Hopefully Everything Will Be Fine Quotes

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One day everything will be well, that is our hope. Everything's fine today, that is our illusion
Voltaire
I always think incipent miracles surround us, waiting only to see if our faith is strong enough. We won't have to understand it; it will just work, like a beating heart, like love. Really, no matter how frightened and discouraged I may become about the future, I look forward to it. In spite of everything I see all around me every day, I have a shaky assurance that everything will turn out fine. I don't think I'm the only one. Why else would the phrase "everything's all right" ease a deep and troubled place in so many of us? We just don't know, we never know so much, yet we have such faith. We hold our hands over our hurts and lean forward, full of yearning and forgiveness. It is how we keep on, this kind of hope.
Elizabeth Berg (Talk Before Sleep)
She heard footsteps thumping from the crew quarters and Jacin appeared in the cargo bay, eyes wide. “What happened? Why is the ship screaming?” “Nothing. Everything’s fine,” Cinder stammered. “No, everything is not fine,” said Iko. “How can they be invited? I’ve never seen a bigger injustice in all my programmed life, and believe me, I have seen some big injustices.” Jacin raised an eyebrow at Cinder. “We just learned that my former guardian received an invitation to the wedding.” She opened the tab beside her stepmother’s name, thinking maybe it was a mistake. But of course not. Linh Adri had been awarded 80,000 univs and an official invitation to the royal wedding as an act of gratitude for her assistance in the ongoing manhunt for her adopted and estranged daughter, Linh Cinder. “Because she sold me out,” she said, sneering. “Figures.” “See? Injustice. Here we are, risking our lives to rescue Kai and this whole planet, and Adri and Pearl get to go to the royal wedding. I’m disgusted. I hope they spill soy sauce on their fancy dresses.” Jacin’s concern turned fast to annoyance. “Your ship has some messed-up priorities, you know that?” “Iko. My name is Iko. If you don’t stop calling me the ‘ship,’ I am going to make sure you never have hot water during your showers again, do you understand me?” “Yeah, hold that thought while I go disable the speaker system.” “What? You can’t mute me. Cinder!
Marissa Meyer (Cress (The Lunar Chronicles, #3))
You scared the shit out of me last night, so forgive me if I don't want to hear fine as an answer." I rubbed my eyes, hoping it would keep the burning tears away. The warm water of the shower had finally calmed the tears, but the thought of Noah walking away brought them back. "What do you want to hear? That I'm exhausted? Terrified? Confused? That all I want to do is rest my head on your chest and sleep for hours, but that's not going to happen because you're leaving me?" "Yes," he said quickly, then just as quick said, "No. Everything but the last part." He paused. "Echo, how could you think I would leave you? How can you doubt how I feel?" "Because," I said as I felt the familiar twisting in my stomach. "You saw me lose it. You saw me almost go insane." The muscles in his shoulders visibly tensed. "I watched you battle against the worst memory of your life and I watched you win. Make no mistake, Echo. I battled right beside you. You need to find some trust in me ... in us." Noah inhaled and slowly let the air out. His stance softened and so did his voice. "If you're scared, tell me. If you need to cry and scream, then do it. And you sure as hell don't walk away from us because you think it would be better for me. Here's the reality, Echo: I want to be by your side. If you want to go to the mall stark naked so you can show the world your scars, then let me hold your hand. If you want to see your mom, then tell me that, too. I may not always understand, but damn, baby, I'll try.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
It’s loneliness. Even though I’m surrounded by loved ones who care about me and want only the best, it’s possible they try to help only because they feel the same thing—loneliness—and why, in a gesture of solidarity, you’ll find the phrase “I am useful, even if alone” carved in stone. Though the brain says all is well, the soul is lost, confused, doesn’t know why life is being unfair to it. But we still wake up in the morning and take care of our children, our husband, our lover, our boss, our employees, our students, those dozens of people who make an ordinary day come to life. And we often have a smile on our face and a word of encouragement, because no one can explain their loneliness to others, especially when we are always in good company. But this loneliness exists and eats away at the best parts of us because we must use all our energy to appear happy, even though we will never be able to deceive ourselves. But we insist, every morning, on showing only the rose that blooms, and keep the thorny stem that hurts us and makes us bleed hidden within. Even knowing that everyone, at some point, has felt completely and utterly alone, it is humiliating to say, “I’m lonely, I need company. I need to kill this monster that everyone thinks is as imaginary as a fairy-tale dragon, but isn’t.” But it isn’t. I wait for a pure and virtuous knight, in all his glory, to come defeat it and push it into the abyss for good, but that knight never comes. Yet we cannot lose hope. We start doing things we don’t usually do, daring to go beyond what is fair and necessary. The thorns inside us will grow larger and more overwhelming, yet we cannot give up halfway. Everyone is looking to see the final outcome, as though life were a huge game of chess. We pretend it doesn’t matter whether we win or lose, the important thing is to compete. We root for our true feelings to stay opaque and hidden, but then … … instead of looking for companionship, we isolate ourselves even more in order to lick our wounds in silence. Or we go out for dinner or lunch with people who have nothing to do with our lives and spend the whole time talking about things that are of no importance. We even manage to distract ourselves for a while with drink and celebration, but the dragon lives on until the people who are close to us see that something is wrong and begin to blame themselves for not making us happy. They ask what the problem is. We say that everything is fine, but it’s not … Everything is awful. Please, leave me alone, because I have no more tears to cry or heart left to suffer. All I have is insomnia, emptiness, and apathy, and, if you just ask yourselves, you’re feeling the same thing. But they insist that this is just a rough patch or depression because they are afraid to use the real and damning word: loneliness. Meanwhile, we continue to relentlessly pursue the only thing that would make us happy: the knight in shining armor who will slay the dragon, pick the rose, and clip the thorns. Many claim that life is unfair. Others are happy because they believe that this is exactly what we deserve: loneliness, unhappiness. Because we have everything and they don’t. But one day those who are blind begin to see. Those who are sad are comforted. Those who suffer are saved. The knight arrives to rescue us, and life is vindicated once again. Still, you have to lie and cheat, because this time the circumstances are different. Who hasn’t felt the urge to drop everything and go in search of their dream? A dream is always risky, for there is a price to pay. That price is death by stoning in some countries, and in others it could be social ostracism or indifference. But there is always a price to pay. You keep lying and people pretend they still believe, but secretly they are jealous, make comments behind your back, say you’re the very worst, most threatening thing there is. You are not an adulterous man, tolerated and often even admired, but an adulterous woman, one who is ...
Paulo Coelho (Adultery)
I stood up angrily. “Look, I’m done talking to you tonight. Will you let me out of this dream? I’m not telling you where I am. And I’m not interested in hearing about how wonderful Avery is and how much better than me she is.” “Avery would never act like a little brat,” he said. “She wouldn’t get so offended that someone actually cares enough to check on her. She wouldn’t deny me the chance to learn more about my magic because she was paranoid someone would ruin her crazy attempt to get over her boyfriend’s death." “Don’t talk to me about being a brat,” I shot back. “You’re as selfish and self-centered as usual. It’s always about you—even this dream is. You hold me against my will, whether I want it or not, because it amuses you.” “Fine,” he said, voice cold. “I’ll end this. And I’ll end everything between us. I won’t be coming back.” “Good. I hope you mean it this time.” His green eyes were the last thing I saw before I woke up in my own bed. I sat up, gasping. My heart felt like it was breaking, and I almost thought I might cry. Adrian was right—I had been a brat. I’d lashed out at him when it wasn’t really deserved. And yet . . . I hadn’t been able to help it. I missed Lissa. I even kind of missed Adrian. And now someone else was taking my place, someone who wouldn’t just walk away like I had. I won’t be coming back. And for the first time ever, I had a feeling he really wouldn’t be.
Richelle Mead (Blood Promise (Vampire Academy, #4))
the fact that we all go on pretending things are fine, hoping everything’s a-okay, even though everything is nowhere near okay and we all know it, no matter how many candlelit vigils you hold
Lucy Ellmann (Ducks, Newburyport)
See the hand that nursed the serpent. The fine hasped pipes of her fingerbones. The skin bewenned and speckled. The veins are milkblue and bulby. A thin gold ring set with diamonds. That raised the once child's heart of her to agonies of passion before I was. Here is the anguish of mortality. Hopes wrecked, love sundered. See the mother sorrowing. How everything that I was warned of's come to pass.
Cormac McCarthy (Suttree)
A Brief for the Defense Sorrow everywhere. Slaughter everywhere. If babies are not starving someplace, they are starving somewhere else. With flies in their nostrils. But we enjoy our lives because that's what God wants. Otherwise the mornings before summer dawn would not be made so fine. The Bengal tiger would not be fashioned so miraculously well. The poor women at the fountain are laughing together between the suffering they have known and the awfulness in their future, smiling and laughing while somebody in the village is very sick. There is laughter every day in the terrible streets of Calcutta, and the women laugh in the cages of Bombay. If we deny our happiness, resist our satisfaction, we lessen the importance of their deprivation. We must risk delight. We can do without pleasure, but not delight. Not enjoyment. We must have the stubbornness to accept our gladness in the ruthless furnace of this world. To make injustice the only measure of our attention is to praise the Devil. If the locomotive of the Lord runs us down, we should give thanks that the end had magnitude. We must admit there will be music despite everything. We stand at the prow again of a small ship anchored late at night in the tiny port looking over to the sleeping island: the waterfront is three shuttered cafés and one naked light burning. To hear the faint sound of oars in the silence as a rowboat comes slowly out and then goes back is truly worth all the years of sorrow that are to come.
Jack Gilbert (Refusing Heaven: Poems)
The First [Friend] is the alter ego, the man who first reveals to you that you are not alone in the world by turning out (beyond hope) to share all your most secret delights. There is nothing to be overcome in making him your friend; he and you join like raindrops on a window. But the Second Friend is the man who disagrees with you about everything. He is not so much the alter ego as the antiself. Of course he shares your interests; otherwise he would not become your friend at all. But he has approached them all at a different angle. He has read all the right books but has got the wrong thing out of every one. It is as if he spoke your language but mispronounced it. How can he be so nearly right and yet, invariably, just not right? He is as fascinating (and infuriating) as a woman. When you set out to correct his heresies, you will find that he forsooth to correct yours! And then you go at it, hammer and tongs, far into the night, night after night, or walking through fine country that neither gives a glance to, each learning the weight of the other's punches, and often more like mutually respectful enemies than friends. Actually (though it never seems so at the time) you modify one another's thought; out of this perpetual dogfight a community of mind and a deep affection emerge.
C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
Lockwood didn’t speak until everything was quiet again. “I know you’re worrying about me, Luce,” he said. “But you really mustn’t. These things happen when you’re an agent. You’ve been snared by ghosts in the past, haven’t you? There was the one that made the bloody footprints, and the thing in the tunnels below the Aickmere Brothers store. But it’s fine, because I helped you then, and you’ve helped me now. We’re there to help each other. If we do that, we’ll get through.” Which was a lovely thing to say, and it made me feel a little warmer. I just had to hope it was true.
Jonathan Stroud (The Empty Grave (Lockwood & Co., #5))
Sleep! May be you will wake up tomorrow and find that things never changed, the apocalypse never happened, and everything's fine, normal, at home. Or may be you will wake up tomorrow and find that things have changed, for the better, the apocalypse is over and there's light, hope and a new home. Sleep, you crazy soul, just sleep.
Sanhita Baruah
That night I kept thinking about Pandora's box. I wondered why someone would put a good thing as Hope in a box with sickness and kidnapping and murder. It was fortunate that it was there, though. If not, people would have the birds of sadness nesting in their hair all the time, because of nuclear war and the greenhouse effect and bombs and stabbings and lunatics. There must have been another box with all the good things in it, like sunshine and love and trees and all that. Who had the good fortune to open that one, and was there one bad thing down there in the bottom of the good box? Maybe it was Worry. Even when everything seems fine and good, I worry that something will go wrong and change everything.
Sharon Creech
Life is Beautiful? Beyond all the vicissitudes that are presented to us on this short path within this wild planet, we can say that life is beautiful. No one can ever deny that experiencing the whirlwind of emotions inside this body is a marvel, we grow with these life experiences, we strengthen ourselves and stimulate our feelings every day, in this race where the goal is imminent death sometimes we are winners and many other times we lose and the darkness surprises us and our heart is disconnected from this reality halfway and connects us to the server of the matrix once more, debugging and updating our database, erasing all those experiences within this caracara of flesh and blood, waiting to return to earth again. "Life is beautiful gentlemen" is cruel and has unfair behavior about people who looked like a bundle of light and left this platform for no apparent reason, but its nature is not similar to our consciousness and feelings, she has a script for each of us because it was programmed that way, the architects of the game of life they know perfectly well that you must experiment with all the feelings, all the emotions and evolve to go to the next levels. You can't take a quantum leap and get through the game on your own. inventing a heaven and a hell in order to transcend, that comes from our fears of our imagination not knowing what life has in store for us after life is a dilemma "rather said" the best kept secret of those who control us day by day. We are born, we grow up, we are indoctrinated in the classrooms and in the jobs, we pay our taxes, we reproduce, we enjoy the material goods that it offers us the system the marketing of disinformation, Then we get old, get sick and die. I don't like this story! It looks like a parody of Noam Chomsky, Let's go back to the beautiful description of beautiful life, it sounds better! Let's find meaning in all the nonsense that life offers us, 'Cause one way or another we're doomed to imagine that everything will be fine until the end of matter. It is almost always like that. Sometimes life becomes a real nightmare. A heartbreaking horror that we find impossible to overcome. As we grow up, we learn to know the dark side of life. The terrors that lurk in the shadows, the dangers lurking around every corner. We realize that reality is much harsher and ruthless than we ever imagined. And in those moments, when life becomes a real hell, we can do nothing but cling to our own existence, summon all our might and fight with all our might so as not to be dragged into the abyss. But sometimes, even fighting with all our might is not enough. Sometimes fate is cruel and takes away everything we care about, leaving us with nothing but pain and hopelessness. And in that moment, when all seems lost, we realize the terrible truth: life is a death trap, a macabre game in which we are doomed to lose. And so, as we sink deeper and deeper into the abyss, while the shadows envelop us and terror paralyzes us, we remember the words that once seemed to us so hopeful: life is beautiful. A cruel and heartless lie, that leads us directly to the tragic end that death always awaits us.
Marcos Orowitz (THE MAELSTROM OF EMOTIONS: A selection of poems and thoughts About us humans and their nature)
It’s important to say what hope is not: it is not the belief that everything was, is, or will be fine.
Rebecca Solnit (Hope in the Dark: The Untold History of People Power)
With everything going on in my life – going on in my head – I wanted to talk with you. Really talk. Just once. A chance we never seemed to get at school. Or at work. A chance to ask, Who are you?' We didn’t get that chance because I was afraid. Afraid that I had no chance with you. That’s what I thought. And I was fine with that. Because whit if I got to know you and you turned out to be just like they said? What if you weren’t the person I hoped you were? That, more than anything, would have hurt the most.
