“
Darling, if I’m the dark, then you’re the stars.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You want to watch the world burn?"
"Let me guess, you'll set it on fire?" I ask.
He chuckles, the sound vibrating through me settling into my bones.
"No, darling. I'll hand you the match, and stand at your back, watching you become queen of the ashes.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Just remember that whenever things feel bleak, all situations are temporary. It’s not your circumstance that determines your worth, it’s how you rise from the ashes after everything burns.
”
”
Emily McIntire (Hooked (Never After, #1))
“
The greatest thing I've ever done in my life was to love you,Wendy,darling.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Maybe people never change and it’s only our perceptions that alter the view.
”
”
Emily McIntire (Hooked (Never After, #1))
“
It was then that Hook bit him.
Not the pain of this but its unfairness was what dazed Peter. It made him quite helpless. He could only stare, horrified. Every child is affected thus the first time he is treated unfairly. All he thinks he has a right to when he comes to you to be yours is fairness. After you have been unfair to him he will love you again, but he will never afterwards be quite the same boy. No one ever gets over the first unfairness; no one except Peter.
”
”
J.M. Barrie (Peter Pan (Peter Pan, #2))
“
Only yours, James Barrie.” “And always yours, Wendy, darling.” He kisses my jaw. “Every night.” “And straight on ‘til morning.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Give it to me," she whispers.
I shake my head, my body trembling. "I don't have anything to give."
Her mouth grazes along my jaw, pressing soft kisses to my skin. "So give me all your nothing," she replies.
”
”
Emily McIntire (Hooked (Never After, #1))
“
And to think, it all started with a little bit of faith. Misplaced trust. Missing pixie dust. And a villain who just needed to steal a little love.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Anything happens to her and there will be no corner of the earth that can hide you from me. Understand?
”
”
Emily McIntire (Hooked (Never After, #1))
“
Wanting to Die
Since you ask, most days I cannot remember.
I walk in my clothing, unmarked by that voyage.
Then the almost unnameable lust returns.
Even then I have nothing against life.
I know well the grass blades you mention,
the furniture you have placed under the sun.
But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.
Twice I have so simply declared myself,
have possessed the enemy, eaten the enemy,
have taken on his craft, his magic.
In this way, heavy and thoughtful,
warmer than oil or water,
I have rested, drooling at the mouth-hole.
I did not think of my body at needle point.
Even the cornea and the leftover urine were gone.
Suicides have already betrayed the body.
Still-born, they don't always die,
but dazzled, they can't forget a drug so sweet
that even children would look on and smile.
To thrust all that life under your tongue!—
that, all by itself, becomes a passion.
Death's a sad Bone; bruised, you'd say,
and yet she waits for me, year after year,
to so delicately undo an old wound,
to empty my breath from its bad prison.
Balanced there, suicides sometimes meet,
raging at the fruit, a pumped-up moon,
leaving the bread they mistook for a kiss,
leaving the page of the book carelessly open,
something unsaid, the phone off the hook
and the love, whatever it was, an infection.
”
”
Anne Sexton
“
But we’re all a little twisted, and there’s no such thing as good and evil. There are only perspectives, and perceptions change depending on the angle.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You can have anything in life if you will sacrifice everything else for it. — J.M Barrie, Peter Pan
”
”
Emily McIntire (Hooked (Never After, #1))
“
I'm done fighting it.
James may not be a hero, but even villains can feel. And you can't help who you love.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I'll sacrifice my soul a thousand times over in order to stay with his.
”
”
Emily McIntire (Hooked (Never After, #1))
“
People aren't static. Our morals aren't constant. They're variables, ever changing and molding into different versions of themselves; energy that can be re-shifted and realigned.
”
”
Emily McIntire (Hooked (Never After, #1))
“
But I regret, with every fiber of my being, that for even one moment you suffered under my hands.” Her eyes widen, the beautiful shades of brown glossing over. “You are, without a doubt, the only good I’ve ever known.” I rest my forehead on hers, my shaky breaths ghosting across her lips, my thumb rubbing against her cheek. “So… don’t lie to me, Wendy, darling. Because my heart won’t survive it if you do.
”
”
Emily McIntire (Hooked (Never After, #1))
“
When do you want it?” “Yesterday.” I press into her. “Now.” She stumbles into the cab’s door. “Tomorrow.
”
”
Emily McIntire (Hooked (Never After, #1))
“
The greatest thing I’ve ever done in my life was to love you, Wendy, darling.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I want you to say it because you are mine. Because you’re going to stay, even though we both know you should leave.” Her breathing stutters, her hands framing my face as she stares deep into my eyes. “I’m yours, James.
”
”
Emily McIntire (Hooked (Never After, #1))
“
That’s my girl,” he whispers against my skin.
”
”
Emily McIntire (Hooked (Never After, #1))
“
She ran her fingers through his soft hair, just once.
He leaned in to her hand. 'That feels good,' he mumbled. 'You feel good, too.' He hooked an arm around her waist and drew her on to the bed.
'Jacks- what are you doing?'
'Just for tonight.' He tightened his arm, holding her even closer, until her chest was pressed against his bare skin.
'You're injured,' she breathed.
'This makes me feel better.' He spoke against her throat and finished with a lick that made her head begin to spin.
Now would have been a really good time to untangle herself.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
it’s how you rise from the ashes after everything burns.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Fishing, Danny boy, is purely a state of mind. Some men, when they are fishing, are after fish. Me, I'm after things you could never set a barbed hook in.
”
”
William Kent Krueger (Ordinary Grace)
“
I don’t like her knowing me as Hook, especially when she’s the only person in this world who makes me feel like James.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I’m yours just as much as you’re mine.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Are you ready to go?” His thumb presses into my bottom lip. “With you?” “As if I’d allow you to leave with anyone else.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Filthy words for such a pretty mouth.
”
”
Emily McIntire (Hooked (Never After, #1))
“
The kiss is anything but sweet. It’s twisted, and toxic; a poison masked in sugar, making you love the taste of death. But for the life of me, I can’t stop.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Talk to me about the truth of religion and I'll listen gladly. Talk to me about the duty of religion and I'll listen submissively. But don't come talking to me about the consolations of religion or I shall suspect that you don't understand.
Unless, of course, you can literally believe all that stuff about family reunions 'on the further shore,' pictured in entirely earthly terms. But that is all unscriptural, all out of bad hymns and lithographs. There's not a word of it in the Bible. And it rings false. We know it couldn't be like that. Reality never repeats. The exact same thing is never taken away and given back. How well the Spiritualists bait their hook! 'Things on this side are not so different after all.' There are cigars in Heaven. For that is what we should all like. The happy past restored.
”
”
C.S. Lewis (A Grief Observed)
“
People don't expect to see darkness in the daylight.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I would give you the world. You simply have to ask. You want kids? Done.” He presses his lips to my jaw. My stomach tightens. “You want to stay here and never work again?” Another kiss, this time just beneath my ear. “Done.” My core flutters, heat spreading through me. “You want to watch the world burn?” “Let me guess, you’ll set it on fire?” I ask. He chuckles, the sound vibrating through me and settling into my bones. “No, darling. I’ll hand you the match and stand at your back, watching you become queen of the ashes.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Do me a favor, pet.” “A—anything,” I stutter out. “Grind that sweet little pussy on me until you make a mess all over my lap.
”
”
Emily McIntire (Hooked (Never After, #1))
“
He points to the clock tower that sits in the middle of the town square, the moon and stars shimmering in the background. “Straight on ‘til morning.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Go to sleep, darling. Your soul is safe tonight.
”
”
Emily McIntire (Hooked (Never After, #1))
“
For anyone who has been the villain in someone else’s story.
”
”
Emily McIntire (Hooked (Never After, #1))
“
And until I decide otherwise, Wendy Michaels is mine.
”
”
Emily McIntire (Hooked (Never After, #1))
“
After my first few tastes I was pretty much hooked. I'd have dry spells, months without any or only piddling amounts of grace, but I never forgot about it or stopped wanting it.
”
”
Mark Vonnegut (The Eden Express: A Memoir of Insanity)
“
Boys are fickle.
Real men have loyalty.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You can have anything in life if you will sacrifice everything else for it.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You want to watch the world burn?” “Let me guess, you’ll set it on fire?” I ask. He chuckles, the sound vibrating through me and settling into my bones. “No, darling. I’ll hand you the match, and stand at your back, watching you become queen of the ashes.
”
”
Emily McIntire (Hooked (Never After, #1))
“
No one is allowed to touch you here again.” His fingers pump in and out while his thumb circles slowly against my swollen clit. “I’m a very possessive man, Wendy. And I want you for myself.” His
”
”
Emily McIntire (Hooked (Never After, #1))
“
Now I don't know why, but Morrissey had always hated Joy Division. Maybe Rob got it right when after a lively debate as the cameras were turned off he turned to Morrissey and said, 'The trouble with you, Morrissey, is that you've never had the guts to kill yourself like Ian. You're fucking jealous.' You should have seen his face as he stormed off. I laughed me bollocks off.
”
”
Peter Hook (The Haçienda: How Not to Run a Club)
“
I tramp the perpetual journey
My signs are a rain-proof coat, good shoes, and a staff cut from the
woods,
No friend of mine takes his ease in my chair,
I have no chair, no philosophy,
I lead no man to a dinner-table, library, exchange,
But each man and each woman of you I lead upon a knoll,
My left hand hooking you round the waist,
My right hand pointing to landscapes of continents and the public
road.
Not I, not any one else can travel that road for you,
You must travel it for yourself.
It is not far, it is within reach,
Perhaps you have been on it since you were born and did not know,
Perhaps it is everywhere on water and on land.
Shoulder your duds dear son, and I will mine, and let us hasten
forth,
Wonderful cities and free nations we shall fetch as we go.
If you tire, give me both burdens, and rest the chuff of your hand
on my hip,
And in due time you shall repay the same service to me,
For after we start we never lie by again.
This day before dawn I ascended a hill and look'd at the crowded
heaven,
And I said to my spirit When we become the enfolders of those orbs,
and the pleasure and knowledge of every thing in them, shall we
be fill'd and satisfied then?
And my spirit said No, we but level that lift to pass and continue
beyond.
You are also asking me questions and I hear you,
I answer that I cannot answer, you must find out for yourself.
Sit a while dear son,
Here are biscuits to eat and here is milk to drink,
But as soon as you sleep and renew yourself in sweet clothes, I kiss
you with a good-by kiss and open the gate for your egress
hence.
Long enough have you dream'd contemptible dreams,
Now I wash the gum from your eyes,
You must habit yourself to the dazzle of the light and of every
moment of your life.
Long have you timidly waded holding a plank by the shore,
Now I will you to be a bold swimmer,
To jump off in the midst of the sea, rise again, nod to me, shout,
and laughingly dash with your hair.
”
”
Walt Whitman (Song of Myself)
“
Feelings don't just go away, they merely shift and change as your soul breaks, molding themselves into the cracks.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Because James sees me as his equal. As someone worthy to stand at his side.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Do you like to be choked, darling?” His fingers grip tighter with a thrust of his hips. “Want me to squeeze your throat until you’re on the edge of oblivion and seeing stars?
”
”
Emily McIntire (Hooked (Never After, #1))
“
Just remember that whenever things feel bleak, all situations are temporary. It’s not your circumstances that determine your worth, it’s how you rise from the ashes after everything burns.
”
”
Emily McIntire (Hooked (Never After, #1))
“
That night, Ronan didn’t dream.
After Gansey and Blue had left the Barns, he leaned against one of the front porch pillars and looked out at his fireflies winking in the chilly darkness. He was so raw and electric that it was hard to believe that he was awake. Normally it took sleep to strip him to this naked energy. But this was not a dream. This was his life, his home, his night.
