Honey Moon Quotes

Once, I believed in you like a poem, turned your heart into a metaphor for my heart, turned our mouths into honey and caramel lozenges. But metaphors come and metaphors go, and not even seasons have the courtesy to stay till dawn.

To wish for your own happiness is sometimes coupled with another person’s unhappiness. Since I couldn’t pray for my own happiness, I prayed to the moon in the night sky for the happiness of the one whose warm hand I held.

Marriage, which has been the bourne of so many narratives, is still a great beginning, as it was to Adam and Eve, who kept their honey-moon in Eden, but had their first little one among the thorns and thistles of the wilderness. It is still the beginning of the home epic - the gradual conquest or irremediable loss of that complete union which make the advancing years a climax, and age the harvest of sweet memories in common.

The Owl and the Pussycat went to sea In a beautiful pea-green boat: They took some honey, and plenty of money Wrapped up in a five-pound note. . . They dined on mince and slices of quince, Which they ate with a runcible spoon; And hand in hand, on the edge of the sand, They danced by the light of the moon, The moon, The moon, They danced by the light of the moon.

. . . God is too busy making the sun come up and go down and watching so the moon floats just right in the sky to be concerned with color . . . only man wants always God should be there to condemn this one and save that one. Always it is man who wants to make heaven and hell. God is too busy training the bees to make honey and every morning opening up all the new flowers for business.

Of so much moon were your hips to me, of all the sun your deep mouth and its delight, of so much burning light like honey in the shade

Once upon a time, [...]. There was a world that was perfectly made and full of birds and striped creatures and lovely things like honey lilies and star tenzing and weasels— [...] And this world already had light and shadow, so it didn't need any rouge stars to come and save it, and it had no use for bleeding suns or weeping moons, either, and most important, it had never known war, which is a terrible and wasteful thing that no world needs. It had earth and water, air and fire, all four elements, but it was missing the last element. Love. [...] And so this paradise was like a jewel box without a jewel. There it lay, day after day of rose-colored dawns and creature sounds and strange perfumes, and waited for lovers to find it and fill it with their happiness. The end. [...] The story is unfinished. The world is still waiting.

Honey, ... When a wolf watches a lamb, he's not thinking about the lamb's mommy.

Somewhere along the way, I started to believe it myself. I think that being brave and self confident doesn’t necessarily start inside, honey. It starts with the rest of the world, and it leads back to you.

They might ignore me immediately. In my moon suit and funeral veil. I am no source of honey So why should they turn on me? Tomorrow I will be sweet God, I will set them free.

May this marriage be blessed. May this marriage be as sweet as milk and honey. May this marriage be as intoxicating as old wine. May this marriage be fruitful like a date tree. May this marriage be full of laughter and everyday a paradise. May this marriage be a seal of compassion for here and hereafter. May this marriage be as welcome as the full moon in the night sky. Listen lovers, now you go on, as I become silent and kiss this blessed night.

Full woman, fleshly apple, hot moon, thick smell of seaweed, crushed mud and light, what obscure brilliance opens between your columns? What ancient night does a man touch with his senses? Loving is a journey with water and with stars, with smothered air and abrupt storms of flour: loving is a clash of lightning-bolts and two bodies defeated by a single drop of honey.

We cannot read the same works forever. Our honey-moon, even though we wed the Muse, must come to an end; and it is followed by indifference, if not by disgust.

What shall I give? and which are my miracles? 2. Realism is mine--my miracles--Take freely, Take without end--I offer them to you wherever your feet can carry you or your eyes reach. 3. Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at the table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sundown--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best--mechanics, boatmen, farmers, Or among the savans--or to the _soiree_--or to the opera. Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct and in its place. 4. To me, every hour of the light and dark is a miracle, Every inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every cubic foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?

I don't know if I love you too much or not enough I don't know if I love you the way the sky loves the stars or like moon loves the sun or the earth loves the sea or like bees love honey But I do know that I love you that much is for certain and it's the only thing I know

I am sad because I love you, because I love you so much, and because I am not a bee to buzz with you lightly. I am not a flower, not a tree, not a rain-hewn stone. I am not a storm or a cresting wave, not a thorn or a vine. I am not the sun stinging the water, not the moon on the snow. I am not a star in the dark. I am not the dew-wet wind, not the cloud-stained dawn. I am only a girl, a small, plain girl, a girl who must smear her lips in honey to be found sweet.

I’ve been thinking about the way, when you walk down a crowded aisle, people pull in their legs to let you by. Or how strangers still say “bless you” when someone sneezes, a leftover from the Bubonic plague. “Don’t die,” we are saying. And sometimes, when you spill lemons from your grocery bag, someone else will help you pick them up. Mostly, we don’t want to harm each other. We want to be handed our cup of coffee hot, and to say thank you to the person handing it. To smile at them and for them to smile back. For the waitress to call us honey when she sets down the bowl of clam chowder, and for the driver in the red pick-up truck to let us pass. We have so little of each other, now. So far from tribe and fire. Only these brief moments of exchange. What if they are the true dwelling of the holy, these fleeting temples we make together when we say, “Here, have my seat,” “Go ahead—you first,” “I like your hat.

A coaster gives you hope. You can pretty much ride a good one through the worst tragedy life throws at you. You can even ride it through somebody dying, I guess.

They would remember only that Miel and Sam had been called Honey and Moon, a girl and a boy woven into the folklore of this place.

These are the wild women who run barefoot through the meadow, who teach new songs to the birds, who howl at the moon together. Wild women are their own kind of magic.

No free man needs a God; but was I free? How fully I felt nature glued to me And how my childish palate loved the taste Half-fish, half-honey, of that golden paste! My picture book was at an early age The painted parchment papering our cage: Mauve rings around the moon; blood-orange sun; Twinned Iris; and that rare phenomenon The iridule - when, beautiful and strange, In a bright sky above a mountain range One opal cloudlet in an oval form Reflects the rainbow of a thunderstorm Which in a distant valley has been staged - For we are most artistically caged.

Yet above all these hangs the moon as our proof, between our legs runs honey and blood. She teaches us in dreams.

Diana announced that she would just give me time to get over the honey-moon, and then she would come and see me. 'She had better not wait till then, Jane,' said Mr. Rochester, when I read her letter to him; 'if she does, she will be too late, for our honey-moon will shine our life-long: its beams will only fade over your grave or mine.

The Poet Asks His Love to Write" Visceral love, living death, in vain, I wait your written word, and consider, with the flower that withers, I wish to lose you, if I have to live without self. The air is undying: the inert rock neither knows shadow, nor evades it. And the heart, inside, has no use for the honeyed frost the moon pours. But I endured you: ripped open my veins, a tiger, a dove, over your waist, in a duel of teeth and lilies. So fill my madness with speech, or let me live in my calm night of the soul, darkened for ever.

