Horse Racing Sayings And Quotes

We've searched our database for all the quotes and captions related to Horse Racing Sayings And. Here they are! All 64 of them:

Sean reaches between us and slides a thin bracelet of red ribbons over my free hand. Lifting my arm, he presses his lips against the inside of my wrist. I'm utterly still; I feel my pulse tap several times against his lips, and then he releases my hand. "For luck," he says. He takes Dove's lead from me. "Sean," I say, and he turns. I take his chin and kiss his lips, hard. I'm reminded, all of a sudden, of that first day on the beach, when I pulled his head from the water. "For luck," I say to his startled face.
Maggie Stiefvater (The Scorpio Races)
I didn't say I would start a yard." "You didn't have to. I'll come back next year and you'll have a nest of horses outside your window and Puck Connolly in your bed and I'll buy from you instead of Malvern. That's your future for you.
Maggie Stiefvater (The Scorpio Races)
I will go directly to her home, ring the bell, and walk in. Here I am, take me-or stab me to death. Stab the heart, stab the brains, stab the lungs, the kidneys, the viscera, the eyes, the ears. If only one organ be left alive you are doomed-doomed to be mine, forever, in this world and the next and all the worlds to come. I'm a desperado of love, a scalper, a slayer. I'm insatiable. I eat hair, dirty wax, dry blood clots, anything and everything you call yours. Show me your father, with his kites, his race horses, his free passes for the opera: I will eat them all, swallow them alive. Where is the chair you sit in, where is your favorite comb, your toothbrush, your nail file? Trot them out that I may devour them at one gulp. You have a sister more beautiful than yourself, you say. Show her to me-I want to lick the flesh from her bones.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
What other agents then are there, which, at the same time that they are under the influence of man's direction, are susceptible of happiness? They are of two sorts: (1) Other human beings who are styled persons. (2) Other animals, which, on account of their interests having been neglected by the insensibility of the ancient jurists, stand degraded into the class of things... But is there any reason why we should be suffered to torment them? Not any that I can see. Are there any why we should not be suffered to torment them? Yes, several. The day has been, I grieve to say in many places it is not yet past, in which the greater part of the species, under the denomination of slaves, have been treated by the law exactly upon the same footing as, in England for example, the inferior races of animals are still. The day may come, when the rest of the animal creation may acquire those rights which never could have been withholden from them but by the hand of tyranny. The French have already discovered that the blackness of the skin is no reason why a human being should be abandoned without redress to the caprice of a tormentor. It may come one day to be recognized, that the number of the legs, the villosity of the skin, or the termination of the os sacrum, are reasons equally insufficient for abandoning a sensitive being to the same fate. What else is it that should trace the insuperable line? Is it the faculty of reason, or, perhaps, the faculty of discourse? But a full-grown horse or dog is beyond comparison a more rational, as well as a more conversable animal, than an infant of a day, or a week, or even a month, old. But suppose the case were otherwise, what would it avail? the question is not, Can they reason? nor, Can they talk? but, Can they suffer? Why should the law refuse its protection to any sensitive being? The time will come when humanity will extend its mantle over everything which breathes.
Jeremy Bentham (The Principles of Morals and Legislation)
In the sea, Corr’s clumsiness will disappear, his weight cradled by the saltwater. I don’t want to say good-bye. I blink to clear my vision and reach up. I pull off his halter. The ocean is his love and now, finally, he’ll have it. I back out of the surf. There’s a thin, long wail. Corr takes a labored step away from the November sea. And another. He is slow, and the sea sings to us both, but he returns to me.
Maggie Stiefvater (The Scorpio Races)
If I've learned anything over the years, it's that horses do listen to you. They may not have a clue what you're saying, but they know the tone in which you say it. I'll sing to horses so hooked on their own nerves they're ready to climb into the sky, and sometimes it's one of the only things that keep them on the ground.
Mara Dabrishus (Stay the Distance)
You returned for me, Finn. After everything you said." Finnkin's eyes were fierce with emotion. "Do you honestly think I would have left you out here, knowing there was a small army in the vicinity?" "I'm surprised you were able to convince Perri and your father to return." Finnikin laughed. "All I had to do was stop the horse and say, 'I think...' and they were racing back into the woods to you.
Melina Marchetta (Quintana of Charyn (Lumatere Chronicles, #3))
To summarize what I have said: Aim for the highest; never enter a bar-room; do not touch liquor, or if at all only at meals; never speculate; never indorse beyond your surplus cash fund; make the firm’s interest yours; break orders always to save owners; concentrate; put all your eggs in one basket, and watch that basket; expenditure always within revenue; lastly, be not impatient, for, as Emerson says, “no one can cheat you out of ultimate success but yourselves.” I congratulate poor young men upon being born to that ancient and honourable degree which renders it necessary that they should devote themselves to hard work. A basketful of bonds is the heaviest basket a young man ever had to carry. He generally gets to staggering under it. We have in this city creditable instances of such young men, who have pressed to the front rank of our best and most useful citizens. These deserve great credit. But the vast majority of the sons of rich men are unable to resist the temptations to which wealth subjects them, and sink to unworthy lives. I would almost as soon leave a young man a curse, as burden him with the almighty dollar. It is not from this class you have rivalry to fear. The partner’s sons will not trouble you much, but look out that some boys poorer, much poorer than yourselves, whose parents cannot afford to give them the advantages of a course in this institute, advantages which should give you a decided lead in the race–look out that such boys do not challenge you at the post and pass you at the grand stand. Look out for the boy who has to plunge into work direct from the common school and who begins by sweeping out the office. He is the probable dark horse that you had better watch.
Andrew Carnegie (The Road To Business Success)
There comes a time in a man's life, if he is unlucky and leads a full life, when he has a secret so dirty that he knows he never will get rid of it. (Shakespeare knew this and tried to say it, but he said it just as badly as anyone ever said it. 'All the perfumes of Arabia' makes you think of all the perfumes of Arabia and nothing more. It is the trouble with all metaphors where human behavior is concerned. People are not ships, chess men, flowers, race horses, oil paintings, bottles of champagne, excrement, musical instruments or anything else but people. Metaphors are all right to give you an idea.)
John O'Hara (BUtterfield 8)
I often hear skeptics say that, if psychic behavior was real, the psychics would be playing the stock markets or the ponies. In my experience, many of them do. There is, in fact, a kind of secret level of activity in which psychics consult to major corporations and businesses. People seem embarrassed to admit this activity but it takes place, just as you'd expect it to.
Michael Crichton (Travels)
Delilah Bard did not like horses. She’d never liked them, not when she only knew them for their snapping teeth, and their flicking tails, and their stomping hooves, and not when she found herself on the back of one, the night racing past so fast it blurred around her, and not now as she watched a pair of silver-scarred guards saddle up three for their ride to the port. As far as she was concerned, nothing with so little brain should have so much force. Then again, she could say the same about half the tournament magicians.
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
Boys", she says, "just aren't very good at being afraid.
Maggie Stiefvater (The Scorpio Races)
They went to the tree. Daemon dismounted and leaned against the tree, staring in the direction of the house. The stallion jiggled the bit, reminding him he wasn’t alone. “I wanted to say good-bye,” Daemon said quietly. For the first time, he truly saw the intelligence—and loneliness—in the horse’s eyes. After that, he couldn’t keep his voice from breaking as he tried to explain why Jaenelle was never going to come to the tree again, why there would be no more rides, no more caresses, no more talks. For a moment, something rippled in his mind. He had the odd sensation he was the one being talked to, explained to, and his words, echoing back, lacerated his heart. To be alone again. To never again see those arms held out in welcome. To never hear that voice say his name. To… Daemon gasped as Dark Dancer jerked the reins free and raced down the path toward the field. Tears of grief pricked Daemon’s eyes. The horse might have a simpler mind, but the heart was just as big.
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
This is a widespread phenomenon. If you’re asked to predict whether a particular horse will win a race or a particular politician will win an election, the more internal details you learn about any particular scenario—physical qualities of the specific horse, the background and strategy of the particular politician—the more likely you are to say that the scenario you are investigating will occur. Psychologists have shown repeatedly that the more internal details an individual can be made to consider, the more extreme their judgment becomes.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
Some people, when they do someone a favor, are always looking for a chance to call it in. And some aren’t, but they’re still aware of it—still regard it as a debt. But others don’t even do that. They’re like a vine that produces grapes without looking for anything in return. A horse at the end of the race . . . A dog when the hunt is over . . . A bee with its honey stored . . . And a human being after helping others. They don’t make a fuss about it. They just go on to something else, as the vine looks forward to bearing fruit again in season. We should be like that. Acting almost unconsciously. —Yes. Except conscious of it. Because it’s characteristic of social beings that they see themselves as acting socially. And expect their neighbors to see it too! That’s true. But you’re misunderstanding me. You’ll wind up like the people I mentioned before, misled by plausible reasoning. But if you make an effort to understand what I’m saying, then you won’t need to worry about neglecting your social duty.
