“
Darling, if I’m the dark, then you’re the stars.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You want to watch the world burn?"
"Let me guess, you'll set it on fire?" I ask.
He chuckles, the sound vibrating through me settling into my bones.
"No, darling. I'll hand you the match, and stand at your back, watching you become queen of the ashes.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Just remember that whenever things feel bleak, all situations are temporary. It’s not your circumstance that determines your worth, it’s how you rise from the ashes after everything burns.
”
”
Emily McIntire (Hooked (Never After, #1))
“
The greatest thing I've ever done in my life was to love you,Wendy,darling.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Maybe people never change and it’s only our perceptions that alter the view.
”
”
Emily McIntire (Hooked (Never After, #1))
“
It was then that Hook bit him.
Not the pain of this but its unfairness was what dazed Peter. It made him quite helpless. He could only stare, horrified. Every child is affected thus the first time he is treated unfairly. All he thinks he has a right to when he comes to you to be yours is fairness. After you have been unfair to him he will love you again, but he will never afterwards be quite the same boy. No one ever gets over the first unfairness; no one except Peter.
”
”
J.M. Barrie (Peter Pan (Peter Pan, #2))
“
Only yours, James Barrie.” “And always yours, Wendy, darling.” He kisses my jaw. “Every night.” “And straight on ‘til morning.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Give it to me," she whispers.
I shake my head, my body trembling. "I don't have anything to give."
Her mouth grazes along my jaw, pressing soft kisses to my skin. "So give me all your nothing," she replies.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Anything happens to her and there will be no corner of the earth that can hide you from me. Understand?
”
”
Emily McIntire (Hooked (Never After, #1))
“
And to think, it all started with a little bit of faith. Misplaced trust. Missing pixie dust. And a villain who just needed to steal a little love.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Wanting to Die
Since you ask, most days I cannot remember.
I walk in my clothing, unmarked by that voyage.
Then the almost unnameable lust returns.
Even then I have nothing against life.
I know well the grass blades you mention,
the furniture you have placed under the sun.
But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.
Twice I have so simply declared myself,
have possessed the enemy, eaten the enemy,
have taken on his craft, his magic.
In this way, heavy and thoughtful,
warmer than oil or water,
I have rested, drooling at the mouth-hole.
I did not think of my body at needle point.
Even the cornea and the leftover urine were gone.
Suicides have already betrayed the body.
Still-born, they don't always die,
but dazzled, they can't forget a drug so sweet
that even children would look on and smile.
To thrust all that life under your tongue!—
that, all by itself, becomes a passion.
Death's a sad Bone; bruised, you'd say,
and yet she waits for me, year after year,
to so delicately undo an old wound,
to empty my breath from its bad prison.
Balanced there, suicides sometimes meet,
raging at the fruit, a pumped-up moon,
leaving the bread they mistook for a kiss,
leaving the page of the book carelessly open,
something unsaid, the phone off the hook
and the love, whatever it was, an infection.
”
”
Anne Sexton
“
But we’re all a little twisted, and there’s no such thing as good and evil. There are only perspectives, and perceptions change depending on the angle.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You can have anything in life if you will sacrifice everything else for it. — J.M Barrie, Peter Pan
”
”
Emily McIntire (Hooked (Never After, #1))
“
I'm done fighting it.
James may not be a hero, but even villains can feel. And you can't help who you love.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I'll sacrifice my soul a thousand times over in order to stay with his.
”
”
Emily McIntire (Hooked (Never After, #1))
“
People aren't static. Our morals aren't constant. They're variables, ever changing and molding into different versions of themselves; energy that can be re-shifted and realigned.
”
”
Emily McIntire (Hooked (Never After, #1))
“
But I regret, with every fiber of my being, that for even one moment you suffered under my hands.” Her eyes widen, the beautiful shades of brown glossing over. “You are, without a doubt, the only good I’ve ever known.” I rest my forehead on hers, my shaky breaths ghosting across her lips, my thumb rubbing against her cheek. “So… don’t lie to me, Wendy, darling. Because my heart won’t survive it if you do.
”
”
Emily McIntire (Hooked (Never After, #1))
“
When do you want it?” “Yesterday.” I press into her. “Now.” She stumbles into the cab’s door. “Tomorrow.
”
”
Emily McIntire (Hooked (Never After, #1))
“
The greatest thing I’ve ever done in my life was to love you, Wendy, darling.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I want you to say it because you are mine. Because you’re going to stay, even though we both know you should leave.” Her breathing stutters, her hands framing my face as she stares deep into my eyes. “I’m yours, James.
”
”
Emily McIntire (Hooked (Never After, #1))
“
That’s my girl,” he whispers against my skin.
”
”
Emily McIntire (Hooked (Never After, #1))
“
it’s how you rise from the ashes after everything burns.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I’m yours just as much as you’re mine.
”
”
Emily McIntire (Hooked (Never After, #1))
“
She ran her fingers through his soft hair, just once.
He leaned in to her hand. 'That feels good,' he mumbled. 'You feel good, too.' He hooked an arm around her waist and drew her on to the bed.
'Jacks- what are you doing?'
'Just for tonight.' He tightened his arm, holding her even closer, until her chest was pressed against his bare skin.
'You're injured,' she breathed.
'This makes me feel better.' He spoke against her throat and finished with a lick that made her head begin to spin.
Now would have been a really good time to untangle herself.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Fishing, Danny boy, is purely a state of mind. Some men, when they are fishing, are after fish. Me, I'm after things you could never set a barbed hook in.
