Horizon Funny Quotes

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The disc, being flat, has no real horizon. Any adventurous sailor who got funny ideas from staring at eggs and oranges for too long and set out for the antipodes soon learned that the reason why distant ships sometimes looked as though they were disappearing over the edge of the world was that they were disappearing over the edge of the world.
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
They say to think within the box, but it's funny how those in the box never go anywhere, where those outside it, get to see the world.
Anthony Liccione
When we got to the marina we saw this beautiful boat named Tara waiting for us. Fredo, Carin, Ryan, Dan, Kenny, Allison, my mom, and me were all together to enjoy that extraordinary day. As the boat pulled away from the city, its skyline vanished into the horizon. The captain took us to this area where we sailed through caves and lush hilly landscapes. All of a sudden, the captain pushed the throttle all the way down and we started bombing across the water like we were in a James Bond movie. Everyone's hair was blowing all over the place, especially the girls'. Of course, mine was perfect (ha,ha), but theirs ended up looking like the worst case of bed head I've seen! It was so funny.
Justin Bieber (Justin Bieber: Just Getting Started)
As the station wagon pulled back onto the highway, the sun was slowly sinking below the horizon like a leaky boat. Well, except for that fact that boats are not generally round, orange and on fire. Hmm. Come to think of it, in no way whatsoever did the sun, in this instance, resemble a leaky boat. My apologies. That was a dreadful attempt at simile. Please allow me to try again. As the station wagon pulled back onto the highway, the sun was slowly sinking below the horizon like a self-luminous, gaseous sphere comprised mainly of of hydrogen and helium.
Cuthbert Soup (A Whole Nother Story)
She needed Andrew Simpson Smith, it was that simple. And he had spent his life training to help people like her. Gods. "Okay, Andrew. But let's leave today. I'm in a hurry." "Of course. Today." He stroked the place where his slight beard was beginning to grow. "These ruins where your friends are waiting? Where are they?" Tally glances up at the sun, still low enough to indicate the eastern horizon. After a moment's calculation, she pointed off to the northwest, back toward the city and beyond that, the Rusty Ruins. "About a week's walk that way." "A week?" "That means seven days." "Yes, I know the gods' calendar," he said huffily. "But a whole week?" "Yeah. That's not so far, is it?" The hunters had been tireless on their march the night before. He shook his head, an awed expression on his face. "But that is beyond the edge of the world.
Scott Westerfeld (Pretties (Uglies, #2))
It’s so simple at the beginning. You meet someone gorgeous and smart and funny. Somebody who’s better than you—you both know it, at least on some level. You fall in love with them. But you fall even more in love with their idea of you. You feel lucky. Because you are lucky. Then time passes. You both change too much. You stay too much the same. The truth worms its way out, and the horizon grows dark. Eventually all you’re left with is somebody who sees you for who you really are. And sooner or later, they hold up a mirror and you’re forced to see for yourself.
Kimberly McCreight (A Good Marriage)
It’s so simple at the beginning. You meet someone gorgeous and smart and funny. Somebody who’s better than you—you both know it, at least on some level. You fall in love with them. But you fall even more in love with their idea of you. You feel lucky. Because you are lucky. Then time passes. You both change too much. You stay too much the same. The truth worms its way out, and the horizon grows dark. Eventually all you’re left with is somebody who sees you for who you really are. And sooner or later, they hold up a mirror and you’re forced to see for yourself. And who the hell can live with that? So you do what you can to survive. You start looking for a fresh pair of eyes.
Kimberly McCreight (A Good Marriage)
Another world, another day, another dawn. The early morning's thinnest sliver of light appeared silently. Several billion trillion tons of superhot exploding hydrogen nuclei rose slowly above the horizon and managed to look small, cold and slightly damp.
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
Now give me some advice about how to take full advantage of this city. I’m always looking to improve my odds.” “Just what I’d expect from a horny actuary.” “I’m serious.” Carlos reflected for a moment on the problem at hand. He actually had never needed or tried to take full advantage of the city in order to meet women, but he thought about all of his friends who regularly did. His face lit up as he thought of some helpful advice: “Get into the arts.” “The arts?” “Yeah.” “But I’m not artistic.” “It doesn’t matter. Many women are into the arts. Theater. Painting. Dance. They love that stuff.” “You want me to get into dance? Earthquakes have better rhythm than me…And can you really picture me in those tights?” “Take an art history class. Learn photography. Get involved in a play or an independent film production. Get artsy, Sammy. I’m telling you, the senoritas dig that stuff.” “Really?” “Yeah. You need to sign up for a bunch of artistic activities. But you can’t let on that it’s all just a pretext to meet women. You have to take a real interest in the subject or they’ll quickly sniff out your game.” “I don’t know…It’s all so foreign to me…I don’t know the first thing about being artistic.” “Heeb, this is the time to expand your horizons. And you’re in the perfect city to do it. New York is all about reinventing yourself. Get out of your comfort zones. Become more of a Renaissance man. That’s much more interesting to women.
