β
It's not the face, but the expressions on it. It's not the voice, but what you say. It's not how you look in that body, but the thing you do with it. You are beautiful.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Bitterness is like cancer. It eats upon the host. But anger is like fire. It burns it all clean.
β
β
Maya Angelou
β
I decided as long as I'm going to hell, I might as well do it thoroughly.
β
β
Stephenie Meyer (Twilight (The Twilight Saga, #1))
β
I like to have a martini,
Two at the very most.
After three I'm under the table,
after four I'm under my host.
β
β
Dorothy Parker (The Collected Dorothy Parker)
β
If a man is called to be a street sweeper, he should sweep streets even as a Michaelangelo painted, or Beethoven composed music or Shakespeare wrote poetry. He should sweep streets so well that all the hosts of heaven and earth will pause to say, 'Here lived a great street sweeper who did his job well.
β
β
Martin Luther King Jr.
β
Perhaps there could be no joy on this planet without an equal weight of pain to balance it out on some unknown scale.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
I, the soul called Wanderer, love you, human Ian. And that will never change, no matter what I might become.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Ah" said Dumbledore gently, "Yes I thought we might hit that little snag!"
"Snag?" said Fudge, his voice still vibrating with joy. "I see no snag, Dumbledore!"
"Well," said Dumbledore apologetically, "I'm afraid I do."
"Oh, really?"
"Well it's just that you seem to be labouring under the delusion that I am going to -- come quietly. I am afraid I am not going to come quietly at all, Cornelius. I have absolutely no intention of being sent to Azkaban. I could break out, of course -- but what a waste of time, and frankly, I can think of a whole host of things I would rather be doing.
β
β
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β
I held you in my hands, Wanderer, and you were beautiful.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
You never know how much time you'll have.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Men always say that as the defining compliment, donβt they? Sheβs a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like sheβs hosting the worldβs biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I donβt mind, Iβm the Cool Girl.
Men actually think this girl exists. Maybe theyβre fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men β friends, coworkers, strangers β giddy over these awful pretender women, and Iβd want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men whoβd like to believe that this kind of woman exists and might kiss them. Iβd want to grab the poor guy by his lapels or messenger bag and say: The bitch doesnβt really love chili dogs that much β no one loves chili dogs that much! And the Cool Girls are even more pathetic: Theyβre not even pretending to be the woman they want to be, theyβre pretending to be the woman a man wants them to be. Oh, and if youβre not a Cool Girl, I beg you not to believe that your man doesnβt want the Cool Girl. It may be a slightly different version β maybe heβs a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe heβs a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesnβt ever complain. (How do you know youβre not Cool Girl? Because he says things like: βI like strong women.β If he says that to you, he will at some point fuck someone else. Because βI like strong womenβ is code for βI hate strong women.β)
β
β
Gillian Flynn (Gone Girl)
β
Anger ... it's a paralyzing emotion ... you can't get anything done. People sort of think it's an interesting, passionate, and igniting feeling β I don't think it's any of that β it's helpless ... it's absence of control β and I need all of my skills, all of the control, all of my powers ... and anger doesn't provide any of that β I have no use for it whatsoever."
[Interview with CBS radio host Don Swaim, September 15, 1987.]
β
β
Toni Morrison
β
You. Are. Not. Leaving. Me.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Fas est ab hoste doceri.
One should learn even from one's enemies.
β
β
Ovid (Metamorphoses)
β
You are the noblest, purest creature I've ever met. The universe will be a darker place without you," he whispered.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Life and love go on...
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Her name is Wanda, not it. You will not touch her. Any mark you leave on her, I will double on your worthless hide.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Body and soul. Two different things
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Perhaps without the lows, the highs could not be reached.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
It is a strange world," I murmered, more to myself than to the native soul.
"The strangest," he agreed.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
A deception that elevates us is dearer than a host of low truths.
β
β
Alexander Pushkin
β
One more drink and I'll be under the host.
β
β
Mae West
β
It's real interesting to have a soul as a friend, and it makes me feel super special that I've managed it.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
For a host, above all, must be kind to his guests.
β
β
Dr. Seuss (Thidwick the Big-Hearted Moose)
β
Fine,' Jared snapped. 'But if you try cuddling up to me tonight... so help me, O'Shea."
Ian chuckled. ' Not to sound overly arrogant, but to be perfectly honest, Jared, were I so inclined, I think I could do better.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
You and I won't lose each other, I will always find you again. No matter how well you hide. I'm unstoppable.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Jealous, OβShea?"
"Actually⦠I am.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
If a man doesn't know how to dance he doesn't know how to make love, there I said it!
β
β
Craig Ferguson
β
If I was given the choice between having the world back and having you, I wouldn't be able to give you up. Not to save five billion lives.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Etiquette tip: If you're looking for the right time to leave a party, when the host yells, "No one leaves here alive," that's your cue.
