Hometown Love Quotes

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Islam and Christianity promise eternal paradise to the faithful. And that is a powerful opiate, certainly, the hope of a better life to come. But there's a Sufi story that challenges the notion that people believe only because they need an opiate. Rabe'a al-Adiwiyah, a great woman saint of Sufism, was seem running through the streets of her hometown, Basra, carrying a torch in one hand and a bucket of water in the other. When someone asked her what she was doing, she answered, 'I am going to take this bucket of water and pour it on the flames of hell, and then I am going to use this torch to burn down the gates of paradise so that people will not love God for want of heaven of fear of hell, but because He is God.
John Green (Looking for Alaska)
Because I miss them. Because I need them. Because I love them.
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
But there’s a Sufi story that challenges the notion that people believe only because they need an opiate. Rabe’a al-Adiwiyah, a great woman saint of Sufism, was seen running through the streets of her hometown, Basra, carrying a torch in one hand and a bucket of water in the other. When someone asked her what she was doing, she answered, ‘I am going to take this bucket of water and pour it on the flames of hell, and then I am going to use this torch to burn down the gates of paradise so that people will not love God for want of heaven or fear of hell, but because He is God.
John Green (Looking for Alaska)
For if anything is capable of making a poet of a literary man, it is my hometown love of the human, the living and ordinary.
Joseph Campbell (The Power of Myth)
Once I had put enough distance between myself and where I grew up, I started to see its beauty. I started to see it the way outsiders do - maybe because I had become an outsider.
Taylor Jenkins Reid (One True Loves)
I am, and always have been - first, last, and always - a child of America. You raised me. I grew up in the pastures and hills of Texas, but I had been to thirty-four states before I learned how to drive. When I caught the stomach flu in the fifth grade, my mother sent a note to school written on the back of a holiday memo from Vice President Biden. Sorry, sir—we were in a rush, and it was the only paper she had on hand. I spoke to you for the first time when I was eighteen, on the stage of the Democratic National Convention in Philadelphia, when I introduced my mother as the nominee for president. You cheered for me. I was young and full of hope, and you let me embody the American dream: that a boy who grew up speaking two languages, whose family was blended and beautiful and enduring, could make a home for himself in the White House. You pinned the flag to my lapel and said, “We’re rooting for you.” As I stand before you today, my hope is that I have not let you down. Years ago, I met a prince. And though I didn’t realize it at the time, his country had raised him too. The truth is, Henry and I have been together since the beginning of this year. The truth is, as many of you have read, we have both struggled every day with what this means for our families, our countries, and our futures. The truth is, we have both had to make compromises that cost us sleep at night in order to afford us enough time to share our relationship with the world on our own terms. We were not afforded that liberty. But the truth is, also, simply this: love is indomitable. America has always believed this. And so, I am not ashamed to stand here today where presidents have stood and say that I love him, the same as Jack loved Jackie, the same as Lyndon loved Lady Bird. Every person who bears a legacy makes the choice of a partner with whom they will share it, whom the American people will “hold beside them in hearts and memories and history books. America: He is my choice. Like countless other Americans, I was afraid to say this out loud because of what the consequences might be. To you, specifically, I say: I see you. I am one of you. As long as I have a place in this White House, so will you. I am the First Son of the United States, and I’m bisexual. History will remember us. If I can ask only one thing of the American people, it’s this: Please, do not let my actions influence your decision in November. The decision you will make this year is so much bigger than anything I could ever say or do, and it will determine the fate of this country for years to come. My mother, your president, is the warrior and the champion that each and every American deserves for four more years of growth, progress, and prosperity. Please, don’t let my actions send us backward. I ask the media not to focus on me or on Henry, but on the campaign, on policy, on the lives and livelihoods of millions of Americans at stake in this election. And finally, I hope America will remember that I am still the son you raised. My blood still runs from Lometa, Texas, and San Diego, California, and Mexico City. I still remember the sound of your voices from that stage in Philadelphia. I wake up every morning thinking of your hometowns, of the families I’ve met at rallies in Idaho and Oregon and South Carolina. I have never hoped to be anything other than what I was to you then, and what I am to you now—the First Son, yours in actions and words. And I hope when Inauguration Day comes again in January, I will continue to be.
Casey McQuiston (Red, White & Royal Blue)
Negroes always love our hometowns,” he said. “Even though we’re always from the worst places. Only white folks got the freedom to hate home.
Brit Bennett (The Vanishing Half)
If I hadn't forgiven myself, I wouldn't be strong enough to love someone this much.
Dawn Lanuza (The Hometown Hazard)
Her visits to her former hometown were infrequent and often painful. Pilgrimages fueled by the tepid oxygen of family duty, unease, guilt. The more Esther loved her parents, the more helpless she felt, as they aged, to protect them from harm. A moral coward, she kept her distance.
Joyce Carol Oates (High Lonesome: Selected Stories, 1966-2006)
The more I search the world, the more certain I am that the person I love the most is right where I began. Everything I truly want can be found in my own hometown.
Becky Wade (Sweet on You (A Bradford Sisters Romance, #3))
We wander in our thousands over the face of the earth, the illustrious and the obscure, earning beyond the seas our fame, our money, or only a crust of bread; but it seems to me that for each of us going home must be like going to render an account. We return to face our superiors, our kindred, our friends--those whom we obey, and those whom we love; but even they who have neither, the most free, lonely, irresponsible and bereft of ties,--even those for whom home holds no dear face, no familiar voice,--even they have to meet the spirit that dwells within the land, under its sky, in its air, in its valleys, and on its rises, in its fields, in its waters and its trees--a mute friend, judge, and inspirer.
Joseph Conrad (Lord Jim)
Karl Marx famously called religion 'the opiate of the masses'. Buddhism, particularly as it is popularly practiced, promises improvement through karma. Islam and Christianity promise eternal life to the faithful. And that is a powerful opiate, certainly, the hope of a better life to come. But there's a Sufi story that challenges the notion that people believe only because they need an opiate. Rabe'a al-Adiwiyah, a great woman saint of Sufism, was seen running through the streets of her hometown, Basra, carrying a torch in one hand and a bucket of water in the other. When someone asked her what she was doing, she answered, 'I am going to take this bucket of water and pour it on the flames of hell, and then I am going to use this torch to burn down the gates of paradise so that people will not love God for want of heaven or fear of hell, but because He is God.
John Green
I was not sorry for loving Charleston or for leaving it. Geography had made me who I was.
Sue Monk Kidd (The Invention of Wings)
A world that is safe for mothers is safe for all.
Abhijit Naskar (Hometown Human: To Live for Soil and Society)
I stood there. Still. Frozen. Looking at the most handsome man I’d ever seen in my life. The man I fell in love with when he was still mostly a boy. The man who raised two great kids against the odds. The man who kept the streets of my hometown safe. The only man outside my brother and father who even tried to take care of me, he did it in a way that was beautiful, precious, so I let him. The man who made me happy. The man who was happy being with me.
Kristen Ashley (Games of the Heart (The 'Burg, #4))
The worst part is the unknown. The pain of being alone, the loneliness, is familiar. You've dealt with that. You understand it. But loving someone, risking everything, is unknown. There's no way to know how bad it's going to be. You barely survive the pain of being alone, so how can you deal with anything worse? So you don't bother to try.
Susan Mallery (Holly and Mistletoe (Hometown Heartbreakers, #5))
Here’s to you. Here’s to me. Friends for life, we’ll always be. But if we find that we disagree, fuck you, here’s to me!
Tara Sivec (The Simple Life (Hometown Love, #1))
Hey, if having a beautiful, smart, funny, talented man love me unconditionally for the rest of my life makes me a victim, then that's what I am.
Victoria Denault (The Final Move (Hometown Players, #3))
love our hometowns,” he said. “Even though we’re always from the worst places. Only white folks got the freedom to hate home.
Brit Bennett (The Vanishing Half)
it is my hometown love of the human, the living and ordinary. All warmth derives from this love, all kindness and all humor.
Joseph Campbell (The Power of Myth)
For the city, his city, stood unchanging on the edge of time: the same burning dry city of his nocturnal terrors and the solitary pleasures of puberty, where flowers rusted and salt corroded, where nothing had happened for four centuries except a slow aging among withered laurels and putrefying swamps. In winter sudden devastating downpours flooded the latrines and turned the streets into sickening bogs. In summer an invisible dust as harsh as red-hot chalk was blown into even the best-protected corners of the imagination by mad winds that took the roofs off the houses and carried away children through the air.
Gabriel García Márquez (Love in the Time of Cholera)
Falling in love feels like jumping out of a plane without a parachute and somehow landing safely and then wanting to do it again the next day.
Victoria Denault (The Final Move (Hometown Players, #3))
Pure intellect without emotion is like a knife without a handle - does more damage than good.
Abhijit Naskar (Hometown Human: To Live for Soil and Society)
What’s there to believe? I told you how I feel.” “Negroes always love our hometowns,” he said. “Even though we’re always from the worst places. Only white folks got the freedom to hate home.
Brit Bennett (The Vanishing Half)
Forget Mount Shasta, my hometown, where the Rainbow Gatherers converge June through August to bask naked in the sun, live communally, and wear flowers in their hair. This year the summer of love is in Tokyo.
