Hop Hope Quotes

We've searched our database for all the quotes and captions related to Hop Hope. Here they are! All 100 of them:

He was lounging in a cubicle beside an outdated computer, hands shoved into the pockets of his faded jeans. A wavy lock of hair covered his forehead, brushing against thick lashes. His lips curled into a half smile. “I was wondering if you were ever going to find me.” He made no move to clear up any space in the tiny 6x6 hole. I dropped my bag outside the walls and hopped up on the desk opposite him. “Embarrassed someone would see you and think you’re capable of reading?” “I do have a reputation to maintain.” “And what a lovely reputation that is.” He stretched out his legs so that his feet were under mine. “So what did you want to talk about”—his voice lowered to a deep, sexy whisper—“in private?” I shivered—and it had nothing to do with the temperature. “Not what you’re hoping.” Daemon gave me a sexy smirk.
Jennifer L. Armentrout (Onyx (Lux, #2))
And then, well . . . He might have slept for a bit. He rather hoped he was sleeping, because he was quite certain he’d seen a six-foot rabbit hopping through his bedchamber, and if that wasn’t a dream, they were all in very big trouble. Although really, it wasn’t the rabbit that was so dangerous as much as the giant carrot he was swinging about like a mace. That carrot would feed an entire village.
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
I promise I'll never tell." "Don't promise that," he said in an ultraserious voice. "If they try to hurt you and the only way to protect yourself is to tell them what you know about me, then you tell them. Straight off, okay?" "No." "Promise me." "No!" "I will possess your heart." Heat flared along the back of my neck. "What did you say?" "My favorite song. 'I Will Possess Your Heart.'" "By Death Cab for Cutie?" He snorted. "No, the little known T.I. Hip-hop remix. Yes, Death Cab for Cutie." ... "Why? What's wrong with it?" "Nothing, but it doesn't seem to fit you. It's kind of a sad song." "No it's pure confident. It's not 'I want' or 'I need', none of that crap." He slipped his hand over mine. "It's 'I will.'" A nervous laugh bubbled up. "You will, huh?" His fingers brushed my cheek, then slid into my hair. "I will.
Jeri Smith-Ready (Shade (Shade, #1))
Ah, mistress, you’re an angel. Sure there’s not a drop left? I might have remembered one more person….” “Up yours,” I said rudely with another belch. “It’s empty. You should tell me the name anyway, after making me drink all that sewage.” Winston gave me a devious smile. “Come back with a full bottle and I will.” “Selfish spook,” I mumbled, and staggered away. I’d made it a few feet when I felt that distinct pins-and-needles sensation again, only this time it wasn’t in my throat. “Hey!” I looked down in time to see Winston’s grinning, transparent form fly out of my pants. He was chuckling even as I smacked at myself and hopped up and down furiously. “Drunken filthy pig!” I spat. “Bastard!” “And a good eve’in’ to you, too, mistress!” he called out, his edges starting to blur and fade. “Come back soon!” “I hope worms shit on your corpse!” was my reply. A ghost had just gotten to third base with me. Could I sink any lower?
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
Well, I'm glad you're so amused," I said, running my fingers across the railing. Maxon hopped up to sit on the railing, looking very relaxed. "You're always amusing. Get used to it." Hmm. He was almost being funny. "So...about what you said...," he started tentatively. "Which part? The part about me calling you names or fighting with my mom or saying food was my motivation?" I rolled my eyes. He laughed once. "The part about me being good..." "Oh. What about it?" Those few sentences suddenly seemed more embarrassing than anything else I'd said. I ducked my head down and twisted a piece of my dress. "I appreciate you making things look authentic, but you didn't need to go that far." My head snapped up. How could he think that? "Maxon, that wasn't for the sake of the show. If you had asked me a month ago what my honest opinion of you was, it would have been very different. But now I know you, and I know the truth, and you are everything I said you were. And more." He was quiet, but there was a small smile on his face. "Thank you," he finally said. "Anytime." Maxon cleared his throat. "He'll be lucky, too." He got down from his makeshift seat and walked to my side of the balcony. "Huh?" "Your boyfriend. When he comes to his senses and begs you to take him back," Maxon said matter-of-factly. I had to laugh. No such thing would happen in y world. "he's not my boyfriend anymore. And he made it pretty clear he was gone with me." Even I could hear the tiny bit of hope in my voice. "Not possible. He'll have seen you on TV by now and fallen for you all over again. Though, in my opinion, you're still much too good for the dog." Maxon spoke almost as if he was bored, like he'd seen this happen a million times. "Speaking of which!" he said a bit louder. "If you don't want me to be in love with you, you're going to have to stop looking so lovely. First thing tomorrow I'm having your maids sew some potato sacks together for you." I hit his arm. "Shut up, Maxon." "I'm not kidding. You're too beautiful for your own good. Once you leave, we'll have to send some of the guards with you. You'll never survive on your own, poor thing." He said all this with mock pity. "I can't help it." I sighed. "One can never help being born into perfection." I fanned my face as if being so pretty was exhausting. "No, I don't suppose you can help it.
Kiera Cass (The Selection (The Selection, #1))
Graham Chapman, co-author of the "Parrot Sketch", is no more. He has ceased to be. Bereft of life, he rests in peace. He's kicked the bucket, hopped the twig, bit the dust, snuffed it, breathed his last, and gone to meet the great Head of Light Entertainment in the sky. And I guess that we're all thinking how sad it is that a man of such talent, of such capability for kindness, of such unusual intelligence, should now so suddenly be spirited away at the age of only forty-eight, before he'd achieved many of the things of which he was capable, and before he'd had enough fun. Well, I feel that I should say: nonsense. Good riddance to him, the freeloading bastard, I hope he fries. And the reason I feel I should say this is he would never forgive me if I didn't, if I threw away this glorious opportunity to shock you all on his behalf. Anything for him but mindless good taste. (He paused, then claimed that Chapman had whipered in his ear while he was writing the speech): All right, Cleese. You say you're very proud of being the very first person ever to say 'shit' on British television. If this service is really for me, just for starters, I want you to become the first person ever at a British memorial service to say 'fuck'.
John Cleese
Hope was like frogs praying for wings so they didn’t bump their asses when they hopped. But there weren’t any flying fucking frogs!
Sherri Desbois (Half Hearts)
He hopped lightly from the stairs and jogged off to join his friends. “Wish me luck!” he called over his shoulder. “Good luck,” I said automatically and then wanted to kick myself. Good luck? Have a lovely time, Mal. Hope you find a pretty Grisha, fall deeply in love, and make lots of gorgeous, disgustingly talented babies together. I sat frozen on the steps, watching them disappear down the path, still feeling the warm pressure of Mal’s hand in mine. Oh well, I thought as I got to my feet. Maybe he’ ll fall into a ditch on his way there. I
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
I presented my feminine side with flowers. She cut the stems and placed them gently down my throat. And these tu lips might soon eclipse your brightest hopes.
Saul Williams (The Dead Emcee Scrolls: The Lost Teachings of Hip-Hop)
My inspiration for writing music is like Don McLean did when he did "American Pie" or "Vincent". Lorraine Hansberry with "A Raisin in the Sun". Like Shakespeare when he does his thing, like deep stories, raw human needs. I'm trying to think of a good analogy. It's like, you've got the Vietnam War, and because you had reporters showing us pictures of the war at home, that's what made the war end, or that shit would have lasted longer. If no one knew what was going on we would have thought they were just dying valiantly in some beautiful way. But because we saw the horror, that's what made us stop the war. So I thought, that's what I'm going to do as an artist, as a rapper. I'm gonna show the most graphic details of what I see in my community and hopefully they'll stop it quick. I've seen all of that-- the crack babies, what we had to go through, losing everything, being poor, and getting beat down. All of that. Being the person I am, I said no no no no. I'm changing this.
Tupac Shakur (Tupac: Resurrection 1971-1996)
She took the posters downtown that afternoon. She filled a rolling suitcase with them ... she took a stapler. And a box of staples. And hope. I think of those things. The paper, the stapler, the staples, the tape, the hope. It makes me sick. Physical things. Forty years of loving someone becomes staples and hop.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
But even now there is hope left. I will not give you counsel, saying do this or do that. for not in doing or contriving, nor in choosing between this course and another, can I avail; but only in knowing what was and is, and in part what shall be. But this I will say to you: your Quest stands upon the edge of a knife. Stray but a little and it will fail, to the ruin of all. Yet hop remains while all the Company is true.
J.R.R. Tolkien (The Lord of the Rings (Middle Earth, #2-4))
Hope is the light at the end of the tunnel guiding the way.
Serena Smith
Hopeful dreams - even where crack kings’ and dope fiends feast. Dust from the ash and rubble; they shine like bright stars once the mic is gripped and the bars are spit.
T.F. Hodge (From Within I Rise: Spiritual Triumph over Death and Conscious Encounters With the Divine Presence)
The mind was a curse: its ability to go back in time to regret and hop into the future to hope and worry was not a blessing
Jennifer Nansubuga Makumbi (Kintu)
As you play this record, I hope you'll think of the good, not the bad. Of what was, not what wasn't meant to be. Of the time we spent together, not the time we've spent apart. Most of all I hop you'll think of me...
Jamie Ford (Hotel on the Corner of Bitter and Sweet)
Now.Go all the way into the pond." "Um...how,exactly?" I was afraid she was going to make me hop out into the water until it was over my head, an image too mortifying to even contemplate. Cal stepped forward, hopefully to come to my rescue. "I could toss her off the pier, Ms. Vanderlyden." Or not. "Good," the Vandy said with a brisk nod, like that had been her plan all along. Then Cal leaned down and swept me into his arms. There were more giggles, and even a few sighs. I knew most girls would give up a vital organ for Cal to hold them, but my face flamed red. I wasn't sure this was any less embarrassing than flopping out into the pond on my own.
Rachel Hawkins (Demonglass (Hex Hall, #2))
She touched me once And life then stopped. She held my hand, My frog heart hopped. She left my mouth And formed a smile With lips that promised: “In a while.” I look, I hope, I stand, a dunce— Where is the one who touched me once?
Walt Kelly (The Pogo Poop Book)
When Jesus was wrapping up his days on earth, he didn't tell us to go to church. He didn't tell us to engage in a spiritualized version of channel surfing, as we hop from place to place in search of just the right programming to entertain us. He told us to get out and actually do the stuff he'd already been doing, painting the hope of God's reign on the canvas of God's world. He told us we're artists.
Richard Dahlstrom (The Colors of Hope: Becoming People of Mercy, Justice, and Love)
Aiden what have you told this poor child? And let go of her arm, you'll pull it out of the socket like that." The woman admonished. Aiden immediately released her arm. Meryn eyed the woman with new respect, if she had Aiden hopping to, then maybe she could help her get out of here. "She is a menace! She gave Colton a bloody lip, threw a lamp at me, knocked me unconscious with the back of my toilet, kicked me in the back of the head... twice and dented the roof of my trunk!" Meryn noticed that he roared the last grievance, trust a man to be more worried about his car than his possible concussion. "And how did she dent the roof of your trunk?" Meryn heard the edge to the woman's voice and answered quickly hoping to garner sympathy for her situation. "He threw me in the trunk of his car. I was kicking it from the inside trying to escape." She sniffed dramatically and glared at Aiden. She noticed that he had suddenly paled. "Oh, son." The handsome older man covered his face with his hand and the woman stared at them in shock. "You locked her in the trunk?!" "She was kicking me." Aiden protested. "She is human and half your size!" "You don't understand, she is a terrorist!
Alanea Alder (My Commander (Bewitched and Bewildered, #1))
It had been two weeks since they had last danced, and Azalea lay in bed, awake again. A dream hadn't roused her this time, but rather an odd tinny noise that had been clinking across the wooden floor of their room, under their beds and butting against the wainscot with a clinkety tap-tap. It sounded like ... well, quite honestly, it sounded like a spider dragging a spoon. Azalea knew it couldn't possibly be that (or, rather, she hoped it wasn't), but even so, she heaved herself from the bed and grasped one of Hollyhock's boots, strewn across the floor. The tapping now clinked from the fireplace, and Azalea caught a glint of silver among the soot. Raising the boot, she tiptoed to the unlit hearth. The fireplace in their room was massive - so large that Azalea could stand up in it and her skirts wouldn't brush the sides. The silver hopped. Azalea dove. In a puff of soot, Azalea found herself sitting in the hearth, and the silver bit skittering away like mad. Azalea grabbed at it and was rewarded with a very sharp, very familiar bite. "You!" Azalea seethed, leaping up. Now she recognized the half-hopping half-skitter motion. The sugar teeth!
Heather Dixon Wallwork (Entwined)
Hope was like frogs praying for wings so they didn't bump their asses when they hopped
Sherri Desbois (Half Hearts)
The question that lingers is, how much was I a factor in my own survival, and how much was science, and how much miracle? I don't have the answer to that question. Other people look to me for the answer, I know. But if I could answer it, we would have the cure for cancer, and what's more, we would fathom the true meaning of our existences. I can deliver motivation, inspiration, hope, courage, and counsel, but I can't answer the unknowable. Personally, I don't need to try. I 'm content with simply being alive to enjoy the mystery. Good Joke: A man is caught in a flood, and as the water rises he climbs to the roof of his house and waits to be rescued. A guy in a motorboat comes by, and he says, "Hop in, I'll save you." "No thanks," the man on the rooftop says. "My Lord will save me." But the floodwaters keep rising. A few minutes later, a rescue plane flies overhead and the pilot drops a line. "No, thanks," the man on the rooftop says. "My Lord will save me." But the floodwaters rise ever higher, and finally, they overflow the roof and the man drowns. When he gets to heaven, he confronts God. "My Lord, why didn't you save me?" he implores. "You idiot," God says. "I sent a boat, I sent you a plane." I think in a way we are all just like the guy on the rooftop. Things take place, there is a confluence of events and circumstances, and we can't always know their purpose, or even if there is one. But we can take responsibility for ourselves and be brave.
