Hospital Sketches Quotes

As boys going to sea immediately become nautical in speech, walk as if they already had their "sea legs" on, and shiver their timbers on all possible occasions, so I turned military at once, called my dinner my rations, saluted all new comers, and ordered a dress parade that very afternoon.

Her hospitality was something exquisite; she had the gift which so many women lack, of being able to make themselves and their houses belong entirely to a guest's pleasure,--that charming surrender for the moment of themselves and whatever belongs to them, so that they make a part of one's own life that can never be forgotten.

The snores alone were quite a study, varying from the mild sniff to the stentorian snort, which startled the echoes and hoisted the performer erect to accuse his neighbor of the deed, magnanimously forgive him, and wrapping the drapery of his couch about him, lie down to vocal slumber. After listening for a week to this band of wind instruments, I indulged in the belief that I could recognize each by the snore alone, and was tempted to join the chorus by breaking out with John Brown's favorite hymn: "Blow ye the trumpet, blow!

Every one seems to be scrubbing their white steps. All the houses look like tidy jails, with their outside shutters. Several have crepe on the door-handles, and many have flags flying from roof or balcony. Few men appear, and the women seem to do the business, which, perhaps, accounts for its being so well done.

As no two persons see the same thing with the same eyes, my view of hospital life must be taken through my glass, and held for what it is worth. Certainly, nothing was set down in malice, and to the serious-minded party who objected to a tone of levity in some portions of the Sketches, I can only say that it is a part of my religion to look well after the cheerfulnesses of life, and let the dismals shift for themselves; believing, with good Sir Thomas More, that it is wise to "be merrie in God.

A good fit of illness proves the value of health; real danger tries one's mettle; and self-service Sweetner character.

[A] hospital is a rough school, its lessons are both stern and salutary; and the humblest of pupils there in proportion to his faithfulness learns a deep faith in God and in himself.

A fat easy gentleman gave me several bits of paper, with coupons attached, with a warning not to separate them which instantly inspired me with a yearning to pluck them apart, and see what came of it.

Constant complaints were being made of incompetent attendants, and some dozen women did double duty, and then were blamed for breaking down. If any hospital director fancies this a good and economical arrangement, allow one used up nurse to tell him it isn't, and beg him to spare the sisterhood, who sometimes, in their sympathy, forget that they are mortal, and run the risk of being made immortal, sooner than is agreeable to their partial friends.

Anything more natural and frank I never saw, and found this brave John as bashful as brave, yet full of excellencies and fine aspirations, which, having no power to express themselves in words, seemed to have bloomed into his character and made him what he was.

Painter" "I said you are only keeping me here in the hospital, lying to my parents and saying I am madder than I am, because you only want to keep me here, squeezing my last dollar to the pennies-- I'm saner than anyone in the hospital. I had to say what every madman says-- a black phrase, the sleep of reason mothers monsters... When I am painting the canvas is a person; all I do, each blot and line's alive, when I am finished, it is shit on the canvas... But in his sketches more finished than his oils, sketches made after he did those masterpieces, constable can make us see the breeze...

Taking these things into consideration, while blinking stupidly at Dr. Z, I resolved to retire gracefully, if I must; so, with a valedictory to my boys, a private lecture to Mrs. Waldman, and a fervent wish that I could take off my body and work in my soul, I mournfully ascended to my apartment, and Nurse P. was reported off-duty.

Here, my man, just hold it this way, while I look into it a bit," he said one day to Fitz G., putting a wounded arm into the keeping of a sound one, and proceeding to poke about among bits of bone and visible muscles, in a red and black chasm made by some infernal machine of the shot or shell description. Poor Fitz held on like a grim Death, ashamed to show fear before a woman, till it grew more than he could bear in silence; and, after a few smothered groans,he looked at me imploringly, as if he said, "I wouldn't, ma'am, if I could help it," and fainted quietly away. Dr. P. looked up, gave a compassionate sort of cluck, and poked away more busily than ever, with a nod at me and a brief—"Never mind; be so good as to hold this till I finish." I obeyed, cherishing the while a strong desire to insinuate a few of his own disagreeable knives and scissors into him, and see how he liked it. A very disrespectful and ridiculous fancy of course; for he was doing all that could be done, and the arm prospered finely in his hands. But the human mind is prone to prejudice; and though a personable man, speaking French like a born "Parley voo," and whipping off legs like an animated guillotine, I must confess to a sense of relief when he was ordered elsewhere; and suspect that several of the men would have faced a rebel battery with less trepidation than they did Dr. P., when he came briskly in on his morning round.