After a few moments, he heard the door ease open behind him and Adam joined him. Silently they looked over the dancing lights in the fields. It was not difficult to see that Adam was working intensely with his own thoughts. Words kept rising up inside Ronan and bursting before they ever escaped. He felt he’d already asked the question; he couldn’t also give the answer.
Three deer appeared at the tree line, just at the edge of the porch light’s reach. One of them was the beautiful pale buck, his antlers like branches or roots. He watched them, and they watched him, and then Ronan could not stand it. “Adam?”
When Adam kissed him, it was every mile per hour Ronan had ever gone over the speed limit. It was every window-down, goose-bumps-on-skin, teeth-chattering-cold night drive. It was Adam’s ribs under Ronan’s hands and Adam’s mouth on his mouth, again and again and again. It was stubble on lips and Ronan having to stop, to get his breath, to restart his heart. They were both hungry animals, but Adam had been starving for longer.
Inside, they pretended they would dream, but they did not. They sprawled on the living room sofa and Adam studied the tattoo that covered Ronan’s back: all the sharp edges that hooked wondrously and fearfully into each other.
“Unguibus et rostro,” Adam said.
Ronan put Adam’s fingers to his mouth.
He was never sleeping again.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
I’ll take care of you, darling. Breathe through the pain.” He blows out a breath and I suck it in, a tear escaping from the corner of my eye.
”
”
Emily McIntire (Hooked (Never After, #1))
“
My torn-up heart rattles against its blackened cage, beating just for her, hoping she’ll learn to love it through the dirt.
”
”
Emily McIntire (Hooked (Never After, #1))
“
The pain of lost time never really gets easier, does it?
”
”
Emily McIntire (Hooked (Never After, #1))
“
Every night.” “And straight on ‘til morning.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Something about the way he stares makes me feel alive.
”
”
Emily McIntire (Hooked (Never After, #1))
“
And just so we’re clear.” He presses his thumb into my chin. “If someone else touches you, I’ll cut off their hands so they can never touch anything again.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You are, without a doubt, the only good I’ve ever known.” I rest my forehead on hers, my shaky breaths ghosting across her lips, my thumb rubbing against her cheek. “So don’t lie to me, Wendy darling. Because my heart won’t survive it if you do.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You want to watch the world burn?"
"Let me guess, you'll set it on fire?" I ask.
He chuckles, the sound vibrating through me settling into my bones.
"No, darling. I'll hand you the match, and stand at your back, watching you become queen of the ashes.
”
”
Emily McIntire (Hooked (Never After, #1))
“
There’s something strangely gratifying about becoming someone’s judge, jury, and executioner. A type of thrill that can’t be replicated. One that courses through your insides and makes you feel untouchable. Infallible. Like a god.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You’re such a good girl. Do you know that?
”
”
Emily McIntire (Hooked (Never After, #1))
“
My chest pulls, insides reeling as I stare down at her, realizing that I’ve never held such beauty in my hands. And in this moment, I’m not sure how I’ll let her go.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Don’t ever try to leave me again.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I guess when you’ve experienced the things I have, you learn quickly that immortality is only granted through people’s memories.
”
”
Emily McIntire (Hooked (Never After, #1))
“
It’s in this moment that I know, as wild as it seems, that I love her. And that terrifies me more than anything else ever has.
”
”
Emily McIntire (Hooked (Never After, #1))
“
His little shadow.
Fitting nickname, I think. After all, one can't leave their shadow behind without missing it in the end.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I feel like a blank jigsaw puzzle with a thousand scattered pieces.
”
”
Emily McIntire (Hooked (Never After, #1))
“
That means you don’t quit until you get what you want. Even if it takes all damn night. Understand?
”
”
Emily McIntire (Hooked (Never After, #1))
“
We're all by-products of evil, some of us born into it and others created from circumstance.
”
”
Emily McIntire (Hooked (Never After, #1))
“
But people see the world through a personal lens, and sometimes it’s easier to believe what you think is true instead of having to figure out others.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Every good bitch needs a pretty collar.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I realize that even the most fractured of hearts have further to break. Because mine was just decimated to ash.
”
”
Emily McIntire (Hooked (Never After, #1))
“
He leans in, his lips skimming the top of my ear. “And if you’re a good girl, maybe I’ll show you the real reason why my mouth should be illegal.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Just remember that whenever things feel bleak, all situations are temporary. Its not your circumstance that determines your worth, its how your rise from the ashes after everything burns.
”
”
Emily McIntire (Hooked (Never After, #1))
“
He already told you, didn’t he?” Wendy cocks her head. “He popped my cherry.” Gasps sound around the table, and I choke on the liquid of my drink, my hand shooting to my chest to stifle the cough. “Wendy,” Peter hisses.
”
”
Emily McIntire (Hooked (Never After, #1))
“
If you want to ensure someone’s loyalty, you have to make sure they understand why you deserve it. And I’ve made sure that people understand the end of a blade hurts worse when the person wielding it enjoys causing pain.
”
”
Emily McIntire (Hooked (Never After, #1))
“
After Auschwitz"
Anger,
as black as a hook,
overtakes me.
Each day,
each Nazi
took, at 8: 00 A.M., a baby
and sauteed him for breakfast
in his frying pan.
And death looks on with a casual eye
and picks at the dirt under his fingernail.
Man is evil,
I say aloud.
Man is a flower
that should be burnt,
I say aloud.
Man
is a bird full of mud,
I say aloud.
And death looks on with a casual eye
and scratches his anus.
Man with his small pink toes,
with his miraculous fingers
is not a temple
but an outhouse,
I say aloud.
Let man never again raise his teacup.
Let man never again write a book.
Let man never again put on his shoe.
Let man never again raise his eyes,
on a soft July night.
Never. Never. Never. Never. Never.
I say those things aloud.
I beg the Lord not to hear.
”
”
Anne Sexton
“
People aren't static. Our morals aren't constant. They're variables, ever changing and molding into different versions of themselves; energy that can be re-shifted and realigned.
”
”
Emily McIntire (Hooked (Never After, #1))
“
James may not be a hero, but even villains can feel. And you can’t help who you love.
”
”
Emily McIntire (Hooked (Never After, #1))
“
When you’re all alone in your room, how do you make yourself come?
”
”
Emily McIntire (Hooked (Never After, #1))
“
I’ve never done a drug in my life, but I imagine it feels similar to the way it does when Wendy courses through my veins. All-consuming.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I gutted him like the worthless fish he was, then used the same blade to cut into my steak at dinner, daring anyone to question why my fingers were stained red.
”
”
Emily McIntire (Hooked (Never After, #1))
“
True mastery of control is accepting your emotions and then learning to wield them despite how you feel.
”
”
Emily McIntire (Hooked (Never After, #1))
“
If I’m yours, then what are you to me?” Your worst nightmare.
”
”
Emily McIntire (Hooked (Never After, #1))
“
James says that sometimes true love requires sacrifice. Well I'll sacrifice my soul a thousand times over in order to stay with his.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I’ve made sure that people understand the end of a blade hurts worse when the person wielding it enjoys causing pain.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Hi,' she says.
My stomach flips. 'Hi back.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Hook,” I whisper through the dark. “Wendy.” “I don’t want to die.” He sighs. “Go to sleep, darling. Your soul is safe tonight.” “Okay.
”
”
Emily McIntire (Hooked (Never After, #1))
“
If maybe I haven’t irrevocably ruined everything.
”
”
Emily McIntire (Hooked (Never After, #1))
“
And maybe that makes me stupid.
”
”
Emily McIntire (Hooked (Never After, #1))
“
People aren’t static. Our morals aren’t constant. They’re variables, ever changing and molding into different versions of themselves; energy that can be re-shifted and realigned.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Years of being at the hands of someone who frequently lost their wits have taught me that control is paramount.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You’re so violent.”
He grins. “It’s just who I am, darling.
”
”
Emily McIntire (Hooked (Never After, #1))
“
He bites, sucks, and kisses, and while I’m sure he’s leaving marks, I can’t find it in me to care, too lost in the way he seems to mold me to fit perfectly to every single piece of him.
”
”
Emily McIntire (Hooked (Never After, #1))
“
The mind is far too easy to manipulate, even by our own subconscious. Fact becomes fiction, or at the very least a warped version of the truth. And the past grows distorted and blurred.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Most of the time, his personality is calm waters, still and sparkling and as clear as glass. But a single drop can disrupt the entire surface, and you never know when the rain will hit.
”
”
Emily McIntire (Hooked (Never After, #1))
“
But I’m worse than any of the wild that lives in these woods, and I’ll hunt down everyone involved like prey, bathing in their blood and dancing to their screams until they repent for their sins.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Give it to me,' she whispers.
I shake my head, my body trembling. 'I don't have anything to give.'
Her mouth grazes along my jaw, pressing soft kisses to my skin. 'So give me your nothing,' she replies.
”
”
Emily McIntire (Hooked (Never After, #1))
“
When you come to the JR tonight, wear something blue.” I lean in, my breath ghosting along her ear. “It’s such a lovely color, and I want to spend all night imagining the way it will look shredded on my bedroom floor.
”
”
Emily McIntire (Hooked (Never After, #1))
“
It’s raining leaves and smells like smoldering logs and cinnamon, and Jamison Hook blends right in because something about him feels like when you’ve walked inside after being caught in the rain and a fire’s already lit.
”
”
Jessa Hastings (Never (Never, #1))
“
Don't say it,' I hiss, my stomach twisting until it tears. 'Don't you dare say it.'
He smiles, and I swear to God the sight makes me want to die.
'The greatest thing I've ever done in my life was to love you Wendy darling.
”
”
Emily McIntire (Hooked (Never After, #1))
“
He points to the clock tower that sits in the middle of the town square, the moon and stars shimmering in the background. "Straight on 'til morning."
My head tilts. "What's that mean?"
His arm wraps around my shoulders, bringing me in close. "That means you don't quit until you get what you want. Even if takes all damn night. Understand?
”
”
Emily McIntire (Hooked (Never After, #1))
“
Raw emotions and the need to hold him close overwhelmed me. Every part of ached for him-my mind, my soul and my body. Without hesitation, i closed the gap between us and pressed my lips eagerly to his.
Noah's hands were everywhere, my hair, my face, my back, and for the love of all things holy, my breasts. My hands roamed his glorious body just as greedily. After drugging me with delicious kisses for not nearly long enough, his warm lips skimmed my throat and kissed down the center of my breasts, causing me to arch my back and lose my ever loving mind.
Without meaning to, i moaned and whispered his name when his hands wandered to my thighs and set my world and blood on fire. Noah eased me back into the bed and my hair sprawled all around me.
"I love how you smell," he whispered as he suckled my earlobe. "I love how beautiful you are."
I reclaimed his lips and hooked a leg around his as we moved in rhythm with each other. In between frantic kisses, i whispered the words, "I love you". Because i did. Noah listened to me. He made me laugh and he made me feel special. He was strong and warm and caring and...everything. I loved him. I loved him more than i'd ever loved another person in my life.
Every muscle in my body froze when Noah stopped kissing and stare down at me with wide eyes. He caressed my cheek twice over and tilted his head. "Make love to me, Echo. I've never made love."
No way. Noah's experienced reputation walked down the hallway before he did. "But..."
Noah cut me off with a kiss. "Yes, but never love. Just girls who didn't mean anything" You..." His tongue teased my bottom lip, thawing my body. "Are everything. I got tested over winter break and i'm clean and i've got protection." He reached to the side of the bed and magically produced a small orange square.
I froze again. Sensing my hesitation, Noah kissed my lips slowly while stroking my cheek.
"And since break?" I asked.
"There's been no one," he whispered against my lips. "I met you soon after and i could never think of touching anyone else."