Emiko Jean (Tokyo Dreaming (Tokyo Ever After, #2))
I never stopped missing you. I never stopped needing you. There was a constant ache in my chest for you. I tried to convince myself it was anger, but it was love. And no one could fix it. You're the only one who can fix it.
Victoria Denault (One More Shot (Hometown Players, #1))
Rabe’a al-Adiwiyah, a great woman saint of Sufism, was seen running through the streets of her hometown, Basra, carrying a torch in one hand and a bucket of water in the other. When someone asked her what she was doing, she answered, ‘I am going to take this bucket of water and pour it on the flames of hell, and then I am going to use this torch to burn down the gates of paradise so that people will not love God for want of heaven or fear of hell, but because He is God.
John Green (Looking for Alaska)
I can remember Grandma telling stories about little nest makers leaving wards in the wild. The details would shift and change as she got older, but it always involved Saint Vinson's crystal spider and a wandering soul haunted by nightmares.
John Michael Bauer (Besnowed)
Makes me so happy every time you find out how small the world is, you know? Like, we were in that place at the same time and now here we are. At different points in our lives but still connected. Like quantum entanglement or some shit.” “I think about that every time I’m in an airport. It’s one reason I love traveling so much. As a kid, I was a loner, and I always figured that when I grew up, I’d leave my hometown and discover other people like me somewhere else. Which I have, you know? But everyone gets lonely sometimes, and whenever that happens, I buy a plane ticket and go to the airport and—I don’t know. I don’t feel lonely anymore. Because no matter what makes all those people different, they’re all just trying to get somewhere, waiting to reach someone.
Emily Henry (People We Meet on Vacation)
Someone told me "I want to go to your hometown. Someday I will go there and I will smile till the time I will stay there and be happy because its your home town. I am going to see you in every wall, every street, every glass, in every person, in every wave of the sea and smile.
Avijeet Das
We are among the first peoples in human history who do not broadly inherit religious identity as a given, a matter of kin and tribe, like hair color and hometown. But the very fluidity of this—the possibility of choice that arises, the ability to craft and discern one’s own spiritual bearings—is not leading to the decline of spiritual life but its revival. It is changing us, collectively. It is even renewing religion, and our cultural encounter with religion, in counterintuitive ways. I meet scientists who speak of a religiosity without spirituality—a reverence for the place of ritual in human life, and the value of human community, without a need for something supernaturally transcendent. There is something called the New Humanism, which is in dialogue about moral imagination and ethical passions across boundaries of belief and nonbelief. But I apprehend— with a knowledge that is as much visceral as cognitive— that God is love. That somehow the possibility of care that can transform us— love muscular and resilient— is an echo of a reality behind reality, embedded in the creative force that gives us life.
Krista Tippett (Becoming Wise: An Inquiry into the Mystery and Art of Living)
Tradition? Kadash, did I ever tell you about my first sword trainer? Back when I was young, our branch of the Kholin family didn't have grand monasteries and beautiful practice grounds. My father found a teacher for me from two towns over. His name was Harth. Young fellow, not a true swordmaster -- but good enough. He was very focused on proper procedure, and wouldn't let me train until I'd learned how to put on a takama the right way. He wouldn't have stood for me fighting like this. You put on the skirt, then the overshirt, then you wrap your cloth belt around yourself three times and tie it. I always found that annoying. The belt was too tight, wrapped three times -- you had to pull it hard to get enough slack to tie the knot. The first time I went to duels at a neighboring town, I felt like an idiot. Everyone else had long drooping belt ends at the front of their takamas. I asked Harth why we did it differently. He said it was the right way, the true way. So, when my travels took me to Harth's hometown, I searched out his master, a man who had trained with the ardents in Kholinar. He insisted that this was the right way to tie a takama, as he'd learned from his master. I found my master's master's master in Kholinar after we captured it. The ancient, wizened ardent was eating curry and flatbread, completely uncaring of who ruled the city. I asked him. Why tie your belt three times, when everyone else thinks you should do it twice? The old man laughed and stood up. I was shocked to see that he was terribly short. 'If I only tie it twice,' he exclaimed, 'the ends hang down so low, I trip!' I love tradition, I've fought for tradition. I make my men follow the codes. I uphold Vorin virtues. But merely being tradition does not make something worthy, Kadash. We can't just assume that because something is old it is right.
Brandon Sanderson (Oathbringer (book 1 of 6) (Stormlight Archive #3, Part 1 of 6))
They call each other ‘E.’ Elvis picks wildflowers near the river and brings them to Emily. She explains half-rhymes to him. In heaven Emily wears her hair long, sports Levis and western blouses with rhinestones. Elvis is lean again, wears baggy trousers and T-shirts, a letterman’s jacket from Tupelo High. They take long walks and often hold hands. She prefers they remain just friends. Forever. Emily’s poems now contain naugahyde, Cadillacs, Electricity, jets, TV, Little Richard and Richard Nixon. The rock-a-billy rhythm makes her smile. Elvis likes himself with style. This afternoon he will play guitar and sing “I Taste A Liquor Never Brewed” to the tune of “Love Me Tender.” Emily will clap and harmonize. Alone in their cabins later, they’ll listen to the river and nap. They will not think of Amherst or Las Vegas. They know why God made them roommates. It’s because America was their hometown. It’s because God is a thing without feathers. It’s because God wears blue suede shoes.
Hans Ostrom
Looking at the most handsome man I’d ever seen in my life. The man I fell in love with when he was still mostly a boy. The man who raised two great kids against the odds. The man who kept the streets of my hometown safe. The only man outside my brother and father who even tried to take care of me, he did it in a way that was beautiful, precious, so I let him.
Kristen Ashley (Games of the Heart (The 'Burg, #4))
It’s a vast mystery to me, like it is to most New Yorkers, how this ugly lovely town became my lovely ugly town, this gorgeous rubbish heap of a place, this city of the timeless Now, with little of the style of Paris, little of the beauty of Rome, little of the history of London, and not even much of the dear dirty dereliction of my hometown, Dublin. (from My First New York)
Colum McCann
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
Bruce Springsteen (Born to Run)
I’ve learned to sometimes ask, “Where did you grow up?” which gets people talking about their hometown. I travel a lot for work, so there’s a good chance I’ll know something about their place. Other easy introductory questions are things like “That’s a lovely name. How did your parents choose it?” That prompts conversations about cultural background and family history. Those conversations often go off in good directions.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
So let’s get this straight right now. Have you ever seen a teen movie or TV show with a big, raging party scene? Get that out of your mind. This is high school, not college, and it’s Texas. In Texas, we do bonfires on the ranch…not mansions and hotel rooms. We do daisy dukes, backward baseball caps and faded blue jeans…not sparkling cocktail dresses or fancy button ups. I love Texas. I love the laid-back, country style of my hometown and my people.
Michele G. Miller (Out of Ruins (From the Wreckage #2))
New York always feels more like my hometown than the places where I actually grew up (which weren't far from New York), perhaps because I did my artistic "growing up" while working in this crazy, wonderful city back in my twenties. Although I love the quieter, slower, nature-rich life I live now in the sheep-dotted hills of Devon, there are ways in which I still feel more truly myself here in New York, more than anywhere else. Even after all this time in the desert and on Dartmoor. Strange, isn't it?
Terri Windling
And if I was seen as temperamentally cool and collected, measured in how I used my words, Joe was all warmth, a man without inhibitions, happy to share whatever popped into his head. It was an endearing trait, for he genuinely enjoyed people. You could see it as he worked a room, his handsome face always cast in a dazzling smile (and just inches from whomever he was talking to), asking a person where they were from, telling them a story about how much he loved their hometown (“Best calzone I ever tasted”) or how they must know so-and-so (“An absolutely great guy, salt of the earth”), flattering their children (“Anyone ever tell you you’re gorgeous?”) or their mother (“You can’t be a day over forty!”), and then on to the next person, and the next, until he’d touched every soul in the room with a flurry of handshakes, hugs, kisses, backslaps, compliments, and one-liners. Joe’s enthusiasm had its downside. In a town filled with people who liked to hear themselves talk, he had no peer. If a speech was scheduled for fifteen minutes, Joe went for at least a half hour. If it was scheduled for a half hour, there was no telling how long he might talk. His soliloquies during committee hearings were legendary. His lack of a filter periodically got him in trouble, as when during the primaries, he had pronounced me “articulate and bright and clean and a nice-looking guy,” a phrase surely meant as a compliment, but interpreted by some as suggesting that such characteristics in a Black man were noteworthy. As I came to know Joe, though, I found his occasional gaffes to be trivial compared to his strengths. On domestic issues, he was smart, practical, and did his homework. His experience in foreign policy was broad and deep. During his relatively short-lived run in the primaries, he had impressed me with his skill and discipline as a debater and his comfort on a national stage. Most of all, Joe had heart. He’d overcome a bad stutter as a child (which probably explained his vigorous attachment to words) and two brain aneurysms in middle age.
