β
It's not the face, but the expressions on it. It's not the voice, but what you say. It's not how you look in that body, but the thing you do with it. You are beautiful.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
I, the soul called Wanderer, love you, human Ian. And that will never change, no matter what I might become.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Ah" said Dumbledore gently, "Yes I thought we might hit that little snag!"
"Snag?" said Fudge, his voice still vibrating with joy. "I see no snag, Dumbledore!"
"Well," said Dumbledore apologetically, "I'm afraid I do."
"Oh, really?"
"Well it's just that you seem to be labouring under the delusion that I am going to -- come quietly. I am afraid I am not going to come quietly at all, Cornelius. I have absolutely no intention of being sent to Azkaban. I could break out, of course -- but what a waste of time, and frankly, I can think of a whole host of things I would rather be doing.
β
β
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β
I held you in my hands, Wanderer, and you were beautiful.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
You never know how much time you'll have.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Anger ... it's a paralyzing emotion ... you can't get anything done. People sort of think it's an interesting, passionate, and igniting feeling β I don't think it's any of that β it's helpless ... it's absence of control β and I need all of my skills, all of the control, all of my powers ... and anger doesn't provide any of that β I have no use for it whatsoever."
[Interview with CBS radio host Don Swaim, September 15, 1987.]
β
β
Toni Morrison
β
You. Are. Not. Leaving. Me.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
You are the noblest, purest creature I've ever met. The universe will be a darker place without you," he whispered.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Her name is Wanda, not it. You will not touch her. Any mark you leave on her, I will double on your worthless hide.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Men always say that as the defining compliment, donβt they? Sheβs a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like sheβs hosting the worldβs biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I donβt mind, Iβm the Cool Girl.
Men actually think this girl exists. Maybe theyβre fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men β friends, coworkers, strangers β giddy over these awful pretender women, and Iβd want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men whoβd like to believe that this kind of woman exists and might kiss them. Iβd want to grab the poor guy by his lapels or messenger bag and say: The bitch doesnβt really love chili dogs that much β no one loves chili dogs that much! And the Cool Girls are even more pathetic: Theyβre not even pretending to be the woman they want to be, theyβre pretending to be the woman a man wants them to be. Oh, and if youβre not a Cool Girl, I beg you not to believe that your man doesnβt want the Cool Girl. It may be a slightly different version β maybe heβs a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe heβs a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesnβt ever complain. (How do you know youβre not Cool Girl? Because he says things like: βI like strong women.β If he says that to you, he will at some point fuck someone else. Because βI like strong womenβ is code for βI hate strong women.β)
β
β
Gillian Flynn (Gone Girl)
β
Fine,' Jared snapped. 'But if you try cuddling up to me tonight... so help me, O'Shea."
Ian chuckled. ' Not to sound overly arrogant, but to be perfectly honest, Jared, were I so inclined, I think I could do better.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
You and I won't lose each other, I will always find you again. No matter how well you hide. I'm unstoppable.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
If I was given the choice between having the world back and having you, I wouldn't be able to give you up. Not to save five billion lives.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Etiquette tip: If you're looking for the right time to leave a party, when the host yells, "No one leaves here alive," that's your cue.
β
β
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
β
Even if we all want you here, you don't belong until you decide you do.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Most bad," the host concluded. "If you ask me, something sinister lurks in men who avoid wine, games, the company of lovely women, and dinnertime conversation. Such people are either gravely ill or secretly detest everyone around them.
β
β
Mikhail Bulgakov (The Master and Margarita)
β
Neither heaven nor hell can keep me apart from you, Melanie.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
You may have taken the planet, but you will lose this game!
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Rule #3 - It's okay to believe yourself better than the rest of the planet, so long as you keep it to yourself.
β
β
Bisco Hatori (Ouran High School Host Club, Vol. 6 (Ouran High School Host Club, #6))
β
Eight full lives,β I whispered against his jaw, my voice breaking. βEight full lives and I never found anyone I would stay on a planet for, anyone I would follow when they left. I never found a partner. Why now? Why you? You're not of my species. How can you be my partner?β
βIt's a strange universe,β he murmured.
βIt's not fair,β I complained, echoing Sunny's words. It wasn't fair. How could I find this, find loveβnow, in this eleventh hourβand have to leave it? Was it fair that my soul and body couldn't reconcile? Was it fair that I had to love Melanie, too? Was it fair that Ian would suffer? He deserved happiness if anyone did. Itwasn't fair or right or evenβ¦sane. How could I do this to him?
βI love you,β I whispered.
βDon't say that like you're saying goodbye.β
But I had to. βI, the soul called Wanderer, love you, human Ian. And that will never change, no matter what I might become.β I worded it carefully, so that there would be no lie in my voice.
βIf I were a Dolphin or a Bear or a Flower, it wouldn't matter. I would always love you, always remember you. You will be my only partner.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
And he was my friend. Not that he wouldn't kill me if things turned out that way, but he wouldn't like doing it. With humans, what more could you ask for a friend?
β
β
Stephenie Meyer (The Host (The Host, #1))
β
That maybe you should make the most of what time
you have? That you shouldlive while youβre alive?
β
β
Stephenie Meyer (The Host (The Host, #1))
β
I, the soul named Wanderer, love you, human Ian and that will never change no matter what I might become. If I were a Dolphin or a Bear or a Flower, it wouldn't matter. I would always love you, always remember you. You will be my only partner.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Thank you, Wanda. My sister. I will never forget you.
Be happy, Mel. Enjoy it all. Appreciate it for me.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
After all the planets and all the hosts you've left behind, you've finally found the place and the body you'd die for. I think you've found your home, Wanderer.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
You speak as if a war were raging."
"To the remains of the human race, one is.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
How sad. How frightening. To be filled with so much hate that you could not even rejoice in the healing of a child...How did anyone ever come to that point?
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Ian squeezed my hand and leaned in to whisper through all the hair. His voice was so low that I was the only one who could hear. 'I held you in my hand, Wanderer. And you were so beautiful.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
The hand on my hair moved to my back, and I realized someone was singing softly. The voice was familiar, and something about it made my chest ache. Well, that was to be expected. Angels' songs would be awfully poignant.
"'I was working as a waitress in a cocktail bar, when I met you...'" the voice crooned.
