Horseback Riding Quotes

We've searched our database for all the quotes and captions related to Horseback Riding. Here they are! All 100 of them:

The rest of the journey passed uneventfully, if you consider it uneventful to ride fifteen miles on horseback through rough country at night, frequently without benefit of roads, in company with kilted men armed to the teeth, and sharing a horse with a wounded man. At least we were not set upon by highwaymen, we encountered no wild beasts, and it didn't rain. By the standards I was becoming used to, it was quite dull.
Diana Gabaldon (Outlander (Outlander, #1))
I have found a dream of beauty at which one might look all one's life and sigh.
Isabella Lucy Bird (Adventures in the Rocky Mountains (Penguin Great Journeys))
Jase rested his forehead against mine and closed his eyes. His warm breath danced over my lips. “I want to take you out on a date. I want to take you horseback riding. I want to tell your brother. I want to take you home to my parents and introduce you as my girlfriend. I want to prove this means more to me. I want to do this the right way.
J. Lynn (Be with Me (Wait for You, #2))
She felt that she enjoyed it [horseback riding] in a pagan, sensuous way, and always looked forward to renouncing it.
George Eliot (Middlemarch)
He sighed. "You want to live in your church, going about your life as if you're like everyone else." "So?" "You aren't. And because of that, someday you're probably going to find yourself in a position where your choices will have an impact far beyond what you see right now. And when that happens, I want you to remember what it's like to ride through the woods on horseback under a night sky with no moon and nothing stronger than you are. I want you to know so you will fight for it. So that my children will know of it. You have to keep the demons where they are, Rachel. No one else can do it. You won't fight for us unless you know. Let me show you what you're fighting for.
Kim Harrison (Black Magic Sanction (The Hollows, #8))
Idris had been green and gold and russet in the autumn, when Clary had first been there. It had a stark grandeur in the winter: the mountains rose in the distance, capped white with snow, and the trees along the side of the road that led back to Alicante from the lake were stripped bare, their leafless branches making lace-like patterns against the bright sky. Sometimes Jace would slow the horse to point out the manor houses of the richer Shadowhunter families, hidden from the road when the trees were full but revealed now. She felt his shoulders tense as they passed one that nearly melded with the forest around it: it had clearly been burned and rebuilt. Some of the stones still bore the black marks of smoke and fire. “The Blackthorn manor,” he said. “Which means that around this bend in the road is …” He paused as Wayfarer summited a small hill, and reined him in so they could look down to where the road split in two. One direction led back toward Alicante — Clary could see the demon towers in the distance — while the other curled down toward a large building of mellow golden stone, surrounded by a low wall. “ … the Herondale manor,” Jace finished. The wind picked up; icy, it ruffled Jace’s hair. Clary had her hood up, but he was bare-headed and bare-handed, having said he hated wearing gloves when horseback riding. He liked to feel the reins in his hands. “Did you want to go and look at it?” she asked. His breath came out in a white cloud. “I’m not sure.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
He was thirty-six years old, and six foot three. He spoke English to people and French to cats, and Latin to the birds. He had once nearly killed himself trying to read and ride a horse at the same time.
Katherine Rundell (Rooftoppers)
Apparently I’m the only one who thinks this is the worst fucking idea since horses,” Garrett says irritably. “Horses?” Logan and Fitzy echo in unison. “Like, horses in general?” Morris asks in confusion. “As in, domesticating them,” he grumbles. “They belong in the wild. End of story.” “Babe,” Hannah hedges in, “are you just saying that because you’re scared of horses?” His jaw drops. “I’m not scared of horses.” She ignores the denial. “Oh my God, it’s all coming together. That’s why you wouldn’t go to the Thanksgiving fair in Philly.” She glances at the rest of us. “My aunt and uncle wanted to take us to this festival thing with all these cool booths and a petting zoo…and horseback riding. He said his stomach hurt.” Garrett visibly clenches his teeth. “My stomach did hurt. I ate too much fucking turkey, Wellsy. Anyway, I don’t like this.
Elle Kennedy (The Goal (Off-Campus, #4))
Dancing and riding, it’s the same damn thing. It’s about trust and consent.
Nicholas Evans (The Horse Whisperer)
I'm also old... and my own gift for writing fantasy grows out of very literal-minded, pragmatic soil: the things I do when I'm not telling stories have always been pretty three-dimensional. I used to say that the only strong attraction reality ever had for me was horses and horseback riding, but I've also been cooking and going for long walks since I was a kid (yes, the two are related), and I'm getting even more three dimensionally biased as I get older — gardening, bell ringing... piano playing... And the stories I seem to need to write seem to need that kind of nourishment from me — how you feed your story telling varies from writer to writer. My story-telling faculty needs real-world fresh air and experiences that create calluses (and sometimes bruises).
Robin McKinley
You know the proverb, Mr. Hale, 'set a beggar on horseback, and he'll ride to the devil' - well, some of these early manufacturers did ride to the devil in a magnificent style - crushing human bone and flesh beneath their horses' hoofs without remorse.
Elizabeth Gaskell (North and South)
Cowgirl Courage isn't the lack of fear, but the courage to take action in the face of fear.
J.H. Lee
Heaven is high and earth wide.If you ride three feet above ground than other men,you will know what that means.
Rudolf C. Binding
Maybe I'll show you one day. Take you horseback riding and everything.
Nicholas Sparks (The Longest Ride)
If I've learned anything over the years, it's that horses do listen to you. They may not have a clue what you're saying, but they know the tone in which you say it. I'll sing to horses so hooked on their own nerves they're ready to climb into the sky, and sometimes it's one of the only things that keep them on the ground.
Mara Dabrishus (Stay the Distance)
I can’t understand why men are allowed to straddle a horse, while we - who are supposed to be the weaker sex - must hang off the side, praying for our lives.
Judith McNaught (Whitney, My Love (Westmoreland, #2))
My pelvis swoons like a romance novel heroine who just saw her Brad Pitt circa Legends of the Fall–like hero riding toward her on horseback. Either
Emma Chase (Royally Screwed (Royally, #1))
He moved quickly away from her through the ring, his whole body starting forward with the big animal in two-point and then -- the horse's legs extended before and behind her, a carousel pony but real, the immense thrust invisible to anyone but the boy on the creature's back -- he was rising, rising, rising. . . And aloft.
Chris Bohjalian (The Buffalo Soldier)
the old geezer was eighty, he'd been horseback riding only last year ... now he had a different sport, he went down on all fours and the kids rode him ... "giddyap, horsie!" they whipped him with his riding whip! ... till the blood came! ... he loved it! ... all around his study! faster! faster! ... los! ... into the next room ... "witches! witches!" he yelled at them, with his bare old ass! ...
Louis-Ferdinand Céline (North (French Literature))
At Bealltainn, or May Day, every effort was made to scare away the fairies, who were particularly dreaded at this season. In the West Highlands charms were used to avert their influence. In the Isle of Man the gorse was set alight to keep them at a distance. In some parts of Ireland the house was sprinkled with holy water to ward off fairy influence. These are only a mere handful out of the large number of references available, but they seem to me to reveal an effort to avoid the attentions of discredited deities on occasions of festival once sacred to them. The gods duly return at the appointed season, but instead of being received with adoration, they are rebuffed by the descendants of their former worshippers, who have embraced a faith which regards them as demons. In like manner the fairies in Ireland were chased away from the midsummer bonfires by casting fire at them. At the first approach of summer, the fairy folk of Scotland were wont to hold a "Rade," or ceremonial ride on horseback, when they were liable to tread down the growing grain.
Lewis Spence (British Fairy Origins)
Several of my family members drain me. I wish it wasn't so, but it is." "Anything I can do?" "No. Thank you, though." "Would fast food make it better?" "Goodness, no." But she shot him a tiny smile. "You sure? There goes Whataburger." The smile grew. "I could take you horseback riding." "Possibly one of the only things more stressful than dealing with my family." "I could telly you a corny joke." "Hmm." "I could prank call your family.
