Horrible Manager Quotes

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Toss him over,” Zoya said. “Break his heart cruelly. I will gladly give our poor prince comfort, and I would make a magnificent queen.” I laughed. “You actually might, Zoya. If you could stop being horrible for a minute.” “With that kind of incentive, I can manage a minute. Possibly two.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
This was the consequence of seeing too much and understanding the horrible truth: No one is safe. The world is not manageable.
David Sedaris (When You Are Engulfed in Flames)
Hell needed horribly bright, self-centered people like Eric. They were much better at being nasty than demons could ever manage
Terry Pratchett (Eric (Discworld, #9; Rincewind, #4))
If your body, if your mind, if your emotions, if your energies are not functioning the way you want them to, then this is the worst kind of slavery, because somebody else decides what should happen within you. If somebody else decides what should happen around you, that itself you call as slavery. But if someone decides what should happen within you, is it not a more horrible way of being a slave? But please see, the whole world is in this slavery. The only consolation is everybody is like this.
Sadhguru (Inner Management: In the Presence of the Master)
Surely the people naming antipsychotics could have come up with something less hurtful. After all, we don’t call Viagra the “floppy-dick pill” and hardly any of us refer to anger-management therapy as “maybe-just-stop-being-such-an-asshole class.” I honestly can’t think of any drug that has more of a stigma than antipsychotics.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
It’s horribly unfair you managed that on your first try,” Kaladin noted. “It took me forever.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
I simply don’t understand. I have not the remotest clue what the nature or extent of my neighbor’s woes can be. Practical troubles, griefs that can be assuaged if only there is enough to eat— these may be the most intense of all burning hells, horrible enough to blast to smithereens my ten misfortunes, but that is precisely what I don’t understand: if my neighbors manage to survive without killing themselves, without going mad, maintaining an interest in political parties, not yielding to despair, resolutely pursuing the fight for existence, can their griefs really be genuine? Am I wrong in thinking that these people have become such complete egoists and are so convinced of the normality of their way of life that they have never once doubted themselves?
Osamu Dazai (No Longer Human)
But I thought I fixed this problem, I muttered to myself all day long. I thought I became a nice girl. I picked and picked at my memories, trying to figure out how, despite my best efforts, the horrible, rotten core at the center of myself managed to get past my defenses and worm its way out.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
You’re scared.’ ‘Gods, yes, I’m scared.’ ‘You’re angry.’ ‘At Percy for frightening me,’ she said. ‘At my mom for sending me on that horrible quest in Rome. At … well, pretty much everybody. Gaia. The giants. The gods for being jerks.’ ‘At me?’ Piper asked. Annabeth managed a shaky laugh. ‘Yes, for being so annoyingly calm.’ ‘It’s all a lie.’ ‘And for being a good friend.’ ‘Ha!’ ‘And for having your head on straight about guys and relationships and –’ ‘I’m sorry. Have you met me?
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
[Author's Note:] When I was sixteen, two of my cousins were brutally raped by four strangers and thrown off a bridge in St. Louis, Missouri. My brother was beaten and also forced off the bridge. I wrote about that horrible crime in my first book, my memoir, A Rip in Heaven. Because that crime and the subsequent writing of the book were both formative experience in my life, I became a person who is always, automatically, more interested in stories about victims than perpetrators. I'm interested in characters who suffer inconceivable hardship, in people who manage to triumph over extraordinary trauma. Characters like Lydia and Soledad. I'm less interested in the violent, macho stories of gangsters and law enforcement. Or in any case, I think the world has enough stories like those. Some fiction set in the world of the cartels and narcotraficantes is compelling and important - I read much of it during my early research. Those novels provide readers with an understanding of the origins of the some of the violence to our south. But the depiction of that violence can feed into some of the worst stereotypes about Mexico. So I saw an opening for a novel that would press a little more intimately into those stories, to imagine people on the flip side of that prevailing narrative. Regular people like me. How would I manage if I lived in a place that began to collapse around me? If my children were in danger, how far would I go to save them? I wanted to write about women, whose stories are often overlooked.
Jeanine Cummins (American Dirt)
It strikes me as horribly ironic that you apparently need a Fairy Godmother to properly manage your courtship of a Fairy Godmother.
Jenniffer Wardell (Fairy Godmothers, Inc.)
Then someone else appeared from the crowd, and Annabeth's vision tunneled. Percy smiled at her-that sarcastic, troublemaker's smile that had annoyed her for years but eventually had become endearing. His sea-green eyes were as gorgeous as she remembered. His dark hair was swept to one side, like he'd just come from a walk on the beach. He looked even better than he had six months ago-tanner and taller, leaner and more muscular. Annabeth was to stunned to move. She felt that if she got any closer to him, all the molecules in her body might combust. She'd secretly had a crush on him sonar they were twelve years old. Last summer, she'd fallen for him hard. They'd been a happy couple together for four months-and then he'd disappeared. During their separation, something had happened to Annabeth's feelings. They'd grown painfully intense-like she'd been forced to withdraw from a life-saving medication. Now she wasn't sure which was more excruciating-living with that horrible absence, or being with him again... Annabeth didn't mean to, but she surged forward. Percy rushed toward her at the same time. The crowds tensed. Some reach d for swords that weren't there. Percy threw his arms around her. They kissed, and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, Annabeth wouldn't have cared. Percy smelled of ocean air. His lips were salty. Seaweed Brain, she thought giddily. Percy pulled away and studied her face. "Gods, I never thought-" Annabeth grabbed his wrist and flipped him over her shoulder. He slammed into the stone pavement. Romans cried out. Some surged forward, but Reyna shouted, "Hold! Stand down!" Annabeth put her knee on Percy's chest. She pushed her forearm against his throat. She didn't care what the Romans thought. A white-hot lump of anger expanded in her chest-a tumor of worry and bitterness that she'd been carrying around since last autumn. "Of you ever leave me again," she said, her eyes stinging, "I swear to all the gods-" Percy had the nerve to laugh. Suddenly the lump of heated emotions melted inside Annabeth. "Consider me warned," Percy said. "I missed you, too." Annabeth rose and helped him to his feet. She wanted to kiss him again SO badly, but she managed to restrain herself. Jason cleared his throat. "So, yeah…It's good to be back…" "And this is Annabeth," Jason said. "Uh, normally she doesn't judo-flip people.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Peeta, who spends much of the night roaming the train, hears me screaming as I struggle to break out of the haze of drugs that merely prolong the horrible dreams. He manages to wake me and calm me down. Then he climbs into bed to hold me until I fall back to sleep.
Suzanne Collins (The Hunger Games Trilogy)
She managed a bored sigh. “I suppose we could do one picture, but a group shot won’t work. Nyx, how about one of you with your favorite child? Which one is that?” The brood rustled. Dozens of horrible glowing eyes turned toward Nyx. The goddess shifted uncomfortably, as if her chariot were heating up under her feet. Her shadow horses huffed and pawed at the void. “My favorite child?” she asked. “All my children are terrifying!” Percy snorted. “Seriously? I’ve met the Fates. I’ve met Thanatos. They weren’t so scary. You’ve got to have somebody in this crowd who’s worse than that.” “The darkest,” Annabeth said. “The most like you.” “I am the darkest,” hissed Eris. “Wars and strife! I have caused all manner of death!” “I am darker still!” snarled Geras. “I dim the eyes and addle the brain. Every mortal fears old age!” “Yeah, yeah,” Annabeth said, trying to ignore her chattering teeth. “I’m not seeing enough dark. I mean, you’re the children of Night! Show me dark!” The horde of arai wailed, flapping their leathery wings and stirring up clouds of blackness. Geras spread his withered hands and dimmed the entire abyss. Eris breathed a shadowy spray of buckshot across the void. “I am the darkest!” hissed one of the demons. “No, I!” “No! Behold my darkness!” If a thousand giant octopuses had squirted ink at the same time, at the bottom of the deepest, most sunless ocean trench, it could not have been blacker. Annabeth might as well have been blind. She gripped Percy’s hand and steeled her nerves. “Wait!” Nyx called, suddenly panicked. “I can’t see anything.” “Yes!” shouted one of her children proudly. “I did that!” “No, I did!” “Fool, it was me!” Dozens of voices argued in the darkness. The horses whinnied in alarm. “Stop it!” Nyx yelled. “Whose foot is that?” “Eris is hitting me!” cried someone. “Mother, tell her to stop hitting me!” “I did not!” yelled Eris. “Ouch!” The sounds of scuffling got louder. If possible, the darkness became even deeper. Annabeth’s eyes dilated so much, they felt like they were being pulled out of their sockets. She squeezed Percy’s hand. “Ready?” “For what?” After a pause, he grunted unhappily. “Poseidon’s underpants, you can’t be serious.” “Somebody give me light!” Nyx screamed. “Gah! I can’t believe I just said that!” “It’s a trick!” Eris yelled. “The demigods are escaping!” “I’ve got them,” screamed an arai. “No, that’s my neck!” Geras gagged. “Jump!” Annabeth told Percy. They leaped into the darkness, aiming for the doorway far, far below.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Old Campion had once said he believed - he positively believed, with shudders - that Christopher desired to live in the spirit of Christ. That had seemed horrible to the general, but Mark did not see that it was horrible, per se... He doubted, however, whether Christ would have refused to manage Groby had it been his job. Christ was sort of an Englishman and Englishmen did not as rule refuse their jobs... They had not used to; now no doubt they did.
Ford Madox Ford (Parade's End)
Their presence also offers inestimable aesthetic value to many residents, even if they never manage to see one. Besides that, shooting wolves from airplanes is just plain wrong and reflects horribly on the state’s image. Anyone who doesn’t see things that way is a nearsighted, beetle-browed, knuckle-dragging redneck.
Nick Jans (A Wolf Called Romeo)
These were the distractions I had to choose from. There were no other lights burning downtown after nine o'clock. On starlight nights I used to pace up and down those long, cold streets, scowling at the little, sleeping houses on either side, with their storm-windows and covered back porches. They were flimsy shelters, most of them poorly built of light wood, with spindle porch-posts horribly mutilated by the turning-lathe. Yet for all their frailness, how much jealousy and envy and unhappiness some of them managed to contain! The life that went on in them seemed to me made up of evasions and negations; shifts to save cooking, to save washing and cleaning, devices to propitiate the tongue of gossip. This guarded mode of existence was like living under a tyranny. People's speech, their voices, their very glances, became furtive and repressed. Every individual taste, every natural appetite, was bridled by caution. The people asleep in those houses, I thought, tried to live like the mice in their own kitchens; to make no noise, to leave no trace, to slip over the surface of things in the dark. The growing piles of ashes and cinders in the back yards were the only evidence that the wasteful, consuming process of life went on at all. On Tuesday nights the Owl Club danced; then there was a little stir in the streets, and here and there one could see a lighted window until midnight. But the next night all was dark again.
Willa Cather (My Ántonia)
Her head snaps in my direction, eyes vibrant with ire. “What in the actual fuck? How the hell do you manage to attract women with your horrible personality? I really don’t get it. Unless they’re all brain-dead idiots and they duct-tape your mouth shut while they’re riding you.” She tilts her head, as if considering that, and nods once. “That has to be it. I can see how that might be doable.” “What the hell are you talking about?” And did she just fantasize about riding me with my mouth duct-taped shut? Why is that hot?
Helena Hunting (A Favor for a Favor (All In, #2))
Now that it’s been said, I feel like everything else, no matter how horrible, is manageable.
Mindy McGinnis (The Female of the Species)
Lu’s face is half-mashed against the ground, but still she manages to twist her mouth into a horrible smile, a leering half grin.
Lauren Oliver (Requiem (Delirium, #3))
Once out of the mailroom, I began to learn more about fear. As soon as fear begins to ascend, anatomically, from the pit of the stomach to the throat and brain, from fear of violence to the more nameless kind, you come to believe you are part of a horrible experiment. I learned to distrust those superiors who encouraged independent thinking. When you gave it to them, they returned it in the form of terror, for they knew that ideas, only that, could hasten their obsolescence. Management asked for new ideas all the time; memos circulated down the echelons, requesting bold and challenging concepts. But I learned that new ideas could finish you unless you wrapped them in a plastic bag. I learned that most of the secretaries were more intelligent than most of the executives and that the executive secretaries were to be feared more than anyone. I learned what closed doors meant and that friendship was not negotiable currency and how important it was to lie even when there was no need to lie. Words and meanings were at odds. Words did not say what was being said nor even its reverse. I learned to speak a new language and soon mastered the special elements of that tongue.