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
There’s just the memory of that time he walked in on her while she was dressing, and afterward couldn’t string a sentence together. And not only that, but she hadn’t even made fun of him for it. She hadn’t! Oh no, why not? Also…had the sight of her boobs possibly sort of made him fall in love with her? It had to be the boobs.
Charlotte Stein (The Horizon)
My knuckles brushed one of his wings- smooth and cool like silk, but hard as stone with it stretched taut. Fascinating, I blindly reached again... and dared to run a fingertip along some inner edge. Rhysand shuddered, a soft groan slipping past my ear. 'That,' he said tightly, 'is very sensitive.' I snatched my finger back, pulling away far enough to see his face. With the wind, I had to squint, and my braided hair ripped this way and that, but- he was entirely focused on the mountains around us. 'Does it tickle?' He flicked his gaze to me, then to the snow and pine that went on forever. 'It feels like this,' he said, and leaned in so close that his lips brushed the shell of my ear as he sent a gentle breath into it. My back arched on instinct, my chin tipping up at the caress of that breath. 'Oh,' I managed to say, I felt him smile against my ear and pull away. 'If you want an Illyrian male's attention, you'd be better off grabbing him by the balls. We're trained to protect our wings at all costs. Some males attack first, ask questions later, if their wings are touched without invitation.' 'And during sex?' The question blurted out. Rhys's face was nothing but feline amusement as he monitored the mountains. 'During sex, an Illyrian male can find completion just by having someone touch his wings in the right spot.' My blood thrummed. Dangerous territory; more lethal than the drop below. 'Have you found that to be true?' His eyes stripped me bare. 'I've never allowed anyone to see or touch my wings during sex. It makes you vulnerable in a way that I'm not... comfortable with.' 'Too bad,' I said, staring out too casually toward the mighty mountain that now appeared on the horizon, towering over the others. And capped, I noted, with that glimmering palace of moonstone. 'Why?' he asked warily. I shrugged, fighting the upward tugging of my lips. 'Because I bet you could get into some interesting positions with those wings.' Rhys loosed a barking laugh, and his nose grazed my ear. I felt him open his mouth to whisper something, but- Something dark and fast and sleek shot for us, and he plunged down and away, swearing.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Home.” There really ought to be several different words for that, one for the place and one for the people, because after enough years a person’s relationship to their town becomes more and more like a marriage. Both are held together by stories of what we have in common, the little things no one else knows about, the private jokes that only we think are funny, and that very particular laugh that you only laugh for me. Falling in love with a place and falling in love with a person are related adventures. At first we run around street corners giggling and explore every inch of each other’s skin, over the years we get to know every cobblestone and strand of hair and snore, and the waters of time soften our passion into unfailing love, and in the end the eyes we wake up next to and the horizon outside our window are the same thing: home. So there ought to be two words for that, one for the home which can carry you through your darkest moments, and one for the home which binds you. Because sometimes we stay in towns and marriages simply because we would otherwise have no story. We have too much in common. We think no one else would be able to under-stand us.
Fredrik Backman (The Winners (Beartown, #3))
I wake the next morning to a gentle tap, tap, tap on the side of my nose. I blink my eyes open and startle when I see a face looking into mine. Hayley grins at me. “You sweepy?” she says quietly. I was until she tapped against my face like a hungry bird. I scrub the sleep from my eyes and look over at Logan. He’s lying beside me with one arm flung over his head, his mouth hanging open. I snuggle deeper into my pillow. “Where’s your daddy?” I ask. “Sweeping,” she says. She’s dragging a bunny by the ears. “I’m hungwy,” she says. I cover a yawn with my open palm. I probably have awful morning breath. “Can you go and wake your daddy?” She shakes her head. “He said to go back to sweep.” I look toward the window. The sun is just barely over the horizon. “I want a pancake,” she says. A pancake? “How about some cereal?” I ask as I throw the covers off myself and get up. I take a pair of Logan’s boxers from his drawer and put them on. “Dos are Logan’s,” she says, scowling at me. “Do you think he’ll mind if I borrow them?” I whisper at her. She shakes her head and smiles, taking my hand in her free one so she can lead me from the room. “You don’t got to whisper. Logan can’t hear,” she says. I laugh. She’s right. And what’s funny is that it took a three-year-old to remind me. I hold a finger to my lips, though, as we step out into the hallway. “But your daddy can. Shh.” She giggles and repeats my shush.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
It's funny how we all live under the same sky, but we don't all have the same horizon.