Last Will Prologue: We, Sacco and Vanzetti, sound of body and mind, Devise and bequeath to all we leave behind, The worldly wealth we inherited at our birth, Each one to share alike as we leave this earth. To Wit: To babies we will their mothers’ love, To youngsters we will the sun above. To spooners who wont to tryst the night, We give the moon and stars that shine so bright. To thrill them in their hours of joy, When boy hugs maid and maid hugs boy. To nature’s creatures we allot the spring and summer, To the doe, the bear, the gold-finch and the hummer. To the fishes we ascribe the deep blue sea, The honey we apportion to the bustling bee. To the pessimist—good cheer—his mind to sooth, To the chronic liar we donate the solemn truth. And Lastly: To those who judge solely seeking renown, With blaring trumpets of the fakir and clown; To the prosecutor, persecutor, and other human hounds, Who’d barter another’s honor, recognizing no bounds, To the Governor, the Jury, who another’s life they’d sell— We endow them with the fiery depths of HELL! (Industrial Worker, Aug. 20, 1927)

There were no lions any more. There had been lions once. Sometimes in the shimmer of the heat on the plains the motion of their running still flickered on the dry wind — tawny, great, and quickly gone. Sometimes the honey-colored moon shivered to the silence of a ghost-roar on the rising air.

Hey, honey, my car's due for an oil change, and while you're at it, let's talk about how I turn into a giant furry nightmare on full moons.

Summer had a way of being full of fun and things to do and plenty of times of doing nothing and feeling bored.

I've worked so hard for you today, and I am wearied, emptied all— and all I want is a little bed with a curved moon swinging and another in the room, singing.

Stirless, I stand at the window, and in the black bowl of the sky glows like a golden drop of honey the mellow moon

Ah God! to see the branches stir Across the moon at Grantchester! To smell the thrilling-sweet and rotten Unforgettable, unforgotten River-smell, and hear the breeze Sobbing in the little trees. Say, do the elm-clumps greatly stand Still guardians of that holy land? The chestnuts shade, in reverend dream, The yet unacademic stream Is dawn a secret shy and cold Anadyomene, silver-gold? And sunset still a golden sea From Haslingfield to Madingley? And after, ere the night is born, Do hares come out about the corn? Oh, is the water sweet and cool, Gentle and brown, above the pool? And laughs the immortal river still Under the mill, under the mill? Say, is there Beauty yet to find? And Certainty? and Quiet kind? Deep meadows yet, for to forget The lies, and truths, and pain?… oh! yet Stands the Church clock at ten to three? And is there honey still for tea?

For so long, talking about Samira, acknowledging her as someone who no longer lived in him, had felt dangerous as running his fingers along a sharp edge. It had been Miel eating a slick of honey off a knife. It was an heirloom blade his mother would not leave out, fearing Sam was still a child who might cut himself. But now he was Samir, and Samira was the friend he almost thought he imagined. And she would be a little more imaginary once he and his mother finished changing his name. He wanted to neither forget she existed nor live inside her. She was someone he could not be.

I think with sadness of all the books I’ve read, all the places I’ve seen, all the knowledge I’ve amassed and that will be no more. All the music, all the paintings, all the culture, so many places: and suddenly nothing. They made no honey, those things, they can provide no one with any nourishment. At the most, if my books are still read, the reader will think: There wasn’t much she didn’t see! But that unique sum of things, the experience that I lived, with all its order and its randomness — the Opera of Peking, the arena of Huelva, the candomblé in Bahía, the dunes of El-Oued, Wabansia Avenue, the dawns in Provence, Tiryns, Castro talking to five hundred thousand Cubans, a sulphur sky over a sea of clouds, the purple holly, the white nights of Leningrad, the bells of the Liberation, an orange moon over the Piraeus, a red sun rising over the desert, Torcello, Rome, all the things I’ve talked about, others I have left unspoken — there is no place where it will all live again

I think with sadness of all the books I’ve read, all the places I’ve seen, all the knowledge I’ve amassed and that will be no more. All the music, all the paintings, all the culture, so many places: and suddenly nothing. They made no honey, those things, they can provide no one with any nourishment. At the most, if my books are still read, the reader will think: There wasn’t much she didn’t see! But that unique sum of things, the experience that I lived, with all its order and its randomness — the Opera of Peking, the arena of Huelva, the candomblé in Bahía, the dunes of El-Oued, Wabansia Avenue, the dawns in Provence, Tiryns, Castro talking to five hundred thousand Cubans, a sulphur sky over a sea of clouds, the purple holly, the white nights of Leningrad, the bells of the Liberation, an orange moon over the Piraeus, a red sun rising over the desert, Torcello, Rome, all the things I’ve talked about, others I have left unspoken — there is no place where it will all live again. At

The last one's hard. Marriage is always a balancing act, and it's never a good idea for one partner to get too big a head, but I'm afraid that's what's going to happen here. People write a lot of things about Eric Dillon's talent, and most of it's true. But nobody writes about the important things. The fact that he's a wonderful father and the best husband a woman could have. That fact that he cares about other people so much that he sometimes scares me. That doesn't mean he's perfect, of course. It's hard living with a man who's prettier than all of your girlfriends put together. But if it weren't for Eric Dillon, I wouldn't be here tonight. He loved me when I wasn't lovable, and I guess when it comes right down to it, that's pretty much what family is all about. Thank you, sweetheart.

The moon occurs more frequently than the sun as an image in lyric poetry. There is a greater contrast between the moon and the night sky than there is between the sun and the daytime sky. And this contrast is more conducive to sorrow, which always separates or isolates itself, than it is to happiness, which always joins or blends. And to stand face-to-face with the sun is preposterous -- it would blind you. The moon has no light of its own; our apprehension of it is but a reflection of the sun. And some believe artists reflect the creative powers of some original impulse too great to name. The moon is the incunabulum of photography, the first photograph, the first stilled moment, the first study in contrasts. Me here -- you there. Between 1969 and 1972, six missions left for the moon and six missions came back. The men who went to the moon who were forever altered without exception all say the same thing -- it was not being on the moon that profoundly affected them as much as it was looking at the earth from the vantage point of the moon. You there -- me here.

The moon from any window is one part whoever’s looking. The part I can’t see is everything my sister keeps to herself. One part my dead brother’s sleepless brow, the other part the time I waste, the time I won’t have. But which is the lion killed for the sake of the honey inside him, and which the wine, stranded in a valley, unredeemed? And don’t forget the curtains. Don’t forget the wind in the trees, or my mother’s voice saying things that will take my whole life to come true. One part earnest child grown tall in his mother’s doorway, and one a last look over the shoulder before leaving. And never forget it answers to no address, but calls wave after wave to a path or thirst. Never forget the candle climbing down without glancing back. And what about the heart counting alone, out loud, in that game in which the many hide from the one? Never forget the cry completely hollowed of the dying one who cried it. Only in such pure outpouring is there room for all this night.

She tried to offer Ella help but was shooed back into her seat between Magnus and Irini. She watched incredulously at the amount of food these males piled onto their plates. She hadn’t touched her own plate yet, her eyes jumping from Lucien to Ryder, to Aidan, to Magnus, as they scoffed large amounts of beef down. Irini giggled beside her before elbowing her to get her to stop staring and start eating. Ella laughed, obviously having noticed and understood the reason behind Caia’s wide eyes. “Don’t mind them, honey. They’re just animals. You’ll get used to them.” Ryder choked in amusement as he took swig of water, and Aidan and Magnus joined his laughter. Lucien merely shrugged. “What?” This set them off again. “Dude, we’ve frightened Caia with our non-existent manners,” Aidan explained smiling at her. “No, no-” she tried to protest. Lucien frowned. “We’re just eating.” “Caia’s not used to eating at the watering hole.