Barack Obama (A Promised Land)
Before coming to the Black Wood, I had read as widely in tree lore as possible. As well as the many accounts I encountered of damage to trees and woodland -- of what in German is called Waldsterben, or 'forest-death' -- I also met with and noted down stories of astonishment at woods and trees. Stories of how Chinese woodsmen in the T'ang and S'ung dynasties -- in obedience to the Taoist philosophy of a continuity of nature between humans and other species -- would bow to the trees which they felled, and offer a promise that the tree would be used well, in buildings that would dignify the wood once it had become timber. The story of Xerxes, the Persian king who so loved sycamores that, when marching to war with the Greeks, he halted his army of many thousands of men in order that they might contemplate and admire one outstanding specimen. Thoreau's story of how he felt so attached to the trees in the woods around his home-town of Concord, Massachusetts, that he would call regularly on them, gladly tramping 'eight or ten miles through the deepest snow to keep an appointment with a beech-tree, or yellow-birch, or an old acquaintance among the pines. When Willa Cather moved to the prairies of Nebraska, she missed the wooded hills of her native Virginia. Pining for trees, she would sometimes travel south 'to our German neighbors, to admire their catalpa grove, or to see the big elm tree that grew out of a crack in the earth. Trees were so rare in that country that we used to feel anxious about them, and visit them as if they were persons'....
Robert Macfarlane (The Wild Places)
But here in my hometown, history was like a fine dust that settled out on everything. There was nothing to counter it. The culture had been hardened by a religion suspect of joy, yet fascinated by sin. Its moral acceptance of slavery eroded compassion. And gentility became a necessary pretense to cover the resentment created long ago when the North’s industrial prestige trumped the agrarian South. It was not an easy place to feel lighthearted or triumphant. Nor was it an easy place to remember the beauty of wonder and awe.
Christina Carson (Where It Began: Book One: Accidents of Birth Trilogy)
Most people these days chase new things - new houses, new cars, new objects. But, they don't realise that old houses, old cars, and old objects have something that new things don't have - their history and culture. I pity these educated morons who chase new things. My Mom and Dad choose to stay in our old house in my hometown, because it was the house they built with their hard work and love. It is the house where my mother writes her beautiful poetry. It is the house where my father treats his patients. It is a house which has books, culture, cracks and yes history.
Avijeet Das
It's one reason I love traveling so much." I hesitate, searching for how to pour this long-steeping soupy thought into concrete words. "As a kid, I was a loner," I explain, "and I always figured that when I grew up, I'd leave my hometown and discover other people like me somewhere else. Which I have, you know? But everyone gets lonely sometimes, and whenever that happens, I buy a plane ticket and go to the airport and- I don't know. I don't feel lonely anymore. Because no matter what makes all those people different, they're all just trying to get somewhere, waiting to reach someone.
Emily Henry (People We Meet on Vacation)
Most people these days chase new things - new houses, new cars, new objects. But, they don't realise that old houses, old cars, and old objects have something that new things don't have - their history and culture. We must look at life from each other's perspective. There is nothing fascinating about chasing new things. My Mom and Dad choose to stay in our old house in my hometown, because it was the house they built with their hard work and love. It is the house where my mother writes her beautiful poetry. It is the house where my father treats his patients. It is a house which has books, culture, cracks and yes history.
Avijeet Das
Sure, I ached for the backroads of my hometown in Missouri, but leaving behind a scholarship would’ve been a defeat for my folks, who had no idea what it was like for me—they who thought their little girl was up north learning the truth of America in the sort of place where a young woman could cross the thresholds of the rich. They told me that my southern charm would get me by. My father wrote letters that began: My Little Glorious. I wrote back on airmail paper. I told them how much I loved my history classes, which was true. I told them I loved walking the woods, true too. I told them that I always had clean linen in my dorm room, true as well.
Colum McCann (Let the Great World Spin)
My mother had been baking more often in general, but she took plates of desserts to the carpentry studio, where her boss, thank God, had a sweet tooth. He just loved the cheesecake, she'd tell me, shining. He ate all of my oatmeal cookies. Some charmed combination of the woodwork, and the studio people, and the splinter excising time with her son kept her going back to Silver Lake even when she hit her usual limits, and every night, tucked into bed, I would send out a thank-you prayer to the carpentry boss for taking in what I could not. But this morning I was the only one, and it was the weekend, and carpentry rested, and the whole kitchen smelled of hometown America, of Atlanta's orchards and Oregon's berry bushes, of England's pie legacy, packed with the Puritans over the Mayflower.
Aimee Bender (The Particular Sadness of Lemon Cake)
My love of publishing goes back to my first job on the hometown newspaper when I was a 16-year-old cub reporter, but I caught a novel version of the word and the idea at a 1980 poetry reading by Allan Ginsberg. That night he exhorted all in the audience to remember the original sense of the word when he said that every public reading of a poem was a bona fide form of publishing, taking the good word to the people. For the last word on getting published let’s turn to one of the least recognized, in her own time, of all great writers, Emily Dickinson, who said, “Publication—is the auction of the Mind of Man.” Of her 1775 poems, only seven were published in her lifetime, which flies in the face of the academic exhortation to “publish or perish.” Dickinson rarely published, but her poetry is imperishable.
Phil Cousineau (Wordcatcher: An Odyssey into the World of Weird and Wonderful Words)
Most people these days chase new things - new houses, new cars, new objects. But, they don't realise that old houses, old cars, and old objects have something that new things don't have - their history and culture. We must look at life from each other's perspective. New things will make you feel good but maybe for a short time. There is nothing fascinating about chasing new things. Which is why some people, like my parents, love old things, because these things have emotions, and sentiments attached to them. My Mom and Dad choose to stay in our old house in my hometown, because it was the house they built with their hard work and love. It is the house where my mother writes her beautiful poetry. It is the house where my father treats his patients. It is a house which has books, culture, cracks and yes history.
Avijeet Das
In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
But Dr. Hyde was telling a different story, one that I'd skipped. "Karl Marx famously called religion 'the opiate of the masses'. Buddhism, particularly as it is popularly practiced, promises improvement through karma. Islam and Christianity promise eternal paradise to the faithful. And that is a powerful opiate, certainly, the hope of a better life to come. But there's a Sufi story that challenges the notion that people believe only because they need an opiate. Rabe'al-Adiwiyah, a great woman saint of Sufism, was seen running through the streets of her hometown, Basra, carrying a torch in one hand and a bucket of water in the other. When someone asked her what she was doing, she answered, 'I am going to take this bucket of water and pour it on the flames of hell, and then I am going to use this torch to burn down the gates of paradise so that people will not love God for want of heaven or fear of hell, but because He is God.
John Green (Looking for Alaska)
Dear father, It's been five years today, but makes no difference! Not a day goes by without me remembering your pure green eyes, the tone of your voice singing In Adighabza, or your poems scattered all around the house. Dear father, from you I have learned that being a girl doesn't mean that I can't achieve my dreams, no matter how crazy or un-urban they might seem. That you raised me with the utmost of ethics and morals and the hell with this cocooned society, if it doesn't respect the right to ask and learn and be, just because I'm a girl. Dear father, from you I have learned to respect all mankind, and just because you descend from a certain blood or ethnicity, it doesn't make you better than anybody else. It's you, and only you, your actions, your thoughts, your achievements, are what differentiates you from everybody else. At the same time, thank you for teaching me to respect and value where I came from, for actually taking me to my hometown Goboqay, for teaching me about my family tree, how my ancestors worked hard and fought for me to be where I am right now, and to continue on with the legacy and make them all proud. Dear father, from you and mom, I have learned to speak in my mother tongue. A gift so precious, that I have already made a promise to do the same for my unborn children. Dear father, from you I have learned to be content, to fear Allah, to be thankful for all that I have, and no matter what, never loose faith, as it's the only path to solace. Dear father, from you I have learned that if a person wants to love you, then let them, and if they hurt you, be strong and stand your ground. People will respect you only if you respect yourself. Dear father, I'm pretty sure that you are proud of me, my sisters and our dear dear Mom. You have a beautiful grand daughter now and a son in-law better than any brother I would have ever asked for. Till we meet again, Shu wasltha'3u. الله يرحمك يا غالي. (الفاتحة) على روحك الطاهرة.
Larissa Qat
As I finished my rice, I sketched out the plot of a pornographic adventure film called The Massage Room. Sirien, a young girl from northern Thailand, falls hopelessly in love with Bob, an American student who winds up in the massage parlor by accident, dragged there by his buddies after a fatefully boozy evening. Bob doesn't touch her, he's happy just to look at her with his lovely, pale-blue eyes and tell her about his hometown - in North Carolina, or somewhere like that. They see each other several more times, whenever Sirien isn't working, but, sadly, Bob must leave to finish his senior year at Yale. Ellipsis. Sirien waits expectantly while continuing to satisfy the needs of her numerous clients. Though pure at heart, she fervently jerks off and sucks paunchy, mustached Frenchmen (supporting role for Gerard Jugnot), corpulent, bald Germans (supporting role for some German actor). Finally, Bob returns and tries to free her from her hell - but the Chinese mafia doesn't see things in quite the same light. Bob persuades the American ambassador and the president of some humanitarian organization opposed to the exploitation of young girls to intervene (supporting role for Jane Fonda). What with the Chinese mafia (hint at the Triads) and the collusion of Thai generals (political angle, appeal to democratic values), there would be a lot of fight scenes and chase sequences through the streets of Bangkok. At the end of the day, Bob carries her off. But in the penultimate scene, Sirien gives, for the first time, an honest account of the extent of her sexual experience. All the cocks she has sucked as a humble massage parlor employee, she has sucked in the anticipation, in the hope of sucking Bob's cock, into which all the others were subsumed - well, I'd have to work on the dialogue. Cross fade between the two rivers (the Chao Phraya, the Delaware). Closing credits. For the European market, I already had line in mind, along the lines of "If you liked The Music Room, you'll love The Massage Room.