Becky Wade (Undeniably Yours (Porter Family, #1))
Allah did not create man so that he could have fun. The aim of creation was for mankind to be put to the test through hardship and prayer. An Islamic regime must be serious in every field. There are no jokes in Islam. There is no humor in Islam. There is no fun in Islam. There can be no fun and joy in whatever is serious. Islam does not allow swimming in the sea and is opposed to radio and television serials. Islam, however, allows marksmanship, horseback riding and competition.
Ruhollah Khomeini
Cowgirl Courage isn't the lack of fear, but the courage to take action in the face of fear.
J.H. Lee
If you put him a-horseback on politics, I warn you of the consequences. It was all very well to ride on sticks at home and call them ideas.
George Eliot (Middlemarch)
Could I be jealous of the way he was touching my horse? Yep ... I was.
Carly Kade (In The Reins (In The Reins #1))
I don't know about you but I've learned plenty from mistakes and I want to learn from laughing now.
Anna Blake (Relaxed & Forward: Relationship Advice from Your Horse)
Any real, beautiful thing in this world shouldn't be tamed or claimed or broken. It should be allowed to be, worked with, not against, appreciated. Don't be afraid of the wild she has left. It makes her special." - Cowboy McKennon Kelly to Cowgirl in Training Devon Brooke.
Carly Kade (In The Reins (In The Reins #1))
Some kids make better decisions than others. And some kids take up riskier hobbies than others: horseback riding, skateboarding, and trampoline jumping are right up there with the riskiest.
Nathan Snyder (Scary Stories for Kids: Spine-Tingling Tales for Brave Kids Who Like Spooky Stories)
Although I was so big, and so rough in many ways, loved hunting, fighting, horseback riding, I loved the piano above everything else...The mountain man's obsession is to get a glimpse of the sea.
Anaïs Nin (The Four-Chambered Heart: V3 in Nin's Continuous Novel)
The rest of the journey passed uneventfully, if you consider it uneventful to ride fifteen miles on horseback through rough country at night, frequently without benefit of roads, in company with kilted men
Diana Gabaldon (Outlander (Outlander, #1))
I pretended to be a Cheyenne guide. I pretended to be a prairie woman. I pretended Henry was my old-timey husband taking me to our new homestead. I leaned down and patted Trouble’s neck. “Good boy,” I said. “Trusty steed.
Laura Anderson Kurk (Glass Girl (Glass Girl, #1))
The tale is told by royalty and vagabonds alike, nobles and peasants, hunters and farmers, the old and the young. The tale comes from ever corner of the world, but no matter where it is told, it is always the same story, A boy on horseback, wandering at night, in the woods or on the plains or along the shores. The sound of a lute drifts in the evening air. Over head are the stars of a clear sky, a sheet of light so bright that he reaches up, trying to touch them. He stops and descends from his horse. Then he waits. He waits until exactly midnight, when the newest constellation in the sky blinks into existence. If you are very quiet and do not look away, you may see the brightest star in the constellation glow steadily brighter. It brightens until it overwhelms every other star in the sky, brightens until it seems to touch the ground, and then the glow is gone, and it its place is a girl. Her hair and lashes are painted a shifting silver, and a scar crosses one side of her face. She is dressed in Sealand silks and a necklace of sapphire. Some say that, once upon a time, she had a prince, a father, a society of friends. Other say that she was once a wicked queen, a worker of illusions, a girl who brought darkness across the lands. Still others say that she once had a sister, and that she loved her dearly. Perhaps all of these are true. She walks to the boy, tilts her head up at him, and smiles. He bends down to kiss her. Then he helps her onto the horse, and she rides away with him to a faraway place, until they can no longer be seen. These are only rumors, of course, and make little more than a story to tell around the fire. But it is told. And thus they live on. --"The Midnight Star", a folktale
Marie Lu (The Midnight Star (The Young Elites, #3))
Once Errol righted himself into some semblance of horsemanship, they set off at an easy canter. That is, the other horses set off at a canter, while Errol's horse settled into a teeth-shattering trot. After a hundred paces he could feel Horace's backbone through the saddle. The other riders pulled ahead without a backward glance, leaving him to his four-footed torture.
Patrick W. Carr (A Cast of Stones (The Staff and the Sword, #1))
The air was clean here, fresh and alive with scents of the sea and various flora mingling faintly with something earthier; probably buffalo and horses. The earthier smells were indistinct enough to only suggest a wilder time in all this beauty. A reminder to the people frolicking in the water, lying on the beaches reading and relaxing, riding horseback on trails, fishing or availing themselves of the wonderful downtown area of Avalon, that in a once upon a time not so distant, this would not have been possible.
Bobby Underwood (Nightside (Nostalgia Crime, #3))
The rest of the journey passed uneventfully, if you consider it uneventful to ride fifteen miles on horseback through rough country at night, frequently without benefit of roads, in company with kilted men armed to the teeth, and sharing a horse with a wounded man.
Diana Gabaldon (Outlander (Outlander, #1))
They were frisky, eager and exuberant, and they had all been friends in the States. They were plainly unthinkable. They were noisy, overconfident, empty-headed kids of twenty-one. They had gone to college and were engaged to pretty, clean girls whose pictures were already standing on the rough cement mantelpiece of Orr's fireplace. They had ridden in speedboats and played tennis. They had been horseback riding. One had once been to bed with an older woman. They knew the same poeple in different parts of the country and had gone to school with each other's cousins.
Joseph Heller
Jimmy held on to the reins for dear life, and thought that a horse was about the most slippery creature to sit on that he had ever met. He slithered first one way and then another, and at last he slid off altogether and landed with a bump on the ground. Sticky Stanley and Lotta held on to one another and laughed till the tears ran down their faces. They thought it was the funniest sight in the world to see poor Jimmy slipping about on the solemn, cantering horse.
Enid Blyton (Mr Galliano's Circus)
You need a ride, Abs?” he asked. “No, no, I’ve got Mom’s car. You know what I found in it last week?” “Do I want to?” “No, but I feel like someone should share my pain, and you could use a distraction. You ready?” She paused for effect. “A riding crop.” “Please tell me she’s taken up horseback riding.” “She has not.” “You’re a cruel child, Abby.
Kristan Higgins (In Your Dreams (Blue Heron, #4))
Time will come and riding horses will be seen by the whole society as a severe animal rights violation!
Mehmet Murat ildan
Set a beggar on horseback, and he'll ride to the devil,"—
Elizabeth Gaskell (North and South)
My memories, my legacy. I’ll be damned if I don’t try to save it.
Isabelle Knightly (Love in the Eye of the Storm: A Stand-alone, Clean Romance, Enemies to Lovers story with a Handsome Millionaire and a Country Horseback-riding Strong Heroine. Lovable characters and grounded story.)
...so, yes, she was now galloping up the 23rd Street bus lane on horseback with a terrified man riding pillion and her underwear on show. She felt like a rather prudish Lady Godiva.
Caimh McDonnell (Disaster Inc (McGarry Stateside, #1))
V. R. Lang You are so serious, as if a glacier spoke in your ear or you had to walk through the great gate of Kiev to get to the living room. I worry about this because I love you. As if it weren't grotesque enough that we live in hydrogen and breathe like atomizers, you have to think I'm a great architect! and you float regally by on your incessant escalator, calm, a jungle queen. Thinking it a steam shovel. Looking a little uneasy. But you are yourself again, yanking silver beads off your neck. Remember, the Russian Easter Overture is full of bunnies. Be always high, full of regard and honor and lanolin. Oh ride horseback in pink linen, be happy! and ride with your beads on, because it rains.
Frank O'Hara
Riding horseback along a country lane I saw wild roses in bloom, against an old stone wall. The expensive, improved varieties in my garden have lost something. Sophistication always does.
James Webb Young (The Diary Of An Ad Man: The War Years June 1, 1942 To December 31, 1943)
Lucrezia had not known it was possible to fall asleep--or, at least, a halfway version of it--on horseback. That you could be riding along, a leading rein stretching from your horse's bridle to the hand of a groomsman, mounted beside you, and your head could tilt forward, slowly, so slowly, and you would believe you were just resting your eyes for a moment, but then you would jerk it upright again and see that the sun had slipped down behind the rocks and the trees had clothed themselves in darkness and the night sky was a black bowl upturned over your head.
