Hot Linen Quotes

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This is what I want. I want people to take care of me. I want them to force comfort upon me. I want the soft-pillow feeling that I associate with memories of being ill when I was younger, soft pillows and fresh linens and satin-edged blankets and hot chocolate. It's not so much the comfort itself as knowing there's someone who wants to take care of you.
Franny Billingsley (Chime)
I wish we could spend July by the sea, browning ourselves and feeling water-weighted hair flow behind us from a dive. I wish our gravest concerns were the summer gnats. I wish we were hungry for hot dogs and dopes, and it would be nice to smell the starch of summer linens and the faint odor of talc in blistering summer bath houses ... We could lie in long citoneuse beams of the five o'clock sun on the plage at Juan-les-Pins and hear the sound of the drum and piano being scooped out to sea by the waves.
Zelda Fitzgerald (Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald)
He wore pink linen slacks, white sneakers and a canary yellow open-neck shirt. He evidently thought himself hot stuff.
Basil Copper (The Dark Mirror (Mike Faraday, P.I. Book 1))
These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
Brian Doyle (Mink River)
Also, the reader will be pleased to know that our hero changed his linen every other day, and in summer, when the weather was very hot, EVERY day, seeing that the very faintest suspicion of an unpleasant odour offended his fastidiousness.
Nikolai Gogol (Dead Souls)
Then set out after repeated warning the grizzly Afghan Duryodhan in blazing sun removed sandal-wood blooded stone-attired guards spearing gloom brought out a substitute of dawn crude hell’s profuse experience Huh a night-waken drug addict beside head of feeble earth from the cruciform The Clapper could not descend due to lockdown wet-eyed babies were smiling . in a bouquet of darkness in forced dreams The Clapper wept when learnt about red-linen boat’s drowned passengers in famished yellow winter white lilies bloomed in hot coal tar when in chiseled breeze nickel glazed seed-kernel moss layered skull which had moon on its shoulder scolded whole night non-weeping male praying mantis in grass bronze muscled he-men of Barbadoz pressed their fevered forehead on her furry navel . in comb-flowing rain floated on frowning waves diesel sheet shadow whipped oceans all wings had been removed from the sky funeral procession of newspaperman’s freshly printed dawn lifelong jailed convict’s eye in the keyhole outside in autumnal rice pounding pink ankle Lalung ladies
Malay Roy Choudhury (Selected Poems)
As I eyed him, probably with a spent and blissful look on my face, I watched how he lifted the fingers that had been inside of me moments ago and introduced them inside his mouth. His eyes closed, and his face contorted into an expression I would never forget. An expression that would be branded in my mind for the rest of my goddamn life and that would haunt me in the wet dreams I’d start having now. Aaron grunted, opening his eyes back and finding mine. “I could come only with your taste. With you in my arms like this.” So primal, so basic, so hot. I couldn’t begin to articulate an answer, to move. He must have seen that because one of his arms went below my legs and the other one around my back. Picking me up from the floor, he carried me to the bed and placed me on the top of the velvety linen.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
He returns to the blur of velvet and firelight in the main room, kicking off his shoes as he walks, managing to remove his suit jacket and vest before he reaches the bed but he is asleep before he can deal with additional buttons, linen sheets, and lamb's-wool pillows swallowing him like a cloud and he welcomes it, his last thoughts before sleeping a fleeting mix of reflections on the evening that has finally ended, questions and worries about everything from his sanity to hot to get paint out of his hair and then it is gone, the last wisp of thought wondering how you go to sleep if you're already dreaming.
Erin Morgenstern (The Starless Sea)
Oh, the way he was looking at her, really looking at her . . . this was the Christopher of her dreams. This was the man who had written to her. He was so caring, and real, and dazzling, that she wanted to weep. “I thought . . .” Christopher broke off and drew his thumb over the hot surface of her cheek. “I know,” she whispered, her nerves sparking in excitement at his touch. “I didn’t mean to do that.” “I know.” His gaze went to her parted lips, lingering until she felt it like a caress. Her heart labored to supply blood to her nerveless limbs. Every breath caused her body to lift up against his, a teasing friction of firm flesh and clean, warm linen. Beatrix was transfixed by the subtle changes in his face, the heightening color, the silver brightness of his eyes. She wondered if he were going to kiss her. And a single word flashed through her mind. Please. . .
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
This kiss, this first kiss, was not subtle, soft or gentle. It was as if they were ravenous for each other. She opened so easily for him. He didn't expect this reaction from her. Truly, he hadn't expected to kiss her today. But as their mouths joined, their lips caressing, moving hungrily, steadily becoming more demanding, he wondered why he hadn't done this sooner. "I could kiss you for hours," he drawled hotly against her mouth. "Possibly for days." It felt as if he was savoring heaven. Something Rothbury never thought he would ever even glimpse let alone taste. She responded to his words by grasping at the sodden material of his linen shirt, her arms trapped in between their chests. The feel of her lush mouth under him was intoxicating. She tasted sweet, wet, the rivulets of rain upon their faces making the kiss wilder, hotter somehow. His lips moved hotly over hers. He had thought about this moment for so long, and now that it was actually happening... it was better than he ever imagined it could be.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
He was able to sleep on bare boards; he drank plain hot water with neither tea nor sugar; he ate stale bread; he wore footcloths rather than socks. He had no bed linen, but she noticed that his shirt collar was always clean, even though the shirt had been washed so many times that it had gone yellow. And in the mornings he always took out a chipped, battered little box that had once contained fruit drops and that now contained his washing things; he would brush his teeth and carefully soap his face, his neck, and his arms up to his elbows.
Vasily Grossman (Everything Flows)
In this office right now I am thinking about how long it would take a corpse to disintegrate right in this office. In this office these are the things I fantasize about while dreaming: Eating ribs at Red, Hot and Blue in Washington, D.C. If I should switch shampoos. What really is the best dry beer? Is Bill Robinson an overrated designer? What’s wrong with IBM? Ultimate luxury. Is the term “playing hardball” an adverb? The fragile peace of Assisi. Electric light. The epitome of luxury. Of ultimate luxury. The bastard’s wearing the same damn Armani linen suit I’ve got on.