Michel Houellebecq (Platform)
Hold On" They hung a sign up in our town "If you live it up, you won't live it down" So she left Monte Rio, son Just like a bullet leaves a gun With her charcoal eyes and Monroe hips She went and took that California trip Oh, the moon was gold, her hair like wind Said, "don't look back, just come on, Jim" Oh, you got to hold on, hold on You gotta hold on Take my hand, I'm standing right here, you gotta hold on Well, he gave her a dimestore watch And a ring made from a spoon Everyone's looking for someone to blame When you share my bed, you share my name Well, go ahead and call the cops You don't meet nice girls in coffee shops She said, "baby, I still love you" Sometimes there's nothin' left to do Oh, but you got to hold on, hold on Babe, you gotta hold on and take my hand I'm standing right here, you gotta hold on Well, God bless your crooked little heart St. Louis got the best of me I miss your broken China voice How I wish you were still here with me Oh, you build it up, you wreck it down Then you burn your mansion to the ground Oh, there's nothing left to keep you here But when you're falling behind in this big blue world Oh, you've got to hold on, hold on Babe, you gotta hold on Take my hand, I'm standing right here, you gotta hold on Down by the Riverside motel It's ten below and falling By a ninety-nine cent store She closed her eyes and started swaying But it's so hard to dance that way When it's cold and there's no music Oh, your old hometown's so far away But inside your head there's a record that's playing A song called "Hold On", hold on Babe, you gotta hold on Take my hand, I'm standing right there, you gotta hold on
Tom Waits (Tom Waits: Mule Variations Piano, Vocal and Guitar Chords)
5. Move toward resistance and pain A. Bill Bradley (b. 1943) fell in love with the sport of basketball somewhere around the age of ten. He had one advantage over his peers—he was tall for his age. But beyond that, he had no real natural gift for the game. He was slow and gawky, and could not jump very high. None of the aspects of the game came easily to him. He would have to compensate for all of his inadequacies through sheer practice. And so he proceeded to devise one of the most rigorous and efficient training routines in the history of sports. Managing to get his hands on the keys to the high school gym, he created for himself a schedule—three and a half hours of practice after school and on Sundays, eight hours every Saturday, and three hours a day during the summer. Over the years, he would keep rigidly to this schedule. In the gym, he would put ten-pound weights in his shoes to strengthen his legs and give him more spring to his jump. His greatest weaknesses, he decided, were his dribbling and his overall slowness. He would have to work on these and also transform himself into a superior passer to make up for his lack of speed. For this purpose, he devised various exercises. He wore eyeglass frames with pieces of cardboard taped to the bottom, so he could not see the basketball while he practiced dribbling. This would train him to always look around him rather than at the ball—a key skill in passing. He set up chairs on the court to act as opponents. He would dribble around them, back and forth, for hours, until he could glide past them, quickly changing direction. He spent hours at both of these exercises, well past any feelings of boredom or pain. Walking down the main street of his hometown in Missouri, he would keep his eyes focused straight ahead and try to notice the goods in the store windows, on either side, without turning his head. He worked on this endlessly, developing his peripheral vision so he could see more of the court. In his room at home, he practiced pivot moves and fakes well into the night—such skills that would also help him compensate for his lack of speed. Bradley put all of his creative energy into coming up with novel and effective ways of practicing. One time his family traveled to Europe via transatlantic ship. Finally, they thought, he would give his training regimen a break—there was really no place to practice on board. But below deck and running the length of the ship were two corridors, 900 feet long and quite narrow—just enough room for two passengers. This was the perfect location to practice dribbling at top speed while maintaining perfect ball control. To make it even harder, he decided to wear special eyeglasses that narrowed his vision. For hours every day he dribbled up one side and down the other, until the voyage was done. Working this way over the years, Bradley slowly transformed himself into one of the biggest stars in basketball—first as an All-American at Princeton University and then as a professional with the New York Knicks. Fans were in awe of his ability to make the most astounding passes, as if he had eyes on the back and sides of his head—not to mention his dribbling prowess, his incredible arsenal of fakes and pivots, and his complete gracefulness on the court. Little did they know that such apparent ease was the result of so many hours of intense practice over so many years.
Robert Greene (Mastery)
them.” “Okay, Arceus and Calvin,” I said. “Yes?” they answered. “I need you guys to get horses and track down Team Scorpion. Once you have their location, we will assemble a team and attack their hideout.” Arceus nodded. “It sounds like a good plan.” “But what if they just keep running and they never stop?” asked Calvin. “They have to stop sometime,” said Shadow. “Plus, they have to stash their loot somewhere.” Calvin nodded. “Okay, we’ll head to Thane’s stable. I’ll pick up Rose too, she can help us track them.” “Good idea,” I said. Before leaving, Arceus turned to Cindy and said, “Alas, our time reunited was so short, and now we must part again, my love.” “Uh, why are you calling me that? I’m not your love,” Cindy replied. “Oh, but you are, darling. I love you, so therefore, you are my love.” “You love me…?” Cindy had a shocked expression on her face. “Yes, of course. If not for you, I would have left this town a long time ago.” “Really?” "To be honest, I hate this town. There's always some troubling event going on here. But this is your hometown, and I know you love it so. Therefore, I will gladly fight to my dying breath to defend it if I must.” Cindy blushed. “Um… that’s… very sweet of you…” “Well, we should head out now. Until we meet again, my love.” Arceus hugged Cindy and then he left with Calvin to go to the stable. “What should we do in the meantime?” asked Devlin. “We’ll go home and check up on everyone. We gotta make sure they’re okay.” “And then?” “We’ll prepare for the assault on Team Scorpion’s hideout.” Knight-Captain Devlin nodded. We made our way back to town. When we arrived, we saw a bunch of villagers by town hall. They were drowning the mayor with questions. “Who were those jerks?!” a villager asked. “What did they want?!” asked another. “I thought this place was safe!” yelled a new villager. “How are you going to protect us from them?!” The questions went on and on. The mayor lost the crowd, he had no control over them whatsoever. They were becoming restless.
Steve the Noob (Diary of Steve the Noob 23 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
The only thing I knew about pickups was this: growing up, I always inwardly mocked the couples I saw who drove around in them. The girl would be sitting in the middle seat right next to the boy, and the boy’s right arm would be around her shoulders, and his left arm would be on the wheel. I’m not sure why, but there was something about my golf course upbringing that had always caused me to recoil at this sight. Why is she sitting in the middle seat? I’d wonder. Why is it important that they press against each other as they drive down the road? Can’t they wait until they get home? I looked at it as a sign of weakness--something pitiable. They need to get a life may have even crossed my mind once or twice, as if their specific brand of public affection was somehow directly harming me. But that’s what happens to people who, by virtue of the geography of their childhood, are deprived of the opportunity to ride in pickup trucks. They become really, really judgmental about otherwise benign things. Still, every now and then, as Marlboro Man showed me the beauty of the country in his white Ford F250, I couldn’t help but wonder…had he been one of those boys in high school? I knew he’d had a serious girlfriend back in his teenage years. Julie. A beautiful girl and the love of his adolescent life, in the same way Kev had been mine. And I wondered: had Julie scooched over to the middle seat when Marlboro Man picked her up every Friday night? Had he hooked his right arm around her neck, and had she then reached her left hand up and clasped his right hand with hers? Had they then dragged Main in this position? Our hometowns had been only forty miles apart; maybe he’d brought her to my city to see a movie. Was it remotely possible I’d actually seen Marlboro Man and Julie riding around in his pickup, sitting side by side? Was it possible this man, this beautiful, miraculous, perfect man who’d dropped so magically into my life, had actually been one of the innocent recipients of my intolerant, shallow pickup-related condemnation? And if he had done it, was it something he’d merely grown out of? How come I wasn’t riding around in his middle seat? Was I supposed to initiate this? Was this expected of me? Because I probably should know early on. But wouldn’t he have gestured in that direction if he’d wanted me to move over and sit next to him? Maybe, just maybe, he’d liked those girls better than he liked me. Maybe they’d had a closeness that warranted their riding side by side in a pickup, a closeness that he and I just don’t share? Please don’t let that be the reason. I don’t like that reason. I had to ask him. I had to know.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
About page warm and casual on her blog, The Pioneer Woman: Howdy. I’m Ree Drummond, also known as The Pioneer Woman. I’m a moderately agoraphobic ranch wife and mother of four. Welcome to my frontier! I’m a middle child who grew up on the seventh fairway of a golf course in a corporate town. I was a teen angel. Not. After high school, I thought my horizons needed broadening. I attended college in California, then got a job and wore black pumps to work every day. I ate sushi and treated myself to pedicures on a semi-regular basis. I even kissed James Garner in an elevator once. I loved him deeply, despite the fact that our relationship only lasted 47 seconds. Unexpectedly, during a brief stay in my hometown, I met and fell in love with a rugged cowboy. Now I live in the middle of nowhere on a working cattle ranch. My days are spent wrangling children, chipping dried manure from boots, washing jeans, and making gravy. I have no idea how I got here . . . but you know what? I love it. Don’t tell anyone! I hope you enjoy my website, ThePioneerWoman.com. Here, I write daily about my long transition from spoiled city girl to domestic country wife.2
Michael Hyatt (Platform: Get Noticed in a Noisy World)
would know her secret.