Lance Armstrong (It's Not About The Bike: My Journey Back To Life)
If there’s a God out there, then I would hope he has more important things to attend to than my drinking scotch or eating pork. Now, hop down. All this talk about sin has made me thirsty again.
Khaled Hosseini (The Kite Runner)
…I notice that people always make gigantic arrangements for bathing when they are going anywhere near the water, but that they don’t bathe much when they are there. It is the same when you go to the sea-side. I always determine—when thinking over the matter in London—that I’ll get up early every morning, and go and have a dip before breakfast, and I religiously pack up a pair of drawers and a bath towel. I always get red bathing drawers. I rather fancy myself in red drawers. They suit my complexion so. But when I get to the sea I don’t feel somehow that I want that early morning bathe nearly so much as I did when I was in town. On the contrary, I feel more that I want to stop in bed till the last moment, and then come down and have my breakfast. Once or twice virtue has triumphed, and I have got out at six and half-dressed myself, and have taken my drawers and towel, and stumbled dismally off. But I haven’t enjoyed it. They seem to keep a specially cutting east wind, waiting for me, when I go to bathe in the early morning; and they pick out all the three-cornered stones, and put them on the top, and they sharpen up the rocks and cover the points over with a bit of sand so that I can’t see them, and they take the sea and put it two miles out, so that I have to huddle myself up in my arms and hop, shivering, through six inches of water. And when I do get to the sea, it is rough and quite insulting. One huge wave catches me up and chucks me in a sitting posture, as hard as ever it can, down on to a rock which has been put there for me. And, before I’ve said “Oh! Ugh!” and found out what has gone, the wave comes back and carries me out to mid-ocean. I begin to strike out frantically for the shore, and wonder if I shall ever see home and friends again, and wish I’d been kinder to my little sister when a boy (when I was a boy, I mean). Just when I have given up all hope, a wave retires and leaves me sprawling like a star-fish on the sand, and I get up and look back and find that I’ve been swimming for my life in two feet of water. I hop back and dress, and crawl home, where I have to pretend I liked it.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
Then it was horn time. Time for the big solo. Sonny lifted the trumpet - One! Two! - He got it into sight - Three! We all stopped dead. I mean we stopped. That wasn't Sonny's horn. This one was dented-in and beat-up and the tip-end was nicked. It didn't shine, not a bit. Lux leaned over-you could have fit a coffee cup into his mouth. "Jesus God," he said. "Am I seeing right?" I looked close and said: "Man, I hope not." But why kid? We'd seen that trumpet a million times. It was Spoof's. Rose-Ann was trembling. Just like me, she remembered how we'd buried the horn with Spoof. And she remembered how quiet it had been in Sonny's room last night... I started to think real hophead thoughts, like - where did Sonny get hold of a shovel that late? and how could he expect a horn to play that's been under the ground for two years? and - That blast got into our ears like long knives. Spoof's own trademark! Sonny looked caught, like he didn't know what to do at first, like he was hypnotized, scared, almighty scared. But as the sound came out, rolling out, sharp and clean and clear - new-trumpet sound - his expression changed. His eyes changed: they danced a little and opened wide. Then he closed them, and blew that horn. Lord God of the Fishes, how he blew it! How he loved it and caressed it and pushed it up, higher and higher and higher. High C? Bottom of the barrel. He took off, and he walked all over the rules and stamped them flat. The melody got lost, first off. Everything got lost, then, while that horn flew. It wasn't only jazz; it was the heart of jazz, and the insides, pulled out with the roots and held up for everybody to see; it was blues that told the story of all the lonely cats and all the ugly whores who ever lived, blues that spoke up for the loser lamping sunshine out of iron-gray bars and every hop head hooked and gone, for the bindlestiffs and the city slicers, for the country boys in Georgia shacks and the High Yellow hipsters in Chicago slums and the bootblacks on the corners and the fruits in New Orleans, a blues that spoke for all the lonely, sad and anxious downers who could never speak themselves... And then, when it had said all this, it stopped and there was a quiet so quiet that Sonny could have shouted: 'It's okay, Spoof. It's all right now. You get it said, all of it - I'll help you. God, Spoof, you showed me how, you planned it - I'll do my best!' And he laid back his head and fastened the horn and pulled in air and blew some more. Not sad, now, not blues - but not anything else you could call by a name. Except... jazz. It was Jazz. Hate blew out of that horn, then. Hate and fury and mad and fight, like screams and snarls, like little razors shooting at you, millions of them, cutting, cutting deep... And Sonny only stopping to wipe his lip and whisper in the silent room full of people: 'You're saying it, Spoof! You are!' God Almighty Himself must have heard that trumpet, then; slapping and hitting and hurting with notes that don't exist and never existed. Man! Life took a real beating! Life got groined and sliced and belly-punched and the horn, it didn't stop until everything had all spilled out, every bit of the hate and mad that's built up in a man's heart. ("Black Country")
Charles Beaumont (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
It was about half-past one—‘only half-past one,’ Lucy complained—when she and Walter and Spandrell left the restaurant. ‘Still young,’ was Spandrell’s comment on the night. ‘Young and rather insipid. Nights are like human beings—never interesting till they’re grown up. Round about midnight they reach puberty. At a little after one they come of age. Their prime is from two to half-past. An hour later they’re growing rather desperate, like those man-eating women and waning middle-aged men who hop around twice as violently as they ever did in the hope of persuading themselves that they’re not old. After four they’re in full decay. And their death is horrible. Really horrible at sunrise, when the bottles are empty and people look like corpses and desire’s exhausted itself into disgust. I have rather a weakness for the deathbed scenes, I must confess,’ Spandrell added. ‘I’m
Aldous Huxley (Point Counter Point)
If you hug, if you kiss, if you love, If you sing, if you coo like a dove, If you still hope for things you dream of, Thank your mother, my dear, thank your mother. If you skip, if you hop, if you run, If you glow, if you shine like the sun, If you know healthy ways to have fun, Thank your mother, my dear, thank your mother. If you help, if you serve, if you pray, If you smile, if you live what you say, If you show by example the way, Thank your mother, my dear, thank your mother.
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
Friends, Grecian Heroes, Ministers of Mars! Grievous, and all unlook’d for, is the blow Which Jove hath dealt me; by his promise led I hop’d to raze the strong-built walls of Troy, And home return in safety; but it seems 130 He falsifies his word, and bids me now Return to Argos, frustrate of my hope, Dishonour’d, and with grievous loss of men. Such now appears th’ o’er-ruling sov’reign will Of Saturn’s son; who oft hath sunk the heads 135 Of many a lofty city in the dust, And yet will sink; for mighty is his hand. ’Tis shame indeed that future days should hear How such a force as ours, so great, so brave, Hath thus been baffled, fighting, as we do, 140 ’Gainst numbers far inferior to our own, And see no end of all our warlike toil. For should we choose, on terms of plighted truce, Trojans and Greeks, to number our array; Of Trojans, all that dwell within the town, 145 And we, by tens disposed, to every ten, To crown our cups, one Trojan should assign, Full many a ten no cup-bearer would find: So far the sons of Greece outnumber all That dwell within the town; but to their aid 150 Bold warriors come from all the cities round, Who greatly harass me, and render vain My hope to storm the strong-built walls of Troy. Already now nine weary years have pass’d; The timbers of our ships are all decay’d, 155 The cordage rotted; in our homes the while Our wives and helpless children sit, in vain Expecting our return; and still the work, For which we hither came, remains undone. Hear then my counsel; let us all agree 160 Home to direct our course, since here in vain We strive to take the well-built walls of Troy.” Thus as he spoke, the crowd, that had not heard The secret council, by his words was mov’d; So sway’d and heav’d the multitude, as when 165 O’er the vast billows of th’ Icarian sea Eurus and Notus from the clouds of Heav’n Pour forth their fury; or as some deep field Of wavy corn, when sweeping o’er the plain The ruffling west wind sways the
Homer (The Iliad)
That meant there was hope. Hope that a mother's love would pull a son back to her. Hope that the world would learn from its mistakes and build friendships where enmity had reigned. There was hop that someday this stitched-together family they'd claimed for themselves would be whole.
Roseanna M. White (Yesterday's Tides)
Spring is such a hopeful time on the island, and despite the pall that continues to hover over our nation, I find it impossible to resist. The air is still chilly as a well-digger's ear first thing in the morning, but as the hours pass it hints at the warmth to come in later months. As the days become longer, the rains change. They are less punishing and more promising, bringing out the native grasses and glimpses of green on the trees. Then there are the little families of deer, grazing as if the entire island is a spring buffet, and wild rabbits are hopping everywhere.
Kim Fay (Love & Saffron)
The car is hopping over bumps, jumping, tearing, screeching. The green car in sight, out of sight, vanishing around a corner only to appear when I skate around, behind three or four cars. God, I hope he’s not trying to lose me. I almost said “give me the slip.” I could feel it coming but I didn’t.
Marlon James (A Brief History of Seven Killings)
The houses reminded me of hopeful homely girls on a Friday night, hopping bars in spangly tops, packs of them where you assumed at least one might be pretty, but none were, and never would be. And here was Magda’s house, the ugliest girl with the most accessories, frantically piled on. The front yard was spiked with lawn ornaments: gnomes bouncing on wire legs, flamingos on springs, and ducks with plastic wings that circled when the wind blew. A forgotten cardboard Christmas reindeer sat soggy in the front garden, which was mostly mud, baby-fuzz patches of grass poking through intermittently.
Gillian Flynn (Dark Places)
We live in the era of the “bottom line” mentality, with TED talks, sound bites, and news summaries. There is so much information to digest, we can only hope to grasp the world with compact and seemingly complete stories. We don’t want to be left dangling. We are all suckers for this information diet, and we all have come to depend on it, just like we have all succumbed to the instant gratification of texting and cell phones. And yet what separates the dilettante from the sophisticate is the appreciation that everything is not simple. The trick seems to be able to talk clearly while remaining fully aware of the underlying complexity of any story. For me it is the overwhelming realization that when trying to figure out how the brain does its masterful trick of enabling minds, we are barely at the starting line. Dig as deep as you want into human history: As long as there is a written record of thought, there is a record of humans wondering about the nature of life. It becomes obvious that all of us are just hopping into an ongoing conversation, not structuring one with a beginning, a middle, and an end. Humans may have discovered some of the constraints on the thought processes, but we have not yet been able to tell the full story.
Michael S. Gazzaniga (Tales from Both Sides of the Brain: A Life in Neuroscience)
I was afraid she was going to make me hop out into the water until it was over my head, an image too mortifying to even contemplate. Cal stepped forward, hopefully to come to my rescue. “I could toss her off the pier, Ms. Vanderlyden.” Or not. Hawkins, Rachel (2011-03-01). Demonglass (Hex Hall Book 2) (p. 3). Disney. Kindle Edition.
Rachel Hawkins (Demonglass (Hex Hall, #2))
There is a new song on Top 40 radio right now that's so good I want to kill myself. I'm not sure why exceptionally good hip-hop singles make me want to commit suicide, but they often do. I don't know what the title of the song is, but it's that religious woman with the perfect stomach from Destiny's Child and Jay-Z doing a duet featuring a horn riff from the '70s that I've never heard before (but that sounds completely familiar), and the chorus is something along the lines of, "Your love is driving me crazy right now/ I'm kind of hoping you'll page me right now." It's also possible that Jay-Z compares himself to Golden State Warriors guard Nick Van Exel during the last verse, but I can't be positive. ANYWAY, by the time you read this sentence, the song I am referring to will be ten thousand years old. You will have heard it approximately 15,000 times, and you might hate it, and I might hate it, too. But right now -- today -- I am living for this song. As far as I'm concerned, there is nothing that matters as much as hearing it on the radio; I am interested in nothing beyond Beyonce Knowles's voice. All I do is scan the FM dial for hours at a time, trying to find it.