Bret Easton Ellis (American Psycho (Vintage Contemporaries))
<...> slaves became the major form of Southern wealth (aside from land), and slaveholding became the means to prosperity. <...> The later impoverishment of the South nourished the myth that the slave economy had always been historically “backward,” stagnating, and unproductive. We now know that investment in slaves brought a considerable profit and that the Southern economy grew rapidly throughout the pre–Civil War decades. It is true, however, that the system depended largely on the international demand for cotton as the world entered the age of industrialization, led by the British textile industry. There was an increasing demand for clothing that was cheaper than linen and not as hot and heavy as wool.
David Brion Davis (Inhuman Bondage: The Rise and Fall of Slavery in the New World)
I can feel what little I drank listing in my stomach. I have a drink of water. Then I take a long, hot bath in the freestanding metal tub in the bathroom using the organic bath oil provided, which creates a thick aromatherapeutic fug of rosemary and geranium. There’s a high window facing toward the loch, though the view out is half obscured by a wild growth of ivy, like something from a Pre-Raphaelite painting. It’s also high enough that someone could look in and watch me in the bath for a while before I noticed them—if I ever did. I’m not sure why that has occurred to me—especially as there’s hardly anyone here to look—but once the thought is in my mind I can’t seem to get rid of it. I draw the little square of linen across the view. As I do I catch sight of my reflection in the mirror above the sink. The light isn’t good, but I think I look terrible: pale and ill, my eyes dark pits.
Lucy Foley (The Hunting Party)
As Garrett looked up from the transfuser, she blinked at the sight of a shirtless West Ravenel hoisting himself easily onto the table. Despite his earlier crack about Ethan's athletic form, he was certainly no physical lightweight himself. He had the hard, rippling musculature of a man accustomed to lifting and carrying heavy weight. But what had surprised Garrett was the discovery that his torso was tanned the same shade of golden brown as his face. All over. What kind of gentleman went outside in the sun for that long with no shirt?" Ravenel's lips quirked as he saw her expression. A twinkle of arrogant amusement appeared in his eyes. "Farmwork," he said in a matter-of-fact tone. "And I do some quarrying." "Half naked?" Garrett asked tartly, setting the transfuser on an expanse of clean linen. "I've been loading rocks into horse carts," he said. "Which suits my intellectual capacity perfectly. But it's too hot for a shirt.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
Unsure what she was doing, she simply emulated his actions, allowing her tongue to tangle with his. It brought a growl from his throat that made her shiver, and then his kiss became hungrier and deeper, almost violent as his hands began moving, caressing her everywhere. He kneaded her back, urging her flush against him again, then let his fingers slide over her arms, and her sides, before his hands suddenly clasped her waist and he lifted and turned her to straddle him. The moment he'd settled her there, his hands shifted down and around to clasp her bottom. He then squeezed her cheeks through her gown, his fingers meeting in the middle and brushing against her core through the cloth. Claray gasped into his mouth at the touch and began to suck frantically on his tongue in response. When he released her bottom to tug at the top of her gown, dragging it off her shoulders, she let her hands drop to help him. The moment the wet cloth slid away to pool around her in the water, his hands claimed her breasts through the thin cloth of her shift. Claray broke their kiss on a cry at the touch, her hands grasping at his upper arms and then moving down to his wrists, urging him on. She looked down then to see that the thin linen of her shift had gone almost transparent. She could see the pink of her breasts and the darker rose of her nipples as his fingers squeezed the full globes and his thumbs ran back and forth over her hard, excited nipples. Watching him touch her so intimately only added to Claray's excitement and she found herself shifting in his lap, mindlessly rubbing herself against the hardness she could feel beneath her. When the Wolf gasped in response and claimed her mouth again, she kissed him frantically back and continued to move against him until he suddenly released her breasts and rolled them in the water. Only his hand under her neck kept her head from being submerged. Distracting her with kisses, the Wolf dragged her closer to shore until her head was out of the water and then broke their kiss to move upright. Kneeling with his legs in either side of her he then let his eyes slide over her, hot and hungry.
Lynsay Sands (Highland Wolf (Highland Brides, #10))
When West returned, he was completely naked. Phoebe began to turn over, but he straddled her hips and pressed her back lightly to keep her facedown. She lay quietly, aware of the textures of him, the muscles and coarse hair of his thighs, and the silky weight of an erection that felt as long and hard as a raffling pole. There was the sound of a glass stopper in a flask. His warm, strong hands descended to her back, rubbing and massaging, while the scent of almond oil drifted to her nostrils. He squeezed the muscles of her shoulders and worked his way down on either side of her spine, releasing tension and sending ripples of pleasure through her. Phoebe moaned softly. No one had ever done this to her before; she would never have guessed it would feel so lovely. As his palms glided up to her shoulders, the length of his aroused flesh slid along the cleft of her bottom and partly up her back. Clearly he also took pleasure in the massage, making no effort to hide it. He kneaded her lower back and the full curves of her buttocks with increasing pressure until the clenched muscles relaxed. One hand reached down between her thighs to cup the soft pleats of flesh, his fingertips riding tenderly on either side of her swollen, half-hidden nub. A few exquisitely light and indirect strokes, back and forth, caused her breath to catch. He touched the opening of her body, circling into the wetness before one of his fingers- no, two- entered in a gradual but insistent thrust. Her body tried to close against the intrusion, but he was so gentle, his fingers undulating like the sway of water reeds in a slow current. Her legs spread a little, and soon she felt the need to push upward, to take more of him in. As she raised her hips, something inside her loosened and stretched to enclose him. He breathed her name raggedly, seeming to luxuriate in the feel of her, his fingers twisting and curling protean grace. Keeping her crimson face pressed against the cool linen sheets, she squirmed and gasped and arched tightly. As his fingers slid from her body, the opening felt oddly liquid, muscles clenching on emptiness. His weight lowered over her back, the hair of his chest tickling pleasantly as he bent to kiss and lick her shoulders and the nape of her neck.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
The footsteps behind her stopped. A warm brush of fingertips traveled up her arms as a firm chest pressed against her back. Daniel. She could sense his glow without even turning. She closed her eyes. His arms wrapped around her waist and his soft lips swept across her neck, stopping just below her ear. "I found you," he whispered. She turned slowly in his arms. The sight of him took her breath away. He was still her Daniel, of course, but his skin was the color of rich hot chocolate,and his wavy black hair was cropped very short. He wore only a short linen loincloth,leather sandals, and a silver choker around his neck. His deep-set violet eyes swept over her, happy. He and Layla were deeply in love. She rested her cheek on his chest and counted the beats of his heart. Would this be the last time she did this,the last time he held her against his heart? She was about to do the right thing-the good thing for Daniel. But still it pained her to think about it. She loved him! If this journey had taught her anything, it was how much she truly loved Daniel Grigori. It hardly seemed fair that she was forced to make this decision. Yet here she was. In ancient Egypt. With Daniel. For the very last time. She was about to set him free.