Don DeLillo (Américana)
What you must accept is that life can be messy, irrational, and horribly sad. Some things and people are out of our control, no matter how hard we try to manage them. It serves no purpose to waste energy in questioning every action you may or may not have taken. Such unending reassessment simply weighs you down and keeps you from appreciating the gifts that life has granted you, here and now.
Vanessa Kelly (The Highlander's Princess Bride (The Improper Princesses, #3))
They tried shooting at the squirrels, and they wasted many arrows before they managed to bring one down on the path. But when they roasted it, it proved horrible to taste, and they shot no more squirrels.
J.R.R. Tolkien (The Hobbit)
I just came from Bunker Hill,’ I told Sam. ‘Hel offered me a reunion with my mother.’ I managed to tell her the story. Samirah reached out as if to touch my arm, then apparently changed her mind. ‘I’m so sorry, Magnus. But Hel lies. You can’t trust her. She’s just like my father, only colder. You made the right choice.’ ‘Yeah … still. You ever do the right thing, and you know it’s the right thing, but it leaves you feeling horrible?’ ‘You’ve just described most days of my life.’ Sam pulled up her hood. ‘When I became a Valkyrie … I’m still not sure why I fought that frost giant. The kids at Malcolm X were terrible to me. The usual garbage: they asked me if I was a terrorist. They yanked off my hijab. They slipped disgusting notes and pictures into my locker. When that giant attacked … I could’ve pretended to be just another mortal and got myself to safety. But I didn’t even think about running away. Why did I risk my life for those kids?’ I smiled. ‘What?’ she demanded. ‘Somebody once told me that a hero’s bravery has to be unplanned – a genuine response to a crisis. It has to come from the heart, without any thought of reward.’ Sam huffed. ‘That somebody sounds pretty smug.’ ‘Maybe you didn’t need to come here,’ I decided. ‘Maybe I did. To understand why we’re a good team.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
It’s a sad reality, but in our relationships as a species, we treat each other as objects to be owned and possessed. But once we do manage to cage or “secure” our partners to “be our everything,” we suffer horribly. Once we metaphorically capture that beautiful bird we were initially attracted to, we feel guilty every time the bird chirps: we are reminded that we’ve taken away the very thing that made the bird so beautiful in the first place.
Mateo Sol (Twin Flames and Soul Mates: How to Find, Create, and Sustain Awakened Relationships)
Good evening," it lowed and sat back heavily on its haunches, "I am the main Dish of the Day. May I interest you in parts of my body? It harrumphed and gurgled a bit, wriggled its hind quarters into a more comfortable position and gazed peacefully at them. Its gaze was met by looks of startled bewilderment from Arthur and Trillian, a resigned shrug from Ford Prefect and naked hunger from Zaphod Beeblebrox. "Something off the shoulder perhaps?" suggested the animal. "Braised in a white wine sauce?" "Er, your shoulder?" said Arthur in a horrified whisper. "But naturally my shoulder, sir," mooed the animal contentedly, "nobody else's is mine to offer." Zaphod leapt to his feet and started prodding and feeling the animal's shoulder appreciatively. "Or the rump is very good," murmured the animal. "I've been exercising it and eating plenty of grain, so there's a lot of good meat there." It gave a mellow grunt, gurgled again and started to chew the cud. It swallowed the cud again. "Or a casserole of me perhaps?" it added. "You mean this animal actually wants us to eat it?" whispered Trillian to Ford. "Me?" said Ford, with a glazed look in his eyes. "I don't mean anything." "That's absolutely horrible," exclaimed Arthur, "the most revolting thing I've ever heard." "What's the problem, Earthman?" said Zaphod, now transferring his attention to the animal's enormous rump. "I just don't want to eat an animal that's standing there inviting me to," said Arthur. "It's heartless." "Better than eating an animal that doesn't want to be eaten," said Zaphod. "That's not the point," Arthur protested. Then he thought about it for a moment. "All right," he said, "maybe it is the point. I don't care, I'm not going to think about it now. I'll just ... er ..." The Universe raged about him in its death throes. "I think I'll just have a green salad," he muttered. "May I urge you to consider my liver?" asked the animal, "it must be very rich and tender by now, I've been force-feeding myself for months." "A green salad," said Arthur emphatically. "A green salad?" said the animal, rolling his eyes disapprovingly at Arthur. "Are you going to tell me," said Arthur, "that I shouldn't have green salad?" "Well," said the animal, "I know many vegetables that are very clear on that point. Which is why it was eventually decided to cut through the whole tangled problem and breed an animal that actually wanted to be eaten and was capable of saying so clearly and distinctly. And here I am." It managed a very slight bow. "Glass of water please," said Arthur. "Look," said Zaphod, "we want to eat, we don't want to make a meal of the issues. Four rare steaks please, and hurry. We haven't eaten in five hundred and seventy-six thousand million years." The animal staggered to its feet. It gave a mellow gurgle. "A very wise choice, sir, if I may say so. Very good," it said. "I'll just nip off and shoot myself." He turned and gave a friendly wink to Arthur. "Don't worry, sir," he said, "I'll be very humane." It waddled unhurriedly off to the kitchen. A matter of minutes later the waiter arrived with four huge steaming steaks.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
For three days he has pursued me," she said, "through this horrible world. How I have passed through in safety I cannot guess, nor how I have always managed to outdistance him; yet I have done it, until just as you discovered me.
Edgar Rice Burroughs (The Land That Time Forgot (Caspak, #1))
Position B: Wolves, as top predators, are a natural part of healthy, complex, self-regulating ecosystems, and removing most of them (the plans call for 80, even 100 percent reduction in certain management units) is only bound to screw things up. Without wolves, deer and moose numbers explode in unsustainable numbers, then crash, over and over. Wolves, too, are a valued resource on which trappers and subsistence hunters depend, and a multimillion-dollar cash cow attracting throngs of ecotourists and photographers. Their presence also offers inestimable aesthetic value to many residents, even if they never manage to see one. Besides that, shooting wolves from airplanes is just plain wrong and reflects horribly on the state’s image. Anyone who doesn’t see things that way is a nearsighted, beetle-browed, knuckle-dragging redneck.
Nick Jans (A Wolf Called Romeo)
Old Campion had once said that he believed – he positively believed, with shudders – that Christopher desired to live in the spirit of Christ. That had seemed horrible to the general, but Mark did not see that it was horrible, per se.… He doubted, however, whether Christ would have refused to manage Groby had it been his job. Christ was a sort of an Englishman and Englishmen did not as a rule refuse to do their jobs.… They had not used to; now no doubt they did. It was a Russian sort of trick. He had heard that even before the revolution great Russian nobles would disperse their estates, give their serfs their liberty, put on a hair shirt and sit by the roadside begging.… Something like that. Perhaps Christopher was a symptom that the English were changing. He himself was not. He was just lazy and determined – and done with it!
Ford Madox Ford (Parade's End (Vintage Classics))
Of all the noble, vaunted heroes we hear about, at least half were contemptible liars and schemers who used their influence to claim achievements and write the histories, and managed to succeed. Of those who really did give everything for truth and justice, two-thirds choked to death horribly and quietly in the dust of history, forgotten by everyone, and the remaining one-third had their reputations smeared into eternal infamy, just like Song Cheng. Only a tiny percentage were remembered as they were by history, less than the exposed corner of the iceberg.
Liu Cixin (To Hold Up the Sky)
My own grandfather died after a long, debilitating bout with Alzheimer’s, including one memorable Christmas Eve where he managed to steal the car keys in the middle of the night and disappear for seven hours into downtown Honolulu. Ho-ho-horrible Christmas morning to you too, family.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
She strong-armed the swinging door and walked through. Straight into an acid flashback. Clara’s first reaction was to laugh. She stood stunned for a moment then started to laugh. And laugh. And laugh until she thought she’d piddle. Peter was soon infected and began laughing. And Gamache, who up until this moment had only seen a travesty, smiled, then chuckled, then laughed and within moments was laughing so hard he had to wipe away tears. ‘Holy horrible taste, Batman,’ said Clara to Peter who doubled over, laughing some more. ‘Solid, man, solid,’ he gasped and managed to raise a peace sign before having to put both hands on his knees to support his heaving body.
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
In September 1970, airplane tickets were outrageously expensive, which meant only the rich could travel. OK, that wasn’t entirely true for an enormous number of young people whom these outdated media outlets could see only for their outward appearance: they wore their hair long, dressed in bright-colored clothing, and never took a bath (which was a lie, but these young kids didn’t read the newspaper, and the older generation believed any news item that served to denigrate those they considered “a danger to society and common decency”). They were a danger to an entire generation of diligent young boys and girls trying to succeed in life, with their horrible example of lewdness and “free love,” as their detractors liked to say with disdain. Well, this ever-growing number of kids had a system for spreading news that no one, absolutely no one, ever managed to detect.
Paulo Coelho (Hippie)
When I look at Auggie and all the challenges he has to face on a daily basis,” he said, patting his heart. “I’m in awe of how he manages to simply show up every day. With a smile on his face. And I want him to have validation that this year was a triumph for him. That he’s made an impact. I mean, the way the kids rallied around him after the horrible incident at the nature reserve? It was because of him. He inspired that kindness in them.
R.J. Palacio (Shingaling (Wonder, #1.7))
My point is that focusing on the past, present or future can have both positive and negative effects. Excessive worry about the future can be bad, while hopes and dreams can be good. Regret because of the past can be destructive, but learning lessons from previous events and having good memories can be great. Focusing intently on the present is usually stress-relieving and liberating, but sometimes the present moment is too sad or horrible to dwell on.
Gudjon Bergmann (Yes! You Can Manage Stress: Regain Control of Your Life Using the Five Habits of Effective Stress Management)
This is not an argument with psychiatry. Mental and physical illness are equally real and horrible. As with any long-term illness, some people with ME/CFS will develop comorbid depression and other mental health problems – where CBT can be of help alongside good quality general management. The argument here is with a flawed model of causation assuming efficacy for CBT and GET while taking no significant account of varying clinical presentations and disease pathways.
Charles Shepherd
She hurt her hand.” Sabrina managed a frown. “Terrible, really. Awful accident. Sad. Horribly painful. She almost lost full use of her hand.” “Whatever happened?” he asked. “Happened?” Sabrina blinked at the question, her face going blank briefly, then filling with desperation. “She… er… she… er… pricked her finger doing embroidery!” she finished triumphantly, and Brinna nearly groaned aloud as what sounded suspiciously like a snort of laughter burst from Lord Thurleah.
Lynsay Sands (Three French Hens)
Your father’s death was an accident,” Kate said. “An accident. A terrible, horrible twist of fate that no one could have predicted.” Anthony shrugged fatalistically. “I’ll probably go the same way.” “Oh, for the love of—” Kate managed to bite her tongue a split second before she blasphemed. “Anthony, I could die tomorrow as well. I could have died today when that carriage rolled on top of me.” He paled. “Don’t ever remind me of that.” “My mother died when she was my age,” Kate reminded him harshly. “Did you ever think of that? By your laws, I should be dead by my next birthday.” “Don’t be—” “Silly?” she finished for him. Silence reigned for a full minute. Finally, Anthony said, his voice barely above a whisper, “I don’t know if I can get past this.” “You don’t have to get past it,” Kate said. She caught her lower lip, which had begun to tremble, between her teeth, and then laid her hand on an empty spot on the bed. “Could you come over here so I can hold your hand?” Anthony responded instantly; the warmth of her touch flooded him, seeping through his body until it caressed his very soul. And in that moment he realized that this was about more than love. This woman made him a better person. He’d been good and strong and kind before, but with her at his side, he was something more. And together they could do anything. It almost made him think that forty might not be such an impossible dream. “You don’t have to get past it,” she said again, her words blowing softly between them. “To be honest, I don’t see how you could get completely past it until you turn thirty-nine. But what you can do”— she gave his hand a squeeze, and Anthony somehow felt even stronger than he had just moments before—“ is refuse to allow it to rule your life.” “I realized that this morning,” he whispered, “when I knew I had to tell you I loved you. But somehow now— now I know it.” She nodded, and he saw that her eyes were filling with tears. “You have to live each hour as if it’s your last,” she said, “and each day as if you were immortal." -Kate & Anthony
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
It needs saying from the outset that it's always very easy to declare that other people are idiots, but only if you forget how idiotically difficult being human is. ... Because there's such an unbelievable amount that we're all supposed to be able to cope with these days. ... Some of us never manage to get the chaos under control. ... So we learn to pretend. ... We don't have a plan, we just do our best to get through the day, because there'll be another one coming along tomorrow. ... It's so horribly, desperately easy to fail at being grown-up.