Jay Asher (Thirteen Reasons Why)
You can’t just close your eyes and hope everything turns out all right. That’s a fine strategy for jumping out of an airplane, but it’s no way to conduct your life. In order to get anywhere you must first know where it is you want to go. Then you can figure out how to get there.
Mike Greenberg (All You Could Ask For)
It was only the other night everything was fine and the next thing I know I'm drowning. How many times can a man go down and still be alive? I can't breathe
Ray Bradbury (Fahrenheit 451)
One day everything will be well, that is our hope,’ said Voltaire; ‘today everything is fine, that is our illusion.
A.C. Grayling (The Meaning of Things: Applying Philosophy to Life)
ROSE: I been standing with you! I been right here with you, Troy. I got a life, too. I gave eighteen years of my life to stand in the same spot with you. Don't you think I ever wanted other things? Don't you think I had dreams and hopes? What about my life? What about me. Don't you think it ever crossed my mind to want to know other men? That I wanted to lay up somewhere and forget about my responsibilities? That I wanted someone to make me laugh so I could feel good? You not the only one who's got wants and needs. But I held on to you, Troy. I took all my feelings, my wants and needs, my dreams...and I buried them inside you. I planted a seed and watched and prayed over it. I planted myself inside you and waited to bloom. And it didn't take me not eighteen years to find out the soil was hard and rocky and it wasn't never gonna bloom. But I held on to you. I held you tighter. You was my husband. I owed you everything I had. Every part of me I could find to give you. And upstairs in that room...with the darkness falling in on me...I gave everything I had to try and erase the doubt that you wasn't the fines man in the world. And wherever you was going...I wanted to be there with you. Cause you was my husband. Cause that's the only way I was gonna survive as your wife. You always taking about what you give...and what you don't have to give. But you take too. You take...and you don't even know nobody's giving!
August Wilson (Fences (The Century Cycle, #6))
Brambleclaw's tail filicked angrily. "Did there have to be so many lies?" He was staring at Squirrelflight. "Couldn't you have told me the truth?" Squirrelflight dipped her head. "It was never my secret to tell. Leafpool had so much to lose". "She lost everything anyway", Brambleclaw snarled. "No, I didn't". Leafpool lifted her muzzle. "I watched my kits grow into fine warrior, and I still serve my Clan with all my heart". Lionblaze felt his heart prick. Perhaps this was the truth that was most important. Leafpool had sacrificed so much and, even though her kits rejected her time and again, she'd never stopped loving them. In his darkest moments, he couldn't deny that. "Brambleclaw, I'm sorry". Squirrelflight moved closer to the ThunderClan deputy. Her voice was stronger now, as if she was tired of being punished for something she had believed to be right. "You have to understand that I never intended to hurt you. I loved you, and was proud to raise these kits with you. You were a wonderful father". "But I wasn't their father!" Brambleclaw hissed. "Yes, you were!" Squirrelflight thrust her muzzle close to Brambleclaw's. Her eyes blazed. "Don't throw away everything just because you are angry with me!" Lionblaze swallowed. "I was so proud to be your son". Brambleclaw looked at him in surprise, as if he'd forgotton Lionblaze was there. Something in the deputy's expression changed. "And I couldn't have asked for a better son. And you Jayfeather. Or a better daughter, Hollyleaf." Hollyleaf opened her mouth as if to protest, but Brambleclaw spoke first. "You played no part in this deception, I know that. Whatever you did, it was because of the lies taht had been told when you were born." "It was my fault alone," Leafpool meowed quietly. "You are wrong to blame Squirrelflight. She was just being loyal to me. And now that we know about the prophecy, surely the only thing that matters is that these kits were accepted by their Clan? It's not about us, after all. It's about them. Their destinies shaped ours, right from the moment they were born." Squirrelflight nodded. "Everything was meant to be". Lionblaze looked down at his paws. If these cats could accept their destinies, then he had enough courage to accept his. I am one of the Four.
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
I always wondered what your type was, but I never imagined it would be a hard-core rocker!” Here we go. I had been hoping he'd be too sleepy for this conversation. “He's not my type. If I had a type it would be...nice. Not some hotheaded, egocentric male slut.” “Did you just call him a male slut?” Jay laughed. “Dang, that's, like, the worst language I've ever heard you use.” I glowered at him, feeling ashamed, and he laughed even harder. “Oh, hey, I've got a joke for you. What do you call someone who hangs out with musicians?” He raised his eyebrows and I shrugged. “I don't know. What?” “A drummer!” I shook my head while he cracked up at his joke for another minute before hounding me again about Kaidan. “All right, so you talked about my CDs, you had some cultural confusion with some of his lingo, then you talked about hot dogs? That can't be everything. You looked seriously intense.” “That's because he was intense, even though we weren't really talking about anything. He made me nervous.” “You thought he was hot, didn't you?” I stared out my window at the passing trees and houses. We were almost to school. “I knew it!” He smacked the steering wheel, loving every second of my discomfort. “This is so weird. Anna Whitt has a crush.” “Fine, yes. He was hot. But it doesn't matter, because there's something about him I don't like. I can't explain it. He's...scary.” “He's not the boy next door, if that's what you mean. Just don't get the good-girl syndrome.” “What's that?” “You know. When a good girl falls for a bad boy and hopes the boy will fall in love and magically want to change his ways. But the only one who ends up changing is the girl.
Wendy Higgins (Sweet Evil (Sweet, #1))
Getting the puppy's hopes up. More likely, every bloodbag on Eden is screaming and tearing their faces off, but, oh, no, no one wants to hear that" He waved a hand. "So, go ahead, tell him that everything is going to be fine. All the meatsacks are perfectly content on their happy little island, Sarren has given up world destruction to raise kittens, and the magic wish fairy will wave her wand and turn shit into gold.
Julie Kagawa (The Forever Song (Blood of Eden, #3))
There is a sweetness in being the sole source, the autocratic and irresponsible cause of the greatest joy and profoundest pain to another, and I was like wax in Zinaïda's hands; though, indeed, I was not the only one in love with her. All the men who visited the house were crazy over her, and she kept them all in leading-strings at her feet. It amused her to arouse their hopes and then their fears, to turn them round her finger (she used to call it knocking their heads together), while they never dreamed of offering resistance and eagerly submitted to her. About her whole being, so full of life and beauty, there was a peculiarly bewitching mixture of slyness and carelessness, of artificiality and simplicity, of composure and frolicsomeness; about everything she did or said, about every action of hers, there clung a delicate, fine charm, in which an individual power was manifest at work. And her face was ever changing, working too; it expressed, almost at the same time, irony, dreaminess, and passion. Various emotions, delicate and quick-changing as the shadows of clouds on a sunny day of wind, chased one another continually over her lips and eyes.
Ivan Turgenev (First Love)
See, I’m the worst breed of human. Let me explain. Some people are dead inside. They go through life knowing this, and they manage fine enough, because, well, they’re dead inside. They aren’t bitter because they don’t care enough to change. They just try to get by with the things they can control. Others live in the fucking clouds, watch romantic comedies, and dream about everything being perfect one day. These people are always fine because they have an everlasting well of hope inside them, and no matter what happens they’ll just romanticize their existence. But when it comes to me…I’m someone who’s mostly dead inside but still has a little hope for something extraordinary, which, as I said, is the worst breed of human, because it means that I know everything is bullshit, but that I secretly hope for the day when it might not be. The tension makes me wish I were just completely dead inside. It would makes things much easier for me.
Nick Miller
Well well well. What makes, bratty. What gives, this fine bright middle of the nochy?" He said: "I'll give you just ten seconds to wipe that stupid grin off of your face. Then I want you to listen." "Well, what?" I said, smecking. "Are you not satisfied with beating me near to death and having me spat upon and making me confess to crimes for hours on end and then shoving me among bezoomnies and vonny perverts in that grahzny cell? Have you some new torture for me, you bratchny?" "It'll be your own torture," he said, serious. "I hope to God it'll torture you to madness." And then, before he told me, I knew what it was. The old ptitsa who had all the kots and koshkas had passed on to a better world in one of the city hospitals. I'd cracked her a bit too hard, like. Well, well, that was everything. I thought of all those kots and koshkas mewling for moloko and getting none, not any more from their starry forella of a mistress. That was everything. I'd done the lot, now and me still only fifteen.
Anthony Burgess (A Clockwork Orange)
See the hand that nursed the serpent. The fine hasped pipes of her fingerbones. The skin bewenned and speckled. The veins are milkblue and bulby. A thin gold ring set with diamonds. That raised the once child’s heart of her to agonies of passion before I was. Here is the anguish of mortality. Hopes wrecked, love sundered. See the mother sorrowing. How everything that I was warned of’s come to pass.
Cormac McCarthy (Suttree)
One day everything will be well, that is our hope. Everything’s fine today, that is our illusion.
Voltaire
... the way we race ahead, like if we changed enough things in our life, everything would be fine…
Jennifer Close (The Hopefuls)
I feel to that the gap between my new life in New York and the situation at home in Africa is stretching into a gulf, as Zimbabwe spirals downwards into a violent dictatorship. My head bulges with the effort to contain both worlds. When I am back in New York, Africa immediately seems fantastical – a wildly plumaged bird, as exotic as it is unlikely. Most of us struggle in life to maintain the illusion of control, but in Africa that illusion is almost impossible to maintain. I always have the sense there that there is no equilibrium, that everything perpetually teeters on the brink of some dramatic change, that society constantly stands poised for some spasm, some tsunami in which you can do nothing but hope to bob up to the surface and not be sucked out into a dark and hungry sea. The origin of my permanent sense of unease, my general foreboding, is probably the fact that I have lived through just such change, such a sudden and violent upending of value systems. In my part of Africa, death is never far away. With more Zimbabweans dying in their early thirties now, mortality has a seat at every table. The urgent, tugging winds themselves seem to whisper the message, memento mori, you too shall die. In Africa, you do not view death from the auditorium of life, as a spectator, but from the edge of the stage, waiting only for your cue. You feel perishable, temporary, transient. You feel mortal. Maybe that is why you seem to live more vividly in Africa. The drama of life there is amplified by its constant proximity to death. That’s what infuses it with tension. It is the essence of its tragedy too. People love harder there. Love is the way that life forgets that it is terminal. Love is life’s alibi in the face of death. For me, the illusion of control is much easier to maintain in England or America. In this temperate world, I feel more secure, as if change will only happen incrementally, in manageable, finely calibrated, bite-sized portions. There is a sense of continuity threaded through it all: the anchor of history, the tangible presence of antiquity, of buildings, of institutions. You live in the expectation of reaching old age. At least you used to. But on Tuesday, September 11, 2001, those two states of mind converge. Suddenly it feels like I am back in Africa, where things can be taken away from you at random, in a single violent stroke, as quick as the whip of a snake’s head. Where tumult is raised with an abruptness that is as breathtaking as the violence itself.
Peter Godwin (When a Crocodile Eats the Sun: A Memoir of Africa)
To say that the emperor has no clothes is a nice anti-authoritarian gesture, but to say that everything without exception is going straight to hell is not an alternative vision but only an inverted version of the mainstream's 'everything's fine.
Rebecca Solnit (Hope in the Dark: The Untold History of People Power)
I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day. I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him. Options skim through my head like a flip book. Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus. Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious. Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all. For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands. Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now. I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic. "Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest. I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me. "Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand. "I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?" He blinks, gives a slight nod. Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I sincerely believe that the best criticism is the criticism that is entertaining and poetic; not a cold analytical type of criticism, which, claiming to explain everything, is devoid of hatred and love, and deliberately rids itself of any trace of feeling, but, since a fine painting is nature reflected by an artist, the best critical study, I repeat, will be the one that is that painting reflected by an intelligent and sensitive mind. Thus the best accounts of a picture may well be a sonnet or an elegy . . . But that type of criticism is destined for books of poetry and for readers of poetry. As to criticism proper, I hope philosophers will understand what I am about to say: to be in focus, in other words to justify itself, criticism must be partial, passionate, political, that is to say it must adopt an exclusive point of view, provided always the one adopted opens up the widest horizons.
Charles Baudelaire
OK?’ Eliot simply asks. ‘Fine.’ ‘Good. Only thing for it,’ he says, ‘hold on and hope for the best.’ ‘And that’s dancing, is it?’ ‘Well, yeah,’ says Eliot, then he leans in and says into my ear, breath tickling my neck, ‘And everything else, too, Emmie Blue.
Lia Louis (Dear Emmie Blue)
I don't have all of the answers to the world. I don't know everything about life and marriage and happiness. But I do know what love is. And I do know that when love is real, and when love is in its strongest form, it is the most powerful thing on this earth. It kills, saves lives, heals wounds, and most of all, brings hope. That is what you have done for me, Lily. You have brought me hope. When I look into your eyes, I know that no matter what may happen to me, as long as I can see those eyes staring back at me, then I'll be fine. Somehow I'll make it through. Somehow I'll find a way to survive for you. And that's what I want to feel for the rest of my time here on Earth, however short or long that may be. I want to wake up every morning and see your shining face staring back at me. But I also want to protect you. I want to protect you from anything that may hurt you. I want to be there when you cry to dry your tears. When you feel lonely, I want to give you a kiss. When you are scared, to embrace you. And when you are happy, to share a laugh with you. I don't know what's in store for us, but I do know that true love outlasts everything. It outlasts doubt, hate, war, misfortune, and most of all death. I vow to you to always be beside you. Not only in this life, but the next. Because that's when love becomes real. That's when love becomes unchained from anything in this life. I know that when I die, the first thing that I will see will be your eyes. That is how I will know that I made it to Heaven. Because you and I will still be together, forever." -James Potter
Mordred
When one comes out to speak, it's NOT because they want to be pitied and told everything will be fine. We know everything will be fine but our tears and our words, and hidden messages on posts, our statuses is to let you know that we are still in search of happiness. To tell you we are trying to be strong, to remind you that there will always be time when even in the morning weeping still endures. Where our nights of tears are no different from the sun that was supposed to bring laughter. Everyone of us have a way of attaining relief. Our outcry is a way of hope.
Lord Uzih
In Mass I wanted to talk to God, but I didn’t know if He’d recognize me. I couldn’t think of nothing to say. So instead I pictured my life as a shattered plate, a fine piece of crockery broke and splintered into a thousand tiny pieces. And then I spent the hour collecting up all them bits of colored wreckage, and one by one, I placed them shards into the invisible hands of God. I hoped He would maybe glue them back together for me. He could stitch them up the way Pavees did, until the cracks was so well healed that nobody could see them at all. After Mass, Dad took me fishing, which made everything worse, because he’d never took me fishing on my own before, and the gravity of that was like a sad confession.
Jeanine Cummins (The Outside Boy)
We drove down Corydon avenue towards my mother's apartment. How are you doing, she asked me? Fine, fine, I said. I wanted to tell her that I felt I was dying from rage and that I felt guilty about everything and that when I was a kid I woke up every morning singing, that I couldn't wait to leap out of bed and rush out of the house into the magical kingdom that was my world, that dust made visible in sunbeams gave me real authentic joy, that my sparkly golden banana-seated bike with the very high sissy bar took my breath away, the majesty of it, that it was mine, that there was no freer soul in the world than me at age nine, and that now I wake up every morning reminding myself that control is an illusion, taking deep breaths and counting to ten trying to ward off panic attacks and hoping that my own hands hadn't managed to strangle me while I slept.