β
β
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
β
Even if we all want you here, you don't belong until you decide you do.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
I Wandered Lonely as a Cloud
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed--and gazed--but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
β
β
William Wordsworth (I Wander'd Lonely as a Cloud)
β
Most bad," the host concluded. "If you ask me, something sinister lurks in men who avoid wine, games, the company of lovely women, and dinnertime conversation. Such people are either gravely ill or secretly detest everyone around them.
β
β
Mikhail Bulgakov (The Master and Margarita)
β
What was it that made this human love so much more desirable to me than the love of my own kind? Was it because it was exclusive and capricious? The souls offered love and acceptance to all. Did I crave a greater challenge?...Or was it simply better somehow? Because these humans hate with so much fury, was the other end of the spectrum that they could love with more heart and zeal and fire?
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Happy and sad, elated and miserable, secure and afraid, loved and denied, patient and angry, peaceful and wild, complete and empty...all of it. I would feel everything. It would all be mine.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
This place was truly the highest and the lowest of all worlds - the most beautiful senses, the most exquisite emotions.. the most malevolent desires, the darkest deeds. Perhaps it was meant to be so. Perhaps without the lows, the highs could not be reached.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
I belong wherever I want to be.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Enthusiasm makes up for a host of deficiencies.
β
β
Barack Obama (A Promised Land)
β
Neither heaven nor hell can keep me apart from you, Melanie.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
What am I dying for?
β
β
Stephenie Meyer (The Host (The Host, #1))
β
We all need someone to look at us. we can be divided into four categories according to the kind of look we wish to live under. the first category longs for the look of an infinite number of anonymous eyes, in other words, for the look of the public. the second category is made up of people who have a vital need to be looked at by many known eyes. they are the tireless hosts of cocktail parties and dinners. they are happier than the people in the first category, who, when they lose their public, have the feeling that the lights have gone out in the room of their lives. this happens to nearly all of them sooner or later. people in the second category, on the other hand, can always come up with the eyes they need. then there is the third category, the category of people who need to be constantly before the eyes of the person they love. their situation is as dangerous as the situation of people in the first category. one day the eyes of their beloved will close, and the room will go dark. and finally there is the fourth category, the rarest, the category of people who live in the imaginary eyes of those who are not present. they are the dreamers.
β
β
Milan Kundera
β
You may have taken the planet, but you will lose this game!
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Rule #3 - It's okay to believe yourself better than the rest of the planet, so long as you keep it to yourself.
β
β
Bisco Hatori (Ouran High School Host Club, Vol. 6 (Ouran High School Host Club, #6))
β
After all the planets and all the hosts you've left behind, you've finally found the place and the body you'd die for. I think you've found your home, Wanderer.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Sometimes, fact mixed with fiction so thoroughly that, though no lies were told, it was hard to remember what was strictly true.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
It's the strange world.'
'The strangest.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
We're always contradicting ourselves.
We want people to tell us apart....
...yet we don't want them to be able to.
We want people to get to know us...
...but we also want them to keep their distance.
We've always longed for someone to accept us...
But we never believed there'd be anyone who would accept our twisted ways.
That's why we'll stay locked up tight...
...in our own little private world...
...and throw away the key, so that no one can ever hurt us.
β
β
Bisco Hatori (Ouran High School Host Club, Vol. 9 (Ouran High School Host Club, #9))
β
I wanted the monster back and that was plainly wrong.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Inspiration in desperation.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
No point in ignoring the truth. Doesn't make it worse to have it said out loud.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Um," Doc said in a mild voice, "medically speaking, I'm not sure that was the most helpful thing for his condition."
"But I feel better," Jared answered, sullen.
Doc smiled the tiniest smile. "Well, maybe a few more minutes of unconsciousness won't kill him.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Eight full lives,β I whispered against his jaw, my voice breaking. βEight full lives and I never found anyone I would stay on a planet for, anyone I would follow when they left. I never found a partner. Why now? Why you? You're not of my species. How can you be my partner?β
βIt's a strange universe,β he murmured.
βIt's not fair,β I complained, echoing Sunny's words. It wasn't fair. How could I find this, find loveβnow, in this eleventh hourβand have to leave it? Was it fair that my soul and body couldn't reconcile? Was it fair that I had to love Melanie, too? Was it fair that Ian would suffer? He deserved happiness if anyone did. Itwasn't fair or right or evenβ¦sane. How could I do this to him?
βI love you,β I whispered.
βDon't say that like you're saying goodbye.β
But I had to. βI, the soul called Wanderer, love you, human Ian. And that will never change, no matter what I might become.β I worded it carefully, so that there would be no lie in my voice.