Fredrik Backman (Anxious People)
i have not the remotest clue what the nature or extent of my neighbor's woes can be. practical troubles, griefs that can be assuaged if only there is enough to eat—these may be the most intense of all burning hells, horrible enough to blast to smithereens my ten misfortunes, but that is precisely what i don't understand: if my neighbors manage to survive without killing themselves, without going mad, maintaining an interest in political parties, not yielding to despair, resolutely pursuing the fight for existence, can their griefs really be genuine?
Osamu Dazai
...at Newsweek only girls with college degrees--and we were called "girls" then--were hired to sort and deliver the mail, humbly pushing our carts from door to door in our ladylike frocks and proper high-heeled shoes. If we could manage that, we graduated to "clippers," another female ghetto. Dressed in drab khaki smocks so that ink wouldn't smudge our clothes, we sat at the clip desk, marked up newspapers, tore out releveant articles with razor-edged "rip sticks," and routed the clips to the appropriate departments. "Being a clipper was a horrible job," said writer and director Nora Ephron, who got a job at Newsweek after she graduated from Wellesley in 1962, "and to make matters worse, I was good at it.
Lynn Povich (The Good Girls Revolt: How the Women of Newsweek Sued their Bosses and Changed the Workplace)
The day-to-day changes in Amy amazed me: the next evening Raye called me from the studio to say that she and Mark had had a really good day working. He also said that she had been able to take her prescribed Subutex, as she had been drug-free for twelve hours. When it came time for her next dose, though, she couldn’t have it as, once again, she had taken other drugs. As a result, she went into withdrawal and the whole process started yet again. That Sunday, I drove down to the Henley studio to find Amy in bed. She was filthy and suffering the effects of withdrawal. I managed to get her into the shower, realizing again how painfully thin she was. If Amy had died at that point, I wouldn’t have been at all surprised. I put her back to bed and stayed with her until she fell asleep. Sitting in a chair next to her bed, I despaired. I was running out of ideas. If she took drugs she couldn’t take Subutex for twelve hours. If she didn’t take Subutex she went into withdrawal so she took more drugs. A horrible vicious circle.
Mitch Winehouse
A pre-mortem typically starts with the leader asking everyone in the team to imagine that the project has gone horribly wrong and to write down the reasons why on a piece of paper. He or she then asks everyone to read a single reason from the list, starting with the project manager, before going around the table again. Klein cites examples where issues have surfaced that would otherwise have remained buried. ‘In a session held at one Fortune 50-size company, an executive suggested that a billion-dollar environmental sustainability project had “failed” because interest waned when the CEO retired,’ he writes. ‘Another pinned the failure on a dilution of the business case after a government agency revised its policies.’15 The purpose of the pre-mortem is not to kill off plans, but to strengthen them. It is also very easy to conduct. ‘My guess is that, in general, doing a pre-mortem on a plan that is about to be adopted won’t cause it to be abandoned,’ Kahneman has said. ‘But it will probably be tweaked in ways that everybody will recognize as beneficial. So the pre-mortem is a low-cost, high-pay-off kind of thing.
Matthew Syed (Black Box Thinking: The Surprising Truth About Success)
Noboru started awake as something ferociously strong hauled him out of the dresser by the seat of his pants. For a minute, he didn’t realize what had happened. His mother’s slender, supple hands were falling on his nose and lips and mouth and he couldn’t hold his eyes open. It was the first time she had ever laid a hand on him. He lay almost prostrate on the floor, one of his legs thrust into a tangle of shirts and underwear scattered when they had stumbled over the drawer. He hadn’t imagined his mother could muster such terrific strength. Finally he managed to look up at the panting figure glaring down at him. The skirts of her dark-blue robe were wide open, the fleshy swells of her lower body looked grotesquely massive and threatening. Soaring high above the gradually tapering trunk was her face, gasping, grieved, turned horribly old in an instant and drenched in tears. The bulb on the distant ceiling wreathed her bedraggled hair with a lunatic halo. All this Noboru took in at a glance and at the back of his icy brain a memory stirred: it was as if he had participated in this same moment a long time ago. This, beyond a doubt, was the punishment scene he had watched so often in his dreams.
Yukio Mishima (The Sailor Who Fell From Grace With The Sea)
I will never forget the sensation that plagued my body as my husband’s business partner told me of Jeff’s fate that day. As his words reached my ears, I found myself in a fog of utter disbelief and paralyzing fear. It was almost as if I was part of a movie. As his business partner was telling me what happened, life began to move in slow motion and I was trying to convince myself that what I was hearing wasn’t true. “Jeff has been in a horrible car accident and has been airlifted to Advocate Christ Hospital,” he said. I couldn’t believe what I was hearing. Not my Jeff. There’s no way. The tears came without warning. It was as if a dam broke on a lake I didn’t know existed. This wasn’t really happening. We were a young couple with two small children living the American dream. We had everything going for us. This couldn’t really be happening to me. To us. To him. I had to force myself to focus on his words, “Wait, where was he taken again?” I asked. He repeated the name, but it didn’t sound any more familiar. “Where is that?” I asked. “In Chicago,” he said. Why Chicago? I wondered. I thanked him and somehow managed to end the conversation without completely losing it. God kept me focused and at peace. I still don’t remember how I got everything done that day.
Jeff Huxford (Finding Normal: An Uninvited Change, An Unexpected Outcome)
I’ll tell you what,” she said, prepared to make a deal. “Let’s see how your ‘diplomacy’ would profit us. If you can give me a decent solution to a pretend situation, I’ll agree to have you accompany me instead of Shanks. Although, I don’t know how wise it is to leave a Viidun captain on the Kemeniroc in your absence.” Derian agreed to the test. “Okay, what’s your question?” She thought hard for a moment; her eyes scrunching in concentration, lips pulled down to one side. Then, as a crooked grin spread across her lips, she set up an imagined scenario. “Pretend we’re down on the planet with this King Wennergren when he graciously offers to walk us through his cherished garden. While we’re there he begs me to touch his favorite, award-winning flower, hoping my powers will make it thrive and blossom. But for some strange reason it doesn’t respond to me the way plants do on our world. Instead of thriving, the flower withers and dies right before his shocked and furious eyes. Now pretend he’s easily offended and has a horrible temper…” Derian cut it. “You have no idea what his temperament is like.” “I know. That’s not the point.” Her eyes scolded him for interrupting. “Just pretend that he becomes outraged by my actions, assuming that I purposefully destroyed his prized plant. The angry king orders both of us to be seized and thrown into his deep, dark, inescapable dungeon. But, somehow we manage to dodge his line of soldiers and run into a nearby congested jungle, hiding beneath the foliage from our determined pursuers. “Finally, pretend that we trudge along for hours, so deep within the trees that we begin to hear howling in the distance from dangerous, hungry beasts. They seem to sound off all around us. Every now and then we hear weapon’s fire as King Wennergren’s men fend off these wild animals. This only reminds us that the soldiers are still in pursuit. Far, far buried within the dark jungle we spot a clearing and head for it. Unfortunately, once we reach it we come across an entire pack of ferocious animals who begin to stalk us. So we turn around, only to face a line of soldiers from behind, pointing their weapons our direction. We’re surrounded by danger on both sides, Derian! Now, what do you do?” She looked at him, wide-eyed and expectant. “Eena, you have a terribly overactive imagination,” he said flatly. She rolled her eyes, then impatiently asked him again, “Well? What would you do?” “I’d stop pretending." She fell back in her chair, groaning. “You’re still not going.” “Try and stop me,” he dared. “You know I can,” she reminded him. He glared at her. “When the time comes, we’ll see.
Richelle E. Goodrich (Eena, The Return of a Queen (The Harrowbethian Saga #2))
Coley and I had to separate to get around a girl who was mostly eclipsed by the size of the power she was carrying some sort of project about World War II—a picture of Hitler doing his mustachioed Sieg heil, a gaunt concentration camp victim, a couple of American soldiers smoking cigarettes and scowling at the camera, the captions beneath each photo in glitter-bubble letters. If this had been the movie version of my life, I knew, somebody who did teenage stuff well, some director, would have lingered on that poster and maybe even have swelled some poignant music, out is in slow motion as the hallway continued on at regular speed around us, backlit the three of us—Coley and the poster board chick and me—and in doing so tried to make some statement about teenage frivolity and prom season as it stacked up against something authentic and horrible like war. But if renting all those movies had taught me anything more than how to lose myself in them, it was that you only actually have perfectly profound little moments like that in real life if you recognize them yourself, do all the fancy shot work and editing in your head, usually in the very seconds that whatever is happening is happening. And even if you do manage to do so, just about never does anyone else you’re with at the time experience that exact same kind of moment, and it’s impossible to explain as it’s happening, and then the moment is over.
Emily M. Danforth (The Miseducation of Cameron Post)
Coley and I had to separate to get around a girl who was mostly eclipsed by the size of the poster she was carrying, some sort of project about World War Two—a picture of Hitler doing his mustachioed Sieg heil, a gaunt concentration-camp victim, a couple of American soldiers smoking cigarettes and scowling at the camera, the captions beneath each photo in glitter-bubble letters. If this had been the movie version of my life, I knew, somebody who did teenage stuff well, some director, would have lingered on that poster and maybe even have swelled some sort of poignant music, put us in slow motion as the hallway continued on at regular speed around us, backlit the three of us—Coley and the posterboard chick and me—and in doing so tried to make some statement about teenage frivolity and prom season as it stacked up against something authentic and horrible like war. But if renting all those movies had taught me anything more than how to lose myself in them, it was that you only actually have perfectly profound little moments like that in real life if you recognize them yourself, do all the fancy shot work and editing in your head, usually in the very seconds that whatever is happening is happening. And even if you do manage to do so, just about never does anyone else you’re with at the time experience that exact same kind of moment, and it’s impossible to explain it as it’s happening, and then the moment is over.
Emily M. Danforth (The Miseducation of Cameron Post)
I sucked on a blade of grass and watched the millwheel turn. I was lying on my stomach on the stream's opposite bank, my head propped in my hands. There was a tiny rainbow in the mist above the froth and boil at the foot of the waterfall, and an occasional droplet found its way to me. The steady splashing and the sound of the wheel drowned out all other noises in the wood. The mill was deserted today, and I contemplated it because I had not seen its like in ages. Watching the wheel and listening to the water were more than just relaxing. It was somewhat hypnotic. … My head nodding with each creak of the wheel, I forced everything else from my mind and set about remembering the necessary texture of the sand, its coloration, the temperature, the winds, the touch of salt in the air, the clouds... I slept then and I dreamed, but not of the place that I sought. I regarded a big roulette wheel, and we were all of us on it-my brothers, my sisters, myself, and others whom I knew or had known-rising and falling, each with his allotted section. We were all shouting for it to stop for us and wailing as we passed the top and headed down once more. The wheel had begun to slow and I was on the rise. A fair-haired youth hung upside down before me, shouting pleas and warnings that were drowned in the cacophony of voices. His face darkened, writhed, became a horrible thing to behold, and I slashed at the cord that bound his ankle and he fell from sight. The wheel slowed even more as I neared the top, and I saw Lorraine then. She was gesturing, beckoning frantically, and calling my name. I leaned toward her, seeing her clearly, wanting her, wanting to help her. But as the wheel continued its turning she passed from my sight. “Corwin!” I tried to ignore her cry, for I was almost to the top. It came again, but I tensed myself and prepared to spring upward. If it did not stop for me, I was going to try gimmicking the damned thing, even though falling off would mean my total ruin. I readied myself for the leap. Another click... “Corwin!” It receded, returned, faded, and I was looking toward the water wheel again with my name echoing in my ears and mingling, merging, fading into the sound of the stream. … It plunged for over a thousand feet: a mighty cataract that smote the gray river like an anvil. The currents were rapid and strong, bearing bubbles and flecks of foam a great distance before they finally dissolved. Across from us, perhaps half a mile distant, partly screened by rainbow and mist, like an island slapped by a Titan, a gigantic wheel slowly rotated, ponderous and gleaming. High overhead, enormous birds rode like drifting crucifixes the currents of the air. We stood there for a fairly long while. Conversation was impossible, which was just as well. After a time, when she turned from it to look at me, narrow-eyed, speculative, I nodded and gestured with my eyes toward the wood. Turning then, we made our way back in the direction from which we had come. Our return was the same process in reverse, and I managed it with greater ease. When conversation became possible once more, Dara still kept her silence, apparently realizing by then that I was a part of the process of change going on around us. It was not until we stood beside our own stream once more, watching the small mill wheel in its turning, that she spoke.