I frowned. Was that really an appropriate song for the Heavenly Host to be--
β
β
Rachel Hawkins (Spell Bound (Hex Hall, #3))
β
When you plant a fertile meme in my mind you literally parasitize my brain, turning it into a vehicle for the meme's propagation in just the way that a virus may parasitize the genetic mechanism of a host cell.
β
β
Richard Dawkins (The Selfish Gene)
β
Wanderer: You don't really feel that way about me you know. It's this body... she's pretty isn't she?
Ian: She is. Melanie is a very pretty girl. Even beautiful. But pretty as she is, she is a stranger to me. She's not the one I... care about.
Wanderer: It's this body.
Ian: That's not true at all. It's not the face, but the expressions on it. It's not the voice, but what they say. It's not how you look like in that body, it's what you do with it. You are beautiful.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Don't worry, Mel. Miracles don't work that way. I'll never lose you. I'll never let you get away from me.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Just so I'm clear...you thought a brothel would be a suitable place to host a birthday party for a woman?
β
β
Lindsay Buroker (Dark Currents (The Emperor's Edge, #2))
β
It is a disaster that wisdom forbids you to be satisfied with yourself and always sends you away dissatisfied and fearful, whereas stubbornness and foolhardiness fill their hosts with joy and assurance.
β
β
Michel de Montaigne (The Complete Essays)
β
You know, when I was a kid, I was tricked into thinking that princesses wore tiaras and hosted tea parties. Now that I've met a real princess, I must say, I'm kind of disappointed.
β
β
Marissa Meyer (Cress (The Lunar Chronicles, #3))
β
You stupid jackass," Ian said.
"Who's got the crush on a worm, bro? You gonna call me stupid?
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Good luck, little Wanderer, good luck. How I wish you didn't need it.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Ian stood above me, his chest heaving with exertion and fury. For a second he turned away and put the door back in place with one swift wrench. And then he was glowering again.
I took a deep breath and rolled up onto my knees, holding my hands out, palms up, wishing that some magic would appear in them. Something I could give him, something I could say. But my hands were empty.
"You. Are. Not. Leaving. Me." His eyes blazed - burning brighter than I had ever seen them, blue fires.
"Ian," I whispered. "You have to see that... that I can't stay. You must se that."
"No!" he shouted at me.
I cringed back, and, abruptly, Ian crumpled forward, falling to his knees, falling into me. He buried his head in my stomach, and his arms locked around my waist. He was shaking, shaking hard, and loud, desperate sobs were breaking out of his chest.
"No, Ian, no," I begged. This was so much worse than his anger. "Don't, please. Please, don't."
"Wanda," he moaned.
"Ian, please. Don't feel this way. Don't. I'm so sorry. Please."
I was crying too, shaking too, though that might have been him shaking me.
"You can't leave."
"I have to, I have to," I sobbed.
And then we cried wordlessly for a long time.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Ut cum spiritu postrema sacramentum dejuremus," he chanted. "Et hostes ornamenta addent ad ianuam necem."
"You just...finished the prophesy,"Rachael stammered. "-An oath to keep with a final breath/And foes bear arms to the Doors of Death. How did you-"
"I know those lines." Jason winced and put his hands to his temples. "I don't know how, but I KNOW that prophecy."
"In Latin, no less," Drew called out. "Handsome AND smart.
β
β
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
β
My name is Jared Howe. I haven't spoken to another human being in more than two years, so I'm sure I must seem...a little crazy to you.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Thomas Jefferson once said: 'Of course the people don't want war. But the people can be brought to the bidding of their leader. All you have to do is tell them they're being attacked and denounce the pacifists for somehow a lack of patriotism and exposing the country to danger. It works the same in any country.' I think that was Jefferson. Oh wait. That was Hermann Goering. Shoot."
[Hosting the Peabody Awards for broadcasting excellence at the New York Waldorf-Astoria, June 6, 2006]
β
β
Jon Stewart
β
Lie to me. she whispered. I love you. he said.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
It's not the face, but the expressions on it. It's not the voice, but what you say. It's not how you look in that body, but the thing you do with it. You are beautiful.
β
β
Stephenie Meyer (The Host)
β
1. Your heart starts hurting when you think about him.
β
β
Bisco Hatori (Ouran High School Host Club, Vol. 13 (Ouran High School Host Club, #13))
β
4. You hear his voice in a crowd more than any other.
β
β
Bisco Hatori (Ouran High School Host Club, Vol. 13 (Ouran High School Host Club, #13))
β
Please don't run away. And, um, I'd rather you didn't kick me again either.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe. Of course itβs important to know whatβs right and whatβs wrong. Individual errors in judgment can usually be corrected. As long as you have the courage to admit mistakes, things can be turned around. But intolerant, narrow minds with no imagination are like parasites that transform the host, change form, and continue to thrive. Theyβre a lost cause, and I donβt want anyone like that coming in here.
β
β
Haruki Murakami (Kafka on the Shore)
β
Listen up, Wanda. I know exactly what you don't want to be. But we're human, and we're selfish, and we don't always do the right thing. We aren't going to let you go. Deal with it.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
If you throw a frog in a pot of boiling water, it will hop right out. But if you put that frog in a pot of tepid water and slowly warm it, the frog doesn't figure out what going on until it's too late. Boiled frog. It's just a metter of working by slow degrees.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
When he's happy, it makes you happy too.
β
β
Bisco Hatori (Ouran High School Host Club, Vol. 13 (Ouran High School Host Club, #13))
β
Tamaki: Having the courage to be able to admit what you love... enjoying what you love... and being true to yourself... Isn't that also what it means to be strong?
β
β
Bisco Hatori (Ouran High School Host Club, Vol. 7 (Ouran High School Host Club, #7))
β
I love you."
Voosh
"Sorry... what did you...? The planes noise was...