Marcus Aurelius (Meditations)
We know what the law is, Mister Po-leess-maan. The law is the land. You say, "This is my land", but you did not make the land. You did not make your sheep, you did not make the rabbits on which we live, you did not make the cows, or the horses, but you say, "These things are mine". This cannot be a truth. I make my axe, my pots, and these are mine. What I wear is mine. Some love was mine. Now it has gone. I think you are a good man, Mister Po-leess-maan but we see the turning of the times. Maybe a hundred or two hundred years ago there was in the world what people called "the wilderness", or "no man's land", or "wasteland", and we lived in such places, we are waste people. There was the troll race, the dwarf race, the human race, and I am sorry for the goblin race that we cannot run so fast.
Terry Pratchett (Snuff (Discworld, #39; City Watch, #8))
And yet, in Raissa, at every moment there is a child in a window who laughs seeing a dog that has jumped on a shed to bite into a piece of polenta dropped by a stonemason who has shouted from the top of the scaffolding, "Darling, let me dip into it," to a young servant-maid who holds up a dish of ragout under the pergola, happy to serve it to the umbrella-maker who is celebrating a successful transaction, a white lace parasol bought to display at the races by a great lady in love with an officer who has smiled at her taking the last jump, happy man, and still happier his horse, flying over the obstacles, seeing a francolin flying in the sky, happy bird freed from its cage by a painter happy at having painted it feather by feather, speckled with red and yellow in the illumination of that page in the volume where the philosopher says: "Also in Raissa, city of sadness, there runs an invisible thread that binds one living being to another for a moment, then unravels, then is stretched again between moving points as it draws new and rapid patterns so that at every second the unhappy city contains a happy city unaware of its own existence.
Italo Calvino (Invisible Cities)
Remember, that on the contrary a donkey is not only an intelligent animal, but also an obedient, polite and hard-working one. But if it’s overloaded beyond its capacity or expected to be a race horse, it will stop and say, “I cannot do this. Do whatever you want.” And you can beat it all you want – it won’t move.
Aleksandr Kuprin (The Garnet Bracelet, other stories and novellas)
What can't you bear?' 'This island,' Gabe says. He breathes a long pause between every word he says. 'That house you and Finn are in. People talking. The fish - goddamn fish. I'll smell like them for the rest of my life. The horses. Everything. I can't do it any more.' . . . It feels like he's confessed that he's dying of a disease I've never heard of, with symptoms I can't see.
Maggie Stiefvater (The Scorpio Races)
Not used to be being bested, are you?" "No," he said bluntly. "Poseidon could outrun your mare, and you know it. But I'm not about to risk galloping over a field I don't know. There could have been rabbit holes." "Of course.Rabbit holes.I understand." He frowned,about to defend his actions further, when he noted a twinkle in her gaze. The little minx was taunting him. For some reason, that improved his mood, and he said with a smile, "Sophia, my love, don't tempt a sinner. I am not afraid of you or your horse, and you damn well know it." "I'm sure you have a reason for not wishing to race," she returned in a demure voice, though her eyes sparkled with laughter. "I am just not certain you have a just cause." "I have both. The reason for not racing you is the potential harm to the animals; and the just cause is that I wish to keep you alone for as long as possible. And that will be more difficult to do once we reach the house." Her brows rose, a faint color touching her cheeks. "Oh." His lips twitched. "That's all you can say now? After all that posturing? You are a tease,my lady." "I don't consider myself so." "No woman does, and yet most are.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded. I say, “Are you afraid?” Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on. Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.” What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life. “There’s no one braver than you on that beach.” Her voice is dismissive. “That doesn’t matter.” “It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.” Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?” The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.” Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes. She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me. “Tell me what to wish for,” I say. “Tell me what to ask the sea for.” “To be happy. Happiness.” I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.” The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby. Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?” I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair. I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?” Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.” I say, “That is what I needed to hear.” “Do you know what to wish for now?” I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.
Maggie Stiefvater (The Scorpio Races)
I have lived recklessly, gambled my income away at the horse races, gone whoring, have been more drunk than sober, beaten men to a pulp with my hands, have had a man’s nose cut off for insulting my father and have been indebted to villains more times than I care to say. But, I do not want to live like this anymore. I want a quiet life with a good woman who will care and love me – not for being the Duke of Monmouth, but for me, Jemmy.
Andrea Zuvich (His Last Mistress)
I slowly wipe my bloody hand a crossed my jacket and draw my switch blade from my pocket. I show it to him. Mutt regards it with contempt. "How is it you're thinking you'll stop e with that wee thing?" The blade snaps out audibly. Mutt would not be the largest thing to die on the slender point of it. "I don't think I'll stop you," I say. "I think that you will cut my horse and then when you come out of that stall, I will use this to cut your heart out and hand it to you.
Maggie Stiefvater (The Scorpio Races)
You must give yourself enough time to get better.” “How much time will that take?” he asked bitterly. “I don’t know,” she admitted. “But you have a lifetime.” A caustic laugh broke from him. “That’s too damned long.” “I understand that you feel responsible for what happened to Mark. But you’ve already been forgiven for whatever you think your sins are. You have,” she insisted as he shook his head. “Love forgives all things. And so many people--” She stopped as she felt his entire body jerk. “What did you say?” she heard him whisper. Beatrix realized the mistake she had just made. Her arms fell away from him. The blood began to roar in her ears, her heart thumping so madly she felt faint. Without thinking, she scrambled away from him, off the bed, to the center of the room. Breathing in frantic bursts, Beatrix turned to face him. Christopher was staring at her, his eyes gleaming with a strange, mad light. “I knew it,” he whispered. She wondered if he might try to kill her. She decided not to wait to find out. Fear gave her the speed of a terrified hare. She bolted before he could catch her, tearing to the door, flinging it open, and scampering to the grand staircase. Her boots made absurdly loud thuds on the stairs as she leaped downward. Christopher followed her to the threshold, bellowing her name. Beatrix didn’t pause for a second, knowing he was going to pursue her as soon as he donned his clothes. Mrs. Clocker stood near the entrance hall, looking worried and astonished. “Miss Hathaway? What--” “I think he’ll come out of his room now,” Beatrix said rapidly, jumping down the last of the stairs. “It’s time for me to be going.” “Did he…are you…” “If he asks for his horse to be saddled,” Beatrix said breathlessly, “please have it done slowly.” “Yes, but--” Good-bye.” And Beatrix raced from the house as if demons were at her heels.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Is there a bird among them, dear boy?” Charity asked innocently, peering not at the things on the desk, but at his face, noting the muscle beginning to twitch at Ian’s tense jaw. “No.” “Then they must be in the schoolroom! Of course,” she said cheerfully, “that’s it. How like me, Hortense would say, to have made such a silly mistake.” Ian dragged his eyes from the proof that his grandfather had been keeping track of him almost from the day of his birth-certainly from the day when he was able to leave the cottage on his own two legs-to her face and said mockingly, “Hortense isn’t very perceptive. I would say you are as wily as a fox.” She gave him a little knowing smile and pressed her finger to her lips. “Don’t tell her, will you? She does so enjoy thinking she is the clever one.” “How did he manage to have these drawn?” Ian asked, stopping her as she turned away. “A woman in the village near your home drew many of them. Later he hired an artist when he knew you were going to be somewhere at a specific time. I’ll just leave you here where it’s nice and quiet.” She was leaving him, Ian knew, to look through the items on the desk. For a long moment he hesitated, and then he slowly sat down in the chair, looking over the confidential reports on himself. They were all written by one Mr. Edgard Norwich, and as Ian began scanning the thick stack of pages, his anger at his grandfather for this outrageous invasion of his privacy slowly became amusement. For one thing, nearly every letter from the investigator began with phrases that made it clear the duke had chastised him for not reporting in enough detail. The top letter began, I apologize, Your Grace, for my unintentional laxness in failing to mention that indeed Mr. Thornton enjoys an occasional cheroot… The next one opened with, I did not realize, Your Grace, that you would wish to know how fast his horse ran in the race-in addition to knowing that he won. From the creases and holds in the hundreds of reports it was obvious to Ian that they’d been handled and read repeatedly, and it was equally obvious from some of the investigator’s casual comments that his grandfather had apparently expressed his personal pride to him: You will be pleased to know, Your Grace, that young Ian is a fine whip, just as you expected… I quite agree with you, as do many others, that Mr. Thornton is undoubtedly a genius… I assure you, Your Grace, that your concern over that duel is unfounded. It was a flesh wound in the arm, nothing more. Ian flipped through them at random, unaware that the barricade he’d erected against his grandfather was beginning to crack very slightly. “Your Grace,” the investigator had written in a rare fit of exasperation when Ian was eleven, “the suggestion that I should be able to find a physician who might secretly look at young Ian’s sore throat is beyond all bounds of reason. Even if I could find one who was willing to pretend to be a lost traveler, I really cannot see how he could contrive to have a peek at the boy’s throat without causing suspicion!” The minutes became an hour, and Ian’s disbelief increased as he scanned the entire history of his life, from his achievements to his peccadilloes. His gambling gains and losses appeared regularly; each ship he added to his fleet had been described, and sketches forwarded separately; his financial progress had been reported in minute and glowing detail.