He said you were frigid?” She nodded. “Oh, honey, that word should be stricken from every dictionary in existence. There is no such thing. Just men who don’t know what they’re doing.” He leaned toward her, kissed her throat, and said, “I’m not one of them.

Bronze-limbed and well-knit, like a statue wrought by a Grecian, he stood on the sand with his back to the moon, and out of the foam came white arms that beckoned to him, and out of the waves rose dim forms that did him homage. Before him lay his shadow, which was the body of his Soul, and behind him hung the moon in the honey-coloured air.

Commala-come-come There’s a young man with a gun. Young man lost his honey When she took it on the run. Commala-come-one! She took it on the run! Left her baby lonely But he baby ain’t done. Commala-come-coo The wind’ll blow ya through. Ya gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-two! Nothin else to do! Gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-key Can you tell me what ya see? Is it ghosts or just the mirror That makes ya wanna flee? Commala-come-three! I beg ya, tell me! Is it ghosts or just your darker self That makes ya wanna flee? Commala-come-ko Whatcha doin at my do’? If ya doan tell me now, my friend I’ll lay ya on de flo’. Commala-come-fo’! I can lay ya low! The things I’ve do to such as you You never wanna know. Commala-gin-jive Ain’t it grand to be alive? To look out on Discordia When the Demon Moon arrives. Commala-come-five! Even when the shadows rise! To see the world and walk the world Makes ya glad to be alive. Commala-mox-nix! You’re in a nasty fix! To take a hand in traitor’s glove Is to grasp a sheaf of sticks! Commala-come-six! Nothing there but thorns and sticks! When your find your hand in traitor’s glove You’re in a nasty fix. Commala-loaf-leaven! They go to hell or up to heaven! The the guns are shot and the fires hot, You got to poke em in the oven. Commala-come-seven! Salt and yow’ for leaven! Heat em up and knock em down And poke em in the oven. Commala-ka-kate You’re in the hands of fate. No matter if it’s real or not, The hour groweth late. Commala-come-eight! The hour groweth late! No matter what shade ya cast You’re in the hands of fate. Commala-me-mine You have to walk the line. When you finally get the thing you need It makes you feel so fine. Commala-come-nine! It makes ya feel fine! But if you’d have the thing you need You have to walk the line. Commala-come-ken It’s the other one again. You may know her name and face But that don’t make her your friend. Commala-come-ten! She is not your friend! If you let her get too close She’ll cut you up again! Commala-come-call We hail the one who made us all, Who made the men and made the maids, Who made the great and small. Commala-come-call! He made us great and small! And yet how great the hand of fate That rules us one and all. Commala-come-ki, There’s a time to live and one to die. With your back against the final wall Ya gotta let the bullets fly. Commala-come-ki! Let the bullets fly! Don’t ‘ee mourn for me, my lads When it comes my day to die. Commala-come-kass! The child has come at last! Sing your song, O sing it well, The child has come to pass. Commala-come-kass, The worst has come to pass. The Tower trembles on its ground; The child has come at last. Commala-come-come, The battle’s now begun! And all the foes of men and rose Rise with the setting sun.

I have to go. I have to be brave.

we are our own universe, a moon and a planet tied together in orbit.

Beehive" Within this black hive to-night There swarm a million bees; Bees passing in and out the moon, Bees escaping out the moon, Bees returning through the moon, Silver bees intently buzzing, Silver honey dripping from the swarm of bees. Earth is a waxen cell of the world comb, And I, a drone, Lying on my back, Lipping honey, Getting drunk with silver honey, Wish that I might fly out past the moon And curl forever in some far-off farmyard flower.

NINA Your life is beautiful. TRIGORIN I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!

Sometimes you don’t die when you’re supposed to & now I have a choice repair a world or build a new one inside my body a white door opens into a place queerly brimming gold light so velvet-gold it is like the world hasn’t happened when I call out all my friends are there everyone we love is still alive gathered at the lakeside like constellations my honeyed kin honeyed light beneath the sky a garden blue stalks white buds the moon’s marble glow the fire distant & flickering the body whole bright- winged brimming with the hours of the day beautiful nameless planet. Oh friends, my friends— bloom how you must, wild until we are free.

Robin Hood. To a Friend. No! those days are gone away, And their hours are old and gray, And their minutes buried all Under the down-trodden pall Ofthe leaves of many years: Many times have winter's shears, Frozen North, and chilling East, Sounded tempests to the feast Of the forest's whispering fleeces, Since men knew nor rent nor leases. No, the bugle sounds no more, And the twanging bow no more; Silent is the ivory shrill Past the heath and up the hill; There is no mid-forest laugh, Where lone Echo gives the half To some wight, amaz'd to hear Jesting, deep in forest drear. On the fairest time of June You may go, with sun or moon, Or the seven stars to light you, Or the polar ray to right you; But you never may behold Little John, or Robin bold; Never one, of all the clan, Thrumming on an empty can Some old hunting ditty, while He doth his green way beguile To fair hostess Merriment, Down beside the pasture Trent; For he left the merry tale, Messenger for spicy ale. Gone, the merry morris din; Gone, the song of Gamelyn; Gone, the tough-belted outlaw Idling in the "grene shawe"; All are gone away and past! And if Robin should be cast Sudden from his turfed grave, And if Marian should have Once again her forest days, She would weep, and he would craze: He would swear, for all his oaks, Fall'n beneath the dockyard strokes, Have rotted on the briny seas; She would weep that her wild bees Sang not to her---strange! that honey Can't be got without hard money! So it is; yet let us sing Honour to the old bow-string! Honour to the bugle-horn! Honour to the woods unshorn! Honour to the Lincoln green! Honour to the archer keen! Honour to tight little John, And the horse he rode upon! Honour to bold Robin Hood, Sleeping in the underwood! Honour to maid Marian, And to all the Sherwood clan! Though their days have hurried by Let us two a burden try.

I seen but little of this world, Except my corner of it; The city never drew me, For I knew I could not love it. What I loved best was watching The garden getting ripe And a pouch of sweet tobacco And my old cob pipe. What I loved best was a harvest moon Before a frosty morn And lamplight in the barn lot And them long, straight rows of corn. I was plain and country; That's where it starts and ends, But nobody loved her family more, Or treasured more her friends. I loved the changing seasons, And looking for life's reasons, And honey in the comb, and home.

Does it seem like things were better when you were younger?” Huck asked. “Did life really make more sense then?” “Yeah,” Tress whispered. “I remember…calm nights, watching the spores fall from the moon. Lukewarm cups of honey tea. The thrill of baking something new.” “I remember not being afraid,” Huck said. “I remember waking each day to familiar scents. I remember thinking I understood how my life would go. Same as my parents’. Simple. Maybe not wonderful, but also not terrifying.” “I don’t think things were really better though,” Tress said softly, still staring at the ceiling. “We just remember it that way because it’s comforting.” “And because we couldn’t see the troubles,” Huck agreed. “Maybe we didn’t want to see them. When you’re young, there’s always someone else to deal with the problems.” Tress nodded. Beyond that, memories have a way of changing on us. Souring or sweetening over time—like a brew we drink, then recreate later by taste, only getting the ingredients mostly right. You can’t taste a memory without tainting it with who you have become.