Roger Zelazny (The Great Book of Amber (The Chronicles of Amber, #1-10))
1. Take a moment from time to time to remember that you are alive. I know this sounds a trifle obvious, but it is amazing how little time we take to remark upon this singular and gratifying fact. By the most astounding stroke of luck an infinitesimal portion of all the matter in the universe came together to create you and for the tiniest moment in the great span of eternity you have the incomparable privilege to exist. For endless eons there was no you. Before you know it, you will cease to be again. And in between you have this wonderful opportunity to see and feel and think and do. Whatever else you do with your life,nothing will remotely compare with the incredible accomplishment of having managed to get yourself born. Congratulations. Well done. You really are special. 2. But not that special. There are five billion other people on this planet, every one of them just as important, just as central to the great scheme of things, as you are. Don't ever make the horrible, unworthy mistake of thinking yourself more vital and significant than anyone else. Nearly all the people you encounter in life merit your consideration. Many of them will be there to help you-to deliver your pizza, bag your groceries, clean up the motel room you have made such a lavish mess of. If you are not in the habit of being extremely nice to these people, then get in the habit now. Millions more people, most of whom you will never meet or even see, won't help you, indeed can't help you, may not even be able to help themselves. They deserve your compassion. We live in a sadly heartless age, when we seem to have less and less space in our consciences and our pocketbooks for the poor and lame and dispossessed, particularly those in far-off lands.
Bill Bryson (I'm a Stranger Here Myself: Notes on Returning to America After Twenty Years Away)
Then, as if he’d figured out what produced the maximum reaction in her, he switched back to Chopin. Just like that night in her childhood, the music slipped past her defenses and produced a deep contraction inside her, equal parts pain and pleasure. It went deeper still, until the tears began to rise, and she could only sit there, crying, trying to display only her expressionless left side so he wouldn’t notice. She’d been numb and it had felt good. Okay, not good. But safe. Manageable. He kept playing, soulful, stirring pieces that seemed chosen for their ability to pierce her heart deeper, deeper. She was crying audibly now, and he stopped and regarded her impassively. It couldn’t have been more awkward. She worked to compose herself and only then did she look up and meet his eyes. “Well,” he said, “I think it’s safe to say that dance is not done with you yet.” She stared at him in disbelief. “You did this on purpose. Tried to provoke a reaction.” “I suppose I did.” What a horrible, disreputable person he was. No wonder Misha had seemed anxious about having him around this weekend. “That was a pretty shitty thing to do.” “Not at all,” he replied. “I was just helping you see where you stand with your art. You need it. It nourishes you. That’s not going to go away just because you’re sidelined for a year or two.” “Two years?” She wasn’t sure which appalled her more, his words or his casual attitude. “Whatever. Point being, you’re still a dancer. It couldn’t be more obvious. That gorgeous body of yours, the way it moves. The way you’re sitting there now, all swept away by the music. You’re a dancer. You can’t not be one. Ever.” The truth of this, the twin emotions of fragile hope and crushing despair, crashed into her. He was right. And right then, the truth hurt. Now that the numbness was gone, it all hurt. The tears rose up again and spilled out. She heard Misha come in through the front door. David looked anxious. “Look, Dena. I just want to make sure you’re looking at the issue clearly.” Misha
Terez Mertes Rose (Outside the Limelight (Ballet Theatre Chronicles, #2))
In less than a week, Harvard was going to call on his darling Neil and explain how sorry he was for all his imaginary offenses, and Neil would say that he’d only been put off by Harvard’s awful best friend. Then Harvard would realize everything had been Aiden’s fault all along, and also Neil would tell Harvard that he missed him, and they would get back together. Aiden would have to pretend he was happy for them. This was one of a very few, very precious days, like fairy gold turning to dust and leaves as they slipped through his fingers. And Aiden was wasting it by being sick and disgusting. “Sorry for being gross,” Aiden murmured into his pillow. “Hey, no,” said Harvard. “You’re still really cute.” Aiden scoffed into the pillow, which turned into more coughing. Harvard patted him on the back. Harvard was so good at this boyfriend thing it was ridiculous. He was screwing up the boyfriend curve for all other boyfriends. That was why Aiden didn’t want any of the others. He felt horrible and unpleasantly hot, and he could only bear this when Harvard was with him. Most of life was generally unfair and unpleasant, but it was all right if Harvard was there. “Stay with me until I go to sleep,” Aiden murmured, willfully forgetting that lunch was over and Harvard should go to class. For Aiden, Harvard would usually break the rules. “If you want me to,” Harvard murmured back. Aiden was ill and miserable and unguarded enough to whisper, “I never want anything but you.” “Okay.” Harvard laughed quietly, kindly. “I think the cough syrup has made you a little loopy.” Aiden wanted to be angry with Harvard for never understanding, but thank God Harvard didn’t. Besides, Aiden never could entirely manage to be angry with him. The emotion wouldn’t coalesce in Aiden’s chest, always collapsing in on itself and changing into different feelings. As Aiden slid into sleep, like tumbling beneath a blanket of darkness, he felt an awareness even with his eyes closed that someone was stooping over him, like an intuition of a shadow, and then the soft press of Harvard’s lips against Aiden’s forehead. More a blessing than a kiss.
Sarah Rees Brennan (Striking Distance (Fence, #1))
Catherine broke off as she saw something among the drafts of structures and landscapes and the pages of notes. A pencil sketch of a woman … a naked woman reclining on her side, light hair flowing everywhere. One slender thigh rested coyly over the other, partially concealing the delicate shadow of a feminine triangle. And there was an all-too-familiar pair of spectacles balanced on her nose. Catherine picked up the sketch with a trembling hand, while her heart lurched in hard strikes against her ribs. It took several attempts before she could speak, her voice high and airless. “That’s me.” Leo had lowered to the carpeted floor beside her. He nodded, looking rueful. His own color heightened until his eyes were startlingly blue in contrast. “Why?” she whispered. “It wasn’t meant to be demeaning,” he said. “It was for my own eyes, no one else’s.” She forced herself to look at the sketch again, feeling horribly exposed. In fact, she couldn’t have been more embarrassed had he actually been viewing her naked. And yet the rendering was far from crude or debasing. The woman had been drawn with long, graceful lines, the pose artistic. Sensuous. “You … you’ve never seen me like this,” she managed to say, before adding weakly, “Have you?” A self-deprecating smile touched his lips. “No, I haven’t yet descended to voyeurism.” He paused. “Did I get it right? It’s not easy, guessing what you look like beneath all those layers.” A nervous giggle struggled through her mortification. “If you did, I certainly wouldn’t admit it.” She put the sketch onto the pile, facedown. Her hand was shaking. “Do you draw other women this way?” she asked timidly. Leo shook his head. “I started with you, and so far I haven’t moved on.” Her flush deepened. “You’ve done other sketches like this? Of me unclothed?” “One or two.” He tried to look repentant. “Oh, please, please destroy them.” “Certainly. But honesty compels me to tell you that I’ll probably only do more. It’s my favorite hobby, drawing you naked.” Catherine moaned and buried her face in her hands. Her voice slipped out between the tense filter of her fingers. “I wish you would take up collecting something instead.
Lisa Kleypas (Married By Morning (The Hathaways, #4))
Yet at least he had believed in the cars. Maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bringing the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopelessly of children, supermarket booze, two, sometimes three generations of cigarette smokers, or only of dust and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of .05 or .10, trading stamps, pink flyers advertising specials at the markets, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a gray dressing of ash, condensed exhaust, dust, body wastesit made him sick to look, but he had to look. If it had been an outright junkyard, probably he could have stuck things out, made a career: the violence that had caused each wreck being infrequent enough, far enough away from him, to be miraculous, as each death, up till the moment of our own, is miraculous. But the endless rituals of trade-in, week after week, never got as far as violence or blood, and so were too plausible for the impressionable Mucho to take for long. Even if enough exposure to the unvarying gray sickness had somehow managed to immunize him, he could still never accept the way each owner, each shadow, filed in only to exchange a dented, malfunctioning version of himself for another, just as futureless, automotive projection of somebody else's life. As if it were the most natural thing. To Mucho it was horrible. Endless, convoluted incest.
Thomas Pynchon (The Crying of Lot 49)
So it needs saying from the outset that it’s always very easy to declare that other people are idiots, but only if you forget how idiotically difficult being human is. Especially if you have other people you’re trying to be a reasonably good human being for. Because there’s such an unbelievable amount that we’re all supposed to be able to cope with these days. You’re supposed to have a job, and somewhere to live, and a family, and you’re supposed to pay taxes and have clean underwear and remember the password to your damn Wi-Fi. Some of us never manage to get the chaos under control, so our lives simply carry on, the world spinning through space at two million miles an hour while we bounce about on its surface like so many lost socks. Our hearts are bars of soap that we keep losing hold of; the moment we relax, they drift off and fall in love and get broken, all in the wink of an eye. We’re not in control. So we learn to pretend, all the time, about our jobs and our marriages and our children and everything else. We pretend we’re normal, that we’re reasonably well educated, that we understand “amortization levels” and “inflation rates.” That we know how sex works. In truth, we know as much about sex as we do about USB leads, and it always takes us four tries to get those little buggers in. (Wrong way round, wrong way round, wrong way round, there! In!) We pretend to be good parents when all we really do is provide our kids with food and clothing and tell them off when they put chewing gum they find on the ground in their mouths. We tried keeping tropical fish once and they all died. And we really don’t know more about children than tropical fish, so the responsibility frightens the life out of us each morning. We don’t have a plan, we just do our best to get through the day, because there’ll be another one coming along tomorrow. Sometimes it hurts, it really hurts, for no other reason than the fact that our skin doesn’t feel like it’s ours. Sometimes we panic, because the bills need paying and we have to be grown-up and we don’t know how, because it’s so horribly, desperately easy to fail at being grown-up. Because everyone loves someone, and anyone who loves someone has had those desperate nights where we lie awake trying to figure out how we can afford to carry on being human beings. Sometimes that makes us do things that seem ridiculous in hindsight, but which felt like the only way out at the time.
