off the floor. All of me rose, unanchored, held down only by his weight pressing me to the chilly slab of the door. We kissed as we could not have done until now—like lovers.
Leah Raeder (Unteachable)
The hot water pools are steaming, Fagan and Monsanto and the others are all sitting peacefully up to their necks, they're all naked, but there's a gang of fairies also there naked all standing in various bath house postures that make me hesitate to take my clothes off just on general principles. (p. 106)
Jack Kerouac (Big Sur)
That bar also delineated the realm of sweat and hourly wage, the working world that college was educating me to leave. Rewards in that realm were few. No one congratulated you for clocking out. Your salary was spare. The Legion served as recompense. So the physical comforts you bouth there—hot boudain sausage and cold beer—had value. You attended the place, by which I mean you not only went there but gave it attention your job didn’t deserve. Pool got shot not as metaphor for some corporate battle, but as itself alone. And the spiritual comforts-friendship, for instance—couldn’t be confused with payback for something you’d accomplished, for in the Legion everybody punched the same clock, drew the same wage, won the same prize.
Mary Karr (The Liars' Club)
I don't want to keep you from the mob of fans beating down the door." "Hey, a guy can hope. I mean, it's not impossible that a car full of scantily clad sorority girls might break down outside and need my help." "That's true," I said. "Maybe I can put a sign out from that says, 'ATTENTION ALL GIRLS:FREE HELP HERE.'" "'ATTENTION ALL HOT GIRLS,'" he corrected, straightening up. "Right," I said, trying not to roll my eyes. "That's an important distinction." He pointed at me with the pool stick. "Speaking of hot, I like that uniform." This time I did roll me eyes.
Richelle Mead (Bloodlines (Bloodlines, #1))
Then, at a meeting, Petal Bear. Thin, moist, hot. Winked at him. . . . Grey eyes close together, curly hair the color of oak. The fluorescent light made her as pale as candle wax. Her eyelids gleamed with some dusky unguent. A metallic thread in her rose sweater. These faint sparks cast a shimmer on her like a spill of light. She smiled, the pearl-tinted lips wet with cider. . . . As she spoke she changed in some provocative way, seemed suddenly drenched in eroticism as a diver rising out of a pool gleams like chrome with a sheet of unbroken water for a fractional moment.
Annie Proulx
Quentin felt like all the Physical Kids were falling in love with each other, not just him and Alice, or at least with who they were when they were around each other. In the mornings they slept late. In the afternoons they played pool and boated on the Hudson and interpreted each other's dreams and debated meaningless points of magical technique. They discussed the varying intensities and timbres of their hangovers. There was an ongoing competition, hotly contested, as to who could make the single most boring observation.
Lev Grossman (The Magicians (The Magicians, #1))
Kallias is going to explode on me at any moment. He’ll have me thrown into prison until he decides on the proper day and manner for killing me. He’ll— Kallias laughs so loudly and abruptly, I nearly topple out of the armchair. He has his hands on his knees while his whole body shakes from the force of the laughter. What the devils? Did I break the king? He manages to straighten after a moment and look over at me, but then his face contorts and he’s back to uncontrollable laughter. I feel my limbs grow tight, my face grow hot, anger pooling into every muscle. “What the hell is wrong with you?” I snap, shouting over the top of his laughter. He wasn’t even this bad when he read Orrin’s love letter. He says something I can’t quite make out, then rubs tears from his eyes and tries again. “You killed him!” He throws his head back and laughs and laughs. And somehow, I know that I’m not in trouble. How can I be if he’s this jovial over the fact? I could deny it. Plead on my behalf. But Kallias isn’t stupid. Though the constable doesn’t have enough evidence to convict me, Kallias knows the truth of it. “I’ve an inclination to kill again,” I say, glaring at him. Kallias props himself up on the nearest wall of books, catching his breath. Once he’s calm, he strides over to me and places his gloved hands on either side of my head. “My little hellion. Quite the force to be reckoned with, aren’t you? Oh, say you’ll marry me, Alessandra!” I swallow, thoroughly confused. “You’re not going to hang me?” “Hang you?” he repeats, letting his hands fall to his sides. “The man did you wrong, Alessandra. Honestly, you’ve saved me the trouble of tracking him down and killing him myself.
Tricia Levenseller (The Shadows Between Us (The Shadows Between Us, #1))
Through atoms of grey-blue air the sun struck at English fields and lit up marshes and pools, a white gull on a stake, the slow sail of shadows over blunt-headed woods and young corn and flowing hayfields. It beat on the orchard wall, and every pit and grain of the brick was silver pointed, purple, fiery as if soft to touch, as if touched it must melt into hot-baked grains of dust.
Virginia Woolf (The Waves)
And I can get my own phone," said Leslie, "with unlimited text messaging!" "And I can get my car fixed," I said. "Or maybe even a new car." "Or a new house that already has a swimming pool," said Leslie. "And a hot tub," I said. "And a game room, and a pool table," said Leslie. "And a giant TV with surround sound, and every kind of video game." And, and, and... That's the trouble with money.
Louis Sachar (The Cardturner: A Novel about a King, a Queen, and a Joker)
Jim watched them eat, his eyes fixed on every morsel that entered their mouth. When the oldest of the four soldiers had finished he scraped some burnt rice and fish scales from the side of the cooking pot. A first-class private of some forty years, with slow, careful hands, he beckoned Jim forward and handed him his mess tin. As they smoked their cigarettes the Japanese smiled to themselves, watching Jim devour the shreds of fatty rice. It was his first hot food since he had left he hospital, and the heat and greasy flavour stung his gums. Tears swam in his eyes. The Japanese soldier who had taken pity on Jim, recognising that this small boy was starving, began to laugh good-naturedly, and pulled the rubber plug from his metal water-bottle. Jim drank the clear, chlorine-flavoured liquid, so unlike the stagnant water in the taps of the Columbia Road. He choked, carefully swallowed his vomit, and tittered into his hands, grinning at the Japanese. Soon they were all laughing together, sitting back in the deep grass beside the drained swimming-pool.
J.G. Ballard (Empire of the Sun)
There! The boys are in from the pond.” Winnie heard a burst of voices downstairs, and in a moment Miles and Jesse were climbing to the loft. “Here, child,” said Mae hastily. “Hide your eyes. Boys? Are you decent? What’d you put on to swim in? I got Winnie up here, do you hear me?” “For goodness’ sake, Ma,” said Jesse, emerging from the stairwell. “You think we’re going to march around in our altogether with Winnie Foster in the house?” And Miles, behind him, said, “We just jumped in with our clothes on. Too hot and tired to shed ’em.” It was true. They stood there side by side with their wet clothes plastered to their skins, little pools of water collecting at their feet. “Well!” said Mae, relieved. “All right. Find something dry to put on. Your pa’s got supper nearly ready.” And she hustled Winnie down the narrow stairs.
Natalie Babbitt (Tuck Everlasting)
Everyone and their TV commercial wants you to believe that the key to a good life is a nicer job, or a more rugged car, or a prettier girlfriend, or a hot tub with an inflatable pool for the kids. The world is constantly telling you that the path to a better life is more, more, more—buy more, own more, make more, fuck more, be more. You are constantly bombarded with messages to give a fuck about everything, all the time. Give a fuck about a new TV. Give a fuck about having a better vacation than your coworkers. Give a fuck about buying that new lawn ornament. Give a fuck about having the right kind of selfie stick. Why? My guess: because giving a fuck about more stuff is good for business.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Imagine,” Tyler said, "stalking elk past department store windows and stinking racks of beautiful rotting dresses and tuxedos on hangers; you’ll wear leather clothes that will last you the rest of your life, and you’ll climb the wrist-thick kudzu vines that wrap the Sears Tower. Jack and the beanstalk, you’ll climb up through the dripping forest canopy and the air will be so clean you’ll see tiny figures pounding corn and laying strips of venison to dry in the empty car pool lane of an abandoned superhighway stretching eight-lanes-wide and August-hot for a thousand miles.
Chuck Palahniuk (Fight Club)
It is understandable you would want to come back as yourself into a wonderland with the sharpness of color of the Queen of Hearts in a newly opened pack of cards. But coming back as yourself is resurrection. It is uncommon. It may even be greater than the scope of mathematics. We cannot talk with definition about our souls, but it is certain that we will decompose. Some dust of our bodies may end up in a horse, wasp, cockerel, frog, flower, or leaf, but for every one of these sensational assemblies there are a quintillion microorganisms. It is far likelier that the greater part of us will become protists than a skyscraping dormouse. What is likely is that, sooner or later, carried in the wind and in rivers, or your graveyard engulfed in the sea, a portion of each of us will be given new life in the cracks, vents, or pools of molten sulphur on which the tonguefish skate. You will be in Hades, the staying place of the spirits of the dead. You will be drowned in oblivion, the River Lethe, swallowing water to erase all memory. It will not be the nourishing womb you began your life in. It will be a submergence. You will take your place in the boiling-hot fissures, among the teeming hordes of nameless microorganisms that mimic no forms, because they are the foundation of all forms. In your reanimation you will be aware only that you are a fragment of what once was, and are no longer dead. Sometimes this will be an electric feeling, sometimes a sensation of the acid you eat, or the furnace under you. You will burgle and rape other cells in the dark for a seeming eternity, but nothing will come of it. Hades is evolved to the highest state of simplicity. It is stable. Whereas you are a tottering tower, so young in evolutionary terms, and addicted to consciousness.
J.M. Ledgard (Submergence: A Novel)
Water sluices away soap and grime, even some of the shame comes with it. If she were to scrub for a thousand years she would not be clean, but she is too tired to care and she has grown accustomed to scars she cannot scour away. The sweat, the alcohol, the humid salt of semen and degradation, these she can cleanse. It is enough. She is too tired to scrub harder. Too hot and too tired, always. At the end of her rinsing, she is happy to find a little water left in the bucket. She dips one ladleful and drinks it, gulping. And then in a wasteful, unrestrained gesture, she upends the bucket over her head in one glorious cathartic rush. In that moment, between the touch of the water, and the splash as it pools around her toes, she is clean.
Paolo Bacigalupi (The Windup Girl)
I told him how we were washed out to sea and how it was like making furious love to a clash of orgiastic rhinos in a swimming pool filled with broken glass, and how you made a fire by staring balefully down into the reflective bottom of an aluminum can until your immense force of will was concentrated and magnified by the parabolic mirror into a white-hot spark of pure Turtle rage that could light anything on fire, even the hearts of unwary high schoolers.
Gabriel Tallent (My Absolute Darling)
I wasn’t dipping into blue-collar territory, no matter how hot the man was. That just wasn’t my style, not in a city that had millionaires on every corner. But he was certainly nice window dressing. And I might dip my toe into that pool once or twice this summer, just to taste that poison. Just to have it on my skin.
Alessandra Torre (Love, Chloe)
Apply the cook’s brain and visualize that fried egg on the plate. Do you want it to be burned around the edges? Do you want to see craters on the egg white? Should the yolk look as if you’d need a hammer to break into it? The answer to all three questions should be no. Yet the majority of people still crack an egg and drop it into searingly hot oil or fat and continue to cook it on high heat. You need to insert earplugs to reduce the horrific volume of the sizzle. And the result, once served up in a pool of oil, is an inedible destruction of that great ingredient—the egg. Maybe that’s how you like it, in which case carry on serving your disgusting food.