Judith McNaught (Almost Heaven (Sequels, #3))
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
Rick Riordan (Percy Jackson's Greek Gods)
What shall be done to such an one? Doubtless some good thing, O men of Athens, if he has his reward; and the good should be of a kind suitable to him. What would be a reward suitable to a poor man who is your benefactor, and who desires leisure that he may instruct you? There can be no reward so fitting as maintenance in the Prytaneum, O men of Athens, a reward which he deserves far more than the citizen who has won the prize at Olympia in the horse or chariot race, whether the chariots were drawn by two horses or by many. For I am in want, and he has enough; and he only gives you the appearance of happiness, and I give you the reality. And if I am to estimate the penalty fairly, I should say that maintenance in the Prytaneum is the just return.
Plato (Plato: The Complete Works)
Of course, there’s one horse that I know will be a contender. But I’ve never seen him in a real race and I’ve never seen his rider give me the slightest hint of how he likes to pace himself. “Where will you and Corr be?” I ask. Sean presses two fingers along the edge of the counter, sweeping crumbs into a pile. I notice that his fingers are permanently dirt-stained like mine. He says, “Right next to you and Dove.” I stare at him. “You can’t risk not winning. Not because of me.” Sean doesn’t lift his eyes from the counter. “We make our move when you make yours. You on the inside, me on the outside. Corr can come from the middle of the pack; he’s done it before. It’s one side you won’t have to worry about.” I say, “I will not be your weakness, Sean Kendrick.” Now he looks at me. He says, very softly, “It’s late for that, Puck.
Maggie Stiefvater (The Scorpio Races)
It is a mistake to suppose that all change or development is growth. The present condition of the earth’s surface is not mature or immature; the horse has not, so far as we know, reached some final and presumably optimal stage in evolutionary development. If a child’s language seems to grow like an embryo, it is only because the environmental contingencies have been neglected. The feral child has no language, not because his isolation has interfered with some growth process, but because he has not been exposed to a verbal community. We have no reason to call any culture mature in the sense that further growth is unlikely or that it would necessarily be a kind of deterioration. We call some cultures underdeveloped or immature in contrast with others we call ‘advanced’, but it is a crude form of jingoism to imply that any government, religion, or economic system is mature. The main objection to the metaphor of growth, in considering either the development of an individual or the evolution of a culture, is that it emphasizes a terminal state which does not have a function. We say that an organism grows toward maturity or in order to reach maturity. Maturity becomes a goal, and progress becomes movement towards a goal. A goal is literally a terminus—the end of something such as a foot race. It has no effect on the race except to bring it to an end. The word is used in this relatively empty sense when we say that the goal of life is death or that the goal of evolution is to fill the earth with life. Death is no doubt the end of life, and a full world may be the end of evolution, but these terminal conditions have no bearing on the processes through which they are reached. We do not live in order to die, and evolution does not proceed in order to fill the earth with life.
B.F. Skinner (Beyond Freedom and Dignity)
If the interest of a scientific expositor ought to be measured by the importance of the subject, I shall be applauded for my choice. In fact, there are few questions which touch more closely the very existence of man than that of animated motors—those docile helps whose power or speed he uses at his pleasure, which enjoy to some extent his intimacy, and accompany him in his labors and his pleasures. The species of animal whose coöperation we borrow are numerous, and vary according to latitude and climate. But whether we employ the horse, the ass, the camel, or the reindeer, the same problem is always presented: to get from the animal as much work as possible, sparing him, as far as we can, fatigue and suffering. This identity of standpoint will much simplify my task, as it will enable me to confine the study of animated motors to a single species: I have chosen the horse as the most interesting type. Even with this restriction the subject is still very vast, as all know who are occupied with the different questions connected therewith. In studying the force of traction of the horse, and the best methods of utilizing it, we encounter all the problems connected with teams and the construction of vehicles. But, on a subject which has engaged the attention of humanity for thousands of years, it seems difficult to find anything new to say. If in the employment of the horse we consider its speed and the means of increasing it, the subject does not appear less exhausted. Since the chariot-races, of which Greek and Roman antiquity were passionately fond, to our modern horse-races, men have never ceased to pursue with a lively interest the problem of rapid locomotion. What tests and comparisons have not been made to discover what race has most speed, what other most bottom, what crossings, what training give reason to expect still more speed?
Etienne-Jules Marey
Some people, when they do someone a favor, are always looking for a chance to call it in. And some aren’t, but they’re still aware of it—still regard it as a debt. But others don’t even do that. They’re like a vine that produces grapes without looking for anything in return. A horse at the end of the race … A dog when the hunt is over … A bee with its honey stored … And a human being after helping others. They don’t make a fuss about it. They just go on to something else, as the vine looks forward to bearing fruit again in season. We should be like that. Acting almost unconsciously. —Yes. Except conscious of it. Because it’s characteristic of social beings that they see themselves as acting socially. And expect their neighbors to see it too! That’s true. But you’re misunderstanding me. You’ll wind up like the people I mentioned before, misled by plausible reasoning. But if you make an effort to understand what I’m saying, then you won’t need to worry about neglecting your social duty.
Marcus Aurelius (Meditations)
Man is comprised of an organism, which is to say an organised form, and of vital forces, as well as a soul. The same may be said of a people. The national construction of a state, while taking account of all three elements, for various reasons of qualification and heredity can nevertheless be chiefly based upon a single one of these elements. In my opinion, in the Fascist movement it is the state element that prevails, coinciding with organised force. What finds expression here is the shaping power of ancient Rome, that master of law and political organisation, the purest heirs to which are the Italians. National Socialism emphasises what is connected to vital forces: race, racial instinct, and the ethical and national element. The Romanian Legionary movement instead chiefly stresses what in a living organism corresponds to the soul: the spiritual and religious aspect. This is the reason for the distinctive character of each national movement, although ultimately all three elements are taken into account, and none is overlooked. The specific character of our movement derives from our distant heritage. Already Herodotus called our forefathers “the immortal Dacians”. Our Geto-Thracian ancestors, even before Christianity, already had faith in the immortality and indestructibility of the soul – something which proves their spiritual drive. Roman colonisation introduced the Roman sense of organisation and form. Later centuries made our people miserable and divided; yet, just as a sick and beaten horse will still show traces of its nobility of stock, so too the Romanian people of yesterday and today reveals the latent features of its two-fold heritage. It is this heritage that the Legionary movement seeks to awaken. It begins with the spirit: for the movement wishes to create a spiritually new man. Once we have met this goal as a “movement”, we must then awaken our second heritage – the politically shaping Roman power. The spirit and religion are thus our starting point; “constructive nationalism” is our point of arrival – almost a consequence. Joining these two points is the ascetic and at the same time heroic ethic of the Iron Guard.
Corneliu Zelea Codreanu (The Prison Notes)
Well?” demanded the vicar at last, looking at Ian. “What do you have to say to me?” “Good afternoon?” Ian suggested drolly. And then he added, “I didn’t expect to see you until tomorrow, Uncle.” “Obviously,” retorted the vicar with unconcealed irony. “Uncle!” blurted Elizabeth, gaping incredulously at Ian Thornton, who’d been flagrantly defying rules of morality with his passionate kisses and seeking hands from the first night she met him. As if the vicar read her thoughts, he looked at her, his brown eyes amused. “Amazing, is it not, my dear? It quite convinces me that God has a sense of humor.” A hysterical giggle welled up in Elizabeth as she saw Ian’s impervious expression begin to waver when the vicar promptly launched into a recitation of his tribulations as Ian’s uncle: “You cannot imagine how trying it used to be when I was forced to console weeping young ladies who’d cast out lures in hopes Ian would come up to scratch,” he told Elizabeth. “And that’s nothing to how I felt when he raced his horse and one of my parishioners thought I would be the ideal person to keep of the bets!” Elizabeth’s burst of laughter rang like music through the hills, and the vicar, ignoring Ian’s look of annoyance, continued blithely, “I have flat knees from the hours, the weeks, the months I’ve spent praying for his immortal soul-“ “When you’re finished itemizing my transgressions, Duncan, “ Ian cut in, “I’ll introduce you to my companion.” Instead of being irate at Ian’s tone, the vicar looked satisfied. “By all means, Ian,” he said smoothly. “We should always observe all the proprieties.” At that moment Elizabeth realized with a jolt that the shaming tirade she’d expected the vicar to deliver when he first saw them had been delivered after all-skillfully and subtly. The only difference was that the kindly vicar had aimed it solely at Ian, absolving her from blame and sparing her any further humiliation. Ian evidently realized it, too; reaching out to shake his uncle’s hand, he said dryly, “You’re looking well, Duncan-despite your flattened knees. And,” he added, “I can assure you that your sermons are equally eloquent whether I’m standing up or sitting down.” “That is because you have a lamentable tendency to doze off in the middle of them either way,” the vicar replied a little irritably, shaking Ian’s hand.
