Hook Or Crook Quotes

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By hook or by crook, I hope that you will possess yourselves of money enough to travel and to idle, to contemplate the future or the past of the world, to dream over books and loiter at street corners and let the line of thought dip deep into the stream
Virginia Woolf
Therefore I would ask you to write all kinds of books, hesitating at no subject however trivial or however vast. By hook or by crook, I hope that you will possess yourselves of money enough to travel and to idle, to contemplate the future or the past of the world, to dream over books and loiter at street corners and let the line of thought dip deep into the stream.
Virginia Woolf (A Room of One’s Own)
By hook or by crook this peril too shall be something that we remember
Homer (The Odyssey)
We are here because one odd group of fishes had a peculiar fin anatomy that could transform into legs for terrestrial creatures; because the earth never froze entirely during an ice age; because a small and tenuous species, arising in Africa a quarter of a million years ago, has managed, so far, to survive by hook and by crook. We may yearn for a ‘higher answer’– but none exists
Stephen Jay Gould
In the first place, most princes apply themselves to the arts of war, in which I have neither ability nor interest, instead of to the good arts of peace. They are generally more set on acquiring new kingdoms by hook or by crook than on governing well those that they already have.
Thomas More (Utopia)
Therefore I would ask you to write all kinds of books, hesitating at no subject however trivial or however vast. By hook or by crook, I hope that you will possess yourselves of money enough to travel and to idle, to contemplate the future or the past of the world, to dream over books and loiter at street corners and let the line of thought dip deep into the stream. For I am by no means confining you to fiction. If you would please me - and there are thousands like me - you would write books of travel and adventure, and research and scholarship, and history and biography, and criticism and philosophy and science. By so doing you will certainly profit the art of fiction. For books have a way of influencing each other. Fiction will be much the better for standing cheek by jowl with poetry and philosophy.
Virginia Woolf (A Room of One’s Own)
Why run around offering water? There's a sea in every house. If anyone is thirsty, by hook or crook, he'll drink.
Kabir (The Bijak of Kabir)
Well, sugar," she said, limping off, "don't be too hard on yourself. Now and again it's okay to let yourself off the hook." But that was the trouble, wasn't it? Letting himself off the hook had been his way of life.
Tom Franklin (Crooked Letter, Crooked Letter)
Keep away from her," said Ameer Merchant, but once the inexorable dynamic of the mythic has been set in motion, you might as well try and keep bees from honey, crooks from money, politicians from babies, philosophers from maybes. Vina had her hooks in me, and the consequence was the story of my life.
Salman Rushdie (The Ground Beneath Her Feet)
The best way of handling astrological transits is to go with the flow. If the Universe is leading you to a certain place by hook or by crook, there’s probably a reason.
Cate East (Success Astrology: Your Celestial Map of Success)
It was easy to root for the winners. No, he liked the punch-drunk ones, half walking at mile twenty-three, tongues flapping like Labradors. Tumbling across the finish line by hook or by crook, feet pounded to bloody meat in their Nikes. The laggards and limpers who weren’t running the course but running deep into their character—down into the cave to return to the light with what they found. By the time they got to Columbus Circle, the TV crews have split, the cone cups of water and Gatorade litter the course like daisies in a pasture, and the silver space blankets twist in the wind. Maybe they had someone waiting for them and maybe they didn’t. Who wouldn’t celebrate that?
Colson Whitehead (The Nickel Boys)
I think they know we're talking about them," I say. "So? They already know I hate them." "They do? How?" Christina fakes a smile at them and waves. I look down, my cheeks warm. I shouldn't be gossiping anyway. Gossiping is self-indulgent. Will hooks a foot around one of Al's legs and yanks back,knocking Al to the ground. Al scrambles to his feet. "Because I've told them," she says, through the gritted teeth of her smile. Her teeth are straight on top and crooked on the bottom.She looks at me. "We try to be pretty honest about our feelings in Candor. Plenty of people have told me that they don't like me.And plenty of people haven't. Who cares?" "We just...weren't supposed to hurt people," I say. "I like to think I'm helping them by hating them," she says. "I'm reminding them that they aren't God's gift to humankind.
Veronica Roth (Divergent (Divergent, #1))
He had destroyed his talent by not using it, by betrayals of himself and what he believed in, by drinking so much that he blunted the edge of his perceptions, by laziness, by sloth, and by snobbery, by pride and by prejudice, by hook and by crook. What was this? A catalogue of old books? What was his talent anyway? It was a talent all right but instead of using it, he had traded on it. It was never what he had done, but always what he could do.
Ernest Hemingway (The Complete Short Stories of Ernest Hemingway)
An old fisherman heard all this and shook his head. “This is what happens to those who don’t get married,” he said. “All they want to do is save the world, by hook or by crook. The sperm rises to their heads and attacks their brains. For God’s sake, all of you: get married, let your forces loose on women and have children in order to calm yourselves!
Nikos Kazantzakis (The Last Temptation of Christ)
Had a cold hummus with pita bread, Under a delicious food, yellow or red. Might just have the appetite to cook Urgent dinner by hook or crook. So that's just a humus humor spread.
Ana Claudia Antunes (ACross Tic)
Oh, Mama,” I said. “What if I don’t live that long?” My mother didn’t hesitate one second. “By hook or by crook, you will. Having children only increases your grip on the world. It’s like reading a thriller. You can’t put it down because you have to know how the story turns out.