Lauren Kate (Passion (Fallen, #3))
The girls seemed unconcerned and went about their days, each as lovely in their own way as the flowers they tended. Sorrel's black hair became streaked with premature white, which gave her an exotic air, although the elegance was somewhat ruined by the muddy jeans and shorts she practically lived in. Nettie, on the other hand, had a head of baby-fine blonde hair that she wore short, thinking, wrongly, that it would look less childlike. Nettie wouldn't dream of being caught in dirty jeans and was always crisply turned out in khaki capris or a skirt and a white shirt. She considered her legs to be her finest feature. She was not wrong. Patience was the sole Sparrow redhead, although her hair had deepened from its childhood ginger and was now closer to the color of a chestnut. It was heavy and glossy as a horse's mane, and she paid absolutely no attention to it or to much else about her appearance, nor did she have to. In the summer her wide-legged linen trousers and cut-off shorts were speckled with dirt and greenery, her camisoles tatty and damp. The broad-brimmed hat she wore to pick was most often dangling from a cord down her back. As a result, the freckles that feathered across her shoulders and chest were the color of caramel and resistant to her own buttermilk lotion (Nettie smoothed it on Patience whenever she could make her stand still). When it was terribly hot, Patience wore the sundresses she'd found packed away in the attic. She knew they were her mother's, and she liked to imagine how happy Honor had been in them.
Ellen Herrick (The Sparrow Sisters)
Lillian’s lashes lowered as she let him ease her closer, his hand sliding over the length of her spine. Her breasts and waist felt swollen within the insulating grip of her corset, and she suddenly longed to be rid of it. Taking as deep a breath as the stays would allow, she became aware of a sweetly spicy scent in the air. “What is that?” she murmured, drawing in the fragrance. “Cinnamon and wine…” Turning in the circle of his arms, she looked around the spacious bedroom, past the poster bed to the small table that had been set near the window. There was a covered silver dish on the table, from which a few traces of sweet-scented steam were still visible. Perplexed, she twisted back to look at Marcus. “Go and find out,” he said. Curiously Lillian went to investigate. Taking hold of the cover’s handle, which had been wrapped with a linen napkin, she lifted the lid, letting a soft burst of intoxicating fragrance into the air. Momentarily puzzled, Lillian stared at the dish, and then burst out laughing. The white porcelain dish was filled with five perfect pears, all standing on end, their skin gleaming and ruby-red from having been poached in wine. They sat in a pool of clear amber sauce that was redolent of cinnamon and honey. “Since I couldn’t obtain a pear from a bottle for you,” came Marcus’s voice from behind her, “this was the next best alternative.” Lillian picked up a spoon and dug into one of the melting-soft pears, lifting it to her lips with relish. The bite of warm, wine-soaked fruit seemed to dissolve in her mouth, the spiced honey sauce causing a tingle in the back of her throat. “Mmmm…” She closed her eyes in ecstasy. Looking amused, Marcus turned her to face him. His gaze fell to the corner of her lips, where a stray drop of honey sauce glittered. Ducking his head, he kissed and licked away the sticky drop, the caress of his mouth causing a new pleasurable ache deep inside her. “Delicious,” he whispered, his lips settling more firmly, until she felt as if her blood were flowing in streams of white-hot sparks. She dared to share the taste of wine and cinnamon with him, tentatively exploring his mouth with her tongue, and his response was so encouraging that she wrapped her arms around his neck and pressed herself closer. He was delicious, the taste of his mouth clean and sweet, the feel of his lean, solid body immeasurably exciting. Her lungs expanded with shaky-hot breaths, restrained by the clench of her corset stays, and she broke the kiss with a gasp. “I can’t breathe.” Wordlessly Marcus turned her around and unfastened the gown. Reaching her corset, he untied the laces and loosened them with a series of expert tugs, until the stays expanded and Lillian gulped in relief. “Why did you lace so tightly?” she heard him ask. “Because the dress wouldn’t fasten otherwise. And because, according to my mother, Englishmen prefer their women to be narrow-waisted.” Marcus snorted as he eased her back to face him. “Englishmen prefer women to have larger waists in lieu of fainting from lack of oxygen. We’re rather practical that way.” Noticing that the sleeve of her unfastened gown had slipped over her white shoulder, he lowered his mouth to the smooth curve.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
SWEETEST IN THE GALE by Michelle Valois After Emily Dickinson You won’t lose your hair, I heard at the start of treatment, and though I didn’t, I lost a litany of other lesser and greater luxuries—saliva, stamina, taste buds, my voice—but my hair, during that chilly sojourn in the land of extremity to which I had sailed on a strange and stormy sea, my hair was not taken from me. Had it been, I would have perched one of those 18th century wigs on my head, such as those worn by the French aristocracy, measuring three, four, even five feet high and stuffed, as they were known to be, with all sorts of things: ribbons, pearls, jewels, flowers, tunes without words, reproductions of great sailing vessels, my soul inside a little bird cage—ornaments selected to satisfy a theme: the signs of the Zodiac (à la Zodiaque) or the discovery of a new vaccine (à l’inoculation) or, as was the case in June of 1782, the first successful hot air balloon flight by the brothers Michel and Etienne Montgolfier. Regarde, I exclaim to my ladies in waiting, pointing to the sky on that bright afternoon as the balloon, made of linen and paper, rises some 6,000 feet. Later, a duck, then a sheep, and finally a human is carried away. I watch, inspired, hopeful, whispering, lest my doctors overhear: when the storm turns sore, and that little bird escapes her little bird cage and is abashed without reckoning, I will sail away in my balloon, prepared, if it fails me, to pluck a few ostrich feathers from the high hair of the Queen of France herself; they and hope (which never asked for a crumb) will carry me beyond disease for as long as I have left to choose between futility and flight.