”
”
William Kent Krueger (Ordinary Grace)
“
I don’t like her knowing me as Hook, especially when she’s the only person in this world who makes me feel like James.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Filthy words for such a pretty mouth.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Are you ready to go?” His thumb presses into my bottom lip. “With you?” “As if I’d allow you to leave with anyone else.
”
”
Emily McIntire (Hooked (Never After, #1))
“
The kiss is anything but sweet. It’s twisted, and toxic; a poison masked in sugar, making you love the taste of death. But for the life of me, I can’t stop.
”
”
Emily McIntire (Hooked (Never After, #1))
“
People don't expect to see darkness in the daylight.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Talk to me about the truth of religion and I'll listen gladly. Talk to me about the duty of religion and I'll listen submissively. But don't come talking to me about the consolations of religion or I shall suspect that you don't understand.
Unless, of course, you can literally believe all that stuff about family reunions 'on the further shore,' pictured in entirely earthly terms. But that is all unscriptural, all out of bad hymns and lithographs. There's not a word of it in the Bible. And it rings false. We know it couldn't be like that. Reality never repeats. The exact same thing is never taken away and given back. How well the Spiritualists bait their hook! 'Things on this side are not so different after all.' There are cigars in Heaven. For that is what we should all like. The happy past restored.
”
”
C.S. Lewis (A Grief Observed)
“
Do me a favor, pet.” “A—anything,” I stutter out. “Grind that sweet little pussy on me until you make a mess all over my lap.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I would give you the world. You simply have to ask. You want kids? Done.” He presses his lips to my jaw. My stomach tightens. “You want to stay here and never work again?” Another kiss, this time just beneath my ear. “Done.” My core flutters, heat spreading through me. “You want to watch the world burn?” “Let me guess, you’ll set it on fire?” I ask. He chuckles, the sound vibrating through me and settling into my bones. “No, darling. I’ll hand you the match and stand at your back, watching you become queen of the ashes.
”
”
Emily McIntire (Hooked (Never After, #1))
“
He points to the clock tower that sits in the middle of the town square, the moon and stars shimmering in the background. “Straight on ‘til morning.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Go to sleep, darling. Your soul is safe tonight.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You can have anything in life if you will sacrifice everything else for it.
”
”
Emily McIntire (Hooked (Never After, #1))
“
For anyone who has been the villain in someone else’s story.
”
”
Emily McIntire (Hooked (Never After, #1))
“
And until I decide otherwise, Wendy Michaels is mine.
”
”
Emily McIntire (Hooked (Never After, #1))
“
After my first few tastes I was pretty much hooked. I'd have dry spells, months without any or only piddling amounts of grace, but I never forgot about it or stopped wanting it.
”
”
Mark Vonnegut (The Eden Express: A Memoir of Insanity)
“
Boys are fickle.
Real men have loyalty.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Do you like to be choked, darling?” His fingers grip tighter with a thrust of his hips. “Want me to squeeze your throat until you’re on the edge of oblivion and seeing stars?
”
”
Emily McIntire (Hooked (Never After, #1))
“
You want to watch the world burn?” “Let me guess, you’ll set it on fire?” I ask. He chuckles, the sound vibrating through me and settling into my bones. “No, darling. I’ll hand you the match, and stand at your back, watching you become queen of the ashes.
”
”
Emily McIntire (Hooked (Never After, #1))
“
No one is allowed to touch you here again.” His fingers pump in and out while his thumb circles slowly against my swollen clit. “I’m a very possessive man, Wendy. And I want you for myself.” His
”
”
Emily McIntire (Hooked (Never After, #1))
“
I tramp the perpetual journey
My signs are a rain-proof coat, good shoes, and a staff cut from the
woods,
No friend of mine takes his ease in my chair,
I have no chair, no philosophy,
I lead no man to a dinner-table, library, exchange,
But each man and each woman of you I lead upon a knoll,
My left hand hooking you round the waist,
My right hand pointing to landscapes of continents and the public
road.
Not I, not any one else can travel that road for you,
You must travel it for yourself.
It is not far, it is within reach,
Perhaps you have been on it since you were born and did not know,
Perhaps it is everywhere on water and on land.
Shoulder your duds dear son, and I will mine, and let us hasten
forth,
Wonderful cities and free nations we shall fetch as we go.
If you tire, give me both burdens, and rest the chuff of your hand
on my hip,
And in due time you shall repay the same service to me,
For after we start we never lie by again.
This day before dawn I ascended a hill and look'd at the crowded
heaven,
And I said to my spirit When we become the enfolders of those orbs,
and the pleasure and knowledge of every thing in them, shall we
be fill'd and satisfied then?
And my spirit said No, we but level that lift to pass and continue
beyond.
You are also asking me questions and I hear you,
I answer that I cannot answer, you must find out for yourself.
Sit a while dear son,
Here are biscuits to eat and here is milk to drink,
But as soon as you sleep and renew yourself in sweet clothes, I kiss
you with a good-by kiss and open the gate for your egress
hence.
Long enough have you dream'd contemptible dreams,
Now I wash the gum from your eyes,
You must habit yourself to the dazzle of the light and of every
moment of your life.
Long have you timidly waded holding a plank by the shore,
Now I will you to be a bold swimmer,
To jump off in the midst of the sea, rise again, nod to me, shout,
and laughingly dash with your hair.