Jo-Ann Mapson (Along Came Mary (Bad Girl Creek, #2))
Her eyes are grey. Her hair is straggly and wet. Her fingers are stubby. The nails are chewed and broken. Her teeth are crooked, jagged things. There is a vacancy in her gaze, a feeling of absence when you are near her that is impossible to put into words. Her sigil is the hooked ring. One day her hook will catch your heart. Describing her, we articulate what she is and why she is: when hope is past, she is there. She is in a thousand thousand waiting rooms and empty streets, in grey concrete buildings and anonymous hotels. She is on the other side of every mirror. When the eyes that look back at you know you too well, and no longer care for what they see, they are her eyes. She stands and waits, and in her posture the pain no longer tells you to live, and in her presence joy is unimaginable.
Neil Gaiman (The Sandman: Endless Nights)
As he bent down to tie his laces, his chest filled with something new. Was it gratitude? He, the early orphaned, never-before-loved, unattractive Calvin Evans, had, by hook or by crook, found this woman, this dog, this research, this row, this run, Jack. It was all so much more than he’d ever expected, so much more than he ever deserved.
Bonnie Garmus (Lessons in Chemistry)
Something tells me there’s more than one shaman in Vegas who performs weddings. I think we’re better off intercepting them at the fight.” “But they could be getting married right now!” Ivy protested, falling into a double-time step to keep up with his pace. “Lucky we’re in Vegas, then. They have quickie divorces to go with their quickie weddings.
Linda Morris (By Hook or By Crook)
She is the key to this mystery, a key that I will turn, by hook or by crook.
Frances Hardinge (A Face Like Glass)
Hey, I’m an art lover,” protested Ramirez. “I love Thomas Kinkade. Painter of Light, you know what I’m sayin’?” Beverly’s smile froze. “Yes, quite.
Linda Morris (By Hook or By Crook)
Before she passed, my Poppy asked me to send these kisses to her in a way that she would see them in heaven. I know most of you didn’t know her, but she was the best person I knew … she would have treasured this moment.” My lip hooked into a crooked smile at the thought of her face when she saw them. She would love it. “So please, light your lanterns and help my kisses reach my girl.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Of course the people in the metro didn't see a thing!...what a joke! petrified ratlets! but they'll still come out to refute me! make claims!...that nothing got bombed!...squished! powdered! that the firmament was calm, and me, I imagined the whole thing! chrysanthemums, sprays, roses! why, there's no more any such thing as sky-hooking shrapnel than there is anal ice cream! it's all in my mind! hallucinations and bullshit! what a crook! but I repeat and reassert! shrapnel and fiery lace stretched from one end of the horizon to the other! with lots of glow-worms mixed in...and dancing purple fireflies...
Louis-Ferdinand Céline (Normance)
He, the early orphaned, never-before-loved, unattractive Calvin Evans, had, by hook or by crook, found this woman, this dog, this research, this row, this run, Jack. It was all so much more than he’d ever expected, so much more than he ever deserved
Bonnie Garmus (Lessons in Chemistry)
By hook or by crook, I hope that you will possess yourselves of money enough to travel and to idle,” she said, “to contemplate the future or the past of the world, to dream over books and loiter at street corners and let the line of thought dip deep in the stream.
Stephanie Rosenbloom (Alone Time: Four Seasons, Four Cities, and the Pleasures of Solitude)
Then a state-sponsored play out of Berlin begins: a story of invaders sneaking into a village at night. All twelve children sit riveted. In the play, the invaders pose as hook-nosed department-store owners, crooked jewelers, dishonorable bankers; they sell glittering trash; they drive established village businessmen out of work. Soon they plot to murder German children in their beds. Eventually a vigilant and humble neighbor catches on. Police are called: big handsome-sounding policemen with splendid voices. They break down the doors. They drag the invaders away. A patriotic march plays. Everyone is happy again.
Anthony Doerr (All the Light We Cannot See)
He’s been fighting a lot on the Midwest circuit, but Vegas is the big-time. If he ever wants to get anywhere, he has to fight here. And since we’re here, we thought we’d get married, since Vegas is so romantic.” Ivy could think of a dozen cities more romantic than Vegas—Akron, Ohio came to mind—but she didn’t argue.
Linda Morris (By Hook or By Crook)
She had left her legs bare, and if he wasn’t mistaken, they had a slight sheen. He realized she’d caught him staring when she cleared her throat. “Are your legs...sparkly?” he managed to ask, feeling the need to explain since he’d been caught leering. “My body lotion has a little bit of glitter in it,” she said with a trace of diffidence. She seemed apologetic. For what, he had no idea.
Linda Morris (By Hook or By Crook)
It was easy to root for the winners. No, he liked the punch-drunk ones, half walking at mile twenty-three, tongues flapping like Labradors. Tumbling across the finish line by hook or by crook, feet pounded to bloody meat in their Nikes. The laggards and limpers who weren’t running the course but running deep into their character—down into the cave to return to the light with what they found.
Colson Whitehead (The Nickel Boys)
Walking alone is a city that's not my own, I think of what Virginia Woolf wished for the women in Cambridge who came to hear her speak in 1928. 'By hook or by crook, I hope that you will possess yourselves of money enough to travel and to idle,' she said, 'to contemplate the future or the past of the world, to dream over books and loiter at street corners and let the line of thought dip deep in the stream.