β
β
Bisco Hatori (Ouran High School Host Club, Vol. 17 (Ouran High School Host Club, #17))
β
Let me guess,' Ian said in a voice like ice. 'You fell on a rock.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
But I love you, β he whispered. βDoesn't that matter?β βOf course it matters. So much. Can't you see? That only makes it moreβ¦ necessary.β His eyes flashed open. βIs it so unbearable to have me love you? Is that it? I can keep my mouth shut, Wanda. I won't say it again. You can be with Jared, if that's what you want. Just stay.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
She had once read in a book about consciousness that over the years, the human brain makes an AI version of your loved ones. The brain collects data, and within your brain, you host a virtual version of that person. Upon the personβs death, your brain still believes the virtual person exists, because, in a sense, the person still does. After a while, though, the memory fades, and each year, you are left with an increasingly diminished version of the AI you had made when the person was alive.
β
β
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
β
3. When he smiles at you, sometimes you feel like crying.
β
β
Bisco Hatori (Ouran High School Host Club, Vol. 13 (Ouran High School Host Club, #13))
β
Next Clay gave the house rules for living with theSorrentinos , which sounded a lot like the Ten
Commandments. Thou shall not lie, steal anything, kill anyone, disrespect your hosts or covet
any of Nick's girlfriends. And if you break the rules, you'll get your ass kicked and handed to you
in piecesβa part I suspect God left out.
β
β
Kelley Armstrong (Frostbitten (Women of the Otherworld, #10))
β
We are all susceptible to the pull of viral ideas. Like mass hysteria. Or a tune that gets into your head that you keep humming all day until you spread it to someone else. Jokes. Urban legends. Crackpot religions. Marxism. No matter how smart we get, there is always this deep irrational part that makes us potential hosts for self-replicating information.
β
β
Neal Stephenson (Snow Crash)
β
Itβs not fair!β Sunny wailed. βWhy do you get to stay? Why canβt I stay, if you can?β
I had to swallow hard. βThat wouldnβt be fair, would it? But I donβt get to stay, Sunny. I have to go, too. And soon. Maybe weβll leave together.β Perhaps sheβd be happier if she thought I was going to the Dolphins with her. By the time she knew otherwise, Sunny would have a different host with different emotions and no tie to this human beside me. Maybe. Anyway, it would be too late. βI have to go, Sunny, just like you. I have to give my body back, too.β
And then, flat and hard from right behind us, Ianβs voice broke through the quiet like the crack of a whip.
βWhat?
β
β
Stephenie Meyer (The Host (The Host, #1))
β
I think Ian likes you too much
β
β
Stephenie Meyer (The Host (The Host, #1))
β
You, your grandmother, the chairman----YOU'RE ALL ABUNCH OF FRIGGIN' IDIOTS!!!"
~Haruhi
β
β
Bisco Hatori (Ouran High School Host Club, Vol. 16 (Ouran High School Host Club, #16))
β
Are tou trying to be annoying?" I demanded. My patience was not waning, but entirely gone. "Because if you are, then be assured, you have succeeded."
Jared and Wes looked at me with shocked eyes.
"I am female," I complained. "That 'it' business is really getting on my nerves."
Jared blinked in surprise, then his face settled back into harder lines. "Because of the body you wear?"
Wes glared at him.
"Because of me," I hissed.
"By whose definition?"
"How about by yours? In my species, I am the one that bears young. Is that not female enough for you?"
That stopped him short. I felt almost smug.
'As you should', Melanie approved. 'He's wrong and he's being a pig about it'.
Thank you.
'We girls have to stick together'.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
What can I give you, Wanda?β he insisted.
I took a deep breath and tried to keep my voice steady.βGive me a lie, Jared. Tell me you want me to stay.β
There was no hesitation this time. His arms wound around me in the dark, held me securely against his chest. He pressed his lips against my forehead, and I felt his breath move my hair when he spoke.
Melanie was holding her breath in my head. She was trying to bury herself again, trying to give
memy freedom for these last minutes. Maybe she was afraid to listen to these lies. She wouldn't
want this memory when I was gone.
βStay here, Wanda. With us. Withme. I don't want you to go. Please. I can't imagine having you gone. I can't see that. I don't know how toβ¦ how toβ¦β His voice broke.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
You should be angry. You must not be bitter. Bitterness is like cancer. It eats upon the host. It doesnβt do anything to the object of its displeasure. So use that anger. You write it. You paint it. You dance it. You march it. You vote it. You do everything about it. You talk it. Never stop talking it.
β
β
Maya Angelou
β
5. You feel he has a lot of admirable qualities.
β
β
Bisco Hatori (Ouran High School Host Club, Vol. 13 (Ouran High School Host Club, #13))
β
6. You want to help him.
β
β
Bisco Hatori (Ouran High School Host Club, Vol. 13 (Ouran High School Host Club, #13))
β
Uncle Jeb," we croaked in surprise. "You found us."
"Well, now," he said, and his gruff voice brought back a hundred memories. "Well, now, here's a pickle.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
The spirit who inhabits her animates us all. Destroy the host, you destroy the power. The young die first; the old wither slowly; the eldest perhaps would go last. But she is the Queen of the Damned, and the Damned can't live without her.
β
β
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
β
Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Powerβs comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.β ImmaculΓ©e Constantin now looks up at me. βPower will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. βImperious Caesar, dead and turnβd to clay, might stop a hole to keep the wind away.
β
β
David Mitchell (The Bone Clocks)
β
We value the individual. We probably put too much emphasis on the individual, if it comes right down to it. How many people, in the abstract, would...let's say Paige....how many people would she sacrifice to keep Andy alive? The answer wouldn't make any sense if you were looking at the whole of humanity as equals.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
It is good to dress in fair clothes to dine with friends. It honors your host, if you are a guest; and your guest if you are a host. And both adorn the feast, and so celebrate the gifts of the world.
β
β
Alison Croggon
β
Where is the graveyard of dead gods? What lingering mourner waters their mounds? There was a time when Jupiter was the king of the gods, and any man who doubted his puissance was ipso facto a barbarian and an ignoramus. But where in all the world is there a man who worships Jupiter today? And who of Huitzilopochtli? In one year - and it is no more than five hundred years ago - 50,000 youths and maidens were slain in sacrifice to him. Today, if he is remembered at all, it is only by some vagrant savage in the depths of the Mexican forest. Huitzilopochtli, like many other gods, had no human father; his mother was a virtuous widow; he was born of an apparently innocent flirtation that she carried out with the sun.