”
”
Walt Whitman (Song of Myself)
“
Feelings don't just go away, they merely shift and change as your soul breaks, molding themselves into the cracks.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Because James sees me as his equal. As someone worthy to stand at his side.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Now I don't know why, but Morrissey had always hated Joy Division. Maybe Rob got it right when after a lively debate as the cameras were turned off he turned to Morrissey and said, 'The trouble with you, Morrissey, is that you've never had the guts to kill yourself like Ian. You're fucking jealous.' You should have seen his face as he stormed off. I laughed me bollocks off.
”
”
Peter Hook (The Haçienda: How Not to Run a Club)
“
That night, Ronan didn’t dream.
After Gansey and Blue had left the Barns, he leaned against one of the front porch pillars and looked out at his fireflies winking in the chilly darkness. He was so raw and electric that it was hard to believe that he was awake. Normally it took sleep to strip him to this naked energy. But this was not a dream. This was his life, his home, his night.
After a few moments, he heard the door ease open behind him and Adam joined him. Silently they looked over the dancing lights in the fields. It was not difficult to see that Adam was working intensely with his own thoughts. Words kept rising up inside Ronan and bursting before they ever escaped. He felt he’d already asked the question; he couldn’t also give the answer.
Three deer appeared at the tree line, just at the edge of the porch light’s reach. One of them was the beautiful pale buck, his antlers like branches or roots. He watched them, and they watched him, and then Ronan could not stand it. “Adam?”
When Adam kissed him, it was every mile per hour Ronan had ever gone over the speed limit. It was every window-down, goose-bumps-on-skin, teeth-chattering-cold night drive. It was Adam’s ribs under Ronan’s hands and Adam’s mouth on his mouth, again and again and again. It was stubble on lips and Ronan having to stop, to get his breath, to restart his heart. They were both hungry animals, but Adam had been starving for longer.
Inside, they pretended they would dream, but they did not. They sprawled on the living room sofa and Adam studied the tattoo that covered Ronan’s back: all the sharp edges that hooked wondrously and fearfully into each other.
“Unguibus et rostro,” Adam said.
Ronan put Adam’s fingers to his mouth.
He was never sleeping again.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
I’ll take care of you, darling. Breathe through the pain.” He blows out a breath and I suck it in, a tear escaping from the corner of my eye.
”
”
Emily McIntire (Hooked (Never After, #1))
“
My torn-up heart rattles against its blackened cage, beating just for her, hoping she’ll learn to love it through the dirt.
”
”
Emily McIntire (Hooked (Never After, #1))
“
The pain of lost time never really gets easier, does it?
”
”
Emily McIntire (Hooked (Never After, #1))
“
Every night.” “And straight on ‘til morning.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I realize that even the most fractured of hearts have further to break. Because mine was just decimated to ash.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Something about the way he stares makes me feel alive.
”
”
Emily McIntire (Hooked (Never After, #1))
“
And just so we’re clear.” He presses his thumb into my chin. “If someone else touches you, I’ll cut off their hands so they can never touch anything again.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Just remember that whenever things feel bleak, all situations are temporary. It’s not your circumstances that determine your worth, it’s how you rise from the ashes after everything burns.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You are, without a doubt, the only good I’ve ever known.” I rest my forehead on hers, my shaky breaths ghosting across her lips, my thumb rubbing against her cheek. “So don’t lie to me, Wendy darling. Because my heart won’t survive it if you do.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You want to watch the world burn?"
"Let me guess, you'll set it on fire?" I ask.
He chuckles, the sound vibrating through me settling into my bones.
"No, darling. I'll hand you the match, and stand at your back, watching you become queen of the ashes.
”
”
Emily McIntire (Hooked (Never After, #1))
“
There’s something strangely gratifying about becoming someone’s judge, jury, and executioner. A type of thrill that can’t be replicated. One that courses through your insides and makes you feel untouchable. Infallible. Like a god.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You’re such a good girl. Do you know that?
”
”
Emily McIntire (Hooked (Never After, #1))
“
My chest pulls, insides reeling as I stare down at her, realizing that I’ve never held such beauty in my hands. And in this moment, I’m not sure how I’ll let her go.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Don’t ever try to leave me again.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I guess when you’ve experienced the things I have, you learn quickly that immortality is only granted through people’s memories.
”
”
Emily McIntire (Hooked (Never After, #1))
“
He leans in, his lips skimming the top of my ear. “And if you’re a good girl, maybe I’ll show you the real reason why my mouth should be illegal.
”
”
Emily McIntire (Hooked (Never After, #1))
“
It’s in this moment that I know, as wild as it seems, that I love her. And that terrifies me more than anything else ever has.
”
”
Emily McIntire (Hooked (Never After, #1))
“
His little shadow.
Fitting nickname, I think. After all, one can't leave their shadow behind without missing it in the end.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I feel like a blank jigsaw puzzle with a thousand scattered pieces.
”
”
Emily McIntire (Hooked (Never After, #1))
“
That means you don’t quit until you get what you want. Even if it takes all damn night. Understand?
”
”
Emily McIntire (Hooked (Never After, #1))
“
We're all by-products of evil, some of us born into it and others created from circumstance.
”
”
Emily McIntire (Hooked (Never After, #1))
“
But people see the world through a personal lens, and sometimes it’s easier to believe what you think is true instead of having to figure out others.
