Homicide A Year On The Killing Streets Quotes

Elend smiled. "Oh, come on. You have to admit that you're unusual, Vin. You're like some strange mixture of a noblewoman, a street urchin, and a cat. Plus, you've mangaged - in our short three years together - to kill not only my god, but my father, my brother, and my fiancée. That's kind of like a homicidal hat trick.

Murder often doesn't unsettle a man. In Baltimore, it usually doesn't even ruin his day.

Boiled down to its core, the truth is always a simple, solid thing

[Y]ou are ... entrusted with the pursuit of that most extraordinary of crimes: the theft of a human life. You speak for the dead. You avenge those lost to the world.

For a detective or street police, the only real satisfaction is the work itself; when a cop spends more and more time getting aggravated with the details, he's finished. The attitude of co-workers, the indifference of superiors, the poor quality of the equipment - all of it pales if you still love the job; all of it matters if you don't.

Everyone lies. Murderers lie because they have to; witnesses and other participants lie because they think they have to; everyone else lies for the sheer joy of it, and to uphold a general principle that under no circumstances do you provide accurate information to a cop.

(sergeant thinking about an excellent detective who's threatening to quit) For a squad sergeant, having Worden working for you was like having sex: When it was good it was great and even when it wasn't so hot, it was still pretty damn good.

It’s good to be good, but it’s better to be lucky.

In any case where there is no apparent suspect, the crime lab will produce no valuable evidence. In those cases where a suspect has already confessed and been identified by at least two eyewitnesses, the lab will give you print hits, fiber evidence, blood typings and a ballistic match.

It is not a look of horror, consternation, or even distress. More often than not, the last visage of a murdered man resembles that of a flustered schoolchild to whom the logic of a simple equation has just been revealed.

It is the unrepentant worship of statistics that forms the true orthodoxy of any modern police department.

you believe a little shithead like this is able to stay on the run for so long?” McLarney declares, returning from yet another unsuccessful turn-up of a Milligan hideout. “You shoot a guy, hey,” the sergeant adds with a shrug. “You shoot another guy—well, okay, this is Baltimore. You shoot three guys, it’s time to admit you have a problem.

The best book ever written about cops is Homicide: A Year on the Killing Streets by former Baltimore Sun crime reporter David Simon. The best TV show about cops is The Wire, created by David Simon. You may start to see a theme here.   16

McLarney laughs, then leaps into the parable of Snot Boogie, who joined the neighborhood crap game, waited for the pot to thicken, then grabbed the cash and bolted down the street only to be shot dead by one of the irate players. "So we're interviewing the witnesses down at the office and they're saying how Snot Boogie would always join the crap game, then run away with the pot, and that they'd finally gotten sick of it..." Dave Brown drives in silence, barely tracking this historical digression. "And I asked one of them, you know, I asked him why they even let Snot Boogie into the game if he always tried to run away with the money." McLarney pauses for effect. "And?" asks Brown. "He just looked at me real bizarre," says McLarney. "And then he says, 'you gotta let him play....This is America

She was a cop, a Homicide lieutenant with eleven years on the job protecting and defending the hard, merciless streets of New York. There was little she hadn’t seen, touched, smelled, or waded through. Because people, to her mind, would always and could always find more inventive and despicable ways to kill their fellow man, she knew just what torments could be inflicted on the human body. But bloody and brutal murder was nothing compared to giving birth.

This is CID homicide, mister, and neither heat nor rain nor gloom of night will stay these men from their rendezvous with callousness. Cruel jokes? The cruelest. Sick humor? The sickest. And, you ask, how can they possibly do it? Volume. That’s right, volume. They won’t be outsold, they won’t be undersold; they will solve no crime before its time.

The board reveals all: Upon its acetate is writ the story of past and present. Who

It is the unrepentant worship of statistics that forms the true orthodoxy of any modern police department. Captains

Tom Pellegrini suppresses an almost overwhelming desire to see this woman dragged into a police wagon and bounced over every pothole between here and headquarters.

A heavily armed nation prone to violence finds it only reasonable to give law officers weapons and the authority to use them. In the United States, only a cop has the right to kill as an act of personal deliberation and action. To

The Midnight Dance of the Universal Desk Sergeant, a performance that is somehow the same whether the precinct house is in Boston or Biloxi. Was there ever a desk sergeant who didn’t peer out over reading glasses? Was there ever a desk man who wanted to be bothered with police work at three in the morning? Was any station house desk ever manned by anything but aging civil servants, six months from their pensions, whose every movement seemed slower than death itself?

Edgerton walks out of the interrogation room with a small kernel of rage growing inside him, a heat that few murderers ever manage to spark inside a detective. Part of it is the stupidity of Dale’s first attempt at a statement, part of it his childlike denial, but in the end what angers Harry Edgerton most is simply the magnitude of the crime. He sees Andrea Perry’s school picture inside the binder and it stokes the rage; how could such a life be destroyed by the likes of Eugene Dale?