When he frowned, his father, the sun, stood still. When he roared with rage, earthquakes engulfed whole cities. When he thirsted he was watered with 10,000 gallons of human blood. But today Huitzilopochtli is as magnificently forgotten as Allen G. Thurman. Once the peer of Allah, Buddha and Wotan, he is now the peer of Richmond P. Hobson, Alton B. Parker, Adelina Patti, General Weyler and Tom Sharkey.
Speaking of Huitzilopochtli recalls his brother Tezcatlipoca. Tezcatlipoca was almost as powerful; he consumed 25,000 virgins a year.
Lead me to his tomb: I would weep, and hang a couronne des perles. But who knows where it is? Or where the grave of Quetzalcoatl is? Or Xiuhtecuhtli? Or Centeotl, that sweet one? Or Tlazolteotl, the goddess of love? Of Mictlan? Or Xipe? Or all the host of Tzitzimitl? Where are their bones? Where is the willow on which they hung their harps? In what forlorn and unheard-of Hell do they await their resurrection morn? Who enjoys their residuary estates? Or that of Dis, whom Caesar found to be the chief god of the Celts? Of that of Tarves, the bull? Or that of Moccos, the pig? Or that of Epona, the mare? Or that of Mullo, the celestial jackass? There was a time when the Irish revered all these gods, but today even the drunkest Irishman laughs at them.
But they have company in oblivion: the Hell of dead gods is as crowded
as the Presbyterian Hell for babies. Damona is there, and Esus, and
Drunemeton, and Silvana, and Dervones, and Adsullata, and Deva, and
Bellisima, and Uxellimus, and Borvo, and Grannos, and Mogons. All mighty gods in their day, worshipped by millions, full of demands and impositions, able to bind and loose - all gods of the first class. Men labored for generations to build vast temples to them - temples with stones as large as hay-wagons.
The business of interpreting their whims occupied thousands of priests,
bishops, archbishops. To doubt them was to die, usually at the stake.
Armies took to the field to defend them against infidels; villages were burned, women and children butchered, cattle were driven off. Yet in the end they all withered and died, and today there is none so poor to do them reverence.
What has become of Sutekh, once the high god of the whole Nile Valley? What has become of:
Resheph
Anath
Ashtoreth
El
Nergal
Nebo
Ninib
Melek
Ahijah
Isis
Ptah
Anubis
Baal
Astarte
Hadad
Addu
Shalem
Dagon
Sharaab
Yau
Amon-Re
Osiris
Sebek
Molech?
All there were gods of the highest eminence. Many of them are mentioned with fear and trembling in the Old Testament. They ranked, five or six thousand years ago, with Yahweh Himself; the worst of them stood far higher than Thor. Yet they have all gone down the chute, and with them the following:
BilΓ©
Ler
Arianrhod
Morrigu
Govannon
Gunfled
Sokk-mimi
Nemetona
Dagda
Robigus
Pluto
Ops
Meditrina
Vesta
You may think I spoof. That I invent the names. I do not. Ask the rector to lend you any good treatise on comparative religion: You will find them all listed. They were gods of the highest standing and dignity-gods of civilized peoples-worshiped and believed in by millions. All were omnipotent, omniscient and immortal.
And all are dead.
β
β
H.L. Mencken (A Mencken Chrestomathy)
β
God wants to rescue us, not destroy us. You don't have to be afraid of being happy, thinking that he wants to take that happiness away from you That's not who he is." "How can you be sure?" "Because when you've had a taste of goodness, it helps you recognize the difference between good and evil. I believe that people like Grace and St. Francis and a whole host of other kind, loving people show us what God is like. He isn't waiting to punish you and he doesn't give you blessings just to strip them away.
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Sylvain Reynard (Gabriel's Redemption (Gabriel's Inferno, #3))
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For me, the last few years of the postmodern era have seemed a bit like the way you feel when you're in high school and your parents go on a trip, and you throw a party. You get all your friends over and throw this wild disgusting fabulous party. For a while it's great, free and freeing, parental authority gone and overthrown, a cat's-away-let's-play Dionysian revel. But then time passes and the party gets louder and louder, and you run out of drugs, and nobody's got any money for more drugs, and things get broken and spilled, and there's cigarette burn on the couch, and you're the host and it's your house too, and you gradually start wishing your parents would come back and restore some fucking order in your house. It's not a perfect analogy, but the sense I get of my generation of writers and intellectuals or whatever is that it's 3:00 A.M. and the couch has several burn-holes and somebody's thrown up in the umbrella stand and we're wishing the revel would end. The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years. We're kind of wishing some parents would come back. And of course we're uneasy about the fact that we wish they'd come back--I mean, what's wrong with us? Are we total pussies? Is there something about authority and limits we actually need? And then the uneasiest feeling of all, as we start gradually to realize that parents in fact aren't ever coming back--which means we're going to have to be the parents.
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David Foster Wallace
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I waited for him to say something more, but he was quiet.
"Was there something you wanted?" I asked.
He didn't answer right away, but I could feel him struggling, so I waited.
"If I asked you something, would you tell me the truth?"
It was my turn to hesitate. "I don't know everything," I hedged.
"You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right."
Melanie was suddenly very in my head.
Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean."
Melanie sighed.
I said nothing to either of them.
"I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest.
"Does it, Wanda?"
"Why won't you answer me?" Jamie was really crying now but trying to muffle the sound.
I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck.
"Is Melanie still alive, Wanda? Please?"
He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses.
Jamie's body shook beside me.
Melanie cried. She battered ineffectually at my control.
But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now.
"She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?"
Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel."
"She loves you, too. She's so happy that you're here and safe."
He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
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Stephenie Meyer (The Host (The Host, #1))
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And then we jerked to a stop. Jared was blocking the exit. "Have you lost your mind, Ian?" he asked, shocked and outraged. "What are you doing to her?"
"Did you know about this?" Ian shouted back, shoving me toward Jared and shaking me at him.
"You're going to hurt her!"
"Do you know what she's planning?" Ian roared.
Jared stared at Ian, his face suddenly closed off. He didn't answer. That was answer enough for Ian.
Ian's fist struck Jared so fast that I missed the blow - I just felt the lurch in his body and saw Jared reel back into the dark hall.
"Ian, stop," I begged.
"You stop," he growled back at me.
He yanked me through the arch into the tunnel, then pulled me north. I had to almost run to keep up with his longer stride.