Michelle Valois
Moving with infinite reluctance, Westcliff gingerly put his arms around her. The escalation of Lillian’s heartbeat seemed to drive the air from her lungs. One of his broad hands settled between her tense shoulder blades, while the other pressed at the small of her back. He touched her with undue care, as if she were made of some volatile substance. And as he brought her body gently against his, her blood turned to liquid fire. Her hands fluttered in search of a resting place until her palms grazed the back of his coat. Flattening her palms on either side of his spine, she felt the flex of hard muscle even through the layers of silk-lined broadcloth and linen. “Is this what you were asking for?” he murmured, his low voice at her ear. Lillian’s toes curled inside her slippers as his hot breath tickled her hairline. She responded with a wordless nod, feeling crestfallen and mortified as she realized that she had lost her gamble. Westcliff was going to show her how easy it was to release her, and then he would forever afterward subject her to ruthless mockery. “You can let me go now,” she whispered, her mouth twisting in self-derision. But Westcliff didn’t move. His dark head dropped a little lower, and he drew in a breath that wasn’t quite steady. Lillian perceived that he was taking in the scent of her throat…absorbing it with slow but ever-increasing greed, as if he were an addict inhaling lungfuls of narcotic smoke. The perfume, she thought in bemusement. So it hadn’t been her imagination. It was working its magic again. But why did Westcliff seem to be the only man to respond to it? Why— Her thoughts were scattered as the pressure of his hands increased, causing her to shiver and arch. “Damn it,” Westcliff whispered savagely. Before she quite knew what was happening, he had pushed her up against a nearby wall. His fiercely accusing gaze moved from her dazed eyes to her parted lips, his silent struggle lasting another burning second, until he suddenly gave in with a curse and brought their mouths together with an impatient tug.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
She said, “Why can’t you see that people care for you?” She said, “I care for you.” “I know that you care. But…” He searched her face. “Anyone would, for a friend.” “You’re more than a friend.” “On the battlefield, you stayed--” “Of course I did.” “You have a strong sense of honor. You always have. I think you think you owe me something.” “I stayed because I love you.” He flinched and looked away. “You don’t mean that.” “Yes, I do.” The night outside seemed to swell against the tent. The lamp smelled like a hot stone. His face slowly opened. He touched her hand as it pressed against his heart. His caress was light, secret, almost unsure of her knuckles, the thin tendons as strong as bone. She felt him become sure. There was no sound when he kissed her. None when she unthreaded the ties of his shirt and found his skin. He grasped her dagger belt, flexed his fingers once around the leather, then simply held on. He whispered something into her mouth that was almost a word. It lost its shape, became something else. He let go. She heard the brush of linen as he drew the shirt over his head, his fingertips grazing the tent’s sloped ceiling as if for balance. His ribs were bound with gauze, his body marked by scars. Old ones, badly healed and raised. Others, pink and fresh. His shoulders bore pale gouges; they looked like sets of claws, almost deliberate, like tattoos. Curious, she touched them. He bit his lip. “That hurts?” “No.” “What is this? What happened?” “I’ll tell you,” he said. “Later.” His hand strayed over her shirt, which was eastern, as Arin’s was, with no collar. Threadbare in places. Frayed at the neck. He worried the cloth there, rubbing it between fingers and thumb. Then he drew her shirt open, and she felt as if reality had grown larger and tremulous: a drop of water on the point of a pin. “Kestrel…I’ve never--” She whispered that this was new for her, too. There was a long pause. “Are you certain you want--” “Yes.” “Because…” “Arin.” “Maybe you--” “Arin.” She laughed, and then so did he, aware that they’d already found the bed. Words had fallen away. Maybe the words lay on the earth, nestled among clothes, curled into the undone dagger belt. Maybe later, language would be recovered and pieced together. Made to make sense. But not now. Now there was touch and taste and sound. When he eased into her, she was glad for the burning lamp, the fuzzy glow of it on his skin. The way it showed the black fall of his wet hair, the flesh and scars that made him. She didn’t look away.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
When we arrived at the wedding at Marlboro Man’s grandparents’ house, I gasped. People were absolutely everywhere: scurrying and mingling and sipping champagne and laughing on the lawn. Marlboro Man’s mother was the first person I saw. She was an elegant, statuesque vision in her brown linen dress, and she immediately greeted and welcomed me. “What a pretty suit,” she said as she gave me a warm hug. Score. Success. I felt better about life. After the ceremony, I’d meet Cousin T., Cousin H., Cousin K., Cousin D., and more aunts, uncles, and acquaintances than I ever could have counted. Each family member was more gracious and welcoming than the one before, and it didn’t take long before I felt right at home. This was going well. This was going really, really well. It was hot, though, and humid, and suddenly my lightweight wool suit didn’t feel so lightweight anymore. I was deep in conversation with a group of ladies--smiling and laughing and making small talk--when a trickle of perspiration made its way slowly down my back. I tried to ignore it, tried to will the tiny stream of perspiration away, but one trickle soon turned into two, and two turned into four. Concerned, I casually excused myself from the conversation and disappeared into the air-conditioned house. I needed to cool off. I found an upstairs bathroom away from the party, and under normal circumstances I would have taken time to admire its charming vintage pedestal sinks and pink hexagonal tile. But the sweat profusely dripping from all pores of my body was too distracting. Soon, I feared, my jacket would be drenched. Seeing no other option, I unbuttoned my jacket and removed it, hanging it on the hook on the back of the bathroom door as I frantically looked around the bathroom for an absorbent towel. None existed. I found the air vent on the ceiling, and stood on the toilet to allow the air-conditioning to blast cool air on my face. Come on, Ree, get a grip, I told myself. Something was going on…this was more than simply a reaction to the August humidity. I was having some kind of nervous psycho sweat attack--think Albert Brooks in Broadcast News--and I was being held captive by my perspiration in the upstairs bathroom of Marlboro Man’s grandmother’s house in the middle of his cousin’s wedding reception. I felt the waistband of my skirt stick to my skin. Oh, God…I was in trouble. Desperate, I stripped off my skirt and the stifling control-top panty hose I’d made the mistake of wearing; they peeled off my legs like a soggy banana skin. And there I stood, naked and clammy, my auburn bangs becoming more waterlogged by the minute. So this is it, I thought. This is hell. I was in the throes of a case of diaphoresis the likes of which I’d never known. And it had to be on the night of my grand entrance into Marlboro Man’s family. Of course, it just had to be. I looked in the mirror, shaking my head as anxiety continued to seep from my pores, taking my makeup and perfumed body cream along with it. Suddenly, I heard the knock at the bathroom door. “Yes? Just a minute…yes?” I scrambled and grabbed my wet control tops. “Hey, you…are you all right in there?” God help me. It was Marlboro Man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