Baltimore Oeste. Te sientas en el porche, bebiendo una lata de Colt 45 envuelta en una bolsa de papel marrón, y ves un coche patrulla que dobla lentamente la esquina. El agente se baja del coche. Ves la pistola, distingues la pelea, oyes los disparos, te asomas para ver a los enfermeros meter el cuerpo del policía herido en la parte trasera de la ambulancia. Luego vuelves a tu casa adosada, abres otra lata, te sientas frente al televisor y miras la reemisión de las noticias de las once, después vuelves a sentarse en el porche.

West Baltimore. You sit on your stoop, you drink Colt 45 from a brown paper bag and you watch the radio car roll slowly around the corner. You see the gunman, you hear the shots, you gather on the far corner to watch the paramedics load what remains of a police officer into the rear of an ambulance. Then you go back to your rowhouse, open another can, and settle in front of the television to watch the replay on the eleven o’clock news. Then you go back to the stoop.

Then you can go to Cher's Pub at Lexington and Guilford, where that selfsame assistant state's attorney, if possessed of any human qualities at all, will buy you a bottle of domestic beer. And you drink it. Because in a police department of about three thousand sworn souls, you are one of thirty-six investigators entrusted with the pursuit of that most extraordinary of crimes: the theft of a human life. You speak for the dead. You avenge those lost to the world. Your paycheck may come from fiscal services but, goddammit, after six beers you can pretty much convince yourself that you work for the Lord himself. If you are not as good as you should be, you'll be gone within a year or two, transferred to fugitive, or auto theft or check and fraud at the other end of the hall. If you are good enough, you will never do anything else as a cop that matters this much. Homicide is the major leagues, the center ring, the show. It always has been. When Cain threw a cap into Abel, you don't think The Big Guy told a couple of fresh uniforms to go down and work up the prosecution report. Hell no, he sent for a fucking detective.

los mejores inspectores de homicidios admitirán que en noventa de cada cien casos lo que salva la investigación es la abrumadora predisposición del asesino a la incompetencia o, cuando menos, al error garrafal.

Perhaps it’s the job, perhaps it’s the metallic squawk of the broadcast itself, but the speaking voice of the average police dispatcher falls somewhere between tedium and slow death.

After all, this is the same homicide unit in which the diagnosis of Gene Constantine’s diabetes was greeted by a coffee room chalkboard divided by two headings: “Those who give a shit if Constantine dies” and “Those who don’t.” Sergeant Childs, Lieutenant Stanton, Mother Teresa and Barbara Constantine topped the latter list. The shorter column featured Gene himself, followed by the city employees’ credit union.

The cartel wars in Juarez made it the most dangerous city in the world between 2008 and 2012, even worse than Baghdad. More than 10,000 people were slain during that period. When Monica and I visited, Juarez was experiencing another killing spree, with nearly a hundred murders in October alone. Throughout Mexico, the homicide rate had surged to 18 percent over the previous year. Everyone on both sides of the river was on edge. Downtown Juarez was desolate. Monica pointed out the pink crosses on the lampposts. Since the 1990s, hundreds of Juarez women, most of the teenagers, have been kidnapped, many of them in plain sight on the streets where we were standing. Some of their bodies have turned up in mass graves. Each of the crosses on the lampposts represents one of the missing women.

the pathologist makes a Y-shaped incision across the chest with a scalpel, then uses an electric saw to cut through the ribs and remove the breastplate.

But a head wound retains an accurate circumference; chances are good that the .22 casing had nothing to do with the murder.

Burnout is more than an occupational hazard in the homicide unit, it is a psychological certainty. A contagion that spreads from one detective to his partner to a whole squad, the who-really-gives-a-shit attitude threatens not those investigations involving genuine victims -- such cases are, more often than not, the cure for burnout -- but rather those murders in which the dead man is indistinguishable from his killer. An American detective's philosophical cul-de-sac: If a drug dealer falls in West Baltimore and no one is there to hear him, does he make a sound?

Als Kain seinen Bruder Abel um die Ecke brachte, glauben Sie bloß nicht, dass der Alte da oben ein paar uniformierte Grünschnäbel zu den Ermittlungen schickte. Verdammt, nein, er holte einen Detective.

A child, a fifth-grader, has been used and discarded, a monstrous sacrifice to an unmistakable evil.

Singling out petty burglary, drug offenses, and street violence, the push largely ignored white-collar wrongdoing. "But corporate crime and violence inflict far more damage on society than all street crime combined," wrote white-collar-crime expert Russell Mokhiber in 1996. He compared the estimated $4 billion that burglary and robbery cost the country to some $200 billion for fraud. Or the 24,000 homicides per year, as against 56,000 people who died from job-related causes such as black lung disease or accidents due to safety violations. How to count the tens of thousands of consumers who were hurt or killed in car accidents or by lung cancer, while auto giants lobbied against airbags and big tobacco fought warning labels? (Page 265)

she could’ve cared less.