Fredrik Backman (Anxious People)
Few grown humans can normally survive a fall of much more than twenty-five or thirty feet, though there have been some notable exceptions—none more memorable perhaps than that of a British airman in World War II named Nicholas Alkemade. In the late winter of 1944, while on a bombing run over Germany, Flight Sergeant Alkemade, the tail gunner on a British Lancaster bomber, found himself in a literally tight spot when his plane was hit by enemy flak and quickly filled with smoke and flames. Tail gunners on Lancasters couldn’t wear parachutes because the space in which they operated was too confined, and by the time Alkemade managed to haul himself out of his turret and reach for his parachute, he found it was on fire and beyond salvation. He decided to leap from the plane anyway rather than perish horribly in flames, so he hauled open a hatch and tumbled out into the night. He was three miles above the ground and falling at 120 miles per hour. “It was very quiet,” Alkemade recalled years later, “the only sound being the drumming of aircraft engines in the distance, and no sensation of falling at all. I felt suspended in space.” Rather to his surprise, he found himself to be strangely composed and at peace. He was sorry to die, of course, but accepted it philosophically, as something that happened to airmen sometimes. The experience was so surreal and dreamy that Alkemade was never certain afterward whether he lost consciousness, but he was certainly jerked back to reality when he crashed through the branches of some lofty pine trees and landed with a resounding thud in a snowbank, in a sitting position. He had somehow lost both his boots, and had a sore knee and some minor abrasions, but otherwise was quite unharmed. Alkemade’s survival adventures did not quite end there. After the war, he took a job in a chemical plant in Loughborough, in the English Midlands. While he was working with chlorine gas, his gas mask came loose, and he was instantly exposed to dangerously high levels of the gas. He lay unconscious for fifteen minutes before co-workers noticed his unconscious form and dragged him to safety. Miraculously, he survived. Some time after that, he was adjusting a pipe when it ruptured and sprayed him from head to foot with sulfuric acid. He suffered extensive burns but again survived. Shortly after he returned to work from that setback, a nine-foot-long metal pole fell on him from a height and very nearly killed him, but once again he recovered. This time, however, he decided to tempt fate no longer. He took a safer job as a furniture salesman and lived out the rest of his life without incident. He died peacefully, in bed, aged sixty-four in 1987. —
Bill Bryson (The Body: A Guide for Occupants)
The slaves selected to go to the Great House Farm, for the monthly allowance for themselves and their fellow-slaves, were peculiarly enthusiastic. While on their way, they would make the dense old woods, for miles around, reverberate with their wild songs, revealing at once the highest joy and the deepest sadness. They would compose and sing as they went along, consulting neither time nor tune. The thought that came up, came out—if not in the word, in the sound;—and as frequently in the one as in the other. They would sometimes sing the most pathetic sentiment in the most rapturous tone, and the most rapturous sentiment in the most pathetic tone. Into all of their songs they would manage to weave something of the Great House Farm. Especially would they do this, when leaving home. They would then sing most exultingly the following words:— "I am going away to the Great House Farm! O, yea! O, yea! O!" This they would sing, as a chorus, to words which to many would seem unmeaning jargon, but which, nevertheless, were full of meaning to themselves. I have sometimes thought that the mere hearing of those songs would do more to impress some minds with the horrible character of slavery, than the reading of whole volumes of philosophy on the subject could do. I did not, when a slave, understand the deep meaning of those rude and apparently incoherent songs. I was myself within the circle; so that I neither saw nor heard as those without might see and hear. They told a tale of woe which was then altogether beyond my feeble comprehension; they were tones loud, long, and deep; they breathed the prayer and complaint of souls boiling over with the bitterest anguish. Every tone was a testimony against slavery, and a prayer to God for deliverance from chains. The hearing of those wild notes always depressed my spirit, and filled me with ineffable sadness. I have frequently found myself in tears while hearing them. The mere recurrence to those songs, even now, afflicts me; and while I am writing these lines, an expression of feeling has already found its way down my cheek. To those songs I trace my first glimmering conception of the dehumanizing character of slavery. I can never get rid of that conception. Those songs still follow me, to deepen my hatred of slavery, and quicken my sympathies for my brethren in bonds. If any one wishes to be impressed with the soul-killing effects of slavery, let him go to Colonel Lloyd's plantation, and, on allowance-day, place himself in the deep pine woods, and there let him, in silence, analyze the sounds that shall pass through the chambers of his soul,—and if he is not thus impressed, it will only be because "there is no flesh in his obdurate heart." I have often been utterly astonished, since I came to the north, to find persons who could speak of the singing, among slaves, as evidence of their contentment and happiness. It is impossible to conceive of a greater mistake. Slaves sing most when they are most unhappy. The songs of the slave represent the sorrows of his heart; and he is relieved by them, only as an aching heart is relieved by its tears. At least, such is my experience. I have often sung to drown my sorrow, but seldom to express my happiness. Crying for joy, and singing for joy, were alike uncommon to me while in the jaws of slavery. The singing of a man cast away upon a desolate island might be as appropriately considered as evidence of contentment and happiness, as the singing of a slave; the songs of the one and of the other are prompted by the same emotion.
Frederick Douglass (Narrative of the Life of Frederick Douglass)
Taking hold of the ladder, she began to climb, stopping when she got to eye level with him. That, however, turned out to be a mistake, because the moment her eyes met his, she forgot everything—even the lines she’d just committed to memory—because nothing else mattered to her except . . . him. “You wrote a scene with a strong heroine in it, and one where the hero gets dangled by his feet.” “I did.” “Why?” “Because I couldn’t figure out a better way to let you know I love you, the real you, without dangling from my feet and letting you cut me down.” Lucetta’s eyes immediately took to turning a little misty. “You . . . love me?” “I do, but before we continue this, I have to admit that hanging upside down is far less pleasant than I imagined, so if you’d be so kind, I really do need you to get me down from here.” Realizing he was completely serious, but also realizing if she cut him down he’d go plummeting to the hard floor and most likely suffer a horrible injury—which certainly wouldn’t have the night turning out well at all—Lucetta looked to the side of the stage and caught Mr. Skukman’s eye. As he, along with a good number of backstage hands, walked across the boards, whispers began circulating around the theater, growing louder after Bram got released and rose to his feet. Smiling ever so charmingly at the audience, he presented them with a small bow right before he took center stage. “Ladies and gentlemen, I must beg your indulgence for just a few more minutes because you see . . . I am . . . Mr. Grimstone.” The whispers ceased immediately. Bram smiled. “I’m Mr. Grimstone, alias Mr. Bram Haverstein, and I’ve come here tonight, with all of you as my witnesses, to proclaim my love for Miss Lucetta Plum, and . . .” He dropped to one knee. “Ask her to do me the very great honor of becoming my wife.” He reached out and took hold of Lucetta’s hand. “Miss Lucetta Plum, I am completely and irrevocably in love with you, and just so we’re clear, I’m in love with the real you, not the person you turn into when you take to the stage. I love the idea that you’re completely oblivious to your unusual beauty, can outrun a goat, and . . . you fascinate me as no one ever has. I’m asking you, in front of all of these people who will probably never buy another one of my books again if you turn me down . . .” He stopped talking and turned his head to the audience. “And just to remind everyone, I will have another novel releasing soon, although I haven’t decided on a title just yet, something about a strong-willed lady, no doubt, or . . .” “You’re getting distracted,” Lucetta interrupted. Bram immediately returned his gaze to hers. “Quite right, but . . . I’ve lost my train of thought.” “You were just about to the part where you were going to ask her to marry you,” a voice called out, a voice that sounded remarkably like Abigail’s. “Thank you, Grandmother,” he called back. “You’re welcome, darling. And just to remind you, I’m not getting any younger, so you might want to hurry this proposal business along.” Grinning, Bram shook his head, brought Lucetta’s fingers to his lips, and then sobered as he held her gaze. “I love you, Lucetta, more than I ever imagined I could, and I would be so incredibly honored if you’d agree to be my wife.” For a second, Lucetta was unable to answer him because her heart had taken to rising in her throat, but after drawing in a deep breath, she managed to nod, ignoring the tears that had filled her eyes and were blurring her vision. “I would be honored to become your wife, especially since—I’m not sure when this happened, but—I’m in love with you as well.” Bram’s hold on her hand tightened for just a second, and then he was sliding a ring on her finger she hadn’t even realized he’d been holding. Before she could take even a second to admire what felt like an enormous rock on her hand, he was standing instead of kneeling, looking intently into her eyes, before he pulled her into his arms and kissed her. The
Jen Turano (Playing the Part (A Class of Their Own, #3))
ready to accept my comments. She challenged me and said that if I wanted, she could prove to me that she and her team had done everything that was required. She even showed me a few slides, which indicated improvement in the parameters that tracked our execution quotient. I decided to keep a close watch on Anamika and her team and monitor their activity through further reviews. I also decided to spend time with every individual in her team. After a few reviews, I understood the real problem. The issue was that Anamika did not allow any of her colleagues to spend their time in the field helping the business. Most of the time, she asked them to make presentations for different reviews. Her instruction to her team was simple: ‘I will stand up for you, so do not worry. I know how to manage perception, but you guys should ensure that I come across well.’ Thus, many days were spent not on the real job, but on her horrible idea of managing the perception of the senior management. In doing this, the purpose of the team was lost.
Partha Sarathi Basu (Mid-career Crisis: Why Some Sail through while Others Don't)
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DUIness
The sensation I was feeling on the clifftop was some sort of reverberation in the air itself.… The whale had submerged and I was still feeling something. The strange rhythm seemed now to be coming from behind me, from the land, so I turned to look across the gorge … where my heart stopped.… Standing there in the shade of the tree was an elephant … staring out to sea!… A female with a left tusk broken off near the base.… I knew who she was, who she had to be. I recognized her from a color photograph put out by the Department of Water Affairs and Forestry under the title “The Last Remaining Knysna Elephant.” This was the Matriarch herself.… She was here because she no longer had anyone to talk to in the forest. She was standing here on the edge of the ocean because it was the next, nearest, and most powerful source of infrasound. The underrumble of the surf would have been well within her range, a soothing balm for an animal used to being surrounded by low and comforting frequencies, by the lifesounds of a herd, and now this was the next-best thing. My heart went out to her. The whole idea of this grandmother of many being alone for the first time in her life was tragic, conjuring up the vision of countless other old and lonely souls. But just as I was about to be consumed by helpless sorrow, something even more extraordinary took place.… The throbbing was back in the air. I could feel it, and I began to understand why. The blue whale was on the surface again, pointed inshore, resting, her blowhole clearly visible. The Matriarch was here for the whale! The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch, almost the last of their kind. I turned, blinking away the tears, and left them to it. This was no place for a mere man.… Early afternoon. They were coming to this place, to this tall grass, all along. They will feed here for a while and then, because there’s no water right here, go down to where those egrets are. There’s water there. After they’ve had a good drink, they might make a big loop and come back here again later to feed some more. It will be a one-family-at-a-time choice as the adults decide when to drink and bathe. When elephants are finally ready to make a significant move, everyone points in the same direction. But they do wait until the matriarch decides. “I’ve seen families cued up waiting for half an hour,” comments Vicki, “waiting for the matriarch to signal, ‘Okay.’” And now they go. Makelele, eleven years old, walks with a deep limp. Five years ago he showed up with a broken right rear leg. It must have been agony, and it’s healed at a horrible angle, almost as if his knee faces backward, shaping that leg like the hock on a horse. Yet he is here, surviving with a little help from his friends. “He’s slow,” Vicki acknowledges. “It’s remarkable that he’s managing, but his family seems to wait for him.” Another Amboseli elephant, named Tito, broke a leg when he was a year old, probably from falling into a garbage pit.
Carl Safina (Beyond Words: What Animals Think and Feel)
In one episode of the gloriously inane yet profound SpongeBob Squarepants, SpongeBob and his starfish friend Patrick watch in horror as they watch others flee from them in a state of fright. They begin to imagine that they are too ugly for the rest of society. At some point, they are able to piece together that they both had consumed onion-peanut sundaes that give them such horrible breath that inevitably chased away anyone around them. Neither one could conclude this for himself; they were both able to sense it for each other.
Rob Asghar (Leadership is Hell: How to Manage Well - And Escape with your Soul)
Fund management is a skill—you cannot run money through consultants or committees. If you have a committee, you should buy an index fund and stop trying. Committees settle to the lowest common denominator, which is the lowest risk. A committee will not take risk. By the time a committee decides to buy tech, it is already March 2000. Fund management is like cooking, whereby 10 chefs have the same ingredients but make 10 different things. You have great chefs who get three stars and lousy chefs who make horrible food. Fund management is similar in that what is important is what you make out of the mix, how you interpret information, how you structure trades and build portfolios. But with committees somehow the results are always the same. When you have a committee, you cannot be the only guy making the decision because, at some stage, you will be wrong in the short-term and everyone will get fired. So the whole groupthink model makes things very difficult, as does the visibility of these posts. Making or losing a lot of money always makes headlines—there is no upside or solution for that.
Steven Drobny (The Invisible Hands: Top Hedge Fund Traders on Bubbles, Crashes, and Real Money)
As the realization of their continued peril became clear, crewmen and passengers—men and women and older children—clawed and battled for position along the ship’s rails, terrified that the horribly wounded ship would be torn to pieces or slip beneath the waves before the boats were launched. Somehow, Gates and Somers and Captain Newport managed to impose order on the ship’s terror-stricken passengers and the equally frightened crewmen. Fortunately for those on board, by the time the Sea Venture took ground, the storm had abated enough to allow the crew to lower the ship’s boats—a longboat and the skiff—into the relatively calm water that lay in the lee of the stricken ship.