Stephanie Rosenbloom (Alone Time: Four Seasons, Four Cities, and the Pleasures of Solitude)
Virtually all letter writers confessed how their encounter with Nietzsche's philosophy either emboldened or chastened them, liberated them from old falsehoods, or saddled them with new moral responsibilities. Helen Bachmuller of Dayton, Ohio, wrote to let Förster-Nietzsche know that her brother had inspired the belief that human greatness was still possible in the modern world. Though unworthy of his greatness, he nevertheless awakened in her a longing for something deeper in herself. Nietzsche, Bachmuller confessed, had saved her from her 'own inner emptiness.' The 'Ohio country' she called home had become 'tame and commonplace,' filled with lives 'trivial and ... essentially ugly, for they are engrossed with matters of money and motors, not with work or faith or art.' She regarded the Methodist church near her house as 'vulgar, pretentious.' Though disgusted by the offensive mediocrity around her, she was also chagrined by her own limitations: 'It would be, probably, impossible for you to imagine anything more superficial than I am.' But reading presumably the recently released translation of Förster-Nietzsche's The_Nietzsche-Wagner_Correspondence had exposed Bachmuller to 'depths beyond depths, of one great soul striking fire against another great soul, and I became thrilled. I could feel the harmonies and dissonances, the swell and surge of those two glorious beings, and I felt much more that I cannot express.' Reading Nietzsche enlivened her to the possibility 'for a companionship that would stimulate, that would deepen, that would give me Tiefen [depth].' Nietzsche strengthened her resolve that 'all my life I will hold on to my hunger, if I never manage to have a soul, at any rate I will remain, by hook or crook, aware of it and I will desire one all my life, I will not accept substitutes.
Jennifer Ratner-Rosenhagen (American Nietzsche: A History of an Icon and His Ideas)
DECALOGUE, n. A series of commandments, ten in number—just enough to permit an intelligent selection for observance, but not enough to embarrass the choice. Following is the revised edition of the Decalogue, calculated for this meridian. Thou shalt no God but me adore: 'Twere too expensive to have more. No images nor idols make For Robert Ingersoll to break. Take not God's name in vain; select A time when it will have effect. Work not on Sabbath days at all, But go to see the teams play ball. Honor thy parents. That creates For life insurance lower rates. Kill not, abet not those who kill; Thou shalt not pay thy butcher's bill. Kiss not thy neighbor's wife, unless Thine own thy neighbor doth caress Don't steal; thou'lt never thus compete Successfully in business. Cheat. Bear not false witness—that is low— But "hear 'tis rumored so and so." Cover thou naught that thou hast not By hook or crook, or somehow, got.
Ambrose Bierce (The Devil's Dictionary)
All twelve children sit riveted. In the play, the invaders pose as hook-nosed department-store owners, crooked jewelers, dishonorable bankers; they sell glittering trash; they drive established village businessmen out of work. Soon they plot to murder German children in their beds. Eventually a vigilant and humble neighbor catches on. Police are called: big handsome-sounding policemen with splendid voices. They break down the doors. They drag the invaders away. A patriotic march plays. Everyone is happy again.
Anthony Doerr (All the Light We Cannot See)
As it stands today we have too many lawyers in government — many of whom are very smart and decent people — but they are not immune from acting like lawyers. Consequently, we have far too much regulatory legislation. Also, what do many lawyers learn in law school? They learn to win by hook or by crook; it doesn’t matter how you fight as long as you win. Imagine a roomful of Democratic and Republican lawyers, each with one overriding goal to win, and this certainly helps one understand the distasteful partisan politics that characterizes Congress today.
Ben Carson (America the Beautiful: Rediscovering What Made This Nation Great)
It’s important to marry someone, she said. Not because you need them to complete you or because you ought to be someone’s wife by hook or by crook. It’s just that worlds want to combine, they want to marry, and they use people to do it, the way you mix medicine in with something sweet, so it’s easy to swallow. That’s why we have to have all those silly things: a frilly dress and something blue and a bachelor party and a priest. Just so that a boy and a girl can live together and make babies? Posh. Because the big worlds inside us are mating, and they need the pomp.
Catherynne M. Valente (The Bread We Eat in Dreams)
When I came up, I chanced a look at him. A mistake. The famished, wounded set of his body hinted agony. That he was dangerous seemed secondary to how alive I became. I’d been pretty all my life, but no one had ever watched me as Mark Donahue did now— as if I were a mythical creature. I hooked my elbows over the side of the tub, nipples pressed against the slick porcelain, and crooked a finger at him. "Come here." He was on his feet immediately. I stood, naked skin steaming, smelling like Johanna's gardenias, not like Wren at all. Like someone loved and desperately needed. But he kept his distance, as if I were the dangerous one.
Talia Vines (DarkWeb)
Raising the mic, I took a deep breath and said, ‘I won’t speak long. I’m not real good with speaking in public. I just wanted to thank you all for gathering here tonight…’ I trailed off. My words had dried up. I raked my hand through my hair and, gathering my composure, managed to say, ‘Before she passed, my Poppy asked me to send these kisses to her in a way that she would see them in heaven. I know most of you didn’t know her, but she was the best person I knew … she would have treasured this moment.’ My lip hooked into a crooked smile at the thought of her face when she saw them. She would love it. ‘So please, light your lanterns and help my kisses reach my girl.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
I like reading books in the bulk. Lately, my diet has become a trifle monotonous; history is too much about wars; biography too much about great men; poetry has shown, I think, a tendency to sterility, and fiction but I have sufficiently exposed my disabilities as a critic of modern fiction and will say no more about it. Therefore I would ask you to write all kinds of books, hesitating at no subject however trivial or however vast. By hook or by crook, I hope that you will possess yourselves of money enough to travel and to idle, to contemplate the future or the past of the world, to dream over books and loiter at street corners and let the line of thought dip deep into the stream.