βIf I were a Dolphin or a Bear or a Flower, it wouldn't matter. I would always love you, always remember you. You will be my only partner.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Just snow and sapphire and ink.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
And he was my friend. Not that he wouldn't kill me if things turned out that way, but he wouldn't like doing it. With humans, what more could you ask for a friend?
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Ut cum spiritu postrema sacramentum dejuremus," he chanted. "Et hostes ornamenta addent ad ianuam necem."
"You just...finished the prophesy,"Rachael stammered. "-An oath to keep with a final breath/And foes bear arms to the Doors of Death. How did you-"
"I know those lines." Jason winced and put his hands to his temples. "I don't know how, but I KNOW that prophecy."
"In Latin, no less," Drew called out. "Handsome AND smart.
β
β
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
β
Thomas Jefferson once said: 'Of course the people don't want war. But the people can be brought to the bidding of their leader. All you have to do is tell them they're being attacked and denounce the pacifists for somehow a lack of patriotism and exposing the country to danger. It works the same in any country.' I think that was Jefferson. Oh wait. That was Hermann Goering. Shoot."
[Hosting the Peabody Awards for broadcasting excellence at the New York Waldorf-Astoria, June 6, 2006]
β
β
Jon Stewart
β
I knew the human exaggeration for sorrow-a broken heart.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
As I took another breath, I saw the three stars again. They were not calling to me; they were letting me go, leaving me to the black universe I had wandered for so many lifetimes. I drifted into the black, and it got brighter and brighter. It wasn't black at all - it was blue. Warm, vibrant, brilliant blue...I floated into it with no fear at all.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
What then is truth? A movable host of metaphors, metonymies, and anthropomorphisms: in short, a sum of human relations which have been poetically and rhetorically intensified, transferred, and embellished, and which, after long usage, seem to a people to be fixed, canonical, and binding. Truths are illusions which we have forgotten are illusions β they are metaphors that have become worn out and have been drained of sensuous force.
β
β
Friedrich Nietzsche
β
I watched his fingers clench and unclench, and I wondered if he was dreaming that they were wrapped around my neck.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
That maybe you should make the most of what time
you have? That you shouldlive while youβre alive?
β
β
Stephenie Meyer (The Host (The Host, #1))
β
So much of desire, at that age, was a willful act. Trying so hard to slur the rough, disappointing edges of boys into the shape of someone we could love. We spoke of our desperate need for them with rote and familiar words, like we were reading lines from a play. Later I would see this: how impersonal and grasping our love was, pinging around the universe, hoping for a host to give form to our wishes.
β
β
Emma Cline (The Girls)
β
I, the soul named Wanderer, love you, human Ian and that will never change no matter what I might become. If I were a Dolphin or a Bear or a Flower, it wouldn't matter. I would always love you, always remember you. You will be my only partner.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Thank you, Wanda. My sister. I will never forget you.
Be happy, Mel. Enjoy it all. Appreciate it for me.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe. Of course itβs important to know whatβs right and whatβs wrong. Individual errors in judgment can usually be corrected. As long as you have the courage to admit mistakes, things can be turned around. But intolerant, narrow minds with no imagination are like parasites that transform the host, change form, and continue to thrive. Theyβre a lost cause, and I donβt want anyone like that coming in here.
β
β
Haruki Murakami (Kafka on the Shore)
β
My house, my rules!
β
β
Stephenie Meyer (The Host (The Host, #1))
β
And I started to cry again, realizing that it must be changing him, too, this man who was kind enough to be a soul but strong as only a human could be.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
We should have been wiser; we should have died yesterday.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Those who get in the way of love's path will be kicked by horses.
~Kyoya
β
β
Bisco Hatori (Ouran High School Host Club, Vol. 17 (Ouran High School Host Club, #17))
β
I knew it would begin with the end, and the end would look like death to these eyes. I had been warned.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
He thinks things through too much.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
You speak as if a war were raging."
"To the remains of the human race, one is.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Ian paused and leaned closer to me so that I couldn't seem to see anything around his face, just snow and sapphire and ink.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Something I've never seen in all my lives. I'm staring at... hope." - Wanda
β
β
Stephenie Meyer (The Host (The Host, #1))
β
We are all susceptible to the pull of viral ideas. Like mass hysteria. Or a tune that gets into your head that you keep humming all day until you spread it to someone else. Jokes. Urban legends. Crackpot religions. Marxism. No matter how smart we get, there is always this deep irrational part that makes us potential hosts for self-replicating information.
β
β
Neal Stephenson (Snow Crash)
β
Ian squeezed my hand and leaned in to whisper through all the hair. His voice was so low that I was the only one who could hear. 'I held you in my hand, Wanderer. And you were so beautiful.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
The hand on my hair moved to my back, and I realized someone was singing softly. The voice was familiar, and something about it made my chest ache. Well, that was to be expected. Angels' songs would be awfully poignant.
"'I was working as a waitress in a cocktail bar, when I met you...'" the voice crooned.