"OΒ΄Shea!" Jared shouted after us.
"I'm going to hurt her?" Ian roared back over his shoulder, not breaking pace. "I am? You hypocritical swine!"
There was nothing but silence and blackness behind us now. I stumbled in the dark, trying to keep up.
He jerked me along faster, and my breath caught in a moan, almost like a cry of pain.
The sound made Ian stumble to a stop. His breathing was hoarse in the darkness.
"Ian, Ian, I..." I chocked, unable to finish. I didn't know what to say, picturing his furious face.
His arms caught me abruptly, yanking my feet out from under me and then catching my shoulders before I could fall. He started running forward again, carrying me now. His hands were not rough and angry like before; he cradled me against his chest.
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Stephenie Meyer (The Host (The Host, #1))
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NO!" She shouted through my lips.
Jared caught her hands, then caught me against the wall before I could fall. I sagged, my body confused by the conflicting directions it was receiving.
"Mel? Mel!"
"What are you doing?"
He groaned in relief. "I knew you could do it! Ah Mel!"
He kissed her again, kissed the lips that she controlled, and we could both taste the tears that ran down his face.
She bit him.
Jared jumped back from both of us, and I slid to the floor, landing in a wilted heap.
He started laughing, "That's my girl. You still got her, Wanda?"
"Yes," I gasped.
What the hell, Wanda? She screeched at me.
Where have you been? Do you have any idea what I've been going through trying to find you?
Yeah, I can see that you were really suffering.
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Stephenie Meyer (The Host (The Host, #1))
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Iβve no surety that it is. I know only parts of what I feel; I may be misnaming the whole. You dwell in my mind like a household spirit. All that I think is followed with, βI shall tell that thought to Eddi.β Whatever I see or hear is colored by what I imagine you will say of it. What is amusing is twice so, if you have laughed at it. There is a way you have of turning your head, quickly with a little tilt, that seems more wonderful to me than the practiced movements of dancers. All this, taken together, Iβve come to think of as love, but it may not be.
It is not a comfortable feeling. But I find that, even so, I would wish the same feeling on you. The possibility that I suffer it aloneβthat frightens me more than all the host of the Unseelie Court.
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Emma Bull (War for the Oaks)
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Ian didn't come. He just sat here with you--he said he didn't care what you looked like. He wouldn't let anyone else put a finger on your tank at all, not even me or Mel. But Doc let me watch this time. It was way cool, Wanda. I don't know why you wouldn't let me watch before. They wouldn't let me help, though. Ian wouldn't let anyone touch you but him.' Ian squeezed my hand and leaned in to whisper through all the hair. His voice was so low that I was the only one who could hear. 'I held you in my hand, Wanderer. And you were so beautiful.
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Stephenie Meyer (The Host (The Host, #1))
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If youβre not angry, youβre either a stone, or youβre too sick to be angry. You should be angry. You must not be bitter. Bitterness is like cancer. It eats upon the host. It doesnβt do anything to the object of its displeasure. So use that anger, yes. You write it. You paint it. You dance it. You march it. You vote it. You do everything about it. You talk it. Never stop talking it.
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Maya Angelou
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But what if it were you? What if you were stuffed in a human body and let loose on this planet only to find yourself lost among your own kind? What if you were such a good person that you tried to save the life that you'd taken that you almost died trying to get her back to her family? What if you then found yourself surrounded by violent aliens who hated you and tried to hurt you and tried to murder you over and over again? What if you just kept doing whatever you could to save and heal people despite that? Wouldn't you deserve a life too? Wouldn't you have earned that much?
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Stephenie Meyer (The Host (The Host, #1))
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TO BE A TOURIST is to escape accountability. Errors and failings don't cling to you the way they do back home. You're able to drift across continents and languages, suspending the operation of sound thought. Tourism is the march of stupidity. You're expected to be stupid. The entire mechanism of the host country is geared to travelers acting stupidly. You walked around dazed, squinting into fold-out maps. You don't know how to talk to people, how to get anywhere, what the money means, what time it is, what to eat or how to eat it. Being stupid is the pattern, the level and the norm. You can exist on this level for weeks and months without reprimand or dire consequence. Together with thousands, you are granted immunities and broad freedoms. You are an army of fools, wearing bright polyesters, riding camels, taking pictures of each other, haggard, dysentric, thirsty. There is nothing to think about but the next shapeless event.
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Don DeLillo (The Names)
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Men always say that as the defining compliment, donβt they? Sheβs a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like sheβs hosting the worldβs biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I donβt mind, Iβm the Cool Girl. Men actually think this girl exists. Maybe theyβre fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men β friends, coworkers, strangers β giddy over these awful pretender women, and Iβd want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men whoβd like to believe that this kind of woman exists and might kiss them.
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Gillian Flynn (Gone Girl)
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Shaving my head was a way of saying to the world: Fuck you. You want me to be pretty for you? Fuck you. You want me to be good for you? Fuck you. You want me to be your dream girl? Fuck you. Iβd been the good girl for years. Iβd smiled politely while TV show hosts leered at my breasts, while American parents said I was destroying their children by wearing a crop top, while executives patted my hand condescendingly and second-
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Britney Spears (The Woman in Me)
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The Celt, and his cromlechs, and his pillar-stones, these will not change much β indeed, it is doubtful if anybody at all changes at any time. In spite of hosts of deniers, and asserters, and wise-men, and professors, the majority still are adverse to sitting down to dine thirteen at a table, or being helped to salt, or walking under a ladder, of seeing a single magpie flirting his chequered tale. There are, of course, children of light who have set their faces against all this, although even a newspaperman, if you entice him into a cemetery at midnight, will believe in phantoms, for everyone is a visionary, if you scratch him deep enough. But the Celt, unlike any other, is a visionary without scratching.
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W.B. Yeats
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You'll want all your strength for the wedding night."
I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. "All I have to do is lie there."
"Naked," he said grimly.
"Truly?" She shot him a glance from under her lashes. "Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee."
"The what?"
"It was ghastly expensive," she said, "but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination."
Jessica heard him suck in his breath, felt the muscular thigh tense against hers.
"But if it were left to Aunt Louisa," she went on,"I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--"
"What color?" he asked. His low voice had roughened.
