Horror Movie Villain Quotes

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The villains were always ugly in books and movies. Necessarily so, it seemed. Because if they were attractive—if their looks matched their charm and their cunning—they wouldn't only be dangerous. They would be irresistible.
Nenia Campbell (Horrorscape (Horrorscape, #2))
Maybe that was why I adored horror movies and true crime. I identified with the villain, the foe, the outsider. I was always the person who didn’t belong.
Kayla Krantz (What I Did)
Mollie loved horror movies, not so much because she liked to be scared, but mostly because she liked to yell at the people in the movie when they did something stupid.
Matthew Cody (Villainous (Supers of Noble's Green Book 3))
Women have always been the most important part of monster movies. As I walked home one night, I realized why. Making my way down dark city streets to my apartment in Brooklyn, I was alert and on edge. I was looking for suspicious figures, men that could be rapists, muggers or killers. I felt like Laurie Strode in Halloween. Horror is a pressure valve for society's fears and worries: monsters seeking to control our bodies, villains trying to assail us in the darkness, disease and terror resulting from the consequences of active sexuality, death. These themes are the staple of horror films. There are people who witness these problems only in scary movies. But for much of the population, what is on the screen is merely an exaggerated version of their everyday lives. These are forces women grapple with daily. Watching Nancy Thompson escape Freddy Krueger's perverted attacks reminds me of how I daily fend off creeps asking me to smile for them on the subway. Women are the most important part of horror because, by and large, women are the ones the horror happens to. Women have to endure it, fight it, survive it — in the movies and in real life. They are at risk of attack from real-life monsters. In America, a woman is assaulted every nine seconds. Horror films help explore these fears and imagine what it would be like to conquer them. Women need to see themselves fighting monsters. That’s part of how we figure out our stories. But we also need to see ourselves behind-the-scenes, creating and writing and directing. We need to tell our stories, too.
Mallory O'Meara (The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick)
People seem to think horror is anti-woman, but I think a lot of it subverts gender dynamics. In most cases, you don’t want to be the dude in the horror movie. The dudes get dead. They ride in like the hero to save the ladies and the villain is like—nope. The women save themselves.
Roni Loren (What If You & Me (Say Everything, #2))
How to describe the way an attitude can alter a face, the features of which could belong as easily to a librarian or a mild-mannered shoe salesperson, but which, infused by anger or fury, could double for a horror-movie villain?
Candas Jane Dorsey (The Adventures of Isabel: An Epitome Apartments Mystery (1))
And no one went willingly to the villain in a horror movie.
Roxie Ray (Taken by the Vampire King (Baton Rouge Vampire, #1))
Just as every villain imagines themselves a hero, few heroes see when they've become the villain.
Nicholas Tana
That said, I love to go to sleep at 2 a.m. Which is weird, because I’m an extremely jumpy and anxious person, especially in the dark. As soon as night falls, a family of raccoons will skitter across the deck eating compost or a deer will ram its head repeatedly into the garage door, causing my heart to skip several beats as I brace myself for a horror-movie villain to come crashing through the glass door while my wife sleeps peacefully upstairs, blissfully unaware of the corpse she’s unfortunately going to have to heave out of the way when she wakes up to get past the guy in the Scream mask hiding in the closet. But let me tell you what your partner won’t: it’s worth risking getting your head chopped off by Freddy Krueger to watch your makeup tutorials and/or read a couple chapters of your Book of the Month in blissful unadulterated silence.
Samantha Irby (Wow, No Thank You.)