Marco Pierre White (The Devil in the Kitchen: Sex, Pain, Madness, and the Making of a Great Chef)
Outsong in the Jungle [Baloo:] For the sake of him who showed One wise Frog the Jungle-Road, Keep the Law the Man-Pack make For thy blind old Baloo's sake! Clean or tainted, hot or stale, Hold it as it were the Trail, Through the day and through the night, Questing neither left nor right. For the sake of him who loves Thee beyond all else that moves, When thy Pack would make thee pain, Say: "Tabaqui sings again." When thy Pack would work thee ill, Say: "Shere Khan is yet to kill." When the knife is drawn to slay, Keep the Law and go thy way. (Root and honey, palm and spathe, Guard a cub from harm and scathe!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Kaa:] Anger is the egg of Fear-- Only lidless eyes see clear. Cobra-poison none may leech-- Even so with Cobra-speech. Open talk shall call to thee Strength, whose mate is Courtesy. Send no lunge beyond thy length. Lend no rotten bough thy strength. Gauge thy gape with buck or goat, Lest thine eye should choke thy throat. After gorging, wouldst thou sleep ? Look thy den be hid and deep, Lest a wrong, by thee forgot, Draw thy killer to the spot. East and West and North and South, Wash thy hide and close thy mouth. (Pit and rift and blue pool-brim, Middle-Jungle follow him!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Bagheera:] In the cage my life began; Well I know the worth of Man. By the Broken Lock that freed-- Man-cub, ware the Man-cub's breed! Scenting-dew or starlight pale, Choose no tangled tree-cat trail. Pack or council, hunt or den, Cry no truce with Jackal-Men. Feed them silence when they say: "Come with us an easy way." Feed them silence when they seek Help of thine to hurt the weak. Make no bandar's boast of skill; Hold thy peace above the kill. Let nor call nor song nor sign Turn thee from thy hunting-line. (Morning mist or twilight clear, Serve him, Wardens of the Deer!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [The Three:] On the trail that thou must tread To the threshold of our dread, Where the Flower blossoms red; Through the nights when thou shalt lie Prisoned from our Mother-sky, Hearing us, thy loves, go by; In the dawns when thou shalt wake To the toil thou canst not break, Heartsick for the Jungle's sake; Wood and Water, Wind air Tree, Wisdom, Strength, and Courtesy, Jungle-Favour go with thee!
Rudyard Kipling
Ysabel probably shouldn't have giggled as he pulled himself from the pool, water streaming from him in thick rivulets. But really, what did he expect? Groping her while she drove, making her all hot and distracted. The jerk. He should count himself lucky. Most guys would've ended up splattered on the sidewalk. Maybe she didn't hate him after all. Hair plastered to his skull, dripping like a big sea monster, he glowered at her. "You are an evil witch." Fluffing her hair she smiled. "Why thank you. I try my best.
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
when we exert ourselves toward positive endeavors, we should not grimace, but rather have the joy of an elephant jumping into a pool of cool water on a hot, dusty day.
Sakyong Mipham (Running with the Mind of Meditation: Lessons for Training Body and Mind)
If I let myself think of it the pain and anger were still fresh, adrenalin racing down my limbs to pool, hot and itchy, in fingertips and toes.
Kylie Ladd (After the Fall)
When you are at the pool or beach, set your flip-flops face-down. This prevents them from being scalding hot from the sun when you’re ready to leave. 395 Pimple too painful to pop?
Keith Bradford (Life Hacks: Any Procedure or Action That Solves a Problem, Simplifies a Task, Reduces Frustration, Etc. in One's Everyday Life (Life Hacks Series))
You raise one eyebrow and regard me with another intense stare. “Start by stripping please Jenna.” I hear what you say and yet on some level I can’t quite process it. “Strip?” I ask, as though I don’t understand your demand. “Yes, strip. Take off all of your clothes. I want to see you naked. Now please.” I feel dazed, yet I let my jacket fall to the floor, and start work on my shirt buttons. Your eyes never leave me. I can feel them mining into me whilst I tackle the third button. Why is this so weird? You’re my husband after all. You’ve seen me undress and naked countless times. Yet this is different. I am not just undressing, I am stripping. It’s not my decision; it’s at your command. You are not just Oliver now; you’re my Husband – some dominant entity now in charge. For some strange reason, I am finding it really hot! The look in your eyes is not just appreciative; it’s carnal. Waves begin to rise in my pool of desire.
Felicity Brandon (Friday's Lesson)
Jules had opted out of this particular trip, declaring that she’d rather jump into a shark-infested pool wearing only a meat bikini than subject herself to a weekend of watching Chelsea gush over Mike. That, and Jules didn’t really like the snow…unless there was a board attached to her feet and she was hurtling down a mountain at Mach speed. Snowmen and hot cocoa weren’t exactly her thing.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
I was hot. I jumped in the pool. My clothes are on.” “Yeah, like a second skin,” I finish for her, my teeth baring. “You can’t pull that shit here. It’s a family neighborhood. Not your sister’s strip club.
Penelope Douglas (Birthday Girl)
He could smoke through the water as though an aquamarine submarine, he could sever the festoonery of the poolside ebb and eddy into fiery fluttering swathes of hot-cut flax, he could treble beneath the meniscus of the pool, sharp as synthesiser music and with a trajectory of theological impermanence, a crucifixion affected underwater, a kingfisher with the velocity and capriciousness of a shooting star, a knife in the arm of a masochist, a cleft hatchet of rock through the porous orb of a sea urchin, a dick through butter, a tyrannical nutter, Shunt through water, watch Shunt corrupt your daughter. He could move in wet like a lion through wildebeest.
Kirk Marshall (A Solution to Economic Depression in Little Tokyo, 1953)
— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.
Anne Michaels
Barbara and I had arrived early, so I got to admire everyone’s entrance. We were seated at tables around a dance floor that had been set up on the lawn behind the house. Barbara and I shared a table with Deborah Kerr and her husband. Deborah, a lovely English redhead, had been brought to Hollywood to play opposite Clark Gable in The Hucksters. Louis B. Mayer needed a cool, refined beauty to replace the enormously popular redhead, Greer Garson, who had married a wealthy oil magnate and retired from the screen in the mid-fifties. Deborah, like her predecessor, had an ultra-ladylike air about her that was misleading. In fact, she was quick, sharp, and very funny. She and Barbara got along like old school chums. Jimmy Stewart was also there with his wife. It was the first time I’d seen him since we’d worked for Hitchcock. It was a treat talking to him, and I felt closer to him than I ever did on the set of Rope. He was so genuinely happy for my success in Strangers on a Train that I was quite moved. Clark Gable arrived late, and it was a star entrance to remember. He stopped for a moment at the top of the steps that led down to the garden. He was alone, tanned, and wearing a white suit. He radiated charisma. He really was the King. The party was elegant. Hot Polynesian hors d’oeuvres were passed around during drinks. Dinner was very French, with consommé madrilène as a first course followed by cold poached salmon and asparagus hollandaise. During dessert, a lemon soufflé, and coffee, the cocktail pianist by the pool, who had been playing through dinner, was discreetly augmented by a rhythm section, and they became a small combo for dancing. The dance floor was set up on the lawn near an open bar, and the whole garden glowed with colored paper lanterns. Later in the evening, I managed a subdued jitterbug with Deborah Kerr, who was much livelier than her cool on-screen image. She had not yet done From Here to Eternity, in which she and Burt Lancaster steamed up the screen with their love scene in the surf. I was, of course, extremely impressed to be there with Hollywood royalty that evening, but as far as parties go, I realized that I had a lot more fun at Gene Kelly’s open houses.
Farley Granger (Include Me Out: My Life from Goldwyn to Broadway)
I often remember in this false, distorted way, and the memories are often cloaked in the colour of the sun. Sometimes I feel nostalgia for things I knew I hated when they were happening, for days spent at the beach or the swimming pool with my sisters. When I pick my memories apart, I realise my mind has merely played back the objective ingredients, the clichéd apparatus of happiness, the sun, the sound of splashing water, ice-cream on parched lips and cold fizzy drink on a hot tongue, and laugher too. My memory often peddles on the falsehood of past happiness. I should know this.
M.J. Hyland (How the Light Gets In)
Oh, crap. The last person she wanted to run into this morning when she had to be super-professional was Hot Pool Guy. Before she had a chance to hide behind a plant or something, his gaze connected with hers and held her hostage. He flashed a smile and headed her way. Shit. She got to her feet thinking she'd say a quick hello before telling him she was meeting someone and excuse herself. Look away from those amazing dark eyes before you get yourself in trouble. She forced her attention down. And found a logo on the breast pocket of his white polo shirt. Word. Heritage. Fund. Kill her now.
Robin Bielman (His Million Dollar Risk (Take a Risk, #3))
Lake Michigan, impossibly blue, the morning light bouncing toward the city. Lake Michigan frozen in sheets you could walk on but wouldn't dare. Lake Michigan, gray out a high-rise window, indistinguishable from the sky. Bread, hot from the oven. Or even stale in the restaurant basket, rescued by salty butter. The Cubs winning the pendant someday. The Cubs winning the Series. The Cubs continuing to lose. His favorite song, not yet written. His favorite movie, not yet made. The depth of an oil brushstroke. Chagall's blue window. Picasso's blue man and his guitar. ... The sound of an old door creaking open. The sound of garlic cooking. The sound of typing. The sound of commercials from the next room, when you were in the kitchen getting a drink. The sound of someone else finishing a shower. ... Dancing till the floor was an optional landing place. Dancing elbows out, dancing with arms up, dancing in a pool of sweat. All the books he hadn't started. The man at Wax Trax! Records with the beautiful eyelashes. The man who sat every Saturday at Nookies, reading the Economist and eating eggs, his ears always strangely red. The ways his own life might have intersected with theirs, given enough time, enough energy, a better universe. The love of his life. Wasn't there supposed to be a love of his life? ... His body, his own stupid, slow, hairy body, its ridiculous desires, its aversions, its fears. The way his left knee cracked in the cold. The sun, the moon, the sky, the stars. The end of every story. Oak trees. Music. Breath. ...
Rebecca Makkai (The Great Believers)
They all seemed hungry, happy, and healthy enough in their buzzing—oh the days were hot, and the noise of bees filled the air that was dusty with pollen and sun haze, and there were tiny black flies stuck to one another crowded by the creek and a creek stink rising from the deep pool under the willow tree where a wheat sack of new kittens had been drowned, and their tiny terrible struggling had shot like an electric current through the confusion of muddy water and up the arm of the person who had tied the stone around the mouth of the sack and thrust it into the water; and the culprit had not been able to brush away the current; it penetrated her body and made her heart beat with fear and pity. I was the culprit.
Janet Frame (Scented Gardens for the Blind)
When it is hot like this they lie by the pool for hours, not eating but drinking—pitchers of iced mint tea for breakfast, liters of lemonade for lunch, bottles of Aligoté for dinner—and they leave the house’s every window, every door open, the ceiling fans spinning, so that at night, when they finally seal it shut, they trap within it the fragrance of meadows and trees.
Hanya Yanagihara (A Little Life)
It turned out to be just his sort of life in Melbourne [Florida] -- a little three-room mini apartment to himself, and down on the strip, five different bars where you had women going around in bathing suits. In the backyard, his mother's new husband had grown a miraculous tree, a lemon trunk grafted with orange, tangerine, satsuma, kumquat, and grapefruit limbs, each bearing its own vivid fruit. Every morning, Jeff would go out and fill his arms, and squeeze himself a pitcher of juice, thick and sun-hot. That house was good for his mother, too. The swimming pool trimmed fifteen pounds off of her. She didn't seem to have moods anymore, and she didn't fly off the handle when Jeff beat her in the cribbage games they played most afternoons.
Wells Tower (Everything Ravaged, Everything Burned)
That Sunday, the sun floated bright and hot over the Los Angeles basin, pushing people to the beaches and the parks and into backyard pools to escape the heat. The air buzzed with the nervous palsy it gets when the wind freight-trains in from the deserts, dry as bone, and cooking the hillsides into tar-filled kindling that can snap into flames hot enough to melt an auto body.