I frowned. Was that really an appropriate song for the Heavenly Host to be--
β
β
Rachel Hawkins (Spell Bound (Hex Hall, #3))
β
God, who needs nothing, loves into existence wholly superfluous creatures in order that He may love and perfect them. He creates the universe, already foreseeing - or should we say "seeing"? there are no tenses in God - the buzzing cloud of flies about the cross, the flayed back pressed against the uneven stake, the nails driven through the mesial nerves, the repeated incipient suffocation as the body droops, the repeated torture of back and arms as it is time after time, for breath's sake, hitched up. If I may dare the biological image, God is a "host" who deliberately creates His own parasites; causes us to be that we may exploit and "take advantage of" Him. Herein is love. This is the diagram of Love Himself, the inventor of all loves.
β
β
C.S. Lewis (The Four Loves)
β
Wanderer: You don't really feel that way about me you know. It's this body... she's pretty isn't she?
Ian: She is. Melanie is a very pretty girl. Even beautiful. But pretty as she is, she is a stranger to me. She's not the one I... care about.
Wanderer: It's this body.
Ian: That's not true at all. It's not the face, but the expressions on it. It's not the voice, but what they say. It's not how you look like in that body, it's what you do with it. You are beautiful.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
One need not be a chamber to be haunted,
One need not be a house;
The brain has corridors surpassing
Material place.
Far safer, of a midnight meeting
External ghost,
Than an interior confronting
That whiter host.
Far safer through an Abbey gallop,
The stones achase,
Than, moonless, one's own self encounter
In lonesome place.
Ourself, behind ourself concealed,
Should startle most;
Assassin, hid in our apartment,
Be horror's least.
The prudent carries a revolver,
He bolts the door,
O'erlooking a superior spectre
More near.
β
β
Emily Dickinson (The Complete Poems of Emily Dickinson)
β
Few religions are definite about the size of Heaven, but on the planet Earth the Book of Revelation (ch. XXI, v.16) gives it as a cube 12,000 furlongs on a side. This is somewhat less than 500,000,000,000,000,000,000 cubic feet. Even allowing that the Heavenly Host and other essential services take up at least two thirds of this space, this leaves about one million cubic feet of space for each human occupant- assuming that every creature that could be called βhumanβ is allowed in, and the the human race eventually totals a thousand times the numbers of humans alive up until now. This is such a generous amount of space that it suggests that room has also been provided for some alien races or - a happy thought - that pets are allowed.
β
β
Terry Pratchett (The Last Hero (Discworld, #27; Rincewind, #7))
β
My days I devote to reading and experiments in chemistry, and I spend many of the clear nights in the study of astronomy. There is, though I do not know how there is or why there is, a sense of infinite peace and protection in the glittering hosts of heaven. There it must be, I think, in the vast and eternal laws of matter, and not in the daily cares and sins and troubles of men, that whatever is more than animal within us must find its solace and its hope.
β
β
H.G. Wells (The Island of Dr. Moreau)
β
Ian stood above me, his chest heaving with exertion and fury. For a second he turned away and put the door back in place with one swift wrench. And then he was glowering again.
I took a deep breath and rolled up onto my knees, holding my hands out, palms up, wishing that some magic would appear in them. Something I could give him, something I could say. But my hands were empty.
"You. Are. Not. Leaving. Me." His eyes blazed - burning brighter than I had ever seen them, blue fires.
"Ian," I whispered. "You have to see that... that I can't stay. You must se that."
"No!" he shouted at me.
I cringed back, and, abruptly, Ian crumpled forward, falling to his knees, falling into me. He buried his head in my stomach, and his arms locked around my waist. He was shaking, shaking hard, and loud, desperate sobs were breaking out of his chest.
"No, Ian, no," I begged. This was so much worse than his anger. "Don't, please. Please, don't."
"Wanda," he moaned.
"Ian, please. Don't feel this way. Don't. I'm so sorry. Please."
I was crying too, shaking too, though that might have been him shaking me.
"You can't leave."
"I have to, I have to," I sobbed.
And then we cried wordlessly for a long time.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
My theme is memory, that winged host that soared about me one grey morning of war-time. These memories, which are my lifeβfor we possess nothing certainly except the pastβwere always with me. Like the pigeons of St. Markβs, they were everywhere, under my feet, singly, in pairs, in little honey-voiced congregations, nodding, strutting, winking, rolling the tender feathers of their necks, perching sometimes, if I stood still, on my shoulder or pecking a broken biscuit from between my lips; until, suddenly, the noon gun boomed and in a moment, with a flutter and sweep of wings, the pavement was bare and the whole sky above dark with a tumult of fowl. Thus it was that morning.