Habeeb Akande
Don’t make a joke right now. None of this is funny.” I tipped my head, squinting one eye. “Well, except for the part where I’m falling in love with a married woman I haven’t even had sex with yet. But I’m sure Porter will spend the rest of his natural life making fun of me for that. Honestly, as long as you’re there laughing too. I’m okay with it.” This time, she kissed me. “Oh, Tanner.” She guided my hands down to her mouth, where she kissed one palm and then the other. “You really suck at casual, honey.” I grinned. “Only with you.
Aly Martinez (Across the Horizon)
Loretta snuggled deeply into silken furs, trying to escape the persistent hand that shook her shoulder and the voice that called to her. Not her name, anyway. Blue Eyes. What kind of name was that? “Blue Eyes, you will be awake now. Home…you wish for home?” Home. Amy and Aunt Rachel. The gray down quilt. Pork slab and eggs for breakfast. Coffee on the porch when the sun peeked over the horizon and streaked the sky with crimson. Home. To laughter and love and safety. Oh, yes, she wished for home. “Be awake, little one. This Comanche will take you back. Loh-rhett-ah? Wake up, Hoos-cho Soh-nips, Bird Bones, you must eat and grow strong so you can go home. To your people and your wooden walls.” Loretta opened her eyes. She rolled onto her back and blinked. A dark face swam above her. Funny, but blinking didn’t bring him into focus. She reached out, curious, then thought better of it. “You will make the honey talk with me? We will make a treaty between us, one with no tiv-ope, writing. You will eat and grow strong, and I will take you to your people.” Honey talk. All lies, according to Hunter. Loretta peered up. She ran her tongue across her lips and tried to swallow. “H-home?” she croaked. “Huh, yes, Blue Eyes. Home. But you must eat so you can live to go back. And drink. For three days. Until you are strong again.” His fingertips grazed her cheek and trailed lightly into her hair. “Then this Comanche will take you.” “You will?” she rasped. “It is a promise I make. You will eat and drink?” Loretta closed her eyes. She had to be dreaming. But oh, what a lovely dream it was. To go home. To have Hunter volunteer to take her there. No need to worry that his wrath would rain upon her family. “No tricks. You swear it?” “No tricks.” His voice echoed and reechoed inside her head, loud, then like a whisper. She fought to open her eyes. The darkness was surrounding her again. “Then I will eat.
Catherine Anderson (Comanche Moon (Comanche, #1))
State wants the alleged techniques, presumably.” “I’ve been wondering about that,” Norman said. “I wonder if we do want them.” “How do you mean?” “It’s a bit difficult to explain … Look, have you been following television at all since you came home?” “Occasionally, but since the Yatakang news broke I’ve been much too busy to catch more than an occasional news bulletin.” “So have I, but—well, I guess I’m more familiar with the way trends get started here nowadays, so I can extrapolate from the couple or three programmes I have had time for.” Norman’s gaze moved over Elihu’s head to the far corner of the room. “Engrelay Satelserv blankets most of Africa, doesn’t it?” “The whole continent, I’d say. There are English-speaking people in every country on Earth nowadays, except possibly for China.” “So you’re acquainted with Mr. and Mrs. Everywhere?” “Yes, of course—these two who always appear in station identification slots, doing exotic and romantic things.” “Did you have a personalised set at any time, with your own identity matted into the Everywhere image?” “Lord, no! It costs—what? About five thousand bucks, isn’t it?” “About that. I haven’t got one either; the basic fee is for couple service, and being a bachelor I’ve never bothered. I just have the standard brownnose identity on my set.” He hesitated. “And—to be absolutely frank—a Scandahoovian one for the shiggy half of the pair. But I’ve watched friends’ sets plenty of times where they had the full service, and I tell you it’s eerie. There’s something absolutely unique and indescribable about seeing your own face and hearing your own voice, matted into the basic signal. There you are wearing clothes you’ve never owned, doing things you’ve never done in places you’ve never been, and it has the immediacy of real life because nowadays television is the real world. You catch? We’re aware of the scale of the planet, so we don’t accept that our own circumscribed horizons constitute reality. Much more real is what’s