A pair of waiters brought a feast to the hotel room and arranged it in the sitting area. They unfolded the hot cart into a table, draped it in white linen, and brought out silver-domed plates. By the time the wine was poured and all the dishes were uncovered, I was trembling with hunger. Luke, however, became fractious after I changed his diaper, and he howled every time I tried to set him down. Holding him against one shoulder, I contemplated the steaming grilled steak in front of me and wondered how I was going to manage with only one hand. “Let me,” Jack murmured, and came to my side of the table. He cut the steak into small, neat bites with such adroitness that I gave him a look of mock-alarm. “You certainly know how to handle a knife.” “I hunt whenever I get the chance.” Finishing the task, Jack set down the utensils and tucked a napkin into the neckline of my shirt. His knuckles brushed my skin, eliciting a shiver. “I can field-dress a deer in fifteen minutes,” he told me. “That’s impressive. Disgusting, but impressive.” He gave me an unrepentant grin as he returned to his side of the table. “If it makes you feel better, I eat anything I catch or kill.” “Thanks, but that doesn’t make me feel better in the least. Oh, I’m aware that meat doesn’t magically appear all nicely packaged in foam and cellophane at the grocery store. But I have to stay several steps removed from the process. I don’t think I could eat meat if I had to hunt the animal and . . .” “Skin and gut it?” “Yes. Let’s not talk about that right now.” I took a bite of the steak. Either it was the long period of deprivation, or the quality of the beef, or the skill of the chef . . . but that succulent, lightly smoked, melting-hot steak was the best thing I had ever tasted. I closed my eyes for a moment, my tonsils quivering. He laughed quietly at my expression. “Admit it, Ella. It’s not so bad being a carnivore.” I reached for a chunk of bread and dabbed it in soft yellow butter. “I’m not a carnivore, I’m an opportunistic omnivore.” -Jack & Ella
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
hypothesis. In fact, I don’t know what else could have made this image. You press a piece of linen against the corpse of a bloody man, you anoint him with oils, leave him in a hot place, a cold place, any place, and you’re not going to get this kind of a perfect, almost photographic negative of a human body complete with the stigmata of the crucifixion spikes, the dumbbell-shaped scourge marks from the flagrum—the Roman whip—the blood and serum stains from where his lung was punctured by the spear.
Glenn Cooper (The Resurrection Maker)
Take linseed and dry it in a pan, without water, on the fire. Put it in a mortar and pound it to a fine powder; then replacing it in the pan and pouring a little water on it, make it quite hot. Afterwards wrap it in a piece of new linen; place it in a press used for extracting the oil of olives, of walnuts, and express this in the same manner. With this oil grind minium or vermilion, or any other colour you wish, on a stone slab...prepare tints for faces and draperies...distinguishing, according to your fancy, animals, birds, or foliage with their proper colours.
Theophilus
Mr. Attleton’s way of life—not what you’d call regular, sir—and yet it’s all against his interests to have an open break with Mrs. Attleton. He liked his comfort, sir. Good service, good food, a good club, Turkish baths, swimming, fencing, motoring and all. Mr. Attleton’s a very pleasant gentleman to work for, appreciates good service, and is generous when he’s in funds, but if anything isn’t just so, he’ll not put up with it. If his linen sheets aren’t always the same quality, his bath water as hot as he likes it, his bath salts just so, he mentions it. Likes good living, as I say, sir, but who pays for the linen, and the heating, and the service, in this house, sir? Not Mr. Attleton.” Macdonald nodded his appreciation of this really oratorical effort on the part of Weller,
E.C.R. Lorac (Bats in the Belfry)
She heard the door shut and then he was kneeling before her, pushing her dress up to the top of her thighs. In one movement it seemed, he slipped off his jacket, pried open her legs, and lifted her thighs over his shoulders so that she fell back onto her elbows. She gripped the bed linens as his tongue shot into her and rolled expertly about, and when he drew it out to flick at her like butterfly wings while his fingers pressed down inside her, and orgasm climbed within her. He felt it, pushed her farther up the bed, and stood up, looking down with an expression of simple intent at her womanhood. "Not yet," he told her, dropping his clothes to the floor. His body was toned, hard, perfect; she longed to run her tongue over his washboard stomach, the gentle mounds of his pectoral muscles. "Please." The pulsing between her legs was turning to a pounding. He smiled down at her then. He was making her wait of course. He climbed up onto the bed and knelt between her thighs, teasing her with the tip of his manhood. Circling her waist with his arm, he flipped her onto her stomach. He pulled a pillow under her hips and drew her apart. And then... and then nothing. Only the creak of the bed. She expected his touch, but it didn't come. She felt his breath all over her excitement. His chest was obviously flat to the bed, his face almost touching her. He was looking at her, really looking at her, her hairless smoothness, engorged, trembling, and the thrill of it, of knowing he was looking, but not being able to see him looking, the anticipation of being touched, made her body burn and quiver. She felt him breathing against her. She lost track of how long, how long she lay there in a frenzy of anticipation, not knowing would he touch her, would he plunge right into her. She felt her dampness spreading across the pillow beneath her hips. When he did finally touch her, so lightly, just a finger, exploring her, she cried out. It was almost unbearable. And then the creak of the bed again and he filled her. She lifted her hips higher to meet him, and he pushed her dress up higher to take her hips bare in his hands and pull her closer. He ground into her desire like the base of a palm kneading dough, pressing, lifting, pressing, smoothing her with the perfectly timed and pressured movement of a master into something light and delicate and trusting and pliable. He bent one of her legs and lifted the spiked heel of her stiletto so that it dug into his chest, turning in the movement onto her side. Then he slipped her lower leg around his hips without her heel in that foot even touching him and twisted her. Without his having withdrawn even once, she was on her back looking up at him, knees pressed back to her breasts still scooped in her dress. She reached for him, but he shook his head. He wanted to control this. He lifted her stilettoed feet onto his shoulders, and with two parted fingers closed her eyes. He spread her arms. And then he drove himself into her with such force that it hurt. And then again, and again. She could have opened her eyes, pushed him back, regained some control, but something in her wanted this. She had needed for so long to be so strong, so impervious, it felt an incredible relief to have her vulnerable femininity driven home.