Kieran Doherty (Sea Venture: Shipwreck, Survival, and the Salvation of Jamestown)
Ultimately, pay levels are not about merit or social value; they’re about power dynamics. They’re about how much value is placed on various types of work, by people with lots of money to spend. So, for instance, if patients in nursing homes each managed to crap a flawless ten-carat diamond once they reached the age of ninety, rest assured, elder care workers would be paid like investment bankers, solely for their ability to keep old people alive until it was time for the diamond harvest. But as it is, they are paid horribly, since rich people see more value in office buildings and yachts and derivatives than they do in the people who care for their own grandparents.
Tim Wise (Under the Affluence: Shaming the Poor, Praising the Rich and Sacrificing the Future of America (City Lights Open Media))
I don’t know what instructions Nimiar gave her seamstress in private. I had expected a modest trunk of nice fabric, enough for a gown or two in the current fashions. What returned, though, just over a week later, was a hired wagon bearing enough stuff to outfit the entire village, plus three determined young journey-seamstresses who came highly recommended and who were ready to make their fortunes. “Good,” Nee said, when we had finished interviewing them. She walked about inspecting the fabulous silks, velvets, linens, and a glorious array of embroidery twists, nodding happily. “Just what I wanted. Melise is a treasure.” “Isn’t this too much?” I asked, astounded. She grinned. “Not when you count up what you’ll need to make the right impression. Remember, you are acquiring overnight what ought to have been put together over years. Morning gowns, afternoon gowns, riding tunics and trousers, party dresses, and perhaps one ball gown, though that kind of thing you can order when we get to town, for those take an unconscionable amount of time to make if you don’t have a team doing it.” “A team? Doing nothing but sewing? What a horrible life!” I exclaimed. “Those who choose it would say the same about yours, I think,” Nee said with a chuckle. “Meaning your life as a revolutionary. There are many, not just women, though it’s mostly females, who like very much to sit in a warm house and sew and gossip all day. In the good houses the sewers have music, or have books read to them, and the products are the better for their minds being engaged in something interesting. This is their art, just as surely as yon scribe regards her map and her fellows regard their books.” She pointed toward the library. “And how those at Court view the way they conduct their public lives.” “So much to learn,” I said with a groan. “How will I manage?” She just laughed; and the next day a new arrival brought my most formidable interview yet: with my new maid.
Sherwood Smith (Court Duel (Crown & Court, #2))
Parenting “Aha!” Since God’s Word makes it clear that He alone is divine and He alone changes hearts, I knew I needed Him to help me parent differently. I knew I would have to parent with His goal in mind if I was going to be successful. Pleasing Him became my only focus that day. Nothing else mattered. This was the first truth I began to cling to in my desire to be a spiritual parent. This truth revealed to me that it was not my job to merely control my child’s behavior and by doing so somehow create a spiritual life for him or her. This was a real “Aha” for me. Nowhere in the Bible does God ask me to spend my days managing the deeds and actions of my child. Nowhere in Scripture am I warned that if I don’t “control” my child’s behavior, horrible things will happen. However, I have oftentimes assumed this role—and sometimes pursued it as an end in itself. After all, who doesn’t want children who behave beautifully at all times? For years I had naively assumed that as Christian parents we simply have babies, raise them in a Christian home, and then do our best as parents. We expose them to Christ and to God’s Word, we put them in the community of other believers, and then eventually … don’t they just choose to follow Him?
Michelle Anthony (Spiritual Parenting: An Awakening for Today's Families)
Kala, this is what’s called drama. This is what we live for, baby girl.” Ian tipped his beer back. “Way better than TV.” Jake frowned and looked down at his identically dressed infant. “How do you know which one is which?” “A father always knows,” Big Tag said. “Also, I marked this one with a Sharpie. See, it looks like a tiny mole right behind her ear. That’s Kala.” Serena gasped. “Ian Taggart, that’s horrible.” He shrugged. “Nah, what’s horrible is I’m trying to figure out a way to make it permanent. Is it illegal to tattoo a baby?” “Yes,” Serena and Ally managed to say at the same time. Big Tag shook his head. “It’s nothing. It’s not like I’m putting a skull and crossbones on her. It’s a miniscule dot so neither one of these girls can pull one over on the old man.” He pointed to the baby in Jake’s arms. “Yeah, I’m looking at you, Kenz. I see how you roll over and try to pretend to be Kala. I’m not blind. Daddy sees everything. Including how you look at that Tristan kid. Stay away from him.” “Ian, she’s eight weeks old,” Serena pointed out. “Tristan recently turned one. I hardly think they’re planning to date.
Lexi Blake (Luscious (Topped, #1; Masters and Mercenaries, #8.2))
Kala, this is what’s called drama. This is what we live for, baby girl.” Ian tipped his beer back. “Way better than TV.” Jake frowned and looked down at his identically dressed infant. “How do you know which one is which?” “A father always knows,” Big Tag said. “Also, I marked this one with a Sharpie. See, it looks like a tiny mole right behind her ear. That’s Kala.” Serena gasped. “Ian Taggart, that’s horrible.” He shrugged. “Nah, what’s horrible is I’m trying to figure out a way to make it permanent. Is it illegal to tattoo a baby?” “Yes,” Serena and Ally managed to say at the same time. Big Tag shook his head. “It’s nothing. It’s not like I’m putting a skull and crossbones on her. It’s a miniscule dot so neither one of these girls can pull one over on the old man.” He pointed to the baby in Jake’s arms. “Yeah, I’m looking at you, Kenz. I see how you roll over and try to pretend to be Kala.
Lexi Blake (Luscious (Topped, #1; Masters and Mercenaries, #8.2))
Vee used you like a bat to hit a bunch of monkeys, and you’re mocking me for missing a step?” Chi’s head tipped to the side. “There’s a difference between a teammate and spouse betraying you in a horrible, unforgiveable way and just being such a klutz that you can’t manage a set of stairs.
Honor Raconteur (Remnants (Familiar and Mage #3))
Even if, contrary to my suspicions, such modalities should turn out to work pretty well, most of the money-making activity would contain profoundly antisocial effects. This would be so because the activity would exacerbate the current, harmful trend in whichever more of the nation ethical young brainpower is attracted into lucrative money management and its attendant modern frictions, as distinguished from work providing much more value to others. Money management does not create the right examples. Early Charlie Munger is a horrible career model for the young because not enough was delivered to civilization in return for what was wrested from capitalism
Peter D. Kaufman (Poor Charlie's Almanack: The Wit and Wisdom of Charles T. Munger, Expanded Third Edition)
looked over at him and said, “Yeah. Sorry, buddy, but that’s not really how anxiety works.” I reminded him of his sister’s ADHD. “Everyone gets distracted sometimes, but for people with ADHD, it’s an all-the-time thing. They are almost always distracted. Being distracted, struggling to focus, it’s the default, and it doesn’t necessarily need a trigger.” He nodded, but continued looking out the window. “So?” he asked in a very typical “What does this have to do with me?” teenager way. “Anxiety is the same way,” I said. “Everyone has anxious moments, but at least for me, and probably you too, the anxiety is kind of always there, even when things are going well. Just last Christmas I had a horrible anxiety attack, so I get it. Most of the time, it just happens without a trigger at all. But the part that sucks the most is how you’ll think to yourself that something must be triggering it, so you start to associate the anxiety with irrational things, like organization, or not getting enough exercise or sleep, or the fear that something bad might happen even though it’s unlikely. For me, that’s when my anxiety turns into obsessive-compulsive disorder. But the anxiety is always there, regardless of good times or bad times.” I went on for a moment more. Eventually, I looked over at Tristan. He was still looking out the window, gripping his stress grip harder than before, and I wondered if I was doing more harm than good, but I also realized how much I wished I’d learned all of this at his age, rather than in my midthirties. It was quiet for a moment, and finally I said, “It’s not hopeless, buddy. I promise. Listen, I still hate it. But I know that it’s part of me, and there are things I have to do to manage it. But as long as I do them, I’m pretty okay. Most days I don’t even notice it.” He thought about what I said.
Clint Edwards (Anxiously Ever After: An Honest Memoir on Mental Illness, Strained Relationships, and Embracing the Struggle)
Welcome on Who is "Nozipho Curve Babe" Book enjoy and learn in it you can bring your tissues to wipe tears if you can couse I'll tell you about my horrible Story that heppened in my life when I grow up by it I'M trying to give hope, motivate, impower and inspired those who stuck in pain, confusion, cursing God and condemming themself about this I say if I manage to accept and overcome this situation you can do it,you not alone mostly there's some good and better things after that fire you'll come out shine like a gold I'm a living testimony.Contineur reading to hear it all you can contact me about it and other book that l'm busy writing.
Nozipho N.Maphumulo
When she tricked me out of my powers and left the scraps, it was still more than the others. And I decided to use it to tap into the minds of every Night Court citizen she'd captured, and anyone who might know the truth. I made a web between all of them, actively controlling their minds every second of every day, every decade, to forget about Velaris, to forget about Mor, and Amren, and Cassian, and Azriel. Amarantha wanted to know who was close to me- who to kill and torture. But my true court was here, ruling this city and the others. And I used the remainder of my powers to shield them all from sight and sound. I had only enough for one city, one place. I chose the one that had been hidden from history already. I chose, and now must live with the consequences of knowing there were more left outside who suffered. But for those here.... anyone flying or travelling near Velaris would see nothing but barren rock, and if they tried to walk through it, they'd find themselves suddenly deciding otherwise. Sea travel and merchant trading were halted- sailors became farmers, working the earth around Velaris instead. And because my powers were focused on shielding them all, Feyre, I had very little to use against Amarantha. So I decided that to keep her from asking questions about the people who mattered, I would be her whore.' He'd done all of that, had done such horrible things... done everything for his people, his friends. And the only piece of himself that he'd hidden and managed to keep her from tainting, destroying, even if it meant fifty years trapped in a cage of rock....'' Those wings now flared wide. How many knew about those wings outside of Velaris or the Illyrian war-camps? Or had he wiped all memory of them from Prythian long before Amarantha? Rhys released my chin. But as he lowered his hand, i gripped his wrist, feeling the solid strength. 'It's a shame,' I said, the words nearly gobbled up by the sound of the city music. 'That others in Prythian don't know. A shame that you let them think the worst.' He took a step back, his wings beating the air like mighty drums. 'As long as the people who matter most know the truth, I don't care about the rest. Get some sleep.' Then he shot into the sky, and was swallowed by the darkness between the stars.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
There is another horrible management theory that goes, “Workers work hard enough to not be fired, and owners pay just enough so that workers won’t quit.” And if you look at the pay scales of most companies, again I would say there is a degree of truth to that statement.
Robert T. Kiyosaki (Rich Dad Poor Dad: What the Rich Teach Their Kids About Money That the Poor and Middle Class Do Not!)
Lamb, Laura. Survived by son Ralph Lamb (Abigail) and no one else. No other soul in the world had tethered itself to hers by choice, and that should tell you something. She won’t really be missed by her strange, scabby neighbor, or the inanimate objects she carted to the casino and worshipped like little gods. She might have been missed by her daughter-in-law, who was ready to love her like a mother, who could have loved a rolled-up pair of socks if she had to, who did love a fucking couch, for Christ sake. But Laura didn’t want that. Despite her faults, Laura Lamb managed to raise the most genuinely good person in the entire world, and for that Abby will always love her, even though the woman was honestly a horrible fucking bitch.
Ainslie Hogarth (Motherthing)
getting on an airplane. Especially going back to Bolivia. She’d spent years trying to forget that horrible event. Trying to put it behind her and focus on a life ahead. Peace. Happiness. Only instead to find that she’d grown more spiteful over her own past, and now her grandfather’s. This whole thing was just so bizarre. So surreal. And now she’d managed to tangle Joe Rickards up in it. Yes, he could make his own decisions, but it was she who’d shown up on his doorstep, almost forcing her way in. Forced a man who was already deeply wounded from God knows what. What kind of person was she to get him tangled up in her mess? Just because he had been interested didn’t mean he wanted to be part of it—whatever it was. Part of something she wasn’t even sure she wanted to be part of. But in the end, he was right. Knowing what had happened
Michael C. Grumley (The Last Monument (Monument #1))
Toxic bosses do not change and are hard to displace. Even middle-level toxic managers are masterful at massaging the egos at the top of the corporate or leadership ladder and treating the employees under them horribly. That means it can be difficult to get recourse from higher-level leaders.