I loved him and we were together. I entwined my fingers in his hair and pulled his head back to mine, but the second his hand touched the waist of my jeans, my heart shook and my hands snapped out to stop him. "Please. Wait. Noah..." Oh, God, i was actually going to say it. "I'm a virgin."
Now Noah froze. "But you were with Luke."
A faint smile grew on my lips. I was typically the tongue-tied one and found it amusing to see him confused for once. "That's why we broke up. I wasn't ready."
He shifted his body off of mine and tuckled me close against his warmth. I laid my head on his chest and listened to the comforting sound of his beating heart. Noah ran his hand through my hair. "I'm glad you told me. This needs to be right for you and i'll wait, for as long as you need.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
You’re beautiful,” I gasp as he pulls out and thrusts back in. He smirks. “Am I?” “Yes.” My heart swells in my chest and my hand reaches up to trail along his jaw. “You’re dark and moody and mysterious. But beautiful.” Leaning down, he sucks my tongue into his mouth and sets a steady pace, my walls squeezing around his length as if my body wants him closer. Needs him deeper. His lips break away, his hand wrapping around my throat the way he knows I love. “Darling, if I’m the dark, then you’re the stars.” And
”
”
Emily McIntire (Hooked (Never After, #1))
“
Somewhere along the way, I’ve started to care. The realization that I no longer wish to use her against her father slams into me, sucking the breath from my lungs and making my tortured heart skip a beat. But if I give her freedom, she’ll run far, far away.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You used to say you would never forget me. That made me feel like the cherry blossom, here today and gone tomorrow; it is not the kind of thing one says to a person with whom one proposes to spend the rest of one's life, after all. And, after all that, for three hundred and fifty-two in each leap year, I never think about you, sometimes. I cast an image into the past, like a fishing line, and up it comes with a gold mask on the hook, a mask with real tears at the ends of its eyes, but tears that are no longer anybody's tears.
Time has drifted over your face.
”
”
Angela Carter (Burning Your Boats: The Collected Short Stories)
“
Pushing Carson back out of the door, I grabbed my jacket off the hook and shoved my feet into the great old clogs that my poor podiatrist father wants outlawed.
"Don't you want to change or something?" Mom called after me.
"She'll never change," Carson answered, and followed me down the steps.
I settled myself into the passenger seat and buckled up as he back out of the driveway. "Your arches are falling?"
"Turns out I am deeply flawed," I admitted.
”
”
Rachel Vail (You, Maybe: The Profound Asymmetry of Love in High School)
“
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot.
[The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing.
I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything.
I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true.
What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
”
”
Woody Allen
“
He points to the clock tower that sits in the middle of the town square, the moon and stars shimmering in the background. “Straight on ’til morning.” My head tilts. “What’s that mean?” His arm wraps around my shoulders, bringing me in close. “That means you don’t quit until you get what you want. Even if it takes all damn night. Understand?
”
”
Emily McIntire (Hooked (Never After, #1))
“
When he'd smiled at me and told me we would have adventures, I thought we would be friends always, that it would just be Peter and me, like brothers. But now I saw - and it was so strange that after all this time I finally did see - that I wasn't enough for him, had never been enough. I didn't mean anything to him, and not even I was special if he could keep a secret like this. And it made me love him a little less, and the memory of that smile hurt deep down in the place where I kept all my secrets and sorrows.
”
”
Christina Henry (Lost Boy: The True Story of Captain Hook)
“
I am not a good man.” “I know,” she breathes. “I have tortured.” I dip my lips down, brushing them against her neck. “I have killed.” Lifting her shirt with my free hand, my fingers skim up her side, my mouth tasting her collarbone, then trailing over the swells of her breasts. “And I’ll do both again, without ever regretting a thing. I enjoy them.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I shake my head, my body trembling. "I don't have anything to give."
..."Then give me all of your nothing.
”
”
Emily McIntire (Hooked (Never After, #1))
“
How fortuitous that the man I long to kill is serving himself to me on a silver platter.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Good girl.” I pat her cheek before lowering her head back to my lap.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I want to make sure you’re taken care of, darling.
”
”
Emily McIntire (Hooked (Never After, #1))
“
And if you’re a good girl, maybe I’ll show you the real reason why my mouth should be illegal.
”
”
Emily McIntire (Hooked (Never After, #1))
“
My heart stutters, his phrase cementing what I’ve been theorizing for the past few minutes. She doesn’t know about her father. And that means she never betrayed me at all.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Such a good girl,” he purrs.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Darling, you look edible. I regret wasting my night in meetings instead of showing you how thoroughly I enjoy you in that color.
”
”
Emily McIntire (Hooked (Never After, #1))
“
desperation making my tongue loose, hoping that somebody would act in my favor. That someone would finally see me and understand.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You aren’t a child, Wendy. You are a bad bitch.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Give it to me.
I don't have anything to give.
So give me all your nothing.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I think we’re all susceptible to strange things when our emotional and physical state are under duress.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I’m tired of being told to heel.
”
”
Emily McIntire (Hooked (Never After, #1))
“
her chocolate eyes sparkling as she grins up at me, her face level with my groin. Such a pretty position we’re in.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I rather like the idea of you having a reminder of me on your skin.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You have to relax, or I’ll never fit inside you.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I rise up slightly, my hands pushing her thighs firmly apart until she’s split wide open and on display.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Innocent. And for some reason, that shoots a thrill straight to my cock, making it thicken and pulse as I imagine all the ways this place could defile her.
”
”
Emily McIntire (Hooked (Never After, #1))
“
You see ... subduing a woman is all about control ... A delicate weaving of power. A give-and-take, if you will. Supplying them with the absolute pleasure of your dominance.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I said strip, pet, not torture me to death.
”
”
Emily McIntire (Hooked (Never After, #1))
“
James took that fragile girl and threw her somewhere I can't find, and at least for now, I'm basking in her absence.
”
”
Emily McIntire (Hooked (Never After, #1))
“
And to think, it all started with a little bit of faith.
Misplaced trust.
Missing pixie dust.
And a villain who just needed to steal a little love.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Her father has money, yet he doesn’t afford her a driver? Any protection? Sliding into my Audi, I pull onto the busy street to follow close behind and make sure she gets home safe.
”
”
Emily McIntire (Hooked (Never After, #1))
Emily McIntire (Hooked (Never After, #1))
“
Having the urge is one thing; losing yourself to temptation is quite another.
”
”
Emily McIntire (Hooked (Never After, #1))
“
It’s in this moment that I know, as wild as it seems, that I love her.
”
”
Emily McIntire (Hooked (Never After, #1))
“
we’re all a little twisted, and there’s no such thing as good and evil. There are only perspectives, and perceptions change depending on the angle.
”
”
Emily McIntire (Hooked (Never After, #1))
“
So... don't lie to me, Wendy, darling. Because my heart won't survive if you do.
”
”
Emily McIntire (Hooked (Never After, #1))
“
And if you're a good girl, maybe I'll show you the real reason why my mouth should be illegal.
”
”
Emily McIntire (Hooked (Never After, #1))
“
I’ll be seeing you, Wendy, darling.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Straight on ’til morning.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Wendy, Michael is a delicious treat, and I can’t wait to enjoy every bite of it.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Every night.” “And straight on ’til morning.
”
”
Emily McIntire (Hooked (Never After, #1))
“
A surge of something hot whips through my insides and slices up my middle, until I have to physically stop myself from pulling her into my arms and making sure Ru knows that she’s mine.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Just remember that whenever things feel bleak, all situations are temporary. It's not your circumstance that determines your worth, it's how you rise from the ashes after everything burns.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Keir had never suspected it was possible for a woman to wear so much clothing. After they'd gone to Merritt's bedroom, he'd unfastened the back of her velvet dress and she'd stepped out of it to reveal a profusion of... Christ, he didn't know the names for them... frilly lace-trimmed undergarments that fastened with tiny hooks, ribbons, and buttons. They reminded him of the illustrations pasted on the walls of the Islay baker's shop, of wedding cakes decorated with sugar lace and marzipan pearls, and flowers made of icing. He adored the sight of her in all those pretty feminine things.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
Cuando todo te parezca sombrío, recuerda que no hay situación que no sea temporal. Lo que determina tu valor no son las circunstancias, sino cómo te levantas de las cenizas después de que todo arda.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Give it to me,” she whispers. I shake my head, my body trembling. “I don’t have anything to give.” Her mouth grazes along my jaw, pressing soft kisses to my skin. “So give me all your nothing,” she replies.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Vaughn couldn’t keep his hands off her. Jasper couldn’t stand not seeing her. Rome was hooked, or he’d never have tested Jasper’s patience. Particularly after the incident with Doc. Even fucking Freddy adored her.
”
”
Heather Long (Savage Vandal (82 Street Vandals, #1))
“
When I was in junior high, I used to think I would turn out to be one of the guys, and boys would say, 'Oh, you're so great,' but they wouldn't date me. I thought I wasn't pretty enough. But then I got to Ault and first of all, I'm not really friends with any guys. And then, with you this year, I thought, if Cross will keep hooking up with me, maybe I'm okay after all. But time passed and I never became your girlfriend. And so then I thought, not only was I wrong, but my life turned out to be the opposite of what I expected. Meaning, it wasn't my appearance--that's not the bad thing about me. It's my personality. But how do I know which part? I have no idea. I've tried to think about if it's one thing in isolation or everything together, or what can I do to fix it, or how can I convince you. Then I thought, maybe it is my looks, maybe I was right before. And I never figured it out. Obviously, I didn't. But I've spent a lot of time this year trying. And the reason I'm telling you all this is that I want you to know no one in my life has ever made me feel worse about myself than you.
”
”
Curtis Sittenfeld (Prep)
“
Do you always let the people you love off the hook so easily for treating you like shit?” It’s really a rhetorical question, because even in the short time I’ve known her, I can tell she does. Everyone in her life treats her as an afterthought.
”
”
Emily McIntire (Hexed (Never After, #6))
“
Airports, on the other hand, are like airport bestsellers. They’re easy to read, you forget them quickly, you promise yourself to never again succumb to their temptation, and yet the brightness, those signs, those letters in metallic relief . . . And the passengers who consume those airport bestsellers are increasingly worthy of them. Beings with decreasing capacity for concentration, robots of flesh and bone who can’t go even a minute without connecting to their devices and extensions, as if they were waiting for the confirmation of the success of a sports star they idolize or the news that they’ve become fathers or mothers, even though their respective spouses are right there beside them in that very moment, looking after little kids hooked up to tablets where they surf without waves or a beach.
”
”
Rodrigo Fresán (The Invented Part (Trilogía las partes #1))
“
You’ve always been the best of us, Jamie,” Nod said, and his voice cracked. “Me and Fog, we always looked up to you. We always wanted to be just like you, only we never were.”
If he was crying I didn’t want to see. I only wanted to get to the beach. The night was spinning on and Peter could have found them by now.
“I wasn’t as good as you think,” I said.
“You kept us alive. You looked after us. We all knew it, even if we didn’t say so. We knew it made Peter jealous.”
“Peter’s not jealous of me,” I said. “Only of anyone that takes me away from him.”
“He is,” Nod insisted. “He knows no one will ever love him the way we all loved you.”
My throat felt clogged suddenly. I cleared it noisily, but found I couldn’t say anything. What could I possibly say?
“We all loved you, and so we loved Peter too, because you did. But when you stopped, so did the rest of us. You always made us see him through your eyes.
”
”
Christina Henry (Lost Boy: The True Story of Captain Hook)
“
Banishing them to wild and ferocious brokenness. The possibility that there is a place in them, in everyone, that is unbroken, that has never gained a pound, never been hungry, never been wounded, seems like a myth as far-fetched as the Sumerian goddess Inanna ascending to earth after hanging on a meat hook in hell.