Robert Crais (L.A. Requiem (Elvis Cole, #8))
A woman named Cynthia once told me a story about the time her father had made plans to take her on a night out in San Francisco. Twelve-year-old Cynthia and her father had been planning the “date” for months. They had a whole itinerary planned down to the minute: she would attend the last hour of his presentation, and then meet him at the back of the room at about four-thirty and leave quickly before everyone tried to talk to him. They would catch a tram to Chinatown, eat Chinese food (their favourite), shop for a souvenir, see the sights for a while and then “catch a flick” as her dad liked to say. Then they would grab a taxi back to the hotel, jump in the pool for a quick swim (her dad was famous for sneaking in when the pool was closed), order a hot fudge sundae from room service, and watch the late, late show. They discussed the details over and over again before they left. The anticipation was part of the whole experience. This was all going according to plan until, as her father was leaving the convention centre, he ran into an old college friend and business associate. It had been years since they had seen each other, and Cynthia watched as they embraced enthusiastically. His friend said, in effect: “I am so glad you are doing some work with our company now. When Lois and I heard about it we thought it would be perfect. We want to invite you, and of course Cynthia, to get a spectacular seafood dinner down at the Wharf!” Cynthia’s father responded: “Bob, it’s so great to see you. Dinner at the wharf sounds great!” Cynthia was crestfallen. Her daydreams of tram rides and ice cream sundaes evaporated in an instant. Plus, she hated seafood and she could just imagine how bored she would be listening to the adults talk all night. But then her father continued: “But not tonight. Cynthia and I have a special date planned, don’t we?” He winked at Cynthia and grabbed her hand and they ran out of the door and continued with what was an unforgettable night in San Francisco. As it happens, Cynthia’s father was the management thinker Stephen R. Covey (author of The Seven Habits of Highly Effective People) who had passed away only weeks before Cynthia told me this story. So it was with deep emotion she recalled that evening in San Francisco. His simple decision “Bonded him to me forever because I knew what mattered most to him was me!” she said.5 One simple answer is we are unclear about what is essential. When this happens we become defenceless. On the other hand, when we have strong internal clarity it is almost as if we have a force field protecting us from the non-essentials coming at us from all directions. With Rosa it was her deep moral clarity that gave her unusual courage of conviction. With Stephen it was the clarity of his vision for the evening with his loving daughter. In virtually every instance, clarity about what is essential fuels us with the strength to say no to the non-essentials. Stephen R. Covey, one of the most respected and widely read business thinkers of his generation, was an Essentialist. Not only did he routinely teach Essentialist principles – like “The main thing is to keep the main thing the main thing” – to important leaders and heads of state around the world, he lived them.6 And in this moment of living them with his daughter he made a memory that literally outlasted his lifetime. Seen with some perspective, his decision seems obvious. But many in his shoes would have accepted the friend’s invitation for fear of seeming rude or ungrateful, or passing up a rare opportunity to dine with an old friend. So why is it so hard in the moment to dare to choose what is essential over what is non-essential?
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
Whereas other clubs served the eternal beefsteak and apple tart, the lavish buffet at Jenner's was constantly replenished with ever-more artful dishes... hot lobster salad, casserole of pheasant, prawns on pillowy beds of pureed celery root, quail stuffed with grapes and goat cheese and served in pools of cream sauce. And Evie's favorite- a sticky flourless almond cake topped with raspberries and a thick layer of meringue.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
within the harbour, or on the beautiful sea without. The line of demarcation between the two colours, black and blue, showed the point which the pure sea would not pass; but it lay as quiet as the abominable pool, with which it never mixed. Boats without awnings were too hot to touch; ships blistered at their moorings; the stones of the quays had not cooled, night or day, for months. Hindoos, Russians, Chinese, Spaniards, Portuguese, Englishmen, Frenchmen, Genoese, Neapolitans, Venetians, Greeks, Turks, descendants from all the builders of Babel, come to trade at Marseilles, sought the shade alike—taking refuge in any hiding-place from a sea too intensely blue to be looked at, and a sky of purple, set with one great flaming jewel of fire. The universal stare made the eyes ache. Towards the distant line of Italian coast, indeed, it was a little relieved
Charles Dickens (Little Dorrit)
…Jake caught the briefest glimpse of a demure set of pale pink lingerie, and then Molly was airborne—jumping feet-first into the deep end. She swam underwater like a mermaid, finally coming up for air near the center of the pool. Her hair was slicked back on her skull, shining and as dark as melted chocolate and Jake was frozen to the spot by So. Much. Molly. All on display for him. God—she was really, really wet. ~"Finding a Husband" by Kristen Casey
Kristen Casey (Finding a Husband (Second Chances, #3))
This place, our little cloud forest, even though we missed our papi, it was the most beautiful place you've ever seen. We didn't really know that then, because it was the only place we'd ever seen, except in picture in books and magazines, but now that's I've seen other place, I know. I know how beautiful it was. And we loved it anyway even before we knew. Because the trees had these enormous dark green leaves, as a big as a bed, and they would sway in the wind. And when it rain you could hear the big, fat raindrops splatting onto those giant leaves, and you could only see the sky in bright blue patches if you were walking a long way off to a friend's house or to church or something, when you passed through a clearing and all those leaves would back away and open up and the hot sunshine would beat down all yellow and gold and sticky. And there were waterfalls everywhere with big rock pools where you could take a bath and the water was always warm and it smelled like sunlight. And at night there was the sound of the tree frogs and the music of the rushing water from the falls and all the songs of the night birds, and Mami would make the most delicious chilate, and Abuela would sing to us in the old language, and Soledad and I would gather herbs and dry them and bundle them for Papi to sell in the market when he had a day off, and that's how we passed our days.' Luca can see it. He's there, far away in the misty cloud forest, in a hut with a packed dirt floor and a cool breeze, with Rebeca and Soledad and their mami and abuela, and he can even see their father, far away down the mountain and through the streets of that clogged, enormous city, wearing a long apron and a chef's hat, and his pockets full of dried herbs. Luca can smell the wood of the fire, the cocoa and cinnamon of the chilate, and that's how he knows Rebeca is magical, because she can transport him a thousand miles away into her own mountain homestead just by the sound of her voice.
Jeanine Cummins (American Dirt)
He couldn’t have known it, but among the original run of The History of Love, at least one copy was destined to change a life. This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn’t exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges. The owner took her time unpacking the books she’d bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She’d never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.' The owner of the secondhand bookstore lowered the volume of the radio. She flipped to the back flap of the book to find out more about the author, but all it said was that Zvi Litvinoff had been born in Poland and moved to Chile in 1941, where he still lived today. There was no photograph. That day, in between helping customers, she finished the book. Before locking up the shop that evening, she placed it in the window, a little wistful about having to part with it. The next morning, the first rays of the rising sun fell across the cover of The History of Love. The first of many flies alighted on its jacket. Its mildewed pages began to dry out in the heat as the blue-gray Persian cat who lorded over the shop brushed past it to lay claim to a pool of sunlight. A few hours later, the first of many passersby gave it a cursory glance as they went by the window. The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it. And that’s what happened. One afternoon a tall young man saw the book in the window. He came into the shop, picked it up, read a few pages, and brought it to the register. When he spoke to the owner, she couldn’t place his accent. She asked where he was from, curious about the person who was taking the book away. Israel, he told her, explaining that he’d recently finished his time in the army and was traveling around South America for a few months. The owner was about to put the book in a bag, but the young man said he didn’t need one, and slipped it into his backpack. The door chimes were still tinkling as she watched him disappear, his sandals slapping against the hot, bright street. That night, shirtless in his rented room, under a fan lazily pushing around the hot air, the young man opened the book and, in a flourish he had been fine-tuning for years, signed his name: David Singer. Filled with restlessness and longing, he began to read.
Nicole Krauss
I like rainbows. We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction… Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge. ... …We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall. Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall. Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall. “It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots. Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical. Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light. In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.
Tim Cahill (Lost in My Own Backyard: A Walk in Yellowstone National Park (Crown Journeys))
that was still okay because this place, our little cloud forest, even though we missed our papi, it was the most beautiful place you’ve ever seen. We didn’t really know that then, because it was the only place we’d ever seen, except in pictures in books and magazines, but now that I’ve seen other places, I know. I know how beautiful it was. And we loved it anyway even before we knew. Because the trees had these enormous dark green leaves, as big as a bed, and they would sway in the wind. And when it rained you could hear the big, fat raindrops splatting onto those giant leaves, and you could only see the sky in bright blue patches if you were walking a long way off to a friend’s house or to church or something, when you passed through a clearing and all those leaves would back away and open up and the hot sunshine would beat down all yellow and gold and sticky. And there were waterfalls everywhere with big rock pools where you could take a bath and the water was always warm and it smelled like sunlight. And at night there was the sound of the tree frogs and the music of the rushing water from the falls and all the songs of the night birds, and
Jeanine Cummins (American Dirt)
But that was still okay because this place, our little cloud forest, even though we missed our papi, it was the most beautiful place you’ve ever seen. We didn’t really know that then, because it was the only place we’d ever seen, except in pictures in books and magazines, but now that I’ve seen other places, I know. I know how beautiful it was. And we loved it anyway even before we knew. Because the trees had these enormous dark green leaves, as big as a bed, and they would sway in the wind. And when it rained you could hear the big, fat raindrops splatting onto those giant leaves, and you could only see the sky in bright blue patches if you were walking a long way off to a friend’s house or to church or something, when you passed through a clearing and all those leaves would back away and open up and the hot sunshine would beat down all yellow and gold and sticky. And there were waterfalls everywhere with big rock pools where you could take a bath and the water was always warm and it smelled like sunlight. And at night there was the sound of the tree frogs and the music of the rushing water from the falls and all the songs of the night birds, and Mami would make the most delicious chilate, and Abuela would sing to us in the old language
Jeanine Cummins (American Dirt)
Leaving my empty goblet, I slide from the soft pile at his order. I can already feel the desire bursting from between my thighs as I fall to all fours and begin my crawl to where he has seated himself. “We will begin as before—you will be spanked over my knee—but this time there will be little pleasure in it for you, my captive. I intend to hurt you—to mark that pretty little behind—and make you unable to sit properly for some time.” I am back by his feet as he concludes and warily, I raise my eyes as he finishes the sentence. I know I am not hiding the terror in my face and yet still I am compelled to carry on—submitting myself to him in this way for our mutual need. He catches my hair in his left hand and pulls it into a rough ponytail, again drawing my head back. “When my hand is aching from tanning your backside, I will bind you to the bedpost and continue to thrash you with my strap. Do you understand?” He eyes me wildly and for a moment I am too afraid to even respond. I have to swallow hard again to find my voice. “Please, my Lofðungr,” I say shakily. “I do not know if I can bear such a punishment?” He never takes his eyes from me as he answers. “You can and you will, my sweeting,” he says. “You will submit to me in this way as a sign of your true desire to be mine.” I close my eyes at his words, understanding for the first time his real intention. He means not just to punish me, but to mark and possess me in some meaningful way. To make me his again in the way that our coupling had done before. As I open my eyes again and see him standing over me, there are tears but also a new acceptance. I nod my head as best I can whilst he is still holding my hair in his fist. “I will bear it,” I say, my voice breaking. He leans in toward me, his face just an inch from mine, those blue pools burning into me. “You will bear it,” he replies, his hot breath against my face, “and I will love you for it.