Pour yourself a cup of steaming coffee, honey, then come pour yourself into me. I need you like you need your morning fix. You need me to breathe. And today I need you to love me like a storm. Love is the only thing that will heal our tormented hearts. Love is the only thing that will set us free.

My honey child, them housing projects Cannot contain her multitudes A sunbeam, hard upon her Just a fly strugglin’ through her braid loops Watch me prove to ‘em I’m more than nothin’ But a ragamuffin with homesick eyes Yes, when it gets to be the same old thing Shorty you ought to come and see about me My love, she is a drummer Than industrial steel, her backbone tougher The eloping night and the honey moon that trails Just dirt ‘neath her finger nails I’ll be down on them crossroads ‘Til daybreak winks a bright eye And if it gets to be the same old thing Shorty you ought to come and see about me She’s heard all the right things And they did not persuade her She has no use for your words What she wants is your labor ‘Cause when gringos speak of minorities They tend to keep their voices low Ah, but when that gets to be the same old thing Shorty you ought to come and see about me

Under the mellowing influence of good food and good music, Adam relaxed, and I discovered that underneath that overbearing, hot-tempered Alpha disguise he usually wore was a charming, over-bearing, hot-tempered man. He seemed to enjoy finding out that I was as stubborn and disrespectful of authority as he’d always suspected. He ordered dessert without consulting me. I’d have been angrier, but it was something I could never have ordered for myself: chocolate, caramel, nuts, ice cream, real whipped cream, and cake so rich it might as well have been a brownie. “So,” he said, as I finished the last bit, “I’m forgiven?” “You are arrogant and overstep your bounds,” I told him, pointing my clean fork at him. “I try,” he said with false modesty. Then his eyes darkened and he reached across the table and ran his thumb over my bottom lip. He watched me as he licked the caramel from his skin. I thumped my hands down on the table and leaned forward. “That is not fair. I’ll eat your dessert and like it—but you can’t use sex to keep me from getting mad.” He laughed, one of those soft laughs that start in the belly and rise up through the chest: a relaxed, happy sort of laugh. To change the subject, because matters were heating up faster than I was comfortable with, I said, “So Bran tells me that he ordered you to keep an eye out for me.” He stopped laughing and raised both eyebrows. “Yes. Now ask me if I was watching you for Bran.” It was a trick question. I could see the amusement in his eyes. I hesitated, but decided I wanted to know anyway. “Okay, I’ll bite. Were you watching me for Bran?” “Honey,” he drawled, pulling on his Southern roots. “When a wolf watches a lamb, he’s not thinking of the lamb’s mommy.” I grinned. I couldn’t help it. The idea of Bran as a lamb’s mommy was too funny. “I’m not much of a lamb,” I said. He just smiled.

Oh Kay you are like a key that opens the door of my heart. Your charm crushes me. Like a clinking machete slicing my flesh thinly cutting my heart. Let you hit my neck with the longing that you create without compassion and mercy. Kay oh Kay there's no one like you in this world. Because for you, I'm a little kid who can cry for a stuffed toy. Wherever you sing, the rhythm of the music will accompany you. And let the dance floor come to you, twisting and lifting you in a dance that makes everyone crazy. Kay oh Kay you are my sickle machete. You are the dagger that stabbed my soul, you stoned me with the sweet needle of your innocent smile. You're the sweet mouth that sighs that moans that laughs that makes my soul restless. Kay oh Kay. Your sweet spit drips like the most sugary honey on my thirsty mind. I desire you from the most sordid nests, the most abominable paths and the most perverted thoughts. I want to taste the most delicious nectar of your flowers. Oh how you taint me with your fire. You trapped me with your innocence. With your nakedness that leads me astray. How you give hope that I do not have. You won a heart I didn't fight for. Kay oh Kay you are the only answer I never questioned. A destination I never expected but greeted me with joy. You are the reality that I never dreamed of but came true by itself. How do I accept you as you accept me with all the charm of your madness. Kay oh Kay my sunshine moon. You are my river and sea. Only you my eyes are fixed, only you my heart trembles. You let me be the key that enters the darkest hole of your soul. It is not in your majesty that my dreams wander, but in your intoxicating beauty. You have imprisoned my most wretched soul. Oh Kay you are my kitchen knife, my axe, my saw, my hammer, my screwdriver. You enslaved me in this unbreakable lust. I serve you like a stupid servant. A deaf and blind goat that only serves one master. You are the master of all this passion and madness. Everything I know about you is a lie. How did you deign to allow me to love someone other than you? Kay oh Kay, if truly adoring you will give me the true meaning of a poem, then how can you give me true love that you never had?

New Rule: If the guy who makes up the poll questions at CNN doesn't want to do it anymore more, he should just quit. This is an actual recent poll question: "Would you like to live on the moon?" And the shocking results: No, as it turns out, we would not like to live on the moon. This is the cable news equivalent of being in a dead-end relationship with an idiot. "What are you thinking?" "I dunno, honey, I guess I was just wondering how many Americans would like to live on the moon.

Style is not how you write. It is how you do not write like anyone else. * * * How do you know if you're a writer? Write something everyday for two weeks, then stop, if you can. If you can't, you're a writer. And no one, no matter how hard they may try, will ever be able to stop you from following your writing dreams. * * * You can find your writer's voice by simply listening to that little Muse inside that says in a low, soft whisper, "Listen to this... * * * Enter the writing process with a childlike sense of wonder and discovery. Let it surprise you. * * * Poems for children help them celebrate the joy and wonder of their world. Humorous poems tickle the funny bone of their imaginations. * * * There are many fine poets writing for children today. The greatest reward for each of us is in knowing that our efforts might stir the minds and hearts of young readers with a vision and wonder of the world and themselves that may be new to them or reveal something already familiar in new and enlightening ways. * * * The path to inspiration starts Beyond the trails we’ve known; Each writer’s block is not a rock, But just a stepping stone. * * * When you write for children, don't write for children. Write from the child in you. * * * Poems look at the world from the inside out. * * * The act of writing brings with it a sense of discovery, of discovering on the page something you didn't know you knew until you wrote it. * * * The answer to the artist Comes quicker than a blink Though initial inspiration Is not what you might think. The Muse is full of magic, Though her vision’s sometimes dim; The artist does not choose the work, It is the work that chooses him. * * * Poem-Making 101. Poetry shows. Prose tells. Choose precise, concrete words. Remove prose from your poems. Use images that evoke the senses. Avoid the abstract, the verbose, the overstated. Trust the poem to take you where it wants to go. Follow it closely, recording its path with imagery. * * * What's a Poem? A whisper, a shout, thoughts turned inside out. A laugh, a sigh, an echo passing by. A rhythm, a rhyme, a moment caught in time. A moon, a star, a glimpse of who you are. * * * A poem is a little path That leads you through the trees. It takes you to the cliffs and shores, To anywhere you please. Follow it and trust your way With mind and heart as one, And when the journey’s over, You’ll find you’ve just begun. * * * A poem is a spider web Spun with words of wonder, Woven lace held in place By whispers made of thunder. * * * A poem is a busy bee Buzzing in your head. His hive is full of hidden thoughts Waiting to be said. His honey comes from your ideas That he makes into rhyme. He flies around looking for What goes on in your mind. When it is time to let him out To make some poetry, He gathers up your secret thoughts And then he sets them free.