Virginia Woolf (A Room of One’s Own)
LIGHT PALE AS MILK guided the old man’s steps over the field to the creek and then to the mountain, stepping into the black wall of pineshadows and climbing up the lower slopes out into the hardwoods, bearded hickories trailing grapevines, oaks and crooked waterless cottonwoods, a quarter mile from the creek now, past the white chopped butt of a bee tree lately felled, past the little hooked Indian tree and passing silent and catlike up the mountain in the darkness under latticed leaves scudding against the sky in some small wind. Light saw him through the thick summer ivy and over windfalls and limestone. Past the sink where on a high bluff among trilobites and fishbones, shells of ossified crustaceans from an ancient sea, a great stone tusk jutted.
Cormac McCarthy (The Orchard Keeper)
A museum employee walked through interrupting the conversation; he nodded to the couple before disappearing again. Nora hooks her arm with his leading him to a new painting. Stopping before a portrait of a young girl, she identifies this as the one she restored for the Art Academy. Oss glanced around ensuring their privacy then squeezed her elbow. She looked up at him from beneath feathered lashes and the outside world ceased to exist. Brushing his lips to hers, the fresh scent of her fragrance filled his mind. Raids, mobsters and crooked cops receded to distance recesses in his mind. Soft lips caressed his, his mind exploded in color. Two lonely people were falling in love; only the girl in the portrait bore witness to this extraordinary event. ~ The love story of Oss and Nora
Caroline Walken (Reggie's No Limit (The Willows #2))
Everywhere something could be detected that seemed to be on the point of betraying some secret, something elusively subtle oh, how subtle!...'No,' Chichikov said to himself, 'women are a subject such as...' Here he dismissed it with the wave of a hand: 'What's the use of talking!' Just try and describe or put into words everything that is flitting over their faces, all the subtle twists of meaning, all the hints- and you simply won't be able to put into words. Their eyes alone are such a vast realm that if a man ventured to enter it he'd be as good as done for! You won't drag him out of there by hook or by crook. Just try describing, for instance, their glitter alone: moist, velvety, sugary. Goodness only knows what else you may not find there. Harsh and soft, and quite languishing, or as some say, voluptuous or not voluptuous but a hundred times worse than voluptuous- and it clutches your heart and plays upon your souls, as though a violin bow. No, one simply can't find the right words: the 'ever so refined' half of the human species, and that's all there is to it.
Nikolai Gogol (Dead Souls)
Under the Sun by Maisie Aletha Smikle The year was seventeen ten When I turned ten I played with Maggy my hen And wrote a skit for a friend I fed Maggy corn That was fetched from the barn And milked the goats For breakfast I made porridge from oats On a bench I sat Eating my Pop When out flew Maggy my hen From her pen I left my meal This was unreal The hen had left her coop So I got some grain and stooped Then called out to Maggy my hen Maggy O Maggy come back to your pen The hen flapped her wings Her leg was caught between two strings Two men got my poor hen They grabbed me and my hen And stuffed us in a pen Then sold us for a stipend My precious hen they took Made fire slaughter and cook Then gulped water from a nearby brook My poor neck was hooked In chains like a crook It must be a nightmare The crooks were here To get more than their share Have I died and gone to hell I simply couldn’t tell I always do good And was never misunderstood Are these vultures One could not tell Their skin looked like the skin of bald head vultures O dear me roaming wingless vultures Are these aliens from hell One could not tell They looked like me head hands and feet They don't have four feet O Lord I did not make it to heaven Even though I had forgiven Heated red hot metal pierced my body Steam gushed from my broiling flesh There is no doubt these are the demons of hell Brandishing fiery stones and red hot iron Burning those who did not make it to heaven Shoving them into hell’s decked unlit pit The year was seventeen ten When I turned ten Maggy my hen flew from her pen And the sun stopped shining at half past ten
Maisie Aletha Smikle
In spring that year (1930), by a symbolic act whose significance I myself did not grasp, a march through the stifling heat to the sea with a little band of followers to make illegal salt, Gandhi had aroused the Indian people from the lethargy into which they had long sunk after nearly three centuries of British rule, if you counted the incredible period when they were governed for two hundred years not by a foreign country but by a bizarre band of traders greedy for profit, the honourable members and agents of the East India Company. These hustlers had first came out from England early in the seventeenth century, found the pickings beyond their fondest dreams, and by hook and by crook and by armed might, had stolen the country from the Indians. It was the only instance in history, I believe, of a private commercial enterprise taking over a vast, heavily populated subcontinent, ruling it with an iron hand and exploiting it for private profit. Probably only the British, with their odd assortment of talents, their great entrepreneurial drive, their ingrained feeling of racial superiority, of which Rudyard Kipling would sing so shrilly, their guile in dividing the natives and turning them against one another, and their ruthlessness in putting down all who threatened their rule and their profits, could have done it, and got away with it so long. Perhaps only the Indians, divided as they were after the decay of the Mughal Empire into dozens of quarrelling, warring states, great and small, could have succumbed so easily and so quickly to the aggression of a handful determined merchants, backed by a small handful of British troops in the service of the Company, and remained so long in abject subjection. As Radhakrishnan, the great Hindu philosopher, put it in our own time: "The day India lost her freedom, a great curse fell on her and she became petrified.