Felicity Brandon (The Viking's Conquest)
Chivalry looks good on you, ma'alor," he said, brushing a dark curl out of Robb's face. "And I hate that I like it." "Your flattery will only get you so far," Robb joked, trying to grin, but it turned sour and bitter. "I like you, but I have no right to say that. For what my mother did--for what I did. But...if there was a way for you to forgive me, no matter how long it takes, would you let me? Will you let me try to be worthy of you?" The question took Jax by surprise. He sat back, quite unable to find a response. I've seen you stars, he wanted to say, and this is impossible. All his life he'd thought that all fates flowed in a continuous, never-ending river, but now the current was disrupted, the path unsettled. They had changed the stars, and he was falling in love with a boy who should have died. Robb shifted, uncomfortable. "Or--or if you don't feel the same way--" "I'm sorry," Jax began, but when he looked into Robb's eyes, there were tears there. Alarmed, he quickly added, "No, no! That's not what I meant! I don't mean--" "I knew you wouldn't. I'm sorry, I'm so sorry." Tears curved down Robb's cheeks, and almost exasperated, Jax wiped them away. "I can't LIE, you insufferable Ironblood," he chided. "I'm apologizing because I can't forgive you right now, but that doesn't mean I don't want to kiss you, ma'alor. And it doesn't mean I don't like you. I do. I like you, but do you really want ME? Someone who can't touch other people? That's my reality. I'll never kiss you without seeing your fate. I'll never touch you without seeing how you'll die. Am I someone you could be happy with?" Robb's brow furrowed. "Screw fate. I'll tear down the stars for you." For HIM? Even though Jax had to wear gloves, and could never brush his lips against Robb's jawline without seeing the stars, never kiss Robb's ears, or traced the lines of his body, or feel the heat that pulsed just beneath his skin, hot and red and wanting. Jax felt his throat tighten as tears pooled at the edges of his eyes. He didn't cry. He never cried. Robb took Jax's hand, and kissed his gloved knuckles. "And lucky for you," Robb added, "I'm not planning to ever die, so you don't have to worry about my stars." He laughed. "You make being mad at you hard, ma'alor." "I plan on making it impossible," replied Robb, and raised an eyebrow. "What does ma'alor mean?" Jax chewed on his bottom lip. 'It means..." But he couldn't bear that sort of embarrassment, so he simply leaned into the Ironblood and kissed him. Savoring the moment, the unknowingness of it all. Until new images came flooding across his senses like a wave of darkness across the stars.
Ashley Poston (Heart of Iron (Heart of Iron, #1))
Without warning, Jay reached over and grabbed her belt. With a hard yank, he pulled her toward him. Her robe slid up her thighs and Zara licked her lips in shameless hunger. Did he know how wet she was? How her breasts ached? How desperately she wanted him? Jay gave a satisfied growl, holding her in place. "The law requires your consent for a search." He pulled her closer, his gaze hot and roaming. "I have to warn you. I am very thorough." "I have nothing to hide." She was burning. Liquid fire rushed through her veins, pooling between her legs. It was like Jay had plucked her deepest darkest fantasies from her mind and was making them all come true. He gave a small, calculating smile. "I don't leave anything untouched, sweetheart." "I'm not your sweetheart." "You will be when I'm done with you." He devoured her with his gaze, his eyes so dark they were almost black. "Robe off. I need to assess the search area." She slid the robe over her arms and lay back on the bed. "How's this?" He inhaled sharply, his gaze raking over her body, and then again more slowly in blatant sexual appraisal. "I see you've decided to make things difficult, but I can't be distracted." "I'm not afraid of you." She arched her back, parted her legs just enough to tease. Did he think he was the one in control? "You should be." His voice dropped to a husky growl.
Sara Desai (The Singles Table (Marriage Game, #3))
Where are you going this hot day, Mis’ DeJong?” Selina sat up very straight. “To Bagdad, Mrs. Pool.” “To — Where’s that? What for?” “To sell my jewels, Mrs. Pool. And to see Aladdin, and Harun-al-Rashid and Ali Baba. And the Forty Thieves.” Mrs. Pool had left her rocker and had come down the steps. The wagon creaked on past her gate. She took a step or two down the path, and called after them. “I never heard of it. Bag — How do you get there?” Over her shoulder Selina called out from the wagon seat. “You just go until you come to a closed door. And you say ‘Open Sesame!’ and there you are.” Bewilderment shadowed Mrs. Pool’s placid face. As the wagon lurched on down the road it was Selina who was smiling and Mrs. Pool who was serious. The boy, round eyed, was looking up at his mother. “That’s out of Arabian Nights, what you said. Why did you say that?” Suddenly excitement tinged his voice. “That’s out of the book. Isn’t it? Isn’t it! We’re not really ——” She was a little contrite, but not very. “Well, not really, perhaps. But ’most any place is Bagdad if you don’t know what will happen in it. And this is an adventure, isn’t it, that we’re going on? People in disguise in the Haymarket. Caliphs, and princes, and slaves, and thieves, and good fairies, and witches.” “In the Haymarket! That Pop went to all the time! That is just dumb talk.
Edna Ferber (So Big)
The Drunken Fisherman" Wallowing in this bloody sty, I cast for fish that pleased my eye (Truly Jehovah's bow suspends No pots of gold to weight its ends); Only the blood-mouthed rainbow trout Rose to my bait. They flopped about My canvas creel until the moth Corrupted its unstable cloth. A calendar to tell the day; A handkerchief to wave away The gnats; a couch unstuffed with storm Pouching a bottle in one arm; A whiskey bottle full of worms; And bedroom slacks: are these fit terms To mete the worm whose molten rage Boils in the belly of old age? Once fishing was a rabbit's foot-- O wind blow cold, O wind blow hot, Let suns stay in or suns step out: Life danced a jig on the sperm-whale's spout-- The fisher's fluent and obscene Catches kept his conscience clean. Children, the raging memory drools Over the glory of past pools. Now the hot river, ebbing, hauls Its bloody waters into holes; A grain of sand inside my shoe Mimics the moon that might undo Man and Creation too; remorse, Stinking, has puddled up its source; Here tantrums thrash to a whale's rage. This is the pot-hole of old age. Is there no way to cast my hook Out of this dynamited brook? The Fisher's sons must cast about When shallow waters peter out. I will catch Christ with a greased worm, And when the Prince of Darkness stalks My bloodstream to its Stygian term . . . On water the Man-Fisher walks.
Robert Lowell
Jeremy fixed her with a dark look, full of reproach. A hot blush singed the tips of her opal-adorned ears. For a moment, Lucy felt as though she were sitting in the breakfast room wearing only her nightgown—or less. But if he meant to shame her, he would be sorely disappointed. Her lips tingled, and she slowly wet them with her tongue before flashing him a bold grin. He quickly looked away. Oh, what fun it was to vex him. He made it so easy to do. Hunting and fishing were all welland good, but truly, Jemmy-baiting had always been her favorite autumn sport. Lucy viewedhis staid countenance as an unending challenge. A smooth, thick-shelled egg that begged to be cracked. Any rearrangement of his features constituted a victory, be it a wince, a scowl, or that rarest of expressions—a smile. A smile that showed teeth counted double.Last night had shown her an entirely new way to bedevil Jeremy Trescott. Not with girlish pranks, but with womanly wiles. Oh, yes. She ‟ d cracked the egg last night, but good. Hisexpression of befuddled desire was far more amusing than a wince or a scowl, or even asmile that showed teeth. That last kiss had to count at least ten.She lifted her cup of chocolate to her lips. Closing her eyes, she pressed her tongue againstthe cool china rim, remembering the power of a proper kiss. Drinking in the hot, sweetrichness, feeling delicious warmth spread down her throat and pool in her belly. And lower.She sighed into the cup. If Jeremy ‟ s kiss could rival chocolate, Lucy shivered to imaginehow it would be to kiss—
Tessa Dare (Goddess of the Hunt (The Wanton Dairymaid Trilogy, #1))
A long time ago, I collected the flower petals stained with my first blood; I thought there was something significant about that, there was importance in all the little moments of experience, because when you live forever, the first times matter. The first time you bleed, first time you cry — I don’t remember that — first time you see your wings, because new things defile you, purity chips away. your purity. nestled flowers in your belly, waiting to be picked. do you want innocence back? small and young smiles that make your eyes squint and cheeks flare the feeling of your face dripping down onto the grass, the painted walls you tore down, the roads you chipped away, they’ll eat away at you, the lingering feelings of a warm hand on your waist, the taps of your feet as you dance, the beats of your timbrel.’ ‘and now you are like Gods, sparkling brilliant with jewelry that worships you, and you’re splitting in order to create.’ ‘The tosses of your wet hair, the rushes of chariots speeding past, the holy, holy, holy lord god of hosts, the sweetness of a strawberry, knocks against the window by your head, the little tunes of your pipes, the cuts sliced into your fingers by uptight cacti fruits, the brisk scent of a sea crashing into the rocks, the sweat of wrestling, onions, cumin, parsley in a metal jug, mud clinging to your skin, a friendly mouth on your cheeks and forehead, chimes, chirps of chatter in the bazaar, amen, amen, amen, the plump fish rushing to take the bread you toss, scraping of a carpenter, the hiss of chalk, the wisps of clouds cradling you as you nap, the splashes of water in a hot pool, the picnic in a meadow, the pounding of feet that are chasing you, the velvet of petals rustling you awake, a giant water lily beneath you, the innocent kiss, the sprawl of the universe reflected in your eyes for the first time, the bloody wings that shred out of your back, the apples in orchards, a basket of stained flowers, excited chants of a colosseum audience, the heat of spinning and bouncing to drums and claps, the love braided into your hair, the trickles of a piano, smell of myrrh, the scratches of a spoon in a cup, the coarseness of a carpet, the stringed instruments and trumpets, the serene smile of not knowing, the sleeping angel, the delight of a creator, the amusement of gossip and rumors, the rumbling laughter between shy singing, the tangling of legs, squash, celery, carrot, and chayote, the swirled face paint, the warmth of honey in your tea, the timid face in the mirror, mahogany beams, the embrace of a bed of flowers, the taste of a grape as its fed to you, the lip smacks of an angel as you feed him a raspberry, the first dizziness of alcohol, the cool water and scent of natron and the scratch of the rock you beat your dirty clothes against, the strain of your arms, the columns of an entrance, the high ceilings of a dark cathedral, the boiling surface of bubbling stew, the burn of stained-glass, the little joyous jump you do seeing bread rise, the silky taste of olive oil, the lap of an angel humming as he embroiders a little fox into his tunic, the softness of browned feathers lulling you to sleep, the weight of a dozen blankets and pillows on your small bed, the proud smile on the other side of a window in a newly-finished building, the myrtle trees only you two know about, the palm of god as he fashions you from threads of copper, his praises, his love, his kiss to your hair, your father.
Rafael Nicolás (Angels Before Man)
Roosevelt wouldn't interfere even when he found out that Moses was discouraging Negroes from using many of his state parks. Underlying Moses' strikingly strict policing for cleanliness in his parks was, Frances Perkins realized with "shock," deep distaste for the public that was using them. "He doesn't love the people," she was to say. "It used to shock me because he was doing all these things for the welfare of the people... He'd denounce the common people terribly. To him they were lousy, dirty people, throwing bottles all over Jones Beach. 'I'll get them! I'll teach them!' ... He loves the public, but not as people. The public is just The Public. It's a great amorphous mass to him; it needs to be bathed, it needs to be aired, it needs recreation, but not for personal reasons -- just to make it a better public." Now he began taking measures to limit use of his parks. He had restricted the use of state parks by poor and lower-middle-class families in the first place, by limiting access to the parks by rapid transit; he had vetoed the Long Island Rail Road's proposed construction of a branch spur to Jones Beach for this reason. Now he began to limit access by buses; he instructed Shapiro to build the bridges across his new parkways low -- too low for buses to pass. Bus trips therefore had to be made on local roads, making the trips discouragingly long and arduous. For Negroes, whom he considered inherently "dirty," there were further measures. Buses needed permits to enter state parks; buses chartered by Negro groups found it very difficult to obtain permits, particularly to Moses' beloved Jones Beach; most were shunted to parks many miles further out on Long Island. And even in these parks, buses carrying Negro groups were shunted to the furthest reaches of the parking areas. And Negroes were discouraged from using "white" beach areas -- the best beaches -- by a system Shapiro calls "flagging"; the handful of Negro lifeguards [...] were all stationed at distant, least developed beaches. Moses was convinced that Negroes did not like cold water; the temperature at the pool at Jones Beach was deliberately icy to keep Negroes out. When Negro civic groups from the hot New York City slums began to complain about this treatment, Roosevelt ordered an investigation and an aide confirmed that "Bob Moses is seeking to discourage large Negro parties from picnicking at Jones Beach, attempting to divert them to some other of the state parks." Roosevelt gingerly raised the matter with Moses, who denied the charge violently -- and the Governor never raised the matter again.