Maggie O'Farrell (The Marriage Portrait)
elves on horseback set off at a gallop toward the hill that backed the city, planning to ride up the side of it and attack the wall along the top of the immense shelf that hung over Urû’baen.
Christopher Paolini (Inheritance (Inheritance, #4))
mean that we must mount them on horses in their earliest youth, and when they have learnt to ride, take them on horseback to see war: the horses must not be spirited and warlike, but the most tractable and yet the swiftest that can be had. In this way they will get an excellent view of what is hereafter to be their own business; and if there is danger they have only to follow their elder leaders and escape. I
Plato (The Republic)
The rest of the journey passed uneventfully, if you consider it uneventful to ride fifteen miles on horseback through rough country at night, frequently without benefit of roads, in company with kilted men armed to the teeth, and sharing a horse with a wounded man. At least we were not set upon by highwaymen, we encountered no wild beasts, and it didn’t rain. By the standards I was becoming used to, it was quite dull.
Diana Gabaldon (Outlander (Outlander, #1))
Elizabeth would probably never choose a ranch hand. But at least he knew she’d be around. And he thought he’d have time. Time to quietly woo her…to show his love through his deeds. It was too hard to get words around the crippling shyness he felt. Or, like what happened on their horseback ride, they seemed to be the wrong words. The chill night air pricked at his skin. Livingston had words, plenty of them. And an attitude to match.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
I had chosen the fifteenth day of July, the day that Roman Knights go out crowned with olive wreaths to honor the Twins in a magnificent horseback procession:from the Temple of Mars they ride through the main streets of the City, circling back to the Temple of the Twins, where they offer sacrifices. The ceremony is a commemoration of the battle of Lake Regillus which was fought on that day over three hundred years ago. Castor and Pollux came riding in person to the help of a Roman army that was making a desperate stand on the lake-shore against a superior force of Latins; and ever since then they have been adopted as the particular patrons of the knights.
Robert Graves (Claudius the God and His Wife Messalina (Claudius, #2))
What Laurel discovered through experience, the JPL managers discovered through research: there is a kind of magic in play. What might seem like a frivolous or even childish pursuit is ultimately beneficial. It’s paradoxical that a little bit of “nonproductive” activity can make one enormously more productive and invigorated in other aspects of life. When an activity speaks to one’s deepest truth, as horseback riding did for Laurel, it is a catalyst, enlivening everything else.
Stuart M. Brown Jr. (Play: How it Shapes the Brain, Opens the Imagination, and Invigorates the Soul)
An artist must regulate his life. Here is a time-table of my daily acts. I rise at 7.18; am inspired from 10.23 to 11.47. I lunch at 12.11 and leave the table at 12.14. A healthy ride on horse-back round my domain follows from 1.19 pm to 2.53 pm. Another bout of inspiration from 3.12 to 4.7 pm. From 5 to 6.47 pm various occupations (fencing, reflection, immobility, visits, contemplation, dexterity, natation, etc.) Dinner is served at 7.16 and finished at 7.20 pm. From 8.9 to 9.59 pm symphonic readings (out loud). I go to bed regularly at 10.37 pm. Once a week (on Tuesdays) I awake with a start at 3.14 am. My only nourishment consists of food that is white: eggs, sugar, shredded bones, the fat of dead animals, veal, salt, coco-nuts, chicken cooked in white water, mouldy fruit, rice, turnips, sausages in camphor, pastry, cheese (white varieties), cotton salad, and certain kinds of fish (without their skin). I boil my wine and drink it cold mixed with the juice of the Fuschia. I have a good appetite but never talk when eating for fear of strangling myself. I breathe carefully (a little at a time) and dance very rarely. When walking I hold my ribs and look steadily behind me. My expression is very serious; when I laugh it is unintentional, and I always apologise very politely. I sleep with only one eye closed, very profoundly. My bed is round with a hole in it for my head to go through. Every hour a servant takes my temperature and gives me another.
Erik Satie
Her mind whirled, fragments of pictures of him flashing in and out so fast she could barely settle on any one: the day he’d brought her from the railway station and stopped so she could see the view…the horseback ride beside the river when he’d said her eyes were the most beautiful blue he’d ever seen…teaching her to shoot…saving her from the grizzly bear…eating the saskatoon pie she’d baked…coaxing Lizzy to drink her lemonade…the magical night at the pool…his long-lashed green eyes glowing with love for her…
Debra Holland (Wild Montana Sky (Montana Sky, #1))
The sudden and total disappearance of Mawlana aroused resentment among his disciples and students, some of them becoming highly critical of Hazrat Shams, even threatening him. They believed Hazrat Shams had ruined their spiritual circle and prevented them from listening to Mawlana's sermons. In March of 1246 he left Konya and went to Syria without warning. After he left, Mawlana was grief stricken, secluding himself even more rather than engaging with his disciples and students. He was without a doubt furious with them. Realising the error of their ways, they repeatedly repented before Mawlana. Some months later, news arrived that Hazrat Shams had been seen in Damascus and a letter was sent to him with apologising for the behaviour of these disciples. Hazrat Sultan Walad and a search party were sent to Damascus to invite him back and in April 1247, he made his return. During the return journey, he invited Hazrat Sultan Walad to ride on horseback although he declined, choosing instead to walk alongside him, explaining that as a servant, he could not ride in the presence of such a king. Hazrat Shams was received back with joyous celebration with sama ceremonies being held for several days, and all those that had shown him resentment tearfully asked for his forgiveness. He reserved special praise for Hazrat Sultan Walad for his selflessness, which greatly pleased Mawlana. As he originally had no intention to return to Konya, he most likely would not have returned if Hazrat Sultan Walad had not himself gone to Damascus in search of him. After his return, he and Mawlana Rumi returned to their intense discussions. Referring to the disciples, Hazrat Shams narrates that their new found love for him was motivated only by desperation: “ They felt jealous because they supposed, "If he were not here, Mowlana would be happy with us." Now [that I am back] he belongs to all. They gave it a try and things got worse, and they got no consolation from Mowlana. They lost even what they had, so that even the enmity (hava, against Shams) that had swirled in their heads disappeared. And now they are happy and they show me honor and pray for me. (Maqalat 72) ” Referring to his absence, he explains that he left for the sake of Mawlana Rumi's development: “ I'd go away fifty times for your betterment. My going away is all for the sake of your development. Otherwise it makes no difference to me whether I'm in Anatolia or Syria, at the Kaaba or in Istanbul, except, of course, that separation matures and refines you. (Maqalat 164) ” After a while, by the end of 1247, he was married to Kimia, a young woman who’d grown up in Mawlana Rumi's household. Sadly, Kimia did not live long after the marriage and passed away upon falling ill after a stroll in the garden
Shams Tabrizi
I am a person of binges. I have never understood the phrase “too much of a good thing.” Look: it’s irrational, impossible. See fig. 1: when I was a child, I became obsessed with horses. I know, I know, all little girls are obsessed with horses. But I lived for them. I gorged on them. I begged for them in any incarnation: films, toys, patterns, photographs, posters. Once, I cut the hair off a Barbie and superglued it to the base of my spine. I thrilled to wear my pony tail under my clothes, in secret, my parents knowing nothing, thinking me merely human, but it rubbed off after two days, leaving long blond doll hairs clotting in the corners of the house. My birthday came, and my parents, who were still together then, splurged on an afternoon of horseback riding lessons. When it was time to leave, they found that I had knotted my hair into the horse’s mane so elaborately that they had to cut me away from it with a pair of rusted barn shears. I still have the clump of matted girl-and-horse hair hidden in a drawer, though after all the times I put it in my mouth, I admit that it is somewhat the worse for wear.
Emily Temple
Sickening, the way the youngest de Vibrey girl, to humour the whim of her kinky old father, is actually riding side-saddle today. Twisted round like a blooming corkscrew. Hymen be blowed, think of what it's doing to her innards, poor wretch, think of the strain on her spine when she goes over the fences.