β
β
Evelyn Waugh (Brideshead Revisited)
β
But I love you, β he whispered. βDoesn't that matter?β βOf course it matters. So much. Can't you see? That only makes it moreβ¦ necessary.β His eyes flashed open. βIs it so unbearable to have me love you? Is that it? I can keep my mouth shut, Wanda. I won't say it again. You can be with Jared, if that's what you want. Just stay.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
I'd never lived on a planet where such atrocities could happen, even before the souls came. This place was truly the highest and the lowest of all worlds- the most beautiful senses, the most exquisite emotions...the most malevolent desires, the darkest deeds. Perhaps it was meant to be so. Perhaps without the lows, the highs could not be reached.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Be generous in prosperity, and thankful in adversity. Be worthy of the trust of thy neighbor, and look upon him with a bright and friendly face. Be a treasure to the poor, an admonisher to the rich, an answerer of the cry of the needy, a preserver of the sanctity of thy pledge. Be fair in thy judgment, and guarded in thy speech. Be unjust to no man, and show all meekness to all men. Be as a lamp unto them that walk in darkness, a joy to the sorrowful, a sea for the thirsty, a haven for the distressed, an upholder and defender of the victim of oppression. Let integrity and uprightness distinguish all thine acts. Be a home for the stranger, a balm to the suffering, a tower of strength for the fugitive. Be eyes to the blind, and a guiding light unto the feet of the erring. Be an ornament to the countenance of truth, a crown to the brow of fidelity, a pillar of the temple of righteousness, a breath of life to the body of mankind, an ensign of the hosts of justice, a luminary above the horizon of virtue, a dew to the soil of the human heart, an ark on the ocean of knowledge, a sun in the heaven of bounty, a gem on the diadem of wisdom, a shining light in the firmament of thy generation, a fruit upon the tree of humility.
β
β
BahΓ‘'u'llΓ‘h
β
What can I give you, Wanda?β he insisted.
I took a deep breath and tried to keep my voice steady.βGive me a lie, Jared. Tell me you want me to stay.β
There was no hesitation this time. His arms wound around me in the dark, held me securely against his chest. He pressed his lips against my forehead, and I felt his breath move my hair when he spoke.
Melanie was holding her breath in my head. She was trying to bury herself again, trying to give
memy freedom for these last minutes. Maybe she was afraid to listen to these lies. She wouldn't
want this memory when I was gone.
βStay here, Wanda. With us. Withme. I don't want you to go. Please. I can't imagine having you gone. I can't see that. I don't know how toβ¦ how toβ¦β His voice broke.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Are tou trying to be annoying?" I demanded. My patience was not waning, but entirely gone. "Because if you are, then be assured, you have succeeded."
Jared and Wes looked at me with shocked eyes.
"I am female," I complained. "That 'it' business is really getting on my nerves."
Jared blinked in surprise, then his face settled back into harder lines. "Because of the body you wear?"
Wes glared at him.
"Because of me," I hissed.
"By whose definition?"
"How about by yours? In my species, I am the one that bears young. Is that not female enough for you?"
That stopped him short. I felt almost smug.
'As you should', Melanie approved. 'He's wrong and he's being a pig about it'.
Thank you.
'We girls have to stick together'.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Powerβs comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.β ImmaculΓ©e Constantin now looks up at me. βPower will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. βImperious Caesar, dead and turnβd to clay, might stop a hole to keep the wind away.
β
β
David Mitchell (The Bone Clocks)
β
Men always say that as the defining compliment, donβt they? Sheβs a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like sheβs hosting the worldβs biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I donβt mind, Iβm the Cool Girl. Men actually think this girl exists. Maybe theyβre fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men β friends, coworkers, strangers β giddy over these awful pretender women, and Iβd want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men whoβd like to believe that this kind of woman exists and might kiss them.
β
β
Gillian Flynn (Gone Girl)
β
Where is the graveyard of dead gods? What lingering mourner waters their mounds? There was a time when Jupiter was the king of the gods, and any man who doubted his puissance was ipso facto a barbarian and an ignoramus. But where in all the world is there a man who worships Jupiter today? And who of Huitzilopochtli? In one year - and it is no more than five hundred years ago - 50,000 youths and maidens were slain in sacrifice to him. Today, if he is remembered at all, it is only by some vagrant savage in the depths of the Mexican forest. Huitzilopochtli, like many other gods, had no human father; his mother was a virtuous widow; he was born of an apparently innocent flirtation that she carried out with the sun.
When he frowned, his father, the sun, stood still. When he roared with rage, earthquakes engulfed whole cities. When he thirsted he was watered with 10,000 gallons of human blood. But today Huitzilopochtli is as magnificently forgotten as Allen G. Thurman. Once the peer of Allah, Buddha and Wotan, he is now the peer of Richmond P. Hobson, Alton B. Parker, Adelina Patti, General Weyler and Tom Sharkey.