On a legendary Christmas shift back in the early 1970s, a father killed his son in a dark meat–light meat argument at the family dinner table, plunging the carving knife into the kid’s chest to assure himself of the first crack at the serving plate.

Rule Ten in the homicide handbook: There is too such a thing as a perfect murder.

most certainly are a billy boy, a white-trash redneck,

Rule Eight in the homicide lexicon: In any case where there is no apparent suspect, the crime lab will produce no valuable evidence. In those cases where a suspect has already confessed and been identified by at least two eyewitnesses, the lab will give you print hits, fiber evidence, blood typings and a ballistic match.

They’ve gone through it enough not to believe every voice that speaks from the back of the mind.

The truth is that in 50 to 75 percent of all cases, suicide is never accompanied by a written note.

Not long ago, several veteran homicide detectives in Detroit were publicly upbraided and disciplined by their superiors for using the office Xerox machine as a polygraph device. It seems that the detectives, when confronted with a statement of dubious veracity, would sometimes adjourn to the Xerox room and load three sheets of paper into the feeder.

assumption is mother and midwife to the most egregious mistakes.

Up in homicide, an authoritarian shift commander is even more likely to be held in contempt by his detectives—men who would not, in fact, be on the sixth floor of headquarters if they weren’t eighteen of the most self-motivated cops in the department. In homicide, the laws of natural selection apply: A cop who puts down enough cases stays, a cop who doesn’t is gone. Given that basic truth, there isn’t much respect for the notion that a cop shrewd enough to maneuver his way into homicide and then put together forty or fifty cases somehow needs to have a shift commander’s finger in his eye. Rank, of course, has it privileges, but a homicide supervisor who exercises his divine right to chew ass on every conceivable occasion will in the end create a shift of alienated sergeants and overly cautious detectives, unwilling or incapable of acting on their own instincts.

Once, on the train from Washington to Philadelphia, I found myself seated next to an African-American man who had worked for the State Department in India but had quit to run a rehabilitation program for juvenile offenders in the District of Columbia. Most of the youths he worked with were gang members who had committed homicide. One fourteen-year-old boy in his program had shot and killed an innocent teenager to prove himself to his gang. At the trial, the victim’s mother sat impassively silent until the end, when the youth was convicted of the killing. After the verdict was announced, she stood up slowly and stared directly at him and stated, “I’m going to kill you.” Then the youth was taken away to serve several years in the juvenile facility. After the first half year the mother of the slain child went to visit his killer. He had been living on the streets before the killing, and she was the only visitor he’d had. For a time they talked, and when she left, she gave him some money for cigarettes. Then she started step-by-step to visit him more regularly, bringing food and small gifts. Near the end of his three-year sentence she asked him what he would be doing when he got out. He was confused and very uncertain, so she offered to set him up with a job at a friend’s company. Then she inquired about where he would live, and since he had no family to return to, she offered him temporary use of the spare room in her home. For eight months he lived there, ate her food, and worked at the job. Then one evening she called him into the living room to talk. She sat down opposite him and waited. Then she started, “Do you remember in the courtroom when I said I was going to kill you?” “I sure do, ma’am,” he replied. “Well, I did,” she went on. “I did not want the boy who could kill my son for no reason to remain alive on this earth. I wanted him to die. That’s why I started to visit you and bring you things. That’s why I got you the job and let you live here in my house. That’s how I set about changing you. And that old boy, he’s gone. So now I want to ask you, since my son is gone, and that killer is gone, if you’ll stay here. I’ve got room, and I’d like to adopt you if you let me.” And she became the mother of her son’s killer, the mother he never had. Our own story may not be so dramatic, yet we have all been betrayed. We must each start where we are. In large and small ways, in our own family and community, we will be offered the dignity and freedom that learns to patiently forgive over and over.

The effect of the illusion is profound, distorting as it does the natural hostility between hunter and hunted, transforming it until it resembles a relationship more symbiotic than adversarial. That is the lie, and when the roles are perfectly performed, deceit surpasses itself, becoming manipulation on a grand scale and ultimately an act of betrayal. Because what occurs in an interrogation room is indeed little more than a carefully staged drama, a choreographed performance that allows a detective and his suspect to find common ground where none exists. There, in a carefully controlled purgatory, the guilty proclaim their malefactions, though rarely in any form that allows for contrition or resembles an unequivocal admission.

Oh, come on. You have to admit that you’re unusual, Vin. You’re some strange mixture of a noblewoman, a street urchin, and a cat. Plus you’ve managed—in our short three years together—to kill not only my god, but my father, my brother, and my fiancée. That’s kind of like a homicidal hat trick. It’s a strange foundation for a relationship, wouldn’t you say?

You're like some strange mixture of a noblewoman, a street urchin, and a cat. Plus, you've managed—in our short three years together—to kill not only my god, but my father, my brother, and my fiancée. That's kind of like a homicidal hat trick. It's a strange foundation for a relationship, wouldn't you say?

Your victim only dies once, but your crime scene can die a thousand deaths