Christina Tetreault (Hometown Love (Love on the North Shore, #2))
dedicated to you. You bring up names of hometown friends, people who you see all the time, and I have to search the yearbook to remember. You were definitely Most Likely to Never Leave town. Your mammoth success in your chosen career came as no surprise to me since you were always determined to do so much more with your life despite the pitfalls that were placed in your path. Your kindness and loving
Catherine Bybee (Staying For Good (Most Likely To, #2))
You’ve always been my protector and my best friend. I love you.
Tammy L. Grace (Finally Home (Hometown Harbor #5))
Facebook Groups. A few years ago, I created a Facebook group for my hometown called “We Love Nyack,” as an open forum for discussions, announcements, reviews, and anything else about the Village. It wasn’t about me. It wasn’t about my company. It was about Nyack, and all the reasons why it was such a wonderful place to live. How much did this cost me? Literally, nothing. You can do the exact same thing for a local community: create a discussion group, write posts about the
Joe Rand (How to be a Great Real Estate Agent: The Principles of Client-Oriented Real Estate (CORE))
a friend back in her hometown of Battle Point had thrown her a well-attended Apron Collection bridal shower, so Dolly owned an impressive variety of aprons, nineteen in all, one to match nearly every one of her dresses—because she had read somewhere that “nothing says ‘happy home’ to a husband like his smiling wife, in an apron and lovely dress, bidding him come to the table, where she has a colorful, balanced, hot meal waiting.
Ellen Baker (Keeping the House)
All those songs I used to pretend to understand, all the angsty, heartbroken songs I had heard all my life, they suddenly made so much more sense. "Well, then she probably needs a giant coffee, a huge box of your creations, and some time to nurse her feelings in private, don't you think?" Brantley Dane, local hero, saves girl from sure death brought on by sheer mortification. That'd be his headline. "Come on, sweetheart," he said, moving behind me, casually touching my hip in the process, and going behind counter. "What's your poison? Judging by the situation, I am thinking something cold, mocha or caramel filled and absolutely towering with full fat whipped cream." That was exactly what I wanted. But, broken heart aside, I knew I couldn't let myself drown in sweets. Gaining twenty pounds wasn't going to help anything. There was absolutely no enthusiasm in my voice when I said, "Ah, actually, can I have a large black coffee with one sugar please?" "Not that I'm not turned on as all fuck by a woman who appreciates black coffee," he started, making me jerk back suddenly at the bluntness of that comment and the dose of profanity I wasn't accustomed to hearing in my sleepy hometown. "But if you're only one day into a break-up, you're allowed to have some full fat chocolate concoction to indulge a bit. I promise from here on out I won't make you anything even half as food-gasm-ing as this." He leaned across the counter, getting close enough that I could see golden flecks in his warm brown eyes. "Honey, not even if you beg," he added and, if I wasn't mistaken, there was absolutely some kind of sexually-charged edge to his words. "Say yes," he added, lips tipping up at one corner. "Alright, yes," I agreed, knowing I would love every last drop of whatever he made me and likely punish myself with an extra long run for it too. "Good girl," he said as he turned away. And there was not, was absolutely not some weird fluttering feeling in my belly at that. Nope. That would be completely insane. "Okay, I got you one of everything!" my mother said, coming up beside me and pressing the box into my hands. She even tied it with her signature (and expensive, something I had tried to talk her out of many times over the years when she was struggling financially) satin bow. I smiled at her, knowing that sometimes, there was nothing liked baked goods from your mother after a hard day. I was just lucky enough to have a mother who was a pastry chef. "Thanks, Mom," I said, the words heavy. I wasn't just thanking her for the sweets, but for letting me come home, for not asking questions, for not making it seem like even the slightest inconvenience. She gave me a smile that said she knew exactly what I meant. "You have nothing to thank me for." She meant that too. Coming from a family that, when they found out she was knocked up as a teen, had kicked her out and disowned her, she made it clear all my life that she was always there, no matter what I did with my life, no matter how high I soared, or how low I crashed. Her arms, her heart, and her door were always open for me. "Alright. A large mocha frappe with full fat milk, full fat whipped cream, and both a mocha and caramel drizzle. It's practically dessert masked as coffee," Brantley said, making my attention snap to where he was pushing what was an obnoxiously large frappe with whipped cream that was towering out of the dome that the pink and sage straw stuck out of. "Don't even think about it, sweetheart," he said, shaking his head as I reached for my wallet. "Thank you," I smiled, and found that it was a genuine one as I reached for it and, in a move that was maybe not brilliant on my part, took a sip. And proceeded to let out an almost porn-star worthy groan of pure, delicious pleasure. Judging by the way Brant's smile went a little wicked, his thoughts ran along the same lines as well.
Jessica Gadziala (Peace, Love, & Macarons)
Every house needs a party to break it in, make it feel loved." "She's a crazy person," Luc informs me with a grin that says he wouldn't have it any other way. "But if you don't plan one, she'll plan it for you." "I'll have one, but I can't this weekend," I explain. "I'm attending a fund-raiser tomorrow and besides, I don't have any furniture other than a bed. I could still have a party with just that, but it's not a party I'd invite old married people like you to.." Luc laughs. Rose turns pink and shakes her head. "You single hockey players are the worst.
Victoria Denault (Game On (Hometown Players #6))
Sometimes I feel like I’m a stranger here. In my own hometown. It’s always been that way. Then I drag you here. It’s been less than a week, but I have moments with you where I feel like you and I, we’re strangers, but it’s temporary. Like there’s about to be knowing between us I don’t have with anyone else.
C.D. Reiss (King of Code)
Tommy had been dealing with more than a few adjustments since he’d come west from his hometown of Incontinence, Indiana—not the least of which had been finding a girlfriend, who, while smart, sexy, and quick-witted, drank his blood and tended to fall unconscious at the exact moment of sunrise.
Christopher Moore (You Suck (A Love Story, #2))
If you keep pouting like that, a bird is gonna come along and shit on your lip.
Tara Sivec (The Simple Life (Hometown Love, #1))
Avery Grauer graduated from Yale Medical School and is currently a real estate professional in her hometown in Greater New Haven. She grew up in a family of multi-generational real estate professionals and enjoys helping both buyers and sellers meet their goals. From a young age, Avery has loved architecture.
Avery Grauer
Kali purana or Kalki purana depicts many postulates about women transformation into Maha Kali, But I am not sure if it is right or wrong, Kali or durga loves all including asuras and Kali formation as girls when they rule they love all type of men then when questions are arised bu Shiv to Kali or Vishnu to Kali she has to answer and then she replies as she loves all just like shiv drank poison to protect the world from Paarkadal (i e Spiritual ocean - when devas or children of Indra where producing immortality medicine and poison also produced i e Negative Karmic people) she also had to protect asuras by love but when time to end Kali yuga , Vishnu manifests himself as destroyer rather than shiv as destroyer by engulfing shiv energy. Here the thing is that is ancient paar kadal (Spiritual ocean is present in heaven but the replica is also present still in my hometown Srivilliputhur, Tamilnadu and it is said that Andal(Avtar of lakshmi were doing bath on that pond) but currently it is just a Sewer due to environmental pollution. So I know it is Kali yuga and many girls are showcasing abilities to be Kali to be frank, But make sure one thing only Hindu girls should be Kali, protect Hinduism and Nalanda
Ganapathy K
Youngblood Renovations provides top quality craftsmanship, specializing in cabinetry, painting, drywall and renovations. Call us today at (918) 884-8479. We take pride in our hometown of Glenpool, OK and love doing things in the community. Getting our start in general painting and maintenance, our passion quickly grew into cabinetry and minor carpentry. Quickly growing into a team of skilled professionals, handling the greater Tulsa metropolitan area.