Speaking of Huitzilopochtli recalls his brother Tezcatlipoca. Tezcatlipoca was almost as powerful; he consumed 25,000 virgins a year.
Lead me to his tomb: I would weep, and hang a couronne des perles. But who knows where it is? Or where the grave of Quetzalcoatl is? Or Xiuhtecuhtli? Or Centeotl, that sweet one? Or Tlazolteotl, the goddess of love? Of Mictlan? Or Xipe? Or all the host of Tzitzimitl? Where are their bones? Where is the willow on which they hung their harps? In what forlorn and unheard-of Hell do they await their resurrection morn? Who enjoys their residuary estates? Or that of Dis, whom Caesar found to be the chief god of the Celts? Of that of Tarves, the bull? Or that of Moccos, the pig? Or that of Epona, the mare? Or that of Mullo, the celestial jackass? There was a time when the Irish revered all these gods, but today even the drunkest Irishman laughs at them.
But they have company in oblivion: the Hell of dead gods is as crowded
as the Presbyterian Hell for babies. Damona is there, and Esus, and
Drunemeton, and Silvana, and Dervones, and Adsullata, and Deva, and
Bellisima, and Uxellimus, and Borvo, and Grannos, and Mogons. All mighty gods in their day, worshipped by millions, full of demands and impositions, able to bind and loose - all gods of the first class. Men labored for generations to build vast temples to them - temples with stones as large as hay-wagons.
The business of interpreting their whims occupied thousands of priests,
bishops, archbishops. To doubt them was to die, usually at the stake.
Armies took to the field to defend them against infidels; villages were burned, women and children butchered, cattle were driven off. Yet in the end they all withered and died, and today there is none so poor to do them reverence.
What has become of Sutekh, once the high god of the whole Nile Valley? What has become of:
Resheph
Anath
Ashtoreth
El
Nergal
Nebo
Ninib
Melek
Ahijah
Isis
Ptah
Anubis
Baal
Astarte
Hadad
Addu
Shalem
Dagon
Sharaab
Yau
Amon-Re
Osiris
Sebek
Molech?
All there were gods of the highest eminence. Many of them are mentioned with fear and trembling in the Old Testament. They ranked, five or six thousand years ago, with Yahweh Himself; the worst of them stood far higher than Thor. Yet they have all gone down the chute, and with them the following:
BilΓ©
Ler
Arianrhod
Morrigu
Govannon
Gunfled
Sokk-mimi
Nemetona
Dagda
Robigus
Pluto
Ops
Meditrina
Vesta
You may think I spoof. That I invent the names. I do not. Ask the rector to lend you any good treatise on comparative religion: You will find them all listed. They were gods of the highest standing and dignity-gods of civilized peoples-worshiped and believed in by millions. All were omnipotent, omniscient and immortal.
And all are dead.
β
β
H.L. Mencken (A Mencken Chrestomathy)
β
For me, the last few years of the postmodern era have seemed a bit like the way you feel when you're in high school and your parents go on a trip, and you throw a party. You get all your friends over and throw this wild disgusting fabulous party. For a while it's great, free and freeing, parental authority gone and overthrown, a cat's-away-let's-play Dionysian revel. But then time passes and the party gets louder and louder, and you run out of drugs, and nobody's got any money for more drugs, and things get broken and spilled, and there's cigarette burn on the couch, and you're the host and it's your house too, and you gradually start wishing your parents would come back and restore some fucking order in your house. It's not a perfect analogy, but the sense I get of my generation of writers and intellectuals or whatever is that it's 3:00 A.M. and the couch has several burn-holes and somebody's thrown up in the umbrella stand and we're wishing the revel would end. The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years. We're kind of wishing some parents would come back. And of course we're uneasy about the fact that we wish they'd come back--I mean, what's wrong with us? Are we total pussies? Is there something about authority and limits we actually need? And then the uneasiest feeling of all, as we start gradually to realize that parents in fact aren't ever coming back--which means we're going to have to be the parents.
β
β
David Foster Wallace
β
I waited for him to say something more, but he was quiet.
"Was there something you wanted?" I asked.
He didn't answer right away, but I could feel him struggling, so I waited.
"If I asked you something, would you tell me the truth?"
It was my turn to hesitate. "I don't know everything," I hedged.
"You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right."
Melanie was suddenly very in my head.
Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean."
Melanie sighed.
I said nothing to either of them.
"I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest.
"Does it, Wanda?"
"Why won't you answer me?" Jamie was really crying now but trying to muffle the sound.
I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck.
"Is Melanie still alive, Wanda? Please?"
He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses.
Jamie's body shook beside me.
Melanie cried. She battered ineffectually at my control.
But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now.
"She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?"
Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel."
"She loves you, too. She's so happy that you're here and safe."
He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
And then we jerked to a stop. Jared was blocking the exit. "Have you lost your mind, Ian?" he asked, shocked and outraged. "What are you doing to her?"