”
”
Geneen Roth (Women Food and God: An Unexpected Path to Almost Everything)
“
You know she made me a list, don’t you?”
“What do you mean?”
“A list. Chelsea made me a list of questions to ask Mike.”
Violet laughed, pulling herself up. It was too ridiculous to believe. But it was Chelsea, so of course it was true.
“What did you do with it? You didn’t give it to him, did you?” Violet asked, her eyes wide with shock.
Jay sat up too and grinned, and Violet was sure that he had. And then he shook his head. “Nah. I told her if she really wanted the answers, she’d have to give it to him herself.”
Violet relaxed back into the couch. “Did she?”
Jay shrugged. “I dunno. You never know with Chelsea.” He leaned forward, watching Violet closely as he ran his thumb down the side of her cheek. “Anyway,” he said, switching the subject, “I get off work at six tomorrow; maybe we can hook up after that.” He moved closer, grinning. “And you can tell me how much you missed me.”
He kissed her, at first quickly. Then the kiss deepened, and she heard him groan. This time, when he pulled back, there was indecision in his eyes.
Violet wanted to say something sarcastic and sharp-witted to lighten the mood, but with Jay staring at her like that, any hope of finding a clever response was lost. She could feel herself disappearing into the depths of that uncertain look.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
People who have been wronged by an emotionally immature person may start to think they’re at fault if they continue to feel hurt by what the person did. Emotionally immature people expect you to take them off the hook immediately. If it feels better to blame you for not forgiving them fast enough, that’s what they’ll do.
After a rift, many people will make what relationship expert John Gottman calls a repair attempt (1999), apologizing, asking for forgiveness, or making amends in a way that shows a desire to patch things up. But emotionally immature people have a completely unrealistic idea of what forgiveness means. To them, forgiveness should make it like the rift never happened, as though a completely fresh start is possible. They have no awareness of the need for emotional processing or the amount of time it
may take to rebuild trust after a major betrayal. They just want things to be normal again. Others’ pain is the only fly in the ointment. Everything would be fine if others would just get past their feelings about the situation.
”
”
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
“
I always felt that someone, a long time ago, organized the affairs of the world into areas that made sense-catagories of stuff that is perfectible, things that fit neatly in perfect bundles. The world of business, for example, is this way-line items, spreadsheets, things that add up, that can be perfected. The legal system-not always perfect, but nonetheless a mind-numbing effort to actually write down all kinds of laws and instructions that cover all aspects of being human, a kind of umbrella code of conduct we should all follow.
Perfection is crucial in building an aircraft, a bridge, or a high-speed train. The code and mathematics residing just below the surface of the Internet is also this way. Things are either perfectly right or they will not work. So much of the world we work and live in is based upon being correct, being perfect.
But after this someone got through organizing everything just perfectly, he (or probably a she) was left with a bunch of stuff that didn't fit anywhere-things in a shoe box that had to go somewhere.
So in desperation this person threw up her arms and said, 'OK! Fine. All the rest of this stuff that isn't perfectible, that doesn't seem to fit anywhere else, will just have to be piled into this last, rather large, tattered box that we can sort of push behind the couch. Maybe later we can come back and figure where it all is supposed to fit in. Let's label the box ART.'
The problem was thankfully never fixed, and in time the box overflowed as more and more art piled up. I think the dilemma exists because art, among all the other tidy categories, most closely resembles what it is like to be human. To be alive. It is our nature to be imperfect. The have uncategorized feelings and emotions. To make or do things that don't sometimes necessarily make sense.
Art is all just perfectly imperfect.
Once the word ART enters the description of what you're up to , it is almost getting a hall pass from perfection. It thankfully releases us from any expectation of perfection.
In relation to my own work not being perfect, I just always point to the tattered box behind the couch and mention the word ART, and people seem to understand and let you off the hook about being perfect a go back to their business.
”
”
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
“
But I regret, with every fiber of my being, that for even one moment you suffered under my hands.” Her eyes widen, the beautiful shades of brown glossing over. “You are, without a doubt, the only good I’ve ever known.” I rest my forehead on hers, my shaky breaths ghosting across her lips, my thumb rubbing against her cheek. “So don’t lie to me, Wendy darling. Because my heart won’t survive it if you do.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Common phrases narcissists use and what they actually mean:
1. I love you.
Translation: I love owning you. I love controlling you. I love using you. It feels so good to love-bomb you, to sweet-talk you, to pull you in and to discard you whenever I please. When I flatter you, I can have anything I want. You trust me. You open up so easily, even after you’ve already been mistreated. Once you’re hooked and invested, I’ll pull the rug beneath your feet just to watch you fall.
2. I am sorry you feel that way.
Translation: Sorry, not sorry. Let’s get this argument over with already so I can continue my abusive behavior in peace. I am not sorry that I did what I did, I am sorry I got caught. I am sorry you’re calling me out. I am sorry that I am being held accountable. I am sorry you have the emotions that you do. To me, they’re not valid because I am entitled to have everything I want – regardless of how you feel about it.
3. You’re oversensitive/overreacting.
Translation: You’re having a perfectly normal reaction to an immense amount of bullshit, but all I see is that you’re catching on. Let me gaslight you some more so you second-guess yourself. Emotionally invalidating you is the key to keeping you compliant. So long as you don’t trust yourself, you’ll work that much harder to rationalize, minimize and deny my abuse.
4. You’re crazy.
Translation: I am a master of creating chaos to provoke you. I love it when you react. That way, I can point the finger and say you’re the crazy one. After all, no one would listen to what you say about me if they thought you were just bitter or unstable.
5. No one would believe you.
Translation: I’ve isolated you to the point where you feel you have no support. I’ve smeared your name to others ahead of time so people already suspect the lies I’ve told about you. There are still others who might believe you, though, and I can’t risk being caught. Making you feel alienated and alone is the best way for me to protect my image. It’s the best way to convince you to remain silent and never speak the truth about who I really am.
”
”
Shahida Arabi
“
One of my earliest memories was of a maze of pale green walls. The corridors never ended, no matter which way I turned. I was running, my feet bare, my paper-thin gown flapping around skinny foal-like legs, and the demons kept on coming. I’d run the maze before, because I always knew which way to turn to find the little clear plastic box. I’d run, and run. Lungs aching, throat burning, my feet slapping against the smooth floor, and the sound of scrabbling claws chased me down. I made it to the box, every time (I’d learned later, there were others who hadn’t) and once inside, I’d yank the clear door closed. The demons didn’t see the box. They saw only me, the wraith-like little half-blood girl. They would launch themselves—claws extended, jaws wide, eyes ablaze—and slam into my box, sending shudders rattling through my bones. They’d snap and snarl, hook their teeth into the box and gnaw at its edges, desperate to get to the feast huddling a few millimeters away.
Flooding, the Institute had called it.
At first I was afraid, and I learned how to run. Then I was angry, and I learned how to fight with my fists and my element. Then, I got even. I lured those demons into a corner and ambushed them, killing every last one. After countless visits to the maze, after weeks, years, I’d started liking it, and killing became as natural as breathing. It was what I was good at. What I was made for.
What I lived for.
© Copyright Pippa DaCosta 2016.
”
”
Pippa DaCosta (Chaos Rises (Chaos Rises, #1))
“
Indeed. But what is sane? Especially here in ‘our own country’––in this doomstruck era of Nixon. We are all wired into a survival trip now. No more of the speed that fueled the Sixties. Uppers are going out of style. This was the fatal flaw in Tim Leary’s trip. He crashed around America selling ‘consciousness expansion’ without ever giving a thought to the grim meat-hook realities that were lying in wait for all the people who took him seriously. After West Point and the Priesthood, LSD must have seemed entirely logical to him…but there is not much satisfaction in knowing that he blew it very badly for himself, because he took too many others down with him.
Not that they didn’t deserve it: No doubt they all Got What Was Coming To Them. All those pathetically eager acid freaks who thought they could buy Peace and Understanding for three bucks a hit. But their loss and failure is ours, too. What Leary took down with him was the central illusion of a whole life-style that he helped to create…a generation of permanent cripples, failed seekers, who never understood the essential old-mystic fallacy of the Acid Culture: the desperate assumption that somebody––or at least some force––is tending that Light at the end of the tunnel.
This is the same cruel and paradoxically benevolent bullshit that has kept the Catholic Church going for so many centuries. It is also the military ethic…a blind faith in some higher and wiser ‘authority.’ The Pope, The General, The Prime Minister…all the way up to “God”.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
“
Didn’t you hear him go?” Joe asked, incredulous. Jimbo pointed at his own head. “I don’t hear nothing without my hearing aids anymore. I take ’em out to sleep, so I guess he left after I went to bed.” “When was that?” Jimbo pondered the question. “Let’s see, I watched the news, read a little. You ever read Harry Potter?” Joe had, but he didn’t want to discuss it. “I’m hooked,” Jimbo said. “I’m on the third one now. I never thought I’d care a good goddamn about a little Brit orphan, but . . .” “Jimbo, what time?
”
”
C.J. Box (Trophy Hunt (Joe Pickett, #4))
“
Here's a notion, Your Highness," I said, pointing at him with one dagger. "Did you ever think that maybe I never quite forgave you for stealing her away from me all those years ago?"
"We are way past that, Puck." Ash's voice was soft; he hadn't drawn his weapon or even put a hand on his blade, but his whole posture was stiff.
"Really?" I sneered. "How long did you try to kill me after Ariella died, Ash? How many years?" I swept my other weapon up, pointing at the towers of the Iron Palace looming overhead. "More than the years you've spent with Meghan, that's for damn sure. And for what?"
Reaching up, I hooked two fingers in my collar and yanked it down, revealing a thin white gash across my collarbone. "This is yours, ice-boy," I spat at him. "Remember that? I have more than a few scars from the times you almost killed me, because you swore an oath of vengeance over a girl. Do you ever think about that? Do you ever think that maybe I was just as angry as you when I lost the one I loved? So, don't tell me we're past it, Your Highness. You know as well as I do, we're fey. Grudges last a lifetime with us.
”
”
Julie Kagawa (The Iron Raven (The Iron Fey: Evenfall, #1))
“
It was Day Three, Freshman Year, and I was a little bit lost in the school library,looking for a bathroom that wasn't full of blindingly shiny sophomores checking their lip gloss.
Day Three.Already pretty clear on the fact that I would be using secondary bathrooms for at least the next three years,until being a senior could pass for confidence.For the moment, I knew no one,and was too shy to talk to anyone. So that first sight of Edward: pale hair that looked like he'd just run his hands through it, paint-smeared white shirt,a half smile that was half wicked,and I was hooked.
Since, "Hi,I'm Ella.You look like someone I'd like to spend the rest of my life with," would have been totally insane, I opted for sitting quietly and staring.Until the bell rang and I had to rush to French class,completely forgetting to pee.
Edward Willing.Once I knew his name, the rest was easy.After all,we're living in the age of information. Wikipedia, iPhones, 4G ntworks, social networking that you can do from a thousand miles away.The upshot being that at any given time over the next two years, I could sit twenty feet from him in the library, not saying a word, and learn a lot about him.ENough, anyway, for me to become completely convinced that the Love at First Sight hadn't been a fluke.
It's pretty simple.Edward matched four and a half of my If My Prince Does, In Fact, Come Someday,It Would Be Great If He Could Meet These Five Criteria.
1. Interested in art. For me, it's charcoal. For Edward, oil paint and bronze. That's almost enough right there. Nice lips + artist= Ella's prince.
2. Not afraid of love. He wrote, "Love is one of two things worth dying for.I have yet to decide on the second."
3.Or of telling the truth. "How can I believe that other people say if I lie to them?"
4.Hot. Why not?I can dream.