Judith McNaught (Almost Heaven (Sequels, #3))
Lucinda and Mr. Wiley were returning at last, and she ran to Lucinda, hastily stepping around the black horse, who laid his ears back evilly in warning. “Lucy!” she burst out while Lucinda waited calmly for Mr. Wiley to help her down. “Lucy! Disaster has struck.” “A moment, if you please, Elizabeth,” said the unflappable woman. “Whatever it is, it will surely wait until we’re inside and can be comfortable. I declare, I feel as if I were born atop this horse. You cannot imagine the time we had finding suitable servants…” Elizabeth scarcely heard the rest of what she was saying. In a torment of frantic helplessness she had to wait while Lucinda dismounted, limped into the house, and sat down upon the sofa. “Now then,” said Lucinda, flicking a speck of dust off her skirts, “what has happened?” Oblivious to the vicar, who was standing by the fireplace looking mystified and alarmed on her behalf, Elizabeth handed Lucinda the note. “Read this. It-it sounds as if he’s already accepted him.” As she read the brief missive Lucinda’s face turned an awful gray with two bright splotches of angry color standing out on her hollow cheeks. “He’d accept an offer from the devil,” Lucinda gritted wrathfully, “so long as he had a noble title and money. This shouldn’t come as a surprise.” “I was so certain I’d persuaded Belhaven that we couldn’t possibly suit!” Elizabeth almost wailed, twisting her blue skirt in her hands in her agitation. “I did everything, Lucy, everything I told you about, and more.” Agitation drove Elizabeth to her feet. “If we make haste, we can be home by the allotted time, and perhaps I can find a way to dissuade Uncle Julius.” Lucinda did not leap to her feet as Elizabeth did; she did not race for the stairs, dash into her room, and vent her helpless rage by slamming a door, as Elizabeth did. Her body rigid, Lucinda stood up very slowly and turned to the vicar. “Where is he?” she snapped. “Ian?” the vicar said distractedly, alarmed by her pallid color. “He’s gone hunting.” Deprived of her real prey, Lucinda unleashed her fury upon the hapless vicar instead. When she finished her tirade she hurled the crumpled note into the cold fireplace and said in a voice that shook with wrath, “When that spawn of Lucifer returns, you tell him that if he ever crosses my path, he’d better be wearing a suit of armor!” So saying, she marched upstairs.
Judith McNaught (Almost Heaven (Sequels, #3))
Does character develop over time? In novels, of course it does: otherwise there wouldn't be much of a story. But in life? I sometimes wonder. Our attitudes and opinions change, we develop new habits and eccentricities; but that's something different, more like decoration. Perhaps character resembles intelligence, except that character peaks a little later: between twenty and thirty, say. And after that, we're just stuck with what we've got. We're on our own. If so, that would explain a lot of lives, wouldn't it? And also if this isn't too grand a word-our tragedy. "The question of accumulation," Adrian had written. You put money on a horse, it wins, and your winnings go on to the next horse in the next race, and so on. Your winnings accumulate. But do your losses? Not at the racetrack-there, you just lose your original stake. But in life? Perhaps here different rules apply. You bet on a relationship, it fails; you go on to the next relationship, it fails too: and maybe what you lose is not two simple minus sums but the multiple of what you staked. That's what it feels like, anyway. Life isn't just addition and subtraction. There's also the accumulation, the multiplication, of loss, of failure.
Julian Barnes (The Sense of an Ending)
Hey,” he said, his hand gently rubbing my back. I heard the diesel rattle of vehicles driving away from the scene. “Hey,” I replied, sitting up and looking at my watch. It was 5:00 A.M. “Are you okay?” “Yep,” he said. “We finally got it out.” Marlboro Man’s clothes were black. Heavy soot covered his drawn, exhausted face. “Can I go home now?” I said. I was only halfway kidding. And actually, I wasn’t kidding at all. “Sorry about that,” Marlboro Man said, still rubbing my back. “That was crazy.” He gave a half-chuckle and kissed my forehead. I didn’t know what to say. Driving back to his house, the pickup was quiet. My mind began to race, which is never good at five in the morning. And then, inexplicably, just as we reached the road to his house, I lost it. “So, why did you even take me there, anyway?” I said. “I mean, if I’m just going to ride in someone’s pickup, why even bring me along? It’s not like I was any help to anyone…” Marlboro Man glanced over at me. His eyes were tired. “So…did you want to operate one of the sprayers?” he asked, an unfamiliar edge to his voice. “No, I just…I mean…” I searched for the words. “I mean, that was just ridiculous! That was dangerous!” “Well, prairie fires are dangerous,” Marlboro Man answered. “But that’s life. Stuff like this happens.” I was cranky. The nap had done little to calm me down. “What happens? You just drive right into fires and throw caution to the wind? I mean, people could die out there. I could have died. You could have died! I mean, do you realize how crazy that was?” Marlboro Man looked straight ahead, rubbing his left eye and blinking. He looked exhausted. He looked spent. We arrived in his driveway just in time to see the eastern sun peeking over the horse barn. Marlboro Man stopped his pickup, put it into park, and said, still looking straight ahead, “I took you with me…because I thought you’d like to see a fire.” He turned off the pickup and opened his door. “And because I didn’t want to leave you here by yourself.” I didn’t say anything. We both exited the pickup, and Marlboro Man began walking toward his house. And then, still walking, he said it--words that chilled me to the bone. “I’ll see you later.” He didn’t even turn around. I stood there, not knowing what to say, though deep down I knew I wouldn’t have to. I knew that just as he’d always done anytime I’d ever been rendered speechless in his presence, he’d speak up, turn around, come to my rescue, hold me in his arms…and infuse love into my soul, as only he could do. He always swooped in to save me, and this time would be no different. But he didn’t turn around. He didn’t speak up. He simply walked toward the house, toward the door on his back porch--the same porch door where, hours earlier, he and I had stood in a complete fit of romance and lust, where the heat between us was but a foreshadowing of the fire waiting for us in that distant prairie.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
His choice had to be swift as the wind. Should he take cover behind the row in front of him and toss the bit of metal in the snow (it'd be noticed but they wouldn't know who the culprit was) or keep it on him? For that strip of hacksaw he could get ten days in the cells, if they classed it as a knife. But a cobbler's knife was money, it was bread. A pity to throw it away. He slipped it into his left mitten. At that moment the next row was ordered to step forward and be searched. Now the last three men stood in full view-- Senka, Shukhov, and the man from the 32nd squad who had gone to look for the Moldavian. Because they were three and the guards facing them were five, Shukhov could try a ruse. He could choose which of the two guards on the right to present himself to. He decided against a young pink-faced one and plumped for an older man with a gray mustache. The older one, of course, was experienced and could find the blade easily if he wanted to, but because of his age he would be fed up with the job. It must stink in his nose now like burning sulfur. Meanwhile Shukhov had removed both mittens, the empty one and the one with the hacksaw, and held them in one hand (the empty one in front) together with the untied rope belt. He fully unbuttoned his jacket, lifted high the edges of his coat and jacket (never had he been so servile at the search but now he wanted to show he was innocent--Come on, frisk me!), and at the word of command stepped forward. The guard slapped Shukhov's sides and back, and the outside of his pants pocket. Nothing there. He kneaded the edges of coat and jacket. Nothing there either. He was about to pass him through when, for safety's sake, he crushed the mitten that Shukhov held out to him--the empty one. The guard crushed it in his band, and Shukhov felt as though pincers of iron were crushing everything inside him. One such squeeze on the other mitten and he'd be sunk--the cells on nine ounces of bread a day and hot stew one day in three. He imagined how weak he'd grow, how difficult he'd find it to get back to his present condition, neither fed nor starving. And an urgent prayer rose in his heart: "Oh Lord, save me! Don't let them send me to the cells." And while all this raced through his mind, the guard, after finishing with the right-hand mitten, stretched a hand out to deal with the other (he would have squeezed them at the same moment if Shukhov had held them in separate hands). Just then the guard heard his chief, who was in a hurry to get on, shout to the escort: "Come on, bring up the machine-works column." And instead of examining the other mitten the old guard waved Shukhov on. He was through. He ran off to catch up with the others. They had already formed fives in a sort of corridor between long beams, like horse stalls in a market, a sort of paddock for prisoners. He ran lightly; hardly feeling the ground. He didn't say a prayer of thanksgiving because he hadn't time, and anyway it would have been out of place. The escort now drew aside.
Alexander Solzhenitsyn (One Day in the Life of Ivan Denisovich)
We’d get through this little arrangement of ours better if you didn’t lie to me, Nash.” “Christ, Dani. I needed to get out of town for a few hours today, okay? Quinn’s got me running so many chores in her mom-wagon, I can feel my balls shrinking in daily increments. So I went to get a little girlie-action. So what? That was never verboten in our agreement. Unless you want to amend your anti-sex-with-me stance?” I glared at him, not appreciating his suggestion, or the fact that he used Mick as an excuse for girlie-action-getting. “Fine!” He held up his hands in surrender. “I went with Sindy, if you must know.” “To pick up girls in Atlantic City?” “No.” He hung his head in shame. “It was a little pony-action. She likes the horse races, okay? It’s just a little embarrassing to say I drove an old lady down there.” I planted my hands on my hips. “Okay, so she drove! I hate the traffic on the turnpike.