relayed to us by the TV.” “I can well understand that,” Elihu nodded. “And of course I’ve seen this on other people’s sets too. Also I agree entirely about what we regard as real. But I thought we were talking about the Yatakangi claim?” “I still am,” Norman said. “Do you have a homimage attachment on your set? No, obviously not. I do. This does the same thing except with your environment; when they—let’s see … Ah yes! When they put up something like the splitscreen cuts they use to introduce SCANALYZER, one of the cuts is always what they call the ‘digging’ cut, and shows Mr. and Mrs. Everywhere sitting in your home wearing your faces watching the same programme you’re about to watch. You know this one?” “I don’t think they have this service in Africa yet,” Elihu said. “I know the bit you mean, but it always shows a sort of idealised dream-home full of luxy gadgetry.” “That used to be what they did here,” Norman said. “Only nowadays practically every American home is full of luxy gadgetry. You know Chad’s definition of the New Poor? People who are too far behind with time-payments on next year’s model to make the down-payment on the one for the year after?” Elihu chuckled, then grew grave. “That’s too nearly literal to be funny,” he said. “Prophet’s beard, it certainly is! I found time to look over some of Chad’s books after Guinevere’s party, and … Well, having met him I was inclined to think he was a conceited blowhard, but now I think he’s entitled to every scrap of vanity he likes to put on.
John Brunner (Stand on Zanzibar)
Excitedly warn him of impending highway danger that you can barely see as a tiny speck on the horizon.
Bill Farrel (Men Are Like Waffles--Women Are Like Spaghetti Devotional Study Guide Publisher: Harvest House Publishers; Stg edition)
Everywhere Althea looked, life was renewing itself. A funny little flutter skittered through her as she crossed the grass. She'd had the same feeling yesterday when she saw Jeff on the roof staring at the horizon. It felt like anticipation, yearning for something, but for the life of her she couldn't understand what it meant.
Alexis Harrington (Allie's Moon)
Funny . . . humanity’s great at the tiny patterns. We can find quarks in an atom and Jesus’s face in a tortilla. But that big picture is so elusive, so overwhelming, people refuse to believe something as obvious as their life in Des Moines affects lives in Delhi.
P.J. Manney ((R)evolution (Phoenix Horizon #1))
When you’re poor and hungry and frightened of failure, you often don’t have the luxury of high values, lofty goals, and social conscience. Funny how fear and poverty will acid-wash your value set, burn away all the flimflam and artifice and learned morality and leave you with nothing but the urgency of survival. - Dr. Dan Trix - Chasing the Horizon.
Rodney Romig (Chasing the Horizon (#4))
There really ought to be several different words for that, one for the place and one for the people, because after enough years a person’s relationship to their town becomes more and more like a marriage. Both are held together by stories of what we have in common, the little things no one else knows about, the private jokes that only we think are funny, and that very particular laugh that you only laugh for me. Falling in love with a place and falling in love with a person are related adventures. At first we run around street corners giggling and explore every inch of each other’s skin, over the years we get to know every cobblestone and strand of hair and snore, and the waters of time soften our passion into unfailing love, and in the end the eyes we wake up next to and the horizon outside our window are the same thing: home.
Fredrik Backman (The Winners (Beartown, #3))
When I was a kid, I wish I had known that; it's hard to find time to read, jump in the sea and climb trees when you're a grown-up, so do as much as you can now! Romantic love takes everyday work and there is no Prince Charming galloping over the horizon. All the little things you find funny about yourself are beautiful and unique and loveable.
Clemmie Telford (But Why?: How to answer tricky questions from kids and have an honest conversation with yourself)
Sometimes, instinct is just as important as doctrine, and instinct has a funny way of saving your ass.
J.N. Chaney (Distant Horizon (Backyard Starship, #6))
Jesse once told me that if I focused on a fixed point on the horizon, I would be okay, but Jesse hanged himself in his bedroom last year, so the value of his advice is dubious at best.