Miriam Toews (All My Puny Sorrows)
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands. Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap. I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death. But today, vigor and grace have forsaken me and left me crippled. Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own. My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever. But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path? No, everything and everyone we love will vanish, one day. So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship. Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last. Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character. Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing. My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know. So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have. But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib. My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
Shakieb Orgunwall
She wanted the best oils and perfumes, wanted the best kind of life, wanted the most tender hopes, wanted the best delicate meats and also the heaviest ones to eat, wanted her flesh to break into spirt and her spirit to break into flesh, wanted those fine mixtures— everything that would secretly ready her for those first moments that would come.
Clarice Lispector (An Apprenticeship or The Book of Pleasures)
Klaus: Oh, come on. Take a chance, Caroline. Talk to me. Come on, get to know me. I dare you. Caroline: Fine. So, what do you wanna talk about? Klaus: I wanna talk about you. (Caroline scoffs) Your hopes, your dreams. Everything you want in life. Caroline: (laughs) Just to be clear, I'm too smart to be seduced by you. Klaus: Well, that's why I like you!
Caroline Dries
Just try to suppose that I may not know how to behave with dignity. That is, perhaps I'm a dignified man, but I don't know how to behave with dignity. Do you understand that it may be so? All Russians are that way, and you know why? Because Russians are too richly and multifariously endowed to be able to find a decent form for themselves very quickly. It's a matter of form. For the most part, we Russians are so richly endowed that it takes genius for us to find a decent form. Well, but most often there is no genius, because generally it rarely occurs. It's only the French, and perhaps some few other Europeans, who have so well-defined a form that one can look extremely dignified and yet be a most undignified man. That's why form means so much to them. A Frenchman can suffer an insult, a real, heartfelt insult, and not wince, but a flick on the nose he won't suffer for anything, because it's a violation of the accepted and time-honored form of decency. That's why our young ladies fall so much for Frenchmen, because they have good form. In my opinion, however, there's no form there, but only a rooster, le coq gaulois. However, that I cannot understand, I'm not a woman. Maybe roosters are fine. And generally I'm driveling, and you don't stop me. Stop me more often; when I talk with you, I want to say everything, everything, everything. I lose all form. I even agree that I have not only no form, but also no merits. I announce that to you. I don't even care about any merits. Everything in me has come to a stop now. You yourself know why. I don't have a single human thought in my head. For a long time I haven't known what's going on in the world, either in Russia or here. I went through Dresden and don't remember what Dresden is like. You know yourself what has swallowed me up. Since I have no hope and am a zero in your eyes, I say outright: I see only you everywhere, and the rest makes no difference to me. Why and how I love you--I don't know. Do you know, maybe you're not good at all? Imagine, I don't even know whether you're good or not, or even good-looking? Your heart probably isn't good; your mind isn't noble; that may very well be.
Fyodor Dostoevsky (The Gambler)
Nina pulled off her gown and the heavy rubber belly she had strapped over her tunic while Rotty rid himself of his beard and coat. They tied everything in a bundle and Nina tossed it overboard as they climbed into the bottleboat moored beneath Zentsbridge. “Good riddance,” she said as it sank into the water. “So little maternal sentiment,” Kaz said, emerging from behind the wine crates. “Where’s Inej?” “I’m fine,” said Inej from behind him. “But Kuwei—” “You’re bleeding again,” Nina observed as she slid behind the high stacks of crates to join them. There was little traffic on the canal now, but it didn’t do to take chances. “And what happened to your eyes?” “I’d tell you to ask the White Blade, but…” Inej shrugged. “I hope she suffered.” “Nina.” “What? We can’t both be merciful and serene.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
It's important to say what hope is not: it is not the belief that everything was, is, or will be fine. The evidence is all around of tremendous suffering and tremendous destruction. The hope I'm interested in is about broad perspectives with specific possibilities, ones that invite or demand that we act. It's also not a sunny everything-is-getting-better narrative, though it may be a counter to the everything-is-getting-worse narrative. You could call it an account of complexities and uncertainties, with openings. "Critical thinking without hope is cynicism, but hope without critical thinking is naïveté," the Bulgarian writer Maria Popova recently remarked. And Patrisse Cullors, one of the founders of Black Lives Matter, early on described the movement's mission as to "Provide hope and inspiration for collective action to build collective power to achieve collective transformation, rooted in grief and rage but pointed towards vision and dreams." It's a statement that acknowledges that grief and hope can coexist.
Rebecca Solnit (Hope in the Dark: The Untold History of People Power)
I make 'Buela's recipe for sofrito that I'll use to season the ground beef. Softening the garlic and onions, adding tomato paste. This is the first step for most traditional dishes, the flavoring that gives a rich taste for everything from beans to stew. Then I brown meat and make a homemade sauce from fresh tomatoes. I grate fine shreds of mozzarella cheese and boil sheets of pasta. While the oven is preheating, I slowly layer my guilt, my hope, and a hundred dreams. I don't know if it means anything at all, but 'Buela has always said my hands are magical, and I use them now to put all my feelings into the pan.
Elizabeth Acevedo (With the Fire on High)
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Well, how are you?” my mother went on. “You spend all day on your feet, Keiko. It must be tiring. Um, how have things been lately? What’s new?” Hearing her pry like this, I got the feeling that somehow she was still hoping for some kind of new development in my life. She was probably a bit tired of how I hadn’t progressed at all in eighteen years. When I told her everything was fine as usual, she sounded both relieved and disappointed at once.
Sayaka Murata (Convenience Store Woman)
Me: Are you this hopeful about everything?  Zahra: Sure. Why not? Me: Because life isn’t always rainbows and sunshine.  Zahra: Of course not. But how can we appreciate the sun every morning if we don’t live through the dark?
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))
When you wait all your life for something and then you find it, it's like a miracle. All the parts inside you that've been on hold, they open up and start beating. You were okay before, you were good. You had purpose and direction and everything was just fine. But now it's more. You can't explain what the more is, but you know, if you lose it, you'll never be able to fill those empty spaces in just the same way again. Not ever. That's terrifying. I'm afraid that what's inside me is just a trick. That I'll wake up tomorrow and what's beating in here will have stopped. It'll be quiet again. I won't feel this way. I won't feel the way I've waited all my life to feel. I can stand you not loving me back. There's always hope that you will. But I don't know if I can stand not loving you. It would be like...like having something stolen from inside of me. I don't know if I can handle going back to the way I was.
Nora Roberts (Key of Light (Key Trilogy, #1))
One man carried his dead son. He thought the boy was still alive. The father was covered with his son's blood, and as he ran he kept saying, "I will get you to the hospital, my boy, everything will be fine." Perhaps it was necessary that he cling to false hopes, since they kept him running from harm.
Ishmael Beah (A Long Way Gone: Memoirs of a Boy Soldier)
DEAR MAMA, I’m sorry it’s taken me so long to write. Every time I try to write to you and Papa I realize I’m not saying the things that are in my heart. That would be O.K., if I loved you any less than I do, but you are still my parents and I am still your child. I have friends who think I’m foolish to write this letter. I hope they’re wrong. I hope their doubts are based on parents who loved and trusted them less than mine do. I hope especially that you’ll see this as an act of love on my part, a sign of my continuing need to share my life with you. I wouldn’t have written, I guess, if you hadn’t told me about your involvement in the Save Our Children campaign. That, more than anything, made it clear that my responsibility was to tell you the truth, that your own child is homosexual, and that I never needed saving from anything except the cruel and ignorant piety of people like Anita Bryant. I’m sorry, Mama. Not for what I am, but for how you must feel at this moment. I know what that feeling is, for I felt it for most of my life. Revulsion, shame, disbelief—rejection through fear of something I knew, even as a child, was as basic to my nature as the color of my eyes. No, Mama, I wasn’t “recruited.” No seasoned homosexual ever served as my mentor. But you know what? I wish someone had. I wish someone older than me and wiser than the people in Orlando had taken me aside and said, “You’re all right, kid. You can grow up to be a doctor or a teacher just like anyone else. You’re not crazy or sick or evil. You can succeed and be happy and find peace with friends—all kinds of friends—who don’t give a damn who you go to bed with. Most of all, though, you can love and be loved, without hating yourself for it.” But no one ever said that to me, Mama. I had to find it out on my own, with the help of the city that has become my home. I know this may be hard for you to believe, but San Francisco is full of men and women, both straight and gay, who don’t consider sexuality in measuring the worth of another human being. These aren’t radicals or weirdos, Mama. They are shop clerks and bankers and little old ladies and people who nod and smile to you when you meet them on the bus. Their attitude is neither patronizing nor pitying. And their message is so simple: Yes, you are a person. Yes, I like you. Yes, it’s all right for you to like me too. I know what you must be thinking now. You’re asking yourself: What did we do wrong? How did we let this happen? Which one of us made him that way? I can’t answer that, Mama. In the long run, I guess I really don’t care. All I know is this: If you and Papa are responsible for the way I am, then I thank you with all my heart, for it’s the light and the joy of my life. I know I can’t tell you what it is to be gay. But I can tell you what it’s not. It’s not hiding behind words, Mama. Like family and decency and Christianity. It’s not fearing your body, or the pleasures that God made for it. It’s not judging your neighbor, except when he’s crass or unkind. Being gay has taught me tolerance, compassion and humility. It has shown me the limitless possibilities of living. It has given me people whose passion and kindness and sensitivity have provided a constant source of strength. It has brought me into the family of man, Mama, and I like it here. I like it. There’s not much else I can say, except that I’m the same Michael you’ve always known. You just know me better now. I have never consciously done anything to hurt you. I never will. Please don’t feel you have to answer this right away. It’s enough for me to know that I no longer have to lie to the people who taught me to value the truth. Mary Ann sends her love. Everything is fine at 28 Barbary Lane. Your loving son, MICHAEL
Armistead Maupin (More Tales of the City (Tales of the City #2))
If our children’s lives are the sea floor, we need to leave the gold all over it, everywhere, in little bits. We can’t do it one big nugget. We can’t even do it in a bunch of medium chunks. We have to leave gold through their lives in a fine dust that’s spread all over everything. At the end of our children’s lives, we hope we hope it is worth a fortune. But at any given moment it is the little things that contain the gold. The gold is quick forgiveness. It is quick repentance. It is cheerful smiles and tender hugs. It is teasing and laughing. It is loving. It is Daddy throwing yet another wrestle party all over the house. It is dinner. Regular. Predictable. It is having physical needs looked after. It is being disciplined. It is being challenged. It is being educated. Being made to do something you didn’t want to. It is not being the boss. It is not getting away with lying. It is knowing who to talk to. It is knowing you will feel better when you do. It is security. It is joy. It is every day. It is life. It is knowing your faith, and knowing that it is your parents’ too. It is knowing your people and being known by them.
Rachel Jankovic (Fit to Burst: Abundance, Mayhem, and the Joys of Motherhood)
Be honest with yourself. You were at your lowest and broken down. You were unsure and lost hope. You were hiding your fears until you showed them on your sleeve. You felt like everything and everyone was the hammer and you were the nail as they were beating down on you, and it was never-ending. Their empty threats had you scared and you were always running because your weakness was exposed. You were their prey. You didn’t know who to believe because of their mixed signals. You might not see it now, but you are stronger than you can ever imagine. You cannot become comfortable in your pain. You have to let the pain that you feel turn you into a rose without thorns. There are sixteen pieces on the chessboard. The king is the most important piece, but the difference is that the queen is the most powerful piece! You are a queen, you can maneuver around your opponents; they do not have the power over your life, your mind or soul. You might think you’ve been a prisoner, but that is your past’. Look in the now and work your way to how you want your future to be. Exercise your thoughts into a pattern of letting go, and think positively about more of what you want than what you do not want. Queen! You are a queen! As a matter of fact, you are the queen! Act as if you know it! You are powerful, determined, strong, and you can make the biggest and most extravagant move and put it into action. Lights, camera, strike a pose and own it! It is yours to own! Yes, you loved and loved so much. You also lost as well, but you lost hurt, pain, agony, and confusion. You’ve lost interest in wanting to know answers to unanswered questions. You’ve lost the willingness to give a shit about what others think. You’ve surrendered to being fine, that you cannot change the things you have no control over. You’ve lost a lot, but you’ve gained closure. You are now balanced, centered, focused, and filled with peace surrounding you in your heart, mind, body, and soul. Your pride was hurt, but you would rather walk alone and be more willing to give and learn more about the queen you are. You lost yourself in the process, but the more you learn about the new you, the more you will be so much in love with yourself. The more you learn about the new you, the more you will know your worth. The more you learn about the new you, the happier you are going to be, and this time around you will be smiling inside and out! The dots are now connecting. You feel alive! You know now that all is not lost. Now that you’ve cut the cord it is time to give your heart a second chance at loving yourself. Silence your mind. Take a deep breath and close your eyes. As you open your eyes, look at your reflection in the mirror. Aren’t you beautiful, Queen? Embrace who you are. Smile, laugh, welcome the new you and say, “My world is just now beginning.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
Finding ways to appreciate advances without embracing complacency is a delicate task. It involves being hopeful and motivated and keeping eyes on the prize ahead. Saying that everything is fine or that it will never get any better are ways of going nowhere or of making it impossible to go anywhere. Either approach implies that there is no road out or that, if there is, you don’t need to or can’t go down it. You can. We have.
Rebecca Solnit (Men Explain Things to Me)
About five miles back I had a brush with the CHP. Not stopped or pulled over: nothing routine. I always drive properly. A bit fast, perhaps, but always with consummate skill and a natural feel for the road that even cops recognize. No cop was ever born who isn't a sucker for a finely-executed hi-speed Controlled Drift all the way around one of those cloverleaf freeway interchanges. Few people understand the psychology of dealing with a highway traffic cop. Your normal speeder will panic and immediately pull over to the side when he sees the big red light behind him ... and then he will start apologizing, begging for mercy. This is wrong. It arouses contempt in the cop-heart. The thing to do – when you're running along about 100 or so and you suddenly find a red-flashing CHP-tracker on your tail – what you want to do then is accelerate. Never pull over with the first siren-howl. Mash it down and make the bastard chase you at speeds up to 120 all the way to the next exit. He will follow. But he won't know what to make of your blinker-signal that says you're about to turn right. This is to let him know you're looking for a proper place to pull off and talk ... keep signaling and hope for an off-ramp, one of those uphill side-loops with a sign saying "Max Speed 25" ... and the trick, at this point, is to suddenly leave the freeway and take him into the chute at no less than 100 miles an hour. He will lock his brakes about the same time you lock yours, but it will take him a moment to realize that he's about to make a 180-degree turn at this speed ... but you will be ready for it, braced for the Gs and the fast heel-toe work, and with any luck at all you will have come to a complete stop off the road at the top of the turn and be standing beside your automobile by the time he catches up. He will not be reasonable at first ... but no matter. Let him calm down. He will want the first word. Let him have it. His brain will be in a turmoil: he may begin jabbering, or even pull his gun. Let him unwind; keep smiling. The idea is to show him that you were always in total control of yourself and your vehicle – while he lost control of everything.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
There are two kinds of knowing. The kind that resides in your brain, with straight edges and smooth planes, and fits tidily between memories like a book on a shelf. The kind that matches your hopes and tells you everything is as it should be. But then there’s the knowing that comes for you at night, after layers of consciousness have been peeled off by the exhaustion of the day. It lives in that pit in your stomach, jagged and dark. The kind of knowing that won’t let you rest until you finally surrender and let it, in all its ferocious and hideous glory, step into the light. The
Sarah Fine (Splinter (Reliquary, #2))
I hope when this is done I'll be able to get back into my happy gardening vibe that was so healthy for me. I want to go back to my routine and my morning ritual with the compost, but it will probably be that my life will split in two. New Leaf Gardening in Wood Green will be happening in parallel to a fantasy that runs along the bottom of that screen like a ticker. Alice will be fine. Rabbit will stay up tonight, and every night. Resending and resending, reopening the page to see if she has responded, if anyone has. The spinning wheel will make my eyes hurt and everything else will go dark.