Jessica Topper (Courtship of the Cake (Much "I Do" About Nothing, #2))
This is a widespread phenomenon. If you’re asked to predict whether a particular horse will win a race or a particular politician will win an election, the more internal details you learn about any particular scenario—physical qualities of the specific horse, the background and strategy of the particular politician—the more likely you are to say that the scenario you are investigating will occur.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
This is my army," Sal yelled loud enough for her soldiers to hear. "These are my men. This is my country! You know the histories as well as I do. We were here first, so you must not have heard me. Get your asses off my damned iliri soil. I will only say it one more time, and next, it will be to your Emperor as I stick my white iliri arm down his pathetic, divine throat. Is that clear enough for you to understand?" The men didn't bother to reply. They simply turned their horses and raced back to their lines. Sal and Jase shoved their helms back on as they rode, allowing the mares to canter easily across the muddy field. "Ayati, I love you when you're angry", Jase said in her head, and Sal laughed, glancing at him once more. "Just wait, killer, because I'm about to get really pissed", she teased.
Auryn Hadley (Defiance (Rise of the Iliri, #3))
Racetracks seem to reward innocence. If babies were permitted to wager, they'd ultimately win so much money that management everywhere would bar them. NO BABIES ALLOWED, says a big sign at Hialeah. At Belmont Park, it reads, BEAT IT, BABIES.
Bill Barich (Traveling Light: A Year of Wandering, from California to England and Tuscany and Back Again)
That South occupied by our population of color, sir. Our Negroes. They say you are the rare white lawyer who is fair to the man of Negro blood.” “Well,” said Sam, somewhat taken aback, “if by that they mean that as a prosecuting attorney I laid the same force of law against white as against black, then they are correct. I believe in the law. But do not understand me too quickly, sir. I am not what you might call a race champion. I am not a hero of the Negro, nor do I ever mean to be. I believe history has dealt our American Negroes a sorry hand, as do many people. But I also believe that sorry hand will have to be corrected slowly. I am not one for tearing things down in service to various dubious moral sentiments, which in fact would turn my own race against me, which would unleash the savagery of the many embittered whites of the South against the poor Negro, which would in fact result in destruction everywhere. So, Mr. Trugood, if you thought I was someone to lead a crusade, change or challenge a law, throw down a gauntlet, burn a barn, sing a hymn, or whatever, why, I am not that man, sir.
Stephen Hunter (Pale Horse Coming (Earl Swagger, #2))
Listen, I haven’t even seen half of what there is to see in Hytanica. You could show me one day.” “You seem to be everywhere in this city,” I scoffed. “There can’t be much left for you to explore. Or have you just been following me around?” “Well, you’re the most interesting feature of the city I’ve come across.” He smirked, and I gave him a sideways glance. Was he admitting to stalking me? Then he chuckled. “As long as I’m assigned to oversee the city, we’re bound to run into each other. I would be lying, however, if I denied that I look forward to our encounters.” Heat again flooded my face. Saadi was making me uncomfortable. I was in danger of liking him too much. “That reminds me,” I said. “I owe you for a lock.” I glanced to see that Dahnath was still talking to Drael. He was holding her hands, preparing to depart. Knowing from the general length of their goodbyes that it would be at least five minutes more, I removed a coin from my pocket. Saadi grinned. “I thought you had forgotten.” “Not at all.” I pressed the coin into his hand. “But you have to go. My sister will be coming to find me at any moment. She can’t see us together or she’ll tell my mother and probably Cannan. We could both end up in dismal straits.” I expected him to ridicule me for being afraid of my mother, but he did not. “What do you say, Shaselle? Two days from now I’ll be off duty.” “You really want to see me?” “Yes,” he confirmed, pale blue eyes sparkling, his bronze hair sticking erratically up in front. “All right then.” “Wonderful. I can meet you whenever, wherev--” “On one condition.” His smile faded and his tone grew wary. “Which is?” “I’ll spend a day with you only if you can beat me in a horse race.” He laughed and shook his head. “Of course I can beat you.” “Then prove it. We’ll each pick a mount and race--I’ll need to borrow one from your Cokyrian stables. Take it or leave it. Either way, I have to go now. But I wouldn’t be so cocky if I were you, boy.” He smiled, intrigued by my challenge. “I’ll take it, but let’s raise the stakes. Make it more worthwhile.” Curious, I motioned for him to go on. “If I win, you agree to spend two days with me, when I’m off duty. If you win, you get to keep the horse you chose to ride.” I stared into his eyes for a long moment, until I was certain he wasn’t toying with me. He knew as well as I did that I would choose one of my father’s horses--one that had been stolen by his sister. He was giving me a chance to bring one of them home. My spirits soared, and I extended my hand. Saadi shook it, then shoved the basket at me, turning to stride away. Just in time, too, for Dahnath was approaching.
Cayla Kluver (Sacrifice (Legacy, #3))
You were your professional, polite, patient self. Or you were the good parent all day long, tolerating whatever was thrown your way by your children, the broken washing machine, your mother-in-law. By the end of the day, you are spent. Like the horse that begins galloping as soon as he sees the stable, you are in a race for your children’s bedtime. Nothing will deter you: “Just eat your dinner, have your bath, and get in bed! Don’t cross me, because I will surely explode.” Even your caregiver might have had it. She did her job with your children all day just as prescribed by you. She is wiped out too. So, what we have is a convergence of exhausted, burned-out, spent people who live in your house. Of course it is the Piranha Hour! While you have the maturity to know that soon you can relax, the children will be asleep, and the dishes will be done, your child does not. He has no resources left. Without the ability to withstand any more frustration, he collapses into a heap, yielding to a full-blown tantrum. He is neither happy nor comfortable, and he wants just the thing that always makes him feel better: You! How can he get your attention now, when you are so crabby? He’ll act out and misbehave, even tantrum, and like always, he will get your attention. That brings the mommy he knows, even if she is angry. Tips and Scripts for Handling a Tantrum There are many different theories about how tantrums should be handled. What works for one child might not work for yours. Moreover, what worked for your firstborn might not work for your second or third. Keep in mind the goal is not only to end the tantrum but also to support your child when he’s gone to the dark side. Don’t reason with your child when she is having a tantrum. In fact, say as little as possible. Children’s little ear flaps close right up when they are in the midst of a breakdown. Save your energy and your talk
Betsy Brown Braun (Just Tell Me What to Say: Simple Scripts for Perplexed Parents)
Your upbringing must have been the complete opposite of lonely,” she said, “with so many brothers and sisters about.” “You know who I am,” he stated. She nodded. “I didn’t at first.” He walked over to the balustrade and leaned one hip against it, crossing his arms. “What gave me away?” “It was your brother, actually. You looked so alike—” “Even with our masks?” “Even with your masks,” she said with an indulgent smile. “Lady Whistledown writes about you quite often, and she never passes up an opportunity to comment upon how alike you look.” “And do you know which brother I am?” “Benedict,” she replied. “If indeed Lady Whistledown is correct when she says that you are tallest among your brothers.” “You’re quite the detective.” She looked slightly embarrassed. “I merely read a gossip sheet. It makes me no different from the rest of the people here.” Benedict watched her for a moment, wondering if she realized that she’d revealed another clue to the puzzle of her identity. If she’d recognized him only from Whistledown, then she’d not been out in society for long, or perhaps not at all. Either way, she was not one of the many young ladies to whom his mother had introduced him. “What else do you know about me from Whistledown?” he asked, his smile slow and lazy. “Are you fishing for compliments?” she asked, returning the half smile with the vaguest tilt of her lips. “For you must know that the Bridgertons are almost always spared her rapier quill. Lady Whistledown is nearly always complimentary when writing about your family.” “It’s led to quite a bit of speculation about her identity,” he admitted. “Some think she must be a Bridgerton.” “Is she?” He shrugged. “Not that I’m aware of. And you didn’t answer my question.” “Which question was that?” “What you know of me from Whistledown.” She looked surprised. “Are you truly interested?” “If I cannot know anything about you, at least I might know what you know about me.” She smiled, and touched the tip of her index finger to her lower lip in an endearingly absentminded gesture. “Well, let’s see. Last month you won some silly horse race in Hyde Park.” “It wasn’t the least bit silly,” he said with a grin, “and I’m a hundred quid richer for it.” She shot him an arch look. “Horse races are almost always silly.” “Spoken just like a woman,” he muttered. “Well—” “Don’t point out the obvious,” he interrupted. That made her smile. “What else do you know?” he asked. “From Whistledown?” She tapped her finger against her cheek. “You once lopped the head off your sister’s doll.” “And I’m still trying to figure out how she knew about that,” Benedict muttered. “Maybe Lady Whistledown is a Bridgerton, after all.” “Impossible. Not,” he added rather forcefully, “that we’re not smart enough to pull it off. Rather, the rest of the family would be too smart not to figure it out.” -Sophie & Benedict
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
Throttle it down a bit, mate, and don't crush that pint. You're gonna need that hand tomorrow. I'm not telling you not to do this, I'm saying stop trying to be Shadow and just be you. When you're in the cockpit you can race 'for him' but you can't 'be him.' You always had great potential, lad, but we both spent so much time making sure the lead horse ran the best race you got left behind." - Luther 'Blackbird' Gregg