I will miss you, he said, and his words was both honey and poison, sun and moon in the same sky.

Be brave.

Sparkle away.

It's okay to live in imperfection as long as you work on loving your reflection.

I go where I'm needed.

I am not afraid of the dark. And you shouldn't be either.

If bees are willing to take their honey, they are unlikely sting

-a superb moon, round as a pumpkin and golden as honey, filling the rooftop world with light, and deep, mysterious shadow.

The taste of moon is like honey to all honeymooners, but after some years does the moon's scar make it bitter?

He smiled, slow as pouring honey, and the moon shone off his milky teeth and the white corners of his eyes. And

The smile on his face said, pure and simple, those honey cakes came with a price. And his price was answers.

might tell you to smear honey on a person to keep ghosts at bay; a manbo would make little cakes of honey, amaranth, and whiskey, which, eaten before the new moon, could show you your future.

IT rose for them—their honey-moon—over the waters of a lake so famed as the scene of romantic raptures that they were rather proud of not having been afraid to choose it as the setting of their own.

For you, a thousand times over." "Children aren't coloring books. You don't get to fill them with your favorite colors." "...attention shifted to him like sunflowers turning to the sun." "But even when he wasn't around, he was." "When you kill a man, you steal a life. You steal a wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness. There is no act more wretched than stealing." "...she had a voice that made me think of warm milk and honey." "My heart stuttered at the thought of her." "...and I would walk by, pretending not to know her, but dying to." "It turned out that, like satan, cancer had many names." "Every woman needed a husband, even if he did silence the song in her." "The first time I saw the Pacific, I almost cried." "Proud. His eyes gleamed when he said that and I liked being on the receiving end of that look." "Make morning into a key and throw it into the well, Go slowly, my lovely moon, go slowly. Let the morning sun forget to rise in the East, Go slowly, lovely moon, go slowly." "Men are easy,... a man's plumbing is like his mind: simple, very few surprises. You ladies, on the other hand... well, God put a lot of thought into making you." "All my life, I'd been around men. That night, I discovered the tenderness of a woman." "And I could almost feel the emptiness in [her] womb, like it was a living, breathing thing. It had seeped into our marriage, that emptiness, into our laughs, and our lovemaking. And late at night, in the darkness of our room, I'd feel it rising from [her] and settling between us. Sleeping between us. Like a newborn child." "America was a river, roaring along unmindful of the past. I could wade into this river, let my sins drown to the bottom, let the waters carry me someplace far. Someplace with no ghosts, no memories, and no sins. If for nothing else, for that I embraced America." "...and every day I thank [God] that I am alive, not because I fear death, but because my wife has a husband and my son is not an orphan." "...lifting him from the certainty of turmoil and dropping him in a turmoil of uncertainty." "...sometimes the dead are luckier." "He walked like he was afraid to leave behind footprints. He moved as if not to stir the air around him." "...and when she locked her arms around my neck, when I smelled apples in her hair, I realized how much I had missed her. 'You're still the morning sun to me...' I whispered." "...there is a God, there always has been. I see him here, in the eys of the people in this [hospital] corridor of desperation. This is the real house of God, this is where those who have lost God will find Him... there is a God, there has to be, and now I will pray, I will pray that He will forgive that I have neglected Him all of these years, forgive that I have betrayed, lied, and sinned with impunity only to turn to Him now in my hour of need. I pray that He is as merciful, benevolent, and gracious as His book says He is.

From uncoiled wings of the burning swan after sea of blood was born out of green caterpillar that skin sheared moon from cloud’s underbelly ordered waves to abolish horoscopes on crabs’ breasts . On the evergreen epiglotis of lotus full to the brim the pollen fiddling honey bee waved her double scarf searched for drunk village of pride red beating crowd humming songs sleeping side by side of worried distance ( From 'Selected Poems' 1961 - 2004

Beekeeping is the world’s second oldest profession. The first apiarists were the ancient Egyptians. Bees were royal symbols, the tears of Re, the sun god. In Greek mythology, Aristaeus, the god of beekeeping, was taught by nymphs to tend bees. The Bible promises a land of milk and honey. The Koran says paradise has rivers of honey for those who guard against evil. Krishna, the Hindu deity, is often shown with a blue bee on his forehead. The bee itself is considered a symbol of Christ: the sting of Justice and mercy of honey, side by side. The first voodoo dolls were molded from beeswax; an oungan might tell you to smear honey on a person to keep ghosts at bay; a manbo would make little cakes of honey, amaranth, and whiskey, which, eaten before the new moon, could show you your future. Sometimes I wonder which of my prehistoric ancestors first stuck his arm into a hole in a tree. Did he come out with a handful of honey, or a fistful of stings? Is the promise of one worth the risk of the other?

(I know, it's a poem but oh well). Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sun-down--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best-- mechanics, boatmen, farmers, Or among the savans--or to the soiree--or to the opera, Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct, and in its place. To me, every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?

I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.

He held no illusions. Lazarevo was not going to come again, neither for him nor for her. Tatiana held those illusions. And he thought—it was better to have them. Look at him. And look at her. Tatiana so ceaselessly and happily did for him, so constantly smiled and touched him and laughed—even as their twenty-nine moon-cycle days spun faster around the loop of grief—that Alexander had to wonder if she ever even thought about the future. He knew she sometimes thought about the past. He knew she thought about Leningrad. She had a stony sadness around her edges that she had not had before. But for the future, Tatiana seemed to harbor a rosy hope, or at the very least a sense of humming unconcern. What are you doing? she would ask him when he was sitting on the bench and smoking. Nothing, Alexander would reply. Nothing but growing my pain. He smoked and wished for her. It was like wishing for America when he was a few years younger. Wishing for a life with her, a life that was full of nothing else but her, a simple, long, married life of being able to smell her and taste her, to hear the lyre of her voice and see the honey of her hair. To feel her staggering comfort. All of it, every day. Could he find a way to turn his back on Tatiana and have her faithful face free him? Would she forgive him? For leaving her, for dying, for killing her? He felt punched in the gut when he watched her skip stark naked out of the cabin in the morning, and throw herself squealing into the river, and then get out and head across the clearing to him, sitting on his stump of a heart. Watching her nipples hard from the cold, her flawless body trembling to be held by him, Alexander gritted his teeth and smiled and thanked God that when he pressed her to him, she could not see his contorted face. Alexander smoked and watched her from his tree stump bench. What are you doing? she would ask him. Nothing, he would reply. Nothing but growing my pain into madness.