A.P. . (Sabine)
We drove a couple of miles to a pasture near his parents’ house and met up with the other early risers. I rode along with one of the older cowboys in the feed truck while the rest of the crew followed the herd on horseback, all the while enjoying the perfect view of Marlboro Man out the passenger-side window. I watched as he darted and weaved in the herd, shifting his body weight and posture to nonverbally communicate to his loyal horse, Blue, how far to move from the left or to the right. I breathed in slowly, feeling a sudden burst of inexplicable pride. There was something about watching my husband--the man I was crazy in love with--riding his horse across the tallgrass prairie. It was more than the physical appeal, more than the sexiness of his chaps-cloaked body in the saddle. It was seeing him do something he loved, something he was so good at doing. I took a hundred photos in my mind. I never wanted to forget it as long as I lived.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
There were worse things than death. There would be a leap and a moment suspended, then a long hopeless curve to the rocks and river below. They would fall like leaves between clouds of swifts and then be washed away by the thundering rapids. Bramble clung to that thought. If their bodies washed away then there could be no identification, no danger of reprisals on her family. She hung on tighter. The roan's hindquarters bunched under her and they were in the air. It was like she had imagined: the leap, and then the moment suspended in air that seemed to last forever. Below her the swifts boiled up through the river mist, swerving and swooping, while she and the roan seemed to stay frozen above them. Bramble felt, like a rush of air, the presence of the gods surround her. The shock made her lose her balance and begin to slide sideways. She felt herself falling. With an impossible flick of both legs, the roan shrugged her back onto his shoulders. Then the long curve downward and she braced herself to see the cliffs rushing past as they fell. Time to die. Instead she felt a thumping jolt that flung her from the roan's back and tossed her among the rocks at the cliff's edge on the other side. On the other side. Her sight cleared, although the light still seemed dim. Her hearing came back a little. On the other side of the abyss a jumble of men and hounds were milling, shouting, astonished and very angry. "You can't do that!" one yelled. "It's impossible!" "Well, he shagging did it!" another said. "Can't be impossible!" "Head for the bridge!" Beck shouted. "We can still get him! I want that horse!
Pamela Freeman (Blood Ties (Castings, #1))
I gesture to his jacket. “Do you really think you’re qualified to give fashion advice?” He laughs, rubbing the back of his neck. “I thought I looked like an absolute tool—now I’m sure of it.” “Did the producers pick that out for you?” “Yes. I’m supposed to ride down to the castle on horseback. Make my grand entrance.” Briskly, his long fingers unbutton the jacket. He shrugs it off, dropping it on the ground, revealing a snug white T-shirt and gloriously sculpted arms. “Better?” “Yes,” I squeak. The teasing smirk comes back, then he grips the back of his T-shirt, pulling it off. And my mouth falls open at the sight of warm skin, perfect brown nipples, and the ridges and swells of muscles up and down his torso. “What do you think of this?” he asks. I think this is worse than I thought. Henry Pembrook isn’t a Fiyero—he’s a Willoughby. A John Willoughby from Sense and Sensibility—thrilling, charming, unpredictable, and seductive. Marianne Dashwood learned the hard way that if you play with a heartbreaker, you can’t be surprised when your heart gets shattered into a thousand pieces. I shrug, trying to seem cool and unaffected. “Might look a bit too ‘Putin’ on the horse.” He nods, then puts his shirt back on, and my stomach swirls with a strange mix of relief and disappointment.
Emma Chase (Royally Matched (Royally, #2))
You’re a very good dancer,” I say. “Thank you. It’s one of the few skills my father forced on me as a youth that I’m actually grateful to know how to do.” “Oh? What other skills did you learn?” “The usual. Horseback riding, fencing, archery…Like I said, useless.” “Those sound like a very useful skills to me.” He raises a brow. “When is a forger ever going to need to know how to nock an arrow?” “When he needs to shoot someone with said arrow, of course.” “Who am I going to shoot?” His eyes glint. “An evil warlord. Or maybe a bandit?” He lets out a full belly laugh. “Of course, how could I forget about all the bandits after me?” “Careless of you, really.
Jessica S. Olson (A Forgery of Roses)
I had been trying to find some sort of exercise program that wasn’t overly bourgeois, but I was having a problem. Weight-lifting was too obviously fascist in nature. Horseback riding was too imperialistic. I gave a lot of thought to starting a co-ed softball league, but that turns out to be closely tied to beer consumption, and I didn’t need the carbohydrates. I had to do something to improve my health that didn’t compromise my revolutionary ethics. (I went so far as to ask my mother for advice on the subject, and she sent me a link to a Chinese tour company that specialized in re-enactments of the Long March, which sounded fascinating but would take me away from Washington at a pivotal time in history, so I didn’t sign up.)
Curtis Edmonds (Snowflake's Chance: The 2016 Campaign Diary of Justin T. Fairchild, Social Justice Warrior)
For those of you unfamiliar with barrel racing: a buzzer rings and a rider hangs on for dear life as a horse shoots off like a bat out of hell toward some big empty oil barrels placed strategically at one end of an arena and runs around them as fast as he can and then races back to the other end of the arena completely of his own free will while the rider tries not to fall off or cry because she thinks she broke her vagina and thank God the horse finally stopped and is that my pee? It's really fun.
Sara Bareilles (Sounds Like Me: My Life (So Far) in Song)
Want to tell me what’s the matter?” he asked. She took a good while to answer. They drove north on 75, the office buildings and stores that lined the freeway whipping past. “You know how there are some people in your life that build you up?” she asked. “And some people that drain you?” “Yes.” “Several of my family members drain me. I wish it wasn’t so, but it is.” “Anything I can do?” “No. Thank you, though.” “Would fast food make it better?” “Goodness, no.” But she shot him a tiny smile. “You sure? There goes Whataburger.” The smile grew. “I could take you horseback riding.” “Possibly one of the only things more stressful than dealing with my family.” “I could tell you a corny joke.” “Hmm.” “I could prank call your family.” She chuckled. “What helps is having you around. That’s enough.” He hadn’t known, before her, that tenderness could hurt. But it did. The sweetness of her words burned him. She shifted to face him. “Thank you for coming with me tonight. I know it wasn’t exactly your type of thing.” “What do you mean? I love the Crescendo Hotel.” “The Crescent.” “Oh. Right.
Becky Wade (Undeniably Yours (Porter Family #1))
her breast seemed unbearable, and a ragged sigh did not ease the pain. Though the view could have been appeasing, she yearned to have the lush green lawns of Belle Chêne in sight and to know within her mind that she was Ashton’s beloved, no matter what name she bore. Her chin lifted, and her heart quickened as she detected a man on horseback riding at a full canter toward the house. For a moment she held her breath, wanting it to be Ashton, but all the while knowing it could not be. She fell further into despondency as the rider came nearer. The man’s body was too thick, and he rode without the skill of the other man. Recognizing Malcolm Sinclair, she waited with quaking heart as he dismounted and came into the house. Eons seemed to pass before she heard the scrape of his boot against the stairs. His footsteps came down the hall, pausing before each door as if he searched for her in the other rooms. A rising panic took hold of her as he drew near, and she cast her gaze about for someplace to hide, but she forced herself to remain where she was, knowing that reality had to be dealt with and that
Kathleen E. Woodiwiss (Come Love a Stranger)
On the afternoon of October 13, as Napoleon rode through Jena, he was spotted by the philosopher Georg Wilhelm Friedrich Hegel from his study window. Hegel, who was writing the last pages of The Phenomenology of Spirit, told a friend that he had seen ‘the Emperor, this Weltseele [world-soul] ride out of town … Truly it is a remarkable sensation to see such an individual on horseback, raising his arm over the world and ruling it.’102 In his Phenomenology Hegel posited the existence of the ‘beautiful soul’, a force that acts autonomously in disregard of convention and others’ interests, which, it has been pointed out, was ‘not a bad characterisation’ of Napoleon himself.
Andrew Roberts (Napoleon: A Life)
The use of ghosts as a means of social control predated the Klan. Slave owners employed so-called patterollers, usually poor whites, who would patrol the countryside at night; such patrols would regularlyuse spook stories, among other tactics, to help keep enslaved people from escaping. "The fraudulent ghost," [Gladys-Marie] Fry writes, "was the first in a gradually developed system of night-riding creatures, the fear of which was fostered by white for the purpose of slave control." A man in a white sheet on horseback riding ominously through a forest could help substantiate rumers that the forest was haunted and that those who valued their lives best avoid it. By spreading ghost stories, Southern whites hoped to limit the unauthorized movement of black people. If cemeteries, crossroads, and forests came to be known particularly as haunted, it's because they presented the easiest means of escape and had to be patrolled. Now it's common to think of such places as the provenance of spirits. We have stories for such places: a tragic death, forlorn lovers, a devil waiting to make a deal -- stories that reflect a rich tradition of American folklore. But all this might have come much later, and these places might have first earned their haunted reputation through much more deviant methods. In the ghost-haunting legacies of many of these public spaces lies a hidden history of patrolling and limiting access.