"Wine red," she said, "With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. "And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. "And openwork on the right side of the skirt. From here" --she pointed to her hip--"down to the hem. And I bought---"
"Jess." Her name was a strangled whisper.
"--slippers to match," she continued." Black mules with--"
"Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap.
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Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
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Mel? Mel, I love you. Mel, come back . Mel, Mel, Mel."
It's Jared's voice, trying to call me back the way Wanda called back the Healer's host, the way she taught Kyle to call to Jodi.
I can answer him. I can speak now. I can feel my tongue in my mouth, ready to move into whatever shape I ask it to. I can feel the air in my lungs, ready to push out the words. If I want this.
"Mel, I love you, I love you."
This is Wanda's gift to me, paid for with her silver blood. Jared and I, put back together again as if she'd never lived. As if she hadn't saved us both.
If I accept this gift, I profit from her death. I kill her again. I take her sacrifice and make it murder.
"Mel, please? Open your eyes."
I feel his hand on my face, cradling my cheek. I feel his lips burn against my forehead, but I don't want them, not at this price.
Or do I?
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Stephenie Meyer (The Host (The Host, #1))
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Admirable, however, as the Paris of the present day appears to you, build up and put together again in imagination the Paris of the fifteenth century; look at the light through that surprising host of steeples, towers, and belfries; pour forth amid the immense city, break against the points of its islands, compress within the arches of the bridges, the current of the Seine, with its large patches of green and yellow, more changeable than a serpent's skin; define clearly the Gothic profile of this old Paris upon an horizon of azure, make its contour float in a wintry fog which clings to its innumerable chimneys; drown it in deep night, and observe the extraordinary play of darkness and light in this sombre labyrinth of buildings; throw into it a ray of moonlight, which shall show its faint outline and cause the huge heads of the towers to stand forth from amid the mist; or revert to that dark picture, touch up with shade the thousand acute angles of the spires and gables, and make them stand out, more jagged than a shark's jaw, upon the copper-coloured sky of evening. Now compare the two.
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Victor Hugo (The Hunchback of Notre-Dame)
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Mania was a mental state every bit as dangerous as depression. At first, however, it felt like a rush of euphoria. You were completely captivating, completely charming; everybody loved you. You took ridiculous physical risks, jumping out of a third-floor dorm room into a snowbank, for instance. It made you spend your year's fellowship money in five days. It was like having a wild party in your head, a party at which you were the drunken host who refused to let anyone leave, who grabbed people by the collar and said, "Come on. One more!" When those people inevitably did vanish, you went out and found others, anyone and anything to keep the party going. You couldn't stop talking. Everything you said was brilliant. You just had the best idea. Let's drive down to New York! Tonight! Let's climb on top of List and watch the sunrise! Leonard got people to do these things. He led them on incredible escapades. But at some point things began to turn. His mind felt as if it was fizzing over. Words became other words inside his head, like patterns in a kaleidoscope. He kept making puns. No one understood what he was talking about. He became angry, irritable. Now, when he looked at people, who'd been laughing at his jokes an hour earlier, he saw that they were worried, concerned for him. And so he ran off into the night, or day, or night, and found other people to be with, so that the mad party might continue...
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Jeffrey Eugenides (The Marriage Plot)
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Kaoru." "Hikaru? How long have you been there? "Kaoru, how do you feel about Haruhi?" "She's a funny little tanuki." "You don't have to lie to me. Sorry that I didn't realize it until now. I know you've been worrying about me, but you don't have to lie anymore. You like Haruhi too, don't you?" "What are you talking about, Hikaru? I don't--" "Then how about this? You know we talked about adopting Haruhi. That's the best solution. That way the three of us will always be together." "Are you completely stupid, Hikaru? Adopting Haruhi was just a joke. We're not playing house. It'd never happen. I'm so fed up with your childishness!!" "Kaoru..." "Besides, would you be happy being a threesome forever? You really want to share Haruhi with me? That's not what I want!" "Kaoru...?" "I won't share her with you or milord! Especially... ... If your willing to just give her up like that! I'll never step aside for you if that's the case!
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Bisco Hatori (Ouran High School Host Club, Vol. 11 (Ouran High School Host Club, #11))
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I Name you Echthroi. I Name you Meg.
I Name you Calvin.
I Name you Mr. Jenkins.
I Name you Proginoskes.
I fill you with Naming.
Be!
Be, butterfly and behemoth,
be galaxy and grasshopper,
star and sparrow,
you matter,
you are,
be!
Be caterpillar and comet,
Be porcupine and planet,
sea sand and solar system,
sing with us,
dance with us,
rejoice with us,
for the glory of creation,
seagulls and seraphim
angle worms and angel host,
chrysanthemum and cherubim.
(O cherubim.)
Be!
Sing for the glory
of the living and the loving
the flaming of creation
sing with us
dance with us
be with us.
Be!"
- Madeleine L'Engle, A Wind in the Door
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Madeleine L'Engle
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You cannot expect the man who made this shield to live easily under the rule of man who worked the sheath of this dagger . . . You are the builders of coursed stone walls, the makers of straight roads and ordered justice and disciplined troops. We know that, we know it all too well. We know that your justice is more sure than ours, and when we rise against you, we see our hosts break against the discipline of your troops, as the sea breaks against a rock. And we do not understand, because all these things are the ordered pattern, and only the free curves of the shield-boss are real to us. We do not understand. And when the time comes that we begin to understand your world, too often we lose the understanding of our own.
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Rosemary Sutcliff (The Eagle of the Ninth)
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Host: For those of you just tuning in, our guests tonight are the amazing Murder Magician, and his lovely minion, The Assistant...
Assistant: Charmed, I'm sure
Host: Who recently killed The Rumor. And you were awarded the Oppenheimer prize for villainy at last week's annual summit for dastardly deeds-- what are you going to do with all that money?
Murder Magician: Well, I'm so glad you asked that-- because I spent all the money on this giant MURDERBOT, and I've been dying to show it off!
Assistant: It's true... every penny.
Host: Wow! That's impressive! So what does it do?
Murder Magician: Well, Mr. Clark... it murders people.
Laughter.
Murder Magician: I'm serious.
Assistant: He is.