”
”
Emily McIntire (Hooked (Never After, #1))
“
He already told you, didn’t he?” Wendy cocks her head. “He popped my cherry.” Gasps sound around the table, and I choke on the liquid of my drink, my hand shooting to my chest to stifle the cough. “Wendy,” Peter hisses.
”
”
Emily McIntire (Hooked (Never After, #1))
“
If you want to ensure someone’s loyalty, you have to make sure they understand why you deserve it. And I’ve made sure that people understand the end of a blade hurts worse when the person wielding it enjoys causing pain.
”
”
Emily McIntire (Hooked (Never After, #1))
“
After Auschwitz"
Anger,
as black as a hook,
overtakes me.
Each day,
each Nazi
took, at 8: 00 A.M., a baby
and sauteed him for breakfast
in his frying pan.
And death looks on with a casual eye
and picks at the dirt under his fingernail.
Man is evil,
I say aloud.
Man is a flower
that should be burnt,
I say aloud.
Man
is a bird full of mud,
I say aloud.
And death looks on with a casual eye
and scratches his anus.
Man with his small pink toes,
with his miraculous fingers
is not a temple
but an outhouse,
I say aloud.
Let man never again raise his teacup.
Let man never again write a book.
Let man never again put on his shoe.
Let man never again raise his eyes,
on a soft July night.
Never. Never. Never. Never. Never.
I say those things aloud.
I beg the Lord not to hear.
”
”
Anne Sexton
“
Every night.” “And straight on ’til morning.
”
”
Emily McIntire (Hooked (Never After, #1))
“
People aren't static. Our morals aren't constant. They're variables, ever changing and molding into different versions of themselves; energy that can be re-shifted and realigned.
”
”
Emily McIntire (Hooked (Never After, #1))
“
James may not be a hero, but even villains can feel. And you can’t help who you love.
”
”
Emily McIntire (Hooked (Never After, #1))
“
When you’re all alone in your room, how do you make yourself come?
”
”
Emily McIntire (Hooked (Never After, #1))
“
You’re beautiful,” I gasp as he pulls out and thrusts back in. He smirks. “Am I?” “Yes.” My heart swells in my chest and my hand reaches up to trail along his jaw. “You’re dark and moody and mysterious. But beautiful.” Leaning down, he sucks my tongue into his mouth and sets a steady pace, my walls squeezing around his length as if my body wants him closer. Needs him deeper. His lips break away, his hand wrapping around my throat the way he knows I love. “Darling, if I’m the dark, then you’re the stars.” And
”
”
Emily McIntire (Hooked (Never After, #1))
“
He points to the clock tower that sits in the middle of the town square, the moon and stars shimmering in the background. "Straight on 'til morning."
My head tilts. "What's that mean?"
His arm wraps around my shoulders, bringing me in close. "That means you don't quit until you get what you want. Even if takes all damn night. Understand?
”
”
Emily McIntire (Hooked (Never After, #1))
“
Raw emotions and the need to hold him close overwhelmed me. Every part of ached for him-my mind, my soul and my body. Without hesitation, i closed the gap between us and pressed my lips eagerly to his.
Noah's hands were everywhere, my hair, my face, my back, and for the love of all things holy, my breasts. My hands roamed his glorious body just as greedily. After drugging me with delicious kisses for not nearly long enough, his warm lips skimmed my throat and kissed down the center of my breasts, causing me to arch my back and lose my ever loving mind.
Without meaning to, i moaned and whispered his name when his hands wandered to my thighs and set my world and blood on fire. Noah eased me back into the bed and my hair sprawled all around me.
"I love how you smell," he whispered as he suckled my earlobe. "I love how beautiful you are."
I reclaimed his lips and hooked a leg around his as we moved in rhythm with each other. In between frantic kisses, i whispered the words, "I love you". Because i did. Noah listened to me. He made me laugh and he made me feel special. He was strong and warm and caring and...everything. I loved him. I loved him more than i'd ever loved another person in my life.
Every muscle in my body froze when Noah stopped kissing and stare down at me with wide eyes. He caressed my cheek twice over and tilted his head. "Make love to me, Echo. I've never made love."
No way. Noah's experienced reputation walked down the hallway before he did. "But..."
Noah cut me off with a kiss. "Yes, but never love. Just girls who didn't mean anything" You..." His tongue teased my bottom lip, thawing my body. "Are everything. I got tested over winter break and i'm clean and i've got protection." He reached to the side of the bed and magically produced a small orange square.
I froze again. Sensing my hesitation, Noah kissed my lips slowly while stroking my cheek.
"And since break?" I asked.
"There's been no one," he whispered against my lips. "I met you soon after and i could never think of touching anyone else."
I loved him and we were together. I entwined my fingers in his hair and pulled his head back to mine, but the second his hand touched the waist of my jeans, my heart shook and my hands snapped out to stop him. "Please. Wait. Noah..." Oh, God, i was actually going to say it. "I'm a virgin."
Now Noah froze. "But you were with Luke."
A faint smile grew on my lips. I was typically the tongue-tied one and found it amusing to see him confused for once. "That's why we broke up. I wasn't ready."