Ramani S. Durvasula ("Don't You Know Who I Am?": How to Stay Sane in an Era of Narcissism, Entitlement, and Incivility)
And I think that the tragedy of human existence is our world is run by people who are really good at kidding themselves, like your father. Your dad manages to kid himself that he’s rich and powerful because he’s the cream and has risen to the top. But he’s not stupid. He knows he’s kidding himself. So underneath that top layer of bullshit is another, more aware belief system: the belief that everyone else would kid themselves the same way he does, if they had the chance.” “That’s exactly right,” she said. “His beliefs don’t start with the idea that it’s okay to kid yourself you’re a special snowflake who deserves more cookies than all the other kids. It starts with the idea that it’s human nature to kid yourself and take the last cookie, so if he doesn’t, someone else will, so he had better be the most lavishly self-deluded of all, the most prolific taker of cookies, lest someone more horrible, immoral, and greedy than he gets there first and eats all the cookies, takes the plate, and charges rent to drink the milk.
Cory Doctorow (Walkaway)
Ah yes, of course, Spiders. Is it their size? Do you fear the ones you cannot see, dunnot sense until they bite you and you die a horrible, painful death? Or would you prefer a giant, fist-sized one? One that towers above buildings like in an old shit-show production? I quite think you would. Now personally, one of my least favourite thing about spiders is their fangs. You see, their fangs are a mixture of rat’s fur and small dragon teeth. They manage to be sharp, deadly, and disgustingly hairy. Oh, and the colour of death. It makes me shiver just to think about those pincers closing in on a nice, fleshy, alive part of my body. I do think I’d be forced to amputate or decapitate. Possibly both.” "Anywhore, their fangs aren’t what get most people. It’s their eyes. Kinda creepy, don’t ya think? We have two, they have….well, too many ov’em. Would you like to see yourself reflected umpteenth times in a spider’s trippily reflective little eyes? Right before they smile and their fangs grab ya that is. No? I should hope not. You also have the venom and that shifty way they move to consider. Venom can kill anything, no matter how tough or large they are. And the whole eight legs shuffly shifty quicky thing just spooks the shit outta me mate. Death and spiders. They’re pretty much the same thing to some. Some being me, of course. Then again, I’m quite normal.
Finn Eccleston (The Community (Project M Book 1))
Ah yes, of course, Spiders. Is it their size? Do you fear the ones you cannot see, dunnot sense until they bite you and you die a horrible, painful death? Or would you prefer a giant, fist-sized one? One that towers above buildings like in an old shit-show production? I quite think you would. Now personally, one of my least favourite thing about spiders is their fangs. You see, their fangs are a mixture of rat’s fur and small dragon teeth. They manage to be sharp, deadly, and disgustingly hairy. Oh, and the colour of death. It makes me shiver just to think about those pincers closing in on a nice, fleshy, alive part of my body. I do think I’d be forced to amputate or decapitate. Possibly both. Anywhore, their fangs aren’t what get most people. It’s their eyes. Kinda creepy, don’t ya think? We have two, they have….well, too many ov’em. Would you like to see yourself reflected umpteenth times in a spider’s trippily reflective little eyes? Right before they smile and their fangs grab ya that is. No? I should hope not. You also have the venom and that shifty way they move to consider. Venom can kill anything, no matter how tough or large they are. And the whole eight legs shuffly shifty quicky thing just spooks the shit outta me mate. Death and spiders. They’re pretty much the same thing to some. Some being me, of course. Then again, I’m quite normal.
Finn Eccleston (The Community (Project M Book 1))
You just explained to your publicity guy how all the people that crossed you died horribly. Now he thinks that if he's mean to your niece, you're going to kill him and bury him out in the bush.” “That's actually not what I was thinking,” Terrance said. “I am now, though.” “Don't be ridiculous,” Jason said. “I wouldn't bury him out in the bush. I'd feed him to Colin.” “You didn't show Colin to the reporters, did you?” Farrah asked. “Of course not; you know what Colin's like. He's super friendly but also a terrifying apocalypse monster that feeds on blood and flesh.” “What about Terrance's bones?” Erika asked. “Colin's a little trooper, so I'm sure he'd manage,” Jason said. “He's got all those teeth, remember?
Shirtaloon (He Who Fights with Monsters 5 (He Who Fights with Monsters, #5))
No matter how depressed you are, how much grief you’re experiencing, or how horrible you feel at a given point in time, this shall pass.
Thibaut Meurisse (Master Your Emotions: A Practical Guide to Overcome Negativity and Better Manage Your Feelings (Mastery Series Book 1))
The look on Cherryl’s face was an odd, wistful longing, as if, seeing Dagny from a great distance, she were straining and failing to come closer. “I wish I could wish to fight,” she said softly, “but I don’t. I don’t even want to win any longer. There’s one change that I don’t seem to have the strength to make. You see, I had never expected anything like my marriage to Jim. Then when it happened, I thought that life was much more wonderful than I had expected. And now to get used to the idea that life and people are much more horrible than anything I had imagined and that my marriage was not a glorious miracle, but some unspeakable kind of evil which I’m still afraid to learn fully—that is what I can’t force myself to take. I can’t get past it.” She glanced up suddenly. “Dagny, how did you do it? How did you manage to remain unmangled?” “By holding to just one rule.” “Which?” “To place nothing—nothing—above the verdict of my own mind.” “You’ve taken some terrible beatings . . . maybe worse than I did . . . worse than any of us. . . . What held you through it?” “The knowledge that my life is the highest of values, too high to give up without a fight.” She saw a look of astonishment,
Ayn Rand (Atlas Shrugged)
The look on Cherryl’s face was an odd, wistful longing, as if, seeing Dagny from a great distance, she were straining and failing to come closer. “I wish I could wish to fight,” she said softly, “but I don’t. I don’t even want to win any longer. There’s one change that I don’t seem to have the strength to make. You see, I had never expected anything like my marriage to Jim. Then when it happened, I thought that life was much more wonderful than I had expected. And now to get used to the idea that life and people are much more horrible than anything I had imagined and that my marriage was not a glorious miracle, but some unspeakable kind of evil which I’m still afraid to learn fully—that is what I can’t force myself to take. I can’t get past it.” She glanced up suddenly. “Dagny, how did you do it? How did you manage to remain unmangled?” “By holding to just one rule.” “Which?” “To place nothing—nothing—above the verdict of my own mind.” “You’ve taken some terrible beatings . . . maybe worse than I did . . . worse than any of us. . . . What held you through it?” “The knowledge that my life is the highest of values, too high to give up without a fight.” She saw a look of astonishment, of incredulous recognition on Cherryl’s face, as if the girl were struggling to recapture some sensation across a span of years. “Dagny”—her voice was a whisper—“that’s . . . that’s what I felt when I was a child . . . that’s what I seem to remember most about myself . . . that kind of feeling . . . and I never lost it, it’s there, it’s always been there, but as I grew up, I thought it was something that I must hide. . . . I never had any name for it, but just now, when you said it, it struck me that that’s what it was. . . . Dagny, to feel that way about your own life—is that good?” “Cherryl, listen to me carefully: that feeling—with everything which it requires and implies—is the highest, noblest and only good on earth.
Ayn Rand (Atlas Shrugged)
one October evening, when we were walking along lower Fifth Avenue, I said abruptly: “Look here. Don’t have any illusions about me. I have slept with more men than I can remember.” That was exaggeration, but I had to exaggerate, lest I should understate. He did not look disgusted or shocked or even surprised. He said, “That’s interesting. What were you doing—trying to use sex as an anaesthetic for something-or-other? That can’t be managed, usually.” I said, “You needn’t be polite about it. If you think I am an awful person, say so.” He said, “You darling imbecile—I think you are the nicest person I have ever known. Whatever happened to you has made you poised and tolerant, and comprehending, and anyone who knows you should be grateful for whatever produced the result.” I said, “Oh.” I said, “Do you mean it—you aren’t just being sorry for me?” He said, “God, no. I mean it.” Something in me that had hurt horribly at odd moments, for a long, long time, stopped hurting forever. I slipped my arm through his. “I am glad you don’t mind, but anyway I stopped.
Ursula Parrott (Ex-Wife (McNally Editions))
The room was dim, the windows shuttered. Several candles illuminated Lord Golden standing with his back to me. He wore a sheet from his bed like a cape. He glanced at me over his shoulder and someone I had never met looked out of those golden eyes. When I was three steps into the room, he said quietly, “Stan there, please.” With one hand, he lifted his hair up and out of the way to bare the nape of his neck. The sheet fell away from his naked back, but his free hand continued to clutch it to his chest. I gasped and took an inadvertent step closer. He inched away but then stood his ground. In a small, shaken voice, he asked, “The Narcheska’s tattoos. Were they like this?” “May I come closer?” I managed to say. I didn’t really need to. If his tattoos were not identical to hers, then they were at the least extremely similar. He nodded jerkily, and I took another step into the room. He did not look at me but stared off into a dim corner. The room was not cold, but he was shivering. The exotic needling began at the nape of his neck and covered every part of his back before vanishing beneath the waistband of his leggings. The twining serpents and wingspread dragons sprawled in exquisite detail over his smooth back. The shining colors had a metallic gleam to them, as if gold and silver had been forced under his skin to illuminate them. Every claw and scale, every shining tooth and flashing eye, was perfect. “They are very alike,” I managed to say at last. “Save that yours lie flat to your skin. One of hers, the largest serpent, stood swollen from her back as if inflamed. And it seemed to cause her great pain.” He drew in a shuddering breath. His teeth were near to chattering as he observed bitterly, “Well. Just when I thought there was no way she could increase her cruelty, she finds one. That poor, poor child.” “Does yours hurt?” I asked cautiously. He shook his head, still without looking at me. Some of his hair fell free of his grasp to brush across his shoulders. “No. Not now. But the application of them was extremely painful. And of great duration. They held me very still, for hours at a time. They apologized and tried to comfort me as they did. That only made it worse, that people who otherwise treated me with love and regard could do that to me. They were meticulously careful to needle them in just as she instructed them. It is a horrible thing to do to a child. Hold him still and hurt him. Any child.
Robin Hobb (Golden Fool (Tawny Man, #2))
you are, how much grief you’re experiencing, or how horrible you
Thibaut Meurisse (Master Your Emotions: A Practical Guide to Overcome Negativity and Better Manage Your Feelings (Mastery Series Book 1))
If it had been an outright junkyard, probably he could have stuck things out, made a career: the violence that had caused each wreck being infrequent enough, far enough away from him, to be miraculous, as each death, up till the final moment of our own, is miraculous. But the endless rituals of trade-in, week after week, never got as far as violence or blood, and so were too plausible for the impressionable Mucho to take for long. Even if enough exposure to the unvarying grey sickness had somehow managed to immunize him, he could still never accept the way each owner, each shadow, filed in only to exchange a dented, malfunctioning version of himself for another, just as futureless, automotive projection of somebody else's life. As if it were the most natural thing. To Mucho it was horrible. Endless, convoluted incest.
Thomas Pynchon (The Crying of Lot 49)
We all made horrible mistakes, Tobias, but just look at where we are now, and it’s largely because of you. Take some fucking credit and let those mistakes fall to the wayside. It’s time to forgive yourself.” He sighs, running a hand over his face, his eyes shimmering again, his voice a plea, “But you’ve got to let him go. He wouldn’t want you condemning yourself like this. We all deserve to see how the rest of this plays out, especially you. You’ve got to let him go, man.” I can barely manage my reply. “I’m trying.” “Try harder.” He grips my shoulder and squeezes as I nod several times. “We need you.
Kate Stewart (The Finish Line (The Ravenhood, #3))
In March 1942, Deichmann’s work as a manager of Italian contract labor took him to the IG Farben plant at Auschwitz, where many of the Italian workers he had enlisted were working. Even at that early date, Deichmann says, “no one could have approached the IG Farben works without becoming horribly, fearfully aware of what was happening nearby.