T. August Green (Moonracer: The Long Shadow)
I am so proud of you.” It was the last thing Eve expected her mother to say, much less in a public location. “Proud of me?” “Oh, you rode like a Windham. I wish Bartholomew had been alive to see his baby sister out there, soaring over one fence after another. I wish St. Just had been here to brag on you properly. I wish… oh, I wish…” She reached for Eve and enfolded her daughter in a fierce, tight hug. “You showed them, Eve. You showed us all. Deene will be wroth with you for such a stunt, but he’ll get over it. A man in love forgives a great deal. Just ask your father.” Her Grace whispered this between hugs, tighter hugs, and teary smiles. “Mama, Deene is the one who said I ought to ride. I would never have had the…” The courage. The faith in herself. The determination… All the things she’d called upon time after time in the past seven years, her own strengths, and she’d been blind to them. “I could not have ridden that race without my husband’s blessing and support, Mama.” “But you did ride it,” Her Grace said, pulling Eve in for another hug. “I about fainted when you had that bad moment. Your father had to watch the last fences for me, but then the finish… You were a flat streak, you and that horse. I’ve no doubt he’d jump the Channel for you did you ask it. Oh, Eve… You must promise me never to do such a thing again, though. I could not bear it. Your father nearly had another heart seizure.” “I did no such thing, and I will ask you, Duchess, to keep your voice down if you’re going to slander my excellent health in such a manner.” His Grace was capable of bellowing, of shouting down the rafters, of letting every servant on three floors know at once of his frequent displeasures, but the duke was not using ducal volume as he approached his wife and youngest daughter. He was using his husband-voice, his volume respectful, even if his tone was a trifle testy. “Papa.” Eve pulled back from her mother’s embrace to meet her father’s blue-eyed gaze. Mama might be willing to make allowances, but His Grace was another matter entirely. “Evie.” He glanced from daughter to mother. “You’ve upset your mother, my girl. Gave her a nasty moment there at that oxer.” She was to be scolded? That was perhaps inevitable, given that His Grace— Her father pulled her into his arms. “But what’s one bad moment, if it means you’re finally back on the horse, though, eh? I particularly liked how you took the water—that showed style and heart. And that last fence… quite a race you rode, Daughter. I could not be more proud of you.” He extended an arm to the duchess, who joined the embrace with a whispered, “Oh, Percival…” So
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
See the man of business, as he pores over his ledger and account books, and runs his eye over the columns of figures. See the man of pleasure, as he tears over the country with his horses and dogs, or rushes after excitement at the races, the theatre, the card party, or the ball. See the poor thoughtless labourer, as he carries off his hard-earned wages to the public house, and wastes them in ruining both body and soul. See them all, how thoroughly they are in earnest! See them all, how they throw their hearts into what they are doing! And then mark them all at church next Sunday: listless, careless, yawning, sleepy, and indifferent, as if there were no God, and no devil, and no Christ, and no heaven, and no hell! Mark how evident it is that they have left their hearts outside the church! Mark how plain it is that they have no real interest in religion! And then say whether it be not true that many know nothing of the importance of having their sins cleansed away.O, take heed lest this be the case with you!
Anonymous
History records that there was only one Napoleon at the battle of Waterloo — and that he was too small for his job. The fact is there were two Napoleons at Waterloo, and the second one was big enough for his job, with some to spare. The second Napoleon was Nathan Rothschild — the emperor of finance. During the trying months that came before the crash Nathan Rothschild had plunged on England until his own fortunes, no less than those of the warring nations, were staked on the issue. He had lent money direct. He had discounted Wellington's paper. He had risked millions by sending chests of gold through war-swept territory where the slightest failure of plans might have caused its capture. He was extended to the limit when the fateful hour struck, and the future seemed none too certain. The English, in characteristic fashion, believed that all had been lost before anything was lost -— before the first gun bellowed out its challenge over the Belgian plains. The London stock market was in a panic. Consols were falling, slipping, sliding, tumbling. If the telegraph had been invented, the suspense would have been less, even if the wires had told that all was lost. But there was no telegraph. There were only rumors and fears. As the armies drew toward Waterloo Nathan Rothschild was like a man aflame. All of his instincts were crying out for news — good news, bad news, any kind of news, but news — something to end his suspense. News could be had immediately only by going to the front. He did not want to go to the front. A biographer of the family, Mr. Ignatius Balla, 1 declares that Nathan had " always shrunk from the sight of blood." From this it may be presumed that, to put it delicately, he was not a martial figure. But, as events came to a focus, his mingled hopes and fears overcame his inborn instincts. He must know the best or the worst and that at once. So he posted off for Belgium. He drew near to the gathering armies. From a safe post on a hill he saw the puffs of smoke from the opening guns. He saw Napoleon hurl his human missiles at Wellington's advancing walls of red. He did not see the final crash of the French, because he saw enough to convince him that it was coming, and therefore did not wait to witness the actual event. He had no time to wait. He hungered and thirsted for London as a few days before he had hungered and thirsted for the sight of Waterloo. Wellington having saved the day for him as well as for England, Nathan Rothschild saw an opportunity to reap colossal gains by beating the news of Napoleon's 1 The Romance of the Rothschilds, p. 88. 126 OUR DISHONEST CONSTITUTION defeat to London and buying the depressed securities of his adopted country before the news of victory should send them skyward with the hats of those whose brains were still whirling with fear. So he left the field of Waterloo while the guns were still booming out the requiem of all of Napoleon's great hopes of empire. He raced to Brussels upon the back of a horse whose sides were dripping with spur-drawn blood. At Brussels he paid an exorbitant price to be whirled in a carriage to Ostend. At Ostend he found the sea in the grip of a storm that shook the shores even as Wellington was still shaking the luck-worn hope of France. " He was certainly no hero," says Balla, " but at the present moment he feared nothing." Who would take him in a boat and row him to England? Not a boatman spoke. No one likes to speak when Death calls his name, and Rothschild's words were like words from Death. But Rothschild continued to speak. He must have a boatman and a boat. He must beat the news of Waterloo to England. Who would make the trip for 500 francs? Who would go for 800, 1,000? Who would go for 2,000? A courageous sailor would go. His name should be here if it had not been lost to the world. His name should be here and wherever this story is printed, because he said he would go if Rothschild would pay the 2,000 francs to the sailor's wife before
Anonymous
Windsor is contemptuous of the way the media is caught up in personality politics, saying the real story of the government and the revolutionary new workings of a minority parliament are being ignored as the media continues to report as if it’s still a two-horse race.
Kerry-Anne Walsh (Stalking of Julia Gillard: How the media and Team Rudd contrived to bring down the Prime Minister)
While Diana and her mother started planning guest lists, wardrobe requirements and the other details for the wedding of the year, the media vainly attempted to discover her hiding-place. The one man who did know was the Prince of Wales. As the days passed, Diana pined for her Prince and yet he never telephoned. She excused his silence as due to the pressure of his royal duties. Finally she called him only to find that he was not in his apartment at Buckingham Palace. It was only after she called him that he telephoned her. Soothed by that solitary telephone call, Diana’s ruffled pride was momentarily mollified when she returned to Coleherne Court. There was a knock on the door and a member of the Prince’s staff appeared with a large bouquet of flowers. However there was no note from her future husband and she concluded sadly that it was simply a tactful gesture by his office. These concerns were forgotten a few days later when Diana rose at dawn and travelled to the Lambourn home of Nick Gaselee, Charles’s trainer, to watch him ride his horse, Allibar. As she and his detective observed the Prince put the horse through its paces on the gallops Diana was seized by another premonition of disaster. She said that Allibar was going to have a heart attack and die. Within seconds of her uttering those words, 11-year-old Allibar reared its head back and collapsed to the ground with a massive coronary. Diana leapt out of the Land Rover and raced to Charles’s side. There was nothing anyone could do. The couple stayed with the horse until a vet officially certified its death and then, to avoid waiting photographers, Diana left the Gaselees in the back of the Land Rover with a coat over her head. It was a miserable moment but there was little time to reflect on the tragedy. The inexorable demands of royal duty took Prince Charles on to wales, leaving Diana to sympathize with his loss by telephone. Soon they would be together forever, the subterfuge and deceit ended. It was nearly time to let the world into their secret. The night before the engagement announcement, which took place on February 24, 1981, she packed a bag, hugged her loyal friends and left Coleherne Court forever. She had an armed Scotland Yard bodyguard for company, Chief Inspector Paul Officer, a philosophical policeman who is fascinated by runes, mysticism and the after-world. As she prepared to say goodbye to her private life, he told her: “I just want you to know that this is the last night of freedom in your life so make the most of it.” Those words stopped her in her tracks. “They felt like a sword through my heart.