William L. Shirer (Gandhi: A Memoir)
I'm only a ‘Miss,’” she informed him, having listened to their discussion of the peerage. “But when I marry a prince someday, I'll be ‘Princess Rose,’ and then you may call me ‘Your Highness.’” Bronson laughed, his tension seeming to dispel. “You're already a princess,” he said, scooping the little girl up and setting her on his knee. Caught by surprise, Rose let out a squealing laugh. “No, I'm not! I don't have a crown!” Bronson appeared to take the point seriously. “What kind of crown would you like, Princess Rose?” “Well, let me think…” Rose screwed up her small face in deep concentration. “Silver?” Bronson prompted. “Gold? With colored stones, or pearls?” “Rose does not need a crown,” Holly intervened with a touch of alarm, realizing that Bronson was more than ready to purchase some ostentatious headpiece for the child. “Back to play, Rose—unless you would care to take an afternoon nap, in which case I'll ring for Maude.” “Oh, no, I don't want a nap,” the little girl said, immediately sliding from Bronson's knee. “May I have another cake, Mama?” Holly smiled fondly and shook her head. “No, you may not. You'll spoil your dinner.” “Oh, Mama, can't I have just one more? One of the little ones?” “I've just said no, Rose. Now please play quietly while Mr. Bronson and I finish our discussion.” Obeying reluctantly, Rose glanced back at Bronson. “Why is your nose crooked, Mr. Bronson?” “Rose,” Holly reproved sharply. “You know very well that we never make observations about a person's appearance.” However, Bronson answered the child with a grin. “I ran into something once.” “A door?” The child guessed. “A wall?” “A hard left hook.” “Oh.” Rose stared at him contemplatively. “What does that mean?” “It's a fighting term.” “Fighting is bad,” the little girl said firmly. “Very, very bad.” “Yes, I know.” Lowering his head, Bronson tried to look chastened, but his air of repentance was far from convincing. “Rose,” Holly said in a warning tone. “There'll be no further interruptions, I hope.” “No, Mama.” Obediently the child returned to her play area. As she walked behind Bronson's chair, he surreptitiously handed her another cake. Grabbing the tidbit, Rose hurried to the corner like a furtive squirrel.
Lisa Kleypas (Where Dreams Begin)
Well dammit. Trulie hooked her hand into the crook of his elbow and turned toward the bridge. The chilling height of the structure spanning the ravine could no longer be blamed for the tingling dizziness pinging across her senses. Fear of heights was nothing compared to this subtle emotional dance with a heart-stopping Highlander.
Maeve Greyson (My Highland Lover (Highland Hearts, #1))
One of the greatest indicators of how much truth and honesty is in a country, is easily seen by observing how people drive around the city. What is their attitude to the rules of road safety? What is their attitude towards other commuters? Do they try to beat the system by all means? Do they try to get their way by hook or by crook, or they follow the rules? That is also part of corruption!
Sunday Adelaja
No wonder everyone sought, by hook or by crook, alliance with the Heike. All alive within the four seas mimicked the ways of Rokuhara,14 down to the mere cut of a robe or crease of a hat.
Anonymous (The Tale of the Heike (Penguin Classics))
The sneaker is a slightly overhanded right hook to the head, delivered at the instant you force a break-away from a clinch. In boxing, it is illegal for you to use this blow, or any other, after the referee has told you to break. But you can use it before he orders a break-when you make your own break. In fist-fighting you can use it whenever you get the chance. Here's what you do in a clinch when you haven't room to punch with either hand: (1) Keep your head in close to the left side of your opponent's head, with your chin slightly over his shoulder; (2) maneuver with your left hand until you can grab the inside crook of his right elbow, and thus hold his right arm so firmly that he can't punch with it; (3) get his left arm under your right arm, and clamp your right hand under his arm-just above the elbow-just below the biceps (Figure 36). When you hold him in that fashion, he can't hit you; but you are in perfect position to break away sharply and deliver a stunning overhanded "sneaker" hook. Suddenly, yank him tighter to you with your right hand; then, shove him violently away with both hands; and-- almost in the same movementwhip an outside right hook up over his left shoulder-and down-so that your striking knuckles smash into his left jawbone or left temple (Figure 37). If the "sneaker" is delivered properly, your opponent will drop like a poleaxed steer. If he doesn't drop, he'll be so groggy that one or two shovels to the chin will finish him. Practice the "sneaker" until you can do it automatically. It's called a sneak punch because it's delivered on the break, when an opponent is not expecting it, and when he's off balance. Because of its surprise and explosiveness, the sneaker is one of the deadliest of punches.
Jack Dempsey (Toledo arts: championship fighting and agressive defence (Martial arts))
Keep away from her,” said Ameer Merchant, but once the inexplorable dynamic of the myth has been set in motion, you might as well try and keep bees from honey, crooks from money, politicians from babies, philosophers from maybes. Vina had her hooks in me, and the consequence was the story of my life. “Bad egg,’’ Ameer called her, and “rotten apple” too. And then, dripping and bruised, she arrived at our door in the middle of the night, begging to be taken in.
Salman Rushdie (The Ground Beneath Her Feet)
Aye,” Richard grumbled, “but it ruins the eeling, and there’ll be not so many birds. We live well enough now, with no drainage done, a goose to the table whenever we wish, eels and pike for the eating or the market, and our patches of crop land no tax gatherer can find. If the fens be drained, strangers will come in. Wild and lawless they say we be, and that we stink of our fens, but we are free men and better it is to remain so. “Once the gentry ken how rich is the land they’ll have it from us by hook or crook, or they’ll come on with their laws to interfere with the hunting, the digging of peat, or the cutting of thatch. They’d have us bound out to labor on their farms instead of us living free.