Chuck Klosterman (Killing Yourself to Live: 85% of a True Story)
once upon a time, i met a flower. she was so innocent, yet so wise. she was glitter and wildness. softness and sweet fragrance. she was a flock of fireflies that danced through the forest and swam naked in moonlight. she was the first soul i bared myself to, only one i was completely honest with about the things that shamed me...we wandered through the world in a bubble of our own making, floating free, full of pastels so colorful, full of fairy dust, sunbeams, and feathers. we drew people towards us like sirens in the water, wanting what we had. but we fluttered away like butterflies hopping from lily pad to lily pad, giggling all the while. we told each other the real hard truth, and listened, and laughed and cried out our hearts. when i was going through a tough time, she once told me to pick a place, anywhere in the world, and she’d be there with me, even if she couldn't be...she was my flower. she taught me about generosity, about giving with deep trust that it would return somehow somewhere. and it always does. she taught me to love people for who they are, and to just let them be, in their own flower field. i met a flower. she taught me to live in love. to bloom, and listen. now i am alive, in love
D. Bodhi Smith
She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he’d just stayed the same old Jay he’d always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she’d just never imagined that he’d grow up so well. Instead she accused him: “Well, maybe if you hadn’t pushed me I wouldn’t have fallen.” She made the outlandish accusation with a completely straight face. He shook his head. “You’ll never be able to prove it. There were no witnesses—it’s just your word against mine.” She giggled and hopped down. “Yeah, well, who’s gonna believe you over me? Weren’t you the one who shoplifted a candy bar from the Safeway?” She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms. “Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn’t it?” He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands. She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and the temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubbles from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn’t even notice the sting this time. And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on. When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent. He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. “Yeah, well, maybe if you hadn’t done it right in front of the cashier, we might have gotten away with it. Instead, you got both of us grounded for stealing.” He didn’t miss a beat, and he seemed unaware of her temporary lapse. “And some might say that our grounding saved us from a life of crime.” She hung the towel over the oven’s door handle. “Maybe it saved me, but the jury’s still out on you. I always thought you were kind of a bad seed.” He gave her a questioning look. “Seriously, a ‘bad seed’, Vi? When did you turn ninety and start saying things like ‘bad seed’?” She pushed him as she walked by, even though he really wasn’t in her way. He gave her a playful shove from behind and teased her, “Don’t make me trip you again.” Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just friends. Otherwise, this was going to be a long—and painful—year.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Chongjin station. That was where people went when they had nothing left and no place else to go. It wasn't quite like giving up and lying down by the side of the road. The movement of the trains created an illusion of purpose that kept hope alive against all odds. It allowed one to fantasize that a train would pull into the station with something to eat or that a train might be going someplace better and you could hop aboard.
Barbara Demick
Scene I. A little dark Parlour in Boston: Guards standing at the door. Hazlerod, Crusty Crowbar, Simple Sapling, Hateall, and Hector Mushroom. Simple. I know not what to think of these sad times, The people arm'd,—and all resolv'd to die Ere they'll submit.—— Crusty Crowbar. I too am almost sick of the parade Of honours purchas'd at the price of peace. Simple. Fond as I am of greatness and her charms, Elate with prospects of my rising name, Push'd into place,—a place I ne'er expected, My bounding heart leapt in my feeble breast. And ecstasies entranc'd my slender brain.— But yet, ere this I hop'd more solid gains, As my low purse demands a quick supply.— Poor Sylvia weeps,—and urges my return To rural peace and humble happiness, As my ambition beggars all her babes. Crusty. When first I listed in the desp'rate cause, And blindly swore obedience to his will, So wise, so just, so good I thought Rapatio, That if salvation rested on his word I'd pin my faith, and risk my hopes thereon. Hazlerod. Any why not now?—What staggers thy belief? Crusty. Himself—his perfidy appears— It is too plain he has betray'd his country; And we're the wretched tools by him mark'd out To seal its ruins—tear up the ancient forms, And every vestige treacherously destroy, Nor leave a trait of freedom in the land. Nor did I think hard fate wou'd call me up From drudging o'er my acres, Treading the glade, and sweating at the plough, To dangle at the tables of the great; At bowls and cards to spend my frozen years; To sell my friends, my country, and my conscience; Profane the sacred sabbaths of my God; Scorn'd by the very men who want my aid To spread distress o'er this devoted people. Hazlerod. Pho—what misgivings—why these idle qualms, This shrinking backwards at the bugbear conscience; In early life I heard the phantom nam'd, And the grave sages prate of moral sense Presiding in the bosom of the just; Or planting thongs about the guilty heart. Bound by these shackles, long my lab'ring mind, Obscurely trod the lower walks of life, In hopes by honesty my bread to gain; But neither commerce, or my conjuring rods, Nor yet mechanics, or new fangled drills, Or all the iron-monger's curious arts, Gave me a competence of shining ore, Or gratify'd my itching palm for more; Till I dismiss'd the bold intruding guest, And banish'd conscience from my wounded breast. Crusty. Happy expedient!—Could I gain the art, Then balmy sleep might sooth my waking lids, And rest once more refresh my weary soul.
Mercy Otis Warren (The Group A Farce)
I thought of Atargatis, the First, frightening and beautiful. The mermaid goddess who lived on in the soul of every woman who'd ever fallen in love with the ocean. I thought of Sebastian, my little mermaid queen, how happy he was the day of the parade, just getting the chance to express himself, to be himself. I thought of Vanessa, the story about how she and her girlfriends became feminist killjoys to get a women's literature core in their school, the way she'd accepted me this summer without question, gently pushed me out of my self-imposed shell. Of her mother, Mrs. James, how she'd grabbed that bullhorn at the parade and paved the way for Sebastian's joy. I thought of Lemon, so wise, so comfortable in her own skin, full of enough love to raise a daughter as a single mom and still have room for me, for her friends, for everyone whose lives she touched with her art. I thought of Kirby, her fierce loyalty, her patience and grace, her energy, what a good friend and sister she'd become, even when I'd tried to shut her out. I thought of all the new things I wanted to share with her now, all the things I hoped she'd share with me. I thought of my mother, a woman I'd never known, but one whose ultimate sacrifice gave me life. I thought of Granna, stepping in to raise her six granddaughters when my mom died, never once making us feel like a burden or a curse. She'd managed the cocoa estate with her son, personally saw to the comforts of every resort guest, and still had time to tell us bedtime stories, always reminding us how much she treasured us. I thought of my sisters. Juliette, Martine, and Hazel, their adventures to faraway lands, new experiences. Gabrielle with her island-hopping, her ultimate choice to follow her heart home. And Natalie, my twin. My mirror image, my dream sharer. I knew I hadn't been fair to her this summer—she'd saved my life, done the best she could. And I wanted to thank her for that, because as long as it had taken me to realize it, I was thankful. Thankful for her. Thankful to be alive. To breathe.
Sarah Ockler (The Summer of Chasing Mermaids)
You say he get on your fucking nerves You hope that he get what he deserves—word! Do you even remember what the issue is? You just trying to find where the tissue is You can still be who you wish you is It ain't happen yet, and that's what intuition is When you hop back in the car Drive back to the crib, run back to they arms The smokescreens, the chokes and the screams You ever wonder what it all really means? [...] On that independent shit Trade it all for a husband and some kids You ever wonder what it all really mean? You wonder if you'll ever find your dreams?
Kanye West
Ella?” Cinder asked when things got quiet. “Are you there?” He sounded hesitant. “Welcome to my life,” I said with a sigh of defeat. “Sorry about that.” “It’s okay.” It was definitely not okay. I was so humiliated. It was a miracle I wasn’t crying. I think that was only because I was still in so much shock. “Look, thanks for giving me your phone number, but maybe this is a bad time.” My dad scrambled to his feet, waving his hands at me. “No! You don’t have to end your call. We’ll give you some privacy.” He glanced at both Jennifer and Juliette. “Won’t we, ladies?” His blatant desperation for me to talk to someone—even a stranger from the Internet—was as embarrassing as Anastasia’s outburst. Even worse, Jennifer was just as bad. “Of course! You go ahead and talk to your boyfriend, Ella,” she squealed. “We can keep an eye on you from the kitchen. I have to get dinner started anyway.” While I was busy dying from her use of the word boyfriend, she hopped off the elliptical. She hurried to catch up to my dad, seeming more than happy to finish her workout early. As they started up the steps, they both turned back to Juliette, who had sprawled out on the couch instead of getting up. “I was here first,” Juliette said in response to their expectant looks. “There’s no way I’m going anywhere near the upstairs with Ana in the mood she’s in, and I really don’t care about Ella’s love life. Besides, she’s not supposed to be alone, anyway. What if she tries to throw herself off the balcony or something?” Was there anyone in the world that didn’t feel the need to humiliate me? I glared at Juliette, and she just waved a pair of earbuds at me and shoved them in her ears. “I’ll turn the volume up.” My dad and Jennifer both gave me such hopeful looks that I couldn’t argue anymore. I rolled my eyes and made my way over to the armchair my father had been lounging in. Once Dad and Jennifer were gone, I glanced over at the couch. Juliette was already doing what she did best—ignoring me. She was bobbing her head along with her music as she read out of a textbook. I doubted she could hear me, but I spoke softly anyway, just in case. “Cinder? Are you still there?” “I didn’t realize upping our relationship to phone buddies would come with a boyfriend title. Does that mean if we ever meet in person, we’ll have to get married?” Surprised, I burst into laughter. Juliette glanced at me with one raised eyebrow, but went back to her textbook without saying anything.
Kelly Oram (Cinder & Ella (Cinder & Ella, #1))
I was a reader before I was a writer, and when I started putting together my first collection of short stories, Fairytales For Lost Children, I drew on my rich history as a reader to try and create my voice. I wanted this voice to reflect my Somali background, my Kenyan upbringing and my London home. This voice would be a mashup of all the elements that formed my youth; the sticky-sweet Jamaican patois, the Kenyan street slang, my Somali and Italian linguistic tics, my love of jazz poetics and nineties hip-hop slanguistics. This language would form the bed on which my narratives of love, loss, identity and hope would rest.
Diriye Osman
Grief is a mechanical bull. You can hold on as tight as you can with white-knuckled fists, clenched teeth, and tears biting at your eyes, but you’re destined to lose your grip. You’re going to get thrown. And when you hit the ground, it’s going to hurt like hell. People will try to help you up, tell you it’s okay, encourage you to hop back on and try again. So, you’ll try again, expecting a different result, or at the very least, hope that you can hold on a little tighter this time—stay on a little longer. But you’ll still get thrown. And it will still hurt. I think the key to healing is accepting that your grief isn’t going anywhere, then getting back on the bull anyway. One day, you’ll start to enjoy the ride more than you’ll fear the anticipation of the inevitable fall. I can’t wait for that day.
Jennifer Hartmann (The Wrong Heart)
I suddenly felt, well, terribly old as I watched a mudskipper hopping along with what now seemed to me like a wonderful sense of hopeless, boundless naïve optimism. I hoped that if its descendant was sitting here on this beach in 350 million years' time with a camera around its neck, it would feel that the journey had been worth it. I hoped that it might have a clearer understanding of itself in relation to the world it lived in. I hoped that it wouldn't be reduced to turning other creatures into horror circus shows in order to try and ensure them their survival. I hoped that if someone tried to feed the remote descendant of a goat to the remote descendant of a dragon for the sake of a little more than a shudder of entertainment, that it would feel it was wrong. I hoped it wouldn't be too chicken to say so.
Douglas Adams (Last Chance to See)
If you’re hoping for a good meal, you’ve come to the wrong place. Miss Cameron has already attempted to sacrifice herself on the altar of domesticity this morning, and we both narrowly escaped death from her efforts. I’m cooking supper,” he finished, “and it may not be much better.” “I’ll try my hand at breakfast,” the vicar volunteered good-naturedly. When Elizabeth was out of earshot, Ian said quietly, “How badly is the woman hurt?” “It’s hard to say, considering that she was almost too angry to be coherent. Or it might have been the laudanum that did it.” “Did what?” The vicar paused a moment to watch a bird hop about in the rustling leaves overhead, then he said, “She was in a rare state. Quite confused. Angry, too. On the one hand, she was afraid you might decide to express your ‘tender regard’ for Lady Cameron, undoubtedly in much the way you were doing it when I arrived.” When his gibe evoked nothing but a quirked eyebrow from his imperturbable nephew, Duncan sighed and continued, “At the same time, she was equally convinced that her young lady might try to shoot you with your own gun, which I distinctly understood her to say the young lady had already tried to do. It is that which I feared when I heard the gunshots that sent me galloping up here.” “We were shooting at targets.” The vicar nodded, but he was studying Ian with an intent frown. “Is something else bothering you?” Ian asked, noting the look. The vicar hesitated, then shook his head slightly, as if trying to dismiss something from his mind. “Miss Throckmorton-Jones had more to say, but I can scarcely credit it.” “No doubt it was the laudanum,” Ian said, dismissing the matter with a shrug. “Perhaps,” he said, his frown returning. “Yet I have not taken laudanum, and I was under the impression you are about to betroth yourself to a young woman named Christina Taylor.” “I am.” His face turned censorious. “Then what excuse can you have for the scene I just witnessed a few minutes ago?” Ian’s voice was clipped. “Insanity.” They walked back to the house, the vicar silent and thoughtful, Ian grim. Duncan’s untimely arrival had not bothered him, but now that his passion had finally cooled he was irritated as hell with his body’s uncontrollable reaction to Elizabeth Cameron. The moment his mouth touched hers it was as if his brain went dead. Even though he knew exactly what she was, in his arms she became an alluring angel.