Andrew Morton (Diana: Her True Story in Her Own Words)
The Tarim Mummies’ (Tarim being the name of the river that once drained the now waterless Tarim basin of eastern Xinjiang) are mostly not of Mongoloid race but of now DNA-certified Caucasoid or Europoid descent. Some had brown hair; at least one stood 2 metres (6.5 feet) tall. They are similar to the Cro-Magnon peoples of eastern Europe. So are their clothes and so probably was their language. It is thought to have been ‘proto-Tocharian’, an early branch of the great Indo-European language family that includes the Celtic, Germanic, Greek and Latin tongues as well as Sanskrit and Early Iranian. But Mair and his disciples would not be content to stop there. Several hundred mummies have now been discovered, their preservation being the result of the region’s extreme aridity and the high alkaline content of the desert sands. The graves span a long period, from c. 2000 BC to AD 300, but the forebears of their inmates are thought most probably to have migrated from the Altai region to the north, where there flourished around 2000 BC another Europoid culture, that of Afanasevo. Such a migration would have consisted of several waves and must have involved contact with Indo-European-speaking Iranian peoples as well as Altaic peoples. Since both were acquainted with basic metallurgy and had domesticated numerous animals, including horses and sheep, the mummy people must themselves have acquired such knowledge and may have passed it on to the cultures of eastern China. According to Mair and his colleagues, therefore, the horse, the sheep, the wheel, the horse-drawn chariot, supplies of uncut jade and probably both bronze and iron technology may have reached ‘core’ China courtesy of these Europoid ‘proto-Tocharians’. By implication, it followed that the Europeans who in the seventeenth to nineteenth centuries AD would so embarrass China with their superior technology were not the first. ‘Foreign Devils on the Silk Road’ had been active 4,000 years ago; and thanks to them, China’s ancient civilisation need not be regarded as quite so ‘of itself’. It could in fact be just as derivative, and no more indigenous, than most others. Needless to say, scholars in China have had some difficulty with all this.
John Keay (China: A History)
Listen to me, dearest, most precious wife, but pat the horse while you do, because Dolan is looking this way.” Eve thumped William soundly on the neck, as a male jockey might. “You will win this race not because we have money riding on the outcome. I assure you we can afford the loss, and we don’t honestly need the coin if we win. I promise you this. You will win this race not because it means we keep William—he’s already covered every mare I could possibly put him to. I promise you this as well.” He wasn’t finished. Eve gathered up her reins just as Goblin started to prop in earnest, and the stewards started motioning her closer to the starting line. “There is more I would say, my dear.” Deene reached over and stroked a hand down her shoulder, and Eve felt all manner of tension dissipating at just his touch. “You will win this race because it is yours to win, because this horse is yours to command. I have every faith in you, every faith. But if you don’t win, that hardly matters. I will love you for the rest of my days and beyond, because when I asked for your trust, you gave it to me.” Another
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
Gregory?” Julia’s voice gentled. She had noticed the sudden change in him. “Please talk to me.” Talk was the last thing he wanted from her now. He didn’t want to talk or to think. He didn’t want to continue to hate himself in front of the one person he was beginning to adore. Gregory didn’t speak the truth. Instead, he lashed out with a lie. “Very well, if you must know. I’m tired of waiting for our bargain to be completed.” He practically growled the words as he turned to her, and Julia shrank back in surprise. “If you’re not interested in your duties as a wife, then say so and I’ll be on my way. But your indecision has interfered with my plans, so either return to the house and find your way into my bed, Your Grace, or bid me farewell.” Julia never spoke, only watched calmly as Gregory finished and rose, tromping off to collect his ward. Felicity was still hopping near the creek, gleefully squealing whenever Miss Winslow attempted to get her under control. “Felicity!” he shouted. That got the child’s attention. “Put your shoes on and return to the house at once—” “Your Grace?” Miss Winslow kept one hand to her bonnet, trying to stop the wind from snatching it away, and pointed at something behind him. “The duchess is leaving.” Gregory whirled around in shock and saw that the governess was right. Julia had taken her horse and was currently riding it in the exact opposite direction of the house. She cantered farther ahead, into the heart of the storm as the clouds burst open and rain began to pound the countryside. Dear God, she’d be soaked and catch her death, or else thrown from her horse in the storm and break her neck. “Damn everything to hell,” Gregory snapped. He raced for his own horse, saddled up, and rode hard after his errant wife.
Lydia Drake (Cinderella and the Duke (Renegade Dukes #1))
There is a perhaps understandable reluctance to come to grips scientifically with the problem of race differences in intelligence—to come to grips with it, that is to say, in the same way the scientists would approach the investigation of any other phenomenon. This reluctance is manifested in a variety of ‘symptoms’ found in most writings and discussions of the psychology of race differences. These symptoms include a tendency to remain on the remotest fringes of the subject, to sidestep central questions, and to blur the issues and tolerate a degree of vagueness in definitions, concepts and inferences that would be unseemly in any other realm of scientific discourse. Many writers express an unwarranted degree of skepticism about reasonably well-established quantitative methods and measurements. They deny or belittle facts already generally accepted—accepted, that is, when brought to bear on inferences outside the realm of race differences—and they demand practically impossible criteria of certainty before even seriously proposing or investigating genetic hypotheses, as contrasted with with extremely uncritical attitudes towards purely environmental hypotheses. There is often a failure to distinguish clearly between scientifically answerable aspects of the question and the moral, political and social policy issues; there is tendency to beat dead horses and set up straw men on what is represented, or misrepresented I should say, as the genetic side of the argument. We see appeals to the notion that the topic is either too unimportant to be worthy of scientific curiosity, or is too complex, or too difficult, or that it will be forever impossible for any kind of research to be feasible, or that answers to key questions are fundamentally ‘unknowable’ in any scientifically accepted sense. Finally, we often see complete denial of intelligence and race as realities, or as quantifiable attributes, or as variables capable of being related to one another. In short, there is an altogether ostrich-like dismissal of the subject.
Arthur R. Jensen (Genetics and education)
But why the obsessions? And why these specific subjects? Experts think predictability is a factor. Most autistic people’s hobbies can be categorised or are logical or predictable. Horses or birds belong to animal species and have certain characteristics. Computers do what you tell them to do. (And if they don’t, that’s usually because you – or the software developer – made a mistake. A computer can’t just go and decide to do something wrong because it doesn’t like you, no matter how many people say it can.) Stamps can go into an album, bicycle race results can be compared. And sorting, categorising and calculating simply makes most autistics very happy.
Bianca Toeps (But You Don’t Look Autistic at All (Bianca Toeps’ Books))
...The ever-blossoming additional clauses are most often the Narrator's idea of written language stapled awkwardly onto his knowledge of spoken language: 'Well, besides black hair, this doll has a complexion like I do not know what, and little feet and ankles, and a way of walking that is very pleasant to behold. Personally, I always take a gander at a doll’s feet and ankles before I start handicapping her, because the way I look at it, the feet and ankles are the big tell in the matter of class, although I wish to state that I see some dolls in my time who have large feet and big ankles, but who are by no means bad. But this doll I am speaking of is 100 per cent in every respect, and as she passes, The Humming Bird looks at her, and she looks at The Humming Bird, and it is just the same as if they hold a two hours’ conversation on the telephone, for they are both young, and it is spring, and the way language can pass between young guys and young dolls in the spring without them saying a word is really most surprising, and, in fact, it is practically uncanny.' The naturally exuberant street language (“I always take a gander at a doll’s feet and ankles before I start handicapping her”) always gets topped off by self-conscious writerly gestures (“although I wish to state”; “by no means bad”; “is really most surprising”). The Narrator’s half-conscious knowledge that there are rules out there that you’ve got to respect leads him to overcompensate by respecting the wrong rules; that is, using formal diction where there ought to be vernacular idioms and vernacular idioms where there ought to be formal diction. So Runyon’s key insight into American slang is double: first, that street speech tends to be more, not less, complicated grammatically than “standard” speech; but, second, that slang speakers, when they’re cornered to write, write not just fancy but stiff. In prime Runyon, the two sounds—street ornate and fountain-pen formal—run together into a single argot and beautiful endless sentences: “This Meyer Marmalade is really a most superior character, who is called Meyer Marmalade because nobody can ever think of his last name, which is something like Marmalodowski, and he is known far and wide for the way he likes to make bets on any sporting proposition, such as baseball, or horse races, or ice hockey, or contests of skill and science, and especially contests of skill and science.” When Abe Burrows brilliantly recast Runyonese for Guys & Dolls, what he did instinctively was to scrub off the second, writerly patina and keep in the elaborate speech. This approach worked wonderfully onstage, where we easily accept a stylized dialogue, as we do with David Mamet now.
Adam Gopnik
The legend says a man named Jesse Elliot was horse racing. He must have had a bet or something, 'cause he shouted to his horse, Take me in a winner or take me to hell!" "You said a bad word," Michael interrupted. "It's OK when you're quoting someone else, silly," Brian argued.