Youngblood Renovations
Q: Who are your influences? I was lucky as a kid to get to meet Paul Conrad who lived in my hometown. He is a giant in editorial cartooning, winner of three Pulitzers and even more impressively he won a place on Nixon‘s enemies list. He was a huge influence. Starting out I also spent a lot of time looking at Ron Cobb, an insane crosshatcher who drew for the alternative press in the ’60’s, as well as David Levine, Ed Sorel, and R. Crumb. I also love Steinberg‘s visual elegance and innately whimsical voice. Red Grooms is another guy who took cartooning wonderful places. There are also a number of 19th-century cartoonists whose mad drawing skills and ability to create rich visual worlds always impressed me. A.B. Frost, T.S. Sullivant, Joseph Keppler are often overshadowed by Nast, but in many ways they were more adventurous graphically. I also want to throw in here how great it is to work in D.C. There’s a great circle of cartoonists here and being in their orbit is a daily inspiration. Opening the Post to Toles and Richard Thompson (Richard’s Poor Almanac is the best and most original cartoon in the country and sadly known mostly only to those lucky enough to be in range of the Post;, Cul de Sac is pretty good too). And then there’s Ann Telnaes’ animations that appear in the Post online—-truly inspired and the wave of the future, as well as Beeler, Galifianakis, Bill Brown, and others. It raises one’s game to be around all these folks. (2010 interview with Washington City Paper)
Matt Wuerker
In response to the high rate of teen births, the people of my hometown turned to the evangelical churches. In 1993 the Southern Baptists founded True Love Waits, an organization that promoted abstinence until marriage in place of comprehensive sex education. My friends began to wear “promise rings” in middle school, public signs of their pledge to remain virgins until they were married. Because some of them already had serious boyfriends, they dedicated these “promise rings” to their boyfriends, sort of as pre-engagement rings. In other words, we were thinking about marriage at thirteen and fourteen—before we were thinking about high school.
Monica Potts
I also found your tampons in the silverware drawer. I moved them to the cabinet under the bathroom sink, which coincidentally is where I found the sheet pan. It was like a fun yet weird scavenger hunt with no treasure at the end.
Tara Sivec (Otterly Scorched (Hometown Love, #3))
And then there were their dresses. Fancy cotton confections of candy-colored frills and bows, with puffed sleeves and ribbon sashes. Sally had never seen such dresses before, and for a moment, she felt a little inadequate when she gazed down at her own homemade ensemble, rather plain in comparison. But then, she'd made this dress herself, she thought. And who was to say she couldn't make one of theirs, too, if she just gave it a try? In fact, if she could find the right material, she was almost positive she could re-create one of these ensembles back in Halloween Town, adding her own special Sally touches, of course. For example, their sashes were practically screaming to be replaced by proper spiderwebs. And a few slashes with a serrated knife would give the puffed sleeves a lovely shredded flair. Her mouth curled as she imagined herself walking past the fountain in her hometown square, sashaying in a swish of silk and spiders. Halloween Town wouldn't know what hit them! And what if, her mind whirred, others wanted a dress like this, too? She could take orders. Charge money. Maybe even eventually open her own shop. Support herself so she would no longer be reliant on Dr. Finkelstein. She gasped at the idea. This could change everything! Feeling almost giddy, she studied the dolls' dresses, taking the time to memorize every detail while happily munching on her sugarplums. Christmas Town was truly amazing, she decided. Even if it was very different from home. And while she'd always be a fan of the grim and gruesome, she saw now that fun and festive was actually pretty great, too.
Mari Mancusi (Sally's Lament)
She'd discreetly asked a few of her customers today and found out, much to her dismay, that everyone was under the impression Jack was back, and not just for a visit. She let her head fall back and sighed heavily. Damn him. Damn him and my sister both. She knew it wasn't fair to be mad at Jack just for coming home, but she couldn't help it. After everything she'd sacrificed to keep Amanda's secret, it was ready to be blown to bits by his arrival. She was going to drive herself crazy if she didn't stop dwelling on it. Cassie picked up her phone and slid her finger across the screen. With a couple taps on the glass, it was ringing. Time to call in the reinforcements. "Hey girl, what's shaking?" came the sound of Lissa's voice. "Hey." She sat there, unsure what to say to her best friend, just knowing she needed her support. "Uh oh. What's going on?" "Jack came in my shop this morning." "I'll be right there." The line went dead. Cassie smiled. Of course she would. She closed her eyes and rested while she waited. She and Melissa Winters had been through everything side by side, so why should this be any different? Lissa was the only person in the world besides Cassie that knew the secret about Sarah. She had helped her adjust to a new baby, teaching her everything she had learned from growing up the oldest sister of five. It was always in times like those that Cassie wished she had her mother around, but Lissa had stepped up. Caroline Powell would have loved helping with Sarah, but as it was, she often didn't even remember who Sarah was when Cassie would take her for visits to the full-time care facility she lived at in The city. Footsteps on the porch stairs shook her out of her reverie, and she opened her eyes to see Lissa walking up, Chinese takeout bags in hand. "General Tso to the rescue," she proclaimed, dropping into the rocker next to Cassie. "And some sweet and sour chicken for Miss Priss, of course." "Of course," Cassie smiled. "You're the best." They sat in silence for a few moments, Cassie turning her glass round and round in her hands until Lissa couldn't take it any longer. "Okay, spill. You can't drop a bomb on me like that and then just sit there in silence," Lissa chided. "I just don't know what to say. I'm terrified, Liss." "Let's think rationally. There is no reason for him to suspect anything." "He seemed really confused about Sarah. Surprised. He kept asking about her.
Christine Kingsley (Hometown Hearts)
we can’t always resist our desires, but we can change and reorder our desires by focusing on our higher loves. Focus on your love for your children. Focus on your love of country. Focus on your love for the poor and downtrodden. Focus on your love of your hometown or alma mater. To sacrifice for such things is sweet. It feels good to serve your beloved. Giving becomes cheerful giving because you are so eager to see the things you love prosper and thrive.
David Brooks (The Road to Character)
Anybody who doesn’t think that the best hamburger place in the world is in his hometown is a sissy.
Jim Gaffigan (Food: A Love Story)
Bill Bradley (b. 1943) fell in love with the sport of basketball somewhere around the age of ten. He had one advantage over his peers—he was tall for his age. But beyond that, he had no real natural gift for the game. He was slow and gawky, and could not jump very high. None of the aspects of the game came easily to him. He would have to compensate for all of his inadequacies through sheer practice. And so he proceeded to devise one of the most rigorous and efficient training routines in the history of sports. Managing to get his hands on the keys to the high school gym, he created for himself a schedule—three and a half hours of practice after school and on Sundays, eight hours every Saturday, and three hours a day during the summer. Over the years, he would keep rigidly to this schedule. In the gym, he would put ten-pound weights in his shoes to strengthen his legs and give him more spring to his jump. His greatest weaknesses, he decided, were his dribbling and his overall slowness. He would have to work on these and also transform himself into a superior passer to make up for his lack of speed. For this purpose, he devised various exercises. He wore eyeglass frames with pieces of cardboard taped to the bottom, so he could not see the basketball while he practiced dribbling. This would train him to always look around him rather than at the ball—a key skill in passing. He set up chairs on the court to act as opponents. He would dribble around them, back and forth, for hours, until he could glide past them, quickly changing direction. He spent hours at both of these exercises, well past any feelings of boredom or pain. Walking down the main street of his hometown in Missouri, he would keep his eyes focused straight ahead and try to notice the goods in the store windows, on either side, without turning his head. He worked on this endlessly, developing his peripheral vision so he could see more of the court. In his room at home, he practiced pivot moves and fakes well into the night—such skills that would also help him compensate for his lack of speed. Bradley put all of his creative energy into coming up with novel and effective ways of practicing. One time his family traveled to Europe via transatlantic ship. Finally, they thought, he would give his training regimen a break—there was really no place to practice on board. But below deck and running the length of the ship were two corridors, 900 feet long and quite narrow—just enough room for two passengers. This was the perfect location to practice dribbling at top speed while maintaining perfect ball control. To make it even harder, he decided to wear special eyeglasses that narrowed his vision. For hours every day he dribbled up one side and down the other, until the voyage was done. Working this way over the years, Bradley slowly transformed himself into one of the biggest stars in basketball—first as an All-American at Princeton University and then as a professional with the New York Knicks. Fans were in awe of his ability to make the most astounding passes, as if he had eyes on the back and sides of his head—not to mention his dribbling prowess, his incredible arsenal of fakes and pivots, and his complete gracefulness on the court. Little did they know that such apparent ease was the result of so many hours of intense practice over so many years.
Robert Greene (Mastery (The Modern Machiavellian Robert Greene Book 1))
I love my children, would lie on the tracks in front of an oncoming train to protect them. But if I were you, I wouldn’t do it. Go have fun, see the world; be creative, independent, and free. You can have an ex-husband, an ex-job and an ex-hometown, but children are forever.