Karen Weinreb (The Summer Kitchen)
know, Will,” Edmund said. “You needn’t worry. I won’t muck anything up.” He peeled back the duvet, climbed into the bed, and curled himself into a ball. At this, Mrs. Müller appeared in the doorway bearing a load of crisp white linens, patchwork quilts, and hot-water bottles wrapped in knitted cases the same dove gray as the blanket. On top of the teetering pile was a book. As she set her load down on the dressing table, she looked at Edmund. “Lord love you, child.” She went to the bedside, lifted the duvet, and tucked a hot-water bottle at Edmund’s feet. She tested his forehead once again with the palm of her hand. “Perhaps we’ll forgo the clean linens, just for tonight,” she said. “I hate to extract you, Edmund.” “Yes. I mean—thank you,” he murmured. The librarian smiled and looked at William and Anna. “If I had someplace else to put you two, I’d keep you out of the sick room, but short of making up beds on the floor somewhere…” She trailed off. “We’ll be fine,” William said. “Honestly.” Anna nodded in agreement. None of them wanted to be separated, anyhow. “In bed, then,” Mrs. Müller said. “All three of you.” She pulled back the duvet on the other side of the bed and laid down another hot-water bottle. Anna climbed into the middle, and William took his place beside her. The librarian tucked the duvet around the three of them and brushed each one’s cheek with a tenderness that even Edmund found acceptable. She retrieved the book she’d carried in with the linens and handed it to William. “Perhaps you’re all too old for bedtime stories, but what sort of librarian would I be if I didn’t provide you with some reading material?” For a long moment, the children only looked at one another. Mrs. Müller drew the wrong conclusion from their silence. “Oh, dear. You are entirely too old for bedtime stories, aren’t you?” She took a step back. “Not having children of my own, I’m sure to make a mess of these things—” “No,” Anna whispered. “We’re not too old.” Mrs. Müller looked at the boys. “We’re not too old,” William agreed. “Definitely not,” Edmund said, his voice cracking. Perhaps it was his head cold. But probably not. “Well”—the librarian gestured toward the book in William’s hands—“I hope that one will suit you.” “It will,” Anna said. “Good night, then,” the librarian whispered. As she headed for the door, all three children had the same wish. All three children were surprised that it was William who voiced it. “Would you read it to us?
Kate Albus (A Place to Hang the Moon)
moment.’ She smiled. ‘How old are you, Ned?’ ‘Nineteen.’ ‘You risked your life for me.’ She stood on tiptoe and kissed him on the lips briefly but tenderly. ‘Thank you,’ she said. Then she left the room. * MOST PEOPLE BATHED twice a year, in spring and autumn, but princesses were fastidious, and Elizabeth bathed more often. It was a major operation, with maidservants carrying big two-handled laundry tubs of hot water from the kitchen fire to her bedchamber, hurrying up the stairs before the water cooled. She took a bath the day after Swithin’s visit, as if to wash away her disgust. She had said no more about Swithin, after kissing Ned, but Ned thought he had won her trust. Ned knew he had made an enemy of a powerful earl, but he hoped it would not last: Swithin was quick-tempered and vengeful but, Ned thought, he had a short attention span. With luck he would nurse his grudge against Ned only until a better one came along. Sir William Cecil had arrived shortly after Swithin left, and next morning he got down to work with Ned. Cecil’s office was in the same wing as Elizabeth’s private suite. He sent Ned to Tom Parry’s office to fetch a ledger of expenditure for another house Elizabeth owned. Coming back with the heavy book in his hand, Ned walked along Elizabeth’s corridor, where the floorboards were puddled with water spilled by the maids. As he passed her suite, he saw that the door was open, and – stupidly – he glanced in. Elizabeth had just got out of her bath. The tub itself was screened off, but she had stepped across the room to pick up a large white linen sheet with which to dry herself. There should have been a maid waiting beside the tub holding
Ken Follett (A Column of Fire)
Hospitality requires too much work. Create a guest list, send invitations, plan a menu, make a playlist, shop for groceries, design a tablescape, unearth and polish the fancy dishes, wash and press the table linens, chill the dessert, prepare the meal, dress for the occasion, light the candles, wash the dishes, do the mopping, “Keep-a busy, Cinderelly!”—perhaps this is the list that churns in your head every time you think about hosting others in your home. If so, no wonder you’ve stamped “Too much work” over the whole thing. That list is nearly as long as the tax code and would take more than a pack of animated mice to help you complete it. Might I offer you a word of encouragement I hope will dowse the hot flames of frustration that surround your attempts at hosting? Unless Victorian-era aristocracy has suddenly made a comeback in your neighborhood, you might be making hospitality harder than it needs to be. In chaining yourself to a lengthy list of to-dos, you may inadvertently lose sight of the whole point of hospitality: to welcome the stranger. Don’t make the experience about you, make it about them. Remember, Leviticus 19:34 kind of hospitality leads with ’āhaḇ love. It chooses service over performance, present over perfect.