Olivia Sudjic (Sympathy)
By contrast, a considered life is one in which we deeply engage with our own story. That means we need to identify what our story is and then know how to move it forward. If we don’t – if we swing between pain and boredom, or merely defy those who would dare to tell us what to do – we shut off important channels of development (and, therefore, life). We are often most aware of this at work: the jobs that we chose in our twenties no longer appeal to us in our thirties or forties, once we’ve grown up and changed in all our other areas of life. We might hope for a promotion, but a step upwards will not comfort our soul if what it yearns for is a sideways leap into new adventures.
Derren Brown (Happy: Why More or Less Everything is Absolutely Fine)
Felicia nodded. “Sometimes I have that problem. I know nearly everything you can learn in a book and very little that you learn in life. Like my fear of spiders. It’s silly, really. I’ve studied arachnids in an effort to get over my ridiculous overreaction, but still, every time I see one...” She shuddered. “It’s not pretty. I simply can’t control myself. A flaw—one of many.” “If you’re not perfect, then you came to the right place,” Charlie told her. “Fool’s Gold is a lively town with plenty of characters. You’ll get a crash course in how the little people live.” “I hope I can fit in.” Patience saw the concern in Felicia’s eyes and touched her arm. “You’re going to do just fine.
Susan Mallery (Just One Kiss (Fool's Gold, #10))
One night, when Violet’s parents had gone out, he teased her about it, whispering against her throat, “I should probably be dating girls my own age now that you’ll be over-the-hill.” Jay was stretched out on Violet’s bed as she curled against him. Violet laughed, rising to the bait. “Fine,” she challenged, pulling away and leaning up on her elbow. “I’m sure there are plenty of men my own age who would be willing to finish what you’ve started.” Jay stiffened, and Violet realized that she’d struck a nerve. “What is it?” He shook his head, and Violet thought he might say, “Nothing,” so when he answered, his words caught her off guard. “Is there someone else, Vi?” Violet frowned, baffled by the unfamiliar jealousy she saw on his face. She wondered what in the world he meant as she reached down and smoothed a strand of hair from his forehead. “What are you talking about, Jay?” His eyes met hers. “I saw you with that guy at the movies, Vi. Who was he?” Violet closed her eyes. She wasn’t ready yet. She didn’t want to tell him about the FBI, about Sara and Rafe or what she’d learned about Mike’s mother. She wondered briefly if he knew about Mike’s mom-if his friend had ever confided in him. But somehow she doubted it. Jay wasn’t like her; he didn’t keep secrets. “It’s not like that,” she explained, hoping that would be enough. Jay got up and went to the window, pushing the curtain aside. Every muscle in his body was rigid. “Like what, Vi? What’s going on? Something’s been bothering you lately. Why can’t you tell me?” He was right. She owed it to him to at least try. “I don’t know how to explain, but I just feel like everything’s changed between us-“ “Of course it’s changed, Violet, what’d you expect?” Violet tried to ignore the bitterness in his voice, telling herself she had no right to be hurt. “It used to be that I would never keep secrets from you. You were my best friend. But now that we’re dating, it’s just…different. I feel like I have to watc what I say, or you get all worried. Sometimes I just want you to be the old Jay again, so I can talk to you.” Violet crept up behind him, wrapping her arms around his waist and resting her cheek against his back.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Okay.First things first. Three things you don't want me to know about you." "What?" I gaped at him. "You're the one who says we don't know each other.So let's cut to the chase." Oh,but this was too easy: 1. I am wearing my oldest, ugliest underwear. 2.I think your girlfriend is evil and should be destroyed. 3.I am a lying, larcenous creature who talks to dead people and thinks she should be your girlfriend once the aforementioned one is out of the picture. I figured that was just about everything. "I don't think so-" "Doesn't have to be embarrassing or major," Alex interrupted me, "but it has to be something that costs a little to share." When I opened my mouth to object again, he pointed a long finger at the center of my chest. "You opened the box,Pandora.So sit." There was a funny-shaped velour chair near my knees. I sat. The chair promptly molded itself to my butt. I assumed that meant it was expensive, and not dangerous. Alex flopped onto the bed,settling on his side with his elbow bent and his head propped on his hand. "Can't you go first?" I asked. "You opened the box..." "Okay,okay. I'm thinking." He gave me about thirty seconds. Then, "Time." I took a breath. "I'm on full scholarship to Willing." One thing Truth or Dare has taught me is that you can't be too proud and still expect to get anything valuable out of the process. "Next." "I'm terrified of a lot things, including lightning, driving a stick shift, and swimming in the ocean." His expression didn't change at all. He just took in my answers. "Last one." "I am not telling you about my underwear," I muttered. He laughed. "I am sorry to hear that. Not even the color?" I wanted to scowl. I couldn't. "No.But I will tell you that I like anchovies on my pizza." "That's supposed to be consolation for withholding lingeries info?" "Not my concern.But you tell me-is it something you would broadcast around the lunchroom?" "Probably not," he agreed. "Didn't think so." I settled back more deeply into my chair. It didn't escape my notice that, yet again, I was feeling very relaxed around this boy. Yet again, it didn't make me especially happy. "Your turn." I thought about my promise to Frankie. I quietly hoped Alex would tell me something to make me like him even a little less. He was ready. "I cried so much during my first time at camp that my parents had to come get me four days early." I never went to camp. It always seemed a little bit idyllic to me. "How old were you?" "Six.Why?" "Why?" I imagined a very small Alex in a Spider-Man shirt, cuddling the threadbare bunny now sitting on the shelf over his computer. I sighed. "Oh,no reason. Next." "I hated Titanic, The Notebook, and Twilight." "What did you think of Ten Things I Hate About You?" "Hey," he snapped. "I didn't ask questions during your turn." "No,you didn't," I agreed pleasantly. "Anser,please." "Fine.I liked Ten Things. Satisfied?" No,actually. "Alex," I said sadly, "either you are mind-bogglingly clueless about what I wouldn't want to know, or your next revelation is going to be that you have an unpleasant reaction to kryptonite." He was looking at me like I'd spoken Swahili. "What are you talking about?" Just call me Lois. I shook my head. "Never mind. Carry on." "I have been known to dance in front of the mirror-" he cringed a little- "to 'Thriller.'" And there it was. Alex now knew that I was a penniless coward with a penchant for stinky fish.I knew he was officially adorable. He pushed himself up off his elbow and swung his legs around until he was sitting on the edge of the bed. "And on that humiliating note, I will now make you translate bathroom words into French." He picked up a sheaf of papers from the floor. "I have these worksheets. They're great for the irregular verbs...
Melissa Jensen (The Fine Art of Truth or Dare)
I hope you'll make mistakes. If you make mistakes, it means you're out there doing something. I escaped from school as soon as I could, when the prospect of four more years of enforced learning before I could become the writer I wanted to be, seemed stifling. I got out into the world, I wrote, and I became a better writer the more I wrote, and I wrote some more, and nobody ever seemed to mind that I was making it all up as I went along. They just read what I wrote and they paid me for it or they didn't. The nearest thing I had, was a list I made when I was about 15, of everything I wanted to do. I wanted to write an adult novel, a children's book, a comic, a movie, record an audio-book, write an episode of Doctor Who, and so on. I didn't have a career, I just did the next thing on the list. When you start out in the arts, you have no idea what you're doing. This is great. People who know what they're doing, know the rules, and they know what is possible and what is impossible. You do not, and you should not. The rules on what is possible and impossible in the arts, were made by people who had not tested the bounds of the possible, by going beyond them, and you can. If you don't know it's impossible, it's easier to do, and because nobody's done it before, they haven't made up rules to stop anyone doing that particular thing again. That's much harder than it sounds, and sometimes, in the end, so much easier than you might imagine, because normally, there are things you have to do before you can get to the place you want to be. When you start out, you have to deal with the problems of failure. You need to be thick-skinned. The things I did because I was excited and wanted to see them exist in reality have never let me down, and I've never regretted the time I spent on any of them. If you have an idea of what you want to make, what you were put here to do, then just go and do that, whether you're a musician or a photographer, a fine artist, or a cartoonist, a writer, a dancer, singer, a designer, whatever you do, you have one thing that's unique, you have the ability to make art. For me, for so many of the people I've known, that's been a lifesaver the ultimate lifesaver. It gets you through good times, and it gets you through the other ones. The one thing that you have, that nobody else has, is you! Your voice, your mind, your story, your vision. So write and draw, and build, and play, and dance and live, as only you can. Do what only you can do best, make good art.
Neil Gaiman
As a civilization progresses, it goes through wars, pandemics, catastrophes. those that survive grow more astute, more perceptive, more advanced. Diseases are conquered, infirmity eliminated. Life spans increase. Suffering becomes largely a memory. "Meanwhile, their explorers and historians find evidence of past cultures, and cultures before that. At first it is exciting. But all they keep finding are ruins. And slowly, either through science or history, every advanced civilizations becomes aware of a disturbing possibility -- that their futures may end in ruin too. "The civilization then rushes to probe other stars, even other galaxies; it increases its research, attempting to manipulate space, time, in the hope that somewhere, someone might have found an escape, a loophole. "But eventually, the find, and solve, the mathematical equation that explains the entire universe." "I think our scientists are working on something like that too," Shizuka said. Lan shook her head. "They'll need to find the Grand Unified Theory a few more times before they can even begin to understand what 'everything' is -- sorry, I didn't mean to offend your civilization." Shizuka shrugged. "No offense taken." "Still, should your civilization survive, it will eventually find the same equation. And that will be your death sentence. For in that equation, there will be no forever, no eternity. Nothing. "And this collapse, and all its attendant despair, is the Endplague." Shizuka was puzzled. Space aliens, she could understand. Purple skin? Cute. Two elbows? Weird, but fine. Galactic warfare? Frankly, expected. Being a refugee? Of course. But how could the mere concept of mortality be enough to topple advanced civilizations? People live, people die, and so what?
Ryka Aoki (Light from Uncommon Stars)
She remembers blood. A fine mist which goes deep into her lungs, over her skin and through the air. She remembers a desert at dusk. The sky indigo blue and the fire bright, so bright that she can see everything. Near the fire, in the night, all she knows is chaos wrapped in crimson. All is death and nightmare with a single solitary dancer who smiles cruelly as he moves. He is power and darkness. He is man and beast, silver coin eyes and that face, those claws and the agony of loss. Time stretches wide; seconds like vast eons swallow up her world. Vince is dead, his mother, his brother and her small son ripped apart and gushing as he/it moves. She is screaming, a howl of agony beyond words, primal and wordless. Still he moves, faster than air, faster than she could ever be. Blood drips from her face as she grunts, running with her lungs on fire and her last remaining hope wrapped in her arms.
Amanda M. Lyons (Wendy Won't Go)
It's just that when a woman is kidnapped and forced into agreeing to marriage, she hopes for a bit more... excitement. Than this." He rolled slowly- maddeningly- to face her, the air between them thickened, and Penelope was instantly aware of their position, scant inches apart, on a warm pallet in a small room in an empty house, beneath the same blanket- which happened to be his greatcoat. And she realized that perhaps she should not have implied that the evening was unexciting. Because she was not at all certain that she was prepared for it to become any more exciting. "I didn't mean-" She rushed to correct herself. "Oh, I think you did an excellent job of meaning." The words were low and dark, and suddenly she was not so very sure that she wasn't afraid after all. "I am not stimulating enough for you?" "Not you..." she was quick to reply. "The whole..." She waved one hand, lifting the greatcoat as she thought better of finishing. "Never mind." His gaze was on her, intent and unmoving and, while he had not moved, it seemed as though he had grown larger, more looming. As though he had sucked a great deal of air from the room. "How can I make this night more satisfying for you, my lady?" The soft question sent a thrum of feeling through her... the way the word- satisfying- rolled languid from his tongue set her heart racing and her stomach turning. It seemed the night was becoming very exciting very quickly. And everything was moving much too quickly for Penelope's tastes. "No need," she said, at an alarmingly high pitch. "It's fine." "Fine?" The word rolled lazily from his tongue. "Quite thrilling." She nodded, bringing one hand to her mouth to feign a yawn. "So thrilling, in fact, that I find myself unbearably exhausted." She made to turn her back to him. "I shall bid you good night." "I don't think so," he said, the soft words as loud as a gunshot in the tiny space between them.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
Placed between crime and beggary they have no compunctions, and circle prudently around the scaffold without mounting it, innocent in the midst of crime, and vicious in their innocence. They often cause a laugh, but they always cause reflection. One represents to you civilization stunted, repressed; he comprehends everything, the honor of the galleys, patriotism, virtue, the malice of a vulgar crime, or the fine astuteness of elegant wickedness. Another is resigned, a perfect mimer, but stupid. All have slight yearnings after order and work, but they are pushed back into their mire by society, which makes no inquiry as to what there may be of great men, poets, intrepid souls, and splendid organizations among these vagrants, these gypsies of Paris; a people eminently good and eminently evil — like all the masses who suffer — accustomed to endure unspeakable woes, and whom a fatal power holds ever down to the level of the mire. They all have a dream, a hope, a happiness, — cards, lottery, or wine.
Honoré de Balzac (Works of Honore de Balzac)
When this all goes to shit and my best friend rightfully punches me the fuck out, takes my company, and kicks me out of his life, I'm going to remember this moment right here. The moment it all seems worth it." Her lips start to lift, and I tell myself that I'm doing the right thing. The right thing for me, for once in my damn life. "With you standing in front of me, back straight, fire in your eyes, hair a mess from my hands, and that ring on your finger. When that happens, help me remember, okay?" Courtney nods, licking her lips and moving into my space. She presses me into the counter with her body, bare tits pressed to my chest and hope in her eyes. Hope for me. For us. And it's beautiful and sweet and all I ever wanted. "It'll be okay, Kaede. It'll be finer than fine, I promise." Sure, it will. I nod, even though I don't believe her. I'm only risking ... everything. Court might lose some face, and yeah, Ross will be mad at her. But she's his sister. He'll forgive her. But he legit might kill me. I kiss her anyway, signing my own death certificate.