Louis L'Amour (The Sacketts Volume One 5-Book Bundle: Sackett's Land, To the Far Blue Mountains, The Warrior's Path, Jubal Sackett, Ride the River)
Moshe had few friends. Most of Pottstown’s Jews had left Chicken Hill by then. Nate was a friend, but he was a Negro, so there was that space between them. But with Malachi, there was no space. They were fellow escapees who, having endured the landing at Ellis Island and escaped the grinding sweatshops and vicious crime of the vermin-infested Lower East Side, had arrived by hook or crook in the land of opportunity that was Pennsylvania, home to Quakers, Mormons, and Presbyterians. Who cared that life was lonely, that jobs were thankless drudgery, that the romance of the proud American state was myth, that the rules of life were laid carefully in neat books and laws written by stern Europeans who stalked the town and state like the grim reaper, with their righteous churches spouting that Jews murdered their precious Jesus Christ? Their fellow Pennsylvanians knew nothing about the shattered shtetls and destroyed synagogues of the old country; they had not set eyes on the stunned elderly immigrants starving in tenements in New York, the old ones who came alone, who spoke Yiddish only, whose children died or left them to live in charity homes, the women frightened until the end, the men consigned to a life of selling vegetables and fruits on horse-drawn carts. They were a lost nation spread across the American countryside, bewildered, their yeshiva education useless, their proud history ignored, as the clankety-clank of American industry churned around them, their proud past as watchmakers and tailors, scholars and historians, musicians and artists, gone, wasted. Americans cared about money. And power. And government. Jews had none of those things; their job was to tread lightly in the land of milk and honey and be thankful that they were free to walk the land without getting their duffs kicked—or worse. Life in America was hard, but it was free, and if you worked hard, you might gain some opportunity, maybe even open a shop or business of some kind.
James McBride (The Heaven & Earth Grocery Store)
They were fellow escapees who, having endured the landing at Ellis Island and escaped the grinding sweatshops and vicious crime of the vermin-infested Lower East Side, had arrived by hook or crook in the land of opportunity that was Pennsylvania, home to Quakers, Mormons, and Presbyterians.
James McBride (The Heaven & Earth Grocery Store)
Moshe had few friends. Most of Pottstown’s Jews had left Chicken Hill by then. Nate was a friend, but he was a Negro, so there was that space between them. But with Malachi, there was no space. They were fellow escapees who, having endured the landing at Ellis Island and escaped the grinding sweatshops and vicious crime of the vermin-infested Lower East Side, had arrived by hook or crook in the land of opportunity that was Pennsylvania, home to Quakers, Mormons, and Presbyterians. Who cared that life was lonely, that jobs were thankless drudgery, that the romance of the proud
James McBride (The Heaven & Earth Grocery Store)
So here’s the rule: list the six most important things you need to do and, by hook or by crook, get those six things completed each day. That doesn’t mean you don’t keep a side list of running items that need to be done.
Chet Holmes (The Ultimate Sales Machine: Turbocharge Your Business with Relentless Focus on 12 Key Strategies)
having endured the landing at Ellis Island and escaped the grinding sweatshops and vicious crime of the vermin-infested Lower East Side, had arrived by hook or crook in the land of opportunity
James McBride (The Heaven & Earth Grocery Store)
She is not my ex,” he said smartly. “Whatever, you know what I mean.” “Uhuh, I do. That you are particularly intriguing when you’re jealous.” “Well, it’s a little disconcerting…the whole a-goddess-wants-my-boyfriend thing.” He laughed again and hooked his fingers in my front pockets to pull me to him. “You are one cute human.” He tipped my chin with a crooked finger. “Did you not see the whole me-choosing-you-over-her thing,” he said mockingly. I tried to scowl, tried to frown, bit my lip to stop the smile, but it won, hands down. “Yeah, that was pretty sweet,” I agreed. “Yeah.
Shelly Crane (Devour Series Boxset (The Devour Series))
Pike approached the man from behind. He shifted left or right just enough to stay in the man’s blind spot, moving so quickly that he was outside the office one moment and across the lot in the next, watching the key go in the lock, seeing the door open— Pike hooked his left arm under the man’s chin, and lifted. He closed his arm on the man’s throat and squeezed as hard as he could, shoving the man into the room as he brought out the Kimber, using the man as a shield. Pike expected more men, but the room was empty. A single room and a bath. Pike toed the door closed, still holding the man. The drapes were open, so Pike could see no one was in the parking lot and no one had stirred from the office. The man kicked and thrashed, but Pike held him up and off balance with a knee. The man punched backwards, clawed at Pike’s arm, and made a gurgling sound. He was a strong man in very good shape. His nails cut into Pike’s skin. Pike slipped his free arm across the back of the man’s neck and pushed the man’s throat into the crook of his elbow. Pike squeezed and pushed and held it. The thrashing slowed. The man stopped kicking. His body went limp.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
As history has shown, any new computing device capable of running a game will, by hook or by crook, soon have them available. (aka, the "Loguidice Law")
Bill Loguidice (Vintage Game Consoles: An Inside Look at Apple, Atari, Commodore, Nintendo, and the Greatest Gaming Platforms of All Time)
As history has shown, any new computing device capable of running a game will, by hook or by crook, soon have them available. (aka, the "Loguidice Law")
Bill Loguidice Matt Barton
Xander twisted back around with a crooked grin. “Just admiring the view is all.” “You and I go back a long time, Xander.” Gavin lifted a hooked dagger in the air before stuffing it into a side holster. “It’d be a shame to have to kill you.