Shaun David Hutchinson (We Are the Ants)
But… the world needs to know about this! The world needs to know the truth!” I shook my head. “No, Myron, it doesn’t. In fact, that would be the worst thing for mankind right now.” “Don’t give me that. Humanity couldn’t handle it bullshit—” “I’m not. It’s not about that at all.” “So what, then?” I turned in my seat so I was facing him. “Myron, you’ve spent who knows how long obsessed with UFOs and Roswell, Area 51, conspiracy theories, abductions, that sort of stuff. And yes, you now know that a lot of it is true, although not in the ways you think it is.” I leaned forward. “The truth, and the threat, isn’t down there,” I said, pointing at the Arabian peninsula, which was now sliding beneath us. I turned my finger and pointed up. “It’s out there. The Men in Black aren’t your enemy, if they even exist at all, that is. The biggest threat to mankind are vicious, amoral alien assholes who would exploit the shit out of Earth if it ever lost the ignorance that’s protecting it.” “Ignorance? A protection?” I nodded. “There’s a community of peoples out there that put a lot of effort into protecting places like Earth, until they’re ready to take their first real steps into space. And I don’t mean sending a few guys to go futz around on the Moon. I mean serious, deep space travel. The organization I’m part of, the Peacemaker Guild, is part of that protection. But mankind’s ignorance of the truth is the far more important one. Once that’s gone, all bets are off.” I leaned forward even more, pressing my gaze into Myron’s. “Imagine the worst thing you can. Now, try and imagine something worse than that. That still doesn’t even come close to the true horror out there. Now, it’s not just horror, of course. There are lots of good things, wonderful things. But it’s the horror that keeps me awake at night.” “What Van is saying is that, if you managed to convince humanity of the truth, it would pretty much be the end of the line for Earth,” Perry put in. Myron sank back and shook his head. “So you mean that we now really do know the truth, and we can’t share it with anyone?” I leaned back and smiled at him. “Congratulations, Myron. You thought there was a conspiracy, and you were right—and now you’re part of it. Ain’t life a funny thing?
J.N. Chaney (Distant Horizon (Backyard Starship, #6))
Any light on the horizon?... Only that cast by everything on fire.
K.J. Charles (Subtle Blood (The Will Darling Adventures, #3))
Funny sky,' he said, squinting up at the thick-bellied white clouds and the sun shining so hot on them but not breaking through. 'It feels as if there should be a storm,' I said 'but it was like this at haymaking and the weather never properly broke then.' 'If I was at sea I should run for a port,' Ralph said. He was looking towards the horizon where there was a yellow tinge to the sky over the top of the downs.
Philippa Gregory (The Favored Child (The Wideacre Trilogy, #2))
Sol? As much as I appreciate you making me this lovely womanly blanket…you think we could try lying like normal people who don’t want to merge into one being?” “Can’t have that. We’d make one gross merged being. Your ass and my ass together? The universe would run in terror.
Charlotte Stein (The Horizon)
There was nothing wrong with the front of the house at all. But if the front of the house was all right, that was all that was. For the driveway was chopped off just a few feet beyond the tail end of the pickup and there was no yard or woods or road. There was just a desert – a flat, far-reaching desert, level as a floor, with occasional boulder piles and haphazard clumps of vegetation and all of the ground covered with sand and pebbles. A big blinding sun hung just above a horizon that seemed much too far away and a funny thing about it was that the sun was in the north, where no proper sun should be. It had a peculiar whiteness, too.
Clifford D. Simak (The Big Front Yard and Other Stories (The Complete Short Fiction of Clifford D. Simak #2))
In the movies, if every guy in an indie romance wanted a manic pixie dream girl, then you were my Sarah Connor girl. Strong jawed, road rager, hell-bent on achieving your goals, who also believed people could be good if you were patient with them: “Come with me if you want to live and let live.” The way this would have worked in the movies, you would have been the first to sense something was wrong. You would have told me about this weird feeling you were having and I would have dismissed it. But you didn’t see it coming. No funny feeling or women’s intuition. No foreboding sense of something on the horizon. You were just as unassuming as I was. In the movies, that’s why you died first. Because you were too smart for your own good. You’d figured it out before the film’s run time, so you had to go. In the movies, you would be my inciting incident, as if I was the more interesting one to follow, like I had more to offer. In what universe was that true? Not this one. Sarah Connor was always a main character, at least in the ones that were any good.
Gus Moreno (This Thing Between Us)