Colin Dickey (Ghostland: An American History in Haunted Places)
THE GHOST OF THE AUTHOR'S MOTHER HAS A CONVERSATION WITH HIS FIANCÉE ABOUT HIGHWAYS ...and down south, honey. When the side of the road began to swell with dead and dying things, that's when us black children knew it was summer. Daddy didn't keep clocks in the house. Ain't no use when the sky round those parts always had some flames runnin' to horizon, lookin' like the sun was always out. back when I was a little girl, I swear, them white folk down south would do anything to stop another dark thing from touching the land, even the nighttime. We ain't have streetlights, or some grandmotherly voice riding through the fields on horseback tellin' us when to come inside. What we had was the stomach of a deer, split open on route 59. What we had was flies resting on the exposed insides of animals with their tongues touching the pavement. What we had was the smell of gunpowder and the promise of more to come, and, child, that'll get you home before the old folks would break out the moonshine and celebrate another day they didn't have to pull the body of someone they loved from the river. I say 'river' because I want you to always be able to look at the trees without crying. When we moved east, I learned how a night sky can cup a black girl in its hands and ask for forgiveness. My daddy sold the pistol he kept in the sock drawer and took me to the park. Those days, I used to ask him what he feared, and he always said "the bottom of a good glass." And then he stopped answering. And then he stopped coming home altogether. Something about the first day of a season, honey. Something always gotta sacrifice its blood. Everything that has its time must be lifted from the earth. My boys don't bother with seasons anymore. My sons went to sleep in the spring once and woke up to a motherless summer. All they know now is that it always be colder than it should be. I wish I could fix this for you. I'm sorry none of my children wear suits anymore. I wish ties didn't remind my boys of shovels, and dirt, and an empty living room. They all used to look so nice in ties. I'm sorry that you may come home one day to the smell of rotting meat, every calendar you own, torn off the walls, burning in a trashcan. And it will be the end of spring. And you will know.
Hanif Abdurraqib (The Crown Ain't Worth Much (Button Poetry))
He was halfway to the house, thinking to set the cabbage inside the kitchen door,when a brown blur thundered past him. Joanna Robbins tore out of the barn astride a magnificent chestnut quarter horse. She leaned forward in the saddle,hat flopping against her back, hair streaming out behind her in a wild curly mass as she urged her mount to a full-out gallop. Unable to do anything but stare, Crockett stood dumbstruck as she raced past. She was the most amazing horsewoman he'd ever seen. Joanna Robbins. The shy creature who claimed painting and reading were her favorite pastimes had just bolted across the yard like a seasoned jockey atop Thoroughbred. She might have inherited her mother's grace and manners, but the woman rode like her outlaw father.Maybe better.
Karen Witemeyer (Stealing the Preacher (Archer Brothers, #2))
For fifteen years, John and Barbara Varian were furniture builders, living on a ranch in Parkfield, California, a tiny town where the welcome sign reads “Population 18.” The idea for a side business came about by accident after a group of horseback riding enthusiasts asked if they could pay a fee to ride on the ranch. They would need to eat, too—could John and Barbara do something about that? Yes, they could. In the fall of 2006, a devastating fire burned down most of their inventory, causing them to reevaluate the whole operation. Instead of rebuilding the furniture business (no pun intended), they decided to change course. “We had always loved horses,” Barbara said, “so we decided to see about having more groups pay to come to the ranch.” They built a bunkhouse and upgraded other buildings, putting together specific packages for riding groups that included all meals and activities. John and Barbara reopened as the V6 Ranch, situated on 20,000 acres exactly halfway between Los Angeles and San Francisco. Barbara’s story stood out to me because of something she said. I always ask business owners what they sell and why their customers buy from them, and the answers are often insightful in more ways than one. Many people answer the question directly—“We sell widgets, and people buy them because they need a widget”—but once in a while, I hear a more astute response. “We’re not selling horse rides,” Barbara said emphatically. “We’re offering freedom. Our work helps our guests escape, even if just for a moment in time, and be someone they may have never even considered before.” The difference is crucial. Most people who visit the V6 Ranch have day jobs and a limited number of vacation days. Why do they choose to visit a working ranch in a tiny town instead of jetting off to lie on a beach in Hawaii? The answer lies in the story and messaging behind John and Barbara’s offer. Helping their clients “escape and be someone else” is far more valuable than offering horse rides. Above all else, the V6 Ranch is selling happiness.
Chris Guillebeau (The $100 Startup: Reinvent the Way You Make a Living, Do What You Love, and Create a New Future)
He took her horse. Kestrel saw the logic. Her carriage had been abandoned on the road and the stables were largely empty, since many horses had gone with her father. Javelin was the best of those that remained. In war, property goes to those who can seize and keep it, so the stallion was Arin’s. But it hurt. He studied her warily as he saddled Javelin. The stables rang with noise: the sounds of other Herrani readying horses to ride, the beasts whickering as they smelled human tension, the thumps of wood under hooves and feet. Yet Arin was silent, and watched Kestrel. The first thing he had done after entering the stables was grab a set of reins, slice the leather with a knife, bind Kestrel’s hands, and place her under guard. It didn’t matter that she was powerless. He watched her as if she weren’t. Or maybe he was just contemplating how hard it would be to bring a captive on horseback into the city and down to the harbor. This would have given Kestrel some satisfaction if she hadn’t been very aware of what he should do. Knock her unconscious, if he wanted to keep his prize. Kill her, if he had changed his mind. Imprison her, if she was too much trouble either way. She saw his solutions as well as he must.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I’ve no intention of sitting by the fire on such a beautiful day,” Loki sad. “Then let us walk in the woods.” “Walk? Wouldn’t you rather ride with me?” “I couldn’t keep up.” “No,” he said, grasping her elbow gently. “With me. On Heror.” He whistled loudly and Heror turned and walked toward them. A shiver of fear frosted her skin. She was uncomfortable on horseback - preferred her feet on the ground-let alone a fast powerful beast like Heror with Loki at the reins. “I’m not sure…” “Didn’t you say you would keep me company? Come.” “Must we go very fast?” Loki laughed his wild laugh. “Of course we must!” With swift grace, he mounted Heror, then put down his hand for her. “Come, Aud. Don’t be frightened. You may trust me.” Trust Loki? Aud almost laughed. She wondered if Vidar would appreciate her actions when she told him this evening. “Very well,’ she said. She tied her skirts around her hips and, reaching up, allowed Loki to help her onto Heror’s back. “Hold on tight,” Loki said, slapping her thigh playfully. Aud needed no prompting. She locked her arms about his waist, her hands tight over his hollow stomach. No warmth emanated from his body. His black hair caught against her cheek and lip. She screwed her eyes tightly closed. Heror need little encouragement from Loki. Almost as soon as they were settled, he sped off like lightning. Aud cracked open one eye to see where they were going, but hurriedly closed it when the branches of the wood loomed close enough to terrify her and the shadows between the trees flew past like wild ghosts. She tightened her grip on Loki’s ribs wishing they were not so narrow and cool. From time to time, she could feel his body shake with mad laughter. Their journey, while it probably only lasted twenty minutes, seemed interminable as she willed him and willed him to slow down. Finally she felt Loki pull on Heror’s reins. The horse slowed to a walk, and she ventured to open her eyes. They had left the woods and were entering a sunlit field of waving grass, daisies and orange hawkweed. Heror stopped, they dismounted and Loki sent the horse off to cool down. Aud’s legs were shaking too much to stand so she sank into the grass, feeling the warm sunshine fill her hair. Loki sat next to her and began idly to pick daisies. “Did you enjoy our ride, Aud?” “No,” she answered, taking a deep breath and stilling her trembling hands. “I’ll try harder on the way home,” He said reaching over to twine a daisy in her hair.