5.Daring. Mountain climbing, cliff dying, defying the parents. Him, not me. I'm terrified of an embarrassing number of things, including heights, convertibles, moths, and those comedians everyone loves who stand onstage and yell insults at the audience.
5, subsection a. Daring enough to take a chance on me.Of course, in the end, that No. 5a is the biggie. And the problem. No matter how muuch I worshipped him,no matter how good a pair we might have been,it was never, ever going to happen. To be fair to Edward,it's not like he was given an opportunity to get to know me. I'm not stupid.I know there are a few basic truths when it comes to boys and me.
Truth: You have to talk to a boy-really talk,if you want him to see past the fact that you're not beautiful.
Truth: I'm not beautiful. Or much of a conversationalist.
Truth: I'm not entirely sure that the stuff behind the not-beautiful is going to be all that alluring, either.
And one written-in-stone, heartbreaking truth about this guy.
Truth:Edward Willing died in 1916.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Bryce Colton is telling everyone you hooked up after the bonfire Friday night.”
“What?” Everyone in the parking lot turned and stared. Okay, maybe I said that a little loud. I hooked my arm through Jane’s and steered her toward the sidewalk.
“I went to the bonfire with you. Do you remember seeing me naked with Bryce Colton?”
She pouted and kicked a rock off the sidewalk. “I thought maybe you went back after you dropped me off.”
“Why do you sound disappointed?”
“It would be nice if one of us had a sex life."
I laughed so hard I snorted. That’s one of the reasons I’m best friends with Jane. I never know what she’s going to say.
”
”
Chris Cannon (Blackmail Boyfriend)
“
For the record.” He dips his head down, the tips of his hair tickling my neck as he presses kisses to my skin. “I would give you the world. You simply have to ask. You want kids? Done.” He presses his lips to my jaw. My stomach tightens. “You want to stay here and never work again?” Another kiss, this time just beneath my ear. “Done.” My core flutters, heat spreading through me. “You want to watch the world burn?” “Let me guess, you’ll set it on fire?” I ask. He chuckles, the sound vibrating through me and settling into my bones. “No, darling. I’ll hand you the match and stand at your back, watching you become queen of the ashes.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Grom, I need to ask you something."
Hesitant, Grom tears his gaze from the abyss and settles it on his brother, but his eyes still hold a distance. "Hmm?"
"Do you believe in the pull?"
The question visibly jolts Grom, replacing the detachment in his eyes with pain. "What kind of question is that?"
Galen shrugs, guilt stabbing him like a trident. "Some say you felt the pull for Nalia."
Grom massages his eyes with fingertips, but not before Galen sees the torment deepen. "I didn't realize you listened to gossip, little brother."
"If I listened to gossip, I wouldn't bother to ask."
"Do you believe in the pull, Galen?"
"I don't know."
Galen nods, sighing. "I don't know either. But if there is such a thing, I guess it would be safe to say I felt it toward Nalia." With a flit of his tail, he swims forward, turning away from his brother. "Sometimes I swear I can still sense her. It's faint, and it comes and goes. Some days it's so real, I think I'm losing my mind."
"What...what does it feel like?" Galen almost can't ask. He'd already determined to never have this conversation with Grom. But things have changed.
To his surprise, Grom chuckles. "Is there something I need to know, little brother? Has someone finally hooked you?"
Galen doesn't quite get his mouth closed before his brother turns around. Grom's laugh seems foreign in this dismal place. "Looks like she's got you hooked and reeled. Who is she?"
"None of your business." At least not yet.
Grom grins. "So that's where you've been. Chasing after a female."
"You could say that." In fact, his brother can say anything he wants. He's not telling Grom about Emma. Not while Paca is out there somewhere, just waiting to be mated with a Triton king.
"If you won't tell me, I'll just ask Rayna."
"If Rayna knew, there would have already been a public announcement."
"True," Grom says, smirking. "You're smarter than I give you credit for, tadpole. So smart, in fact, that I know I don't have to tell you to keep her away from here, whoever she is. Just until things settle down."
Galen nods. "You don't have to worry about that.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
And so, by means both active and passive, he sought to repair the damage to his self-esteem. He tried first of all to find ways to make his nose look shorter. When there was no one around, he would hold up his mirror and, with feverish intensity, examine his reflection from every angle. Sometimes it took more than simply changing the position of his face to comfort him, and he would try one pose after another—resting his cheek on his hand or stroking his chin with his fingertips. Never once, though, was he satisfied that his nose looked any shorter. In fact, he sometimes felt that the harder he tried, the longer it looked. Then, heaving fresh sighs of despair, he would put the mirror away in its box and drag himself back to the scripture stand to resume chanting the Kannon Sutra.
The second way he dealt with his problem was to keep a vigilant eye out for other people’s noses. Many public events took place at the Ike-no-o temple—banquets to benefit the priests, lectures on the sutras, and so forth. Row upon row of monks’ cells filled the temple grounds, and each day the monks would heat up bath water for the temple’s many residents and lay visitors, all of whom the Naigu would study closely. He hoped to gain peace from discovering even one face with a nose like his. And so his eyes took in neither blue robes nor white; orange caps, skirts of gray: the priestly garb he knew so well hardly existed for him. The Naigu saw not people but noses. While a great hooked beak might come into his view now and then, never did he discover a nose like his own. And with each failure to find what he was looking for, the Naigu’s resentment would increase. It was entirely due to this feeling that often, while speaking to a person, he would unconsciously grasp the dangling end of his nose and blush like a youngster.
And finally, the Naigu would comb the Buddhist scriptures and other classic texts, searching for a character with a nose like his own in the hope that it would provide him some measure of comfort. Nowhere, however, was it written that the nose of either Mokuren or Sharihotsu was long. And Ryūju and Memyoō, of course, were Bodhisattvas with normal human noses. Listening to a Chinese story once, he heard that Liu Bei, the Shu Han emperor, had long ears. “Oh, if only it had been his nose,” he thought, “how much better I would feel!
”
”
Ryūnosuke Akutagawa (Rashōmon and Seventeen Other Stories)
“
Despair could never touch a morning like this.
The air was cool, and smelled of sage. It had the clarity that comes to Southern California only after a Santa Ana wind has blown all haze and history out to sea — air like telescopic glass, so that the snowcapped San Gabriela seemed near enough to touch, though they were forty miles away. The flanks of the blue foothills revealed the etching of every ravine, and beneath the foothills, stretching to the sea, the broad coastal plain seemed nothing but treetops: groves of orange, avocado, lemon, olive; windbreaks of eucalyptus and palm; ornamentals of a thousand different varieties, both natural and genetically engineered. It was as if the whole plain were a garden run riot, with the dawn sun flushing the landscape every shade of green.
”
”
Kim Stanley Robinson (Pacific Edge (Three Californias Triptych, #3))
“
Lady St. Vincent is too generous." The piles of crisp frothy undergarments looked so pristine, it was likely they had never been worn. There was even a corset, its white laces as neat as surgical sutures.
"Oh, she has many, many dresses," Betty confided, handing Amelia a pair of folded drawers and a chemise. "Lord St. Vincent sees to it that his wife is dressed like a queen. I'll tell thee summat: if she wanted the moon for her looking glass, he'd find a way to pull it down for her."
"How do you know so much about them?" Amelia asked, hooking the front of the corset while Betty moved behind her to pull the laces.
"I'm Lady St. Vincent's maid. I travel with her wherever she goes. She bid me to attend thee and the other Miss Hathaways- 'they need special care,' she said, 'after what they've endured.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
She'd gone and let her hair loose, he thought. Why did she have to do that? It made his hands hurt, actually hurt with wanting to slide into it.
"That's good." She stepped in, shut the door. And because it seemed too perfect not to, audibly flipped the lock. Seeing a muscle twitch in his jaw was incredibly satisfying.
He was a drowning man, and had just gone under the first time. "Keeley, I've had a long day here.I was just about to-"
"Have a nightcap," she finished. She'd spotted the teapot and the bottle of whiskey on the kitchen counter. "I wouldn't mind one myself." She breezed past him to flip off the burner under the now sputtering kettle.
She'd put on different perfume, he thought viciously. Put it on fresh, too, just to torment him. He was damn sure of it.It snagged his libido like a fish-hook.
"I'm not really fixed for company just now."
"I don't think I qualify as company." Competently she warmed the pot, measured out the tea and poured the boiling water in. "I certainly won't be after we're lovers."
He went under the second time without even the chance to gulp in air. "We're not lovers."
"That's about to change." She set the lid on the pot, turned. "How long do you like it to steep?"
"I like it strong, so it'll take some time. You should go on home now."
"I like it strong, too." Amazing, she thought,she didn't feel nervous at all. "And if it's going to take some time, we can have it afterward."
"This isn't the way for this." He said it more to himself than her. "This is backward, or twisted.I can't get my mind around it. no,just stay back over there and let me think a minute."
But she was already moving toward him, a siren's smile on her lips. "If you'd rather seduce me, go ahead."
"That's exactly what I'm not going to do." Thought the night was cool and his windows were open to it, he felt sweat slither down his back. "If I'd known the way things were, I'd never have started this."
That mouth of his, she thought. She really had to have that mouth. "Now we both know the way things are, and I intend to finish it.It's my choice."
His blood was already swimming. Hot and fast. "You don't know anything, which is the whole flaming problem."
"Are you afraid of innocence?"
"Damn right."
"It doesn't stop you from wanting me. Put your hands on me,Brian." She took his wrist,pressed his hand to her breast. "I want your hands on me."
The boots clattered to the floor as he went under for the third time.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
Ashanti hooked her hands behind his neck, pulled his head down, and pressed her lips to his. She was struck by how soft they felt. Never could she have imagined a hardened Army veteran would have lips that felt like brushed velvet; soft and supple and pliant.
But then she realized she must have caught him off guard, because after a moment those gentle lips turned forceful, advancing with purpose as his hands came up to cradle her face. He parted her lips with his tongue and swept it inside her mouth, his tasting like sugary cupcakes they'd eaten.
It had been so long since she'd felt this, the intense rush of intimately connecting with another human being. Of allowing herself to be vulnerable enough to share something so deep, so personal. She hadn't even been tempted to share this with anyone in such a long time.
Until this man.
”
”
Farrah Rochon (Pardon My Frenchie (Doggone Delightful, #1))
“
Oh, it's a good story, as a story,' returned that gentleman; 'as good a thing of its kind as need be. This Mr Dorrit (his name is Dorrit) had incurred a responsibility to us, ages before the fairy came out of the Bank and gave him his fortune, under a bond he had signed for the performance of a contract which was not at all performed. He was a partner in a house in some large way—spirits, or buttons, or wine, or blacking, or oatmeal, or woollen, or pork, or hooks and eyes, or iron, or treacle, or shoes, or something or other that was wanted for troops, or seamen, or somebody—and the house burst, and we being among the creditors, detainees were lodged on the part of the Crown in a scientific manner, and all the rest Of it. When the fairy had appeared and he wanted to pay us off, Egad we had got into such an exemplary state of checking and counter-checking, signing and counter-signing, that it was six months before we knew how to take the money, or how to give a receipt for it. It was a triumph of public business,' said this handsome young Barnacle, laughing heartily, 'You never saw such a lot of forms in your life. "Why," the attorney said to me one day, "if I wanted this office to give me two or three thousand pounds instead of take it, I couldn't have more trouble about it." "You are right, old fellow," I told him, "and in future you'll know that we have something to do here."' The pleasant young Barnacle finished by once more laughing heartily. He was a very easy, pleasant fellow indeed, and his manners were exceedingly winning. Mr Tite Barnacle's view of the business was of a less airy character. He took it ill that Mr Dorrit had troubled the Department by wanting to pay the money, and considered it a grossly informal thing to do after so many years. But Mr Tite Barnacle was a buttoned-up man, and consequently a weighty one. All buttoned-up men are weighty. All buttoned-up men are believed in. Whether or no the reserved and never-exercised power of unbuttoning, fascinates mankind;
”
”
Charles Dickens (Little Dorrit)
“
It was one of those rare moments where one has a vision of the scope of the wild ocean. Not just small cylinders firing to keep a tiny engine running, but rather the giant, massive gears of nature, each one with its own reasoning, its own meta-logic, spinning in its particular circle in competition or in confluence with the gear below it. We zeroed in on the school, but our progress was painfully slow, It would have been foolish to speed into the tumult-we would have ruined our baits in the process and doomed our chances of hooking a tuna.