At Chicago I read again 'Philip Van Artevelde,' and certain passages in it will always be in my mind associated with the deep sound of the lake, as heard in the night. I used to read a short time at night, and then open the blind to look out. The moon would be full upon the lake, and the calm breath, pure light, and the deep voice, harmonized well with the thought of the Flemish hero. When will this country have such a man ? It is what she needs — no thin Idealist, no coarse Realist, but a man whose eye reads the heavens while his feet step firmly on the ground and his hands are strong and dextrous in the use of human instruments. A man, religious, virtuous and — sagacious; a man of universal sympathies, but self-possessed; a man who knows the region of emotion, though he is not its slave; a man to whom this world is no mere spectacle or fleeting shadow, but a great, solemn game, to be played with good heed, for its stakes are of eternal value, yet who, if his own play be true, heeds not what he loses by the falsehood of others. A man who lives from the past, yet knows that its honey can but moderately avail him; whose comprehensive eye scans the present, neither infatuated by its golden lures nor chilled by its many ventures; who possesses prescience, as the wise man must, but not so far as to be driven mad to-day by the gift which discerns to-morrow. When there is such a man for America, the thought which urges her on will be expressed.

thou hast ravished my heart with one of thine eyes, with one chain of thy neck, thy lips drop as the honeycomb, honey and milk are under thy tongue, the smell of thy breath is of apples, thy two breasts are clusters of grapes, thy palate a heady wine that goes straight to my love and flows over my lips and teeth…. A fountain sealed, spikenard and saffron, calamus and cinnamon, myrrh and aloes, I have eaten my honeycomb with my honey, I have drunk my wine with my milk. Who was she, who was she who rose like the dawn, fair as the moon, clear as the sun, terrible as an army with banners?

She was taller than I was, taller than any woman I had ever seen. Her black hair was loose down her back, and her skin shone luminous and impossibly pale, as if it drank light from the moon. She was so close I could smell her, seawater laced with dark brown honey. I did not breathe. I did not dare.

Pour yourself a cup of steaming coffee, honey, then come pour yourself into me. I need you like you need your morning fix. You need me to breathe. And today, I need you to love me like the moon loves the fearless sea. Love is the only thing that will heal our tormented hearts. Love is the only thing that will set us free.

It is not Beauty I demand, A crystal brow, the moon's despair, Nor the snow's daughter, a white hand, Nor mermaid's yellow pride of hair. Tell me not of your starry eyes, Your lips that seem on roses fed, Your breasts where Cupid trembling lies, Nor sleeps for kissing of his bed. ...Give me, instead of beauty's bust, A tender heart, a loyal mind, Which with temptation I could trust, Yet never linked with error find. One in whose gentle bosom I Could pour my secret heart of woes. Like the care-burdened honey-fly That hides his murmurs in the rose. My earthly comforter! whose love So indefeasible might be, That when my spirit won above Hers could not stay for sympathy.

This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.

The lazy, laughing South With blood on its mouth. The sunny-faced South,     Beast-strong,     Idiot-brained. The child-minded South Scratching in the dead fire’s ashes For a Negro’s bones.     Cotton and the moon,     Warmth, earth, warmth,     The sky, the sun, the stars,     The magnolia-scented South. Beautiful, like a woman, Seductive as a dark-eyed whore,     Passionate, cruel,     Honey-lipped, syphilitic—     That is the South. And I, who am black, would love her But she spits in my face. And I, who am black, Would give her many rare gifts But she turns her back upon me.     So now I seek the North—     The cold-faced North,     For she, they say,     Is a kinder mistress, And in her house my children May escape the spell of the South.

I The Owl and the Pussy-cat went to sea In a beautiful pea-green boat, They took some honey, and plenty of money, Wrapped up in a five-pound note. The Owl looked up to the stars above, And sang to a small guitar, "O lovely Pussy! O Pussy, my love, What a beautiful Pussy you are, You are, You are! What a beautiful Pussy you are!" II Pussy said to the Owl, "You elegant fowl! How charmingly sweet you sing! O let us be married! too long we have tarried: But what shall we do for a ring?" They sailed away, for a year and a day, To the land where the Bong-Tree grows And there in a wood a Piggy-wig stood With a ring at the end of his nose, His nose, His nose, With a ring at the end of his nose. III "Dear Pig, are you willing to sell for one shilling Your ring?" Said the Piggy, "I will." So they took it away, and were married next day By the Turkey who lives on the hill. They dined on mince, and slices of quince, Which they ate with a runcible spoon; And hand in hand, on the edge of the sand, They danced by the light of the moon, The moon, The moon, They danced by the light of the moon.

I love to see those paragliders weaving softly around Moon Point, their legs floating above you in the air. When they drift in for a landing, their feet touch the ground and they trot forward from the continued motion of the glider, which billows down like a setting sun. I never get tired of watching them and I've seen them thousands of times. I always wondered what that kind of freedom would feel like.

The point is, honey, once you hold a baby and he or she looks at you like you hung the moon and have their next bottle in your hand? Once you rock a sick child to sleep in the middle of the night, or hold their hand on the first day of school, or wipe a tear and know you could and would kill the person who caused it?” Sam smiled. “You really don’t care if they have your genes or not. They have your heart.

MOON VIOLENCE The peace I will not pray for Silence I won't sit in Zero surrender The manbaby splayed for my affection I say no I ride an animal along the shore Any animal I have my knife and money A throat I am a woman and no woman at all The honey drips I taste myself I eat me in an arc on the water Dig out my third eye The hole I fill with sickness this time Every time This is what I do with love

On Earth We’re Briefly Gorgeous" i Tell me it was for the hunger & nothing less. For hunger is to give the body what it knows it cannot keep. That this amber light whittled down by another war is all that pins my hand to your chest. i You, drowning                         between my arms — stay. You, pushing your body                          into the river only to be left                          with yourself — stay. i I’ll tell you how we’re wrong enough to be forgiven. How one night, after backhanding mother, then taking a chainsaw to the kitchen table, my father went to kneel in the bathroom until we heard his muffled cries through the walls. And so I learned that a man, in climax, was the closest thing to surrender. i Say surrender. Say alabaster. Switchblade.                    Honeysuckle. Goldenrod. Say autumn. Say autumn despite the green                    in your eyes. Beauty despite daylight. Say you’d kill for it. Unbreakable dawn                    mounting in your throat. My thrashing beneath you                    like a sparrow stunned with falling. i Dusk: a blade of honey between our shadows, draining. i I wanted to disappear — so I opened the door to a stranger’s car. He was divorced. He was still alive. He was sobbing into his hands (hands that tasted like rust). The pink breast cancer ribbon on his keychain swayed in the ignition. Don’t we touch each other just to prove we are still here? I was still here once. The moon, distant & flickering, trapped itself in beads of sweat on my neck. I let the fog spill through the cracked window & cover my fangs. When I left, the Buick kept sitting there, a dumb bull in pasture, its eyes searing my shadow onto the side of suburban houses. At home, I threw myself on the bed like a torch & watched the flames gnaw through my mother’s house until the sky appeared, bloodshot & massive. How I wanted to be that sky — to hold every flying & falling at once. i Say amen. Say amend. Say yes. Say yes anyway. i In the shower, sweating under cold water, I scrubbed & scrubbed. i In the life before this one, you could tell two people were in love because when they drove the pickup over the bridge, their wings would grow back just in time. Some days I am still inside the pickup. Some days I keep waiting. i It’s not too late. Our heads haloed             with gnats & summer too early to leave any marks.             Your hand under my shirt as static intensifies on the radio.             Your other hand pointing your daddy’s revolver             to the sky. Stars falling one by one in the cross hairs.             This means I won’t be afraid if we’re already             here. Already more than skin can hold. That a body             beside a body must ma

your skin throbs like the streak of a meteror through rain. Your hips were that much of the moon for me; and deep mouth and its delights, that much sun; your heart, fiery with its long red rays, was that much ardent light, like honey in the shade. So I pass across your burning form, kissing you—compact and planetary, — Pablo Neruda, from Love Sonnet “XVI,” One Hundred Love Sonnets, trans. Stephen Tapscott, The Poetry of Pablo Neruda, ed. Ilan Stavans (Farrar, Straus, and Giroux, 2005)