Kim Wilkins (Giants of the Frost)
Claims were made decades after the campaign by Jérôme and Larrey that Napoleon’s lethargy was the result of his suffering from haemorrhoids which incapacitated him after Ligny.74 ‘My brother, I hear that you suffer from piles,’ Napoleon had written to Jérôme in May 1807. ‘The simplest way to get rid of them is to apply three or four leeches. Since I used this remedy ten years ago, I haven’t been tormented again.’75 But was he in fact tormented? This might be the reason why he spent hardly any time on horseback during the battle of Waterloo – visiting the Grand Battery once at 3 p.m. and riding along the battlefront at 6 p.m. – and why he twice retired to a farmhouse at Rossomme about 1,500 yards behind the lines for short periods.76 He swore at his page, Gudin, for swinging him on to his saddle too violently at Le Caillou in the morning, later apologizing, saying: ‘When you help a man to mount, it’s best done gently.’77 General Auguste Pétiet, who was on Soult’s staff at Waterloo, recalled that His pot-belly was unusually pronounced for a man of forty-five. Furthermore, it was noticeable during this campaign that he remained on horseback much less than in the past. When he dismounted, either to study maps or else to send messages and receive reports, members of his staff would set before him a small deal table and a rough chair made of the same wood, and on this he would remain seated for long periods at a time.78
Andrew Roberts (Napoleon: A Life)
The emphasis was on “soft.” No matter what else happened, the wranglers were to stay soft while riding the horses. Soft hands, soft seat, and soft legs. There was to be absolutely no hitting, kicking, slapping, or yelling at any time for any reason. The penalty for doing such things was to be placed on a two-day suspension. A second offense would lead to termination. Neither penalty was ever needed. At times it wasn’t easy to stay quiet with the horses because so many of them had been “used up” over the years, dulled to any form of cue. However, we remained consistent in our focus and the horses responded. The wranglers were instructed to ride the horses with the softest cues possible, often using nothing more than a light squeeze to get forward movement and a shift of weight in the saddle, along with light pressure on the reins, for a stop. They were also instructed to look for, find, and then release their cues at the slightest try from the horse—something they all became very adept at doing. With everyone riding in the same manner from one day to the next, all the horses began to respond within a few weeks. Before we knew it, all of our horses, including the very old ones that had been in the program for years and years, became responsive to the lightest of cues. We’d taught our horses to be responsive to these light cues, but a question remained. How could we keep them that way, particularly with the hundreds of different people who would be riding each horse over the summer? The answer was simple. Everyone needed to remain consistent. So, instead of expecting our horses to respond to the conflicting cues that each new rider was bound to give, we taught each rider how to communicate with our horses. Each week when a new batch of guests arrived at the ranch, we held an orientation in the riding arena. During this orientation, we explained how our horses were trained and what was expected of them as a rider of one of our horses. We gave them a demonstration in the saddle of proper seat and hand position, so they could keep their balance. We showed them the cues for walk, stop, trot, lope, and turn, using a horse right out of the string. Once we had demonstrated how our horses worked, we got everyone on horseback in the arena and helped them to practice giving the cues, allowing the horse to respond, and releasing the cues so that the horse would remain responsive. Of note is the fact that after
Mark Rashid (Horses Never Lie: The Heart of Passive Leadership)
Well, Arminius, I can’t say you’re the most natural horseman I’ve ever seen.’ Arminius sneered down at the men standing around him, then leaned out of the saddle and put a sausage sized finger in Double-Pay Silus’s face. ‘Just so we’re clear, I hate horses. Tribune Scaurus says I ride like a mule tender with bleeding piles, and that I have all the skill in the saddle of a sack full of shit. And despite that, before you open your mouth, I’m one of your thirty-one horsemen and that’s official. You don’t like it, I don’t like it, but the tribune couldn’t give a toss what either of us think. Wherever Centurion Corvus goes, I go. So there it is.
Anthony Riches (Fortress of Spears (Empire, #3))
If you like biking or running, food or movies, bare-naked horseback riding while listening to Phil Collins (questionable, but I knew someone who knew someone),
Rachel Thompson (The Mancode: Exposed)
had not the outrageous flair of Sybilla, and since George was a natural horseman it seemed almost inevitable that they should more often than not end up side by side, at some distance from the others. William never came, preferring to work at his painting, which was his profession as well as his vocation. He was gifted to the degree that his works were admired by academicians and collected by connoisseurs. Only Eustace affected to find it displeasing that his only son preferred to retire alone to the studio arranged for him in the conservatory and make use of the morning light, rather than parade on horseback for the fashionable world to admire. When they did not ride, they drove in the carriage, went shopping, paid calls upon their more intimate friends, or visited art galleries and exhibitions.
Anne Perry (Cardington Crescent (Charlotte & Thomas Pitt, #8))
you’re more likely to die while horseback riding (one serious adverse event every 350 or so exposures) than from taking Ecstasy (one serious adverse event every 10,000 or so exposures).
John Brockman (This Idea Must Die: Scientific Theories That Are Blocking Progress (Edge Question))
Giddy-up, giddy-up!" she cried, switching her horse's flanks with one of her mother's long knitting needles as a riding crop. "Take it easy!" Bear protested. "I'm going as fast as I can!" Caroline had to laugh at the sight. "Now if you don't ride nicely, I'll buck you off and run for the woods!" "No, you won't," retorted Bianca smugly. "It's too cold out there. Giddy-up!
Sarah Brazytis (Our Christmas Bear)
Good afternoon, Levi, we were just speaking about Reece and Elizabeth’s horseback riding,” Simone said
S.L. Morgan (The Legacy of the Key (Ancient Guardians, #1))
Safety is
Audrey Pavia (Horseback Riding For Dummies)
Gertrudis could knit five sweaters in three days, ride horseback for hours, bake pastries for all the charity bazaars, take a painting class, dance flamenco, sing rancheras, feed lunch to seventy invited guests on a Sunday, and fall in love with total impunity with three different men every Monday.
Ángeles Mastretta (Mujeres de ojos grandes)
I’ll go in the rattler with you,” Bran said the next morning, to Nee. Grinning at her, he added, “Probably will rain, and I hate riding horseback in the wet. And we never get enough time together as it is.” I looked out at the heavy clouds and the soft mist, thought of that close coach, and said, “I’ll ride, then. I don’t mind rain--” I looked up, realized who else was riding, and fought a hot tide of embarrassment. “You can go in the coach in my place,” I said to Shevraeth, striving to sound polite. He gave his head a shake. “Never ride in coaches. If you want to know the truth, they make me sick. How about a wager?” “A wager?” I repeated. “Yes,” he said, and gave me a slow smile, his eyes bright with challenge. “Who reaches Jeriab’s Broken Shield in Lumm first.” “Stake?” I asked cautiously. He was still smiling, an odd sort of smile, hard to define. “A kiss.” My first reaction was outrage, but then I remembered that I was on my way to Court, and that had to be the kind of thing they did at Court. And if I win I don’t have to collect. I hesitated only a moment longer, lured by the thought of open sky, and speed, and winning. “Done,” I said.
Sherwood Smith (Court Duel (Crown & Court, #2))
It’s only an hour later that a servant comes to my room. And when she tells me the duke has invited me out for a horseback ride, I’m flooded with the strangest mix of emotions. I can’t believe that after running off like that, he still wants to hang out. What is going on between us? And why do I want so desperately for it to be something? I shouldn’t want anything. Not with a guy like him. I mean, yeah, I might have been wrong about the illegitimate kid and Lord Brimmon, but the dude still thinks I don’t have opinions or options because I’m a girl. He thinks I have a “place, my place” and that it’s behind a guy. And worse, I keep thinking about our kiss. The part where I bash into the wall in my haste to get away is a particular highlight on the reel I keep playing over and over again in my head. When I walk out the back of the house and he turns to look at me, it’s impossible to fight the burn in my cheeks as he steps up beside me and the horse. I can’t look at him. I’m so embarrassed I stare at the stirrup as if it will take all concentration to get my foot into it. Is he going to say anything? Is he going to apologize for just…kissing me like that? Maybe if he brings it up…Maybe if he apologizes, I can apologize too. For running off. It was so sudden all I could do was react. But he says nothing. He just steps up beside me and gives me a boost. I’m up on the first try and feeling rather proud of myself as I situate my pretty skirts so they drape over my ankles. Until, that is, I see him swing aboard and am reminded of how graceful and easy he makes it look, even when his horse swings away from him when he’s only halfway on. We ride past the stable, and when I glance in, I see one of the stable boys showing the other how to do the robot, his arms stuck out at odd angles, his hands dangling. I have to bite the inside of my cheek to keep from laughing when I see Alex’s eyebrows shoot up so high they’re nearly to his hairline. It’s nice seeing him caught off-guard. I like it. It makes me want to do something totally crazy, just to see his expression.