But luckily, the commotion did not subside. If anything it only grew more frantic and exhuberant on our approach. Beneath the birds, beneath the dolphins, beneath the menhaden, there should have been an equally vast school of giant bluefin tuna, collaborating with vertebrates of the so-called higher orders of life to form the floor of the prey trap, sealing the baitfish in from below, while the dolphins and birds made up the trap's walls and ceiling. A strike from a giant tuna seemed inevitable.....as the boat moved forward, I saw seabirds gathering up ahead into a cloud, the size and violence of which I had never seen before. Gannets - big, albatross-like pelagic birds - flew hundreds of feet above the churning surface of the water. In a flock of many thousands, they whirled in unison and then, as if on command from some brigadier general of bird life, dropped in an arc, bird after bird, into the water beneath. The gyre of gannets turned in a clockwise direction, and down below, spinning counterclockwise, was the largest school of dolphins I'd ever seen. There in the angry blue-green sea, the dolphins had corralled a vast school of menhaden-small herringlike creatures that, when bitten, release globules of oil that float on the surface. Oil slicks flattened the water everywhere as the dolphins swirled around, using their exceptional intelligence and wolf-pack cooperation to befuddle and surround the fish, which in turn whirled in a clockwise direction.
”
”
Paul Greenberg (Four Fish: The Future of the Last Wild Food)
“
In solitude, the mind and body Are not troubled by distraction. Therefore, leave this worldly life And totally abandon mental wandering. With this verse, Shantideva begins a discussion on the need for solitude. In contemplating this section, it is helpful to remember three topics: dunzi, or wasting our lives with useless distractions; shenpa, the experience of being hooked; and heartbreak or nausea with samsara. When Shantideva tells us to leave this worldly life, he’s addressing how hooked we become by the things of this world, and how we need to find time to be free of distractions. After a while, nausea with getting hooked becomes like an ache in the heart that never goes away. Shantideva is not making an ultimate statement about how to live one’s life. He’s just saying that in order for the mind to become steady, we’ll need to remove ourselves from dunzi, at least for short periods of time. Outer solitude is a support for inner solitude. This is his point. We can’t kid ourselves: if we never take a break from our busy lives, it’s going to be extremely difficult to tame our minds.
”
”
Pema Chödrön (No Time to Lose: A Timely Guide to the Way of the Bodhisattva)
“
Did you hook up with your girlfriend yet?"
"No. But I have high hopes for that. Assuming I can stay alive."
"High hopes for what?"
"Our relationship."
"Why?" she asks. "What's changed between then and now?"
This is one of these utterly simple and obvious questions that is irritating
because Hiro's not sure of the answer. "Well, I think I figured out what she
was doing -- why she came here."
Another simple and obvious question. "So, I feel like I understand her now."
"You do?"
"Yeah, well, sort of."
"And is that supposed to be a good thing?"
"Well, sure."
"Hiro, you are such a geek. She's a woman, you're a dude. You're not supposed
to understand her. That's not what she's after."
"Well, what is she after, do you suppose -- keeping in mind that you've never
actually met the woman, and that you're going out with Raven?"
"She doesn't want you to understand her. She knows that's impossible. She just
wants you to understand yourself. Everything else is negotiable."
"You figure?"
"Yeah. Definitely."
"What makes you think I don't understand myself?"
"It's just obvious. You're a really smart hacker and the greatest sword fighter
in the world -- and you're delivering pizzas and promoting concerts that you
don't make any money off of. How do you expect her to --
”
”
Neal Stephenson (Snow Crash)
“
I'm anxious for you to meet my new boarder," Miriam said as they headed down the street. "He's such a handsome, well-mannered young man. I think you would like each other."
Willow stopped short. "Wait a minute . You aren't thinking of doing some matchmaking, are you? Criminey, all I need is another man to take care of. Listen, if I wanted a beau that bad, I could hook one easy all on my own."
"Oh? Then why haven't you?"
"I just told you why. I don't need another man to do for. All a miner wants is a hard-working woman to slave for 'im while he chases dreams of gold and silver. Gamblers ain't much different, 'cept they're smoother talkers. They want a pretty mistress, one who don't mind working on her backside when her man's down on his luck."
After a whole afternoon in Willow's company, Miriam was becoming shockproof. She merely raised a disapproving brow at this last statement. "I see your point, Willow, but has a real gentleman ever asked to court you?"
"I suppose that depends on your definition of a gentleman."
"Humph! I thought as much." Miriam sashayed on down the boardwalk.
"You never did anwer my question," Willow reminded her, hurrying to catch up. "Are you matchmaking?"
"Oh,look, we're here at the ice-cream parlor already. What flavor are you going to have?
”
”
Charlotte McPherren (Song of the Willow)
“
He clipped the male again, this time in the shoulder, sending Einar flying backward.
He was vaguely aware of Cyn racing to Leilani. He could hear her calling out his own name, but he tuned everything out, including her.
Con couldn’t go to her yet. The threat needed to be eliminated.
A red haze had descended across his vision as he body-slammed Einar, who was attempting to stand. That male wasn’t walking out of here.
He knew he wasn’t acting rational, that the threat could be put down easier than this, but he couldn’t stop the rage that had overtaken him.
Einar pumped a fist against Con’s ribcage as they tumbled to the ground. He barely felt it as he slammed a left hook across the male’s jaw. Didn’t feel anything as he jabbed him in the gut, the ribs, the face. Over and over. He felt a bloodlust overtake him as he pounded at Einar’s face. This male had wanted to hurt Leilani, to take her from Con.
Strong arms wrapped around Con, tackling him to the ground and rolling him off his target. “Con!” Cyn held him tight, his eyes wild as he kept him pinned down. “It’s done. You’re scaring her.”
Those words snapped him out of the dark fog of savagery that had overtaken him. Leilani stood a few feet away, her eyes wide as she stared at him. Fuck, he had scared her. “I’m fine,” he rasped to his brother.
Cyn paused before loosening his grip. When he did, Con stood, terrified he’d screwed things up for good. He didn’t glance at Einar, who he was certain was dead. He’d never lost control like that, had never even come close. It pierced him that Leilani had seen him kill someone, that he literally had blood on his hands in front of her now. “Leilani—”
She jumped at him, throwing her arms around his neck on a sob. “You came for me.”
Unable to do anything about the blood, he wrapped his arms around her and held tight.
Of course he’d come for her. There was nowhere she could go that he wouldn’t follow.
That realization slammed into him as if someone had actually struck him. They’d known each other less than two weeks but she’d changed his world without even trying. He would give up his role of leader for her. The thought should have terrified him, but it didn’t.
He buried his face against her neck, inhaled her sweet, arilod scent. “I’m not letting you go after the moon cycle.”
She sniffled, her fingers gripping his shoulders tight. “Good because I’m not going anywhere,” she said as she pulled back. Her eyes were bright with tears as she looked at him.
“I would move to the mainland for you.”
She blinked once in surprise before her lips pulled up into a smile. “No. This is your home— my home now.”
No, he realized, she was his home, but he simply nodded and crushed his mouth to hers.
”
”
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))
“
I’m in love with Rachel. There is no doubting that. And while I have a strong sense that she feels something similar, she isn’t ready for anything yet. What happened after our kiss is proof. At first, I wasn’t ready for a relationship since I was keeping too much from her, but that wouldn’t stop me now. I wanted her to be mine; I was just afraid of pushing her again. As much as I hated not being in control of this, I needed to let her make the decisions. Things had been different since the night I sang to her; something had changed. She was still a bitch and loved throwing her attitude at me, but I didn’t want her any other way. Rachel was easily the most beautiful girl I’d ever seen, and that was what had originally caught my attention, but her attitude was what hooked me. In an attempt to give her the time she needed, I had gone back to being exactly like I always was with her. As if there had never been a kiss, as if I’d never sung for her and told her what she meant to me. The last couple weeks though, through the bickering and friends-only relationship, there had been a charge between us. Well, more than usual, anyway. It was constant, and it didn’t make things awkward; it was almost as if it just made us both more aware of each other physically at all times. And I’m not gonna lie. I. Fucking. Loved it. The way she gasped softly whenever I would brush against her, how her arms would be covered in goose bumps when I pulled away from kissing the top of her head, and how she always seemed to shift closer to me without even realizing it.
”
”
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
“
I’m so sorry,” he said between kisses. “For what I said that night. For leaving you earlier. I never meant-“
“I know,” she whispered, wrapping a leg over his lip and shinnying up his body. Her lips grazed his ear. “I know. Just don’t leave me again.”
“Never.” The word burst out like an oath or a prayer, and God help him, he meant it. “Never,” he repeated, looking straight into her glimmering eyes. Then he sealed the vow with a kiss, deep and desperate and true. “Oh God,” he groaned when their lips finally parted.
She kissed him again, working her warm, slender fingers under the collar of his shirt to stroke the chilled flesh of his shoulders and back. He buries his face in her neck, inhaling the beautiful scent of her. He’d forgotten how roses smell sweetest after a rain. Trailing light kisses down to her collarbone, he began carrying her toward the bed.
“Make love to me, Gray.”
She didn’t need to ask. They both knew what was going to happen. But Gray felt the significance of her words. He might have bedded ladies and whores the world over, but for the first time in his life, he was going to make love to a woman. And not just a woman. His woman.
And this idea that should have been so unthinkable, so frightening-to his surprise, Gray found it wildly arousing. They tumbled together onto the narrow bed, and she began pulling his shirt free of his trousers. He rose up on his knees and impatiently yanked it over his head.
He peered at her frock in the darkness.
Bloody hell. Stripes.
Gray started to roll her over, looking for laces or hooks or some other ridiculous device contrived by the devil to thwart men.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
In the story of Wagner and Wagnerism, we see both the highest and the lowest impulses of humanity entangled. It is the triumph of art over reality and the triumph of reality over art; it is a tragedy of flaws set so deep that after two centuries they still infuriate us as if the man were in the room. To blame Wagner for the horrors committed in his wake is an inadequate response to historical complexity: it lets the rest of civilization off the hook. At the same time, to exonerate him is to ignore his insidious ramifications. It is no longer possible to idealize Wagner: the ugliness of his racism means that posterity's picture of him will always be cracked down the middle. In the end, the lack of a tidy moral resolution should make us more honest about the role that art plays in the world. In Wagner's vicinity, the fantasy of artistic autonomy falls to pieces and the cult of genius comes undone. Amid the wreckage, the artist is liberated from the mystification of "great art”. He becomes something more unstable, fragile, and mutable. Incomplete in himself, he requires the most active and critical kind of listening.
So it goes with all art that endures: it is never a matter of beauty proving eternal. When we look at Wagner, we are gazing into a magnifying mirror of the soul of the human species. What we hate in it, we hate in ourselves; what we love in it, we love in ourselves also. In the distance we may catch glimpses of some higher realm, some glimmering temple, some ecstasy of knowledge and compassion. But it is only a shadow on the wall, an echo from the pit. The vision fades, the curtain falls, and we shuffle back in silence to the world as it is.