Judith McNaught (Almost Heaven (Sequels, #3))
Who’s the guy?” “What guy?” “The guy you’re dating.” That’s when I see him. Peter Kavinsky, walking down the hallway. Like magic. Beautiful, dark-haired Peter. He deserves background music, he looks so good. “Peter. Kavinsky. Peter Kavinsky!” The bell rings, and I sail past Josh. “I’ve gotta go! Talk later, Josh!” “Wait!” he calls out. I run up to Peter and launch myself into his arms like a shot out of a cannon. I’ve got my arms around his neck and my legs hooked around his waist, and I don’t even know how my body knows how, because I’ve for sure never touched a boy like this in my life. It’s like we’re in a movie and the music is swelling and waves are crashing around us. Except for the fact that Peter’s expression is registering pure shock and disbelief and maybe a drop of amusement, because Peter likes to be amused. Raising his eyebrows, he says, “Lara Jean? What the--?” I don’t answer. I just kiss him. My first thought is: I have muscle memory of his lips. My second thought is: I hope Josh is watching. He has to be watching or it’s all for nothing. My heart is beating so fast I forget to be afraid of doing it wrong. Because for about three seconds, he’s kissing me back. Peter Kavinsky, the boy of every girl’s dreams, is kissing me back. I haven’t kissed that many boys before. Peter Kavinsky, John Ambrose McClaren, Allie Feldman’s cousin with the weird eye, and now Peter again. I open my eyes and Peter’s staring at me with that same expression on his face. Very sincerely I say, “Thank you.” He replies, “You’re welcome,” and I hop out of his arms and sprint off in the opposite direction.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
There," he said, admiring his own handiwork. "Good as new." Violet glanced at the ridiculously huge Band-Aids on her knees and looked at him doubtfully. "You really think so? 'Good as new'?" He smiled. "I think I did pretty good. It's not my fault you can't walk." She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he'd just stayed the same old Jay he'd always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she'd just never imagined that he'd grow up so well. Instead she accused him: "Well, maybe if you hadn't pushed me I wouldn't have fallen." She made the outlandish accusation with a completely straight face. He shook his head. "You'll never be able to prove it. There were no witnesses-it's just your word against mine." She giggled and hopped down. "Yeah, well, who's gonna believe you over me? Weren't you the one who shoplifted a candy bar from the Safeway?" She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms. "Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn't it?" He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands. She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and she temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubble from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn't even notice the sting this time. And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on. When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent. He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. "Yeah, well, maybe if you hadn't done it right in front of the cashier, we might have gotten away with it. Instead, you go both of us grounded for stealing." He didn't miss a beat, and he seemed unaware of her temporary lapse. "And some might say that our grounding saved us from a life of crime." She hung the towel over the oven's door handle. "Maybe it saved me, but the jury's still out on you. I always though you were kind of a bad seed." He gave her a questioning look. "Seriously, a 'bad seed,' Vi? When did you turn ninety and start saying things like 'bad seed'?" She pushed him as she walked by, even though he really wasn't in her way. He gave her a playful shove from behind and teased her, "Don't make me trip you again." Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just fiends. Otherwise, this was going to be a long-and painful-year.
Kimberly Derting (The Body Finder (The Body Finder, #1))
But this isn't standard Japanese picnic fare: not a grain of rice or a pickled plum in sight. Instead, they fill the varnished wooden tables with thick slices of crusty bread, wedges of weeping cheese, batons of hard salamis, and slices of cured ham. To drink, bottles of local white wine, covered in condensation, and high-alcohol microbews rich in hops and local iconography. From the coastline we begin our slow, dramatic ascent into the mountains of Hokkaido. The colors bleed from broccoli to banana to butternut to beet as we climb, inching ever closer to the heart of autumn. My neighbors, an increasingly jovial group of thirtysomethings with a few words of English to spare, pass me a glass of wine and a plate of cheese, and I begin to feel the fog dissipate. We stop at a small train station in the foothills outside of Ginzan, and my entire car suddenly empties. A husband-and-wife team has set up a small stand on the train platform, selling warm apple hand pies made with layers of flaky pastry and apples from their orchard just outside of town. I buy one, take a bite, then immediately buy there more. Back on the train, young uniformed women flood the cars with samples of Hokkaido ice cream. The group behind me breaks out in song, a ballad, I'm later told, dedicated to the beauty of the season. Everywhere we go, from the golden fields of empty cornstalks to the dense forest thickets to the rushing rivers that carve up this land like the fat of a Wagyu steak, groups of camouflaged photographers lie in wait, tripods and shutter releases ready, hoping to capture the perfect photo of the SL Niseko steaming its way through the hills of Hokkaido.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
I want my mom,” a little boy cried out suddenly. Every voice fell silent. The boy had said what they were all feeling. Caine hopped down from the car and went to the boy. He knelt down and took the boy’s hands in his own. He asked the boy’s name, and reintroduced himself. “We all want our parents back,” he said gently, but loudly enough to be overheard clearly by those nearest. “We all want that. And I believe that will happen. I believe we will see all our moms and dads, and older brothers and sisters, and even our teachers again. I believe that. Do you believe it, too?” “Yes.” The little boy sobbed. Caine wrapped him in a hug and said, “Be strong. Be your mommy’s strong little boy.” “He’s good,” Astrid said. “He’s beyond good.” Then Caine stood up. People had formed a circle around him, close but respectful. “We all have to be strong. We all have to get through this. If we work together to choose good leaders and do the right thing, we will make it.” The entire crowd of kids seemed to stand a little taller. There were determined looks on faces that had been weary and frightened. Sam was mesmerized by the performance. In just a few minutes’ time, Caine had infused hope into a very frightened, dispirited bunch of kids. Astrid seemed mesmerized too, though Sam thought he detected the cool glint of skepticism in her eyes. Sam was skeptical himself. He distrusted rehearsed displays. He distrusted charm. But it was hard not to think that Caine was at least trying to reach out to the Perdido Beach kids. It was hard not to believe in him, at least a little. And if Caine really did have a plan, wouldn’t that be a good thing? No one else seemed to have a clue.
Michael Grant
It is time for man to fix his goal. It is time for man to plant the seed of his highest hope. His soil is still rich enough for it. But that soil will one day be poor and exhausted, and no lofty tree will any longer be able to grow there. Alas! there comes the time when man will no longer launch the arrow of his longing beyond man — and the string of his bow will have unlearned to whiz! I tell you: one must still have chaos in oneself, to give birth to a dancing star. I tell you: you have still chaos in yourselves. Alas! There comes the time when man will no longer give birth to any star. Alas! There comes the time of the most despicable man, who can no longer despise himself. Lo! I show you the Last Man. 'What is love? What is creation? What is longing? What is a star?' — so asks the Last Man, and blinks. The earth has become small, and on it hops the Last Man, who makes everything small. His species is ineradicable as the flea; the Last Man lives longest. 'We have discovered happiness' — say the Last Men, and they blink. They have left the regions where it is hard to live; for they need warmth. One still loves one's neighbor and rubs against him; for one needs warmth. Turning ill and being distrustful, they consider sinful: they walk warily. He is a fool who still stumbles over stones or men! A little poison now and then: that makes for pleasant dreams. And much poison at the end for a pleasant death. One still works, for work is a pastime. But one is careful lest the pastime should hurt one. One no longer becomes poor or rich; both are too burdensome. Who still wants to rule? Who still wants to obey? Both are too burdensome. No shepherd, and one herd! Everyone wants the same; everyone is the same: he who feels differently goes voluntarily into the madhouse. 'Formerly all the world was insane,' — say the subtlest of them, and they blink. They are clever and know all that has happened: so there is no end to their derision. People still quarrel, but are soon reconciled — otherwise it upsets their stomachs. They have their little pleasures for the day, and their little pleasures for the night, but they have a regard for health. 'We have discovered happiness,' — say the Last Men, and they blink.
Friedrich Nietzsche (Thus Spoke Zarathustra)
We needed to drive down the road a couple of miles to meet the rest of the cowboys and gather the cattle from there. “Mom, why don’t you and Ree go ahead in her car and we’ll be right behind you,” Marlboro Man directed. His mother and I walked outside, climbed in the car, and headed down the road. We exchanged pleasant small talk. She was poised and genuine, and I chattered away, relieved that she was so approachable. Then, about a mile into our journey, she casually mentioned, “You might watch that turn up ahead; it’s a little sharp.” “Oh, okay,” I replied, not really listening. Clearly she didn’t know I’d been an L.A. driver for years. Driving was not a problem for me. Almost immediately, I saw a ninety-degree turn right in front of my face, pointing its finger at me and laughing--cackling--at my predicament. I whipped the steering wheel to the left as quickly as I could, skidding on the gravel and stirring up dust. But it was no use--the turn got the better of me, and my car came to rest awkwardly in the ditch, the passenger side a good four feet lower than mine. Marlboro Man’s mother was fine. Lucky for her, there’s really nothing with which to collide on an isolated cattle ranch--no overpasses or concrete dividers or retaining walls or other vehicles. I was fine, too--physically, anyway. My hands were trembling violently. My armpits began to gush perspiration. My car was stuck, the right two tires wedged inextricably in a deep crevice of earth on the side of the road. On the list of the Top Ten Things I’d Want Not to Happen on the First Meeting Between My Boyfriend’s Mother and Me, this would rate about number four. “Oh my word,” I said. “I’m sorry about that.” “Oh, don’t worry about it,” she reassured, looking out the window. “I just hope your car’s okay.” Marlboro Man and his dad pulled up beside us, and they both hopped out of the pickup. Opening my door, Marlboro Man said, “You guys okay?” “We’re fine,” his mother said. “We just got a little busy talking.” I was Lucille Ball. Lucille Ball on steroids and speed and vodka. I was a joke, a caricature, a freak. This couldn’t possibly be happening to me. Not today. Not now. “Okay, I’ll just go home now,” I said, covering my face with my hands. I wanted to be someone else. A normal person, maybe. A good driver, perhaps. Marlboro Man examined my tires, which were completely torn up. “You’re not goin’ anywhere, actually. You guys hop in the pickup.” My car was down for the count.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
In the year after Chris died, a friend organized a trip for the kids and me to use the time-share at Disney World in Florida. I felt exceptionally lonely the night we arrived in our rental car, exhausted from our flight. Getting our suitcases out, I mentioned something along the lines of “I wish we had Dad here.” “Me, too,” said both of the kids. “But he’s still with us,” I told them, forcing myself to sound as optimistic as possible. “He’s always here.” It’s one thing to say that and another to feel it, and as we walked toward the building I didn’t feel that way at all. We went upstairs--our apartment was on the second floor--and went to the door. A tiny frog was sitting on the door handle. A frog, really? Talk about strange. Anyone who knows the history of the SEALs will realize they trace their history to World War II combat divers: “frogmen” specially trained to infiltrate and scout enemy beaches before invasions (among other duties). They’re very proud of that heritage, and they still occasionally refer to themselves as frogmen or frogs. SEALs often feature frogs in various tattoos and other art related to the brotherhood. As a matter of fact, Chris had a frog skeleton tattoo as a tribute to fallen SEALs. (The term frogman is thought to derive from the gear the combat divers wore, as well as their ability to work both on land and at sea.) But for some reason, I didn’t make the connection. I was just consumed by the weirdness--who finds a frog, even a tiny one, on a door handle? The kids gathered round. Call me squeamish, but I didn’t want to touch it. “Get it off, Bubba!” I said. “No way.” We hunted around and found a little tree branch on the grounds. I held it up to the doorknob, hoping it would hop on. It was reluctant at first, but finally it toddled over to the outside of the door jam. I left it to do whatever frogs do in the middle of the night. Inside the apartment, we got settled. I took out my cell phone and called my mom to say we’d arrived safely. “There was one strange thing,” I told her. “There was a frog on the door handle when we arrived.” “A…frog?” “Yes, it’s like a jungle down here, so hot and humid.” “A frog?” “Yeah.” “And you don’t think there’s anything interesting about that?” “Oh my God,” I said, suddenly realizing the connection. I know, I know: just a bizarre coincidence. Probably. I did sleep really well that night. The next morning I woke up before the kids and went into the living room. I could have sworn Chris was sitting on the couch waiting for me when I came out. I can’t keep seeing you everywhere. Maybe I’m crazy. I’m sorry. It’s too painful. I went and made myself a cup of coffee. I didn’t see him anymore that week.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
I thought we were meeting by the field house,” I call out as I make my way over. He doesn’t even turn around. “Nah, I’m pretty sure I said the parking lot.” “You definitely said the field house,” I argue. Why can’t he ever just admit that he’s wrong? “Geez, field house, parking lot. What difference does it make?” Mason asks. “Give it a rest, why don’t you.” I shoot him a glare. “Oh, hey, Mason. Remember when your hair was long and everyone thought you were a girl?” Ryder chuckles as he releases a perfect spiral in Mason’s direction. “She’s got you there.” “Hey, whose side are you on, anyway?” Mason catches the ball and cradles it against his chest, then launches it toward Ben. I just stand there watching as they continue to toss it back and forth between the three of them. Haven’t they had enough football for one day? I pull out my cell to check the time. “We should probably get going.” “I guess,” Ryder says with an exaggerated sigh, like I’m putting him out or something. Which is particularly annoying since he’s the one who insisted on going with me. Ben jogs up beside me, the football tucked beneath his arm. “Where are you two off to? Whoa, you’re sweaty.” I fold my arms across my damp chest. “Hey, southern girls don’t sweat. We glow.” Ben snorts at that. “Says who?” “Says Ryder’s mom,” I say with a grin. It’s one of Laura Grace’s favorite sayings--one that always makes Ryder wince. “The hardware store,” Ryder answers, snatching the ball back from Ben. “Gotta pick up some things for the storm--sandbags and stuff like that. Y’all want to come?” “Nah, I think I’ll pass.” Mason wrinkles his nose. “Pretty sure I don’t want to be cooped up in the truck with Jemma glowing like she is right now.” “Everybody thought you and Morgan were identical twin girls,” I say with a smirk. “Remember, Mason? Isn’t that just so cute?” “I’ll go,” Ben chimes in. “If you’re getting sandbags, you’ll need some help carrying them out to the truck.” “Thanks, Ben. See, someone’s a gentleman.” “Don’t look now, Ryder, but your one-woman fan club is over there.” Mason tips his head toward the school building in the distance. “I think she’s scented you out. Quick. You better run.” I glance over my shoulder to find Rosie standing on the sidewalk by the building’s double doors, looking around hopefully. “Hey!” Mason calls out, waving both arms above his head. “He’s over here.” Ryder’s cheeks turn beet-red. He just stares at the ground, his jaw working furiously. “C’mon, man,” Ben says, throwing an elbow into Mason’s side. “Don’t be a dick.” He grabs the football and heads toward Ryder’s Durango. “We better get going. The hardware store probably closes at six.” Silently, Ryder and I hurry after him and hop inside the truck--Ben up front, me in the backseat. We don’t look back to see if Rosie’s following.