"Did you know about this?" Ian shouted back, shoving me toward Jared and shaking me at him.
"You're going to hurt her!"
"Do you know what she's planning?" Ian roared.
Jared stared at Ian, his face suddenly closed off. He didn't answer. That was answer enough for Ian.
Ian's fist struck Jared so fast that I missed the blow - I just felt the lurch in his body and saw Jared reel back into the dark hall.
"Ian, stop," I begged.
"You stop," he growled back at me.
He yanked me through the arch into the tunnel, then pulled me north. I had to almost run to keep up with his longer stride.
"OΒ΄Shea!" Jared shouted after us.
"I'm going to hurt her?" Ian roared back over his shoulder, not breaking pace. "I am? You hypocritical swine!"
There was nothing but silence and blackness behind us now. I stumbled in the dark, trying to keep up.
He jerked me along faster, and my breath caught in a moan, almost like a cry of pain.
The sound made Ian stumble to a stop. His breathing was hoarse in the darkness.
"Ian, Ian, I..." I chocked, unable to finish. I didn't know what to say, picturing his furious face.
His arms caught me abruptly, yanking my feet out from under me and then catching my shoulders before I could fall. He started running forward again, carrying me now. His hands were not rough and angry like before; he cradled me against his chest.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
NO!" She shouted through my lips.
Jared caught her hands, then caught me against the wall before I could fall. I sagged, my body confused by the conflicting directions it was receiving.
"Mel? Mel!"
"What are you doing?"
He groaned in relief. "I knew you could do it! Ah Mel!"
He kissed her again, kissed the lips that she controlled, and we could both taste the tears that ran down his face.
She bit him.
Jared jumped back from both of us, and I slid to the floor, landing in a wilted heap.
He started laughing, "That's my girl. You still got her, Wanda?"
"Yes," I gasped.
What the hell, Wanda? She screeched at me.
Where have you been? Do you have any idea what I've been going through trying to find you?
Yeah, I can see that you were really suffering.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
But what about human nature? Can it be changed? And if not, will it endure under Anarchism?
Poor human nature, what horrible crimes have been committed in thy name! Every fool, from king to policeman, from the flatheaded parson to the visionless dabbler in science, presumes to speak authoritatively of human nature. The greater the mental charlatan, the more definite his insistence on the wickedness and weaknesses of human nature. Yet, how can any one speak of it today, with every soul in a prison, with every heart fettered, wounded, and maimed?
John Burroughs has stated that experimental study of animals in captivity is absolutely useless. Their character, their habits, their appetites undergo a complete transformation when torn from their soil in field and forest. With human nature caged in a narrow space, whipped daily into submission, how can we speak of its potentialities?
Freedom, expansion, opportunity, and, above all, peace and repose, alone can teach us the real dominant factors of human nature and all its wonderful possibilities.
Anarchism, then, really stands for the liberation of the human mind from the dominion of religion; the liberation of the human body from the dominion of property; liberation from the shackles and restraint of government. Anarchism stands for a social order based on the free grouping of individuals for the purpose of producing real social wealth; an order that will guarantee to every human being free access to the earth and full enjoyment of the necessities of life, according to individual desires, tastes, and inclinations.
This is not a wild fancy or an aberration of the mind. It is the conclusion arrived at by hosts of intellectual men and women the world over; a conclusion resulting from the close and studious observation of the tendencies of modern society: individual liberty and economic equality, the twin forces for the birth of what is fine and true in man.
β
β
Emma Goldman (Anarchism and Other Essays)
β
L'union libre [Freedom of Love]"
My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone
My wife with the eyelashes of strokes of a child's writing
With brows of the edge of a swallow's nest
My wife with the brow of slates of a hothouse roof
And of steam on the panes
My wife with shoulders of champagne
And of a fountain with dolphin-heads beneath the ice
My wife with wrists of matches
My wife with fingers of luck and ace of hearts
With fingers of mown hay
My wife with armpits of marten and of beechnut
And of Midsummer Night
Of privet and of an angelfish nest
With arms of seafoam and of riverlocks
And of a mingling of the wheat and the mill
My wife with legs of flares
With the movements of clockwork and despair
My wife with calves of eldertree pith
My wife with feet of initials
With feet of rings of keys and Java sparrows drinking
My wife with a neck of unpearled barley
My wife with a throat of the valley of gold
Of a tryst in the very bed of the torrent
With breasts of night
My wife with breasts of a marine molehill
My wife with breasts of the ruby's crucible
With breasts of the rose's spectre beneath the dew
My wife with the belly of an unfolding of the fan of days
With the belly of a gigantic claw
My wife with the back of a bird fleeing vertically
With a back of quicksilver
With a back of light
With a nape of rolled stone and wet chalk
And of the drop of a glass where one has just been drinking
My wife with hips of a skiff
With hips of a chandelier and of arrow-feathers
And of shafts of white peacock plumes
Of an insensible pendulum
My wife with buttocks of sandstone and asbestos
My wife with buttocks of swans' backs
My wife with buttocks of spring
With the sex of an iris
My wife with the sex of a mining-placer and of a platypus
My wife with a sex of seaweed and ancient sweetmeat
My wife with a sex of mirror
My wife with eyes full of tears
With eyes of purple panoply and of a magnetic needle
My wife with savanna eyes
My wife with eyes of water to he drunk in prison
My wife with eyes of wood always under the axe
My wife with eyes of water-level of level of air earth and fire
β
β
AndrΓ© Breton (Poems of AndrΓ© Breton: A Bilingual Anthology)
β
WESTMORELAND. O that we now had here
But one ten thousand of those men in England
That do no work to-day!