Robert A. Caro (The Power Broker: Robert Moses and the Fall of New York)
I have painted for you a picture of Israel’s disappointment. They had had a glorious victory. No doubt they felt that all their problems had been settled once and for all. Then they went three days in the desert without finding water; they were thirsty, hot, weary, discouraged. They saw this pool of water gleaming there in the sun, but when they ran to it and stooped to drink, it was too bitter for them to drink! It was a terrible, bitter disappointment. The people were unprepared, you see. They assumed that everything was going to be easy from then on, there would be no more tests of their faith. But God was not unprepared; God knew what to do; He had the answer. The people grumbled and got nothing; Moses prayed and God showed Him the answer. God had that tree ready; He knew what had to be done, but it was only through prayer that Moses could find the solution.
Derek Prince (Life's Bitter Pool)
Spread over what must have been at least a hectare or two was the most beautiful garden he had ever seen. There was an entire miniature forest of cedar, cypress, and other sweet-smelling pines that couldn't normally live in the hot and dry Agrabah. There were formal rows of roses and other delicately petaled flowers. There was a garden just of mountain plants. There was a pool filled with flowering white lilies and their pads, and pink lotuses taller than most men. There was a fountain as big as a house and shaped like an egg. There was a delicate white aviary that looked like a giant's birdcage. Strangely, there were no birds in it. And everywhere, entwined around every tiny building and every balustrade and every topiary ball, was jasmine. White jasmine, pink jasmine, yellow jasmine, night-flowering jasmine... the smell was heady enough to make Aladdin feel a little drunk. Jasmine. This was her garden.
Liz Braswell (A Whole New World)
The scent of the stuff was familiar, evocative. Yet how? And when? It smelled of a damp meadow, the edge of a pool, a stream lapsing through green weeds. I could almost hear the rustle of Cousin Geillis’s dress, feel her peering over my shoulder as I started to replace the poultice. Comfrey, that was it; called knitbone, bruisewort, consound. The roots boiled in water or wine and the decoction drunk heals inward hurts, bruises, wounds and ulcers of the lung. The roots being outwardly applied cure fresh wounds or cuts immediately. (‘In or out, that’s sovereign.’) The recipe – Home Remedy or Receipt? – unreeled in my mind as if I had made it a hundred times. For the ointment, digest the root or leaves in hot paraffin wax, strain and allow to cool … And from somewhere faint and far back, a sentence that ran like a tranquil psalm: Comfrey joyeth in watery ditches, in fat and fruitfull meadowes; they grow all in my garden.
Mary Stewart (Thornyhold)
So you walk along Bunker Hill, and you shake your fist at the sky, and I know what you're thinking, Bandini. The thoughts of your father before you, lash across your back, hot ire in your skull, that you are not to blame: this is your thought, that you were born poor, fled from your Colorado town because you are poor, hoping to write a book to get rich, because those who hated you back there in Colorado will not hate you if you write a book. You are a coward, Bandini, a traitor to your soul, a feeble liar before your weeping Christ. This is why you write, this is why it would be better if you died. Yes, it's true: but I have seen houses in Bel-Air with cool lawns and green swimming pools. I have wanted women whose very shoes are worth all I have ever possessed. I have seen golf clubs on Sixth Street in the Spalding window that make me hungry just to grip them. I have grieved for a necktie like a holy man for indulgences. I have admired hats in Robinson's the way critics gasp at Michelangelo.
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
When the card came back you couldn't have found any red on it with a microscope. The pitchman handed down a ponderous mohair Teddybear and Ballard slapped down three dimes again. When he had won two bears and a tiger and a small audience the pitchman took the rifle away from him. That's it for you, buddy, he hissed. You never said nothin about how many times you could win. Step right up, sang the barker. Who's next now. Three big grand prizes per person is the house limit. Who's our next big winner. Ballard loaded up his bears and the tiger and started off through the crowd. They lord look at what all he's won, said a woman. Ballard smiled tightly. Young girls' faces floated past, bland and smooth as cream. Some eyed his toys. The crowd was moving toward the edge of a field and assembling there, Ballard among them, a sea of country people watching into the dark for some midnight contest to begin. A light sputtered off in the field and a blue tailed rocket went skittering toward Canis Major. High above their upturned faces it burst, sprays of lit glycerine flaring across the night, trailing down the sky in loosely falling ribbons of hot spectra soon. burnt to naught. Another went up, a long whishing sound, fishtailing aloft. In the bloom of its opening you could see like its shadow the image of the rocket gone before, the puff of black smoke and ashen trails arcing out and down like a huge and dark medusa squatting in the sky. In the bloom of light too you could see two men out in the field crouched over their crate of fireworks like assassins or bridge blowers. And you could see among the faces a young girl with candy apple on her lips and her eyes wide. Her pale hair smelled of soap, woman child from beyond the years, rapt below the sulphur glow and pitch light of some medieval fun fair. A lean sky long candle skewered the black pools in her eyes. Her fingers clutched. In the flood of this breaking brimstone galaxy she saw the man with the bears watching her and she edged closer to the girl by her side and brushed her hair with two fingers quickly.
Cormac McCarthy (Child of God)
Unsure what she was doing, she simply emulated his actions, allowing her tongue to tangle with his. It brought a growl from his throat that made her shiver, and then his kiss became hungrier and deeper, almost violent as his hands began moving, caressing her everywhere. He kneaded her back, urging her flush against him again, then let his fingers slide over her arms, and her sides, before his hands suddenly clasped her waist and he lifted and turned her to straddle him. The moment he'd settled her there, his hands shifted down and around to clasp her bottom. He then squeezed her cheeks through her gown, his fingers meeting in the middle and brushing against her core through the cloth. Claray gasped into his mouth at the touch and began to suck frantically on his tongue in response. When he released her bottom to tug at the top of her gown, dragging it off her shoulders, she let her hands drop to help him. The moment the wet cloth slid away to pool around her in the water, his hands claimed her breasts through the thin cloth of her shift. Claray broke their kiss on a cry at the touch, her hands grasping at his upper arms and then moving down to his wrists, urging him on. She looked down then to see that the thin linen of her shift had gone almost transparent. She could see the pink of her breasts and the darker rose of her nipples as his fingers squeezed the full globes and his thumbs ran back and forth over her hard, excited nipples. Watching him touch her so intimately only added to Claray's excitement and she found herself shifting in his lap, mindlessly rubbing herself against the hardness she could feel beneath her. When the Wolf gasped in response and claimed her mouth again, she kissed him frantically back and continued to move against him until he suddenly released her breasts and rolled them in the water. Only his hand under her neck kept her head from being submerged. Distracting her with kisses, the Wolf dragged her closer to shore until her head was out of the water and then broke their kiss to move upright. Kneeling with his legs in either side of her he then let his eyes slide over her, hot and hungry.
Lynsay Sands (Highland Wolf (Highland Brides, #10))
Why haven’t you told me that story before?” Simon paused, as if trying to decide how best to explain. “I don’t know . . . maybe because you and I don’t talk about those kinds of things. You’re the guy I talk to about a fun, random hookup. Or about some hot girl whose number I got while waiting in line at the deli on my lunch break. I guess I just didn’t think you’d understand something that’s not so, you know, shallow.” Vaughn blinked. No offense taken. Simon quickly backtracked. “I mean, not that I think you are shallow. Just that, well, lately, none of your relationships with women have had much substance, you know? And that’s cool; that’s your perspective—hey, I used to be in that place myself.” “Before you left and went to the deeper place.” Vaughn pretended to think about that. “Question: can I still hang out with you, now that you’re in this deeper place? Obviously, I’m used to the shallower stuff, but maybe I can wear a pair of water wings, or hold onto one of those pool noodles or something.” “I’m going to be getting shit for the ‘shallow’ comment for a while, aren’t I?
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
I set my coffee beside me on the curb; I smell loam on the wind; I pat the puppy; I watch the mountain. My hand works automatically over the puppy’s fur, following the line of hair under his ears, down his neck, inside his forelegs, along his hot-skinned belly. Shadows lope along the mountain’s rumpled flanks; they elongate like root tips, like lobes of spilling water, faster and faster. A warm purple pigment pools in each ruck and tuck of the rock; it deepens and spreads, boring crevasses, canyons. As the purple vaults and slides, it tricks out the unleafed forest and rumpled rock in gilt, in shape-shifting patches of glow. These gold lights veer and retract, shatter and glide in a series of dazzling splashes, shrinking, leaking, exploding. The ridge’s bosses and hummocks sprout bulging from its side; the whole mountain looms miles closer; the light warms and reddens; the bare forest folds and pleats itself like living protoplasm before my eyes, like a running chart, a wildly scrawling oscillograph on the present moment. The air cools; the puppy’s skin is hot. I am more alive than all the world.
Annie Dillard (Pilgrim at Tinker Creek)
Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Everyone and their TV commercial wants you to believe that the key to a good life is a nicer job, or a more rugged car, or a prettier girlfriend, or a hot tub with an inflatable pool for the kids. The world is constantly telling you that the path to a better life is more, more, more—buy more, own more, make more, fuck more, be more. You are constantly bombarded with messages to give a fuck about everything, all the time. Give a fuck about a new TV. Give a fuck about having a better vacation than your coworkers. Give a fuck about buying that new lawn ornament. Give a fuck about having the right kind of selfie stick. Why? My guess: because giving a fuck about more stuff is good for business. And while there’s nothing wrong with good business, the problem is that giving too many fucks is bad for your mental health. It causes you to become overly attached to the superficial and fake, to dedicate your life to chasing a mirage of happiness and satisfaction. The key to a good life is not giving a fuck about more; it’s giving a fuck about less, giving a fuck about only what is true and immediate and important.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
To think I actually talked to the boy who nearly got you killed," Ivy mutters, shuddering with disgust. "I'm so sorry I did." "It's okay. You didn't know," I reassure her as we take a seat on some pool chairs. "But you told me before what his appearance was. I should have recognized him!" "It's fine, Ivy. Even if you did your best to avoid him, he would've found way to hit on you eventually." Ivy wrinkles her nose at the unfamiliar language. " 'Hit on'? What does that mean?" "Flirting. Or, for Dunstan, more like a procedure. He's been hitting on any pretty girl he sees ever since he and Melanie broke up. I don't know if he's doing this to make her jealous or what, but it's really annoying." I look back up to see Ivy go rigid. For some reason she looks classically surprised; her hand is over her mouth, and the rosy blush is back with a vengeance, "Ivy? You okay?" Ivy removes her hand, muttering something so quietly I can't hear it. "Sorry?" "You called me pretty." The moment those words are said, Ivy stares down at her feet as her face gets brighter. "Well, yeah," I murmur, my face hot. "You really are beautiful tonight, Ivy.