Mandy Hubbard (Prada & Prejudice)
Steldor, maybe you could try to deter your father, you know, from making arrangements for me so soon. Would another year or two really matter?” He responded with a dry laugh. “Deter my father? Shaselle, trying to deter my father once he’s made up his mind is like yelling whoa at a stampede of wild horses.” “Doesn’t stop you,” I muttered, crossing my arms with a huff. Again that cynical chuckle. “I assure you, it does.” “No, it doesn’t.” I pushed off the rough stone to stare at him. Annoyance came to me ever more quickly these days, and now the disagreeable temperament my mother and older sister condemned was emerging. I pointed back up the road. “Explain that scarecrow to me, if you’re so obedient! I know your father was upset with you after you posted your rules, but you went ahead anyway, without his blessing.” Steldor clamped a hand over my mouth, the other holding the back of my neck, then he leaned close to hiss, “I’d prefer if my involvement in both of those incidents remained undisclosed.” My cheeks burned, and I pushed his hands away. “Sorry. That was stupid. But isn’t there anything you can do? You have the captain’s ear.” “What I have is his attention,” he corrected, having accepted my apology and brushed aside our tense exchange. “Not intentionally, mind you, but I’ll be keeping it over the next few weeks. He’ll probably be distracted from you anyway.” “You’re planning another stunt?” He winked. “Would you expect anything less of Galen and me?” “Can I help you?” The up-and-down nature of our conversation persisted, and he shook his head vehemently. “This is dangerous, what we’ve been doing. We laugh, but these aren’t games. If we’re caught, we’ll be arrested. There’s a reason my father disapproves, in spite of his own ambitions.” He let his rebuff hang in the hot air while I again felt color rising in my cheeks. “Just go home, Shaselle. Put on a dress. Be a lady, and stay out of trouble. Understand?” “I hate them, too, you know,” I said, his dismissal and the humiliation that came with it rankling me. “It’s not just your homeland that the Cokyrians have sullied--it’s my homeland, too. And those bastards killed my father.” “And bitches,” he added, catching me off guard. “Wouldn’t want to forget the women.” I didn’t know how to respond, so I gaped at him foolishly until he stepped onto the cobblestone of the thoroughfare. “Come on. Let me take you home.” We walked in silence back to the western residential area where I lived, though he stopped at the beginning of my street to let me traverse the rest of the distance by myself. “I shouldn’t be seen around here. Not where Galen’s assigned--the Cokyrians are trying to keep us apart to avoid plots big and small, and will be suspicious if we’re seen in the same area.” I nodded and turned to go, but he grabbed my arm. “I know how you feel, Shaselle. I know you want to do something, and it’s not even that I don’t think you could. I just can’t let you be involved, for the sake of your safety. And mine,” he added as an afterthought. “My father would kill me if I let you help and you came to harm. Just please, let this go, and I swear I’ll do my best to influence him on your marriage issue.” Now that I was thinking rationally, offering my assistance had been absurd--I had no special skills aside from horseback riding, and certainly no military training , so accepting Steldor’s offered compromise was not difficult.
Cayla Kluver (Sacrifice (Legacy, #3))
He bows to the two of us, and when he speaks, his voice fills the room, far louder and more booming than a voice should be before noon. “I intend to ride the estate today, if you two would like to join me.” I open my mouth to give him a quick, No thanks, I’d rather pull out my own hair, but Emily beats me to it. “How kind of you to offer! We would love to.” Huh? I can’t figure out why Emily doesn’t hate Alex. He’s a jerk and he’s done nothing to help her out of her engagement. And now she’s volunteering to hang out with him? An excuse…I need some kind of excuse to get out of this. Alex walks to the window and looks out, offering a rather flattering view of the back of his riding pants. “Did you enjoy the dance last evening?” Is he making small talk? That’s a first. “Yes, very much so,” Emily says. “It was delightful.” I nod. “Yeah. I guess so.” I won’t say I had fun because I don’t want him to get the wrong idea. I don’t want him to know dancing with him was the most exciting part of my evening and the most agonizingly long half hour of my life. Alex looks at me for a long silent moment. You’d think he’d bring up the big “lady” versus “miss” debacle. Or just that we’d danced. But he doesn’t. “Yes, I rather enjoyed myself as well,” he says. Seriously, what does that mean? I was the only girl he danced with. The entire night. Is he trying to tell me something? Ha. Right. He probably means that it was all sorts of fun to insult me. And that’s when Emily starts rubbing her temple. She sets her needlepoint down and frowns, massaging in circular motions on the side of her face. Oh, no, she’s not-- “Dear cousin, I am coming down with a headache. Perhaps you and Rebecca ought to ride without me.” I get a twinge when I hear Rebecca. Every day it feels more like we’re friends--and more like I’m betraying her. And then she turns to me, knowing Alex can’t see her, and winks. “Oh, no, I--” I start to say, because I suddenly realize what she’s trying to do. This can not happen. A horseback ride alone with Alex? No thank you! But Alex cuts in before I can stop her. “Yes, I would not have you overexerting yourself. We shall check on you when we return.” Okay, this is not how I want to spend my afternoon. Alone with Alex? I’d rather get a root canal. But…maybe it’s my chance to talk to him about Emily. Maybe he doesn’t know about Trent. Emily said Trent was wealthy, right? He’s not titled, but he has money. If Alex knew about him…maybe he would get Emily off the hook with Denworth. Maybe that’s why Emily is trying to arrange for me to spend time with Alex. She so owes me after this. I can do this. I can hang out with him for a couple hours--long enough to talk him into helping us. Emily jumps up from her chair far too quickly for someone with a headache and leaves the room before I can do anything. I rub my eyes. It’s going to be a long afternoon.
Mandy Hubbard (Prada & Prejudice)
Hush.” He kissed her forehead. “Ever since that day, all I’ve wanted is a second chance. Now,” he pulled her body closer, wrapped both arms around her small waist, his hand resting just above the dent in her spine. “We’re both a little older, a little more mature. Some of us are much more experienced—” “And conceited.” “Experienced,” he said, the laugh in his voice quiet and seductive, “and things can be so much better.
Peggy Jaeger (There's No Place Like Home (The MacQuire Women, #2))
This can not happen. A horseback ride alone with Alex? No thank you!
Mandy Hubbard (Prada & Prejudice)
we forget Joseph F. Glidden's 1874 invention of barbed wire, which, more than the rifle or the plow, transformed Buffalo Bill's Great Plains by insuring the survival of thousands of family farms, and making possible the growth of enormous-and enormously profitable-cattle ranches. In addition, I feel a personal connection. In April 1855 my great-granduncle Alexander Carter Jr. and his younger brother, Thomas Marion Carter, left their home in Scioto County, Ohio, and headed west. Starting by steamboat, the two brothers floated down the Ohio River until it joined the Mississippi and then traveled upstream to St. Louis. In St. Louis they found little transportation west, so they walked, hitched rides, and rode horseback to reach St. Joseph, Missouri. There they caught a stagecoach to Council Bluffs, Iowa, riding on top of the stage, with seventeen men and women-a three-day ordeal. On May 14, nineteen days after leaving St. Louis, the brothers crossed the Missouri River and landed on the town site of Omaha, then a community of cotton tents and shanties, where lots were being offered to anyone willing to build on them. They refused this offer and pressed on to their final destination, DeSoto, Washington County, Nebraska Territory, where they found only one completed log house and another under construction. There they homesteaded the town of Blair, Nebraska. For three generations there were Carters in Nebraska, first in
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
The mane and tail may be black or chestnut. Black A horse that is truly black must be solid black with no white anywhere on his body.  The mane and tail must be black as well.