Christopher Simpson (The Splendid Blond Beast: Money, Law, and Genocide in the Twentieth Century (Forbidden Bookshelf))
Bill Campbell developed an excellent methodology for measuring executives in a balanced way that will help you achieve this. He breaks performance down into four distinct areas: 1. Results against objectives Once you’ve set a high standard, it will be straightforward to measure your executive against that standard. 2. Management Even if an executive does a superb job achieving her goals, that doesn’t mean she is building a strong and loyal team. It’s important to understand how well she is managing, even if she is hitting her goals. 3. Innovation It’s quite possible for an executive to hit her goal for the quarter by ignoring the future. For example, a great way for an engineering manager to hit her goals for features and dates is by building a horrible architecture, which won’t even support the next release. This is why you must look beyond the black-box results and into the sausage factory to see how things get made. 4. Working with peers This may not be intuitive at first, but executives must be effective at communicating, supporting, and getting what they need from the other people on your staff. Evaluate them along this dimension.
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers)
We simply forget all this—so busy are we, so immersed in our daily preoccupations—and because we forget, we fail. And through this forgetfulness, failure, and sin, our life becomes "old" again—petty, dark and ultimately meaningless—a meaningless journey toward a meaningless end. We manage to forget even death and then, all of a sudden, in the midst of our "enjoying life" it comes to us: horrible, inescapable, senseless.
Alexander Schmemann (Great Lent: Journey to Pascha)
You have an accent I do not recognize," he was saying. 'Tis certainly not local…." "Really, Lord Gareth — you should rest, not try to talk. Save your strength." "My dear angel, I can assure you I'd much rather talk to you, than lie here in silence and wonder if I shall live to see the next sunrise. I ... do not wish to be alone with my thoughts at the moment. Pray, amuse me, would you?" She sighed. "Very well, then. I'm from Boston." "County of Lincolnshire?" "Colony of Massachusetts." His smile faded. "Ah, yes ... Boston."  The town's name fell wearily from his lips and he let his eyes drift shut, as though that single word had drained him of his remaining strength. "You're a long way from home, aren't you?" "Farther, perhaps, than I should be," she said, cryptically. He seemed not to hear her. "I had a brother who died over there last year, fighting the rebels.... He was a captain in the Fourth. I miss him dreadfully." Juliet leaned the side of her face against the squab and took a deep, bracing breath. If this man died, he would never know just who the little girl playing so contentedly with his cravat was. He would never know that the stranger who was caring for him during his final moments was the woman his brother had loved, would never know just why she — a long way from home, indeed — had come to England. It was now or never. "Yes," she whispered, tracing a thin crack in the squab near her face. "So do I." "Sorry?" "I said, yes. I miss him too." "Forgive me, but I don't quite understand...."  And then he blanched and stiffened as the truth hit him with debilitating force. His eyes widened, their lazy dreaminess fading. His head rose halfway out of her lap. He stared at her and blinked, and in the sudden, charged silence that filled the coach, Juliet heard the pounding tattoo of her own heart, felt his gaze boring into the underside of her chin as his mind, dulled by pain and shock, quickly put the pieces together. Boston. Juliet. I miss him, too. He gave an incredulous little laugh. "No," he said, slowly shaking his head, as though he suspected he was the butt of some horrible joke or worse, knew she was telling the truth and could not find a way to accept it. He scrutinized her features, his gaze moving over every aspect of her face. "We all thought ... I mean, Lucien said he tried to locate you ... No, I am hallucinating, I must be!  You cannot be the same Juliet. Not his Juliet —" "I am," she said quietly. "His Juliet. And now I've come to England to throw myself on the mercy of his family, as he bade me to do should anything happen to him." "But this is just too extraordinary, I cannot believe —" Juliet was gazing out the window into the darkness again. "He told you about me, then?" "Told us? His letters home were filled with nothing but declarations of love for his 'colonial maiden,' his 'fair Juliet' — he said he was going to marry you. I ... you ... dear God, you have shocked my poor brain into speechlessness, Miss Paige. I do not believe you are here, in the flesh!" "Believe it," she said, miserably. "If Charles had lived, you and I would have been brother and sister. Don't die, Lord Gareth. I have no wish to see yet another de Montforte brother into an early grave." He settled back against her arm and flung one bloodstained wrist across his eyes, his body shaking. For a moment she thought the shock of her revelation had killed him. But no. Beneath the lace of his sleeve she could see his gleaming grin, and Juliet realized that he was not dying but convulsing with giddy, helpless mirth. For the life of her, she did not see what was so funny. "Then this baby —" he managed, sliding his wrist up his brow to peer up at her with gleaming eyes — "this baby —" "Is your niece.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Lilenta…” Baird reached for her but she shied away. “No, don’t touch me! In fact, I don’t think we should touch anymore at all.” Baird frowned. “What are you talking about?” Liv shook her head, her pulse pounding as all her old fears of being pinned down and helpless under the big alien male came back in a rush. “There’s something about you. I can’t…can’t seem to control myself when you get too close. When you touch me. And don’t tell me it’s my body reacting to yours because we ‘need’ each other again either,” she snapped, when he opened his mouth as if to reply. “I don’t care what causes it, I don’t like being out of control. Don’t like it that I can’t seem to stop myself from…from acting like some kind of animal in heat.” “I told you this would happen.” Baird shifted on the bed toward her but Liv pulled away again. He sighed and sat back. “Your body is in heat, Lilenta—to a certain extent anyway. And as long as we’re together you’ll get hotter and hotter. Having me inside you is the only thing that will ease you.” “Well then I guess I’ll just have to manage on my own because there is no way I’m letting you try to get your whole entire uh…self inside me.” Liv’s heart was still racing. “In fact, I don’t think I want you touching me at all anymore. It’s too dangerous.” Baird’s face was like a thundercloud. “You signed a contract, Olivia. This is our bathing week—you can’t deny me the right to wash you.” “Exactly—wash me. And that’s it.” Liv lifted her chin defiantly. “I’m pretty sure if I went over that contract with a fine tooth comb there wouldn’t be anything about you being able to rub me with fifty types of oil and lay on top of me and practically hump me through the mattress.” “I was scent marking you,” he protested. “Gotta do that in order to let other males know you’re mine.” “I’m not yours,” she flared at him angrily. “And I never will be! So you can wash me—fine, I can’t stop you. But nothing outside the bathing pool. That means no more naked massages with exotic oils. And absolutely no more marking, or whatever you call it.” “Fine.” Baird was so angry now his eyes were practically glowing. “But if I can’t mark you, then we’re not leaving the suite. Not with you smellin’ so hot and not having any of my scent on you.” Liv threw up her hands. “Great. Put me under house arrest—I don’t care. Just stay away from me.” “If that’s how you feel,” he said, his jaw clenched. “I told you once I wasn’t interested in taking what you didn’t want to give.” “That’s exactly how I feel,” Liv assured him. “And I’m not giving another inch.” “Fine.” He was still glaring at her but the pain was back in his eyes now—back to stay and Liv knew she was the cause of it. Suddenly she felt horrible. “Try to understand, Baird,” she pleaded softly. “I never asked for this—for our minds to align or for you to claim me. I never wanted any of it. I just…I just want to go home.” Baird closed his eyes briefly. “I wish I could let you. But I can’t, Olivia. I need you too damn much. I’m sorry.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
Orders come from customers, not from leaders.
Joyce Rachelle
Rajkumar Keswani, a journalist working with a small weekly magazine called Rapat, wrote a prescient article two years before the tragedy titled ‘Bhopal Jwalamukhi Kagar Pe’ (Bhopal on the edge of a volcano) warning the nation that the Carbide plant was in poor shape and there was likely to be a horrible disaster very soon. He wrote that the management knew about it, but was in no mood to make further investments on repairing the plant because the business was making huge losses. The management’s mood almost seemed to be one of waiting and welcoming the disaster. Despite these warnings, Arjun Singh, then chief minister of Madhya Pradesh, said on the floor of the legislature that everything was all right and there was no cause for any concern. If a journalist representing a small paper predicted the disaster, it is extremely disquieting that the state government and the union government armed with their enormous powers of inspection and control did not anticipate or take any steps to prevent it. It is not an unreasonable inference that all key functionaries including the Chief Minister Arjun Singh, had a very comfortable relationship with the management of Union Carbide, and it was unimportant and irrelevant in their priorities to make any ostensible effort to protect the life and health of thousands of their citizens.
Ram Jethmalani (RAM JETHMALANI MAVERICK UNCHANGED, UNREPENTANT)
He tore his mouth from her eager lips to whisper, “Juliet…ah, sweeting…” Only he had ever called her sweeting. “Morgan…” she whispered back. He froze. Jerking back from her, he stared uncomprehending into her eyes. Then his face drained of heat as suddenly as hot iron dunked in water. He dropped his hands from her. “What the devil am I doing? I must be mad…” Pivoting away, he leaned over to brace his fists on the table. His shoulders shook from the force of his sharp, heavy breaths. “Morgan?” She stepped forward to lay her hand on his back. He flinched at her touch. “Don’t ever call me that again. Call me Sebastian or Lord Templemore, but never Morgan. I’m not him!” He whirled to face her once more. His haunted eyes gleamed in the dimness, and his features were twisted into anger. “I think I’ve proved that sufficiently.” His denial struck a dagger to her heart, and she began to tremble. Surely, he didn’t mean to continue in his lies after what they’d just shared. How could he? “Please, Morgan, don’t-“ “I’m not Morgan!” He glanced away. “I’m not.” Only his shaky hand shoving his beautiful, thick hair from his face belied his seeming control. “And another thing: no woman ruined by a man waits two years to hunt him down when her family is spoiling for vengeance. She doesn’t hide the truth from them, and she doesn’t come in secret to accuse her supposed debaucher.” His gaze swung back to her as he dropped his voice. “She certainly doesn’t let him kiss her intimately. Your encounter with my brother wasn’t ‘wicked’ at all, was it? This was merely another of your little tests.” He did mean to deny it all! Of all the infernal, dastardly- “But now you should realize,” he went on, twisting the dagger, “that your attempts to paint me the villain are pointless. I’m not the man you seek. You’ll never prove I am.” If she’d had one of his horrible weapons in her hand right now, he’d be dead for certain. That he could stand here and kiss her with such passion, then deny that it meant anything, deny their entire past together, while she still tasted him on her lips… Very well, she could play that game. Lord knows she’d seen enough games played in society to manage one of her own. If that’s what it took to make him confess the truth. “You’re right. It was a test. But you passed.” Her sudden change of tactic made him eye her with suspicion. “I did?” “Certainly. First, by your reaction to my calling you Morgan. And second, because you kiss nothing like him.” “You mean because he didn’t kiss you intimately.” “No. Because he put more feeling into it. Like the rogue he was, Morgan kissed with great abandon.” She’d die before she admitted that his lordship had gone the same. If he could deceive her without remorse, he deserved this. “Of course, that’s to be expected of a reckless adventurer. His sort excel at inflaming women’s passions. Whereas you-“ She broke off, as if the rest were perfectly obvious. He gazed at her mulishly. “Whereas I what?” “You’re a gentleman, of course. You’re much too proper to kiss recklessly, and certainly you’d never attempt to inflame a woman’s passion.” “You can’t tell me that my brother kissed you with more passion, for I know otherwise. His kiss was-“ He broke off, realizing his error too late. “You’ve already said that his kisses were perfectly chaste.” Aha! Finally she’d pierced his infernal armor. She hadn’t told him there’d been only one kiss; he’d slipped up already. Let him believe she’d given up her suspicions-it would lull him into lowering his guard. She’d use his own arrogance against him, batter his pride at every opportunity with “perfectly innocent” comments about the past. She shrugged. “Chaste? Well, that’s a different matter entirely. His kiss may have been ‘chaste,’ as you put it, but it was still thrilling.” She could hardly suppress her smile at the lovely effect her words had on Lord Templemore. He looked positively offended.
Sabrina Jeffries (After the Abduction (Swanlea Spinsters, #3))
All these years, her sole objective had been to keep still and hope no one would ever know. She had been a mistress of stillness. She had mastered the simulation of peace without a wisp of real peace, like a nun from a silent order who was screaming inside her head, or a yogi racked with pain. How she had managed to fool anyone, let alone everyone, mystified her (how obtuse people were!) and, oddly, made her extraordinarily bitter. Because the price of her gift for evasion was to have no one, not one person, who understood how horrible she felt. All the time. Absolutely all the time.
Jean Hanff Korelitz (Admission)
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