Colleen Boyd (Swamp Angel)
He picked her up, took her into the bedroom, and placed her on the bed. Wow---it was like a floating cloud. Ramón reclaimed her lips before his mouth left hers to blaze a path down her body. Heat pooled in her belly as he made his descent. He leaned in to lavish attention on her right nipple, licking around in circle before sucking on it, and then her left. Julieta moaned as he worked his magic. Her buds hardened against the softness of his tongue. She came alive under his mouth, writhing beneath. This entire night seemed like such a fantasy, and it was only going to get better. His hand caressed her body, and he cupped her ass. She ran her hands through his thick black hair as he guided his mouth down to her panties. Julieta's core throbbed for him. The sight of his wide shoulders and strong back was almost enough to put her over the edge. She couldn't wait to ravage him---kiss down his chest, pleasure him, but Ramón was in control, and he was focused only on her. He kissed her belly and settled in between her legs. His lips pressed against her black lace panties, the heat of his mouth igniting her fire. He planted more kisses on her, focusing now on her thighs. Julieta was out of her mind with lust. "Stop teasing me." She wanted Ramón's mouth on her, and she wanted it now. She began to remove her panties, but Ramón quickly got the hint and took them off. He looked up at her, and a devilish grin graced his face. "Tell me what you want, babe." "Cómeme." "My pleasure." He began to lick her, starting with her thighs, before lapping in between her lips. Slow and sweet, deep and dirty, Julieta wanted all of him. Ramón's tongue pressed against her clit, and she gasped, a flash of pleasure overtaking her. "Ah, Ramón." "You taste so sweet." He hummed against her, and she ran her fingers through his hair, holding him as his tongue worked its magic. She cried out, desperate for release. Julieta wanted this moment---not just the intimacy, but the night---to last forever. Ramón was every fantasy she had ever had wrapped up into one---strong, sexy, sweet, and oh so skilled. His deep voice, his capable hands, his delicious mouth. Perfection. She completely surrendered to him. "Ramón." She couldn't hold back any longer, as he edged her over the top. One final lick and a wave of ecstasy crashed through her followed by shivers of joy radiating through her entire body.
Alana Albertson (Ramón and Julieta (Love & Tacos, #1))
An Atheopagan Prayer by Mark Green Praise to the wide spinning world Unfolding each of all the destined tales compressed In the moment of your catastrophic birth Wide to the fluid expanse, blowing outward Kindling in stars and galaxies, in bright pools Of Christmas-colored gas; cohering in marbles hot And cold, ringed, round, gray and red and gold and dun And blue Pure blue, the eye of a child, spinning in a veil of air, Warm island, home to us, kind beyond measure: the stones And trees, the round river flowing sky to deepest chasm, salt And sweet. Praise to Time, enormous and precious, And we with so little, seeing our world go as it will Ruing, cheering, the treasured fading, precious arriving, Fear and wonder, Fear and wonder always. Praise O black expanse of mostly nothing Though you do not hear, you have no ear nor mind to hear Praise O inevitable, O mysterious, praise Praise and thanks be a wave Expanding from this tiny temporary mouth this tiny dot Of world a bubble Going out forever meeting everything as it goes All the great and infinitesimal Gracious and terrible All the works of blessed Being. May it be so. May it be so. May our hearts sing to say it is so.
John Halstead (Godless Paganism: Voices of Non-Theistic Pagans)
It can’t be over, not when I finally found my courage. I can’t let it be. My heart is pounding like a million trillion beats a minute as I scoot closer to him. I bend my head down and press my lips against his, and I feel his jolt of surprise. And then he’s kissing me back, open-mouthed, soft-lipped kissing-me-back, and at first I’m nervous, but then he puts his hand on the back of my head, and he strokes my hair in a reassuring way, and I’m not so nervous anymore. It’s a good thing I’m sitting down on this ledge, because I am weak in the knees. He pulls me into the water so I’m sitting in the hot tub too, and my nightgown is soaked now but I don’t care. I don’t care about anything. I never knew kissing could be this good. My arms are at my sides so the jets won’t make my skirt fly up. Peter’s holding my face in his hands, kissing me. “Are you okay?” he whispers. His voice is different: it’s ragged and urgent and vulnerable somehow. He doesn’t sound like the Peter I know; he is not smooth or bored or amused. The way he’s looking at me right now, I know he would do anything I asked, and that’s a strange and powerful feeling. I wind my arms around his neck. I like the smell of chlorine on his skin. He smells like pool, and summer, and vacations. It’s not like in the movies. It’s better, because it’s real. “Touch my hair again,” I tell him, and the corners of his mouth turn up. I lean into him and kiss him. He starts to run his fingers through my hair, and it feels so nice I can’t think straight. It’s better than getting my hair washed at the salon. I move my hands down his back and along his spine, and he shivers and pulls me closer. A boy’s back feels so different than a girl’s back--more muscular, more solid somehow. In between kisses he says, “It’s past curfew. We should go back inside.” “I don’t want to,” I say. All I want is to stay and be here, with Peter, in this moment. “Me either, but I don’t want you to get in trouble,” Peter says. He looks worried, which is so sweet. Softly, I touch his cheek with the back of my hand. It’s smooth. I could look at his fce for hours, it’s so beautiful. Then I stand up, and immediately I’m shivering. I start wringing the water out of my nightgown, and Peter jumps out of the hot tub and gets his towel, which he wraps around my shoulders. The he gives me his hand and I step out, teeth chattering. He starts drying me off with the towel, my arms and legs. I sit down to put on my socks and boots. He puts my coat on me last. He zips me right in. Then we run back inside the lodge. Before he goes to the boys’ side and I go to the girls’ side, I kiss him one more time and I feel like I’m flying.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
It is a hot summer day in Tennessee in the midst of the sixth decade of this century. The girl has climbed the fence to get to the swimming hole she has visited so many summers of her life in the time before this part of the land was enclosed. She stands now at the edge of it. Her body is sticky with heat. The surface of the water moves slightly. Sunlight shimmers and dances in a green reflection that seems as she stares at it to pull her in even before her skin is wet with it. Drops of water on the infant’s head. All the body immersed for baptism. Do these images come to her as she sinks into the coolness? The washing of hands before Sunday’s midday meal. All our sins washed away. Water was once the element for purification. But at the bottom of this pool, There is no telling what is there now. This is what the girl’s father will say to her finally: corroded cans of chemical waste, some radioactive substances. That was why they put the fence there. She is not thinking of that now. The words have not yet been said, and so for her no trouble exists here. The water holds up her body. She is weightless in this fulsome element, the waves her body makes embracing her with their own benediction. Beneath her in the shadowy green, she feels the depth of the pond. In this coolness as the heat mercifully abates, her mind is set free, to dream as the water dreams.
Susan Griffin (A Chorus of Stones: The Private Life of War)
Patience's breath caught. Her lids fell. Wordlessly, she lifted her face, offering her lips. He took them, took her- as their lips fused, Patience felt his hands slide lower, deliberately tracing the ripe hemispheres of her bottom. He filled his hands, then kneaded- heat spread, prickling over her skin, leaving it fevered. Cupping her firm flesh, he molded her to him, easing her deeper into the V of his braced thighs. She felt the evidence of his desire, felt the hard, heavy, throbbing reality pressed against her soft belly. He held her there, senses fully awake, fully aware, for one achingly intense instant, then his tongue slowly surged, thrusting deep into the softness of her mouth. Patience would have gasped, but she couldn't. The evocative caress, his unhurried possession of her mouth, sent heat rolling through her. It pooled, hot and heavy, in her loins. As the kiss drew her in, drew her deeper, a heady languor spread, weighting her limbs, slowing her senses. But not muting them. She was achingly aware. Aware of the hardness that surrounded her, of the steely flex of hard muscle about her. Of her tightly furled nipples pressed hard to the wall of his chest; of the softness of her thighs held intimately against him. Of the relentless, driving passion he ruthlessly held back. That last was a temptation, but one so potently, preeminently dangerous not even she dared prod it. Not yet. There were other things she'd yet to learn.
Stephanie Laurens (A Rake's Vow (Cynster, #2))
So to avoid the twin dangers of nostalgia and despairing bitterness, I'll just say that in Cartagena we'd spend a whole month of happiness, and sometimes even a month and a half, or even longer, going out in Uncle Rafa's motorboat, La Fiorella, to Bocachica to collect seashells and eat fried fish with plantain chips and cassava, and to the Rosary Islands, where I tried lobster, or to the beach at Bocagrande, or walking to the pool at the Caribe Hotel, until we were mildly burned on our shoulders, which after a few days started peeling and turned freckly forever, or playing football with my cousins, in the little park opposite Bocagrande Church, or tennis in the Cartagena Club or ping-pong in their house, or going for bike rides, or swimming under the little nameless waterfalls along the coast, or making the most of the rain and the drowsiness of siesta time to read the complete works of Agatha Christie or the fascinating novels of Ayn Rand (I remember confusing the antics of the architect protagonist of The Fountainhead with those of my uncle Rafael), or Pearl S. Buck's interminable sagas, in cool hammocks strung up in the shade on the terrace of the house, with a view of the sea, drinking Kola Roman, eating Chinese empanadas on Sundays, coconut rice with red snapper on Mondays, Syrian-Lebanese kibbeh on Wednesdays, sirloin steak on Fridays and, my favourite, egg arepas on Saturday mornings, piping hot and brought fresh from a nearby village, Luruaco, where they had the best recipe.
Héctor Abad Faciolince (El olvido que seremos)
Lillian’s lashes lowered as she let him ease her closer, his hand sliding over the length of her spine. Her breasts and waist felt swollen within the insulating grip of her corset, and she suddenly longed to be rid of it. Taking as deep a breath as the stays would allow, she became aware of a sweetly spicy scent in the air. “What is that?” she murmured, drawing in the fragrance. “Cinnamon and wine…” Turning in the circle of his arms, she looked around the spacious bedroom, past the poster bed to the small table that had been set near the window. There was a covered silver dish on the table, from which a few traces of sweet-scented steam were still visible. Perplexed, she twisted back to look at Marcus. “Go and find out,” he said. Curiously Lillian went to investigate. Taking hold of the cover’s handle, which had been wrapped with a linen napkin, she lifted the lid, letting a soft burst of intoxicating fragrance into the air. Momentarily puzzled, Lillian stared at the dish, and then burst out laughing. The white porcelain dish was filled with five perfect pears, all standing on end, their skin gleaming and ruby-red from having been poached in wine. They sat in a pool of clear amber sauce that was redolent of cinnamon and honey. “Since I couldn’t obtain a pear from a bottle for you,” came Marcus’s voice from behind her, “this was the next best alternative.” Lillian picked up a spoon and dug into one of the melting-soft pears, lifting it to her lips with relish. The bite of warm, wine-soaked fruit seemed to dissolve in her mouth, the spiced honey sauce causing a tingle in the back of her throat. “Mmmm…” She closed her eyes in ecstasy. Looking amused, Marcus turned her to face him. His gaze fell to the corner of her lips, where a stray drop of honey sauce glittered. Ducking his head, he kissed and licked away the sticky drop, the caress of his mouth causing a new pleasurable ache deep inside her. “Delicious,” he whispered, his lips settling more firmly, until she felt as if her blood were flowing in streams of white-hot sparks. She dared to share the taste of wine and cinnamon with him, tentatively exploring his mouth with her tongue, and his response was so encouraging that she wrapped her arms around his neck and pressed herself closer. He was delicious, the taste of his mouth clean and sweet, the feel of his lean, solid body immeasurably exciting. Her lungs expanded with shaky-hot breaths, restrained by the clench of her corset stays, and she broke the kiss with a gasp. “I can’t breathe.” Wordlessly Marcus turned her around and unfastened the gown. Reaching her corset, he untied the laces and loosened them with a series of expert tugs, until the stays expanded and Lillian gulped in relief. “Why did you lace so tightly?” she heard him ask. “Because the dress wouldn’t fasten otherwise. And because, according to my mother, Englishmen prefer their women to be narrow-waisted.” Marcus snorted as he eased her back to face him. “Englishmen prefer women to have larger waists in lieu of fainting from lack of oxygen. We’re rather practical that way.” Noticing that the sleeve of her unfastened gown had slipped over her white shoulder, he lowered his mouth to the smooth curve.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
A soup dumpling is a little marvel of engineering. Called xiao long bao in Chinese, shōronpō in Japanese, and "soupies" by Iris, soup dumplings consist of silky dough wrapped around a minced pork or crab filling. The filling is mixed with chilled gelatinous broth which turns back into soup when the dumplings are steamed. Eating a soup dumpling requires practice. Pop the whole thing in your mouth and fry your tongue; bite it in the wrong place and watch the soup dribble onto your lap. The reason I thought about chocolate baklava is because Mago-chan pan-fries its soup dumplings. A steamed soup dumpling is perfect just the way it is. Must we pan-fry everything? Based on the available evidence, the answer is yes. Pan-fried soup dumplings are bigger and heartier than the steamed variety and more plump with hot soup. No, that's too understated. I'm exploding with love and soup and I have to tell the world: pan-fried soupies are amazing. The dumplings are served in groups of four, just enough for lunch for one adult or a growing eight-year-old. They're topped with a sprinkle of sesame and scallion. You can mix up a dipping sauce from the dispensers of soy sauce, black vinegar, and chile oil at the table, but I found it unnecessary. Like a slice of pizza, a pan-fried soup dumpling is a complete experience wrapped in dough. Lift a dumpling with your spoon, poke it with a chopstick, press your lips to the puncture wound, and slurp out the soup. (This will come in handy if I'm ever bitten by a soup snake.) No matter how much you extract, there always seems to be a little more broth pooling within as you eat your way through the meaty filling and crispy underside. Then you get to start again, until, too soon, your dumplings are gone.