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Gerard Way (The Umbrella Academy, Vol. 1: Apocalypse Suite)
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She was extending a hand that I didn't know how to take, so I broke its fingers with my silence, she said, "You don't want to talk to me, do you?" I took my daybook out of my knapsack and found the next blank page, the second to last. "I don't speak," I wrote. "I'm sorry." She looked at the piece of paper, then at me, then back at the piece of paper, she covered her eyes with her hands and cried, tears seeped between her fingers, she cried and cried and cried, there weren't any napkins nearby, so I ripped the page from the book - "I don't speak. I'm sorry" - and used it to dry her cheeks, my explanation and apology ran down her face like mascara, she took my pen from me and wrote on the next blank page of my daybook, the final one:
Please marry me
I flipped back and pointed at: "Ha ha ha!" She flipped forward and pointed at: "Please marry me." I flipped back and pointed at: "Thank you, but I'm about to burst." She flipped forward and pointed at: "Please marry me." I flipped back and pointed at: "I'm not sure, but it's late." She flipped forward and pointed at: "Please marry me", and this time put her finger on "Please", as if to hold down the page and end the conversation, or as if she were trying to push through the word, and into what she was trying to say. I thought about life, about my life, the embarrassments, the little coincidences, the shadows of alarm clocks on bedside tables, I thought about my small victories and everything I'd seen destroyed. I'd swum through mink coats on my parents' bed while they hosted downstairs, I'd lost the only person with whom I could have spent my only life, I'd left behind a thousand tonnes of marble from which I could have released sculptures, I could have released myself from the marble of myself, I'd experienced joy, but not nearly enough, could there be enough? The end of suffering does not justify the suffering, and so there is no end to suffering, what a mess I am, I thought, what a fool, how foolish and narrow, how worthless, how pinched and pathetic, how helpless in the universe. None of my pets knows their own name. What kind of person am I? I flipped back, one page at a time:
Help
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Jonathan Safran Foer
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But, for a Christian, there are, strictly speaking, no chances. A secret Master of the Ceremonies has been at work. Christ, who said to the disciples "Ye have not chosen me, but I have chosen you," can truly say to every group of Christian friends "You have not chosen one another but I have chosen you for one another." The Friendship is not a reward for our discrimination and good taste in finding one another out. It is the instrument by which God reveals to each the beauties of all the others. They are no greater than the beauties of a thousand other men; by Friendship God opens our eyes to them. They are, like all beauties, derived from Him through the Friendship itself, so that it is His instrument for creating as well as for revealing. At this feast it is He who has spread the board and it is He who has chosen the guests. It is He, we may dare to hope, who sometimes does, and always should, preside. Let us not reckon without our Host.
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C.S. Lewis (The Four Loves)
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Know that...there's plenty of food and of course popcorn on the dining-room table. Just...help yourself. If that runs out just let me know. Don't panic. And there's coffee, both caff and decaf, and soft drinks and juice in the kitchen, and plenty of ice in the freezer so...let me know if you have any questions with that.' And lastly, since I have you all here in one place, I have something to share with you. Along the garden ways just now...I too heard the flowers speak. They told me that our family garden has all but turned to sand. I want you to know I've watered and nurtured this square of earth for nearly twenty years, and waited on my knees each spring for these gentle bulbs to rise, reborn. But want does not bring such breath to life. Only love does. The plain, old-fashioned kind. In our family garden my husband is of the genus Narcissus , which includes daffodils and jonquils and a host of other ornamental flowers. There is, in such a genus of man, a pervasive and well-known pattern of grandiosity and egocentrism that feeds off this very kind of evening, this type of glitzy generosity. People of this ilk are very exciting to be around. I have never met anyone with as many friends as my husband. He made two last night at Carvel. I'm not kidding. Where are you two? Hi. Hi, again. Welcome. My husband is a good man, isn't he? He is. But in keeping with his genus, he is also absurdly preoccupied with his own importance, and in staying loyal to this, he can be boastful and unkind and condescending and has an insatiable hunger to be seen as infallible. Underlying all of the constant campaigning needed to uphold this position is a profound vulnerability that lies at the very core of his psyche. Such is the narcissist who must mask his fears of inadequacy by ensuring that he is perceived to be a unique and brilliant stone. In his offspring he finds the grave limits he cannot admit in himself. And he will stop at nothing to make certain that his child continually tries to correct these flaws. In actuality, the child may be exceedingly intelligent, but has so fully developed feelings of ineptitude that he is incapable of believing in his own possibilities. The child's innate sense of self is in great jeopardy when this level of false labeling is accepted. In the end the narcissist must compensate for this core vulnerability he carries and as a result an overestimation of his own importance arises. So it feeds itself, cyclically. And, when in the course of life they realize that their views are not shared or thier expectations are not met, the most common reaction is to become enraged. The rage covers the fear associated with the vulnerable self, but it is nearly impossible for others to see this, and as a result, the very recognition they so crave is most often out of reach. It's been eighteen years that I've lived in service to this mindset. And it's been devastating for me to realize that my efforts to rise to these standards and demands and preposterous requests for perfection have ultimately done nothing but disappoint my husband. Put a person like this with four developing children and you're gonna need more than love poems and ice sculpture to stay afloat. Trust me. So. So, we're done here.
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Joshua Braff (The Unthinkable Thoughts of Jacob Green)
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The Trial By Existence
Even the bravest that are slain
Shall not dissemble their surprise
On waking to find valor reign,
Even as on earth, in paradise;
And where they sought without the sword
Wide fields of asphodel foreβer,
To find that the utmost reward
Of daring should be still to dare.
The light of heaven falls whole and white
And is not shattered into dyes,
The light for ever is morning light;
The hills are verdured pasture-wise;
The angel hosts with freshness go,
And seek with laughter what to brave;β
And binding all is the hushed snow
Of the far-distant breaking wave.
And from a cliff-top is proclaimed
The gathering of the souls for birth,
The trial by existence named,
The obscuration upon earth.
And the slant spirits trooping by
In streams and cross- and counter-streams
Can but give ear to that sweet cry
For its suggestion of what dreams!
And the more loitering are turned
To view once more the sacrifice
Of those who for some good discerned
Will gladly give up paradise.
And a white shimmering concourse rolls
Toward the throne to witness there
The speeding of devoted souls
Which God makes his especial care.