Charlie Hicks (Horseback Riding: The Complete Beginner's Guide - All You Need To Know About Horseback Riding BEFORE Your Take Lessons!)
connection. In April 1855 my great-granduncle Alexander Carter Jr. and his younger brother, Thomas Marion Carter, left their home in Scioto County, Ohio, and headed west. Starting by steamboat, the two brothers floated down the Ohio River until it joined the Mississippi and then traveled upstream to St. Louis. In St. Louis they found little transportation west, so they walked, hitched rides, and rode horseback to reach St. Joseph, Missouri. There they caught a stagecoach to Council Bluffs, Iowa, riding on top of the stage, with seventeen men and women-a three-day ordeal. On May 14, nineteen days after leaving St. Louis, the brothers crossed the Missouri River and landed on the town site of Omaha, then a community of cotton tents and shanties, where lots were being offered to anyone willing to build on them. They refused this offer and pressed on to their final destination, DeSoto, Washington County, Nebraska Territory, where they found only one completed log house and another under construction. There they homesteaded the town of Blair, Nebraska. For three generations there were Carters in Nebraska, first in Blair and then in Omaha, where I was bom. As a native Nebraskan, I feel a particular affinity for William F. Cody, who lived most of his adult life in Nebraska. My father, George W. Carter, could have seen Buffalo Bill's Wild West when it came to Omaha in August 1908. I wish I had known the old scout personally; I am glad I have come to know him better while writing this book. It is also my fond hope that readers will feel as I do, that Buffalo Bill Cody is well worth knowing. Writing a biography of someone long dead is always a challenge. You must come to understand the person, the motivations, the key events that altered the course of history. And there are the records, the letters, the reminiscences of contemporaries. In Bill. Cody's case the documentation is plentiful but sometimes contradictory. Did Buffalo Bill kill Yellow Hand-the "first scalp for Custer"-for example? There are those who say he did and detractors who say he did not. Who are. we . to ' believe? For the most part, if I found two or three accounts that agreed with each other, particularly if there were official government .records supporting him, I felt sure I could give the credit to Cody.
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Once when they went horseback riding with other young couples, they came to a stream and all the other men helped their women across. But not Lincoln: he rode on alone and left Mary to fend for herself. She was miffed. Frankly, she thought he had terrible manners. And he was moody, too, and seemed never to have anything to say that was light and fun and tender. He never said much at all.
Stephen B. Oates (With Malice Toward None: A Biography of Abraham Lincoln)
Human history is rife with examples of inconceivable violence, and as Americans, we like to think of our country as being far beyond the guillotines of medieval Europe or the reign of the Huns. And yet it was here that "Native Americans were occasionally skinned and made into bridle reins," wrote the scholar Charles Mills. Andrew Jackson, the U.S. president who oversaw the forced removal of indigenous people from their ancestral homelands during the Trails of Tears, used bridle reins of indigenous flesh when he went horseback riding. And it was here that, into the 20th century, African-Americans were burned alive at the stake, as 17 year old Jesse Washington was in Waco, Texas, in 1916 before a crowd of thousands.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
...because material composition so unquestionably entails motion (making a sculpture or a shield or a painting requires motion just as much as walking or horseback riding or rising from one's chair does), we may be predisposed to discover it in mental composition as well.
Elaine Scarry (Dreaming by the Book)
My host at Richmond ... could not sufficiently express his surprise that I intended to venture to walk as far as Oxford, and still farther ... When I was on the other side of the water, I came to a house and asked a man who was standing at the door if I was on the right road to Oxford. "Yes," he said, "but you want a carriage to carry you tither". When I answered him that I intended walking it, he looked at me significantly, shook his head, and went into the house again. I was not on the road to Oxford. It was a charming fine broad road, and I met on it carriages without number ... The fine green hedges, which boarder roads in England, contribute greatly to render them pleasant. This was the case in the road I now travelled ... I sat down in the shade under one of these hedges and read Milton. But this relief was soon rendered disagreeable to me, for those who road or drove past me, stared at me with astonishment, and made many significant gestures as if they thought my head deranged ... When I again walked, many of the coachmen who drove by called out to me, ever and anon, and asked if I would not ride on the outside ... a farmer on horseback ... said, and seemingly with an air of pity for me, " 'Tis warm walking, sir;" and when I passed thorugh a village, every old woman testified her pity ... The short English miles are delightful for walking. You are always pleased to find, every now and then, in how short a time you have walked a mile, though, no doubt, a mile is everywhere a mile, I walk but a moderate pace, and can accomplish four English miles in an hour
Karl Philipp Moritz (Travels in England in 1782)
I would no sooner be a lusty dawn rider, braving gales and approaching storms in a sinewy canter, only to receive a headfirst introduction to a steaming dunghill.
Stewart Stafford
effectively. English style riding boots and jodhpur boots are
Charlie Hicks (Horseback Riding: So You Want To Ride A Horse? How To Get Started And What You Need To Learn)
Mounting
Charlie Hicks (Horseback Riding: So You Want To Ride A Horse? How To Get Started And What You Need To Learn)
nose as they fell to the dock. “Leave them! Come on!” whispered Annie. Carrying the baskets on their heads, Jack and Annie followed Basho and the fishermen up the steps and delivered their fish to a young woman at one of the tables. Jack glanced back at the river. The samurai were standing on the landing, checking someone’s passport. Jack looked at Basho. Basho was watching the samurai, too. He turned to the fishermen. “Thank you for the ride,” he said calmly, bowing to the men. “We will walk from here.” The fishermen nodded and smiled. Good plan, Jack thought, relieved. “Come,” said Basho. He led Jack and Annie away from the market. Soon they came to a busy road crowded with pedestrians and travelers on horseback.
Mary Pope Osborne (Dragon of the Red Dawn (Magic Tree House, #37))
Outside Caracas patriots hardly fared better. The “Legions of Hell”—hordes of wild and truculent plainsmen—rode out of the barren llanos to punish anyone who dared call himself a rebel. Leading these colored troops was the fearsome José Tomás Boves. A Spanish sailor from Asturias, Boves had been arested at sea for smuggling, sent to the dungeons of Puerto Cabello, then exiled to the Venezuelan prairie, where he fell in with marauding cowboys. He was fair-haired, strong-shouldered, with an enormous head, piercing blue eyes, and a pronounced sadistic streak. Loved by his feral cohort with a passion verging on worship, he led them to unimaginable violence. As Bolívar’s aide Daniel O’Leary later wrote, “Of all the monsters produced by the revolution . . . Boves was the worst.” He was a barbarian of epic proportions, an Attila for the Americas. Recruited by Monteverde but beholden to no one, Boves raised a formidable army of black, pardo, and mestizo llaneros by promising them open plunder, rich booty, and a chance to exterminate the Creole class. The llaneros were accomplished horsemen, well trained in the art of warfare. They needed few worldly goods, rode bareback, covered their nakedness with loincloths. They consumed only meat, which they strapped to their horses’ flanks and cured by the sweat of the racing animals. They made tents from hides, slept on earth, reveled in hardship. They lived on the open prairie, which was parched by heat, impassable in the rains. Their weapon of choice was a long lance of alvarico palm, hardened to a sharp point in the campfire. They were accustomed to making rapid raids, swimming on horseback through rampant floods, the sum of their earthly possessions in leather pouches balanced on their heads or clenched between their teeth. They could ride at a gallop, like the armies of Genghis Khan, dangling from the side of a horse, so that their bodies were rendered invisible, untouchable, their killing lances straight and sure against a baffled enemy. In war, they had little to lose or gain, no allegiance to politics. They were rustlers and hated the ruling class, which to them meant the Creoles; they fought for the abolition of laws against their kind, which the Spaniards had promised; and they believed in the principles of harsh justice, in which a calculus of bloodshed prevailed.
Marie Arana (Bolívar: American Liberator)
My words emerge as a stallion standing firm even when none have the ability to ride them.
Curtis Tyrone Jones