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
My blood froze as a creeping, leeching cold lurched by. I couldn't see anything, just a vague shimmering in the corner of my vision, but my horse stiffened beneath me. I willed my face in to blackness. Even the balmy spring woods seemed to recoil, to wither and freeze. The cold thing whispered past, circling. I could see nothing, but I could feel it. And in the back of my mind, an ancient hollow voice whispered: I will grind your bones between my claws; I will drink your marrow; I will feast on your flesh. I am what you fear; I am what you dread... Look at me. Look at me. I tried to swallow, but my throat had closed up. I kept my eyes on the trees, on the canopy, on anything but the cold mass circling us again and again. Look at me. I wanted to look- I needed to see what it was. Look at me. I stared at the coarse trunk of a distant elm, thinking of pleasant things. Like hot bread and full bellies- I will fill my belly with you. I will devour you. Look at me. A starry, unclouded night sky, peaceful and glittering and endless Summer sunrise. A refreshing bath in a forest pool. Meetings with Issac, losing myself for an hour or two in his body, in our shared breaths. It was all around us, so cold that my teeth chattered. Look at me. I stared and stared at the ever-nearing tree trunk, not daring to blink. My eyes strained, filling with tears, and I let them fall, refusing to acknowledge the thing that lurked around us. Look at me. And just as I thought I would give in, when my eyes so much from not looking, the cold disappeared in to the brush, leaving a trail of still, recoiling plants behind. Only after Lucien exhaled and our horses shook their heads did I dare sag in my seat. Even the crocuses seemed to straighten. 'What was that?' I asked, brushing the tears from my face. Lucien's face was still pale. 'You don't want to know.' 'Please. Was it that... Suriel you mentioned?' Lucien's russet eye was dark as he answered hoarsely. 'No. It was a creature that should not be in these lands. We call it the Bogge. You can not hunt it, and you cannot kill it. Even with your beloved ash arrows.' 'Why can't I look at it?' 'Because when you look at it- when you acknowledge it- that's when it becomes real. That's when it can kill you.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
His shining skin drew my attention and I became enslaved to the need to explore every inch of his flesh. His body brought on an ache in me I hadn't known for a long time. Since my ex had dumped me after I'd given him my virginity, I hadn't done more than fool around with guys. The desire to go further had never really risen again. Not until Orion. And I had never, in all my life, wanted anyone like I wanted him. His beard had been trimmed even shorter for the party, revealing the powerful cut of his jaw and that divine dimple in his cheek. He'd brought me here, alone, cordoning me off from the world. And the blazing intensity in his gaze made me hope that maybe he was about to drop the teacher act for one night and admit he was drawn to me too. He glanced above us and his brow furrowed heavily. “Up there are a thousand reasons why we can't be together.” I swallowed thickly, goosebumps rushing along my skin in response to his words. I pressed my back to the cool tiles of the pool and the goosebumps spread deeper, evoking a shiver across my body. “I'm bound by so many rules I could waste the rest of your evening telling you them,” he said. “Skip them then, sir.” A smile played around my mouth as a thrill danced in my chest. He moved closer and rested his hands either side of me on the wall. “I think the time for sirs and professors is over, don't you?” No answer came from my lips, but my body gave it to him as I reached out and did the one thing I'd dreamed about the most since this all-consuming crush had first started. I brushed my fingers across the stubble on his jaw, resting my thumb over the dimple in his cheek, feeling the tiny rivet in his skin. The distance parting us suddenly felt like too much; the air was racing over my exposed flesh, chilling me to the core. I needed the heat of his hands, the red hot press of his stomach and chest. “Lance,” I breathed and his pupils dilated as I met his gaze. He devoured the space between us and I experienced pure sin as his mouth crushed against mine. It was gunpowder meeting fire and the result was an all-consuming blaze which burned me up from the inside out. A desperate noise escaped me that would have made me blush if I’d had any scrap of self-awareness left. But that was all it took for him to slam into me full force, hitching my legs up around his waist so fast it made my head spin. My hands finally got their deepest wish and roamed down the plains of all that gloriously golden skin. But it wasn't enough just to feel the flex of his muscles, I needed more and I took it by scratching against his beautiful shell, wanting to break beneath flesh and bone and burrow my way deeper. I need more. (Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Then, just as we were to leave on a whirlwind honeymoon in the beautiful Pacific Northwest, a call came from Australia. Steve’s friend John Stainton had word that a big croc had been frequenting areas too close to civilization, and someone had been taking potshots at him. “It’s a big one, Stevo, maybe fourteen or fifteen feet,” John said over the phone. “I hate to catch you right at this moment, but they’re going to kill him unless he gets relocated.” John was one of Australia’s award-winning documentary filmmakers. He and Steve had met in the late 1980s, when Steve would help John shoot commercials that required a zoo animal like a lizard or a turtle. But their friendship did not really take off until 1990, when an Australian beer company hired John to film a tricky shot involving a crocodile. He called Steve. “They want a bloke to toss a coldie to another bloke, but a croc comes out of the water and snatches at it. The guy grabs the beer right in front of the croc’s jaws. You think that’s doable?” “Sure, mate, no problem at all,” Steve said with his usual confidence. “Only one thing, it has to be my hand in front of the croc.” John agreed. He journeyed up to the zoo to film the commercial. It was the first time he had seen Steve on his own turf, and he was impressed. He was even more impressed when the croc shoot went off flawlessly. Monty, the saltwater crocodile, lay partially submerged in his pool. An actor fetched a coldie from the esky and tossed it toward Steve. As Steve’s hand went above Monty’s head, the crocodile lunged upward in a food response. On film it looked like the croc was about to snatch the can--which Steve caught right in front of his jaws. John was extremely impressed. As he left the zoo after completing the commercial shoot, Steve gave him a collection of VHS tapes. Steve had shot the videotapes himself. The raw footage came from Steve simply propping his camera in a tree, or jamming it into the mud, and filming himself single-handedly catching crocs. John watched the tapes when he got home to Brisbane. He told me later that what he saw was unbelievable. “It was three hours of captivating film and I watched it straight through, twice,” John recalled to me. “It was Steve. The camera loved him.” He rang up his contacts in television and explained that he had a hot property. The programmers couldn’t use Steve’s original VHS footage, but one of them had a better idea. He gave John the green light to shoot his own documentary of Steve. That led to John Stainton’s call to Oregon on the eve of our honeymoon. “I know it’s not the best timing, mate,” John said, “but we could take a crew and film a documentary of you rescuing this crocodile.” Steve turned to me. Honeymoon or crocodile? For him, it wasn’t much of a quandary. But what about me?” “Let’s go,” I replied.
Terri Irwin (Steve & Me)
He adopted his standard mocking approach. “Having trouble getting out of the pool, Lily? There’s a ladder on the side for the old ladies who come and do aqua aerobics.” Everything inside her stilled. That condescending wretch. She felt him come closer, and was careful not to stir an inch, not even a hair. “You should get out of the pool and take a long hot shower. It’ll make you feel better,” he suggested, not ungently. His brow furrowed with worry. She ignored the thread of concern in his voice and concentrated on not moving too suddenly. Slowly, as if in unbearable agony, she lifted her head. He was dressed once more in his khakis and shirt, his sneakers were in one hand, his gear bag in the other. Good. She let her face crumble, her expression slip into wretchedness. Her lower lip trembled, a special added effect. “I—I’m not sure I can even make it to the ladder,” she confessed haltingly. “My whole body’s shot.” Damn, she must be hurting worse than he’d imagined. Trying not to stare at her lush lower lip quivering helplessly, Sean dropped his gear bag and stepped forward. “Here,” he said, leaning over, stretching out his hand. “Grab my hand. I’ll pull you out.” She’d braced her feet against the wall of the pool, knowing she’d have to strike fast. They grasped hands. The second his tightened about her forearm, she jerked backward with all her strength. Physics were on her side. Caught off balance, Sean somersaulted through the air, with only enough time to yell, “Shit!” before he landed with a cannonball-sized splash. Lily braced her arms on the pool deck. She’d intended to jump out and make a mad dash for the ladies’ locker room but her efforts were hampered by her convulsive laughter. A surprised “Oof!” flew from her lips. Sean’s arm had snaked out and wrapped around her waist, dumping her backward into the water. She pushed to the surface to find Sean glowering menacingly. He was sopping wet and just as furious. Lily’s laughter redoubled, then died away when his hands took her by the shoulders and pulled her close. Mere inches separated their bodies. “What are you doing?” Her voice came out an alarmed squeak. Her eyes flew to his. They sparkled with green and gold lights. “Payback time, Lily. You’ve pushed me once too often. I had my cell phone in my pocket. I don’t think it’s waterproof. My leather wallet is in my rear pocket, crammed with pictures of my adorable niece and nephew. Basically, Banyon, you owe me. Big time.” His tanned face, with drops of water still clinging to its chiseled planes, descended. He was going to kiss her, she realized, panic-stricken at the thought. “Don’t, Sean, don’t!” “I think I have to. It’s been a long time coming. Oh, by the way, I like lots of tongue.” Indignant, her mouth opened, ready to skewer him. But Sean was quicker. He shut Lily up the way he’d been dreaming of for so long. For years she’d driven him mad, made him crazed with desire. Now, by God, he was going to taste her. The passion and frustration inside him erupted. He seized her mouth, molding her lips to his own. Carnal fantasies gave way to a reality a thousand times sweeter. Starved for her, Sean’s lips plundered, boldly claiming her as his.