In those days, long before, a view over the rooftops of Paris was an unaffordable luxury. The apartment he had shared with a mousy young writer from Laon had a view of the Jardin de Luxembourg – if he stuck his head out of the window as far as it would go and twisted it to the left, a smudge of green foliage appeared in the corner of one eye. That had been his best apartment to date. They had decorated it in the ‘Bohemian’ style of the 1830s : a few volumes of Shakespeare and Victor Hugo, a Phrygian cap, an Algerian hookah, a skull on a broomstick handle (from the brother of a friend, Charles Toubin, who was an intern at one of the big hospitals) and, of course, a window box of geraniums, which was not only pretty but also illegal. (Death by falling window box was always high up the official list of fatalities.) For a proper view of Paris, they visited Henry’s painter friends who lived in a warren of attic rooms near the Barriere d’Enfer and called themselves the Water-Drinkers. When the weather was fine and the smell of their own squalor became unbearable, they clambered onto the roof and sat on the gutters and ridges, sketching chimneyscapes, and sending up more smoke from their pipes than the fireplaces below. Three of the Water-Drinkers had since died of various illnesses known collectively as ‘lack of money’. When the last of the three was buried, in the spring of 1844, Henry and the others had found themselves at the graveside without a sou to give a gravedigger. ‘Never mind’, said he, “you can pay me the next time, ‘ and then, to his collegue : ‘It’s all right – these gentlemen are a regular customers.

A most attractive face he had, framed in brown hair and beard, comely featured and full of vigor, as yet unsubdued by pain; thoughtful and often beautifully mild while watching the afflictions of others, as if entirely forgetful of his own. His mouth was grave and firm, with plenty of will and courage in its lines, but a smile could make it as sweet as any woman's; and his eyes were child's eyes, looking one fairly in the face, with a clear, straightforward glance, which promised well for such as placed their faith in him. He seemed to cling to life, as if it were rich in duties and delights, and he had learned the secret of content.

Employing a designer simply to sketch in Photoshop what you think your website should look like, means denaturing the work. If you are not a designer, you probably have neither the skills nor the know-how to transform your vision (even if correct and coherent) into a functional website.

consider a young Tunisian man pushing a wooden handcart loaded with fruits and vegetables down a dusty road to a market in the Tunisian town of Sidi Bouzid. When the man was three, his father died. He supports his family by borrowing money to fill his cart, hoping to earn enough selling the produce to pay off the debt and have a little left over. It’s the same grind every day. But this morning, the police approach the man and say they’re going to take his scales because he has violated some regulation. He knows it’s a lie. They’re shaking him down. But he has no money. A policewoman slaps him and insults his dead father. They take his scales and his cart. The man goes to a town office to complain. He is told the official is busy in a meeting. Humiliated, furious, powerless, the man leaves. He returns with fuel. Outside the town office he douses himself, lights a match, and burns. Only the conclusion of this story is unusual. There are countless poor street vendors in Tunisia and across the Arab world. Police corruption is rife, and humiliations like those inflicted on this man are a daily occurrence. They matter to no one aside from the police and their victims. But this particular humiliation, on December 17, 2010, caused Mohamed Bouazizi, aged twenty-six, to set himself on fire, and Bouazizi’s self-immolation sparked protests. The police responded with typical brutality. The protests spread. Hoping to assuage the public, the dictator of Tunisia, President Zine el-Abidine Ben Ali, visited Bouazizi in the hospital. Bouazizi died on January 4, 2011. The unrest grew. On January 14, Ben Ali fled to a cushy exile in Saudi Arabia, ending his twenty-three-year kleptocracy. The Arab world watched, stunned. Then protests erupted in Egypt, Libya, Syria, Jordan, Kuwait, and Bahrain. After three decades in power, the Egyptian dictator Hosni Mubarak was driven from office. Elsewhere, protests swelled into rebellions, rebellions into civil wars. This was the Arab Spring—and it started with one poor man, no different from countless others, being harassed by police, as so many have been, before and since, with no apparent ripple effects. It is one thing to look backward and sketch a narrative arc, as I did here, connecting Mohamed Bouazizi to all the events that flowed out of his lonely protest. Tom Friedman, like many elite pundits, is skilled at that sort of reconstruction, particularly in the Middle East, which he knows so well, having made his name in journalism as a New York Times correspondent in Lebanon. But could even Tom Friedman, if he had been present that fatal morning, have peered into the future and foreseen the self-immolation, the unrest, the toppling of the Tunisian dictator, and all that followed? Of course not. No one could. Maybe, given how much Friedman knew about the region, he would have mused that poverty and unemployment were high, the number of desperate young people was growing, corruption was rampant, repression was relentless, and therefore Tunisia and other Arab countries were powder kegs waiting to blow. But an observer could have drawn exactly the same conclusion the year before. And the year before that. Indeed, you could have said that about Tunisia, Egypt, and several other countries for decades. They may have been powder kegs but they never blew—until December 17, 2010, when the police pushed that one poor man too far.

For years I painted a beautiful picture of my homeland. I smudged the bigotry, ostracism, and narrow-mindedness of the Bible Belt and brightened it with colorful glasses of sweet tea, fresh, country hillsides, and southern hospitality. I erased the whiskey, the vitamin force-feeding, and the screaming fights that sent me crying and fleeing. I replaced them with sketches of a loving daddy who charitably tolerated me. I plastered tough love atop emotional indifference and neglect. I painted Mom with the unconditional nurturing that would wash away with the first light rainfall.

Lullabies came hard for me. My first night home from the hospital with Maxwell, I was afraid to sing to her because I didn’t know if I could sing quiet. I’ve never had to sing where I didn’t have to perform. Aim my voice for the back of the arena. I remember thinking, Should I just sing “The Star-Spangled Banner” quietly? If I tried “Amazing Grace,” I knew I would get the Spirit and bust her little eardrum. It was like I was in an SNL sketch about the over-singing pop-star mom. Whitney saved me.