Jamie Erickson (Holy Hygge: Creating a Place for People to Gather and the Gospel to Grow)
You two have grown close,” Jadi murmurs, looking between me and Asterion, his mouth thinning. “Do you seek to court her now too?” “I – I…” Asterion’s hold on me tightens. “I didn’t say that.” Jadi takes my hand, drawing it to his chest as he gives me a pleading, forlorn look. “I know I have nothing to offer. But my offer from Knossos still stands. Everything I have, I lay at your feet.” [...] Arm still banded around my chest, Asterion’s free hand travels to my stomach, his thumb tracing idle circles above the waistband of my skirt, making my skin prickle beneath the thin linen. “I can vouch for him,” Asterion murmurs, his breath hot against the top of my head. “There is not a better, more loyal man alive than Jadikira.” Jadi shoots him a look full of gratitude and love, then clutches my hand tighter against his chest.
Elisha Kemp (Drown the Sea (Dying Gods, #1))
Angry tears stung her eyes. Tension built and boiled inside her. Her cheeks grew hot with suppressed anger, her movements became jerky and abrupt. She shoved an errant strand of hair out of her face, stormed to the washstand — And collided with her husband. He had been coming toward her with a piece of wet linen and a bowl half-filled with water. As he and Juliet bounced off each other, some of the water spilled onto the carpet, the rest down the front of his waistcoat. Ignoring it, Gareth held out the damp rag like a truce offering. "Here." "What's that for?" "She needs washing, doesn't she?" "What do you know about babies?" "Come now, Juliet. I am not entirely lacking in common sense." "I wonder," she muttered, spitefully. He summoned a polite though confused smile — and that only stoked Juliet's temper all the more. She did not want him to be such a gentleman, damn it!  She wanted a good, out-and-out row with him. She wanted to tell him just what she thought of him, of his reckless spending, of his carefree attitude toward serious matters. Oh, why hadn't she married someone like Charles — someone capable, competent, and mature? "What is wrong, Juliet?" "Everything!" she fumed. She plunged the linen in the bowl of water and began swabbing Charlotte's bottom. "I think Perry was right. We should go straight back to your brother, the duke." "You should not listen to Perry." "Why not? He's got more sense than you and the rest of your friends combined. We haven't even been married a day, and already it's obvious that you're hopelessly out of your element. You have no idea what to do with a wife and daughter. You have no idea where to go, how to support us — nothing. Yet you had to come charging after us, the noble rescuer who just had to save the day. I'll bet you didn't give any thought at all to what to do with us afterward, did you? Oh!  Do you always act before thinking? Do you?" He looked at her for a moment, brows raised, stunned by the force of her attack. Then he said dryly, "My dear, if you'll recall, that particular character defect saved your life. Not to mention the lives of the other people on that stagecoach." "So it did, but it's not going to feed us or find us a place to live!"  She lifted Charlotte's bottom, pinned a clean napkin around the baby's hips, and soaped and rinsed her hands. "I still cannot believe how much money you tossed away on a marriage license, no, a bribe, this morning, nor how annoyed you still seem to be that we didn't waste God-knows-how-much on a hotel tonight. You seem to have no concept of money's value, and at the rate you're going, we're going to have to throw ourselves on the mercy of the local parish or go begging in the street just to put food in our bellies!" "Don't be ridiculous. That would never happen." "Why wouldn't it?" "Juliet, my brother is the Duke of Blackheath. My family is one of the oldest and richest in all of England. We are not going to starve, I can assure you." "What do you plan to do, then, work for a living? Get those pampered, lily-white hands of yours dirty and calloused?
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
His knee pressed between her thighs, bunching the linen against her woman's place, spreading her and rubbing into her folds. She found herself undulating against that knee, pleasuring herself with his hard, hot, wet body.
Elizabeth Hoyt (Sweetest Scoundrel (Maiden Lane, #9))
Come here,” Cam said in a sleep-darkened voice, drawing back the bed linens. A laugh stirred in her throat. “Absolutely not. There is too much to be done. Everyone is busy except you.” “I intend to be busy. As soon as you come here. Monisha, don’t make me chase you this early.” Amelia gave him a severe glance as she obeyed. “It’s not early. In fact, if you don’t wash and dress quickly, we’ll be late to the flower show.” “How can you be late for flowers?” Cam shook his head and smiled, as he always did when she said something he considered to be gadjo nonsense. His gaze was hot and slumberous. “Come closer.” “Later.” She gave a helpless gasp of laughter as he reached out with astonishing dexterity, snaring her wrist in his hand. “Cam, no.” “A good Romany wife never refuses her husband,” he teased. “The maid—” she said breathlessly as she was pulled across the mattress, and clasped against all that warm golden skin. “She can wait.