Lauren Landish (My Big Fat Fake Engagement)
Reece’s face loomed over me. “Pepper? Pepper?” He sounded so panicked. I wanted to tell him everything was going to be all right. That I was fine. I wanted to thank him for coming, for giving me the strength to keep going, to keep fighting. I wanted to say all these things. All these things and more. But I couldn’t. I couldn’t catch my breath. My hand drifted to my chest, as though I could find some switch there to help open up my oxygen-starved lungs. There was no switch. I wheezed, terrible little sounds escaping my lips as I struggled for more air. Spots danced before my eyes, and I hated that most of all. The edges of my vision grayed. I could barely see Reece anymore. My gaze strained, as if struggling to memorize his face. Overheated and marred with soot, it was the most beautiful thing I had ever seen. I could hear him, though, screaming my name again and again. Could feel him. His hands on my arms, my face. My vision went dark, and just before that darkness rolled in on my mind, I got out two words. Just two words. But they were good ones. I hoped he heard them. “Love. You.
Sophie Jordan
Hermione!” She stirred, then sat up quickly, pushing her hair out of her face. “What’s wrong? Harry? Are you all right?” “It’s okay, everything’s fine. More than fine. I’m great. There’s someone here.” “What do you mean? Who--?” She saw Ron, who stood there holding the sword and dripping onto the threadbare carpet. Harry backed into a shadowy corner, slipped off Ron’s rucksack, and attempted to blend in with the canvas. Hermione slid out of her bunk and moved like a sleepwalker toward Ron, her eyes upon his pale face. She stopped right in front of him, her lips slightly parted, her eyes wide. Ron gave a weak, hopeful smile and half raised his arms. Hermione launched herself forward and started punching every inch of him that she could reach. “Ouch--ow--gerroff! What the--? Hermione--OW!” “You--complete--arse--Ronald--Weasley!” She punctuated every word with a blow: Ron backed away, shielding his head as Hermione advanced. “You--crawl--back--here--after--weeks--and--weeks--oh, where’s my wand?” She looked as though ready to wrestle it out of Harry’s hands and he reacted instinctively. “Protego!” The invisible shield erupted between Ron and Hermione: The force of it knocked her backward onto the floor. Spitting hair out of her mouth, she leapt up again. “Hermione!” said Harry. “Calm--” “I will not calm down!” she screamed. Never before had he seen her lose control like this; she looked quite demented. “Give me back my wand! Give it back to me!” “Hermione, will you please--” “Don’t you tell me what to do, Harry Potter!” she screeched. “Don’t you dare! Give it back now! And YOU!” She was pointing at Ron in dire accusation: It was like a malediction, and Harry could not blame Ron for retreating several steps. “I came running after you! I called you! I begged you to come back!” “I know,” Ron said, “Hermione, I’m sorry, I’m really--” “Oh, you’re sorry!” She laughed, a high-pitched, out-of-control sound; Ron looked at Harry for help, but Harry merely grimaced his helplessness. “You come back after weeks--weeks--and you think it’s all going to be all right if you just say sorry?” “Well, what else can I say?” Ron shouted, and Harry was glad that Ron was fighting back. “Oh, I don’t know!” yelled Hermione with awful sarcasm. “Rack your brains, Ron, that should only take a couple of seconds--” “Hermione,” interjected Harry, who considered this a low blow, “he just saved my--” “I don’t care!” she screamed. “I don’t care what he’s done! Weeks and weeks, we could have been dead for all he knew--” “I knew you weren’t dead!” bellowed Ron, drowning her voice for the first time, and approaching as close as he could with the Shield Charm between them. “Harry’s all over the Prophet, all over the radio, they’re looking for you everywhere, all these rumors and mental stories, I knew I’d hear straight off if you were dead, you don’t know what it’s been like--” “What it’s been like for you?” Her voice was now so shrill only bats would be able to hear it soon, but she had reached a level of indignation that rendered her temporarily speechless, and Ron seized his opportunity. “I wanted to come back the minute I’d Disapparated, but I walked straight into a gang of Snatchers, Hermione, and I couldn’t go anywhere!” “A gang of what?” asked Harry, as Hermione threw herself down into a chair with her arms and legs crossed so tightly it seemed unlikely that she would unravel them for several years.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Will you never forgive me for what I did so long ago, Jane?” The soft question caught her off guard. “Would you do it again if you had the chance?” She could hardly breathe, awaiting his answer. With a low oath, he glanced away. Then his features hardened into those of the rigid and arrogant Dom he had become. “Yes. I did the only thing I could to keep you happy.” Her breath turned to ice in her throat. “That’s the problem. You still really believe that.” His gaze swung to her again, but before he could say anything more, noises in the hall arrested them both. “It’s gone very quiet in there.” It was the duke’s voice, remarkably clear, sounding as if it came from right outside the door. “Perhaps we should knock first.” Oh no! As Jane frantically set her gown to rights, she heard Lisette say, “Don’t you dare bother them, Max. I’m sure everything’s fine. Let’s come back later.” With panic growing in her belly, Jane glanced around for her tucker. Wordlessly, Dom plucked it from the back of a chair and handed it to her. Without meeting his gaze, she pinned it into her bodice, hoping to hide the tiny holes where Dom had unwittingly ripped it free of its pins. “Besides,” drawled Tristan, “it’s not as if Dom will seduce her or anything. That’s not his vice.” Sweet Lord, were they all right outside the door? “I’m not worried about that,” Max answered. “Miss Vernon isn’t the sort to let him seduce her.” As Jane tensed, Dom hissed under his breath, “Do the blasted idiots not realize we can hear them?” “Apparently not.” Dom furtively adjusted his trousers, which seemed to be rather…oddly protruding just now. Ohhh. Right. This was one time she wished Nancy hadn’t been so forthcoming about what happened to a man’s body when he was aroused. So that, not his pistol, had been the odd bulge digging into her. Definitely not a pistol. Her cheeks positively flamed. Faith, how could she even face his family after this and not give away what she and Dom had been doing? Mortified, she hurried to the looking glass to fix her hair. While she stuffed tendrils back into place and repinned drooping curls, Dom came up behind her to meet her gaze in the mirror. “Before we let them in, I want an answer to my question about Blakeborough.” Curse the stubborn man. How could she tell Dom she was so pathetic that she hadn’t even managed to find another man to love in all the years they’d spent apart? That she’d been foolish enough to wait around for Dom all this time, when he’d happily gone on living his life without her? Her pride couldn’t endure having him know that. To her relief, Tristan said, “Well, whatever they’re up to, we have to get moving.” A knock sounded at the door. “Dom? Jane? Are you done talking?” She met Dom’s gaze with a certain defiance, and he arched one eyebrow in question. So she took matters into her own hands and strode for the door. Caught off guard, Dom swore behind her and snatched up his greatcoat just as she opened the door and said, “Please come in. We’re quite finished.” In more ways than one. Their companions trooped in, casting her and Dom wary glances. Jane looked over to see Dom holding his greatcoat looped over his arm as if to shield the front of him. That brought the blushes back to her cheeks. She caught Lisette furtively watching her, and she cursed herself for wearing her emotions on her sleeve. Better shift her attention elsewhere before Lisette guessed just how shameless she’d been.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Mark sitting next to me proves it. I'm moving on. Getting on with my life. Staying in school. Enrolling in college. Cooking chicken instead of fish. Dating other people. And with enough luck, I'll be kissing other people by the end of this date. Even if it doesn't mean anything. "Is everything okay?" Mark asks as we turn onto the interstate. "Sure. Why?" But we both know why he'd ask. Mark's obviously too much of a gentleman to point out that I'm getting more space time than an astronaut. He says, "You just seem quiet tonight. I hope I didn't already do something to screw this up." I laugh. "That's exactly what I was just thinking. That I didn't want to screw it up, I mean." He nods, gives a knowing smile. "What?" I say. He shrugs. "No. You gave me a look," I say, crossing my arms. "No I didn't." "I don't date liars." Anymore. He laughs. "Fine. If you must know, I don't think there's anything you could possibly do to screw this up." I can't help but smile. "Oh, you shouldn't have said that out loud." Good-looking, smart, funny. And now sweet. So quit waiting for your purse to ring, stupid. "You might remember that you forced me to say it out loud. But don't worry. I'm not superstitious." "I'm not either.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Listen, I noticed you haven't brought your swimsuit home yet. I hope you're not still getting in the water. It's too cold for swimming, Emma." I do my own laundry. Digging around in my drawers is the only way she could have "noticed" anything missing. Does she also look for condoms or other incriminating evidence moms usually scavenge for? Does she come home to scavenge? The thought tickles my temper. Making a mental note to by a new bathing suit strictly for Galen's house, I say, "You're telling me this? You know how cold-natured I am." My laugh is loud enough to be suspicious, but Mom doesn't seem to notice. Rachel smirks though. "Don't try to tell me you and Galen haven't figured out how to stay warm in the water." "Mom!" "Just promise you won't get in the water," she says, her voice tight again. "I don't need you getting sick." "Fine. I promise." "And be home before dawn this time. I dare you to bring home anything less than an A on your report card after this. I double dog dare you." I mouth the words into the phone as she says them; you'd think she'd at least change the wording after all these years. It's her go-to threat for just about everything. But somehow, it doesn't work this time. There's no bluster behind it. She's getting soft lately, and I think it has to do with the night I accused her of adopting me.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Lilith listened to her father having a fucking tantrum and then she saw a retreating Ian. Ian figured he would take this chance to get away from what was like the twilight zone. Lilith turned around making her father growl from her lack of respect. “If you so much as move you will regret it Ian and I swear by all the fires in hell I will make you feel every fucking sting from my paddle. My patience is thin and I am tired of your fear so fucking stay put.” She turned back to her father “Fine I will go save your sorry ass but if you ever threaten mine again...” Pointing to Ian and then turning back to a enraged Lucifer “We will have a fucking problem. Do I make myself clear father?” before he could reply she turned to a pissed off Ian and at this point she could care less because she was beyond pissed right now. She grabbed his shirt and pulled him down to her lips and kissed him with everything she hoped and wanted from him. Ian was beyond sense when Lilith threw him into an abyss of fire. She pulled back watching a dazed Ian “So help me if you ever let any woman touch you again I will kill her.” Ian didn’t know what to say to that he was still drunk on her taste. This time she pulled his hair and looked into his eyes; he saw passion and seduction “Mine” and she kissed him again and then pulled away. Lilith faced her father and nodded. Ian watched as she walked away.
Shadowstorm Norwicca (Forbidden Fruit: The Sisterhood of Darkness Novel Series)
Camille heard the rustle of grass. She opened one eye and saw Oscar settling down beside her. “We can spare a few minutes,” he said. She sat up and cradled her knees in her arms. He plucked a blade of grass and commenced peeling it down the center. They heard the Australian snoring from his spot a few yards away, completely hidden in a blanket of green. “I guess we can spare more than a few minutes.” Oscar smiled and met her gaze, holding it a moment. She suddenly realized how horrible she must look-her hair, her clothes, her skin. “Do you miss him?” he asked, not seeming to notice any of those things. Camille uprooted a purple flower and a white daisy near it. “Of course I do. But I’m hoping with the stone I won’t have to very long.” “Not your father, Camille. Randall.” She took a deep breath, shocked she hadn’t thought of her fiancé for so long. How many days had it been? A full week, maybe more. “Oh. Well…I suppose I do.” Oscar raised an eyebrow and laughed at her clear lack of conviction. Camille shrugged. “What? A lot has happened and right now getting back to San Francisco isn’t something I’m concerned about.” Oscar nodded and chewed on the tip of his blade of grass. “It’s not that Randall isn’t a perfectly good man,” she said, fiddling with the flowers in her hands. The roots crumbled dirt onto her lap. “He’s kind and caring and handsome and an excellent businessman.” Oscar continued to nod. “And he’ll make a fine husband, I’m sure,” she added, knowing he really was all those things. If only all of them combined could make up for what she didn’t feel while with him. “I’m sure,” Oscar repeated. Had he been mocking her? She thought she had caught a trace of sarcasm. All this talk about Randall had her itching. “Why do you ask?” “Just wondered if you missed home,” Oscar answered and threw the mangled blade of grass behind him. “Do you?” she asked, ashamed to her Oscar know how little she desired to return. He thought for a moment, tugging up another switch of grass and rolling it between his fingers. “No,” he answered with stark certainty. “I have everything I’d miss right here.” Every inch of Camille’s body smoldered under Oscar’s gentle, and so very forward, gaze. He’d miss her. She looked into his gray-blue eyes, rimmed by thick, honey-colored lashes-had they always been so full? The bridge of his nose crooked to the left slightly, perhaps broken in a fight after he’d moved from her father’s carriage house to a small apartment along the San Francisco harbor front. She’d never noticed the charming imperfection before. She watched as his eyes traveled over her own features, touching on the wound by her temple and settling on the heart-shaped fullness of her lips. Oscar held his piercing stare. “We probably won’t arrive home in time for your wedding.
Angie Frazier (Everlasting (Everlasting, #1))
Princess,” he said with a smile twitching at the corner of his mouth, “why are you sitting here by yourself?” Rose heaved a sigh, her pudgy hands sifting through the glittering buttons on the string. Locating her favorite, the perfume button, she lifted it to her nose and smelled. “I'm waiting for Maude,” she said glumly. “She's giving Mama her medicine, and then we're to take supper in the nursery.” “Medicine,” Zachary repeated, frowning. Why in hell did Holly have need of medicine? She had been perfectly fine not two hours ago when they had ended their dance lesson. Had she met with some kind of accident? “For her megrims.” The child rested her chin in her hands. “And now there's no one to play with. Maude will try, but she's too tired to be much fun. She'll put me to bed early. Oh, I don't like it when Mama is ill!” Zachary regarded the child with a thoughtful scowl, wondering if it was possible for someone to develop megrims, an incapacitating case of them, in a mere two hours. What had caused them? All thoughts of his evening activities vanished abruptly. “Princess, you stay here,” he muttered. “I'm going to visit your mother.” “Will you?” Rose looked at him hopefully. “Can you make her better again, Mr. Bronson?” The innocent faith in the question somehow twisted his heart and made him laugh at the same time. He reached down and clasped his hand gently over the top of her dark head. “I'm afraid not, Rose. But I can make certain she has everything she needs.