Keri Lake (Soul Enslaved (Sons of Wrath, #3))
Would you two just kiss and be done with it already?” Darren and I gape at her. Fire creeps up my neck, and I press my body against the window, as far from Darren as possible. “I thought you were asleep,” Darren says to her. “With the both of you whining like children? Please,” she huffs. “I’m going to the little girl’s room.” She stands and her long legs step over Tate’s without waking him. “Fix this or we’re all going to be miserable,” she whispers to Darren loud enough for me to hear. I face the window, but my eyes focus on Darren’s reflection. He scratches the top of his head through his curls, then slides his hand down, pressing his thumb and fingers over his eyelids. I’ve lost my nerve to bring up Bruno again. “Pippa.” He sighs. “I don’t want to argue with you.” I reach to grip the armrest between us but his hand is already taking up half of it. I’m caught off guard and I can’t decide if it’s more awkward to jerk my hand away or leave it there. Electricity runs up my arm when he hooks my pinkie with his. “Still crooked,” he says. “I’m lucky it’s still there, actually.” “Oh yeah?” “Yeah, some guy tried to bite it off once.” He releases my pinkie and tugs at a loose string on his shorts. “He sounds like a real winner.” I pick at a ripple in the fabric of the armrest. “He’s all right.” “I’m sorry,” he says. I’m surprised by the tightness in my throat. This week is going to kill me. “It’s just the little finger,” I deflect. “I’m sure I’d have survived.” “That’s not what I meant.” I swallow down the lump. “I know. It’s fine.” We sit in silence a moment before he points his pinkie at me and wiggles it closer and closer to my face. We erupt into laughter and Tate jolts awake, giving us the stink eye, which makes us laugh even harder. I’m clutching my stomach when Nina plops back down in her seat. She appraises us with wide eyes until a smirk plays at the corners of her mouth. “Now,” she says, “that’s more like it.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
Ryan snorted. “That’s a pretty important thing, don’t you think?” “Actually, no,” James said calmly. “My sexuality doesn’t define me.” Ryan’s expression remained stony. “Bollocks. If you really thought that, you would have said something every time I tried to hook you up with some girl.” A curious gleam appeared in his eyes. “Why now? Why are you telling me now?” James opened his mouth, then closed it. He stared at Ryan, taking in his strong jaw and classically handsome face, his intense emerald green eyes and black unruly hair, the set of his firm lips, his wide shoulders gleaming with drops of water. He wanted so much to lean in, to hide his face in the crook of Ryan’s neck and confess everything. He was tired. He was so damn tired. But of course he couldn’t. That would just make their relationship awkward. Their friendship was too old and strong to be broken by something like that, but it didn’t mean it couldn’t be ruined by the awkwardness of unrequited love. No; he couldn’t tell Ryan anything. Ryan was happy with his girlfriend. It wouldn’t be fair to burden him with this. There was only one thing he could do: he should genuinely try to move on. He should go out and meet people—fall in love with a man who would see him not as a little brother but as someone sexy and lovable.
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
Attaching Vertical Frame Netting To attach the trellis netting to your frame, first hook the netting on the two corners. Next, cut the netting at each connection. This will give you one long strand. (Be careful to cut on the same side of the connecting strand each time.) Loop the long strand over the top of the frame and firmly tie a simple knot. Try to keep the length uniform so your netting isn’t crooked. Make the same cuts down the sides of the frame and firmly tie knots around the supporting pipes. Tie the netting tight and your vertical frame will look neat and trim for many years.
Mel Bartholomew (All New Square Foot Gardening: The Revolutionary Way to Grow More In Less Space)
Your destiny - by hook or crook, by this way or that, at some corner or nook - will catch up with you.
Fakeer Ishavardas
Do not listen to a single soul, but your own inner voice. Foster your will and make it as wild as possible. Dive deep into the mysterious fathoms of the universe and accomplish your purpose by hook or by crook, even if it means going down to the bottom of the ocean to meet your doom.
Abhijit Naskar (Love, God & Neurons: Memoir of a scientist who found himself by getting lost)
To the impartial observer it is plain that the Greeks, from the intellectual point of view at least, really borrowed very largely from the Orientals, as they themselves frequently admitted ; however unveracious they may have been at times, on this point at least they cannot have lied, for they had no possible interest in doing so, indeed quite the contrary. As we said before, their originality principally lay in their manner of expressing things, by means of a faculty for adaptation one cannot deny them, but which was necessarily limited by the extent of their comprehension ; briefly, their originality was of a purely dialectical order. Actually, since Greeks and Orientals differed in their characteristic ways of thinking, there were necessarily corresponding differences in the modes of reasoning which they employed ; this must always be borne in mind when pointing out certain analogies, real though they be, such as for instance the analogy between the Greek syllogism and what has fairly correctly been called the Hindu syllogism. It cannot even be said that Greek reasoning is distinguished by an ^exceptional strictness ; it only appears stricter than other methods of reasoning to people who are themselves in the habit of employing it exclusively, and this illusion is due solely to the fact that it is restricted to a narrower and more limited field and is therefore more easily defined. On the contrary, the faculty most truly characteristic of the Greeks, but which is little to their advantage, is a certain dialectical subtlety, of which the dialogues of Plato provide numerous examples ; there is an apparent desire to examine each question interminably, under all its aspects and in minutest detail, m order to arrive finally at a rather insignificant conclusion; it would appear that in the West the moderns are not the first people to have been afflicted with “ intellectual myopia.” Perhaps, after all, the Greeks should not be blamed too severely for restricting the field of human thought as they have done ; on the one hand this was an inevitable result of their mental constitution, for which they cannot be held responsible, and on the other hand they did at least in this way bring within reach of a large part of humanity certain kinds of knowledge which were otherwise in danger of remaining completely foreign to it. It is easy to realise the truth of this if one considers what Westerners are capable of to-day, when they happen to come into direct contact with certain Oriental conceptions and set about interpreting them in a manner conforming to their own particular mentality : anything which they cannot connect with the “classical” idiom escapes them completely and whatever can be made to tally with it, by hook or by crook, is so disfigured in the process that it becomes almost unrecognizable. »
René Guénon (Introduction to the Study of the Hindu Doctrines)
When I say a man survives by means of his mind, I mean that man's first moral virtue is to think and to be productive. That is not the same as saying: "Get your pile of money by hook or by crook, and then sit at home and enjoy it." You assume rational self-interest is simply ensuring one's physical luxury. But What would a man do with himself once he has those millions. He would stagnate. No man who has used his mind enough to achieve a fortune is going to be happy doing nothing. His self-interest does not lie in consumption, but in production—in the creative expansion of his mind.