He shifted his body off of mine and tuckled me close against his warmth. I laid my head on his chest and listened to the comforting sound of his beating heart. Noah ran his hand through my hair. "I'm glad you told me. This needs to be right for you and i'll wait, for as long as you need.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Somewhere along the way, I’ve started to care. The realization that I no longer wish to use her against her father slams into me, sucking the breath from my lungs and making my tortured heart skip a beat. But if I give her freedom, she’ll run far, far away.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You used to say you would never forget me. That made me feel like the cherry blossom, here today and gone tomorrow; it is not the kind of thing one says to a person with whom one proposes to spend the rest of one's life, after all. And, after all that, for three hundred and fifty-two in each leap year, I never think about you, sometimes. I cast an image into the past, like a fishing line, and up it comes with a gold mask on the hook, a mask with real tears at the ends of its eyes, but tears that are no longer anybody's tears.
Time has drifted over your face.
”
”
Angela Carter (Burning Your Boats: The Collected Short Stories)
“
Pushing Carson back out of the door, I grabbed my jacket off the hook and shoved my feet into the great old clogs that my poor podiatrist father wants outlawed.
"Don't you want to change or something?" Mom called after me.
"She'll never change," Carson answered, and followed me down the steps.
I settled myself into the passenger seat and buckled up as he back out of the driveway. "Your arches are falling?"
"Turns out I am deeply flawed," I admitted.
”
”
Rachel Vail (You, Maybe: The Profound Asymmetry of Love in High School)
“
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot.
[The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing.
I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything.
I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true.
What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
”
”
Woody Allen
“
He points to the clock tower that sits in the middle of the town square, the moon and stars shimmering in the background. “Straight on ’til morning.” My head tilts. “What’s that mean?” His arm wraps around my shoulders, bringing me in close. “That means you don’t quit until you get what you want. Even if it takes all damn night. Understand?
”
”
Emily McIntire (Hooked (Never After, #1))
“
When he'd smiled at me and told me we would have adventures, I thought we would be friends always, that it would just be Peter and me, like brothers. But now I saw - and it was so strange that after all this time I finally did see - that I wasn't enough for him, had never been enough. I didn't mean anything to him, and not even I was special if he could keep a secret like this. And it made me love him a little less, and the memory of that smile hurt deep down in the place where I kept all my secrets and sorrows.
”
”
Christina Henry (Lost Boy: The True Story of Captain Hook)
“
Keir had never suspected it was possible for a woman to wear so much clothing. After they'd gone to Merritt's bedroom, he'd unfastened the back of her velvet dress and she'd stepped out of it to reveal a profusion of... Christ, he didn't know the names for them... frilly lace-trimmed undergarments that fastened with tiny hooks, ribbons, and buttons. They reminded him of the illustrations pasted on the walls of the Islay baker's shop, of wedding cakes decorated with sugar lace and marzipan pearls, and flowers made of icing. He adored the sight of her in all those pretty feminine things.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
When I was in junior high, I used to think I would turn out to be one of the guys, and boys would say, 'Oh, you're so great,' but they wouldn't date me. I thought I wasn't pretty enough. But then I got to Ault and first of all, I'm not really friends with any guys. And then, with you this year, I thought, if Cross will keep hooking up with me, maybe I'm okay after all. But time passed and I never became your girlfriend. And so then I thought, not only was I wrong, but my life turned out to be the opposite of what I expected. Meaning, it wasn't my appearance--that's not the bad thing about me. It's my personality. But how do I know which part? I have no idea. I've tried to think about if it's one thing in isolation or everything together, or what can I do to fix it, or how can I convince you. Then I thought, maybe it is my looks, maybe I was right before. And I never figured it out. Obviously, I didn't. But I've spent a lot of time this year trying. And the reason I'm telling you all this is that I want you to know no one in my life has ever made me feel worse about myself than you.
”
”
Curtis Sittenfeld (Prep)
“
Airports, on the other hand, are like airport bestsellers. They’re easy to read, you forget them quickly, you promise yourself to never again succumb to their temptation, and yet the brightness, those signs, those letters in metallic relief . . . And the passengers who consume those airport bestsellers are increasingly worthy of them. Beings with decreasing capacity for concentration, robots of flesh and bone who can’t go even a minute without connecting to their devices and extensions, as if they were waiting for the confirmation of the success of a sports star they idolize or the news that they’ve become fathers or mothers, even though their respective spouses are right there beside them in that very moment, looking after little kids hooked up to tablets where they surf without waves or a beach.
”
”
Rodrigo Fresán (The Invented Part (Trilogía las partes #1))
“
You’ve always been the best of us, Jamie,” Nod said, and his voice cracked. “Me and Fog, we always looked up to you. We always wanted to be just like you, only we never were.”
If he was crying I didn’t want to see. I only wanted to get to the beach. The night was spinning on and Peter could have found them by now.
“I wasn’t as good as you think,” I said.
“You kept us alive. You looked after us. We all knew it, even if we didn’t say so. We knew it made Peter jealous.”
“Peter’s not jealous of me,” I said. “Only of anyone that takes me away from him.”
“He is,” Nod insisted. “He knows no one will ever love him the way we all loved you.”
My throat felt clogged suddenly. I cleared it noisily, but found I couldn’t say anything. What could I possibly say?
“We all loved you, and so we loved Peter too, because you did. But when you stopped, so did the rest of us. You always made us see him through your eyes.
”
”
Christina Henry (Lost Boy: The True Story of Captain Hook)
“
You know she made me a list, don’t you?”
“What do you mean?”
“A list. Chelsea made me a list of questions to ask Mike.”
Violet laughed, pulling herself up. It was too ridiculous to believe. But it was Chelsea, so of course it was true.
“What did you do with it? You didn’t give it to him, did you?” Violet asked, her eyes wide with shock.