”
”
Alex Ross (Wagnerism: Art and Politics in the Shadow of Music)
“
I’ll never forget the time I went duck-hunting with my buddy Mike Williams; you’ll read a lot about our adventures and shenanigans in this book. Mike and I were hunting blue-winged teal ducks, which tend to move en masse, so typically you’ll either shoot your limit or not see a duck. In other words, there is a lot of idle time involved with teal hunting, so we usually bring along our fishing poles. After a hunt with Mike one morning, in which we had not seen a single teal, I hooked a four-pound bass. Almost simultaneously, one lone blue-winged teal flew over our heads. As I was reeling in the bass, I reached for my shotgun, raised it with only my left hand, and shot the duck. Now, I’m right-handed but left-eye dominant. It was the first duck I ever shot left-handed, but it would be the first of many. I eventually made the switch to shooting left-handed permanently. It was the hardest obstacle I’ve ever had to overcome in hunting, but it made me a better shot because I’m left-eye dominant.
When Mike and I went back to my dad’s house and told him what happened, Phil didn’t believe us, even though we had the teal and bass as evidence. He’d told us about a similar feat many times before, when his friend Hookin’ Bull Thompson pulled in a fish with one hand and shot a duck with the other. I had heard the story many time, but only then did I realize it had now been duplicated. No matter how many times we told Phil about what I did, he didn’t believe us. He thought we made the entire story up because of the countless times he’d bragged about witnessing his buddy’s epic feat. Now, Mike is one of the most honest people you’ll meet, so he couldn’t believe Phil thought we were lying to him.
“I’m going to sign an affidavit about what you did,” Mike told me. “Maybe then he’ll believe us.”
“Oh, drop it,” I said. “That’s just how my family rolls.
”
”
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
“
This reaction to the work was obviously a misunderstanding. It ignores the fact that the future Buddha was also of noble origins, that he was the son of a king and heir to the throne and had been raised with the expectation that one day he would inherit the crown. He had been taught martial arts and the art of government, and having reached the right age, he had married and had a son. All of these things would be more typical of the physical and mental formation of a future samurai than of a seminarian ready to take holy orders. A man like Julius Evola was particularly suitable to dispel such a misconception.
He did so on two fronts in his Doctrine: on the one hand, he did not cease to recall the origins of the Buddha, Prince Siddhartha, who was destined to the throne of Kapilavastu: on the other hand, he attempted to demonstrate that Buddhist asceticism is not a cowardly resignation before life's vicissitudes, but rather a struggle of a spiritual kind, which is not any less heroic than the struggle of a knight on the battlefield. As Buddha himself said (Mahavagga, 2.15): 'It is better to die fighting than to live as one vanquished.' This resolution is in accord with Evola's ideal of overcoming natural resistances in order to achieve the Awakening through meditation; it should he noted, however, that the warrior terminology is contained in the oldest writings of Buddhism, which are those that best reflect the living teaching of the master. Evola works tirelessly in his hook to erase the Western view of a languid and dull doctrine that in fact was originally regarded as aristocratic and reserved for real 'champions.'
After Schopenhauer, the unfounded idea arose in Western culture that Buddhism involved a renunciation of the world and the adoption of a passive attitude: 'Let things go their way; who cares anyway.' Since in this inferior world 'everything is evil,' the wise person is the one who, like Simeon the Stylite, withdraws, if not to the top of a pillar; at least to an isolated place of meditation. Moreover, the most widespread view of Buddhists is that of monks dressed in orange robes, begging for their food; people suppose that the only activity these monks are devoted to is reciting memorized texts, since they shun prayers; thus, their religion appears to an outsider as a form of atheism.
Evola successfully demonstrates that this view is profoundly distorted by a series of prejudices. Passivity? Inaction? On the contrary, Buddha never tired of exhorting his disciples to 'work toward victory'; he himself, at the end of his life, said with pride: katam karaniyam, 'done is what needed to he done!' Pessimism? It is true that Buddha, picking up a formula of Brahmanism, the religion in which he had been raised prior to his departure from Kapilavastu, affirmed that everything on earth is 'suffering.' But he also clarified for us that this is the case because we are always yearning to reap concrete benefits from our actions. For example, warriors risk their lives because they long for the pleasure of victory and for the spoils, and yet in the end they are always disappointed: the pillaging is never enough and what has been gained is quickly squandered. Also, the taste of victory soon fades away. But if one becomes aware of this state of affairs (this is one aspect of the Awakening), the pessimism is dispelled since reality is what it is, neither good nor bad in itself; reality is inscribed in Becoming, which cannot be interrupted. Thus, one must live and act with the awareness that the only thing that matters is each and every moment. Thus, duty (dhamma) is claimed to be the only valid reference point: 'Do your duty,' that is. 'let your every action he totally disinterested.
”
”
Jean Varenne (The Doctrine of Awakening: The Attainment of Self-Mastery According to the Earliest Buddhist Texts)
“
Boy Lost
Picture a sunset in a small port town by the sea. Two teenaged boys sitting on the docks watching the ships as they fly across the water. One reaches out and takes the other’s hand. In this brush of skin for skin, a thousand unspoken promises erupt between them, and both are determined to keep them. This is what youth is. The sheer belief that you will be able to keep every promise you made to someone else. That you will be able to love someone into a forever when you do not even understand what forever means.
An evening spent in the headiness of love, they go back to their respective homes. One boy helps his mother with cooking and cleaning and looking after his little sister. His father is a good man, a sailor who brings home with him meagre wages, but a heart full of love and a quicksilver tongue that tells stories of faraway lands to enthral them all. But this boy, despite his blessings, is not happy. He may have been blessed with a loving family, but that faraway look is made of unrest and wanderlust, something about him says fae, changeling, wearing the skin of a boy who was always destined to fly, to leave.
The other boy returns home to a father who drinks and a mother who works so hard that she is never there. He is the unwanted creature in this home, a beating waiting for him at every corner. His father’s temper is a beast so powerful that a boy made of paper bones barely held together cannot fight him. He hides in his room. He lives for a boy at sunset, hope made into a human being.
Now picture this. This boy of paper bones alone at the docks the next sunset. And this boy alone on the docks again on a rainy day. And this boy alone on the docks every day after, waiting for someone who promised him forevers he never intended to keep. This boy becoming a man, a heart wounded so young in youth that it never quite healed right. Imagine him becoming a sailor, searching land after land for a boy he once loved, thinking he was hurt, or stolen, just needing to know what happened to him.
Now see him finally finding out that the boy he loved in his boyhood ran away to a magical land where he never grew up. That without a second glance, he just forgot every promise of forever. Imagine his rage, that ancient pain turning to a terrible anger and escaping from the forgotten attic of his mangled heart. Think of what happens when immense love turns into immense hate. An anger so intense it cannot be controlled. What he would give up to avenge the boy he once was, paper-boned, standing on the docks, broken without a single person to love him, simply all alone. A hand is a small price to pay for a magical ship that will take him to Neverland, a place that lives on a star. Becoming a villain called Captain Hook is a small exchange to show Peter Pan that you cannot throw away love and think you will get away unscarred.
”
”
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
“
Sky's The Limit"
[Intro]
Good evening ladies and gentlemen
How's everybody doing tonight
I'd like to welcome to the stage, the lyrically acclaimed
I like this young man because when he came out
He came out with the phrase, he went from ashy to classy
I like that
So everybody in the house, give a warm round of applause
For the Notorious B.I.G
The Notorious B.I.G., ladies and gentlemen give it up for him y'all
[Verse 1]
A nigga never been as broke as me - I like that
When I was young I had two pair of Lees, besides that
The pin stripes and the gray
The one I wore on Mondays and Wednesdays
While niggas flirt I'm sewing tigers on my shirts, and alligators
You want to see the inside, I see you later
Here comes the drama, oh, that's that nigga with the fake, blaow
Why you punch me in my face, stay in your place
Play your position, here come my intuition
Go in this nigga pocket, rob him while his friends watching
And hoes clocking, here comes respect
His crew's your crew or they might be next
Look at they man eye, big man, they never try
So we rolled with them, stole with them
I mean loyalty, niggas bought me milks at lunch
The milks was chocolate, the cookies, butter crunch
88 Oshkosh and blue and white dunks, pass the blunts
[Hook: 112]
Sky is the limit and you know that you keep on
Just keep on pressing on
Sky is the limit and you know that you can have
What you want, be what you want
Sky is the limit and you know that you keep on
Just keep on pressing on
Sky is the limit and you know that you can have
What you want, be what you want, have what you want, be what you want
[Verse 2]
I was a shame, my crew was lame
I had enough heart for most of them
Long as I got stuff from most of them
It's on, even when I was wrong I got my point across
They depicted me the boss, of course
My orange box-cutter make the world go round
Plus I'm fucking bitches ain't my homegirls now
Start stacking, dabbled in crack, gun packing
Nickname Medina make the seniors tote my Niñas
From gym class, to English pass off a global
The only nigga with a mobile can't you see like Total
Getting larger in waists and tastes
Ain't no telling where this felon is heading, just in case
Keep a shell at the tip of your melon, clear the space
Your brain was a terrible thing to waste
88 on gates, snatch initial name plates
Smoking spliffs with niggas, real-life beginner killers
Praying God forgive us for being sinners, help us out
[Hook]
[Verse 3]
After realizing, to master enterprising
I ain't have to be in school by ten, I then
Began to encounter with my counterparts
On how to burn the block apart, break it down into sections
Drugs by the selections
Some use pipes, others use injections
Syringe sold separately Frank the Deputy
Quick to grab my Smith & Wesson like my dick was missing
To protect my position, my corner, my lair
While we out here, say the Hustlers Prayer
If the game shakes me or breaks me
I hope it makes me a better man
Take a better stand
Put money in my mom's hand
Get my daughter this college grant so she don't need no man
Stay far from timid
Only make moves when your heart's in it
And live the phrase sky's the limit
Motherfuckers
See you chumps on top
[Hook]
”
”
The Notorious B.I.G
“
When we arrived at the wedding at Marlboro Man’s grandparents’ house, I gasped. People were absolutely everywhere: scurrying and mingling and sipping champagne and laughing on the lawn. Marlboro Man’s mother was the first person I saw. She was an elegant, statuesque vision in her brown linen dress, and she immediately greeted and welcomed me. “What a pretty suit,” she said as she gave me a warm hug. Score. Success. I felt better about life. After the ceremony, I’d meet Cousin T., Cousin H., Cousin K., Cousin D., and more aunts, uncles, and acquaintances than I ever could have counted. Each family member was more gracious and welcoming than the one before, and it didn’t take long before I felt right at home. This was going well. This was going really, really well.
It was hot, though, and humid, and suddenly my lightweight wool suit didn’t feel so lightweight anymore. I was deep in conversation with a group of ladies--smiling and laughing and making small talk--when a trickle of perspiration made its way slowly down my back. I tried to ignore it, tried to will the tiny stream of perspiration away, but one trickle soon turned into two, and two turned into four. Concerned, I casually excused myself from the conversation and disappeared into the air-conditioned house. I needed to cool off.
I found an upstairs bathroom away from the party, and under normal circumstances I would have taken time to admire its charming vintage pedestal sinks and pink hexagonal tile. But the sweat profusely dripping from all pores of my body was too distracting. Soon, I feared, my jacket would be drenched. Seeing no other option, I unbuttoned my jacket and removed it, hanging it on the hook on the back of the bathroom door as I frantically looked around the bathroom for an absorbent towel. None existed. I found the air vent on the ceiling, and stood on the toilet to allow the air-conditioning to blast cool air on my face.