Kristi Cook (Magnolia (Magnolia Branch, #1))
THIS IS MY ABC BOOK of people God loves. We’ll start with . . .           A: God loves Adorable people. God loves those who are Affable and Affectionate. God loves Ambulance drivers, Artists, Accordion players, Astronauts, Airplane pilots, and Acrobats. God loves African Americans, the Amish, Anglicans, and Animal husbandry workers. God loves Animal-rights Activists, Astrologers, Adulterers, Addicts, Atheists, and Abortionists.           B: God loves Babies. God loves Bible readers. God loves Baptists and Barbershop quartets . . . Boys and Boy Band members . . . Blondes, Brunettes, and old ladies with Blue hair. He loves the Bedraggled, the Beat up, and the Burnt out . . . the Bullied and the Bullies . . . people who are Brave, Busy, Bossy, Bitter, Boastful, Bored, and Boorish. God loves all the Blue men in the Blue Man Group.           C: God loves Crystal meth junkies,           D: Drag queens,           E: and Elvis impersonators.           F: God loves the Faithful and the Faithless, the Fearful and the Fearless. He loves people from Fiji, Finland, and France; people who Fight for Freedom, their Friends, and their right to party; and God loves people who sound like Fat Albert . . . “Hey, hey, hey!”           G: God loves Greedy Guatemalan Gynecologists.           H: God loves Homosexuals, and people who are Homophobic, and all the Homo sapiens in between.           I: God loves IRS auditors.           J: God loves late-night talk-show hosts named Jimmy (Fallon or Kimmel), people who eat Jim sausages (Dean or Slim), people who love Jams (hip-hop or strawberry), singers named Justin (Timberlake or Bieber), and people who aren’t ready for this Jelly (Beyoncé’s or grape).           K: God loves Khloe Kardashian, Kourtney Kardashian, Kim Kardashian, and Kanye Kardashian. (Please don’t tell him I said that.)           L: God loves people in Laos and people who are feeling Lousy. God loves people who are Ludicrous, and God loves Ludacris. God loves Ladies, and God loves Lady Gaga.           M: God loves Ministers, Missionaries, and Meter maids; people who are Malicious, Meticulous, Mischievous, and Mysterious; people who collect Marbles and people who have lost their Marbles . . . and Miley Cyrus.           N: God loves Ninjas, Nudists, and Nose pickers,           O: Obstetricians, Orthodontists, Optometrists, Ophthalmologists, and Overweight Obituary writers,           P: Pimps, Pornographers, and Pedophiles,           Q: the Queen of England, the members of the band Queen, and Queen Latifah.           R: God loves the people of Rwanda and the Rebels who committed genocide against them.           S: God loves Strippers in Stilettos working on the Strip in Sin City;           T: it’s not unusual that God loves Tom Jones.           U: God loves people from the United States, the United Kingdom, and the United Arab Emirates; Ukrainians and Uruguayans, the Unemployed and Unemployment inspectors; blind baseball Umpires and shady Used-car salesmen. God loves Ushers, and God loves Usher.           V: God loves Vegetarians in Virginia Beach, Vegans in Vietnam, and people who eat lots of Vanilla bean ice cream in Las Vegas.           W: The great I AM loves will.i.am. He loves Waitresses who work at Waffle Houses, Weirdos who have gotten lots of Wet Willies, and Weight Watchers who hide Whatchamacallits in their Windbreakers.           X: God loves X-ray technicians.           Y: God loves You.           Z: God loves Zoologists who are preparing for the Zombie apocalypse. God . . . is for the rest of us. And we have the responsibility, the honor, of letting the world know that God is for them, and he’s inviting them into a life-changing relationship with him. So let ’em know.
Vince Antonucci (God for the Rest of Us: Experience Unbelievable Love, Unlimited Hope, and Uncommon Grace)
Hip Hop Generation “captures the collective hopes and nightmares, ambitions and failures of those who would otherwise be described as “post-this” or “post-that.”
Jeff Chain in "Can't Stop Won't Stop A History of the Hip-Hop Generation "
Jake,” I murmur. He opens his eyes. “Are you absolutely sure this is what you want? The baby, I mean.” “I’m sure.” His gaze drops to my stomach. “This baby will be made of everything I have loved my whole life.” “I’m gonna get fat,” I mumble. “No, you’re going to get even sexier.” Coming close again, he wraps his arms around me tightly, rubbing the tip of his nose against mine. “How could I not want something made up of Trudy Wethers’s DNA?” “Still Bennett.” I grin. “You haven’t made an honest woman of me yet.” “You ready to hop that plane to Vegas now?” “A shotgun wedding. My folks would be so proud.” I laugh. “What do you want to do about the wedding?” he asks. “Move it forward?” “That would give me a matter of weeks to plan it. Why don’t we just wait until after the baby is born?” I see him quickly do the math in his head. “We wouldn’t be able to get married July twenty-first. You okay with that?” “I’m going to have a mini-Jake soon. Of course I’m okay with that.” “Or a mini-Tru,” he says. Then his expression suddenly changes. “Fuck, a girl. We might have to lock her up, Tru.” I scrunch up my face. “Why?” “Because, if she looks anything like you, I’m one day going to be fighting off horny teenage boys left, right, and centre. I’ll probably end up in jail for beating one to death if I find him with his hands on my baby girl.” He shudders comically. I let out a laugh. “Let’s hope if we have a boy, he’s doesn’t grow up to be one of those horny teenagers…or God forbid, as horny as you are. Otherwise we’ll have some girl’s dad round here kicking his ass.” “Then I’ll end up in jail for beating the shit out of the dad—fuck, this is a no-win, sweetheart,” he groans, dropping his head back against the rest. “I’m doomed to a future behind bars.” Laughing softly, I say, “Don’t worry, baby, we’ll figure a way to keep you out of prison.” I kiss the tip of his nose, then open the door, ready to get out of the car and into the house to bed.
Samantha Towle (Wethering the Storm (The Storm, #2))
Wait here,” Cass told Siena. Then she walked up to the boys and stopped just behind Paolo. “Excuse me,” she said. All of the boys turned around. A couple of the younger ones giggled. Paolo weighted his drawing down with a worn leather canteen. Probably full of alcohol, Cass thought. The tall boy hopped to his feet. “Come to talk more about de Montaigne?” he asked with a wink. Cass looked away. From the corner of her eye she could see Siena staring at her. “I actually was hoping you might give Falco a message for me,” she said. “I need him to meet me tonight, at midnight, at the churchyard by my aunt’s property.” “Churchyard, eh? Sounds very…deserted.” Paolo lifted his hat and shook his black hair out of his face. “I don’t know. You kept him out late last night.” The boy gave Cass a long look. “I’m surprised you made it to Mass this morning. But perhaps you had reason to repent?” Cass blushed. “It isn’t like that,” she said. “I just need to talk to him.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Love MINECRAFT? **Over 18,000 words of kid-friendly fun!** This high-quality fan fiction fantasy diary book is for kids, teens, and nerdy grown-ups who love to read epic stories about their favorite game! Meet the Skull Kids. They're three Minecraft players who hop from world to world, hunting zombies and searching for the elusive Herobrine--the ghost in the machine. Teleporting down into a new world, the group is surprised to find that the game has changed once again, rendering almost ALL of their technology and mods useless. And when two of the Skull Kids are starving and distracted by exploring a desert village on Day 1 of their new adventure, the whole group is in danger when the sun goes down. Will the Skull Kids survive? Thank you to all of you who are buying and reading my books and helping me grow as a writer. I put many hours into writing and preparing this for you. I love Minecraft, and writing about it is almost as much fun as playing it. It’s because of you, reader, that I’m able to keep writing these books for you and others to enjoy. This book is dedicated to you. Enjoy!! After you read this book, please take a minute to leave a simple review. I really appreciate the feedback from my readers, and love to read your reactions to my stories, good or bad. If you ever want to see your name/handle featured in one of my stories, leave a review and tell me about it in there! And if you ever want to ask me any questions, or tell me your idea for a cool Minecraft story, you can email me at steve@skeletonsteve.com. Are you on my Amazing Reader List? Find out at the end of the book! June 29th, 2016 Now I’m going to try something a little different. Tell me what you guys think! This ‘Players Series’ is going to be a continuing series of books following my new characters, the players Renzor51, Molly, and quantum_steve. Make sure to let me know if you like it or not! Would you still like to see more books about mobs? More books about Cth’ka the Creeper King? I’m planning on continuing that one. ;) Don’t forget to review, and please say hi and tell me your ideas! Thanks, Ryan Gallagher, for the ideas to continue the wolf pack book! Enjoy the story. P.S. - Have you joined the Skeleton Steve Club and my Mailing List?? You found one of my diaries!! This particular book is the continuing story of some Minecraft players—a trio of friends who leap from world to world, searching for the elusive Herobrine. They’re zombie hunters and planeswalkers. They call themselves “The Skull Kids”. Every time these Skull Kids hop into a new world, they start with nothing more than the clothes they’re wearing, and they end up dominating the realm where they decide to live. What you are about to read is the first collection of diary entries from Renzor51, the player and member of the Skull Kids who documents their adventures, from the day they landed on Diamodia and carved out their own little empire, and beyond. Be warned—this is an epic book! You’re going to care about these characters. You’ll be scared for them, feel good for them, and feel bad for them! It’s my hope that you’ll be sucked up into the story, and the adventure and danger will be so intense, you’ll forget we started this journey with a video game! With that, future readers, I present to you the tale of the Skull Kids, Book 1. The Skull Kids Ka-tet Renzor51 Renzor51 is the warrior-scribe of the group, and always documents the party’s adventures and excursions into game worlds. He’s a sneaky fighter, and often takes the role of a sniper, but can go head to head with the Skull Kids’ enemies when needed. A natural artist, Renzor51 tends to design and build many of the group’s fortresses and structures, and keeps things organized. He also focuses a lot on weapon-smithing and enchanting, always seeking out ways to improve his gear. Molly
Skeleton Steve (Diary of a Zombie Hunter Player Team - The Skull Kids, Book 1 (Diary of a Zombie Hunter Player Team - The Skull Kids, #1))
Prologue               It started with rain. A torrential downpour that began around midnight and waged throughout the next day. Occasionally it would ease off for a few minutes, only to come back even stronger.               Step two was the temperature drop. Rapid and even, it took only a matter of hours for the mercury to dip below freezing. Once it did, the rain gave way to heavy, wet snowflakes.               Dr. Hardy Nicks stood just outside the front door of the Vanderbilt Medical Center. He checked his watch repeatedly while hopping up and down on the balls of his feet, hoping to stay warm. A plume of vapor extended from of his mouth, each breath hanging like a cloud in front of him.               As an attending surgeon at the center, Hardy had been on the floor for twenty hours straight. Enormous bags hung beneath each eye and his thinning hair was plastered to his head from being smashed beneath a surgical cap. He hadn't bothered to change out of the light blue scrubs he'd been wearing all day, the shapeless togs doing little to hide his slight frame.               An airlock released behind him.
Dustin Stevens (Ohana)
We drove into the Cradle Mountain resort still munching on raspberries. Emma and Kate waited with the kids in the car. “I’ll just be a minute,” I said. “I’ll check in and we’ll head to our rooms.” The currawongs were calling, and a padymelon, a small version of a roo, hopped off a wall just at the edge of the car park as I went in. “Where’s all the snow?” I asked the woman behind the desk. “It snowed this morning,” she said. “Well, good,” I said. “There’s hope.” Then she passed me a note. She said, “Frank called from the zoo.” “I’m not surprised,” I said. “I haven’t called the zoo all day, and Frank is always trying to track me down.” “Why don’t you come take the call in the office?” she said. I thought that was a little odd, since when I had been there before I’d always used the pay phone near the pub at the resort. But I entered the office and sat down in a big, comfortable chair. I could see the car park out the window. Emma and Kate were still out at the car. Robert had fallen asleep, and Kate sat inside with him. Bindi smiled and laughed with Emma. “How you going, Frank?” I said into the phone. He said, “Hi, Terri. I’ve been trying to get hold of you for a while.” His voice had a heavy, serious tone. “Well, I’ve just got here,” I said. “Sorry about that, but I’m here now. What’s up?” “I’m sorry to say that Steve had a bit of an accident while he was diving,” Frank said. “I’m afraid he got hit in the chest by a stingray’s barb.” I’m sure there wasn’t much of a pause, but I felt time stop. I knew what Frank was going to say next. I just kept repeating the same thing over and over in my head. Don’t say it, don’t say it, don’t say it. Then Frank said the three words I did not want him to say, “And he died.” I took a deep breath and looked out the window. There was Bindi, so happy to have finally arrived at one of her favorite places. We were going to have fun. She had brought her teacher and Kate. She was so excited. And the world stopped. I took another breath. “Thank you very much for calling, Frank,” I said. I didn’t know what I was saying. I was overwhelmed, already on autopilot. “You need to cancel the rest of our trip, you need to contact my family in Oregon, and you need to get us home.” So it began.