Lisa Kleypas (Where Dreams Begin)
The kid in the newspaper was named Stevie, and he was eight. I was thirty-nine and lived by myself in a house that I owned. For a short time our local newspaper featured an orphan every week. Later they would transition to adoptable pets, but for a while it was orphans, children your could foster and possibly adopt of everything worked out, the profiles were short, maybe two or three hundred words. This was what I knew: Stevie liked going to school. He made friends easily. He promised he would make his bed every morning. He hoped that if he were very good we could have his own dog, and if he were very, very good, his younger brother could be adopted with him. Stevie was Black. I knew nothing else. The picture of him was a little bigger than a postage stamp. He smiled. I studied his face at my breakfast table until something in me snapped. I paced around my house, carrying the folded newspaper. I had two bedrooms. I had a dog. I had so much more than plenty. In return he would make his bed, try his best in school. That was all he had to bargain with: himself. By the time Karl came for dinner after work I was nearly out of my mind. “I want to adopt him,” I said. Karl read the profile. He looked at the picture. “You want to be his mother?” “It’s not about being his mother. I mean, sure, if I’m his mother that’s fine, but it’s like seeing a kid waving from the window of a burning house, saying he’ll make his bed if someone will come and get him out. I can’t leave him there.” “We can do this,” Karl said. We can do this. I started to calm myself because Karl was calm. He was good at making things happen. I didn’t have to want children in order to want Stevie. In the morning I called the number in the newspaper. They took down my name and address. They told me they would send the preliminary paperwork. After the paperwork was reviewed, there would be a series of interviews and home visits. “When do I meet Stevie?” I asked. “Stevie?” “The boy in the newspaper.” I had already told her the reason I was calling. “Oh, it’s not like that,” the woman said. “It’s a very long process. We put you together with the child who will be your best match.” “So where’s Stevie?” She said she wasn’t sure. She thought that maybe someone had adopted him. It was a bait and switch, a well-written story: the bed, the dog, the brother. They knew how to bang on the floor to bring people like me out of the woodwork, people who said they would never come. I wrapped up the conversation. I didn’t want a child, I wanted Stevie. It all came down to a single flooding moment of clarity: he wouldn’t live with me, but I could now imagine that he was in a solid house with people who loved him. I put him in the safest chamber of my heart, he and his twin brother in twin beds, the dog asleep in Stevie’s arms. And there they stayed, going with me everywhere until I finally wrote a novel about them called Run. Not because I thought it would find them, but because they had become too much for me to carry. I had to write about them so that I could put them down.
Ann Patchett (These Precious Days: Essays)
some older people who need to sit down, Barb. We can’t put chairs out. I don’t want them to get too comfy or we’ll never get rid of them.’ ‘Oh, you’re being ridiculous.’ Henry is thinking that this is a fine time to call him ridiculous. He never wanted the stupid vigil. In bed last night they had another spit-whispered row about it. We could have it at the front of the house, Barbara had said when the vicar called by. Henry had quite explicitly said he would not support anything churchy – anything that would feel like a memorial service. But the vicar had said the idea of a vigil was exactly the opposite. That the community would like to show that they have not given up. That they continue to support the family. To pray for Anna’s safe return. Barbara was delighted and it was all agreed. A small event at the house. People would walk from the village, or park on the industrial estate and walk up the drive. ‘This was your idea, Barbara.’ ‘The vicar’s, actually. People just want to show support. That is what this is about.’ ‘This is ghoulish, Barb. That’s what this is.’ He moves the tractor across the yard again, depositing two more bales of straw alongside the others. ‘There. That should be enough.’ Henry looks across at his wife and is struck by the familiar contradiction. Wondering how on earth they got here. Not just since Anna disappeared, but across the twenty-two years of their marriage. He wonders if all marriages end up like this. Or if he is simply a bad man. For as Barbara sweeps her hair behind her ear and tilts up her chin, Henry can still see the full lips, perfect teeth and high cheekbones that once made him feel so very differently. It’s a pendulum that still confuses him, makes him wish he could rewind. To go back to the Young Farmers’ ball, when she smelled so divine and everything seemed so easy and hopeful. And he is wishing, yes, that he could go back and have another run. Make a better job of it. All of it. Then he closes his eyes. The echo again of Anna’s voice next to him in the car. You disgust me, Dad. He wants the voice to stop. To be quiet. Wants to rewind yet again. To when Anna was little and loved him, collected posies on Primrose Lane. To when he was her hero and she wanted to race him back to the house for tea. Barbara is now looking across the yard to the brazier. ‘You’re going to light a fire, Henry?’ ‘It will be cold. Yes.’ ‘Thank you. I’m doing soup in mugs, too.’ A pause then. ‘You really think this is a mistake, Henry? I didn’t realise it would upset you quite so much. I’m sorry.’ ‘It’s OK, Barbara. Let’s just make the best of it now.’ He slams the tractor into reverse and moves it out of the yard and back into its position inside the barn. There, in the semi-darkness, his heartbeat finally begins to settle and he sits very still on the tractor, needing the quiet, the stillness. It was their reserve position, to have the vigil under cover in this barn, if the weather was bad. But it has been a fine day. Cold but with a clear, bright sky, so they will stay out of doors. Yes. Henry rather hopes the cold will drive everyone home sooner, soup or no soup. And now he thinks he will sit here for a while longer, actually. Yes. It’s nice here alone in the barn. He finds
Teresa Driscoll (I Am Watching You)
Chicken Francese, or lamb chops, or plump spinach gnocchi that she'd roll out by hand and drop into boiling salt water. When her brothers came home for the holidays, she'd spend days in the kitchen, preparing airy latkes and sweet and sour brisket; roast turkey with chestnut stuffing; elaborately iced layer cakes. She'd stay in the kitchen for hours, cooking dish after dish, hoping that all the food would somehow conceal their father's absence; hoping that the meals would take the taste of grief out of their mouths. "After my father died, I think cooking saved me. It was the only thing that made me happy. Everything else felt so out of control. But if I followed a recipe, if I used the right amounts of the right ingredients and did everything I was supposed to do..." She tried to explain it- how repetitive motions of peeling and chopping felt like a meditation, the comfort of knowing that flour and yeast, oil and salt, combined in the correct proportions, would always yield a loaf of bread; the way that making a shopping list could refocus her mind, and how much she enjoyed the smells of fresh rosemary, of roasting chicken or baking cookies, the velvety feel of a ball of dough at the precise moment when it reached its proper elasticity and could be put into an oiled bowl, under a clean cloth, to rise in a warm spot in the kitchen, the same step that her mother's mother's mother would have followed to make the same kind of bread. She liked to watch popovers rising to lofty heights in the oven's heat, blooming out of their tins. She liked the sound of a hearty soup or grain-thickened stew, simmering gently on a low flame, the look of a beautifully set table, with place cards and candles and fine china. All of it pleased her.
Jennifer Weiner (That Summer)
Manette looked up from her paper. “I’m beginning to think that I’ll see men on the moon with my own eyes.” “Your own eyes? You’ll make the journey?” asked André, with laughter in his voice. “You know very well what I mean. I shall know they are there. And it’ll be the Russians, my boy. The Yankees missed by a mile, with their pure oxygen.” “Yes, Mama, you’ll see the Russians on the moon,” said André affectionately. “And to think we began in caves,” went on Manette meditatively, "with no more than our ten fingers to help us. And we've reached this point: you must admit it's heartening." “The history of mankind is very fine, true enough,” said André. “It’s a pity that that of men should be so sad.” “It won’t always be sad. If your Chinese don’t blow the world to pieces, our grandchildren will know socialism. I’d happily live another fifty years to see that.” “What a woman! Do you hear that?” he said to me. “She would sign on again for another fifty years.” “You wouldn’t, André?” “No, Mama: frankly I wouldn’t. History follows such very curious paths that I scarcely feel it has anything to do with me at all. I have the impression of being on the sideline. So in fifty year's time... “I know: you no longer believe in anything,” said Manette disapprovingly. “That’s not quite true.” “What do you believe in?” “People’s suffering, and the fact that it is abominable. One should do everything to abolish it. To tell you the truth, nothing else seems to me of any importance.” “In that case,” I asked, “why not the bomb? Why not annihilation? Let everything go up and there’s an end of it.” “There are times when one is tempted to wish for it. But I prefer to hope that there can be life, life without suffering.” “Life to do something with,” said Manette pugnaciously.
Simone de Beauvoir (The Woman Destroyed)
Chelsea was something else. Like an unstoppable force of nature. Similar to a hurricane or a tornado. Or a pit bull. Violet admired that about her. And, in this instance, Chelsea had proven to be nothing less than formidable. So when Jay had mentioned earlier in the week that they might be able to go to the movies over the weekend, Chelsea held him to it. A time and a place were chosen. And word spread. And, somehow, Chelsea managed to unravel it all. She still wanted the Saturday night plans; she just didn’t want the crowd that came with them. She’d decided it should be more of a “double date.” With Mike. Except Mike would never see it coming. By the time the bell rang at the end of lunch on Friday, everyone had agreed to meet up for the seven o’clock showing the next night. But when they split up to go to their classes, Chelsea set her own plan into motion. She began to separate the others from the pack and, one by one, they all fell. She started with Andrew Lauthner. Poor Andrew didn’t know what hit him. “Hey, Andy, did you hear?” From the look on his face, he didn’t hear anything other than that Chelsea-his Chelsea-was talking to him. Out of the blue. Violet needed to get to class, but she was dying to see what Chelsea had up her sleeve, so she stuck it out instead. “What?” His huge frozen grin looked like it had been plastered there and dried overnight. Chelsea’s expression was apologetic, something that may have actually been difficult for her to pull off. “The movie’s been canceled. Plans are off.” She stuck out her lower lip in a disappointed pout. “But I thought…” He seemed confused. So was Violet. “…didn’t we just make the plans at lunch?” he asked. “I know.” Chelsea managed to sound as surprised as he did. “But you know how Jay is, always talking out of his ass. He forgot to mention that he has to work tomorrow night and can’t make it.” She looked at Violet and said, again apologetically, “Sorry you had to hear that, Vi.” Violet just stood there gaping and thinking that she should deny what Chelsea was saying, but she wasn’t even sure where to start. She knew Jules would have done it. Where was Jules when she needed her? “What about everyone else?” Andrew asked, still clinging to hope. Chelsea shrugged and placed a sympathetic hand on Andrew’s arm. “Nope. No one else can make it either. Mike’s got family plans. Jules has a date. Claire has to study. And Violet here is grounded.” She draped an arm around Violet’s shoulder. “Right, Vi?” Violet was saved from having to answer, since Andrew didn’t seem to need one. Apparently, if Chelsea said it, it was the gospel truth. But the pathetic look on his face made Violet want to hug him right then and there. "Oh," he finally said. And then, "Well, maybe next time." "Yeah. Sure. Of course," Chelsea called over her shoulder, already dragging Violet away from the painful scene. "Geez, Chels, break his heart, why don't you? Why didn't you just say you have some rare disease or something?" Violet made a face at her friend. "Not cool." Chelsea scoffed. "He'll be fine. Besides, if I said 'disease,' he would have made me some chicken soup and offered to give me a sponge bath or something." She wrinkled her nose. "Eww." The rest of the afternoon went pretty much the same way, with a few escalations: Family obligations. Big tests to study for. House arrests. Chelsea made excuses to nearly everyone who'd planned on going, including Clair. She was relentless. By Saturday night, it was just the four of them...Violet, Jay, Chelsea, and, of course, Mike. It was everything Chelsea had dreamed of, everything she'd worked for.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
There was a man in Florence, a friar, Fra Savonarola, he induced all the people to think beauty was a sin. Some people think he was a magician and they fell under his spell for a season, they made fires in the streets and they threw in everything they liked, everything they had made or worked to buy, bolts of silk, and linen their mothers had embroidered for their marriage beds, books of poems written in the poet's hand, bonds and wills, rent-rolls, title deeds, dogs and cats, the shirts from their backs, the rings from their fingers, women their veils, and do you know what was worst, Johane – they threw in their mirrors. So then they couldn't see their faces and know how they were different from the beasts in the field and the creatures screaming on the pyre. And when they had melted their mirrors they went home to their empty houses, and lay on the floor because they had burned their beds, and when they got up next day they were aching from the hard floor and there was no table for their breakfast because they'd used the table to feed the bonfire, and no stool to sit on because they'd chopped it into splinters, and there was no bread to eat because the bakers had thrown into the flames the basins and the yeast and the flour and the scales. And you know the worst of it? They were sober. Last night they took their wine-skins …’ He turns his arm, in a mime of a man lobbing something into a fire. ‘So they were sober and their heads were clear, but they looked around and they had nothing to eat, nothing to drink and nothing to sit on.’ ‘But that wasn't the worst. You said the mirrors were the worst. Not to be able to look at yourself.’ ‘Yes. Well, so I think. I hope I can always look myself in the face. And you, Johane, you should always have a fine glass to see yourself. As you're a woman worth looking at.’ You
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
In On Desire, Professor Irvine offers the following thought experiment: Suppose you woke up one morning to discover that you were the last person on earth: during the night, aliens had spirited away everyone but you. Suppose that despite the absence of other people, the world’s buildings, houses, stores, and roads remained as they had been the night before. Cars were where their now-vanished owners had parked them, and gas for these cars was plentiful at now-unattended gas stations. The electricity still worked. It would be a world like this world, except that everyone but you was gone. You would, of course, be very lonely, but let us ignore the emotional aspects of being the last person, and instead focus our attention on the material aspects. In the situation described, you could satisfy many material desires that you can’t satisfy in our actual world. You could have the car of your dreams. You could even have a showroom full of expensive cars. You could have the house of your dreams – or live in a palace. You could wear very expensive clothes. You could acquire not just a big diamond ring but the Hope Diamond itself. The interesting question is this: without people around, would you still want these things? Would the material desires you harbored when the world was full of people still be present in you if other people vanished? Probably not. Without anyone else to impress, why own an expensive car, a palace, fancy clothes, or jewelry? Irvine continues to suggest that, alone in this imagined world, you might try these luxuries for a while but would soon, for example, find a dwelling that was easy to maintain rather than live in a palace, obtain clothes that were comfortable rather than expensive, and would probably lose all interest in your appearance. The thought experiment shows that we choose our lifestyles – our houses, our clothes, our watches – with other people in mind. One way or another, we project a style designed
Derren Brown (Happy: Why More or Less Everything is Absolutely Fine)
The ingenious creativity of thought of mind comes at your lowest darkest point of life. Just like I have the tower's densities of being struck by their lightning… that pulls on me constantly into their constellations, yet that makes me reflect on the extraordinary level, or so I think. I always have to be one step ahead of them! You never know where they are at… they could be in the barn for all I know! Up to this point, I have never had anyone tell me what he or she truly thinks about me that goes for appearance, personality, or anything. So, if I would have to describe myself this is what I would say. I would have to say that I find my eyes to be the most striking thing about myself, at least that's what she said- what she has told me… the first time I met her. Oh- finely things were looking up for me when I met her. She said that my light blue eyes tell the stories of my life. You can see the emotional- feelings when gazing into them, or at least that is what she made me believe. So, we got a new reject in class this week named Maiara, she is a transfer student; I liked her as soon as I saw her, she is wild, sweet, and outstandingly suggestive! She was what I was looking for and everything I needed. There was a glowing connection at first sight on both of our faces. The look of shock and surprise from both of us at that moment was dreamlike! Our eyes were fixated on each other the first time in the tiny room, she was like a love dove that flapped her wings my way, I knew, at last, I had someone that would brighten my drab cell for me. She came in there with a breath of fresh air; she is the hope I needed. Maiara- Hi everyone…! The others groaned their welcomes in false enthusiasm, one even yawned loudly. So, who are you? She walked up to me and bent a little into me in front of my desk? Nevaeh! I am shrieking said with butterflies like jitters. Then she touched my hair, and brushed my chin and lower lip with her soft fingertips!