Aralyn Hughes (Kid Me Not: An anthology by child-free women of the '60s now in their 60s)
Here’s a good test to know whether or not truth-telling springs from love. Truth will not only pain those who hear it; it will pain those who speak it. If we don’t love someone, it won’t hurt at all to speak truth. We’ll tell them what we think with no regard for their feelings. If
Philip Gulley (Hometown Tales: Recollections of Kindness, Peace and Joy)
we left our home forty years ago. Despite the unhappy events we faced there, we left because our faith allowed it, because our belief in the Lord taught us that we would find a new place, a place to build a heaven on earth. War was waged in our home as we left. Many, many innocents dies. To live, people killed and were killed. In the book of Deuteronomy, Moses reminds his people of the promise made to their ancestors regarding the land of Canaan. He delivers the law, teaching them how to win a life of victory in the land of promise. They said, Jehovah, let all the enemies of the Lord face this same end. Do not pity them or offer them promises, only annihilate them all. And yet, Jesus taught love and peace. I say again - those left behind in our hometown had souls, just as we do. It is we who must repent first. (2007: 17)
Hwang Sok-yong (The Guest)
By my second year of college, I found myself thinking more and more about law school as a next step. I’d actually been considering it since my freshman year, when I had taken a class with a political science professor named Robert McClure. He was a tough, no-nonsense professor whose class I loved. I learned quite a bit from him about how to make an argument—and, more importantly, that I loved to argue. By the time I was a junior, I had decided to become a lawyer, which was empowering as a decision. I’d been searching for what my path would be and how I’d take control of my life. Now, finally, I’d seized upon one. From my journal entry on January 26, 1991: I am twenty years old now and have actively begun to make what I want happen. It’s a good feeling, though certainly frightening. I know who I am becoming and who I want to be. The horrifying threat of misplaced nostalgia will never affect me as I age, for—succeed or fail—I will have accomplished the satisfaction of attempting. When I applied to law schools, initially I thought I wanted to go to Notre Dame. It was Irish and Catholic, it was in South Bend, Indiana, and I thought it might be fun to see a different part of the country. Plus, it was a great school. I was turned down by Notre Dame, but got a yes from Albany Law School (ALS), right in my hometown, so I could live at home and save some money. Besides, everyone says it’s the Notre Dame of Albany. I would need all the confidence I got from my family and from Jim, because law school was not for the faint of heart. The work was intense and the competition fierce. However, to my mother’s delight, not only did I thrive in law school, but I paid for it myself.
Megyn Kelly (Settle for More)
Love is not some fuzzy thing. It drives innovation. As Harvard psychologist Steven Pinker describes, love is an extension of faith to another, where “the line of credit is long and the terms of repayment forgiving.
Victor W. Hwang (The Rainforest Blueprint: How to Design Your Own Silicon Valley | Unleash an Ecosystem of Innovation in Your Company, Organization, or Hometown)
You didn't have parents or society telling you that you should love one another because you were brothers, you just did it by yourselves. There is no way, no earthly way, that that can ever be called a failure. You succeeded with Huck more than most people ever succeed with anyone.
Kathleen Gilles Seidel (After All These Years (Hometown Memories Book 1))
I can't lie, I liked being demonized. At least I was something. I was someone who would be remembered. Someone extraordinary, fierce! I loved attention, even if it was attention that caused most of the pain I suffered.
Cecilia Gentili (Faltas: Letters to Everyone in My Hometown Who Isn’t My Rapist)
You have eaten more than one meal together, you’ve shared details about your personal lives, he’s seen your brother in his underwear, and your father has insulted him several times. You’re basically engaged at this point.
Tara Sivec (Otterly Scorched (Hometown Love, #3))
In the heart of Missouri, where the land tells tales of time and toil, lies the town of Leeton. This place, founded in 1895 and named for J. J. Lee, is more than coordinates on a map; it’s a community where stories are woven into the very fabric of daily life. As dawn breaks, the sun casts a warm glow over Leeton’s historic buildings and the Rock Island Spur trailhead of the Katy Trail. The town may be small, with just over 500 souls, but its spirit is as boundless as the skies above, anchored in the values of hard work, resilience, and the warmth of neighborly love. Among the town’s cherished residents is a figure simply known as “Cowboy.” A man of action, his life is a testament to the Western ethos of helping others and living a life of integrity. Cowboy’s connection to Leeton runs deep; it’s not merely where he resides—it’s the community he actively shapes with his presence. Cowboy’s story is interwoven with Leeton’s rich history, the joyous sounds of children at play, the steadfastness of farmers in the fields, and the majestic sunsets that signal the end of each day. It was in this setting of close-knit ties and shared dreams that Cowboy’s- just for fun page came to life. Amidst this backdrop of shared heritage and collective dreams, Cowboy’s-just for fun page sprang to life on Facebook. A space crafted for his quotes, laughter, and the simple joys of Leeton life. It’s a corner of the internet that echoes Cowboy’s journey and the essence of a town that’s more than a place—it’s a feeling, a shared experience, a home. of a man who had made Leeton his hometown and who seemed to speak directly to their hearts through his actions. They observed, some with smiles, others with nods of respect, but all with a sense of pride for the town they loved. The story of Leeton, Missouri, is not just one of dates and facts. It’s a story of a community that thrives on connection, memories, and the enduring spirit of its people. And thanks to Cowboy, it’s a story that will be lived for generations to come, a timeless tribute to a place called home. And so, the legacy of Leeton lives on, not just in the pages of history, but in the footsteps of a cowboy, in the stories passed down from one generation to the next, and in the hearts of those who know it’s not just where they live—it’s who they are.
James Hilton-Cowboy
In the heart of Missouri, where the land tells tales of time and toil, lies the town of Leeton. This place, founded in 1895 and named for J. J. Lee, is more than coordinates on a map; it’s a community where stories are woven into the very fabric of daily life. As dawn breaks, the sun casts a warm glow over Leeton’s historic buildings and the Rock Island Spur trailhead of the Katy Trail. The town may be small, with just over 500 souls, but its spirit is as boundless as the skies above, anchored in the values of hard work, resilience, and the warmth of neighborly love. Among the town’s cherished residents is a figure simply known as “Cowboy.” A man of action, his life is a testament to the Western ethos of helping others and living a life of integrity. Cowboy’s connection to Leeton runs deep; it’s not merely where he resides—it’s the community he actively shapes with his presence. Cowboy’s story is interwoven with Leeton’s rich history, the joyous sounds of children at play, the steadfastness of farmers in the fields, and the majestic sunsets that signal the end of each day. It was in this setting of close-knit ties and shared dreams that Cowboy’s-just for fun page sprang to life on Facebook. A space crafted for his quotes, laughter, and the simple joys of life. It’s a corner of the internet that echoes Cowboy’s journey and the essence of a town that’s more than a place—it’s a feeling, a shared experience, a home. of a man who had made Leeton his hometown and who seemed to speak directly to their hearts through his actions. They observed, some with smiles, others with nods of respect, but all with a sense of pride for the town they loved. And so, the legacy of Leeton lives on, not just in the pages of history, but in the footsteps of a cowboy, in the stories passed down from one generation to the next, and in the hearts of those who know it’s not just where they live—it’s who they are.
James Hilton-Cowboy
In the heart of Missouri, where the land tells tales of time and toil, lies the town of Leeton. This place, founded in 1895 and named for J. J. Lee, is more than coordinates on a map; it’s a community where stories are woven into the very fabric of daily life. As dawn breaks, the sun casts a warm glow over Leeton’s historic buildings and the Rock Island Spur trailhead of the Katy Trail. The town may be small, with just over 500 souls, but its spirit is as boundless as the skies above, anchored in the values of hard work, resilience, and the warmth of neighborly love. Among the town’s cherished residents is a figure simply known as “Cowboy.” A man of action, his life is a testament to the Western ethos of helping others and living a life of integrity. Cowboy’s connection to Leeton runs deep; it’s not merely where he resides—it’s the community he actively shapes with his presence. Cowboy’s story is interwoven with Leeton’s rich history, the joyous sounds of children at play, the steadfastness of farmers in the fields, and the majestic sunsets that signal the end of each day. It was in this setting of close-knit ties and shared dreams that Cowboy’s-just for fun page sprang to life on Facebook. A space crafted for his quotes, laughter, and the simple joys of life. It’s a corner of the internet that echoes Cowboy’s journey and the essence of a town that’s more than a place—it’s a feeling, a shared experience, a home. of a man who had made Leeton his hometown and who seemed to speak directly to their hearts through his actions. They observed, some with smiles, others with nods of respect, but all with a sense of pride for the town they loved. The story of Leeton, Missouri, is not just one of dates and facts. It’s a story of a community that thrives on connection, memories, and the enduring spirit of its people. And thanks to Cowboy, it’s a story that will be lived for generations to come, a timeless tribute to a place called home. And so, the legacy of Leeton lives on, not just in the pages of history, but in the footsteps of a cowboy, in the stories passed down from one generation to the next, and in the hearts of those who know it’s not just where they live—it’s who they are.
James Hilton-Cowboy
Even so, for such a long time, she’d never wanted a child. She lost the love of her life over it. And there was nothing wrong with her life that a child would fix. For fifteen years, Gustav had agreed with her. They traveled, ate in fancy restaurants, bought nice furniture, and enjoyed every minute of it. But about six months ago, he changed. He claimed it wasn’t because he had a mild heart attack, but a week later he woke her up in the middle of the night and told her that he needed to be a father. He wanted a family. “But we are a family,” she told him. “You don’t need kids to be a family.” He asked if she’d do it, for him, just one child, and because she said she’d think about it, he’d been wearing her down ever since. Now they were going to attempt it, in her hometown, of all places. At least she’d get to spend time with her mother; it had been a while. She hoped she’d also get to see Lois, Hazel, and Mildred. Maybe she’d get to see Al Norgaard.