Ayn Rand (Ayn Rand Answers: The Best of Her Q & A)
As the child grows, lots of verbal encouragement needs to be added to stroking. This is a form of protection. Since children can’t live without strokes, they get them by hook or by crook. If they can’t get good strokes, they’ll go for bad ones. You will drink polluted water if there is no other water available. Your wounded inner child probably settled for lots of polluted water. That’s why the affirmations we used for each developmental stage are so important. You need to keep using them. They are the emotional strokes your child needs for nourishment. Go back now and look at the affirmations for each stage. Recall which affirmations were the most powerful for you. Use these for your special strokes. Your inner child needs to hear them every day when you are first learning to champion him. Mine are as follows:
John Bradshaw (Homecoming: Reclaiming and Healing Your Inner Child)
Development of a story depends on your ability to interpose obstacles between your hero and the attainment of his goal. Most often, this interposition of obstacles is accomplished by putting someone in the story’s cast who will provide live, ongoing opposition – a villain figure – who will be in constant conflict with the hero, either by trying to beat him up the mountain by hook or crook, or by thwarting the hero with the idea of keeping him from ever reaching his goal. Well, you couldn’t write a novel with Fred simply saying, over and over, that he wanted to be first, and Bart snarling repeatedly, “Oh, no, you’re not!” The conflict has to be developed and it has to move somewhere. How do you accomplish this? By developing a series of scenes.
Jack M. Bickham (Elements of Fiction Writing - Scene & Structure)
Becoming a father increased my capacity for love, to love and to be loved. When I fell hook, line and sinker for Helena, I would never have believed that I would be able to give, that I could even consider sharing a single fragment of my heart with another- only her, but as I sit here in the rocking chair and a serene calmness surrounds me, I gaze down upon our four day old twins, Athos and Lucy. While I cradle these tiny little miracles of life in the crook of my arms, another level of love expands within the four chambers of my heart. Everything that once created my tumultuous past has paled into insignificance, and at last I finally feel as if I am not just systematically breathing in oxygen but that I am alive in the truest sense of the word. © J.L. Thomas 2019
J.L. Thomas
In this enormous flatness, there lived one element—the wind. For it was an element. It was a dimension, a power of darkness. In the human world, the wind comes from somewhere, and goes somewhere, and, as it goes, it passes through somewhere—through trees or streets or hedgerows. This wind came from nowhere. It was going through the flatness of nowhere, to no place. Horizontal, soundless except for a peculiar boom, tangible, infinite, the astounding dimensional weight of it streamed across the mud. You could have ruled it with a straight-edge. The titanic grey line of it was unwavering and solid. You could have hooked the crook of your umbrella over it, and it would have hung there.
T.H. White (The Once and Future King (The Once and Future King, #1-4))
But will this really help, Nakiri? The Administration might try to rig things again." "If there are assignments, then by hook or by crook there must be a way to pass them. We simply need to find it. Just like you have always done.
Yūto Tsukuda (食戟のソーマ 20 [Shokugeki no Souma 20] (Food Wars: Shokugeki no Soma, #20))
Rafe told everyone he was from Texas. That was bull. I’d dated a summer guy from Texas, and Rafe’s drawl was all wrong. His last name suggested he was Latino, and he kind of looked it, but his high cheekbones and amber eyes said Native to me. He was a little taller than Daniel, lean, with black hair that hung just past the collar of his leather jacket. Worn blue jeans and low motorcycle boots completed the image: American Teen Rebel. It was a look we didn’t see a lot at our school, and the other girls loved it. Not that Rafe needed the added cachet. Considering we’d had the same guys in our class since kindergarten, Rafe’s novelty factor alone would have had the girls tripping over themselves. He was the hottest ticket in town. And he knew it. When I bumped into him, I said a polite, “Hey,” and tried to get past. “Hey, yourself.” He grinned and, in spite of myself, I felt a little flip in my stomach. Rafe wasn’t gorgeous, but he had a sexy, crooked smile and eyes that looked at a girl like she was the first one he’d ever seen. When he stood close, I swore I could feel heat radiating off him. And Rafe always stood close. As I backed up, he hooked a thumb toward the conference room. “Barnes in there?” he asked, meaning the principal. I shook my head. “Haven’t seen him. Ms. Morales was around, though.” “Yeah, I talked to her. She says I need to talk to Barnes. Late once too often this week.” That grin sparked again, like being late for school earned him a place in the bad boy hall of fame.
Kelley Armstrong (The Gathering (Darkness Rising, #1))