Marcel Ray Duriez (Nevaeh The Forbidden Touches)
Suddenly he felt like everything was all wrong. He’d made wrong choices every day of his life. In his mind’s eye floated everyone who’d died because of him. Everyone who’d been hurt. From Mindor to Endor, back to Yavin—back to the corpses that had lain, still smoking, in the ruined doorway of the Lars moisture farm. I guess I sort of thought everything was over. I got my happy ending. I thought I did. I mean, didn’t I do everything you asked me to? Master Yoda, you wanted to break the rule of the Sith. And they’re gone. Ben, you asked me to destroy Darth Vader. I did that, too. Father—even you, Father. You told me that together we would throw down the Emperor. And we did. Now it’s over. But it’s not the end. It’s never the end. The cave boomed and shivered as the rock storm arrived like an artillery barrage. Luke just sat, head down, letting dust and grit trickle inside the back of his collar as meteorites pounded the hills. I guess I was still kind of hoping there might be a Happily Ever After in there somewhere. Not even for me. I was ready to die. I still am. It’s everybody else. It’s like everything we went through, it was for nothing. We’re still fighting. We’ll always be fighting. It’s like I didn’t actually save anybody. Gone is the past, he remembered Master Yoda saying once. Imaginary is the future. Always now, even eternity will be. Which Luke had always interpreted as Don’t worry about what’s already done, and don’t worry about what you’ll do later. Do something now. Which would be fine advice, if he had the faintest clue what that something should be. Maybe if he’d had more experience as a general, he’d know if he should search for his missing men, or return to the crash site and wait for pickup, or try to find some way to signal the task force spaceside. I never should have taken this job. I just don’t know what a general would be doing right now. All I know is what a Jedi … Then his head came up. I do know what a Jedi would be doing—and it isn’t sitting around feeling sorry for himself, for starters.
Matthew Woodring Stover (Luke Skywalker and the Shadows of Mindor (Star Wars))
I kept my head down and my mouth full. I didn't want Frankie's sharp eyes or tongue focused on me any more than necessary. It was a lot easier with Daniel taking up half of the food and most of the air. "What about it, Ella?" he asked when everything was gone except the parsley garnish. "When do we get the pleasure of your vocal stylings?" "I don't sing." "You mean you won't sng," Sadie corrected. I tried to be charitable about her treason; she goes pretty brainless around Daniel. "Ella sings really well." "I'm sure she does." Daniel tipped his beer glass in my direction. "In fact, I bet she could totally murder 'Don't Stop Believin'." A song that is actually one of my guilty pleasures. I think he probably knew that. I think he probably had himself a lovely chuckle over it.Then he whispered, "Coward." In another story, the plucky little heroine would have slapped both hands onto the table, making it wobble a little on its predicatbly uneven fourth leg. She would then have taken both hands, ripped the long scarf from around her neck and, chin high and scar spotlit, stalked to the dais, leaped up, and slayed the audience with her kick-ass version of "Respect." Or maybe "Single Ladies," for the sheer Yay factor. In this version,I gave Daniel what I hoped was a slayer look and busied myself refolding my napkin. He was,not surprisingly, unfazed. "Can I ask you a question?" I sighed. "Will my answer to that one make any difference?" "None whatsoever." "Fine," I grumbled. "Ask." I didn't have to answer.He wasn't my Hobbes. "Why are there interstate highways in Hawaii?" I gaped at him. "That's your question?" "Nope." He leaned back in his chair, propping one foot on the other knee. "That's a question. My question is this: What's the one thing you should ask yourself before getting involved with someone?" "Seriously?" "Do I look serious?" Maybe not serious, but vaguely deadly. Still,it was an interesting question, especially coming from Daniel Hobbes. I thought for a second. "'Will he make me happy?'" "You think?" Daniel asked, the unfolded himself and got to his feet. "I'm outta here. Who's coming?
Melissa Jensen (The Fine Art of Truth or Dare)
I run out onto the front porch, trying to slow my racing heart as I peer out into the night. The light gets closer and closer, causing hope to blossom in my chest. “Hey!” a familiar voice calls out, and I nearly weep with relief. He’s back. Thank God. But the relief is immediately replaced with anger. “Where the hell have you been?” I ask, my voice shaking. He clicks off the flashlight and makes his way up the porch steps. “Didn’t you see my note?” “Are you kidding me?” I sputter. “Do you have any idea how many hours you’ve been gone?” “Yeah, sorry about that. The house was fine, but the pool was a mess. A tree fell through the screen, and the roof was ripped off the pool house.” “You’re sorry? That’s all you have to say?” I take two steps toward him, fury thrumming through my veins. “Do you have any idea how worried I was? God, Ryder! I thought you were lying in a ditch somewhere. I thought you were hurt, or…or…” I trail off, shaking my head. “I was about to go looking for you, out in the pitch-dark!” He reaches for my hand, but I slap him away. “Don’t touch me! I swear, I can’t even look at you right now.” I turn and reach for the door. But before I can fling it open, Ryder pulls me toward him, his hands circling my wrists. “Look, I’m sorry, Jemma. It took me forever to get there, what with all the flooding and everything. And then I was trying to clean stuff up and…well, I guess the time just got away from me.” I try to pull away, but he tightens his grip. “I didn’t mean to scare you,” he says. “Well, you did scare me.” I manage to pull one hand loose, and I use it to whack him in the chest. “Idiot!” “I’m fine, okay? I’m here.” “I wish you weren’t!” I yell, fired up now. “I wish you were lying in a ditch somewhere!” I stumble backward, my heel catching on the porch’s floorboards. “You don’t mean that,” Ryder says, sounding hurt. He’s right; I don’t. But I don’t care if I hurt his feelings. I’m too angry to care. Angry and relieved and pissed off and…and, God, I’m so glad he’s okay. I thump his chest one more time in frustration, and then somehow my lips are on his--hungry and demanding and punishing all at once.
Kristi Cook (Magnolia (Magnolia Branch, #1))
I am going to end up alone," he moaned. "Not in any conceivable universe!" One of Sadie's best qualities is the ability to say "Are you effing insane?" with such sweet conviction and nicer words. "I am going to end up alone in a one-room apartment over a dry cleaner." "A dry cleaner?" "He could have said a bar," I offered. "True," he conceded. Frankie was on a roll. "I am going to end up alone in a one-room apartment over a dry cleaner with a cat. Who bites me." "Oh,Frankie-" "I am going to end up alone in a one-room apartment over a dry cleaner with a cat who bites me and pees in my closet full of moth-eaten sweaters." "Well,maybe," Sadie said, reaching around to hug both of us. "But the sweaters will be Dolce & Gabbana." One of her other fabulous qualities is that underneath the sweet conviction, she does have a sense of humor. Frankie did laugh. Then he gave a sigh that I could feel all the way through me. I knew Sadie did,too. "I liked him," he said, very quietly. "I really did. And I thought he felt the same way. I bent and twisted and distorted everything that happened between us to fit my pretty little picture. God, I believed my own hype. How stupid, how incredibly stupid was that?" "Not stupid." Sadie squeezed. "Hopeful. And if we're not that, what's the point? El? Help me out here." I wanted to.I really did. But all I could think of was the fact that at home, exactly where I'd put it in my bag, which was still exactly where I'd dumped it on the floor, was the evidence that Edward had let me down. I was keeping that to myself, at least for the moment. Twisted it to fit my pretty little picture. I didn't think I could take Frankie's complete lack of surprise that a guy (even a dead one) had let me down-or Sadie's sympathy. Not on top of my own anger. Because,plain and simple,it wasn't okay to look at another woman like that, not when you met the love of your life and gave a big flipped finger to the people around you so you could be with her. Not okay even if she was dead, because I, Ella, really really want to believe that sometimes love does conquer all, and sometimes some things do last foever. Truth: Yes,I really am that naive. "You're perfect," I said to Frankie. And I meant it.
Melissa Jensen (The Fine Art of Truth or Dare)
There was talk in the fields about the witch in the woods, but go see her? No one would dare. So I thought to myself I’d sneak out one night to see what I could find there.   I slipped from my straw, jumped over the gate, a candle alight in my hand. I went to the woods at the edge of the park as the moon fell down on this land.   I walked through the trees, so scared and alone, though with hope in the back of my mind. As I saw a small light and smoke rising high I wondered what I would find.   I walked up to a door but before I could knock, it opened with a creak and a squeak. There stood a woman all dressed in white; I felt completely unable to speak.   I sat on a chair by the side of a fire whilst she looked fondly at me. ‘Are you a witch?’ I asked her at last. And she said ‘I may possibly be.   But don’t be afraid I just prefer it out here Away from experienced minds. I live with my innocent, simple, sweet thoughts That are pure and gentle and kind.’   I was a little confused So I said to her now, ‘How do you even survive?’ She said to me softly ‘Just love, my young man, It is only on love that I thrive.’   ‘What can I do?’ I said to her now ‘So I can be just like you?’ ‘What, wearing a dress? Clad only in white? I’m sure you’d look better in blue!’   ‘No,’ I said, laughing, ‘To feel just like you Where everything seems so right.’ She thought for a while, And closed her deep eyes As the full moon shed its fair light.   ‘All I can say Is open your mind, The world is more than you know. Look deeper than deep, Be a dreamer, my boy, And give love wherever you go.   When others hurt you, Accept that it hurts, Have faith in the bad and the good. Walk with the soul And the eyes of a child You will always be safe in these woods.   As for the world That lies there outside, Remember the words that I’ve said. Keep them inside Your heart and your mind And by them may you be led.   Soon others will see There is no such thing As being too nice or too kind. And then one fine day, When more are like you, I can leave this sweet glory behind.’   So when I got home I thought of the woman That had entered my life that dark night. I will walk tall forever With the eyes of a child, To the blackness of life I’ll bring light.
Stuart Ayris (Tollesbury Time Forever)
As we round the corner for our third lap, I catch Peter Kavinsky looking at me. I thought I was imagining it at first, him staring in my direction, but this is the third time. He’s playing ultimate Frisbee with some of the guys. When we pass them, Peter jogs over to us and says, “Can I talk to you for a minute?” Chris and I look at each other. “Her or me?” she asks. “Lara Jean.” Chris puts her arm around my shoulder protectively. “Go ahead. We’re listening.” Peter rolls his eyes. “I want to talk to her in private.” “Fine,” she snaps, and she flounces away. Over her shoulder she looks back at me with wide eyes, like What? I shrug back, like I have no idea! In a low, quiet voice, Peter says, “Just so you know, I don’t have any STDs.” What in the world? I stare at him, my mouth open. “I never said you had an STD!” His voice is still low but actually furious. “I also don’t always take the last piece of pizza.” “What are you talking about?” “That’s what you said. In your letter. How I’m an egotistical guy who goes around giving girls STDs. Remember?” “What letter? I never wrote you any letter!” Wait. Yes I did. I did write him a letter, about a million years ago. But that’s not the letter he’s talking about. It couldn’t be. “Yes. You. Did. It was addressed to me, from you.” Oh, God. No. No. This isn’t happening. This isn’t reality. I’m dreaming. I’m in my room and I’m dreaming and Peter Kavinsky is in my dream, glaring at me. I close my eyes. Am I dreaming? Is this real? “Lara Jean?” I open my eyes. I’m not dreaming, and this is real. This is a nightmare. Peter Kavinsky is holding my letter in his hand. It’s my handwriting, my envelope, my everything. “How--how did you get that?” “It came in the mail yesterday.” Peter sighs. Gruffly he says, “Listen, it’s no big deal; I just hope you’re not going around telling people--” “It came in the mail? To your house?” “Yeah.” I feel faint. I actually feel faint. Please let me faint right now, because if I faint I will no longer be here, in this moment. It will be like in movies when a girl passes out from the horror of it all and the fighting happens while she is asleep and she wakes up in a hospital bed with a bruise or two, but she’s missed all the bad stuff. I wish that was my life instead of this.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
It was true. They’d been close enough to recognize him. But they’d hunted down him and Sejanus — Sejanus, who’d treated the tributes so well, fed them, defended them, given them last rites! — even though they could have used that opportunity to kill one another. “I think I underestimated how much they hate us,” said Coriolanus. “And when you realized that, what was your response?” she asked. He thought back to Bobbin, to the escape, to the tributes’ bloodlust even after he’d cleared the bars. “I wanted them dead. I wanted every one of them dead.” Dr. Gaul nodded. “Well, mission accomplished with that little one from Eight. You beat him to a pulp. Have to make up some story for that buffoon Flickerman to tell in the morning. But what a wonderful opportunity for you. Transformative.” “Was it?” Coriolanus remembered the sickening thuds of his board against Bobbin. So he had what? Murdered the boy? No, not that. It was an open-and-shut case of self-defense. But what, then? He had killed him, certainly. There would never be any erasing that. No regaining that innocence. He had taken human life. “Wasn’t it? More than I could’ve hoped. I needed you to get Sejanus out of the arena, of course, but I wanted you to taste that as well,” she said. “Even if it killed me?” asked Coriolanus. “Without the threat of death, it wouldn’t have been much of a lesson,” said Dr. Gaul. “What happened in the arena? That’s humanity undressed. The tributes. And you, too. How quickly civilization disappears. All your fine manners, education, family background, everything you pride yourself on, stripped away in the blink of an eye, revealing everything you actually are. A boy with a club who beats another boy to death. That’s mankind in its natural state.” The idea, laid out as such, shocked him, but he attempted a laugh. “Are we really as bad as all that?” “I would say yes, absolutely. But it’s a matter of personal opinion.” Dr. Gaul pulled a roll of gauze from the pocket of her lab coat. “What do you think?” “I think I wouldn’t have beaten anyone to death if you hadn’t stuck me in that arena!” he retorted. “You can blame it on the circumstances, the environment, but you made the choices you made, no one else. It’s a lot to take in all at once, but it’s essential that you make an effort to answer that question. Who are human beings? Because who we are determines the type of governing we need. Later on, I hope you can reflect and be honest with yourself about what you learned tonight.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