In the beginning, when Twaslitri (the Divine Artificer) came to the creation of woman he found that he had exhausted his materials in the making of man and that no solid elements were left. In this dilemma, after pro-found meditation, he did as follows: he took the rotundity of the moon, and the curves of the creepers, and the clinging of tendrils, and the trembling of grass, and the slenderness of the reed, and the bloom of flowers, and the lightness of leaves, and the tapering of the elephant's trunk, and the glances of deer, and the clustering of rows of bees, and the joyous gaiety of sun-beams, and the weeping of clouds, and the fickleness of the winds, and the timidity of the hare, and the vanity of the peacock, and the softness of the parrot's bosom, and the hardness of adamant, and the sweetness of honey, and the cruelty of the tiger, and the warm glow of fire, and the coldnesss of snow, and the chattering of jays, and the cooing of the kokila, and the hypocrisy of the crane, and the fidelity of the chakravaka; and compounding all these together, he made woman and gave her to man. (Written by scholars of the Vedic Age)

Lutch Crawford always talked straight to the point. That’s how he got so much work done. “Fawn, about the other night, with all that moon. How do you feel now?” “I feel the same way,” she said tightly. Lutch had a little habit of catching his lower lip with his teeth and letting go when he was thinking was hard. There was a pause about long enough to do this. Then he said, “You been hearing rumors about you and me?” “Well I—” She caught her breath. “Oh, Lutch—” I heard the wicker, sharp and crisp, as she came up out of it. “Hold on!” Lutch snapped. “There’s nothing to it, Fawn. Forget it.” I heard the wicker again, slow, the front part, the back part. She didn’t say anything. “There’s some things too big for one or two people to fool with, honey,” he said gently. “This band’s one of ’em. For whatever it’s worth, it’s bigger than you and me. It’s going good and it’ll go better. It’s about as perfect as a group can get. It’s a unit. Tight. So tight that one wrong move’ll blow out all its seams. You and me, now—that’d be a wrong move.” “How do you know? What do you mean?” “Call it a hunch. Mostly, I know that things have been swell up to now, and I know that you—we—anyway, we can’t risk a change in the good old status quo.” “But—what about me?” she wailed. “Tough on you?” I’d known Lutch a long time, and this was the first time his voice didn’t come full and easy. “Fawn, there’s fourteen cats in this aggregation and they all feel the same way about you as you do about me. You have no monopoly. Things are tough all over. Think of that next time you feel spring fever coming on.” I think he bit at his lower lip again. In a soft voice like Skid’s guitar with the bass stop, he said, “I’m sorry, kid.” “Don’t call me kid!” she blazed. “You better go practice your scales,” he said thickly. The door slammed. After a bit he let me out. He went and sat by the window, looking out. “Now what did you do that for?” I wanted to know. “For the unit,” he said, still looking out the window. “You’re crazy. Don’t you want her?” What I could see of his face answered that question. I don’t think I’d realized before how much he wanted her. I don’t think I’d thought about it. He said, “I don’t want her so badly I’d commit murder for an even chance at her. You do. If anyone wants her worse than I do, I don’t want her enough. That’s the way I see it.

Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.

PROMISE DAY POEM: I don't promise that I will bring the moon for you, but.. I shall stand by you in sun! I don't promise that I will not fight with you ever, but.. We shall be together, forever; and distances or differences shall be none!! I don't promise that life will be so easy, and cheesy, but.. when you are with me, I'll make sure it's always fun!!! I just promise one thing; I'll never make you cry, I'll never let you go, so all I need is you to be with me.. Let's make it happen.. and let our destiny shine. My life is yours forever.. .. O girl, O girl, O.. O.. girl.. you be mine.. Love is more than just promises.. Hey honey you be my.. Valentine. Just be mine.. O O.. my Valentine!

You need to get home, both of you. Louis, I’d like to keep the letters here, if you don’t mind. I want to go over them again.” I came to my feet. “And ask the stars about them?” Jesse nodded. Armand only shook his head, gloomy. There were bruises under his eyes that hadn’t been there yesterday. “Ask the-fine. Splendid. Keep them if you like. Burn them. Turn them to gold or silver or lead. In the morning I’ll wake up and none of this will have happened.” “No, lordling,” I said to him. “You’re never going to wake like that again, and you’re never going to be able to forget.” “Bugger you, waif.” “And you.” He walked past both of us without another glance or another word, opened the door, and disappeared into the night. I went to Jesse and wrapped my arms around him. After only a second’s hesitation, his arms lifted to embrace me, too. “I don’t want to go,” I whispered. I felt his chest expand beneath my cheek. “This is going to be much more difficult than I anticipated.” “Which part?” “All of it.” He brought a hand to my hair, his fingers weaving through. “Things are about to change rapidly now, Lora. He’ll come back to us stronger and stronger. He’s going to crave you more and more, and not having you will eat him raw.” I frowned up at him. “What do you mean?” Jesse tucked a strand behind my ear, his eyes emerald dark, his lashes tipped with candlelight. “It will be in his nature. He’ll feel compelled to claim you, and he won’t stop trying to do that. Ever. When that happens-“ “That is not bloody going to happen.” “When that happens,” he said again resolutely, “I want you to remember two things. One: I’ve loved you since before he even knew you lived. Two: Spare a little pity for him. This isn’t entirely his fault. He was born into his role, just as you and I were. But, Lora-of-the-moon-only a little pity, all right?” “My pity may reach as deep and wide as the ocean,” I answered. “But my heart is already claimed.” To prove it, I clutched his shirt and lifted myself to my toes and brought my lips to his. Sweeter than raspberry jam, warmer than candle flame, softer than bread. People often spoke with religious rapture of milk and honey, but if I had nothing but Jesse to consume for the rest of my days, I’d die a heathen beast, content.

There is a flower that Bees prefer— And Butterflies—desire— To gain the Purple Democrat The Humming Bird—aspire— And Whatsoever Insect pass— A Honey bear away Proportioned to his several dearth And her—capacity— Her face be rounder than the Moon And ruddier than the Gown Or Orchis in the Pasture— Or Rhododendron—worn— She doth not wait for June— Before the World be Green— Her sturdy little Countenance Against the Wind—be seen— Contending with the Grass— Near Kinsman to Herself— For Privilege of Sod and Sun— Sweet Litigants for Life— And when the Hills be full— And newer fashions blow— Doth not retract a single spice For pang of jealousy— Her Public—be the Noon— Her Providence—the Sun— Her Progress—by the Bee—proclaimed— In sovereign—Swerveless Tune— The Bravest—of the Host— Surrendering—the last— Nor even of Defeat—aware— What cancelled by the Frost—

I've been with men who I didn't have feelings for and the sex was good. But the best sex of my life has been with my husband. Sex is about more than just bodies fittin' together, honey. Sure, anybody can do it. At a place like this, some people don't even get past introductions before they're falling into bed. Chances are, more than a heapin' handful of people on the planet could give you a good one with some sweet talk and a little gusto. But great sex, the really amazing stuff, in my opinion, is based on trust. If you trust someone, you can be vulnerable without being scared and if you can be vulnerable, you can open yourself up to experience things you never could've with someone that you had apprehension about. Sex without feelings is possible, of course. It's rampant even. But sex with feelings? Honey, that's the stuff that'll send you to the moon and back.