Lisa Kleypas (The Hathaways Complete Series (The Hathaways #1-5))
He ran his hands over her, discovering she was still wearing garters and silk stockings. With a smoothness that left her gasping, Cam disappeared beneath the covers, his broad shoulders tenting the layers of linen, wool and velvet. Amelia tried to struggle to a sitting position but fell back with a whimper as she felt his mouth against the soft skin inside her thigh. He untied the garter, letting it fall away, and began to roll the stocking down her leg with torturous slowness, his lips following the path of furling silk. His tongue ventured into the hollow behind her knee … glided over the clenched muscle of her calf … the delicate side of her ankle. The silk was gently tugged away from her clenched toes. It took fierce concentration not to cry out as she felt his hot, wet mouth closing over her toes, one at a time, sucking and stroking while her ticklish foot jerked in response.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
He smiled – a real smile. Damn. It was easier to deal with him when he was being thoroughly vile. "Look, I’m sorry for being so rude earlier today. Your presence came as something of a shock and I reacted badly." "Oh." Geared for battle, his apology took me utterly by surprise. I gaped. "Aunt Arabella spoke very highly of you," he added, heaping coals of fire on my head. "She was impressed by your work on the Purple Gentian." "Why all this sudden amiability?" I asked suspiciously, crossing my arms across my chest. "Are you always this blunt?" "I’m too tired to be tactful," I said honestly. "Fair enough." Stretching, Colin detached himself from the wall. "Can I make you some hot chocolate as a token of peace? I was just about to have some myself," he added. Suiting action to words, he loped over to the counter beside the sink and checked the level of water in a battered brown plastic electric kettle. Satisfied, he plugged it into the wall, flipping the red switch on the side. I followed him over to the counter, the linen folds of the nightgown trailing after me across the linoleum. "As long as you promise not to slip any arsenic in it." Colin rooted around in a cupboard above the sink for the cocoa tin and held it out to me to sniff. "See? Arsenic free." I leant back against the counter, my elbows behind me on the marble work surface. "I don’t think arsenic is supposed to have a smell, is it?" "Damn, foiled again." Colin spooned Cadbury’s instant hot chocolate into two mugs, one decorated with large purple flowers, and the other with a quotation that I thought might be Jane Austen, but the author’s name was hidden around the other side of the mug. "Look, if it makes you feel better, I promise to do a very bad job hiding your body." "In that case, carry on," I yawned.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
Come here,” Cam said in a sleep-darkened voice, drawing back the bed linens. A laugh stirred in her throat. “Absolutely not. There is too much to be done. Everyone is busy except you.” “I intend to be busy. As soon as you come here. Monisha, don’t make me chase you this early.” Amelia gave him a severe glance as she obeyed. “It’s not early. In fact, if you don’t wash and dress quickly, we’ll be late to the flower show.” “How can you be late for flowers?” Cam shook his head and smiled, as he always did when she said something he considered to be gadjo nonsense. His gaze was hot and slumberous. “Come closer.” “Later.” She gave a helpless gasp of laughter as he reached out with astonishing dexterity, snaring her wrist in his hand. “Cam, no.” “A good Romany wife never refuses her husband,” he teased. “The maid—” she said breathlessly as she was pulled across the mattress, and clasped against all that warm golden skin. “She can wait.” He unbuttoned her robe, his hand slipping past the lace, fingertips exploring the sensitive curves of her breasts. Amelia’s giggles died away. He knew so much about her—too much—and he never hesitated to take ruthless advantage. She closed her eyes as she reached up to the nape of his neck. The clean, silky locks of his hair slipped through her fingers like liquid. Cam kissed her tender throat, while one of his knees nudged between hers. “It’s either now,” he murmured, “or behind the rhododendrons at the flower show. Your choice.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
to his belt where a traditional dirk would be, and the white linen shirt that was partially open, revealing his chiseled chest. I resisted the urge to check my chin for drool. Holy eff, he was hot. “A highlander?
Deanna Chase (Bourbon Street Shorts (Jade Calhoun, #10))
... you don't look like a Lucian." "Really." It was kind of fun needling him. He fell for it so easily. "Lucian wears white linen and loafers. Offers you a mint julep before selling you an antique chifforobe." "He sounds like a hoot. Tell me---what should my name be, then?" "You're more of a Brick. Surly ex-star athlete with a big chip on his shoulder who hides from the world and drinks away his pain." He blinked again, his head jerking just the slightest bit, as though I'd landed a direct hit. Then again, maybe I'd imagined that, because he merely gave me another bland look, and that lovely hot-cream voice rolled out in the same insolent drawl. "As much as I'd love to hear more of this Cat on a Hot Tin Roof revival you've got planned, Maggie, the bags are coming out." Flames licked over my cheeks. God, he had my number.
Kristen Callihan (Make It Sweet)
Well, come along then.” St. Just held out a hand. “We will feed you and then see what’s to be done with you.” The child stared at his hand, frowned, and looked up at his face, then back down at his hand. The earl merely kept his hand outstretched, his expression calm. “Meat pies,” he mused aloud. “Cheese toast, cold cider, apple tarts, strawberry cobbler, sausage and eggs, treacle pudding, clean sheets smelling of sunshine and lavender, beeswax candles…” He felt a tentative touch of little fingers against his palm, so he closed his hand around those fingers and let his voice lead the child along. “Berry tarts, scones in the morning, ham, bacon, nice hot tea with plenty of cream and sugar, kippers, beefsteak, buttered rolls and muffins…” “Muffins?” the child piped up wistfully. St. Just almost smiled at the angelic expression on the urchin’s face. Great blue eyes peered out of a smudged, beguiling little puss, a mop of wheat blond curls completing a childish image of innocence. “Muffins.” The earl reiterated as they gained the side terrace of the manor and passed indoors. “With butter and jam, if you prefer. Or chocolate, or juice squeezed from oranges.” “Oranges?” “Had them all the time in Spain.” “You were in Spain?” the child asked, eyes round. “Did you fight old Boney?” “I was in Spain,” the earl said, his tone grave, “and Portugal, and France, and I fought old Boney. Nasty business, not at all as pleasant as the thought of tea cakes or clean linen or even some decent bread and butter.” “Bread
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
The cheery woman was coming toward me from the adjoining yard as if she had been standing at the corner of the house there, waiting. She was maybe five-eight, and dark the way you’re dark when you spend a lot of time in the sun running and working out and playing sports. I made her for her early- to mid-thirties, but the lines around her eyes and mouth were deep. Probably from all the sun. She was wearing designer jeans like the black guy and Reebok court shoes and a loose linen top that she would probably cover with a linen sport coat if it weren’t so hot. Stylish and attractive, even with the Browning 9mm clipped to her right hip. She badged me with an LAPD detective shield as she approached, still cheery with the smile, and I recognized her just before she said, “Mr. Cole, my name is Angela Rossi. The detective in the gray suit would like to ask you a few questions.” She glanced at the guy in the bad suit and I followed her look just as she knew I would, and when I did she stepped close and threw an overhand with a black leather sap, trying for the side of my head. Sucker shot. I picked up her move and tried to twist out of the way, but she was good and fast and I caught most of the sap on my right cheek with a blossom of pain. The guy in the suit yelled, “Hey!” and the black guy grunted, “Shit!” like they were surprised, too. Rossi followed the sap with a hard knee, but it caught me in the thigh instead of the groin, and then the older guy was there, wedging himself between us, forcing her away and saying, “Dammit, Rossi, you want another beef in your file? Is that what you want?
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
Mr. Bodley was already tottering toward them under the weight of a tea tray laden with seedcake, sponge cake, strawberry jam, marmalade, hot buttered crumpets in a basket wrapped in white linen, scones, clotted cream, almond biscuits, sardines on toast, a pot of beans baked with bacon and onion, a plate of sliced ham with gherkins, a bottle of brandy with two glasses, and—perhaps as an afterthought—a steaming teapot with two china cups and saucers alongside.
Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))