Jay sat up too and grinned, and Violet was sure that he had. And then he shook his head. “Nah. I told her if she really wanted the answers, she’d have to give it to him herself.”
Violet relaxed back into the couch. “Did she?”
Jay shrugged. “I dunno. You never know with Chelsea.” He leaned forward, watching Violet closely as he ran his thumb down the side of her cheek. “Anyway,” he said, switching the subject, “I get off work at six tomorrow; maybe we can hook up after that.” He moved closer, grinning. “And you can tell me how much you missed me.”
He kissed her, at first quickly. Then the kiss deepened, and she heard him groan. This time, when he pulled back, there was indecision in his eyes.
Violet wanted to say something sarcastic and sharp-witted to lighten the mood, but with Jay staring at her like that, any hope of finding a clever response was lost. She could feel herself disappearing into the depths of that uncertain look.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
People who have been wronged by an emotionally immature person may start to think they’re at fault if they continue to feel hurt by what the person did. Emotionally immature people expect you to take them off the hook immediately. If it feels better to blame you for not forgiving them fast enough, that’s what they’ll do.
After a rift, many people will make what relationship expert John Gottman calls a repair attempt (1999), apologizing, asking for forgiveness, or making amends in a way that shows a desire to patch things up. But emotionally immature people have a completely unrealistic idea of what forgiveness means. To them, forgiveness should make it like the rift never happened, as though a completely fresh start is possible. They have no awareness of the need for emotional processing or the amount of time it
may take to rebuild trust after a major betrayal. They just want things to be normal again. Others’ pain is the only fly in the ointment. Everything would be fine if others would just get past their feelings about the situation.
”
”
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
“
I always felt that someone, a long time ago, organized the affairs of the world into areas that made sense-catagories of stuff that is perfectible, things that fit neatly in perfect bundles. The world of business, for example, is this way-line items, spreadsheets, things that add up, that can be perfected. The legal system-not always perfect, but nonetheless a mind-numbing effort to actually write down all kinds of laws and instructions that cover all aspects of being human, a kind of umbrella code of conduct we should all follow.
Perfection is crucial in building an aircraft, a bridge, or a high-speed train. The code and mathematics residing just below the surface of the Internet is also this way. Things are either perfectly right or they will not work. So much of the world we work and live in is based upon being correct, being perfect.
But after this someone got through organizing everything just perfectly, he (or probably a she) was left with a bunch of stuff that didn't fit anywhere-things in a shoe box that had to go somewhere.
So in desperation this person threw up her arms and said, 'OK! Fine. All the rest of this stuff that isn't perfectible, that doesn't seem to fit anywhere else, will just have to be piled into this last, rather large, tattered box that we can sort of push behind the couch. Maybe later we can come back and figure where it all is supposed to fit in. Let's label the box ART.'
The problem was thankfully never fixed, and in time the box overflowed as more and more art piled up. I think the dilemma exists because art, among all the other tidy categories, most closely resembles what it is like to be human. To be alive. It is our nature to be imperfect. The have uncategorized feelings and emotions. To make or do things that don't sometimes necessarily make sense.
Art is all just perfectly imperfect.
Once the word ART enters the description of what you're up to , it is almost getting a hall pass from perfection. It thankfully releases us from any expectation of perfection.
In relation to my own work not being perfect, I just always point to the tattered box behind the couch and mention the word ART, and people seem to understand and let you off the hook about being perfect a go back to their business.
”
”
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
“
Common phrases narcissists use and what they actually mean:
1. I love you.
Translation: I love owning you. I love controlling you. I love using you. It feels so good to love-bomb you, to sweet-talk you, to pull you in and to discard you whenever I please. When I flatter you, I can have anything I want. You trust me. You open up so easily, even after you’ve already been mistreated. Once you’re hooked and invested, I’ll pull the rug beneath your feet just to watch you fall.
2. I am sorry you feel that way.
Translation: Sorry, not sorry. Let’s get this argument over with already so I can continue my abusive behavior in peace. I am not sorry that I did what I did, I am sorry I got caught. I am sorry you’re calling me out. I am sorry that I am being held accountable. I am sorry you have the emotions that you do. To me, they’re not valid because I am entitled to have everything I want – regardless of how you feel about it.
3. You’re oversensitive/overreacting.
Translation: You’re having a perfectly normal reaction to an immense amount of bullshit, but all I see is that you’re catching on. Let me gaslight you some more so you second-guess yourself. Emotionally invalidating you is the key to keeping you compliant. So long as you don’t trust yourself, you’ll work that much harder to rationalize, minimize and deny my abuse.
4. You’re crazy.
Translation: I am a master of creating chaos to provoke you. I love it when you react. That way, I can point the finger and say you’re the crazy one. After all, no one would listen to what you say about me if they thought you were just bitter or unstable.
5. No one would believe you.
Translation: I’ve isolated you to the point where you feel you have no support. I’ve smeared your name to others ahead of time so people already suspect the lies I’ve told about you. There are still others who might believe you, though, and I can’t risk being caught. Making you feel alienated and alone is the best way for me to protect my image. It’s the best way to convince you to remain silent and never speak the truth about who I really am.