Terri Irwin (Steve & Me)
Kitty, I hope... I do hope you feel that you can trust me, like you would your father.” He circled his thumb along the top of her hand, undoing the stone wall she’d so carefully constructed to guard her heart. “We are true friends, are we not?” Friends. “Aye.” “Friends confide in one another, do they not?” A frown pulled down at her mouth, for surely he had a motive in asking such questions. But what?  The gentleness in his eyes, though still present, moved aside to allow for deep earnest as the muscles in his jaw flexed. He asked again. “Do they not?” Kitty nodded, pretending she didn’t notice every nuance of his expression. “Aye.” He leaned forward, urgency coating his timbre. Gently holding tighter to her hand, he almost whispered. “I need to know what happened the night you were attacked.” “What?” she breathed. He could not be serious. “Kitty, I am done pretending I don’t know something is wrong. Who is doing this to you?” Squirming, Kitty fought to keep her breath relaxed. “Who is... who is doing what?” “Kitty.” He moved to the edge of the bed. “I only wish to help you, you must know that. I will protect you, I vow it—only you must trust me.” Tears welled, blurring the wound along his eye. She had been the cause of that and despite her desires to trust, his safety trumped all. “I cannot tell you.” Her voice was flat as the words hopped from her mouth before she could stop them. He stilled, his posture pulling back. “And why not?” She tugged her hand free from his, instantly aching from the vacancy that replaced the warmth of his touch. “Do not ask me.” “Why, Kitty?” His brow pinched and his mouth stayed open as if more protests prepared to be spoken. Her throat swelled until it nearly clogged off the air that reached down for her lungs. She swallowed a groan and turned away. “It is not for you to know.” “It is for me to know.”  The compulsion to open her mouth and expel the awful truth she kept hidden was enough to make acid once again inch upward. She clenched her eyes shut, fear and hurt raging in her spirit like a tempest. “Please leave me.” “As you wish.” She shot her head in his direction. No, Nathaniel! I didn’t mean it!  He strode toward the door, and stopped, his mouth hard but hazel eyes soft as leather. “If you cannot place your trust in me, Kitty, I pray you will find strength to place it in someone.” With
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
It's barely 8:00 a.m., but my train mates waste little time in breaking out the picnic material. But this isn't standard Japanese picnic fare: not a grain of rice or a pickled plum in sight. Instead, they fill the varnished wooden tables with thick slices of crusty bread, wedges of weeping cheese, batons of hard salamis, and slices of cured ham. To drink, bottles of local white wine, covered in condensation, and high-alcohol microbews rich in hops and local iconography. From the coastline we begin our slow, dramatic ascent into the mountains of Hokkaido. The colors bleed from broccoli to banana to butternut to beet as we climb, inching ever closer to the heart of autumn. My neighbors, an increasingly jovial group of thirtysomethings with a few words of English to spare, pass me a glass of wine and a plate of cheese, and I begin to feel the fog dissipate. We stop at a small train station in the foothills outside of Ginzan, and my entire car suddenly empties. A husband-and-wife team has set up a small stand on the train platform, selling warm apple hand pies made with layers of flaky pastry and apples from their orchard just outside of town. I buy one, take a bite, then immediately buy three more. Back on the train, young uniformed women flood the cars with samples of Hokkaido ice cream. The group behind me breaks out in song, a ballad, I'm later told, dedicated to the beauty of the season. Everywhere we go, from the golden fields of empty cornstalks to the dense forest thickets to the rushing rivers that carve up this land like the fat of a Wagyu steak, groups of camouflaged photographers lie in wait, tripods and shutter releases ready, hoping to capture the perfect photo of the SL Niseko steaming its way through the hills of Hokkaido.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
I’m all in, every fucking time. You don’t get to hop off this ride at the first sign of tough times, Natia.
Adaline Winters (Surviving Hope (The Hope Legacy #3))
(Amavia's suicide) But if that carelesse heauens (quoth she) despise The doome of iust reuenge, and take delight To see sad PAGEANTS OF MEN'S MISERIES, As bound by them to liue in liues despight, Yet can they not warne death from wretched wight. Come then, come soone, come sweetest death to mee, And take away this LONG LENT LOATHED LIGHT: Sharpe be thy wounds, but sweet the medicines bee, That long captiued soules from wearie thraldome free. But thou, sweet Babe, whom frowning froward fate Hath made sad witnesse of thy fathers fall, Sith heauen thee deignes to hold in liuing state, Long maist thou liue, and better thriue withall, Then to thy lucklesse parents did befall: Liue thou, and to thy mother dead attest, That cleare she dide from blemish criminall; Thy litle hands embrewd in bleeding brest Loe I for pledges leaue. So giue me leaue to rest. With that a deadly shrieke she forth did throw, That through the wood reecchoed againe, And after gaue a grone so deepe and low, That seemd her tender heart was rent in twaine, Or thrild with point of thorough piercing paine; As gentle Hynd, whose sides with cruell steele Through launched, forth her bleeding life does raine, Whiles the sad pang approching she does feele, Brayes out her latest breach, and vp her eyes doth seele. Which when that warriour heard, dismounting straict From his tall steed, he rusht into the thicke, And soone arriued, where that sad pourtraict Of death and dolour lay, halfe dead, halfe quicke, In whose white alabaster brest did sticke A cruell knife, that made a griesly wound, From which forth gusht a streme of gorebloud thick, That all her goodly garments staind around, And into a deepe sanguine dide the grassie ground. Pittifull spectacle of deadly smart, Beside a bubbling fountaine low she lay, Which she increased with her bleeding hart, And the cleane waues widi purple gore did ray; Als in her lap a louely babe did play His cruell sport, in stead of sorrow dew; For in her streaming blood he did embay His litle hands, and tender ioynts embrew; Pitifull spectacle, as euer eye did view. Out of her gored wound the cruell steele He lighdy snatcht, and did the floudgate stop With his faire garment: then gan softly feele Her feeble pulse, to proue if any drop Of liuing bloud yet in her veynes did hop; Which when he felt to moue, he hoped faire To call backe life to her forsaken shop. ... Not one word more she sayd But breaking off, the end for want of breath, And slyding soft, as downe to sleepe her layd, And ended all her woe in quiet death. That seeing good Sir Guyon, could vneath From tears abstaine, for griefe his hart did grate, And from so heauie sight his head did wreath, Accusing fortune, and too cruell fate, Which plunged had faire Ladie in so wretched state. Then turning to his Palmer said, Old syre Behold the image of mortalitie, And feeble nature cloth’d with fleshly tyre, When raging passion with fierce tyrannie Robs reason of her due regalitie, And makes it seruant to her basest part: The strong it weakens with infirmitie, And with bold furie armes the weakest hart; The strong through pleasure soonest falles, the weake through smart.
Edmund Spenser (The Faerie Queene)
And their voices had a keenly musical quality. It wasn't that the animal people barked out literal instrumental notes or sand when they spoke. Rather, their words ignited emotional responses Nina had previously only experienced through music. When they were worried, she experienced the squeals of violins, the quick-heartbeat thrum of a thriller soundtrack. Risk and Reign's bickering had the impact of a rattling gourd and snare drum. Oli's hopeful questions were reminiscent of the lo-fi hip-hop Nina played when she studied.
Darcie Little Badger (A Snake Falls to Earth)
There was something insistently unexpected in hip-hop, and it entitled Malaya to become unexpected, too. It meant she could be angry and tender, sad and hopeful, a black girl besotted, full of feeling, wearing lipstick and big men’s clothes.
Mecca Jamilah Sullivan (Big Girl)
When i look to my past i'm not believe in god but for future god is hope.
Kjiva
She sat on the wall, opened her book, and paid him no mind. After a few minutes the sounds of clipping stopped, and she felt his gaze on her. She turned a page. “Jane,” he said with a touch of exasperation. “Shh, I’m reading,” she said. “Jane, listen, someone warned me that another fellow heard my telly playing and told Mrs. Wattlesbrook, and I had to toss it out this morning. If they spot me hanging around you..” “You’re not hanging around me, I’m reading.” “Bugger, Jane…” “Martin, please, I’m sorry about your TV but you can’t cast me away now. I’ll go raving mad if I have to sit in that house again all afternoon. I haven’t sewn a thing since junior high Home Ec when I made a pair of gray shorts that ripped at the butt seam the first time I sat down, and I haven’t played pianoforte since I quit from boredom at age twelve, and I haven’t read a book in the middle of the day since college, so you see what a mess I’m in.” “So,” Martin said, digging in his spade. “You’ve come to find me again when there is no one else to flirt with.” Huh! thought Jane. He snapped a dead branch off the trunk. Huh! she thought again. She stood and started to walk away. “Wait.” Martin hopped after her, grabbing her elbow. “I saw you with those actors, parading around the grounds this morning. I hadn’t seen you with them before. In the context. And it bothered me. I mean, you don’t really go in for this stuff, do you?” Jane shrugged. “You do?” “More than I want to, though you’ve been making it seem unnecessary lately.” Martin squinted up at a cloud. “I’ve never understood the women who come here, and you’re one of them. I can’t make sense of it.” “I don’t think I could explain it to a man. If you were a woman, all I’d have to say is ‘Colin Firth in a wet shirt’ and you’d say, ‘Ah.’” “Ah. I mean, aha! is what I mean.” Crap. She’d hoped he would laugh at the Colin Firth thing. And he didn’t. And now the silence made her feel as though she were standing on a seesaw, waiting for the weight to drop on the other side. Then she smelled it. The musty, acrid, sour, curdled, metallic, decaying odor of ending. This wasn’t just a first fight. She’d been in this position too many times not to recognize the signs. “Are you breaking up with me?” she asked. “Were we ever together enough to require breaking up?” Oh. Ouch. She took a step back on that one. Perhaps it was her dress that allowed her to compose herself more quickly than normal. She curtsied. “Pardon the interruption, I mistook you for someone I knew.” She turned and left, wishing for a Victorian-type gown so she could have whipped the full skirts for a satisfying little cracking sound. She had to satisfy herself with emphatically tightening her bonnet ribbon as she marched. You stupid, stupid girl, she thought. You were fantasizing again. Stop it! It had all been going so well. She’d let herself have fun, unwind, not plague a new romance with constant questions such as, What if? And after? And will he love me forever? “Are you breaking up with me…?” she muttered to herself. He must think she was a lunatic. And really, he’d be right. Here she was in Pembrook Park, a place where women hand over scads of dough to hook up with men paid to adore them, but she finds the one man on campus who’s in a position to reject her and then leads him into it. Typical Jane.
Shannon Hale (Austenland (Austenland, #1))
What was I saying? I was waxing poetic and working toward pretentious, if I recall. Oh, yes, the smell of a fine, fall football Saturday. Spring is such a girl. She gets credit for love, hope, renewal, and the dream of what might be. Summer is all, ‘Hey dude, it’s warm; let’s party.’ It’s truly the fraternity brother of the four seasons. Fall, to me, seems like the bad-ass who is about to hop on his Harley and drive off into the sunset because he’s not going to listen to that bitch winter go on and on about how nobody likes her and the snow drifts make her look fat.