Carole Marsh (The Mystery of Blackbeard the Pirate (Real Kids! Real Places! Book 3))
And then, on the day when his grandfather had turned him out of doors, he had been only a child, now he was a man. He felt it. Misery, we repeat, had been good for him. Poverty in youth, when it succeeds, has this magnificent property about it, that it turns the whole will towards effort, and the whole soul towards aspiration. Poverty instantly lays material life bare and renders it hideous; hence inexpressible bounds towards the ideal life. The wealthy young man has a hundred coarse and brilliant distractions, horse races, hunting, dogs, tobacco, gaming, good repasts, and all the rest of it; occupations for the baser side of the soul, at the expense of the loftier and more delicate sides. The poor young man wins his bread with difficulty; he eats; when he has eaten, he has nothing more but meditation. He goes to the spectacles which God furnishes gratis; he gazes at the sky, space, the stars, flowers, children, the humanity among which he is suffering, the creation amid which he beams. He gazes so much on humanity that he perceives its soul, he gazes upon creation to such an extent that he beholds God. He dreams, he feels himself great; he dreams on, and feels himself tender. From the egotism of the man who suffers he passes to the compassion of the man who meditates. An admirable sentiment breaks forth in him, forgetfulness of self and pity for all. As he thinks of the innumerable enjoyments which nature offers, gives, and lavishes to souls which stand open, and refuses to souls that are closed, he comes to pity, he the millionnaire of the mind, the millionnaire of money. All hatred departs from his heart, in proportion as light Free eBooks at Planet eBook.com 1167 penetrates his spirit. And is he unhappy? No. The misery of a young man is never miserable. The first young lad who comes to hand, however poor he may be, with his strength, his health, his rapid walk, his brilliant eyes, his warmly circulating blood, his black hair, his red lips, his white teeth, his pure breath, will always arouse the envy of an aged emperor. And then, every morning, he sets himself afresh to the task of earning his bread; and while his hands earn his bread, his dorsal column gains pride, his brain gathers ideas. His task finished, he returns to ineffable ecstasies, to contemplation, to joys; he beholds his feet set in afflictions, in obstacles, on the pavement, in the nettles, sometimes in the mire; his head in the light. He is firm serene, gentle, peaceful, attentive, serious, content with little, kindly; and he thanks God for having bestowed on him those two forms of riches which many a rich man lacks: work, which makes him free; and thought, which makes him dignified. This is what had happened with Marius. To tell the truth, he inclined a little too much to the side of contemplation. From the day when he had succeeded in earning his living with some approach to certainty, he had stopped, thinking it good to be poor, and retrenching time from his work to give to thought; that is to say, he sometimes passed entire days in meditation, absorbed, engulfed, like a visionary, in the mute voluptuousness of ecstasy and inward radiance. He had thus propounded the problem of his life: to toil as little as possible at material labor, in order to toil as much as possible at the labor which is impalpable; in other words, to bestow a few hours on real life, and to cast the rest to the 1168 Les Miserables infinite. As he believed that he lacked nothing, he did not perceive that contemplation, thus understood, ends by becoming one of the forms of idleness; that he was contenting himself with conquering the first necessities of life, and that he was resting from his labors too soon. It was evident that, for this energetic and enthusiastic nature, this could only be a transitory state, and that, at the first shock against the inevitable complications of destiny, Marius would awaken.
Hugo
I truly hope the efforts of Red Shirt and Colonel Cody can bring about peace between their peoples, Watson. They have much to learn from each other.” I queried my friend, “The white race is far advanced beyond Red Shirt’s people, Holmes. I can see the advantage the Indians would have in being assimilated into American society, but what do they have to offer in return?” Holmes limped over to the window and replied, “They are an honourable and courageous people, Watson. They are also great respecters of nature, whereas the white man runs roughshod over it in the name of progress. We need their wisdom to maintain the delicate balance of man in his place in the natural world.” “Surely science can provide the answers we need, old man,” I answered. My friend crooked his finger at me and bade me join him at the window. The streets were bustling with people and horse drawn vehicles, the London sky was shrouded in a yellowish-grey, poisonous atmosphere from the many smokestacks of homes, trains and factories. “There is the result of science, Doctor,” he said pointing to the murky skyline. “I believe that I would gladly trade this version of ‘civilisation’ for the blue skies and simple ways which the Sioux fought so desperately for. What say you?” Holmes to Watson in Buffalo Bill and the Red Shirt Menace A Sherlock Holmes Alphabet of Cases: Volume One
Roger Riccard (A Sherlock Holmes Alphabet of Cases: Volume 1 (A-E))
Different groups have different priorities. Because Hispanics tend to have low incomes, they support increases in government services, even at the cost of more taxes for others. Most Hispanics supported all five spending initiatives on the May, 2005 California ballot; most whites opposed all five. Prof. Nikolai Roussanov of the Wharton School has found that both blacks and Hispanics spend 50 percent less on medical care than do whites with similar incomes, and that blacks and Hispanics spend 16 percent and 30 percent less, respectively, on education than do whites with similar incomes. Many studies have also found that blacks and Hispanics save less than whites for future goals like retirement. How do they spend their money? Blacks are more likely than whites to buy lottery tickets and to spend disproportionately more money doing so. Prof Roussanov says the biggest difference, however, is that blacks and Hispanics spend 30 percent more than whites with the same income on what he calls “visible goods” meant to convey status, such as clothing, cars, and jewelry. Different groups have different buying patterns. In 2004, Sears decided to turn 97 of its 870 locations into “multicultural stores,” in which clothing, signs, décor, and displays were geared to Hispanics and blacks, who do not have the same tastes and body sizes as whites. Hispanics want “stylish,” form-fitting clothing in bright, loud colors, and the highest heels available. Blacks need more “plus” sizes. In the multicultural stores, Sears displays the loud clothing prominently, near entrances. Clothing white women are likely to buy, such as the more traditional Land’s End line, is in the back. For years there was a Roy Rogers-Dale Evans Museum in Victorville, California, filled with Roy Rogers memorabilia and even his horse Trigger—stuffed, of course. That part of California is now heavily Hispanic, and no one is interested in Roy Rogers. The museum moved to Branson, Missouri, which has become a resort catering to bluegrass and country music fans, who are overwhelmingly white. Victorville immigrant Rosalina Sondoval-Marin did not miss the museum. “Roy Rogers? He doesn’t mean anything,” she said. “There’s a revolution going on, and it don’t include no Roy Rogers.
Jared Taylor (White Identity: Racial Consciousness in the 21st Century)
Horse Racing in Durban from Seawater Three Durban, South Africa was the end of the line for us. We usually did not know how far up the East Coast we would go, since it always depended on our cargo. On the African Enterprise it was different and instead we depended on the passengers. Most of the time the last of the passengers were off the ship before we got to Durban but that was not always a given. I loved Durban where the food was wonderful, and the girls were fun. Kerstin was no exception and was always ready to have a good time. The racetrack was one of the places that we would go to and where, with a little inside information, I would know how to place my bets. When I asked Kerstin why she wasn’t cleaning up at the track she simply said that it was not a sure thing. It was for the same reason that I usually just placed conservative bets, but my returns were still enough to pay for my food, drinks, and ample pocket money. I still do not know why Tiger Wright a “once-was” jockey shared his valuable information with me, but he did it in a coded way. He never just blurted out what he knew, rather he would say things like “If it was me, I would consider…., or I would never place a bet on a horse called ….” Only once did he say that a certain horse was sure to win; and it did! Perhaps he liked me or perhaps he was just bragging but I know that he liked my company. He also definitely loved the company of the beautiful ladies that surrounded him. I knew that he liked Kerstin, but for whatever reason, she did not play his game.
Hank Bracker
She couldn’t deny that her racing heartbeat wasn’t just from the dancing as they walked down the empty hall. Ilias strolled beside her, silent as ever, and she swallowed tightly. What would he say—that is, if he could speak—if he knew that Adarlan’s Assassin had never been kissed? She’d killed men, freed slaves, stolen horses, but she’d never kissed anyone. It was ridiculous, somehow. Something that she should have gotten out of the way at some point, but she’d never found the right person.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
One sort of person, when he has done a kindness to another, is quick also to chalk up the return due to him. A second is not so quick in that way, but even so he privately thinks of the other as his debtor, and is well aware of what he has done. A third sort is in a way not even conscious of his action, but is like the vine which has produced grapes and looks for nothing else once it has borne its own fruit. A horse that has raced, a dog that has tracked, a bee that has made honey, and a man that has done good - none of these knows what they have done, but they pass on to the next action, just as the vine passes on to bear grapes again in due season. So you ought to be one of those who, in a sense, are unconscious of the good they do. 'Yes', he says, 'but this is precisely what one should be conscious of: because it defines the social being to be aware of his social action, and indeed to want his fellow to be aware of it also.' 'True, but you misunderstand the point I am now making: and for that reason you will fall into one of the first categories I mentioned. They too are misled by some sort of plausible logic. But if you want to follow my meaning, don't fear that this will lead you to any deficiency of social action.
Marcus Aurelius (Meditations)