J. Ryan Stradal (Saturday Night at the Lakeside Supper Club)
In the heart of Missouri, where the land tells tales of time and toil, lies the town of Leeton. This place, founded in 1895 and named for J. J. Lee, is more than coordinates on a map; it’s a community where stories are woven into the very fabric of daily life. As dawn breaks, the sun casts a warm glow over Leeton’s historic buildings and the Rock Island Spur trailhead of the Katy Trail. The town may be small, with just over 500 souls, but its spirit is as boundless as the skies above, anchored in the values of hard work, resilience, and the warmth of neighborly love. Among the town’s cherished residents is a figure simply known as “Cowboy.” A man of action, his life is a testament to the Western ethos of helping others and living a life of integrity. Cowboy’s connection to Leeton runs deep; it’s not merely where he resides—it’s the community he actively shapes with his presence. Cowboy’s story is interwoven with Leeton’s rich history, the joyous sounds of children at play, the steadfastness of farmers in the fields, and the majestic sunsets that signal the end of each day. It was in this setting of close-knit ties and shared dreams that Cowboy’s- just for fun page came to life. The story of Leeton, Missouri, is not just one of dates and facts. It’s a story of a community that thrives on connection, memories, and the enduring spirit of its people. And thanks to Cowboy, it’s a story that will be lived for generations to come, a timeless tribute to a place called home. Amidst this backdrop of shared heritage and collective dreams, Cowboy’s-just for fun page sprang to life on Facebook. A space crafted for his quotes, laughter, and the simple joys of Leeton life. It’s a corner of the internet that echoes Cowboy’s journey and the essence of a town that’s more than a place—it’s a feeling, a shared experience, a home. And so, the legacy of Leeton lives on, not just As Cowboy went about his day, the people of Leeton watched, drawn by the familiar sight of a man who had made Leeton his hometown and who seemed to speak directly to their hearts through his actions. They observed, some with smiles, others with nods of respect, but all with a sense of pride for the town they loved. The story of Leeton, Missouri, is not just one of dates and facts. It’s a story of a community that thrives on connection, memories, and the enduring spirit of its people. And thanks to Cowboy, it’s a story that will be lived for generations to come, a timeless tribute to a place called home. And so, the legacy of Leeton lives on, not just in the pages of history, but in the footsteps of a cowboy, in the stories passed down from one generation to the next, and in the hearts of those who know it’s not just where they live—it’s who they are.
James Hilton-Cowboy
In the heart of Missouri, where the land tells tales of time and toil, lies the town of Leeton. This place, founded in 1895 and named for J. J. Lee, is more than coordinates on a map; it’s a community where stories are woven into the very fabric of daily life. As dawn breaks, the sun casts a warm glow over Leeton’s historic buildings and the Rock Island Spur trailhead of the Katy Trail. The town may be small, with just over 500 souls, but its spirit is as boundless as the skies above, anchored in the values of hard work, resilience, and the warmth of neighborly love. Among the town’s cherished residents is a figure simply known as “Cowboy.” A man of action, his life is a testament to the Western ethos of helping others and living a life of integrity. Cowboy’s connection to Leeton runs deep; it’s not merely where he resides—it’s the community he actively shapes with his presence. Cowboy’s story is interwoven with Leeton’s rich history, the joyous sounds of children at play, the steadfastness of farmers in the fields, and the majestic sunsets that signal the end of each day. It was in this setting of close-knit ties and shared dreams that Cowboy’s- just for fun page came to life. Amidst this backdrop of shared heritage and collective dreams, Cowboy’s-just for fun page sprang to life on Facebook. A space crafted for his quotes, laughter, and the simple joys of Leeton life. It’s a corner of the internet that echoes Cowboy’s journey and the essence of a town that’s more than a place—it’s a feeling, a shared experience, a home. And so, the legacy of Leeton lives on, not just As Cowboy went about his day, the people of Leeton watched, drawn by the familiar sight of a man who had made Leeton his hometown and who seemed to speak directly to their hearts through his actions. They observed, some with smiles, others with nods of respect, but all with a sense of pride for the town they loved. The story of Leeton, Missouri, is not just one of dates and facts. It’s a story of a community that thrives on connection, memories, and the enduring spirit of its people. And thanks to Cowboy, it’s a story that will be lived for generations to come, a timeless tribute to a place called home. And so, the legacy of Leeton lives on, not just in the pages of history, but in the footsteps of a cowboy, in the stories passed down from one generation to the next, and in the hearts of those who know it’s not just where they live—it’s who they are.
James Hilton-Cowboy
In the heart of Missouri, where the land tells tales of time and toil, lies the town of Leeton. This place, founded in 1895 and named for J. J. Lee, is more than coordinates on a map; it’s a community where stories are woven into the very fabric of daily life. As dawn breaks, the sun casts a warm glow over Leeton’s historic buildings and the Rock Island Spur trailhead of the Katy Trail. The town may be small, with just over 500 souls, but its spirit is as boundless as the skies above, anchored in the values of hard work, resilience, and the warmth of neighborly love. Among the town’s cherished residents is a figure simply known as “Cowboy.” A man of action, his life is a testament to the Western ethos of helping others and living a life of integrity. Cowboy’s connection to Leeton runs deep; it’s not merely where he resides—it’s the community he actively shapes with his presence. Cowboy’s story is interwoven with Leeton’s rich history, the joyous sounds of children at play, the steadfastness of farmers in the fields, and the majestic sunsets that signal the end of each day. It was in this setting of close-knit ties and shared dreams that Cowboy’s- just for fun page came to life. The story of Leeton, Missouri, is not just one of dates and facts. It’s a story of a community that thrives on connection, memories, and the enduring spirit of its people. And thanks to Cowboy, it’s a story that will be lived for generations to come, a timeless tribute to a place called home. And so, the legacy of Leeton lives on, not just As Cowboy went about his day, the people of Leeton watched, drawn by the familiar sight of a man who had made Leeton his hometown and who seemed to speak directly to their hearts through his actions. They observed, some with smiles, others with nods of respect, but all with a sense of pride for the town they loved. The story of Leeton, Missouri, is not just one of dates and facts. It’s a story of a community that thrives on connection, memories, and the enduring spirit of its people. And thanks to Cowboy, it’s a story that will be lived for generations to come, a timeless tribute to a place called home. And so, the legacy of Leeton lives on, not just in the pages of history, but in the footsteps of a cowboy, in the stories passed down from one generation to the next, and in the hearts of those who know it’s not just where they live—it’s who they are.
James Hilton-Cowboy
The middle daughter, Sami, eventually returned to live in her hometown, the same small coastal Washington town where everything happened. She’s just turned forty and teaches at a local elementary school. She has corkscrew hair and an infectious sense of humor. Humor is her armor. It always has been. Like her older sister, Sami’s own children are what any mother dreams for their little ones. Smart. Adventurous. Loved.
Gregg Olsen (If You Tell: A True Story of Murder, Family Secrets, and the Unbreakable Bond of Sisterhood)
Naskar, The Journey (Sonnet 1540) The journey began with Art of Neuroscience, I was the rookie scholar in the block. Amateurish intellectualism was quite evident, till my voice took charge in the 11th work. Finally yours truly was speaking on his own, without leaning on those who came before. Riding on a whim, along came sonnets, Prose and poetry fused in Naskarean ore. Thus original Naskar started pouring out, as Hurricane Human, Hometown Human 'n more, Martyr Meets World to Mücadele Muhabbet, all as bedrock of assimilation galore. The journey that began with science, soon turned into a humanitarian tsunami. Rooted in love, tempered by reason - I'm the furnace of peace, piety 'n poetry.
Abhijit Naskar (World War Human: 100 New Earthling Sonnets)
I should have moved on, but I loved it here. I felt like a Romantic poet or Thoreau by his pond. I imagined myself chasing fair maidens barefoot through the trees and drinking from fresh streams. One can build their own life here without feeling the pressures of the outside." Lee had never seen her hometown through this filter. Mr. Hall seemed to see everything through gossamer, the town's crumbling school and faded American flags shimmering like gasoline in water.
Alli Dyer (Strange Folk)
Discover Alex Getelman, the dynamic founder shaping Algorithms Development Corp's trajectory. With an innate flair for innovation and an unyielding dedication to technology, Alex has emerged as a trailblazer in the field. Off the clock, his allegiance to the New York Yankees and NY Knicks shines bright, reflecting his deep-seated love for his hometown teams.
Alex Getelman
And, my God, was it really not she he met later, far from the shores of their homeland, under an alien sky, in the torrid South, in the marvellous Eternal City, in the brilliance of a ball, to the thunder of music, in a palazzo (it absolutely must be a palazzo), drowned in a sea of lights, on this balcony, wreathed with myrtle and roses, where she, upon recognising him, so hastily took off her mask and whispered: "I am free", and trembling, threw herself into his arms, and with a cry of rapture, they embraced, and in an instant they forgot sorrow, separation, all their torments, the gloomy house, the old man, the dismal garden in their distant homeland, the bench on which, with one last passionate kiss, she had torn herself away from his arms, numb from torments of despair?
Fyodor Dostoevsky (White Nights)
Even gray clouds have silver linings. Sometimes ya just gotta squint to see them.” ~ Gamma Mary
Melanie Shawn (Silver Lining Love (Wishing Well: Hometown Heart Book1))