”
”
Shahida Arabi
“
One of my earliest memories was of a maze of pale green walls. The corridors never ended, no matter which way I turned. I was running, my feet bare, my paper-thin gown flapping around skinny foal-like legs, and the demons kept on coming. I’d run the maze before, because I always knew which way to turn to find the little clear plastic box. I’d run, and run. Lungs aching, throat burning, my feet slapping against the smooth floor, and the sound of scrabbling claws chased me down. I made it to the box, every time (I’d learned later, there were others who hadn’t) and once inside, I’d yank the clear door closed. The demons didn’t see the box. They saw only me, the wraith-like little half-blood girl. They would launch themselves—claws extended, jaws wide, eyes ablaze—and slam into my box, sending shudders rattling through my bones. They’d snap and snarl, hook their teeth into the box and gnaw at its edges, desperate to get to the feast huddling a few millimeters away.
Flooding, the Institute had called it.
At first I was afraid, and I learned how to run. Then I was angry, and I learned how to fight with my fists and my element. Then, I got even. I lured those demons into a corner and ambushed them, killing every last one. After countless visits to the maze, after weeks, years, I’d started liking it, and killing became as natural as breathing. It was what I was good at. What I was made for.
What I lived for.
© Copyright Pippa DaCosta 2016.
”
”
Pippa DaCosta (Chaos Rises (Chaos Rises, #1))
“
Indeed. But what is sane? Especially here in ‘our own country’––in this doomstruck era of Nixon. We are all wired into a survival trip now. No more of the speed that fueled the Sixties. Uppers are going out of style. This was the fatal flaw in Tim Leary’s trip. He crashed around America selling ‘consciousness expansion’ without ever giving a thought to the grim meat-hook realities that were lying in wait for all the people who took him seriously. After West Point and the Priesthood, LSD must have seemed entirely logical to him…but there is not much satisfaction in knowing that he blew it very badly for himself, because he took too many others down with him.
Not that they didn’t deserve it: No doubt they all Got What Was Coming To Them. All those pathetically eager acid freaks who thought they could buy Peace and Understanding for three bucks a hit. But their loss and failure is ours, too. What Leary took down with him was the central illusion of a whole life-style that he helped to create…a generation of permanent cripples, failed seekers, who never understood the essential old-mystic fallacy of the Acid Culture: the desperate assumption that somebody––or at least some force––is tending that Light at the end of the tunnel.
This is the same cruel and paradoxically benevolent bullshit that has kept the Catholic Church going for so many centuries. It is also the military ethic…a blind faith in some higher and wiser ‘authority.’ The Pope, The General, The Prime Minister…all the way up to “God”.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
“
It was Day Three, Freshman Year, and I was a little bit lost in the school library,looking for a bathroom that wasn't full of blindingly shiny sophomores checking their lip gloss.
Day Three.Already pretty clear on the fact that I would be using secondary bathrooms for at least the next three years,until being a senior could pass for confidence.For the moment, I knew no one,and was too shy to talk to anyone. So that first sight of Edward: pale hair that looked like he'd just run his hands through it, paint-smeared white shirt,a half smile that was half wicked,and I was hooked.
Since, "Hi,I'm Ella.You look like someone I'd like to spend the rest of my life with," would have been totally insane, I opted for sitting quietly and staring.Until the bell rang and I had to rush to French class,completely forgetting to pee.
Edward Willing.Once I knew his name, the rest was easy.After all,we're living in the age of information. Wikipedia, iPhones, 4G ntworks, social networking that you can do from a thousand miles away.The upshot being that at any given time over the next two years, I could sit twenty feet from him in the library, not saying a word, and learn a lot about him.ENough, anyway, for me to become completely convinced that the Love at First Sight hadn't been a fluke.
It's pretty simple.Edward matched four and a half of my If My Prince Does, In Fact, Come Someday,It Would Be Great If He Could Meet These Five Criteria.
1. Interested in art. For me, it's charcoal. For Edward, oil paint and bronze. That's almost enough right there. Nice lips + artist= Ella's prince.
2. Not afraid of love. He wrote, "Love is one of two things worth dying for.I have yet to decide on the second."
3.Or of telling the truth. "How can I believe that other people say if I lie to them?"
4.Hot. Why not?I can dream.
5.Daring. Mountain climbing, cliff dying, defying the parents. Him, not me. I'm terrified of an embarrassing number of things, including heights, convertibles, moths, and those comedians everyone loves who stand onstage and yell insults at the audience.
5, subsection a. Daring enough to take a chance on me.Of course, in the end, that No. 5a is the biggie. And the problem. No matter how muuch I worshipped him,no matter how good a pair we might have been,it was never, ever going to happen. To be fair to Edward,it's not like he was given an opportunity to get to know me. I'm not stupid.I know there are a few basic truths when it comes to boys and me.
Truth: You have to talk to a boy-really talk,if you want him to see past the fact that you're not beautiful.
Truth: I'm not beautiful. Or much of a conversationalist.
Truth: I'm not entirely sure that the stuff behind the not-beautiful is going to be all that alluring, either.
And one written-in-stone, heartbreaking truth about this guy.
Truth:Edward Willing died in 1916.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Grom, I need to ask you something."
Hesitant, Grom tears his gaze from the abyss and settles it on his brother, but his eyes still hold a distance. "Hmm?"
"Do you believe in the pull?"
The question visibly jolts Grom, replacing the detachment in his eyes with pain. "What kind of question is that?"
Galen shrugs, guilt stabbing him like a trident. "Some say you felt the pull for Nalia."
Grom massages his eyes with fingertips, but not before Galen sees the torment deepen. "I didn't realize you listened to gossip, little brother."
"If I listened to gossip, I wouldn't bother to ask."
"Do you believe in the pull, Galen?"