Why, who makes much of a miracle? As to me I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love, or sleep in the bed at night with any one I love, Or sit at table at dinner with the rest, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive of a summer forenoon, Or animals feeding in the fields, Or birds, or the wonderfulness of insects in the air, Or the wonderfulness of the sundown, or of stars shining so quiet and bright, Or the exquisite delicate thin curve of the new moon in spring; These with the rest, one and all, are to me miracles, The whole referring, yet each distinct and in its place. To me every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same. To me the sea is a continual miracle, The fishes that swim–the rocks–the motion of the waves–the ships with men in them, What stranger miracles are there?

Come here, little one.” “I want to go back.” He hoped she stood there arguing for a time. “Obey your husband.” She wrinkled her nose. “It’s broad daylight.” “Keemah, come.” Growing tired of just looking when he could be touching, Hunter cocked his head and let her see him leering. He was awarded a fetching glimpse of slender, creamy thighs and honey gold. She gasped and dropped to her knees as if someone had dealt a blow to the backs of her legs. Tucking her skirt under her knees, she cried, “Have you no shame?” His answer was a slow grin. Seizing her wrist, he drew her toward him. “There is no shame. You are my woman.” Pulled off balance, she fell across his chest. Squirming, but halfheartedly, she said, “There’s a time and a place for everything, and this isn’t it.” “No?” He ran a hand under her blouse. “I say it is a very good time.” She jerked when his fingers scaled her ribs. “That tickles.” Without warning he rolled with her, coming out on top. He kissed her lightly on the lips while he moved his hand from her ribs to her breast. The small mound of warm flesh fit perfectly in his hand, the crest springing taut against his palm. Scarlet flamed on her cheeks. Unable to resist, Hunter lifted her blouse and moved off her to look, one thigh slanted across both of hers to keep her still. He had guessed right; when she was shy, she grew pink all over. “Hunter!” She tried to shove the leather down. “Someone might come!” “No one comes.

king contributed from his own possessions for the morning and evening burnt offerings and for the burnt offerings on the Sabbaths, at the New Moons and at the appointed festivals as written in the Law of the LORD. 4He ordered the people living in Jerusalem to give the portion due the priests and Levites so they could devote themselves to the Law of the LORD. 5As soon as the order went out, the Israelites generously gave the firstfruits of their grain, new wine, olive oil and honey and all that the fields produced. They brought a great amount, a tithe of everything. 6The people of Israel and Judah who lived in the towns of Judah also brought a tithe of their herds and flocks and a tithe of the holy things dedicated to the LORD their God, and they piled them in heaps. 7They began doing this in the third month and finished in the seventh month. 8When Hezekiah and his officials came and saw the heaps, they praised the LORD and blessed his people Israel. 9Hezekiah asked the priests and Levites about the heaps; 10and Azariah the chief priest, from the family of Zadok, answered, “Since the people began to bring their contributions to the temple of the LORD, we have had enough to eat and plenty to spare, because the LORD has blessed his people, and this great amount is left over.” 11Hezekiah gave orders to prepare storerooms in the temple of the LORD, and this was done. 12Then they faithfully brought in the contributions, tithes and dedicated gifts.

Anyway, if my lips were rose petals they’d taste too bitter. If my cheeks were apples they’d crawl with apple worms. If my eyes were stars they’d be dead by the time you saw them. If I moved you like the moon I’d disappear once a month. If my teeth were Chiclets you’d want to chew on them and spit them out. If my hands were birds you couldn’t hold them; they’d peck you bloody. Is my skin alabaster? Then it’s cold and hard and one day someone will skin me, make me into a cold hard box tinged with pink or yellow, to hold unguents, then how will you love me? If my vagina is a cool, dark forest you’ll certainly be lost, you have no sense of direction. If my vagina is a cave-watch out! It’s prone to seismic shifts and avalanche. If my vagina is a river of honey: orange, lavender, fine herbs, hazelnut, all too sweet. If my ears are shells I can’t hear you, only the ocean anyway. And if my voice is music, it is unintelligible. Don’t say anything. I am not a flower, but a body with rules and predictable, cellular qualities. My eyelashes and fingernails and skin and spit are organized by proteins designed to erode at a pre-encoded date and time, no matter what you do or do not do to me- I am remarkably like an animal. More like a heifer than a sunrise, I want to bite, stroke, swallow you so stop lying there trying to think of something to say and trying to understand me. I am the body next to but unlike yours. You already know me. You already know what I’m made of.

Honey And The Moon" Don't know why I'm still afraid If you weren't real I would make you up now I wish that I could follow through I know that your love is true And deep As the sea But right now Everything you want is wrong, And right now All your dreams are waking up, And right now I wish I could follow you To the shores Of freedom, Where no one lives. Remember when we first met And everything was still a bet In love's game You would call; I'd call you back And then I'd leave A message On your answering machine But right now Everything is turning blue, And right now The sun is trying to kill the moon, And right now I wish I could follow you To the shores Of freedom, Where no one lives Freedom Run away tonight Freedom, freedom Run away Run away tonight We're made out of blood and rust Looking for someone to trust Without A fight I think that you came too soon You're the honey and the moon That lights Up my night But right now Everything you want is wrong, And right now All your dreams are waking up, And right now I wish that I could follow you To the shores Of freedom Where no one lives Freedom Run away tonight Freedom freedom Run away Run away tonight We got too much time to kill Like pigeons on my windowsill We hang around Ever since I've been with you You hold me up All the time I've falling down But right now Everything is turning blue, And right now The sun is trying to kill the moon, And right now I wish I could follow you To the shores Of freedom Where no one lives

And that unfortunate loss? Was that really an accident,or did you lose deliberately so I wouldn't have to pay the bill?" He shrugged. "My lips are sealed." "I should have known." Once on the open highway he turned on the radio,and they both sang along with Garth as he lamented his papa being a rolling stone. When the song ended,Marilee looked over. "I'll consider that a sermon. According to Garth, a woman would be a fool to lose her heart to a man who'd rather drive a truck than be home with her." Wyatt winked,and in his best imitation of Daffy's smoky voice he said, "Honey, a man may love the open road,but any female with half a brain can figure out how to compete with a truck.Just bat those pretty little red-tipped lashes at any male over the age of twelve, and his brain turns to mush.Next thing you know, instead of revving up his engine, he's on his hands and knees, carrying a toddler on his back around a living room full of toys and baby gear." Though the image was a surprisingly pretty one,Marilee had to wipe tears from her eyes,she was laughing so hard. When she caught her breath she managed to say, "You've got Daffy down so perfectly,you could probably answer the phone at the Fortune Saloon and no one would believe it wasn't her." "She's easy." He chuckled. "I think she's the only female with a voice that's deeper than mine." She looked out the window at the full moon above Treasure Chest Mountain in the distance. "It's a shame to waste such a pretty night.Maybe you ought to pull over and park.We can make out like teenagers." "Not a bad idea." At his arched brow she added, "It would give me a chance to see if I could turn your brain to mush." "Believe it.