And none are taken but who will,
Having first heard the life read out
That opens earthward, good and ill,
Beyond the shadow of a doubt;
And very beautifully God limns,
And tenderly, lifeβs little dream,
But naught extenuates or dims,
Setting the thing that is supreme.
Nor is there wanting in the press
Some spirit to stand simply forth,
Heroic in its nakedness,
Against the uttermost of earth.
The tale of earthβs unhonored things
Sounds nobler there than βneath the sun;
And the mind whirls and the heart sings,
And a shout greets the daring one.
But always God speaks at the end:
βOne thought in agony of strife
The bravest would have by for friend,
The memory that he chose the life;
But the pure fate to which you go
Admits no memory of choice,
Or the woe were not earthly woe
To which you give the assenting voice.β
And so the choice must be again,
But the last choice is still the same;
And the awe passes wonder then,
And a hush falls for all acclaim.
And God has taken a flower of gold
And broken it, and used therefrom
The mystic link to bind and hold
Spirit to matter till death come.
βTis of the essence of life here,
Though we choose greatly, still to lack
The lasting memory at all clear,
That life has for us on the wrack
Nothing but what we somehow chose;
Thus are we wholly stripped of pride
In the pain that has but one close,
Bearing it crushed and mystified.
β
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Robert Frost
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A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spelling words
Armed for slaughter.
The rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A river sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more.
Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.
Before cynicism was a bloody sear across your brow
And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to
The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew,
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek,
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the teacher.
They hear. They all hear
The speaking of the tree.
Today, the first and last of every tree
Speaks to humankind. Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on
Traveller, has been paid for.
You, who gave me my first name,
You Pawnee, Apache and Seneca,
You Cherokee Nation, who rested with me,
Then forced on bloody feet,
Left me to the employment of other seekers--
Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot...
You the Ashanti, the Yoruba, the Kru,
Bought, sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river,
Which will not be moved.
I, the rock, I the river, I the tree
I am yours--your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts.
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me,
The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes,
Into your brother's face, your country
And say simply
Very simply
With hope
Good morning.
β
β
Maya Angelou
β
I hurried to the southern corridor, relieved when I was safe in the blackness there. Relieved and horrified. It was really over now.
I'm so afraid, I whimpered.
Before Mel could respond, a heavy hand dropped on my shoulder from the darkness.
"Going somewhere?"
I was so tightly wound that I shrieked in terror; I was so terrified that my shriek was only a breathless little squeal.
"Sorry!" Jared's arm went round my shoulders, comforting. "I'm sorry. I didn't mean to scare you."
"What are you doing here?" I demanded, still breathless.
"Following you. I've been following you all night."
"Well, stop it now."
There was a hesitation in the dark, and his arm didn't move. I shrugged out from under it, but he caught my wrist. His grip was firm; I wouldn't be able to shake free easily.
"You're going to see Doc?" he asked, and there was no confusion in his question. It was obvious that he wasn't talking about a social visit.
"Of course I am." I hissed the words so that he wouldn't hear the panic in my voice. "What else can I do after today?It's not going to get any better. And this isn't Jeb's decision to make."
"I know. I'm on your side."
It made me angry that these words still had the power to hurt me, to bring tears stinging into my eyes. I tried to hold onto the thought of Ian - he was the anchor, as Kyle somehow had been for Sunny - but it was hard with Jared's hand touching me, with the smell of him in my nose. Like trying to make out the song of one violin when the entire percussion section was bashing away...
"Then let me go, Jared. Go away. I want to be alone." The words came out fierce and fast and hard. It was easy to hear that they weren't lies.
"I should come with you."
"You'll have Melanie back soon enough," I snapped. "I'm only asking for a few minutes, Jared. Give me that much."
Another pause; his hand didn't loosen.
"Wanda, I would come to be with you."
The tears spilled over. I was grateful for the darkness.
"It wouldn't feel that way," I whispered. "So there's no point.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
My arms broke free from my control. My left hand reached for his face, his hair, to wind my fingers in it.
My right hand was faster, was not mine.
Melanie's fist punched his jaw, knocked his face away from mine with a blunt, low sound. Flesh against flesh, hard and angry.
The force of it was not enough to move him far, but he scrambled away from me the instant our lips were no longer connected, gaping with horrorstruck eyes at my horrorstruck expression.
I stared down at the still-clenched fist, as repulsed as if I'd found a scorpion growing on the end of my arm. A gasp of revulsion choked its way out of my throat. I grabbed the right wrist with my left hand, desperate to keep Melanie from using my body for violence again.
I glanced up at Jared. He was staring at the fist I restrained, too, the horror fading, surprise taking its place. In that second, his expression was entirely defenseless. I could easily read his thoughts as they moved across his unlocked face.
This was not what he had expected. And he's had expectations; that was plain to see. This had been a test. A test he'd thought he was prepared to evaluate. But he'd been surprised.
Did that mean pass or fail?
The pain in my chest was not a surprise. I already knew that a breaking heart was more than an exaggeration.
In a flight-or-fight situation, I never had a choice; it would always be flight for me. Because Jared was between me and the darkness of the tunnel exit, I wheeled and threw myself into the box-packed hole.
I was sobbing because it had been a test, and, stupid, stupid, stupid, emotional creature that I was, I wanted it to be real.
Melanie was writhing in agony inside me, and it was hard to make sense of the double pain. I felt as thought I was dying because it wasn't real; she felt as though she was dying because, to her, it had felt real enough. In all that she'd lost since the end of the world, so long ago, she'd never before felt betrayed.
'No one's betrayed you, stupid,' I railed at her.
'How could he? How?' she ranted, ignoring me.
We sobbed beyond control.
One word snapped us back from the edge of hysteria.
From the mouth of the hole, Jared's low, rough voice - broken and strangely childlike - asked, "Mel?"
"Mel?" he asked again, the hope he didn't want to feel colouring his tone.
My breath caught in another sob, an aftershock.
"You know that was for you, Mel. You know that. Not for h- it. You know I wasn't kissing it."
"If you're in there, Mel..." He paused.
Melanie hated the "if". A sob burst up through my lungs and I gasped for air.
"I love you," Jared said. "Even if you're not there, if you can't hear me, I love you.
β
β
Stephenie Meyer (The Host (The Host, #1))