Brian D. Meeks (Underwood, Scotch, and Wry)
Make Your Way" pain, make your way to me, to me pain, make your way to me, to me pain, make your way to me, to me pain, make your way to me, to me back in the day, they hated me bad but i kept saying that i never wanna fall back so i kept doing me and never gave up i took it on me, girl i made my way up hope is the way to make you so strong live it through your way, tryna make a love bond forget about the haters man they acting so wrong this is your life gotta last so long jump into steps, let it on deck moving so fast girl my mind is on sex hop on my swag yeah we making off that chillin every night cuz i really want that spinning on girls, cameras flash everybody knows that im earning the cash matter of fact yeah they wanna be me life to the fullest living off in a spree pain, make your way to me, to me (life aint a joke, you wanna be me? i really dont care but you gotta leave me) pain, make your way to me, to me (life aint a joke, you wanna be me? i really dont care but you gotta leave me) pain, make your way to me, to me (life aint a joke, you wanna be me? i really dont care but you gotta leave me) pain, make your way to me, to me (life aint a joke, you wanna be me? i really dont care but you gotta leave me)
Paramore
Hi, there.  Need a hand?” the man said. I stopped near the trunk. “No, thanks.  I got it.” He didn’t leave. “My name’s Dale.  I own Dale’s Auto Body on South Mitchell.  You should bring your car by.  It looks like it might be due for an oil change.” Did I really look dumb enough to believe he could determine the car needed an oil change just by looking at the exterior?  It certainly wasn’t leaking oil as a giveaway. “That’s a nice offer, but my boyfriend does the oil changes.”  I unlocked the trunk and started to load groceries. Dale didn’t take the hint and go away. “He’s a handy guy, then?”  He grabbed the potatoes and set them in the trunk for me.  Unfortunately, it brought him closer. “Yes, very.”  A brief conversation sometimes worked to get rid of a pest. “I’m sorry, I didn’t catch your name,” he said. I could see Clay through the back window.  Crouched down, he watched the man though the small gap between the trunk lid and the trunk.  I bent forward and set a bag in the trunk so Dale wouldn’t see me as I rolled my eyes at Clay.  Clay’s gaze briefly flicked to me before returning to Dale with serious intent. “Gabby,” I said as I closed the trunk.  “Thanks for helping me with the groceries, but I need to get going.  My dog’s been in the car for a while already.” Not waiting for his reply, I moved the cart to the empty spot next to my car. “We have an opening at the shop.  If your boyfriend’s looking for work, send him by.  We’ll see how good he is,” Dale said, opening the driver-side door for me. Clay hopped from the back seat to the driver’s seat.  With bristling fur, he growled at Dale, who backed away a step. I nodded to Dale and nudged Clay over so I could slide in behind the wheel.  Braving Clay’s wrath, Dale closed the door for me.  I started the car and pulled through the empty spot in front of me. “Well, that was a challenge if I ever heard one.”  I reached over to pet Clay’s head.  “But no challenges until you fix the sink.”  He looked up at me, and I smiled. When
Melissa Haag (Hope(less) (Judgement of the Six #1))
How’d it go?” I said, trying to sound indifferent. “He took it like a champ.”  She opened the back car door for Clay.  He lifted his head and stood with obvious effort.  Then he hopped down with care and pathetically climbed the deck steps to my side.  I stared at him for a moment. “What’d they do to him?” Rachel shook her head and closed the door. “He wasn’t acting like this when we left.  I swear.  I think he’s hamming it up for you.”  She patted Clay’s head with a laugh. He accepted the pat with a defeated grunt, stopped hobbling, and started to walk with his usual gait.  I heaved a relieved sigh.  He looked up at me and winked.  I quickly checked to see if Rachel had noticed, but she had already walked away from us and into the house.  I shook my head at him before we followed Rachel in. “So
Melissa Haag (Hope(less) (Judgement of the Six #1))
I appreciate that you’re all entertained by this…little surprise.” She swallowed hard and looked at Cooper as she added, “But there’s not going to be another McCrae wedding.” There was a collective groan from the audience, and someone shouted, “Come on, don’t break the guy’s heart.” Someone else added, “That’s cold, Kerry. Even for you.” She might have blanched a little at that. Cold. She wasn’t cold. She just wasn’t…overly friendly. At least not in the way some of the men in the place--and not only the single ones--hoped she’d be. “Come on now,” she said. “I’m not breaking anything here. You get what you see with me. No subterfuge, no leading anyone to believe anything that isn’t true. You all know that.” She didn’t bother looking at Hardy, though it couldn’t hurt to get him the message again, too. She did look at Cooper again, though, as she added, “Anyone who knows me, knows that.” His laser-beam gaze didn’t falter for even a blink. She drew in a steadying breath and pasted a big smile on her face. “So then,” she said, clapping her hands together and keeping her fingers woven tightly in front of her, her damp palms belying her I’m-so-in-control-here attitude. “The entertainment portion of the evening is over. Nothing to see here. Let’s shoot some pool, throw some darts, and a round for everyone, on the house.” That got the rousing cheer she knew it would and she quickly hopped down behind the bar and immediately began setting up glasses. She knew her grand--and not inexpensive--gesture would quiet them for a bit, but she also knew life in the Cove was going to be rife with all sorts of gossip for the next day or two, until something else came along to replace it on their juicy little grapevine. She had no idea where Fergus had suddenly gotten to and was surprised he hadn’t tried to orchestrate something, anything, between Kerry and Cooper. Hopefully with her little demonstration just now, he’d never have the chance.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
I stood in the doorway and studied him while he, in turn, watched me.  We were finally alone, and I was determined to set some rules. “First, I’d like to clarify that this does not qualify as getting to know each other.  Second, you smell like wet dog.  If you want to continue to sleep in my room, on my bed, you’ll let Rachel give you a bath when she gets home.”  He snorted at that but didn’t get off the bed.  “Third, once I’m awake, you get out.  I know what you are, and I am not changing in front of you.” He outright harrumphed at that one, and I swore I saw a canine smile.  But, he did hop down from the bed.  He left the room with quiet dignity. I closed the door behind him, remade the bed—thankfully, he didn’t appear to shed—and grabbed some clothes.  I had two goals for the day.  First, I needed to figure out how long it would take me to walk to the campus from here.  Then, I needed to learn the bus schedule for the days I ran late or the weather prevented walking.  If worst came to worst, I’d buy a beater car to drive. Opening the door, I was startled to see Clay sitting there patiently waiting for me. “What are you doing?” I asked when he didn’t move.  Of course, he didn’t answer. I eyed him warily and walked past him.  In the kitchen, I grabbed the house key from the counter then moved to the back door.  Clay’s nails clicked on the floor as he followed me. “I’m going for a walk, and you’re staying here,” I said when he made to follow me outside. Clay growled slightly in response. His deep growl gave me pause.  He sounded scary. “Please don’t do that.  Unless you really are trying to scare me.”  His fur continued to bristle, but his growl stopped.  Our relationship wouldn’t go anywhere if he thought he could bully and maneuver me to his way of thinking. “And don’t crab at me.  I’m not the unlicensed dog without a leash.  Do you want me to talk Rachel into buying a pink collar for you?” He coughed out a strangled bark then turned and walked back to the living room. “See you later,” I said, feeling a little smug. The
Melissa Haag (Hope(less) (Judgement of the Six #1))
That girl could make friends with the meanest croc alive with little more than a smile and a laugh. You, on the other hand, made her work for it.” “Did you just compare me to a mean old croc?” Kerry asked, the thread of amusement back in her tone. “If the tough hide fits,” he said, but not unkindly. Kerry nodded, gave him a considering look. “True that,” she said. She picked her way over a tricky stretch of kelp-covered rock, then added, “Maybe I was trying to save her from her own friendly nature.” She looked back as Cooper hopped his way over the last pile, his heavy-booted feet sinking into a narrow stretch of sand before starting over the next rock bed. “I knew I was going to leave. You all did. No point in breaking hearts.” She held his gaze more directly now, turning back slightly to look at him full on. “I might be a tough old croc, but I’m not heartless.” “I didn’t say--” “You didn’t have to.” She opened her mouth, closed it again, then took in a slow, steadying breath, letting the deep salt tang tickle the back of her throat and the tart brine of the sea fill her senses. Anything to keep his scent from doing that instead. “As a rule, I don’t do good-byes well. I know that about myself. I also know that I have the attention span of a sand fly. A well-intentioned sand fly,” she added, trying to inject a bit of humor, mostly failing judging by the unwavering look in his eyes. “So, given my wanderlusting, gypsy life, I learned early on to keep things friendly and light. Easy, breezy. I’ve made friends all over the world, but none so close that--” “That missing them causes a pang,” he added, “Here maybe,” he said, pointing at his own head. “But not here.” He pointed at her chest, more specifically at her heart. This was how they were, how they’d been from the start. Finishing each other’s sentences, following each other’s train of thought, even when the exchange of words was a bare minimum. She glanced up into his steady gaze and thought, or when there’d been no words at all. That was why they’d worked so well together. And also why she’d had a tough time keeping her feelings for him strictly professional…She’d forgotten how threatening it felt, to have someone read her so easily. Most folks never look past the surface. Cooper--hell, the entire Jax family--hadn’t even blinked at surface Kerry before barreling right on past all of her well-honed, automatically erected barriers. “Like I said,” she went on, “I don’t do good-byes well.” She continued walking down the beach then, knowing she was avoiding continued eye contact, but it was unnerving enough that he was here, in her personal orbit, in her world. Her home world. Wasn’t that invasive enough? “Would a postcard or two have killed you?” he finally asked her retreating back. “Not for me; I never expected one.” She didn’t glance back at that, but just as he knew her too well, she knew him the same way. She’d heard that little hint of disappointment, of long-held hope. Of course the very fact that he was there, on her beach, was proof enough that he’d had hopes where she was concerned. And in that moment, she thought, the hell with this, and stopped. Running halfway around the world apparently hadn’t been far enough to leave him and all of what had transpired between her and the entire Jax family behind. So why did she think she could escape it along the span of one low-tide beach?
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
It was enormous and grey black. It tilted its head and looked at her with one bright eye, fluffing out a beard of narrow grey feathers. “Are you hoping to share my dinner?” she asked. “Or pluck out my eyes?” The raven hopped backward. “Auurk,” it said. It
T. Kingfisher (The Raven and the Reindeer)
Think, my love. Visualize what I put in your head. Trust me as you have never trusted me before. Allow me to give you this gift. There was no hesitation on her part. With complete faith in him, Raven gave herself into his keeping, reaching eagerly for the vision. The slight discomfort, the strange disorientation as her physical body dissolved, did not faze her. Feathers shimmered, sprouted. Beside her, Jacques stepped back, allowing the smaller female owl to hop onto a tall stone angel before his own large frame compressed, reshaped. Together they launched themselves into the night and soared high to join the other four powerful birds circling above them. One of the males broke formation, circled the female, and dipped close to cover her body with one wide wingspan. Playfully she dropped low to slide away. The other males walled her in, curbing her antics as she learned the joys of free flying. The male owls stayed in close formation, the female in the center, circling above the forest, climbing high into the mist. For a space of time they dipped and swirled, clearly playing, soaring high, plunging toward earth, pulling up to fly through trees and over the heavy blanket of fog. After some time they settled into a leisurely flight, once more with the males protectively surrounding the female. Mikhail felt the night remove every vestige of tension and dissipate it to the four corners of the earth. He would take Raven far away from the village, give her plenty of time to learn Carpathian ways. She represented the future of their race, his future. She was his life, his joy, his reason for existing. She was his hold on all that was good in the world. He intended to see that her life was filled with nothing but happiness. Mikhail dropped lower to cover her feathered body with his, touching her mind, feeling her joy. Raven responded by filling his mind with love and warmth and a child’s wondrous laughter at the new sights and sounds and smells she was experiencing. She raced him across the sky, her laughter echoing in all their minds. She was their hope for the future.
Christine Feehan (Dark Prince (Carpathians, #1))
I love you.”  My admission took me by surprise. I didn’t see him move.  He embraced me again, crushing me in a spinning hug.  The room twirled around us at a dizzying speed, and I didn’t attempt to focus on it.  Instead, I looked down at Clay’s face.  He wore a huge smile.  I grinned back and noted his canines were normal for the first time ever. “Oh!”  I squirmed to get down, excited at the size of his teeth.  He grudgingly released me.  “Please can we get rid of the beard?”  Yes, I hopped from foot to foot like a kid begging for cotton candy.  I wanted to see him just once without facial hair.  If he wanted to grow it back, I wouldn’t mind.  I’d fallen in love with him as he was, after all. He nodded, laughing at me. “And
Melissa Haag (Hope(less) (Judgement of the Six #1))
Good evening.” He gazed down at her lying in her hammock and realized she had already changed into her bedclothes. Well, well, well… “Is there room for two in that hammock?” he asked, still not quite sure of his welcome. “I don’t know, but let’s try it, and if we end up on the ground, we’ll know there isn’t.” Not exactly a rousing cheer, but the boys had said she was in a mood today. Val hopped around, pulling off his boots and stockings, and surveyed the challenge before him. “You roll up that way and hold to the edge, and I’ll climb aboard.” The hammock dipped significantly, and it took some nimbleness on Val’s part, but he was soon ensconced wonderfully close to Ellen, the hammock pitching them together by design. “We need a rope,” Val murmured into Ellen’s ear, “attached to one of the trees, so I can set this thing to swinging for you.” “There’s a breeze tonight.” She turned so her cheek rested on Val’s arm. “I wasn’t sure you were coming.” “Why wouldn’t I?” Val nuzzled her hair, loving the scent and softness of it. “Because the boys are still making a racket at the pond?” “I hoped it was our boys and not those other rotten little brats. You shoo them away, and they’re like flies. They just come buzzing back.” “Are they truly rotten?” He worked an arm under her neck, drawing her closer. “I was a boy once. I hesitate to think all regarded me as an insect merely on the strength of my puerile status.” “You were a good boy.” Ellen’s voice held the first hint of a smile.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Sini gw bisikin, lo itu persis kaya ayam petelur yang diternak dan dibudidaya non alamiah. Disuntik protein dikasih suplemen supaya bisa ‘meet up’ timeline produksi. Okelah, dia endup kaya protein, penuh suplemen, tapi buat apa? buat bertelur sampe mampus, dan ngga bisa lihat satupun anaknya lahir. Nah itu ayam, trus kalo lo, disuntiknya pake apa? Pake ‘HOPE’ man.. H.O.P fuckin E.. Hope itu komoditas. Bahan bakar, sama seperti ‘FEAR’ yang running insurance business. This elusive thing called hope, this desperation fuels engine yang bikin kita semua saling tindih seperti hamster di roda putar. We are all part of the same compost heap. Cheer up dikit lah. Its Capitalism, baby!
Ayudhia Virga
Hope is the supernatural grace of God for survival of hard times.