Laura Moore (Night Swimming: A Novel)
But…but that’s tragic! To go through life without color? Unable to appreciate art, or beauty?” He laughed. “Now, sweet-hold your brush before you paint me a martyr’s halo. It’s not as though I’m blind. I have a great appreciation for art, as I believe we’ve discussed. And as for beauty…I don’t need to know whether your eyes are blue or green or lavender to know that they’re uncommonly lovely.” “No one has lavender eyes.” “Don’t they?” His gaze caught hers and refused to let go. Leaning forward, he continued, “Did that tutor of yours ever tell you this? That your eyes are ringed with a perfect circle a few shades darker than the rest of the…don’t they call it the iris?” Sophia nodded. “The iris.” He propped his elbow on the table and leaned forward, his gaze searching hers intently. “An apt term it is, too. There are these lighter rays that fan out from the center, like petals. And when your pupils widen-like that, right there-your eyes are like two flowers just coming into bloom. Fresh. Innocent.” She bowed her head, mixing a touch of lead white into the sea-green paint on her palette. He leaned closer still, his voice a hypnotic whisper. “But when you take delight in teasing me, looking up through those thick lashes, so saucy and self-satisfied…” She gave him a sharp look. He snapped his fingers. “There! Just like that. Oh, sweet-then those eyes are like two opera dancers smiling from behind big, feathered fans. Coy. Beckoning.” Sophia felt a hot blush spreading from her bosom to her throat. He smiled and reclined in his chair. “I don’t need to know the color of your hair to see that it’s smooth and shiny as silk. I don’t need to know whether it’s yellow or orange or red to spend an inordinate amount of time wondering how it would feel brushing against my bare skin.” Opening his book to the marked page, he continued, “And don’t get me started on your lips, sweet. If I endeavored to discover the precise shade of red or pink or violet they are, I might never muster the concentration for anything else.” He turned a leaf of his book, then fell silent. Sophia stared at her canvas. Her pulse pounded in her ears. A bead of sweat trickled down the back of her neck, channeling down between her shoulder blades, and a hot, itchy longing pooled at the cleft of her legs. Drat him. He’d known she was taunting him with her stories. And now he sat there in an attitude of near-boredom, making love to her with his teasing, colorless words in a blatant attempt to fluster her. It was as though they were playing a game of cards, and he’d just raised the stakes. Sophia smiled. She always won at cards. “Balderdash,” she said calmly. He looked up at her, eyebrow raised. “No one has violet lips.” “Don’t they?” She laid aside her palette and crossed her arms on the table. “The slope of your nose is quite distinctive.” His lips quirked in a lopsided grin. “Really.” “Yes.” She leaned forward, allowing her bosom to spill against her stacked arms. His gaze dipped, but quickly returned to hers. “The way you have that little bump at the ridge…It’s proving quite a challenge.” “Is that so?” He bent his head and studied his book. Sophie stared at him, waiting one…two…three beats before he raised his hand to rub the bridge of his nose. Quite satisfactory progress, that. Definite beginnings of fluster.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Isn’t this the weekend of Xander Eckhart’s party?” “Yes.” Jordan held her breath in a silent plea. Don’t ask if I’m bringing anyone. Don’t ask if I’m bringing anyone. “So are you bringing anyone?” Melinda asked. Foiled. Having realized there was a distinct possibility the subject would come up, Jordan had spent some time running through potential answers to this very question. She had decided that being casual was the best approach. “Oh, there’s this guy I met a few days ago, and I was thinking about asking him.” She shrugged. “Or maybe I’ll just go by myself, who knows.” Melinda put down her forkful of gnocchi, zoning in on this like a heat-seeking missile to its target. “What guy you met a few days ago? And why is this the first we’re hearing of him?” “Because I just met him a few days ago.” Corinne rubbed her hands together, eager for the details. “So? Tell us. How’d you meet him?” “What does he do?” Melinda asked. “Nice, Melinda. You’re so shallow.” Corinne turned back to Jordan. “Is he hot?” Of course, Jordan had known there would be questions. The three of them had been friends since college and still saw each other regularly despite busy schedules, and this was what they did. Before Corinne had gotten married, they talked about her now-husband, Charles. The same was true of Melinda and her soon-to-be-fiancé, Pete. So Jordan knew that she, in turn, was expected to give up the goods in similar circumstances. But she also knew that she really didn’t want to lie to her friends. With that in mind, she’d come up with a backup plan in the event the conversation went this way. Having no choice, she resorted to the strategy she had used in sticky situations ever since she was five years old, when she’d set her Western Barbie’s hair on fire while trying to give her a suntan on the family-room lamp. Blame it on Kyle. I’d like to thank the Academy . . . “Sure, I’ll tell you all about this new guy. We met the other day and he’s . . . um . . .” She paused, then ran her hands through her hair and exhaled dramatically. “Sorry. Do you mind if we talk about this later? After seeing Kyle today with the bruise on his face, I feel guilty rattling on about Xander’s party. Like I’m not taking my brother’s incarceration seriously enough.” She bit her lip, feeling guilty about the lie. So sorry, girls. But this has to stay my secret for now. Her diversion worked like a charm. Perhaps one of the few benefits of having a convicted felon of a brother known as the Twitter Terrorist was that she would never lack for non sequiturs in extracting herself from unwanted conversation. Corinne reached out and squeezed her hand. “No one has stood by Kyle’s side more than you, Jordan. But we understand. We can talk about this some other time. And try not to worry—Kyle can handle himself. He’s a big boy.” “Oh, he definitely is that,” Melinda said with a gleam in her eye. Jordan smiled. “Thanks, Corinne.” She turned to Melinda, thoroughly skeeved out. “And, eww—Kyle?” Melinda shrugged matter-of-factly. “To you, he’s your brother. But to the rest of the female population, he has a certain appeal. I’ll leave it at that.” “He used to fart in our Mr. Turtle pool and call it a ‘Jacuzzi.’ How’s that for appeal?” “Ah . . . the lifestyles of the rich and famous,” Corinne said with a grin. “And on that note, my secret fantasies about Kyle Rhodes now thoroughly destroyed, I move that we put a temporary hold on any further discussions related to the less fair of the sexes,” Melinda said. “I second that,” Jordan said, and the three women clinked their glasses in agreement
Julie James (A Lot like Love (FBI/US Attorney, #2))
I don’t…believe you,” she lied, her blood running wild through her veins. His gleaming gaze impaled her. “Then believe this.” And suddenly his mouth was on hers. This was not what she’d set out to get from him. But oh, the joy of it. The heat of it. His mouth covered hers, seeking, coaxing. Without breaking the kiss, he pushed her back against the wall, and she grabbed for his shoulders, his surprisingly broad and muscular shoulders. As he sent her plummeting into unfamiliar territory, she held on for dear life. Time rewound to when they were in her uncle’s garden, sneaking a moment alone. But this time there was no hesitation, no fear of being caught. Glorying in that, she slid her hands about his neck to bring him closer. He groaned, and his kiss turned intimate. He used lips and tongue, delving inside her mouth in a tender exploration that stunned her. Enchanted her. Confused her. Something both sweet and alien pooled in her belly, a kind of yearning she’d never felt with Edwin. With any man but Dom. As if he sensed it, he pulled back to look at her, his eyes searching hers, full of surprise. “My God, Jane,” he said hoarsely, turning her name into a prayer. Or a curse? She had no time to figure out which before he clasped her head to hold her for another darkly ravishing kiss. Only this one was greedier, needier. His mouth consumed hers with all the boldness of Viking raiders of yore. His tongue drove repeatedly inside in a rhythm that made her feel all trembly and hot, and his thumbs caressed her throat, rousing the pulse there. Thank heaven there was a wall to hold her up, or she was quite sure she would dissolve into a puddle at his feet. Because after all these years apart, he was riding roughshod over her life again. And she was letting him. How could she not? His scent of leather and bergamot engulfed her, made her dizzy with the pleasure of it. He roused urges she’d never known she had, sparked fires in places she’d thought were frozen. Then his hands swept down her possessively as if to memorize her body…or mark it as belonging to him. Belonging to him. Oh, Lord! She shoved him away. How could she have fallen for his kisses after what he’d done? How could she have let him slip that far under her guard? Never again, curse him! Never! For a moment, he looked as stunned by what had flared between them as she. Then he reached for her, and she slipped from between him and the wall, panic rising in her chest. “You do not have the right to kiss me anymore,” she hissed. “I’m engaged, for pity’s sake!” As soon as her words registered, his eyes went cold. “It certainly took you long enough to remember it.” She gaped at him. “You have the audacity to…to…” She stabbed his shoulder with one finger. “You have no business criticizing me! You threw me away years ago, and now you want to just…just take me up again, as if nothing ever happened between us?” A shadow crossed his face. “I did not throw you away. You jilted me, remember?” That was the last straw. “Right. I jilted you.” Turning on her heel, she stalked back toward the road. “Just keep telling yourself that, since you’re obviously determined to believe your own fiction.” “Fiction?” He hurried after her. “What are you talking about?” “Oh, why can’t you just admit what you really did and be done with it?” Grabbing her by the arm, he forced her to stop just short of the street. He stared into her face, and she could see when awareness dawned in his eyes. “Good God. You know the truth. You know what really happened in the library that night.” “That you manufactured that dalliance between you and Nancy to force me into jilting you?” She snatched her arm free. “Yes, I know.” Then she strode out of the alley, leaving him to stew in his own juices.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
If you’d convinced Nancy to marry you, you might not have had to go off to be a Bow Street runner. You could have had an easier life, a better life in high society than you could have had with me if you’d married me. Without being able to access my fortune, I could only have dragged you down.” “You don’t really believe that I wanted to marry her for her money,” he gritted out. “It’s either that or assume that you fell madly in love with her in the few weeks we were apart.” They were nearly to the inn now, so she added a plaintive note to her voice. “Or perhaps it was her you wanted all along. You knew my uncle would never accept a second son as a husband for his rich heiress of a daughter, so you courted me to get close to her. Nancy was always so beautiful, so--” “Enough!” Without warning, he dragged her into one of the many alleyways that crisscrossed York. This one was deeply shadowed, the houses leaning into each other overhead, and as he pulled her around to face him, the brilliance of his eyes shone starkly in the dim light. “I never cared one whit about Nancy.” She tamped down her triumph--he hadn’t admitted the whole truth yet. “It certainly didn’t look that way to me. It looked like you had already forgotten me, forgotten what we meant to each--” “The hell I had.” He shoved his face close to hers. “I never forgot you for one day, one hour, one moment. It was you--always you. Everything I did was for you, damn it. No one else.” The passionate profession threw her off course. Dom had never been the sort to say such sweet things. But the fervent look in his eyes roused memories of how he used to look at her. And his hands gripping her arms, his body angling in closer, were so painfully familiar... “I don’t…believe you,” she lied, her blood running wild through her veins. His gleaming gaze impaled her. “Then believe this.” And suddenly his mouth was on hers. This was not what she’d set out to get from him. But oh, the joy of it. The heat of it. His mouth covered hers, seeking, coaxing. Without breaking the kiss, he pushed her back against the wall, and she grabbed for his shoulders, his surprisingly broad and muscular shoulders. As he sent her plummeting into unfamiliar territory, she held on for dear life. Time rewound to when they were in her uncle’s garden, sneaking a moment alone. But this time there was no hesitation, no fear of being caught. Glorying in that, she slid her hands about his neck to bring him closer. He groaned, and his kiss turned intimate. He used lips and tongue, delving inside her mouth in a tender exploration that stunned her. Enchanted her. Confused her. Something both sweet and alien pooled in her belly, a kind of yearning she’d never felt with Edwin. With any man but Dom. As if he sensed it, he pulled back to look at her, his eyes searching hers, full of surprise. “My God, Jane,” he said hoarsely, turning her name into a prayer. Or a curse? She had no time to figure out which before he clasped her head to hold her for another darkly ravishing kiss. Only this one was greedier, needier. His mouth consumed hers with all the boldness of Viking raiders of yore. His tongue drove repeatedly inside in a rhythm that made her feel all trembly and hot, and his thumbs caressed her throat, rousing the pulse there. Thank heaven there was a wall to hold her up, or she was quite sure she would dissolve into a puddle at his feet. Because after all these years apart, he was riding roughshod over her life again. And she was letting him. How could she not? His scent of leather and bergamot engulfed her, made her dizzy with the pleasure of it. He roused urges she’d never known she had, sparked fires in places she’d thought were frozen. Then his hands swept down her possessively as if to memorize her body…or mark it as belonging to him. Belonging to him.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))