KING. What's he that wishes so?
My cousin Westmoreland? No, my fair cousin;
If we are mark'd to die, we are enow
To do our country loss; and if to live,
The fewer men, the greater share of honour.
God's will! I pray thee, wish not one man more.
By Jove, I am not covetous for gold,
Nor care I who doth feed upon my cost;
It yearns me not if men my garments wear;
Such outward things dwell not in my desires.
But if it be a sin to covet honour,
I am the most offending soul alive.
No, faith, my coz, wish not a man from England.
God's peace! I would not lose so great an honour
As one man more methinks would share from me
For the best hope I have. O, do not wish one more!
Rather proclaim it, Westmoreland, through my host,
That he which hath no stomach to this fight,
Let him depart; his passport shall be made,
And crowns for convoy put into his purse;
We would not die in that man's company
That fears his fellowship to die with us.
This day is call'd the feast of Crispian.
He that outlives this day, and comes safe home,
Will stand a tip-toe when this day is nam'd,
And rouse him at the name of Crispian.
He that shall live this day, and see old age,
Will yearly on the vigil feast his neighbours,
And say 'To-morrow is Saint Crispian.'
Then will he strip his sleeve and show his scars,
And say 'These wounds I had on Crispian's day.'
Old men forget; yet all shall be forgot,
But he'll remember, with advantages,
What feats he did that day. Then shall our names,
Familiar in his mouth as household words-
Harry the King, Bedford and Exeter,
Warwick and Talbot, Salisbury and Gloucester-
Be in their flowing cups freshly rememb'red.
This story shall the good man teach his son;
And Crispin Crispian shall ne'er go by,
From this day to the ending of the world,
But we in it shall be remembered-
We few, we happy few, we band of brothers;
For he to-day that sheds his blood with me
Shall be my brother; be he ne'er so vile,
This day shall gentle his condition;
And gentlemen in England now-a-bed
Shall think themselves accurs'd they were not here,
And hold their manhoods cheap whiles any speaks
That fought with us upon Saint Crispin's day.
β
β
William Shakespeare (Henry V)
β
She was extending a hand that I didn't know how to take, so I broke its fingers with my silence, she said, "You don't want to talk to me, do you?" I took my daybook out of my knapsack and found the next blank page, the second to last. "I don't speak," I wrote. "I'm sorry." She looked at the piece of paper, then at me, then back at the piece of paper, she covered her eyes with her hands and cried, tears seeped between her fingers, she cried and cried and cried, there weren't any napkins nearby, so I ripped the page from the book - "I don't speak. I'm sorry" - and used it to dry her cheeks, my explanation and apology ran down her face like mascara, she took my pen from me and wrote on the next blank page of my daybook, the final one:
Please marry me
I flipped back and pointed at: "Ha ha ha!" She flipped forward and pointed at: "Please marry me." I flipped back and pointed at: "Thank you, but I'm about to burst." She flipped forward and pointed at: "Please marry me." I flipped back and pointed at: "I'm not sure, but it's late." She flipped forward and pointed at: "Please marry me", and this time put her finger on "Please", as if to hold down the page and end the conversation, or as if she were trying to push through the word, and into what she was trying to say. I thought about life, about my life, the embarrassments, the little coincidences, the shadows of alarm clocks on bedside tables, I thought about my small victories and everything I'd seen destroyed. I'd swum through mink coats on my parents' bed while they hosted downstairs, I'd lost the only person with whom I could have spent my only life, I'd left behind a thousand tonnes of marble from which I could have released sculptures, I could have released myself from the marble of myself, I'd experienced joy, but not nearly enough, could there be enough? The end of suffering does not justify the suffering, and so there is no end to suffering, what a mess I am, I thought, what a fool, how foolish and narrow, how worthless, how pinched and pathetic, how helpless in the universe. None of my pets knows their own name. What kind of person am I? I flipped back, one page at a time:
Help
β
β
Jonathan Safran Foer