"I don't know."
Galen nods, sighing. "I don't know either. But if there is such a thing, I guess it would be safe to say I felt it toward Nalia." With a flit of his tail, he swims forward, turning away from his brother. "Sometimes I swear I can still sense her. It's faint, and it comes and goes. Some days it's so real, I think I'm losing my mind."
"What...what does it feel like?" Galen almost can't ask. He'd already determined to never have this conversation with Grom. But things have changed.
To his surprise, Grom chuckles. "Is there something I need to know, little brother? Has someone finally hooked you?"
Galen doesn't quite get his mouth closed before his brother turns around. Grom's laugh seems foreign in this dismal place. "Looks like she's got you hooked and reeled. Who is she?"
"None of your business." At least not yet.
Grom grins. "So that's where you've been. Chasing after a female."
"You could say that." In fact, his brother can say anything he wants. He's not telling Grom about Emma. Not while Paca is out there somewhere, just waiting to be mated with a Triton king.
"If you won't tell me, I'll just ask Rayna."
"If Rayna knew, there would have already been a public announcement."
"True," Grom says, smirking. "You're smarter than I give you credit for, tadpole. So smart, in fact, that I know I don't have to tell you to keep her away from here, whoever she is. Just until things settle down."
Galen nods. "You don't have to worry about that.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
And so, by means both active and passive, he sought to repair the damage to his self-esteem. He tried first of all to find ways to make his nose look shorter. When there was no one around, he would hold up his mirror and, with feverish intensity, examine his reflection from every angle. Sometimes it took more than simply changing the position of his face to comfort him, and he would try one pose after another—resting his cheek on his hand or stroking his chin with his fingertips. Never once, though, was he satisfied that his nose looked any shorter. In fact, he sometimes felt that the harder he tried, the longer it looked. Then, heaving fresh sighs of despair, he would put the mirror away in its box and drag himself back to the scripture stand to resume chanting the Kannon Sutra.
The second way he dealt with his problem was to keep a vigilant eye out for other people’s noses. Many public events took place at the Ike-no-o temple—banquets to benefit the priests, lectures on the sutras, and so forth. Row upon row of monks’ cells filled the temple grounds, and each day the monks would heat up bath water for the temple’s many residents and lay visitors, all of whom the Naigu would study closely. He hoped to gain peace from discovering even one face with a nose like his. And so his eyes took in neither blue robes nor white; orange caps, skirts of gray: the priestly garb he knew so well hardly existed for him. The Naigu saw not people but noses. While a great hooked beak might come into his view now and then, never did he discover a nose like his own. And with each failure to find what he was looking for, the Naigu’s resentment would increase. It was entirely due to this feeling that often, while speaking to a person, he would unconsciously grasp the dangling end of his nose and blush like a youngster.
And finally, the Naigu would comb the Buddhist scriptures and other classic texts, searching for a character with a nose like his own in the hope that it would provide him some measure of comfort. Nowhere, however, was it written that the nose of either Mokuren or Sharihotsu was long. And Ryūju and Memyoō, of course, were Bodhisattvas with normal human noses. Listening to a Chinese story once, he heard that Liu Bei, the Shu Han emperor, had long ears. “Oh, if only it had been his nose,” he thought, “how much better I would feel!
”
”
Ryūnosuke Akutagawa (Rashōmon and Seventeen Other Stories)
“
She'd gone and let her hair loose, he thought. Why did she have to do that? It made his hands hurt, actually hurt with wanting to slide into it.
"That's good." She stepped in, shut the door. And because it seemed too perfect not to, audibly flipped the lock. Seeing a muscle twitch in his jaw was incredibly satisfying.
He was a drowning man, and had just gone under the first time. "Keeley, I've had a long day here.I was just about to-"
"Have a nightcap," she finished. She'd spotted the teapot and the bottle of whiskey on the kitchen counter. "I wouldn't mind one myself." She breezed past him to flip off the burner under the now sputtering kettle.
She'd put on different perfume, he thought viciously. Put it on fresh, too, just to torment him. He was damn sure of it.It snagged his libido like a fish-hook.
"I'm not really fixed for company just now."
"I don't think I qualify as company." Competently she warmed the pot, measured out the tea and poured the boiling water in. "I certainly won't be after we're lovers."
He went under the second time without even the chance to gulp in air. "We're not lovers."
"That's about to change." She set the lid on the pot, turned. "How long do you like it to steep?"
"I like it strong, so it'll take some time. You should go on home now."
"I like it strong, too." Amazing, she thought,she didn't feel nervous at all. "And if it's going to take some time, we can have it afterward."
"This isn't the way for this." He said it more to himself than her. "This is backward, or twisted.I can't get my mind around it. no,just stay back over there and let me think a minute."
But she was already moving toward him, a siren's smile on her lips. "If you'd rather seduce me, go ahead."
"That's exactly what I'm not going to do." Thought the night was cool and his windows were open to it, he felt sweat slither down his back. "If I'd known the way things were, I'd never have started this."
That mouth of his, she thought. She really had to have that mouth. "Now we both know the way things are, and I intend to finish it.It's my choice."
His blood was already swimming. Hot and fast. "You don't know anything, which is the whole flaming problem."
"Are you afraid of innocence?"
"Damn right."
"It doesn't stop you from wanting me. Put your hands on me,Brian." She took his wrist,pressed his hand to her breast. "I want your hands on me."
The boots clattered to the floor as he went under for the third time.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))