Come on, Ree, get a grip, I told myself. Something was going on…this was more than simply a reaction to the August humidity. I was having some kind of nervous psycho sweat attack--think Albert Brooks in Broadcast News--and I was being held captive by my perspiration in the upstairs bathroom of Marlboro Man’s grandmother’s house in the middle of his cousin’s wedding reception. I felt the waistband of my skirt stick to my skin. Oh, God…I was in trouble. Desperate, I stripped off my skirt and the stifling control-top panty hose I’d made the mistake of wearing; they peeled off my legs like a soggy banana skin. And there I stood, naked and clammy, my auburn bangs becoming more waterlogged by the minute. So this is it, I thought. This is hell. I was in the throes of a case of diaphoresis the likes of which I’d never known. And it had to be on the night of my grand entrance into Marlboro Man’s family. Of course, it just had to be. I looked in the mirror, shaking my head as anxiety continued to seep from my pores, taking my makeup and perfumed body cream along with it.
Suddenly, I heard the knock at the bathroom door.
“Yes? Just a minute…yes?” I scrambled and grabbed my wet control tops.
“Hey, you…are you all right in there?”
God help me. It was Marlboro Man.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Clary held her hands up. 'I do get it. I know you don’t like me, Isabelle. Because I’m a mundane to you.'
'You think that’s why—' Isabelle broke off, her eyes bright; not just with anger, Clary saw with surprise, but with tears. “God, you don’t understand anything, do you? You’ve known Jace what, a month? I’ve known him for seven years. And all the time I’ve known him, I’ve never seen him fall in love, never seen him even like anyone. He’d hook up with girls, sure. Girls always fell in love with him, but he never cared. I think that’s why Alec thought—” Isabelle stopped for a moment, holding herself very still. She’s trying not to cry, Clary thought in wonder—Isabelle, who seemed like she never cried. “It always worried me, and my mom, too—I mean, what kind of teenage boy never even gets a crush on anyone? It was like he was always half-awake where other people were concerned. I thought maybe what had happened with his father had done some sort of permanent damage to him, like maybe he never really could love anyone. If I’d only known what had really happened with his father—but then I probably would have thought the same thing, wouldn’t I? I mean, who wouldn’t have been damaged by that?'
'And then we met you, and it was like he woke up. You couldn’t see it, because you’d never known him any different. But I saw it. Hodge saw it. Alec saw it—why do you think he hated you so much? It was like that from the second we met you. You thought it was amazing that you could see us, and it was, but what was amazing to me was that Jace could see you, too. He kept talking about you all the way back to the Institute; he made Hodge send him out to get you; and once he brought you back, he didn’t want you to leave again. Wherever you were in the room, he watched you…. He was even jealous of Simon. I’m not sure he realized it himself, but he was. I could tell. Jealous of a mundane. And then after what happened to Simon at the party, he was willing to go with you to the Dumort, to break Clave Law, just to save a mundane he didn’t even like. He did it for you. Because if anything had happened to Simon, you would have been hurt. You were the first person outside our family whose happiness I’d ever seen him take into consideration. Because he loved you.'
Clary made a noise in the back of her throat. 'But that was before—'
'Before he found out you were his sister. I know. And I don’t blame you for that. You couldn’t have known. And I guess you couldn’t have helped that you just went right on ahead and dated Simon afterward like you didn’t even care. I thought once Jace knew you were his sister, he’d give up and get over it, but he didn’t, and he couldn’t. I don’t know what Valentine did to him when he was a child. I don’t know if that’s why he is the way he is, or if it’s just the way he’s made, but he won’t get over you, Clary. He can’t. I started to hate seeing you. I hated for Jace to see you. It’s like an injury you get from demon poison—you have to leave it alone and let it heal. Every time you rip the bandages off, you just open the wound up again. Every time he sees you, it’s like tearing off the bandages.'
'I know,' Clary whispered. “How do you think it is for me?”
'I don’t know. I can’t tell what you’re feeling. You’re not my sister. I don’t hate you, Clary. I even like you. If it were possible, there isn’t anyone I’d rather Jace be with. But I hope you can understand when I say that if by some miracle we all get through this, I hope my family moves itself somewhere so far away that we never see you again.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
In the early 1680s, at just about the time that Edmond Halley and his friends Christopher Wren and Robert Hooke were settling down in a London coffee house and embarking on the casual wager that would result eventually in Isaac Newton’s Principia, Hemy Cavendish’s weighing of the Earth, and many of the other inspired and commendable undertakings that
have occupied us for much of the past four hundred pages, a rather less desirable milestone was being passed on the island of Mauritius, far out in the Indian Ocean some eight hundred miles off the east coast of Madagascar.
There, some forgotten sailor or sailor’s pet was harrying to death the last of the dodos, the famously flightless bird whose dim but trusting nature and lack of leggy zip made it a rather irresistible target for bored young tars on shore leave. Millions of years of peaceful isolation had not prepared it for the erratic and deeply unnerving behavior of human beings.
We don’t know precisely the circumstances, or even year, attending the last moments of the last dodo, so we don’t know which arrived first a
world that contained a Principia or one that had no dodos, but we do know that they happened at more or less the same time. You would be
hard pressed, I would submit to find a better pairing of occurrences to illustrate the divine and felonious nature of the human being-a species of organism that is capable of unpicking the deepest secrets of the heavens while at the same time pounding into extinction, for no purpose at all, a creature that never did us any harm and wasn’t even remotely capable of
understanding what we were doing to it as we did it. Indeed, dodos were so spectacularly short on insight it is reported, that if you wished to find
all the dodos in a vicinity you had only to catch one and set it to squawking, and all the others would waddle along to see what was up.
The indignities to the poor dodo didn’t end quite there. In 1755, some seventy years after the last dodo’s death, the director of the Ashmolean
Museum in Oxford decided that the institution’s stuffed dodo was becoming unpleasantly musty and ordered it tossed on a bonfire. This was a surprising decision as it was by this time the only dodo in existence, stuffed or otherwise. A passing employee, aghast tried to rescue the bird but could save only its head and part of one limb.
As a result of this and other departures from common sense, we are not now entirely sure what a living dodo was like. We possess much less information than most people suppose-a handful of crude descriptions by "unscientific voyagers, three or four oil paintings, and a few scattered osseous fragments," in the somewhat aggrieved words of the nineteenth century naturalist H. E. Strickland. As Strickland wistfully observed, we have more physical evidence of some ancient sea monsters and lumbering
saurapods than we do of a bird that lived into modern times and required nothing of us to survive except our absence.
So what is known of the dodo is this: it lived on Mauritius, was plump but not tasty, and was the biggest-ever member of the pigeon family,
though by quite what margin is unknown as its weight was never accurately recorded. Extrapolations from Strickland’s "osseous fragments" and the Ashmolean’s modest remains show that it was a little over two and a
half feet tall and about the same distance from beak tip to backside. Being flightless, it nested on the ground, leaving its eggs and chicks tragically easy prey for pigs, dogs, and monkeys brought to the island by outsiders. It was probably extinct by 1683 and was most certainly gone by 1693. Beyond that we know almost nothing except of course that we will not see its like again. We know nothing of its reproductive habits and diet, where it ranged, what sounds it made in tranquility or alarm. We don’t possess a single dodo egg.
From beginning to end our acquaintance with animate dodos lasted just seventy years.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
a serious contender for my book of year. I can't believe I only discovered Chris Carter a year ago and I now consider him to be one of my favourite crime authors of all time. For that reason this is a difficult review to write because I really want to show just how fantastic this book is.
It's a huge departure from what we are used to from Chris, this book is very different from the books that came before. That said it could not have been more successful in my opinion. After five books of Hunter trying to capture a serial killer it makes sense to shake things up a bit and Chris has done that in best possible way. By allowing us to get inside the head of one of the most evil characters I've ever read about. It is also the first book based on real facts and events from Chris's criminal psychology days and that makes it all the more shocking and fascinating.
Chris Carter's imagination knows no bounds and I love it. The scenes, the characters, whatever he comes up with is both original and mind blowing and that has never been more so than with this book. I feel like I can't even mention the plot even just a little bit. This is a book that should be read in the same way that I read it: with my heart in my mouth, my eyes unblinking and in a state of complete obliviousness to the world around me while I was well and truly hooked on this book. This is addictive reading at its absolute best and I was devastated when I turned the very last page.
Robert Hunter, after the events of the last few books is looking forward to a much needed break in Hawaii. Before he can escape however his Captain calls him to her office. Arriving, Hunter recognises someone - one of the most senior members of the FBI who needs his help. They have in custody one of the strangest individuals they have ever come across, a man who is more machine than human and who for days has uttered not a single word. Until one morning he utters seven: 'I will only speak to Robert Hunter'. The man is Hunter's roommate and best friend from college, Lucien Folter, and found in the boot of his car are two severed and mutilated heads. Lucien cries innocence and Hunter, a man incredibly difficult to read or surprise is played just as much as the reader is by Lucien.
There are a million and one things I want to say but I just can't. You really have to discover how this story unfolds for yourself. In this book we learn so much more about Hunter and get inside his head even further than we have before. There's a chapter that almost brought me to tears such is the talent of Chris to connect the reader with Hunter. This is a character like no other and he is now one of my favourite detectives of all time. We go back in time and learn more about Hunter when he was younger, and also when he was in college with Lucien. Lucien is evil. The scenes depicted in this book are some of the most graphic I've ever read and you know what, I loved it. After five books of some of the scariest and goriest scenes I've ever read I wondered whether Chris could come up with something even worse (in a good way), but trust me, he does. This book is horrifying, terrifying and near impossible to put down until you reach its conclusion. I spent my days like a zombie and my nights practically giving myself paper cuts turning the pages.
If when reading this book you think you have an idea of where it will go, prepare to be wrong. I've learnt never to underestimate Chris, keeping readers on their toes he takes them on an absolute rollercoaster of a ride with the twistiest of turns and the biggest of drops you will finish this book reeling. I am on a serious book hangover, what book can I read next that can even compare to this? I have no idea but if you are planning on reading An Evil Mind I cannot reccommend it enough. Not only is this probably my book of the year it is probably the best crime fiction book I have ever read. An exaggeration you might say but my opinion is my own and this real
”
”
Ayaz mallah
Emily McIntire (Hooked (Never After, #1))
“
I’ve never had attention on me the way he gives it, and I can’t help but wonder if this is how he is with everyone—like his world stops spinning, its axis tilting just for you.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Beautiful,” he says. It’s one word, but it caresses me like velvet, my insides purring at his approval. “You too.” He smirks. “You think I’m beautiful?” His tone is playful, and it ignites that same foreign fire from the first night we met, when I wondered what it would feel like to be a different type of Wendy. My eyebrow quirks. “What, you think a man can’t have beauty?” “A man can have many things, darling.” He steps in closer. “But the only beauty I hope to have tonight is yours.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Si yo soy la oscuridad, tú eres las estrellas.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Lo mejor que he hecho en mi vida ha sido quererte.
”
”
Emily McIntire (Hooked (Never After, #1))
“
And for the record, these pretty lips will say whatever the fuck they want.
”
”
Emily McIntire (Hooked (Never After, #1))
“
The greatest thing I've ever done in my life was to love you, Wendy Darling.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Roofus—known to the world as Ru—is the only person in my life worthy of my trust. He saved me from hell, and I’ll never be able to repay that debt.
”
”
Emily McIntire (Hooked (Never After, #1))
“
There was once, but that was long ago. Another lifetime, really.
”
”
Emily McIntire (Hooked (Never After, #1))
“
My stomach tightens as my gaze trails along her body in a tight blue dress.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Innocent. Definitely doesn’t belong in a place like this. And for some reason, that shoots a thrill straight to my cock, making it thicken and pulse as I imagine all the ways this place could defile her.
”
”
Emily McIntire (Hooked (Never After, #1))
“
Suddenly, heat pricks the back of my neck, and I twist in my seat, an unsettling feeling of being watched washing over me.
”
”
Emily McIntire (Hooked (Never After, #1))