Hop Carlos Quotes

The drive was difficult, because at this point it seemed that everyone in town but the two of us had hopped onto the buzzing shadow entity train, and were loping around town as malevolent holes in our reality, emanating an energy that made the hairs on your arm stand and your bowels vibrate. Or maybe that was just the chemistry with Carlos I was feeling.

Cuz even a gangsta rapper can find redemption For the sins committed before revelation.

We listen to rap lyrics, but few study the history. One of the most significant contributions of hip hop. It offers a profound social commentary on the black experience. This is an aspect of the music that is overlooked because most people choose to pay more attention to “the hook” (the catchy repetitive phrase) than the complete body of work. In doing so, the listener misses the message: the essence of the music, the breakdown of the bars. That’s tantamount to someone who is able to quote scripture, but has never read the bible.

The ‘flyers’ are creatures from the unknown depths of the universe that live with us on earth, unseen. There are millions of them, resembling giant, primitive ‘mud shadows’ that fly and hop around us all the time. Their constant malevolent presence terrorizes us. Whenever our consciousness rises to a better level they smother us, consuming our emerging awareness, which is their food. The flyers deprive us of our human birthright of magic. They reduce us to our petty, powerless and self-absorbed state.

No one can identify the uninformed until they voice their ignorance about a topic. Silence is a fool’s best friend. Sadly, he is often too foolish to realize it.

For so-called conscious rappers, it is an opportunity to rap about ways to educate others about African American history, politics and even relationships: all of which would be missed if society merely focused on the “hook” and ignored the influence.

Some men are born to be good some born to be bad As for me I only came with just a pen ‘n’ a pad.

I know one thing for sho Heaven’s gotta have a ghetto Cuz where else in death do I get to go?

Whether or not you agreed with the group’s incendiary style, one thing most people will agree on: N.W.A had a deep, trans-formative and lasting effect on hip hop ideology.

I believe hip hop’s characteristic beliefs as a whole are misunderstood, underappreciated and highly underestimated.

The misconception is that the genre is a breeding ground for negativity; that it is the birthplace of violence and misogynistic attitudes, and the genesis of every kind of unfavorable stereotype imaginable. When, in fact, if looked at through the lens of neutrality and open-mindedness, the virtues of hip hop far outweigh the negative stigma attached to it.

Hip hop in its purest form has evolved, inspired, educated and created a lucrative independent revenue stream for what was once a poverty-stricken, hopeless class of artists.

Hip hop music (and the entire category) is one of few that unite fans of all colors, races, religions, socio-economic backgrounds, ages and genders.

According to a study conducted by the Oxford African American Studies Center, hip hop is part of and speaks to a long line of black American and African traditions. Many observers also make a connection between rap and West African griot tradition, the art of wandering storytellers known for their knowledge of local settings and their superior vocal skills.

Since hip hop emerged from the South Bronx in the 1970s, it has become an international, multi-billion-dollar phenomenon. It has grown to encompass more than just rap music. Hip hop has created a culture that incorporates ethnicity, art, politics, fashion, technology and urban life.” This debunks the widely accepted argument that the genre is inherently divisive. With so many factors converging to create such an intricate, informative and multi-faceted genre, whose history and impact have bridged barriers between artist and society, it is not too complicated an endeavor to understand that its relevance repudiates its notorious reputation.

As millions use social media as a primary source of information, the risk of falling victim to being misinformed is high. Readers who quickly scan newsfeeds tend to only read (and share information about) a headline: focusing on “the hook.” Whether due to complacency or lack of time, few explore the content. This allows bogus media outlets to descend on the unsuspecting (and unprepared) seekers of instant information, creating false stories with dazzling one-liners, secure in the knowledge that there will be little effort to pursue confirmation or research an entire story.

The business of hip hop is probably the most tangible example of the genre’s dramatic maturation.

packed in steamer trunks.” “Good. How many trunks?” She glanced at the nearby tables, which were empty. “A typical steamer trunk filled with hundred-dollar bills will hold about fifteen million dollars, and weigh about four hundred pounds.” “Okay . . . one in each hand, two people, that’s sixty million.” She ignored my math and said, “But there are also fifty-dollar bills, and twenties, so there are more than four trunks.” “How many?” “My grandfather said ten.” “Each weighing four hundred pounds?” “Yes. A twenty-dollar bill weighs the same as a hundred-dollar bill.” “Right. That’s four thousand pounds of steamer trunks.” “Give or take.” If I’d known this in Key West I would have gone to the gym. “How about the gold and jewels?” “The gold may be too heavy to take. But there are four valises of jewelry which we’ll take.” “Always room for jewelry. And how about the property deeds that you mentioned?” “That’s another steamer trunk.” I pointed out, “This could be a bit of a logistical problem. You know, getting the trunks out of the cave, onto a truck, then to the boat.” “Carlos has a plan.” “Well, thank God. Would you like another cup of coffee?” She stared at me. “We wouldn’t be doing this if we didn’t think we could do it.” “Right.” A pretty waitress cleared our plates and smiled at me. It was almost 8 A.M. and people from various tour groups were making their way toward the lobby. We stood and I left two CUCs on the table, and Sara said, “That’s three days’ pay.” “She worked hard.” “And she had a nice butt.” “Really?” The Yale group was already boarding and Sara and I got on the bus together, said good morning to José, Tad, Alison, Professor Nalebuff, and our travel mates as we made our way toward the rear and found a seat together. The efficient Tad did a head count and announced, “We’re all here.” Antonio hopped aboard and called out, “Buenos días!” Everyone returned the greeting so we could get moving. “We will have a beautiful day!” said Antonio. Sí, camarada. CHAPTER 20 The bus wound its way out of Havana and again I had the impression of a once vibrant city that was suffocating under the weight of a rotting corpse. Hemingway’s house, Finca Vigía, was a handsome Spanish Colonial located about fifteen kilometers from Havana,