He surprised her by reaching out for her, his arms closing around her. She stiffened but allowed him to draw her near. “Poor sweet,” he murmured. “You have so many burdens to carry.” There had been a time when Amelia had passionately longed for a moment such as this. Being held by Christopher, soothed by him. Once this would have been heaven. But it didn’t feel quite the same as before. “Christoph—” she began, moving away from him, but his mouth caught hers, and she froze in astonishment as he kissed her. This, too, was different … and yet for a moment, she remembered what it had been like, how happy she had once been with him. It seemed so long ago, that time before the scarlet fever, when she had been innocent and hopeful and the future had seemed full of promise. She turned her face from his. “No, Christopher.” “Of course.” He pressed his lips to her hair. “Now isn’t the proper time for this. I’m sorry.” “I’m so concerned about my brother, and Merripen, I can’t think of anything else—” “I know, sweet.” He turned her face back to his. “I’m going to help you and your family. There’s nothing I want more than your safety and happiness. And you need my protection. With your family in turmoil, you could easily be taken advantage of.” She frowned. “No one is taking advantage of me.” “What about the Gypsy?” “You’re referring to Mr. Rohan?” Christopher nodded. “I chanced to meet him on his way to London, and he spoke of you in a way that … well, suffice it to say, he’s no gentleman. I was offended for your sake.” “What did he say?” “He went so far as to claim that you and he were going to marry.” A scornful laugh escaped him. “As if you would ever lower yourself to that. A half-bred Gypsy with no manners or education.” Amelia felt a rush of defensive anger. She looked into the face of the man she had once loved so desperately. He was the embodiment of everything a young woman should want to marry. Not all that long ago, she might have compared him to Cam Rohan and found Christopher superior. But she was no longer the woman she had been … and Christopher wasn’t the knight in shining armor she had believed him to be. “I wouldn’t consider it lowering myself,” she said. “Mr. Rohan is a gentleman, and highly esteemed by his friends.” “They all find him entertaining enough for social occasions, but he will never be their equal. And never a gentleman. That’s understood by everyone, my dear, even Rohan himself.” “It’s neither understood nor accepted by me,” she said. “There is more to being a gentleman than fine manners.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Then he took my arm, in a much softer grip than the one he’d used on our first date when he’d kept me from biting the dust. “No, c’mon,” he said, pulling me closer to him and securing his arms around my waist. I died a thousand deaths as he whispered softly, “What’s wrong?” What could I possibly say? Oh, nothing, it’s just that I’ve been slowly breaking up with my boyfriend from California and I uninvited him to my brother’s wedding last week and I thought everything was fine and then he called last night after I got home from cooking you that Linguine and Clam Sauce you loved so much and he said he was flying here today and I told him not to because there really wasn’t anything else we could possibly talk about and I thought he understood and while I was driving out here just now he called me and it just so happens he’s at the airport right now but I decided not to go because I didn’t want to have a big emotional drama (you mean like the one you’re playing out in Marlboro Man’s kitchen right now?) and I’m finding myself vacillating between sadness over the end of our four-year relationship, regret over not going to see him in person, and confusion over how to feel about my upcoming move to Chicago. And where that will leave you and me, you big hunk of burning love. “I ran over my dog today!” I blubbered and collapsed into another heap of impossible-to-corral tears. Marlboro Man was embracing me tightly now, knowing full well that his arms were the only offering he had for me at that moment. My face was buried in his neck and I continued to laugh, belting out an occasional “I’m sorry” between my sobs, hoping in vain that the laughter would eventually prevail. I wanted to continue, to tell him about J, to give him the complete story behind my unexpected outburst. But “I ran over my dog” was all I could muster. It was the easiest thing to explain. Marlboro Man could understand that, wrap his brain around it. But the uninvited surfer newly-ex-boyfriend dangling at the airport? It was a little more information than I had the strength to share that night. He continued holding me in his kitchen until my chest stopped heaving and the wellspring of snot began to dry. I opened my eyes and found I was in a different country altogether, The Land of His Embrace. It was a peaceful, restful, safe place. Marlboro Man gave me one last comforting hug before our bodies finally separated, and he casually leaned against the counter. “Hey, if it makes you feel any better,” he said, “I’ve run over so many damn dogs out here, I can’t even begin to count them.” It was a much-needed--if unlikely--moment of perspective for me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The war against ISIS in Iraq was a long, hard slog, and for a time the administration was as guilty of hyping progress as the most imaginative briefers at the old “Five O’Clock Follies” in Saigon had been. In May 2015, an ISIS assault on Ramadi and a sandstorm that grounded U.S. planes sent Iraqi forces and U.S. Special Forces embedded with them fleeing the city. Thanks to growing hostility between the Iraqi government and Iranian-supported militias in the battle, the city wouldn’t be taken until the end of the year. Before it was over we had sent well over five thousand military personnel back to Iraq, including Special Forces operators embedded as advisors with Iraqi and Kurdish units. A Navy SEAL, a native Arizonan whom I had known when he was a boy, was killed in northern Iraq. His name was Charles Keating IV, the grandson of my old benefactor, with whom I had been implicated all those years ago in the scandal his name had branded. He was by all accounts a brave and fine man, and I mourned his loss. Special Forces operators were on the front lines when the liberation of Mosul began in October 2016. At immense cost, Mosul was mostly cleared of ISIS fighters by the end of July 2017, though sporadic fighting continued for months. The city was in ruins, and the traumatized civilian population was desolate. By December ISIS had been defeated everywhere in Iraq. I believe that had U.S. forces retained a modest but effective presence in Iraq after 2011 many of these tragic events might have been avoided or mitigated. Would ISIS nihilists unleashed in the fury and slaughter of the Syrian civil war have extended their dystopian caliphate to Iraq had ten thousand or more Americans been in country? Probably, but with American advisors and airpower already on the scene and embedded with Iraqi security forces, I think their advance would have been blunted before they had seized so much territory and subjected millions to the nightmare of ISIS rule. Would Maliki have concentrated so much power and alienated Sunnis so badly that the insurgency would catch fire again? Would Iran’s influence have been as detrimental as it was? Would Iraqis have collaborated to prevent a full-scale civil war from erupting? No one can answer for certain. But I believe that our presence there would have had positive effects. All we can say for certain is that Iraq still has a difficult road to walk, but another opportunity to progress toward that hopeful vision of a democratic, independent nation that’s learned to accommodate its sectarian differences, which generations of Iraqis have suffered without and hundreds of thousands of Americans risked everything for.
John McCain (The Restless Wave: Good Times, Just Causes, Great Fights, and Other Appreciations)
Blessed One!” the Magistrate intoned reverently. “We welcome you to our unworthy establishment. We hope everything is to your satisfaction.” “My satisfaction?” Chertanne laughed. “I have seen better. . .” “What his Grace wishes to say,” Kaimas interrupted, “is that we could expect no better inn anywhere and that it is no doubt more than adequate.” “Yes, yes,” Chertanne reversed. “A fine establishment, indeed.
Brian Fuller (Duty (The Trysmoon Saga, #2))
Wyatt!” She ran to meet him. “Wyatt! Please wait!” A sudden gust of wind dislodged her hat and sent it tumbling down the platform. The long pink ribbons lifted, dancing wildly in the warm wind. The movement caught his eye. He saw her then, and he stopped dead still, an incredulous smile spreading over his face. She waited, not daring to breathe, until Wyatt dropped everything and ran toward her, arms outstretched. The wind caught his hat too and sent it rolling along the platform until it came to rest beside hers. He lifted her into his arms and spun her around. She laughed out loud, her face tipped to the bright summer sky. Wyatt set her on her feet and kissed her thoroughly, oblivious to the handful of passengers still milling about the platform. She wrapped her arms around him and kissed him back for all she was worth, pouring into it all of her love and gratitude and hope. He smiled down at her. “You’re really here!” “Yes.” “No more doubts?” “None.” She hooked her arm through his and smiled up at him through a blur of happy tears. “Buy me a ticket?” “Just like that?” “Mariah will send my things.” She grinned, imagining her friend’s shock at such impulsiveness. But she didn’t want to wait another second to start her future with Wyatt. “It’s fine with me, darlin’, but our friends would never forgive us if we deprived them of a wedding . . . and the chance to say ‘I told you so.’ ” She heaved a mock sigh. “I suppose you’re right. There’s no hope for it, then. I reckon we’ll have to hold a wedding.” He wrapped one arm tightly around her waist. “You’re ready to be a rancher’s wife?” “Just try to stop me.” He grinned. “No thank you. I’ve seen what happens when you make up your mind to do something.
Dorothy Love (Beyond All Measure (Hickory Ridge, #1))
Now I want to be a rancher and learn how to do everything Will does. He’s gonna grow me up to be a man like him.” Hannah turned to her husband and gave him a look of adoration. “I certainly hope so,” she whispered just before William wrapped her in his arms. He pressed his lips to hers and kissed her long and passionately. Hannah could scarcely draw a breath when he pulled away. “I think she’s startin’ to get used to kissin’ you, William,” Marty said seriously. “I think you just might be right, Miss Marty.” He gave Hannah a mischievous smile and winked. “I think with a little more practice we’ll be just fine.” Hannah felt her cheeks grow hot, but she kept her gaze fixed on William Barnett and smiled. God willing, they would have a long, long life in which to perfect their skills.
Tracie Peterson (Chasing The Sun (Land of the Lone Star, #1))
Respect: If your son is raised connecting the word respect with the following statements: “I respect the choice you are making to wear your sandals; I will be wearing my rain boots.” “I can see how upset you are, and I love you and respect you too much to fight with you, so I am going to go outside until I cool down and then we can talk about what happened.” “I know you like having the same lunch every day, so I bought you everything you need to make the lunch that you like.” “I can see that the way you organize your clothes really works for you.” “I can feel myself getting angry, so I am going to go cool down and think about how I feel about the situation and then maybe we can find a solution that works for all of us.” “I respect your choice not to work on your science project and I hope you can respect my choice not to get involved in the decision your teacher makes.” “I know your uncle can be very judgmental and in spite of that, you showed respect for his point of view and for the rest of the family by not arguing with him over dinner.” … it is reasonable that you will raise a son who has a healthy concept of what respect looks like, sounds like, and feels like in a relationship with others. Message: Respect is a two-way street and we both participate. Cooperation: If your daughter is raised hearing: “How about you carry the jacket to the car just in case the weather changes? If you decide not to wear it, that’s fine, but at least you will have it with you.” “Would you be willing to help me out at the store and be in charge of crossing things off my list and then paying the cashier while I bag the groceries?” “I am not going to have time tonight to help you with your project, but if you are willing to get up an hour early tomorrow morning I could help you then.” “I promised your brother I would make him a cake and I am wondering if you would like me to teach you so we can make our cakes together from now on.” “I am willing to watch thirty minutes of your show, even though you know it’s not my favorite, before I go to the other room to read.” “We have a lot of camping gear to set up, how do we want to divide up the jobs?” … it is reasonable that you will raise a daughter who has a healthy concept of what cooperation looks like, sounds like, and feels like in a relationship with others. Message: Cooperation is a willingness to work together. Responsibility: If your children are raised hearing: “I trust you can find another pair of mittens to wear today at school.” “Only you can decide how much lunch you will eat.” “I don’t know where you put your soccer shoes. I put mine in the hall closet.” “I’m sorry, but I won’t bring the homework that you left on the counter.” “You told the coach that you would put in the extra time outside of practice; you’ll have to explain to him why that didn’t happen.” “Do you have a plan for replacing the broken window?” “I understand that you are frustrated. I am following through with our agreement.” … it is reasonable that you will raise children who have a healthy concept of what responsibility looks like, sounds like, and feels like in a relationship with others. Message: Responsibility is being able to respond effectively to the situation at hand.
Vicki Hoefle (The Straight Talk on Parenting: A No-Nonsense Approach on How to Grow a Grown-Up)
How about transparency and honesty? Bill Clinton lied under oath repeatedly during the Monica investigation, to the point of being disbarred and fined. Subpoenaed legal records of Hillary Clinton turned up (too late) mysteriously in the White House. In the latest email scandal, the mystery was not that Hillary set up a stealthy private communication system to facilitate the Clinton scheme of offering foreign zillionaires the opportunity to give money to the family foundation and huge cash speaking fees for Bill, in exchange for likely favorable U.S. government decisions affecting billions of dollars in international trade and commerce — and perhaps the very security of the United States. We expected even that from Hillary Clinton the moment that she assumed office — in the manner that her husband had once pardoned convicted FALN Puerto Rican terrorists in hopes of winning bloc votes for her New York Senate campaign, in addition to snagging money from convicted felons. That Mrs. Clinton refused to sign disclosure forms and to follow government protocols about donations and correspondence, as she promised she would, was also nothing new. But what was novel was Hillary Clinton’s ability to hold a press conference and lie about every single aspect of her email crimes. Everything she said was untrue: from the nature of smart phones and email accounts, to the email habits of other cabinet officers, to the methods of securing a server, to the mix between public and private communications, to the method of adjudicating her behavior. All were untruths offered without a shred of remorse.
Anonymous
As I came closer, it took shape: long, slender, and curling, with numerous heart-shaped leaves. I felt my soul leap inside me. For Ivy's tree was now hung with her namesake. Jade-green ivy clutched the bark with such strength that, no matter how hard you pulled, it would never let go. I know I started crying then. My friends came to my side at once, patting my back and telling me that everything was going to be okay. And though the tears kept coming, I knew they were right. Everything was really going to be fine now. Because here, in front of me, was something I'd been hoping and praying for. I'd been searching for a sign, a signal to give me comfort in Ivy's passing and to tell me she was okay. And at last, here it was, growing all around me.
Colleen Boyd (Swamp Angel)
She says ye never left me side?”she asked. He felt his cheeks grow warm. Clearing his throat once, he finally answered. “Aye.” “Why?”she asked. Why? For the past four days, he’d imagined everything he would say to her as soon as he found her. Her illness delayed the heartfelt words he had wanted to have with her. Now, when the moment finally arrived, his mind turned blank. All the sweet words he’d planned to tell her fled on the wings of a frantically beating heart. “Ye came fer me,”she whispered. “Ye came fer me and ye killed Helmert. And ye never left me side.”Her voice was filled with disbelief. “Why?” He stammered for a moment, tripping over his own tongue. “I,”he paused, searching for the right words, the words he hoped would not terrify her. “Ye be a fine woman, Laurin. I’ve grown quite fond of ye these past weeks.” She studied him closely for a moment. “So fond of me that ye were willin’to risk yer life to save mine?”Her tone said his answer made little sense. “Aye,”he whispered. Suddenly his mouth felt dry, his tongue thick. “Fond enough to risk my own life for yours.” “Fond, like ye’d be fond of a dear friend, or somethin’more?” He could not understand why she asked that particular question. Refusing to read anything into her question, he replied. “Somethin’more, lass. Far more than friendship.” Tears welled in her eyes as she stared at him. It made his gut wrench, thinking he’d brought her a moment of discomfort or sorrow. Leaning over, he took her hand in his. “Laurin, I ken ye do no’have the same feelin’s for me as I do for ye. I ken ye may never have them, but it matters no’to me. I would be willin’to wait an entire lifetime on nothin’more than a wish and a prayer, in case, just in case some day ye might be able to return those feelins.” He’d not pressure her into anything, would not beg her for her hand or her heart. “How can ye say that?”she asked, swiping away an errant tear. “How could ye wait a lifetime for me?” With a slow shake of his head, he smiled. “Och! Lass, ye’d be well worth the wait.
Suzan Tisdale (Isle of the Blessed)