Lailah Gifty Akita
Darcy picked her up again, this time not as gently as he had when she’d tripped on the root. He carried her under one arm like a sack of grain, though to his credit, he avoided putting pressure on her lower abdomen. “I said no, ye contrary thing, and I’m big enough to make you obey whether ye want to or no’.” He crashed through the line of trees, stomped past the wounded men, and set her firmly in the wagon. “A skirmish is no place for a woman. I willna be responsible for you getting raped or killed.” That vulnerable look softened his hard features for a second. “I could tie you down, but then ye’d be no help to Archie. So what’ll it be, lass? Will you obey me or no?” He tried to intimidate her with his posture and size, bracketing her with his bare arms. It didn’t work. Rather, the sight of the succulent, hard mound of his exposed shoulder so close to her face made her wet her lips. His strong collarbones and sinewy neck glistened with sweat, and he smelled of pine and male exertion. Her libido jumped like a feisty poodle. Jeez Louise, Mel, get a grip. This is not a romance novel. He’s not your hero. The box got it wrong. The box was way out of line. “I need it,” she said, pleased her steady voice didn’t betray her attraction. “I have to go with you.” “I told you I’d look for whatever ye lust.” Lust. The antiquated word spoken in his deep voice did strange things to her tummy. It took a solid effort not to lick her lips in invitation as the word called to mind activities that most definitely related to wanting. Home, she reminded herself. She had to get home. “I don’t trust you to look as hard as I would. I’m coming with you.” “Where are your ropes, Archie?” he asked. “The woman refuses to stay put. I have no choice but to tie her to the wagon.” Several of the wounded men snickered. Archie said, “In the foot case there. And bring me some of yon dried moss before ye tie down your woman.” Your woman. The casual declaration made her stomach leap, and the sensation wasn’t entirely unpleasant. “She’s not mine,” Darcy growled as he opened the lid of a wooden chest in the wagon. To her horror, he removed a coil of rope. After tossing a yellowish clump in Archie’s direction, he came at her. Her libido disappeared with a poof. She hopped off the wagon, dodging hands that had no business being so quick, considering how large they were. “Don’t you dare tie me down! I’ve got to get that box. It’s my only hope to return home.” He lunged for her, catching her easily around the waist with his long arm, and plunking her back in the wagon. Libido was back. Her body thrilled at Darcy’s manhandling, though her muscles struggled against it. The thought of him tying her up in private might have some merit, but not in the middle of the forest with several strange men as witnesses. “Okay, okay,” she blurted as he looped the rope around one wrist. “I won’t follow you. Please don’t tie me. I’ll stay. I’ll help.” He paused to eye her suspiciously. “I promise,” she said. “I’ll stay here and make myself useful. As long as you promise to look for a rosewood box inlaid with white gold and about yea big.” She gestured with her hands, rope trailing from one wrist. “As long as you swear to look as though your life depends on it.” She held his gaze, hoping he was getting how important this was to her, hoping she could trust him. The circle of wounded men went quiet, waiting for his answer. He bounced on the balls of his feet, clearly impatient to return to the skirmish, but he gave her his full attention and said, “I vow that if your cherished box is on that field, I will find it.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
The mind was a curse: its ability to go back in time to regret and to hop into the future to hope and worry was not a blessing.
Jennifer Nansubuga Makumbi (Kintu: From the winner of the Jhalak Prize, 2021)
I’ve always preferred the silence of winter to the cacophony of summer—not because it’s a perfect silence, but because it makes you that much more aware of whatever sounds intrude upon it: the delicate crunch of footsteps, the odd chirp from small birds hopping along the naked branches above, the scamper of what I hoped were just squirrels and chipmunks on the forest floor.
Kemper Donovan (The Busy Body (Ghostwriter Mystery, #1))
Beakwing turned to him. “Greetings, Master’s Buddy, Wolverine, Mistress’s Lovey Cuddle Muffin, Woofy.” The griffin bowed. “And worthy foe. My duties are to Master Nate, Mistress Milia, and to the strengthening of this land. When the master needs me, I will be ready. I will be ready before he even steps out here and looks at me. My protection extends to his newest human disciple, Harmony, and to anyone he takes in.” Wolverine howled in approval. “Good. I hope the next disciple our master takes will be as capable as you.” Beakwing laughed. “I don’t deserve such kind words. I must prove myself when the time comes, even for the smallest things Master or Mistress asks of me.” Wolverine nodded. “Naturally, I agree with you. We’ll make them so proud, they’ll shower us with treats and belly rubs.” Beakwing hopped up in excitement, tail wagging. “Belly rubs! I love belly rubs! I love pats too.” “They are the way of life, my friend,” Wolverine said. “But like many golden rewards, they must be earned.” Beakwing bowed. “Thank you for your wisdom, Master’s Buddy, Wolverine, Mistress’s Lovey Cuddle Muffin, Woofy.” Wolverine barked once in approval. “You’re always welcome, new friend. We will defy the heavens in the master and mistress’s names! It is always a pleasure to hear common goals, Disciple Beakwing Wingy. May you earn your title through honor and perseverance!
Alvin Atwater (Rise of the Cheat Potion Maker #1 (Rise of the Cheat Potion Maker #1))
Years from now, when we tell our story, I know my version. It will be about a young girl who went from hopeful to a hopeless romantic in a few notes that only her Prince Charming could play. He didn’t show up on a white horse declaring that she hops on before he gallops away. No, this prince got off his horse, fell on his ass, and stumbled in the mud with her until she could mount her own stallion. And then, in one last act of bravery, he gently trotted beside her into the unknown.
Kate Stewart (The Guy on the Right (The Underdogs, #1))
I had an Irish nanny who told me that ravens attract energies, all different types. That’s all magic is. The focus of will and intention applied to possibilities.” She took a deep breath. “So let it fly.” We were silent for a moment, each of us conjuring an unspoken invocation in our heads, tying all the things we wanted to release to those lustrous black feathers. Then I opened the door of the cage. The raven remained frozen, as if it had been in captivity for so long it had forgotten it was wild. Or maybe it felt the weight of being tied with all the hopes and fears of two refugees trying to find their way. I thought for a moment about shaking it out. Instead, in two brave hops it was at the door, a tight fit that left one oily feather trailing behind. Then with only a few large flaps, the bird lifted, spreading its wings, feathers edged like fingers. Its friend joined it almost immediately, and the pair soared in a wide looping circle above the market, and then they were away, out of sight, returned to their natural state.
Claire McMillan (Alchemy of a Blackbird)
I hiked on until I startled a wolf standing at the edge of a willow thicket. It leapt away, then froze and glanced back. One of its paws was mangled. Its head looked huge in comparison to its emaciated body. Slowly, on three legs, its ribs jutting out of its mangy gray coat, the wolf approached. I yelled, and it hopped back into the brush. The wolf followed me, whining, barking, and letting out ominous howls. A few minutes passed before it emerged from the brush and cut me off. It glanced around nervously then walked toward me. I yelled and waved my arms over my head. It stopped for a moment and then came closer. I had brought my brother Luke's .357 pistol - it was light for bears but, at the time, was the only handgun I had access to. I pulled the pistol from the holster and yelled as angrily as I could. The wolf froze, glancing skittishly back and forth, before hopping into the willows. I continued hiking, and the wolf paralleled me. Twenty minutes later, it cut me off and approached again. At thirty feet, I leveled the pistol and yelled. It glanced back and forth, looking both desperate and terrified, then hobbled closer. At twenty feet, I aimed the pistol. "Leave me alone!" I yelled as loud as I could. I'm not sure why I didn't pull the trigger. Maybe it was because I was confident it could not hurt me, armed as I was. Maybe it was because I don't like killing animals I don't eat. Maybe it was because I tricked myself into thinking there was hope the wolf would somehow survive. Maybe it was because I lacked the compassion to help it die.
Bjorn Dihle (A Shape in the Dark: Living and Dying with Brown Bears)
Health, Happiness, Hope.
Lailah Gifty Akita
It is triste to contemplate the winding down of the Universe into a cold, dark, lonely place, but we are a young species in a young Universe, with vast reaches of time before us. It is certainly true that there are countless worlds out there that could support life as we know it, and probably countless more that could support life as we don’t know it. It may be that the Universe is teeming with life waiting to make our acquaintance. Or, we may well be the first ones in our galaxy to make the leap to sentience. The vast distance between stars poses a severe barrier to individuals or even societies making the journey. Protoplasm is just too fragile and short-lived a medium to be up to the task of such voyaging. However, at a tenth the speed of light, the whole galaxy can be traversed in a million years. That’s a long time for protoplasm, but it is not a stretch to think of the data that makes us what we are—embodied perhaps in silicon or some other sturdy information-bearing material and reconstituted at destination—spreading throughout the galaxy, hopping from planet to planet along the way like Pacific Islanders in their canoes. If life—or complex life—is rare, it may well be our destiny to seed the Universe with an expanding wave of consciousness. But it is to be hoped that we will leave abundant worlds alone to develop their own destinies. There are worlds enough, and time.
Raymond T. Pierrehumbert (Planetary Systems: A Very Short Introduction (Very Short Introductions))
Feeling anything definitive right now?” I nod. “Eager.” He steps in closer. “For what?” “For you.” “Because you’ve fallen in love in another way?” he brushes my hair back and looks at me with undeniable longing. “God, I hope you have.” “Yes.” His hands are on my hops before I can say anything else, and he pulls me in. “Good. Because I cannot take this insatiable, consuming tension for another fucking second.
Jessica Park (The Color of Us)
Do you think your dad—” “Not yet, and no. But the sheriff and some state troopers were over. I heard some stuff. They think the body’s been in there at least ten or fifteen years.” Excited as she was by all the action, it also made her sad. “Can you believe that? Not knowing where your kid has been for the last fifteen years. Not knowing if she’s still alive or dead.” When Laura Lynn and Marcus exchanged a look, she frowned. “What?” “Do you know how many kids die around here? Or go missing?” When Mandy shook her head, Marcus continued. “A lot. Like, a lot a lot.” “How?” she asked. “Why?” “Lots of reasons,” Laura Lynn said. “Cancer. Running away. Murder. There are lots of stories like that. Kids going crazy and sent to insane asylums.” Marcus sat straighter in his chair. “I don’t believe all of them. Jake used to try to freak me out by telling me if I didn’t clean my room, all the kids from the mental hospital would escape and eat me alive.” He glanced to the side and shook his head. “What an asshat.” “Who’s Jake?” Mandy asked. “My older brother. He’s in college now.” Marcus started in on his sandwich, talking through a mouthful of food. “But he said his friend’s brother died that way. Some rare disease or something. Totally incurable.” “That’s pretty weird,” Mandy said. “Maybe that’s what happened to the girl in the septic tank,” Laura Lynn offered. “Maybe she went crazy and fell in.” “And what?” Marcus asked. “Her parents just closed it up and forgot about her? I doubt it.” “Then it was probably murder,” Mandy said. Another thrill went through her, but a twinge of fear followed this one. “We should look into it. Do our own investigation.” Laura Lynn and Marcus both looked down at their plates. Marcus was the first to answer. “I don’t know about that.” “What?” Mandy felt confused. She had figured at least Marcus would be into the idea, even if Laura Lynn wasn’t. “Aren’t you a computer genius? You could help me solve the case! We’d be heroes.” “It’s not worth it.” When he looked up again, he was deadly serious. “A lot of people have gone missing over the years, Mandy. Not just kids. It’s better to just keep your head down. Don’t cause any trouble.” Mandy blanched. When she looked at Laura Lynn for support, she saw her friend nodding in agreement. Mandy sat back in her chair with a huff, the turkey and cheese sandwich untouched. So much for showing Bear she could take care of herself by solving this on her own. 9 Bear pulled his truck next to McKinnon’s cruiser and put it in park. He hopped out and met her around the side of her car. “A graveyard? This is about to get real interesting, or real weird.” “Let’s hope it gets interesting,” McKinnon said. The slam of her door echoed through the surrounding trees, and the two of them trudged their way up a set of steps to the cemetery. Bear had passed it a few times as he’d driven around town. It was the biggest within a twenty-mile radius, but it wasn’t huge. The gravestones were crammed near each other, filling the entire plot of land to the brim. There was a short wrought-iron fence around the perimeter and a plaque that read “April Meadows Cemetery” in block letters. A few trees were scattered around, along with a couple of larger headstones, but most of the markers were small and modest. The paths were skinny and winding, as though they had been an afterthought. “What’re we doing here?” Bear
L.T. Ryan (Close to Home (Bear & Mandy Logan #1))
Most people hop from person to person, hoping they’ll find what the previous was lacking in the next.
A.E. Valdez (All I've Wanted All I've Needed)
Shadow vaulted from the car, and cleared the sprawled figure with one joyous leap. He found September’s scent, and hop-scotched and bulldozed through snow so deep it scraped his belly. But the bloody paw prints left in his wake spelled a message of fear, hope, and determination that only good-dogs could read.
Amy Shojai (Lost And Found (September Day, #1))
wet suit—and revealed white tie and tails underneath. Removing a small bottle of Hennessy XO cognac from his pocket, he took a swig and sprinkled a few drops over his elegant evening clothes. Only then did he stroll nonchalantly past a luxury seaside hotel crawling with German officers and hop on a tram—just another tipsy young Dutchman on his way home from a long night of partying. (Tazelaar’s exploit inspired the opening scene in the James Bond film Goldfinger, in which Bond goes ashore wearing a tuxedo under his wet suit.)
Lynne Olson (Last Hope Island: Britain, Occupied Europe, and the Brotherhood That Helped Turn the Tide of War)
It is rather like taking pot luck with the map of the London Underground, randomly hopping off at a station, and hoping there is somebody hanging around with nothing better to do than provide useful directions.
Bruce Beckham (Murder in Adland (DI Skelgill Investigates, #1))
Every spring I listen for them, wait to hear that cuckoo, cuckoo noise they make. I just really—I just loved those little birds, y’know. I’d be haulin’ manure and they’d be there hopping up and down … Their heads would turn to follow me and I swear they’d go all the way around. … Jeez, it was sad when they didn’t show up that year. I wonder why.” He looked up at us, hoping for some kind of explanation, and we just repeated what he already knew: it was the same all over.
Trevor Herriot (Grass, Sky, Song: Promise and Peril in the World of Grassland Birds)
The ground was marked with chalk squares for the children’s hopping game Heaven and Hell. Boys and girls were playing, throwing a small stone, then hopping on the chalked squares, trying to make it from one end to the other and back again.
Susan Elia MacNeal (His Majesty's Hope (Maggie Hope, #3))